So it has been a while since I last reviewed one of these chapters from the Choices videogame. Originally I was just playing the game but as I could do that faster than I could review, I ended up deciding to not play another chapter until I finished reviewing what I already had played. Of course things came up and I got distracted by other things on my list to write/review/etc-so now I am getting to Chapter 13 of Book 1, while I think Pixelberry has already created book three or four of this video game.
Anyway, quick backstory since it has been so long. This game is storybook based where you have a story that progresses a certain way, but at times you get to make a choice as to what to do, say, who to fall in love with, etc. Some choices require you to spend diamonds to play, which you can earn every time you play a chapter or purchase from their store. Some “books” have different side quests, like in this one you want to become an accomplished woman and certain choices allow you to gain items.
It’s really fun as you have the power to decide what path the story takes.
This game is set in the Regency time period, and of course is catered toward Jane Austen fans. In this game you are the illegitimate daughter of the Earl of Edgewater, something you discovered on your mother’s deathbed. You met your father and he accepted you and has decided to make you his legal heir, as your half-brother passed away.
You also have an evil stepmother and conniving stepbrother, Mr. Marcastle, who has a dim fiancé, Miss Sutton. They are all plotting against you.
And a lot has happened since the beginning of the book: you have held a garden party (which you rocked), you are currently having a London season, you went to Mr. Sinclaire’s house (a suitor I am all about)-who has a sad Rebecca–esque backstory and he gifted you a book, you visited the Opera St. James where your mother used to preform, went to see an Opera and were stuck with the Duke who is a horrible jerk, took a walk in the rain with Mr. Sinclaire, learned to paint, helped your friend refuse a gross geezer, found out the truth about Mr. Sinclaire’s wife and the Duke, and was able to meet up with your father one last time before he died. On his deathbed you receive one last giant twist: it turns out that your parents were married before you were born! You’re not but yet still are illegitimate.
Now here is where the story isn’t tracking true to actual history. In the game your parents were married and then had an annulment making you illegitimate. But I did some research and it turns out that:
“any children of an annulled marriage become bastards (who cannot inherit or be declared legitimate at the whim of the peer) and likewise outcasts of society.”
So this next conflict of this game is to try and inherit the estate is not something that is possible, unless I can prove that the annulment never legally took place and my stepmother’s marriage is invalid. I don’t know if the game’s creator’s did any proper research, but let’s see what happens next in the game at the funeral.
You start this chapter off with your grandmother the two of you consoling each other over the loss of your father and her son. But even though Grandmother is sad, she is also still as conniving and concerned about the estate as ever. She eagerly wants me to harpoon the Duke (who we don’t like since he tried to attack me) in order to have a better hold on the estate. I’d much rather have the Mr. Darcy/Maxim de Winter-esque character, Mr. Sinclaire.
Grandmother also warns me not to make a scene at the funeral, and I’ve played enough of these choices game to know that is 100% what my character will do later on-no matter how much I don’t want to.
You have the option to purchase a black gown to wear to the funeral or wear something else that you already have in your closet, and this kind of option is one I hate. I understand the game wants to make money off, but sometimes it makes no sense to have them purchase an item and not provide one. It’s a funeral! But whatever. I of course know that it would be clearly uncouth of me not to wear black, so I purchased it.
The time of the funeral has come and we go to church to have it. Your stepmother and stepbrother both refuse to allow you to seat with them. This I also don’t understand, why not just sit with your grandmother? Instead you have the two options of making a little scene or making a much larger one.
I of course chose the more respectful of the two options, the smaller scene-but either way a scene is made and I know grandma will not be happy.
Mr. Sinclaire, a good friend of my father’s and his closest neighbor, also comes to the funeral and pays his respects to me. The two of us have grown closer together but is it enough for a proposal? I feel like when I play Marrying Mr. Darcy, just because you are able to get proposed to you still have a final gamble/roll to take.
The service is beautiful, and Mr. Sinclaire is happy to hear that my father approved of him asking for my hand in marriage. (Things are looking good).
At the end of the service we all say our final goodbyes and the writers wrote this chapter so prettily. These words are so sad and full of emotions, you can feel the pain and sorrow there.
Afterwards is a reception in which you see Mr. Harper the horseman. He wants to pay his respects but you stepmother is a cruel woman and won’t allow him to. You also speak to the other guests and your stepbrother, realizing that your stepbrother had deep feelings for your father. Could Mr. Marcastle actually have a heart?
Even though I try not to Mr. Marcastle and I make a scene. Oops! It looks like one of thede writers just wants all the drama!
You also run into your best friend Miss Parson, your new friend Miss Sutton (fiancé to Mr. Marcastle but she values your friendship more), and Prince Hamid. All are here for you to support and encourage you during this rough time. Each offers you a diamond choice to do something with them.
You also into Mr. Sinclaire again and he offers to show you his home, Ledford Park, if you are in need of a respite. Now I know this isn’t what one should do in Regency Times (Marianne Dashwood had taught me that), but I’m really curious about his home and I have enough diamonds to purchase the option that I agree.
You go to his home and it is beautiful, very much like Pemberley. The two of you walk the grounds and talk. As Mr. Sinclaire also lost his father, he understands the pain you are going through. Mr. Sinclaire shares about his father and all he says makes him sound even more like Mr. Darcy.
He shares with you a cute story about how his mother would have him throw a coin in a fountain and make a wish when he was sad, this always giving him hope. You decide to try it out, being all cute and romantic together. Aw!
The two of you just sit for a while and Mr. Sinclaire promises to help you in any way he can. Not a proposal, but his friendship is very important and you are a step closer.
The next day you discover that your stepmother is trying to keep you from gaining your inheritance by saying you are not your father’s child and that your father was mentally incompetent. But you have letters to prove it, your grandmother knows that it is true, and it doesn’t matter if he was mentally incompetent. I’m not an expert in Regency law but trying to get him to be declared incompetent seems like a weird route to take. Plus we already know that one wouldn’t want to have their family branded as crazy.
Plus Henrietta is all “I’m the widow” people will feel sorry for me-but that doesn’t means nothing. History is full of women who were given the shaft. Taking a cue from Sense and Sensibility, the only thing that is important is to who will get the money. And as of right now that is my character.
We end the chapter with me being trapped in my room. (Someone watched Cinderella.) Again, this is a pretty dumb move as the Dowager Countess, my grandma, is there and will know something is up. She’s very smart and not about to let her son’s last wishes go unhonored. She will be gunning for the Countess I’m sure.
“Catherine Earnshaw, may you not rest so long as I live on! I killed you. Haunt me, then! Haunt your murderer! I know that ghosts have wandered on the Earth. Be with me always. Take any form, drive me mad, only do not leave me in this dark alone where I cannot find you. I cannot live without my life! I cannot die without my soul.”
The American posters for Wuthering Heights are super boring, while the foreign ones are all much more interesting, although I do like the one above a lot! I really love whoever decided to make Heathcliff green as he looks like a monster (or should I say Munster?).
When I was plotting out what filmto start Horrofest X with, I was, as usual, struggling. I always want to be sure the first post is a good one, a film that I adore or is special to me. This year the first film was supposed to be from the 1930s and as I started looking at 1930s films, I realized I had already reviewed a lot of my favorite 1930s horror films. On a whim I decided to search backwards, starting with the last year of the decade, 1939, and when I saw Wuthering Heights, I knew it was the perfect film to begin with.
Wuthering Heights (1939) is an adaption of the 19th century gothic novel of the same name, by Emily Brontë. It is a novel I was obsessed with as a tween and teen. I used to read this book over and over again, and I loved Heathcliff more than I should have. But you know teenage girls, they tend to be attracted to the bad boy who “only needs someone to truly show them love and care and then they will change their ways!” Not true at all, but I believed it, and believed it of Heathcliff (at least until I married one and realized that it was a mistake). I essentially was Isabella.
I still enjoy the book, although my ardor for Heathcliff is not as it was a tween/teen, as it is extremely well written and sucks you in from the moment Cathy taps on the windowpane. And this adaption is one that I haven’t seen in a while but have loved because of one truly handsome and amazing man, Laurence Olivier.
Laurence Olivier has always been one of my favorite actors and classic Hollywood heartthrobs and he truly does this part justice. Jane Austen fans should recognize him as the OG Darcy (and even though that film heavily strays from the book I love his version of Darcy as well). He never would have gotten that part if it wasn’t for this film, this one made him a star! Laurence Olivier was just fantastic in this as he can do the moody mcbroody parts so well.
Wuthering Heights is a book where the characters all have issues with each other and spend a majority of time fighting or upset with each other. The process of making this film was another one of those cases of “life imitating art” as the cast spent a lot of time behind the scene not getting along at all. This film was directed by William Wyler and he and Laurence Olivier argued a lot. Olivier really resented his directing style of doing multiple takes with slight differences, (prior to this Olivier had done little film acting and more stage work). Later on, he credited Wyler for a lot of growth, but at the time he was heavily annoyed.
Merle Oberon and Olivier also had a rocky relationship. The two had gotten along in a previous film shoot, but spent this one yelling and arguing with each other whenever filming stopped and could not stand each other.
David Niven and Wyler historically did not get along and Niven was dreading this film. At one point Wyler was upset that Niven wouldn’t cry, and wanted to do repeated takes until he did; but Niven told him he had a no crying clause in his contract. Wyler made him get a copy of the contract to prove that this was true. Niven and Oberon also hated working with each other as the two had a romance go sour.
Merle Oberon did not care for working with Wyler as well as his methods of perfection and pushing his actors and actresses rivals Stanley Kuberick. One rain scene he made Oberon do over and over again until she became so sick she vomited and had a fever. When she came back from the hospital he immediately began pushing her as he had before, but she refused to film the scene unless heaters were brought in to protect her health.
You’ll also notice that the clothing is not accurate to the time period as the director changed the clothing to be the 1840s instead of early 1800s as he liked those fashions better.
Samuel Goldwyn Mayer wanted to change the story too as he thought it was too dark for a romance, luckily this suggestion was not accommodated. I used to think Wuthering Heights was a romance, but now as an adult having experienced someone like Heathcliff but worse, the real romance of Wuthering Heights, is the spooky elements and the mysterious moors.
I haven’t seen this movie in years, but I remember really enjoying it. I know it isn’t your typical “horror film”, but I’m counting it as it has Gothic elements, ghosts, and plenty of psychopaths/sociopaths. I know a lot of people talk about Heathcliff’s behavior and dislike him, but to be honest he really doesn’t deserve as much hate as he gets as every character in this film is a truly terrible person.
The film starts off with the credits but use such romantic music, light and airy-but this manor holds mystery, decay, and trouble.
“Only a stranger lost in a storm would dare knock on the door of Wuthering Heights”.
The story begins with poor Mr. Lockwood. He’s a tenant that started renting on Heathcliff’s land to get away from people. Now he’s lost in a blizzard about to go on a ghostly adventure.
In the house is Heathcliff, scowling, angry, harsh and as cold as the blizzard Mr. Lockwood came in from. This is also a woman, Mrs. Heathcliff, in the home, hard and worn-as weathered as the home they live in. I love this imagery.
Mr. Lockwood is trying to make the best of the rudeness received at the house but you can tell he’s like these people are strange. That night he struggles with sleep, especially when one of the shutters come open. He hears a woman crying and she grabs his hand and holds it tight.
Frightened he calls for Heathcliff who storms over. Mr. Lockwood tells Heathcliff, who screams and pushes him out-pulling open the shutter and calling to “her” again. He’s so sad and brokenhearted, making you feel for Heathcliff.
Mr. Lockwood is shocked and the housekeeper Nelly tells him that Heathcliff is searching for the girl, Cathy, who died many years ago. Mr. Lockwood doesn’t believe in ghosts, but thinks he is just seeing things. Nelly then decides to tell him the story of what happened all those years ago.
We then go back to 40 years earlier, when Wuthering Heights was a bright and happy place. Wuthering Heights was never a truly happy place in the book. It was less miserable, true, but the late Mr. Earnshaw was not a kind man at all and produced a horrible son who then abuses his sister and Heathcliff. This house has housed misery for so long time; it is seeped into the bones of the manor.
Mr. Earnshaw returns from his trip to Liverpool and instead of just bringing gifts back he also brings a boy-dark skinned, dirty, a “gypsy” child. Mr. Earnshaw kindly admonishes his children for their rude behavior to Heathcliff and all I can think is this Earnshaw is nothing like the Earnshaw in the book. He puts Heathcliff in Hindley’s room, and Hindley is none too pleased about that.
Mr. Earnshaw has been coughing an awful lot ever since he returned home. You all know what that means-he’s on death’s door. He’s not long for this world.
Heathcliff and Cathy get along swimmingly, racing horses and getting into all kinds of mischief. In one game, Heathcliff wins the race against Cathy and wins her as his slave. His joy quickly ends as Hindley, resentful of the love Heathcliff receives from his father and hating the ire he gets, bullies him. He takes his horse from him, reminding him again he will never be anything as he is a nobody, an orphan; he doesn’t even have a last name. And in a time when where you came and your opportunities from were all tangled up in name and family; Heathcliff has nothing. And he is in a system where he will never be able to achieve or grasp anything-unless he does it in slightly illegal ways. In a lot of ways Heathcliff makes me think of Jay Gatsby from The Great Gatsby. Both are single minded and have an obsession with their first love. Both will do anything possible to get a position of power, wealth, status-even if they need to do it in illegal ways. Both have no qualms using others to get what they want-Heathcliff is just more rude and cruel about his methods lashing out in pain instead of living in denial.
Heathcliff and Hindley fight with Cathy defending Heathcliff and turning against her brother. Hindley beats Heathcliff up, although it is really badly choreographed. Heathcliff is angry and it is pretty odd but I have another comparison. The child actor who played Heathcliff is amazingly spot on, he does a fantastic jobbut the way he and Hindley interacted right now-it makes me think if a mafia movie like The Godfather. The way Heathcliff is so calm and cool-he’s another Michel Corleone.
Heathcliff is calmly furious, which is extremely frightening, and is prepared to wait and find a way to do anything possible to make Hindley pay. If I was Hindley, I would be very, very afraid.
Cathy wants to have fun, but Heathcliff only wants revenge! Cathy does finally convince him and they ride off together. The two play together with Heathcliff pretending to be Cathy’s prince, and it is a super cute scene that really gives you a view into their relationship and friendship.
Of course this isn’t a gothic story without some tragedy. Mr. Earnshaw dies and all happiness is gone from the home. Heathcliff wants to see Mr. Earnshaw, but Hindley is the master now and will not let Heathcliff. He also kicks Heathcliff out to the stables. Poor Heathcliff is sad and alone and crying. It breaks my heart-poor Heathcliff.
With Hindey as the master, the whole house is plunged into darkness and despair. Hindley and Cathy do well and are dressed well, with Heathcliff becoming Cinderfella, a slave-dressed in rags. Heathcliff listens and obeys, but you can see the rebellion in his eyes-he’s biding his time for one day…
Laurence Oliver is such a handsome man. You can pout him in dirt and rags, but he still is a shining star.
As soon as Hindley leaves each day Heathcliff and Cathy are off to runningin the moors in their special place. Aw, they seem so sweet and happy together. Too bad it won’t last.
Cathy decides to try and “encourage” Heathcliff by insulting his appearance and manhood. She questions why he doesn’t just leave and go somewhere else. And I’m like, girl really? Why do you think he stays here?
Heathcliff is super romantic “I could never part from you”; while Cathy is all “get rich and come take me away.” The two are in two totally different mindsets with Heathcliff all focused on the emotional, and while Cathy is emotional she is also much more practical. The only way she will ever be able to leave Wuthering Heights, her brother, this despair; is through marriage. And the only way she get Hindley’s blessing or survive with nothing from him is if they have money.
Heathcliff begs her to run off with him now, but she declines. You know some people would say she doesn’t really love him or is just using him, but I like that she recognizes a life without privilege as a woman is hard and that is not the life for her. She wants to be with her love, but even more so she also wants to be taken care of. You know there is a big difference between being punished by your brother and sleeping in he stables for a night or two (which she has done) and having to live in stables because you have no money and no connections. Her practicality reminds me a lot of Charlotte in Pride and Prejudice, and her choice of money over love of Mr. Willoughby. Although she is much better than Mr. Willoughby as she made it clear to her partner what she needed and wasn’t running around taking advantage of others. Heathcliff is very Marianne in the way he doesn’t really think about what will happen next, how will they survive?
Heathcliff vows to stay and be treated cruelly if it means they can be together. He gives an oath, but Cathy ignores it as she hears music and goes to their neighbors the Lintons. The two hop a fence to get a closer look, but awaken the guard dogs. They try to hop back over the fence but one of the dogs runs at Cathy’s leg and injures her, Heathcliff being a fights the dogs off with his bare hands. WOW!
The party come out and of course they take Cathy in and treat Heathcliff like dirt, trying to keep him from coming in-but he breaks through to se her. Everyone treats him horrible, and Cathy even tells him to go. Heathcliff is furious about his treatment and vows to leave, but will come back and bring ruin everyone’s head. I know we aren’t supposed to root for him as his quest to of vengeance on all these who have wronged him turns him into a crooked cruel man, but after the way they treated him I follow what he’s tracking.
Anyways, Heathcliff gives his strong amazing poetic vow to bring ruin to them all-and let me tell you Heathcliff has style. He knows how to command a room and do it right. He storms out in a powerful exit.
Cathy recuperates at the Linton home and when she returns she has had a lot of her wild ways “calmed”. Cathy returns surprised to hear that Heathcliff isn’t gone. He tried but he couldn’t be away from her. Cathy cruelly insults him and shares that the Linton house was so much better. Heathcliff sees the divide between them and does not like this, storming out.
Edgar is such a pompous jerk and insults Heathcliff. Cathy does not like it; she is the only one who can demean him. Being back in the house the real her comes out and her wild ways have all come out. She yells and screams at Edgar Linton and kicks him out of the house.
Cathy then runs off to her room crying. She removes the Linton from her (taking off Isabelle Linton’s borrowed dress) and puts her old clothes on, old self, and runs to meet Heathcliff in their special spot. The wealthy items tossed for plain, showing Heathcliff she chooses him-but does she?
The two cling tighter on the hill, but all I can think is not for long, They pick heather, but while the scene is beautiful and romantic, like the flowers you know that this will not last forever.
Poor Edgar is not run off by Cathy’s bad behavior, he tries to win her by sending gifts and begs her to see him. Cathy agrees to have him over and she really enjoys the way she has manipulated him and all I can think is poor Edgar, poor little soul. Heathcliff has heard Edgar is coming over and he’s furious, even more so by the airs she puts on and stating that he has no control over her-he’s just a stable boy.
Cathy continues to break his heart calling him a beggar, dirty, etc He slaps her and leaves running right into Edgar. Oh no, things are going to get bad-but instead of fighting Heathcliff runs out into the rain to the stable. Morose and alone.
Heathcliff hides out in the stable until Edgar leaves. He returns to the house hands bloody from him trying to cute the “dirt and soil and lower class from them”. Nelly hides Heathcliff when Cathy comes down, as Heathcliff doesn’t want her to know how her words cut at his heart. But Cathy shares that Edgar asked her to marry him and that she loves him because he is handsome, rich, and pleasant. Nelly asks about Heathcliff, and Cathy shares she wished Heathcliff never came back. She wants to be free from the cold depressing life at Wuthering Heights and Edgar is the way for her to do it . They actually do Cathy a lot of injustice in this film, making her seem like a gold digger, when Hindley was horrible to live with. Cathy is a awful person, but she is in a horrible life and is trying to get out the only way she knows how.
Heathcliff runs away and Cathy follows trying to find him. Hindley comes home drunk and doesn’t care wanting to drink to celebrate the departure of Heathcliff. Edgar finds Cathy and brings her to his home.
Cathy recuperates at the Linton’s and Edgar does all her can for her. Poor guy, he’s so sweet and such a fool. He thinks that Cathy could actually love him and not just what he could provide for her-what a delusional man and a poor sad man. Cathy vows to be his wife and treat him well and that she will ever kiss another man (lies, all lies!)
The two are married and Catherine has everything she ever wanted: free from Wuthering Heights, among people who do not like confrontation and are always pleasant, the leading lady of the area, money, power, status, …yet she isn’t happy. Something unsettles her. Something cold is coming…
Cathy loved being lady of the manor and living with the Linton’s. Edgar is trying to marry Isabella off, but she finds all the men weak and boring. A kind peaceful night is interrupted when an old lover returns. Heathcliff has returned from America with money. He wants to see Cathy and she refuses knowing that with their love she won’t be able to resist him. Love? Or obsession? Edgar, however, makes her see him. He’s so secure in his love and affections, what a fool.
Heathcliff walks in even more handsome than before, clothes, hair, and style. He gazes upon Cathy with love and desire in his eyes. They ask how he has become so wealthy and he tells them he claimed his “princely fortune,” reminding her of all they used to say in their games. He also drops a bigger emotional bomb; he is the owner of Wuthering Heights. Hindley is a drunken fool that gambled everything away.
Step one of his revenge plot had started. Step two and three is to destroy Edgar and Cathy Linton. Now I feel for Edgar but he is also such a pompous jerk that he makes me want to slap him. He goes on about poor Hindley losing his home, him having his property stolen. It wasn’t stolen from him, he held it in so little esteem that he gambled it away. That’s life, plus Hindley is one if the most horrible people in this book (he’s not as present in the film) so I don’t gel bad. If it was me I would have kicked him out. Heathcliff actually acts with way more class that Edgar has and leaves.
Oh no, Isabella has fallen for Heathcliff and defends him against her brother and sister-in-law. Edgar tries to stop it, but is too late. She can’t resist that bad boy “that just needs love to fix him”. Don’t do it Isabella, don’t do it!
Wuthering Heights is now Heathcliff’s home and he lets Hindley stay, but he has to be in the stables, just like when Heathcliff was a boy. My how have the turntables turned?
Oliver looks so hot in this film, he’s too distracting in his long coat. His intense gaze is so hypnotic I can’t look away. I don’t even know what he is saying; I’m lost in his dreaminess.
The business is interrupted when a lady comes to see him. He thinks it will be Cathy but is disappointed to see Isabella. Isabella came to the house as she was riding in the moors and her “horse went lame” and she “just happened” to be nearby. Poor foolish Isabella. She has this imagined view of who she thinks Heathcliff is, silly girl.
Isabella tries to endear herself to Heathcliff letting him know that she defended him, she cares for him, she can help heal his broken heart. She just lays it all out, shoots her shot. Poor romantic fool. Heathcliff recognizes what is really happening, he did from the beginning, and calls her out. Unfortunately he knows being with Isabella will help his revenge and woos her to get back at Edgar for his treatment and at Cathy for marrying another. Heathcliff don’t you know a path of revenge will only be a sad and troubled road.
The next scene the Linton’s are having a party and Heathcliff waltzes in, being the fine looking man he is. Isabella cheers and is so pleased to see him. Poor foolish girl.
At the party all Heathcliff can do is stare at Cathy and it takes every ounce of willpower for her not to stare back, often breaking as she cannot resist him.
Isabella waltzes with someone and Cathy and Heathcliff sneak away to talk. He tries to get her to admit she cares for him, but she refuses. She insists she loves Edgar and only him, but Cathy is not a good liar-anyone can see that isn’t true. The two have a line here when he tells her he came because she willed him to come from across the sea. Again I never noticed it before but again is very similar to The Great Gatsby. Gatsby thinks the same thing looking at her green light imagining it is a secret sign for the two of them.
Heathcliff: If he loved you with all the power of his soul for a whole lifetime he couldn’t love you as much as I do in a single day. Not he. Not the world. Not even you, Cathy, can come between us.
Cathy: Heathcliff, you must go away. You must leave this house and never come back to it. I never want to see your face again or listen to your voice again as long as I live.
Heathcliff: You lie! Why do you think I’m here tonight? Because you willed it. You willed me here across the sea.
That night Cathy comes to talk to Isabella and Isabella won’t listen. Cathy tries to warn her that Heathcliff doesn’t care and is just using her, but Cathy comes in yelling and screaming and just sounding like a jealous shrew, and she is jealous. Its so obvious to everyone watching, even to Edgar.
Cathy returns home and speaks to Edgar, but they are too late. Isabella has left and eloped with Heathcliff. Edgar is resigned and Cathy is crazed begging him to stop the wedding-killing Heathclff if necessary and for the first tim Edgar sees that he never really knew Cathy and is seeing her for the first time.
Unfortunately, poor Isabella gets no fairy tale ending- just darkness, despair, and decrepitness. Her innocence, lightness, gayess, etc all gone. The doctor tries to get Isabella to go home, letting her know that Cathy is sick and dying. Isabella is glad at that news, shocking the doctor as she thinks with Cathy gone they might have a chance of happiness.
Poor Isabella, she deserved better. She tries so hard to get his love, but gets nothing. He treats her bad because she isn’t Cathy, ignoring her and not treating her like the pretty little doll everyone did. Instead of pushing her away it makes her more clingy and desperate, what Heathcliff can’t stand.
Nelly comes to get Isabella as Cathy is dying and Isabella does not care. But Heathcliff run to his lady love. Cathy is dying and the one place she truly wants to be, with Heathciff.
Heathcliff storms into the house and runs to his lady love who is wasting away. Cathy dies but befoe she goes they kiss (she broke her vow). Heathcliff spurts out in anger releasing all that has fueled him through the years. Angry she choose money over love, she choose Edgar the unpassionate, etc. He throws curses.
We then bounce back to the present as Nelly finishes her story. Mr. Lockwood still doesn’t believe them. The doctor comes to see Hindley and shares he saw Heathcliff out there in the snow with a woman, but when he caught up to them he only found Heathcliff’s body. Yes, Heathcliff and Cathy are finally reunited in death.
So this film was very well written and had an amazing cast. They did cut out a lot of the book and removed the massive amount of cruelty these people inflict on each other to instead focus more on the romance. If you love gothic films and Wuthering Heights, you should definitely give this a watch. If you love gothic films and Wuthering Heights, you should definitely give this a watch.
So that is it for the first post of Horrorfest X. It was quite a challenge as all technology was failing me-it I will persevere. Stay tuned for more!
So it has been almost a year since I last reviewed one of these chapters from the Choices videogame. Originally I was just playing the game but as I could do that faster than I could review, I ended up deciding to not play another chapter until I finished reviewing what I already had played. Of course things came up and I got distracted by other things on my list to write/review/etc-so now I am getting to Chapter 12 of Book 1, while I think Pixelberry has already created book three or four of this video game.
Anyway, quick backstory since it has been so long. This game is storybook based where you have a story that progresses, but at times you get to make a choice as to what to do, say, who to fall in love with, etc. Some choices require you to spend diamonds to play, which you can earn every time you play a chapter or purchase from their store. Some “books” have different side quests, like in this one you want to become an accomplished woman and certain choices allow you to gain items.
It’s really fun as you have the power to decide what path the story takes.
This game is set in the Regency time period, and of course is catered toward Jane Austen fans. In this game you are the illegitimate daughter of the Earl of Edgewater, something you discovered on your mother’s deathbed. You met your father and he accepts you and wants to make you his legal heir, as your half-brother passed away.
You have an evil stepmother and conniving stepbrother, Mr. Marcastle, who has a dim fiancé, Miss Sutton. They are all plotting against you.
And a lot has happened since the beginning of the book: you have held a garden party (which you rocked), you are currently having a London season, you go to Mr. Sinclaire’s house (a suitor I am all about)-who has a sad Rebecca–esque backstory and he gifts you a book, you visited the Opera St. James where your mother used to preform, went to see an Opera and were stuck with the Duke who is a horrible jerk, took a walk in the rain with Mr. Sinclaire, learned to paint, helped your friend refuse a gross geezer, and have just learned that your father has fallen ill, found out the truth about Mr. Sinclaire’s wife and the Duke, and are trying to reach your father in time before his last breath.
Whew! That’s a lot. Now onto the next chapter!
So this chapter’s title In Sickness and In Health, and reading thatjust reaffirmed for me thah my father did going to die.
So I had an option earlier in the game to buy a horse and I did. Sometimes these purchases turn out to be a waste as then they never resurface in the game, but I’m glad I did as I am using her to race to my dad. It did turn out to be a useful purchase.
So Mr. Harper and I race to my father’s home as quickly as we can. There is an option for you to stop and rest with Mr. Harper and hear him tell a story-and if Mr. Harper is the romantic route you want to take, if you do so it will bring you closer together. But as for me, not only did I not want to wait I also was low on diamonds, and didn’t want to spend what little I had in case something came up in later on in the chapter. The previous chapter turned out to be really expensive.
So I make it to the house and who should stand in my way? My wicked stepmother.
She won’t let me see my dying father and claims that she will find a way to keep me from my inheritance, as she believes she should have it over me. From a historical side I do feel bad for her as women had very little rights but in this game she is a horrible witch so I don’t feel bad if she will loses everything.
While tbe Countess may think she has outwitted me, I outmaneuver her and go upstairs where I run into the Bishop Monroe, a new character who allows me to visit with my father. I go to my father and there I discover the big twist. I am not illegitimate, but my father and mother were married!
Never mind, it turns out I am illegitimate as my mother and father were forced into an annulment just before I was born.
Wait, what? That doesn’t sound right to me but let’s see how the game plays out and then I’ll do the research later.
So it turns out that my grandfather didn’t want my parents together and forced the annulment. My father shared that he wrote letters to my mother and I let him know that I saw them as it turned out she saved them and I had the opportunity to read them in the previous chapter (which I did).
Only a few people knew about the marriage, but I’m thinking there must be some documentation that will help strengthen my claim.
My father tells me he wanted to tell me more but thought it would be too confusing and kept it to himself. He wants to share his story with me and you have the option to pay to play as him and find out the truth. I declined as I had no money and didn’t want to spend anymore on this game.
My father warns me that my claim will be weak without a strong man to back me. He wants me to get with the Duke but after the last chapter, NO WAY!
I do share that I am interested in someone, and let him know that someone is Mr. Sinclair.
I can’t resist, Mr. Sinclaire is just too much like a mix between Mr. Darcy and Maxim de Winter from Rebecca. He’s unlocked the Laurence Olivier achievement.
My father approves as he has always been close to the Sinclaires. He gives me my mother’s ring and a copy of his Will so that it can strengthen my claim.
My father asks me to share my childhood stories with him and I do to comfort him and relieve his guilt. I stay by his side until his last breath.
I know that this isn’t real, but it seriously touched my heart when I read that scene. Poor Earl of Edgewater.
That’s the sad end of this chapter, in the next one we will have to deal with my father’s funeral. I’m sure there will be plenty of intrigue and conflict.
So if you have been following me, you know I have been super excited about Modesto Jane Con. The past eight years I have seen pictures from different Jane Con’s and wishing I could go-but they were not possible for me to attend as it always came down to a problem of time, money, work, etc. Instead I had to be content with seeing pictures on social media.
But then there was a light in the darkness! On my instagram popped up a post about a Jane Con in Modesto! Modesto! I could go to Modesto!
No horror-glee and happiness instead!
From January 10th-12th there were all kinds of workshops, activities, movies, an opera, and even a fashion show!
Your $30 ticket allowed you to attend the workshops (BOTH DAYS) and see one showing of Mansfield Park Opera (your choice of Saturday or Sunday).
That was it, I was going! And I convinced my book club + my sister to join me. I scrounged around for a costume (I’ll post on that later) and made sure to bring a notebook to take copious notes on the workshop and opera-to of course post on them later (as I am now).
So the first workshop of the day was Gowns & Groans. After that you had your choice of The Definitive Darcy or Start You Own Book Club.
I was excited for this workshop as there are so many adaptions of Pride and Prejudice, oh this will be so much fun! I mean you have a ton of Regency Darcys to choose from:
AND a ton of modern adaptions (and yes I know the above has a picture of Darcy from Bride and Prejudice. I didn’t make the image):
And let’s not forget-we aren’t just looking at Darcy. We are also trying to define the definitive Elizabeth.
This workshop was run by Erin E. Connor and Melissa Ruzika:
Why is Mr. Darcy such a big deal and why are we wild about Lizzie? Join JASNA Central California executive committee members Erin and Melissa as they delve into Austen’s most famous novel, Pride and Prejudice, and its three most popular film adaptions. Bring your own opinions and take sides in a friendly debate as to who is the definitive Elizabeth Bennet and Mr. Darcy.
Erin E. Conor is a lifelong Jane Austen fan. She is a member of the Jane Austen Society of North America (JASNA) and serves as member-at-large on the Executive Committee for the Central California region of JASNA. Her favorite Austen novel is Emma, and her favorite Austen inspired film is Austenland.
Melissa Ruzika is a long time JASNA member and Central California Region Executive Committee member. Her knowledge of Jane Austen and her works is deep, and Melissa is known for being an acute observer of JA in popular culture with solid textual backing for her opinions.
Debate you say? Okay:
So one of the nicest things that Connor and Ruzika had with their workshops were handouts and a paddle with the Firth and Macfayden Darcys to engage the crowd in the debate in order so that everyone could be heard.
Connor and Ruzika started off with Historical Context, discussing what the Regency period was. You can click on the link above for more information, but a brief overview:
Crazy King George III (sorry I’m American) had to take a step down from ruling as he was suffering from a disease (believed to be porphyria) that made him mad, and his son had to become Prince Regent.
The Regency Period is believed to be 1795-1837, with the Prince Regent ruling from 1811-1820. When King George died in 1820, the Prince became King.
There was the Industrial Revolution in the North (Any North & South fans out there? It is set in the Victorian time period but shows the difference between the industrial North and the Countryside South extremely well.)
There was serious class division, with an emerging middle class (The Gardiners who reside in Cheapside
From there we got a quick overview of the book Pride and Prejudice as Connor & Ruzika had provided a handout from Playful Paths to Love and one from shmoop to give us a better idea on how rich Darcy would be today. We (book club, sister, and I) really loved that as while I am the serious Janeite, the rest of the group isn’t. One member of our group had never even read the book or seen any of the movies, only having read The Darcy Monologues for our book club. I’m not sure about the rest of the crowd, but I am certain that there had to be some others who were grateful for the refresher.
And even if you know the story frontwards and backwards, it is one that I never get tired of hearing.
We then had a brief discussion of Pride and Prejudice (1940), but they didn’t spend that much time on it. They later explained that they felt that not that many people have seen it (or liked it), and I understand time is limited.
But as we have time, I’m throwing the trailer in here. It may not be accurate, but still is a great film and the first P&P adaption I ever saw. Plus LAURENCE OLIVIER! *Sigh*
I wish we could have looked at all the depictions, but that would have taken too much time. Although I’d be down for it.
Anyways-we then moved onto the debate. Colin Firth versus Matthew MacFayden, Jennifer Ehle versus Keira Knightley, Simon Langton versus Joe Wright, BBC versus Universal, etc.
Fight, fight, fight! (from Jane Austen Fight Club)
So starting with the trailers:
Pride and Prejudice (1995)
Pride and Prejudice (2005)
So now that we have seen the trailers, LET’S GET READY TO RUMBLE!!!!!!!!!!!!!!!!
So after they discussed each facet they had us hold up our paddles to determine who won.
I’m in this photo.
Unfortunately, I didn’t write down who won each scene:
So I’ll just put my thoughts at the end.
Round 1: Mr. Collins, Tom Hollander Vs. David Bamber
I know a lot of people love that scene, and I admit that I love Hollander’s stone faced delivery, however, it never really struck me as much as it does everyone else.
For Bamber they showed him trying to dance. But the scenes that really sell me on Mr. Collins is when they are getting ready for the ball and he runs into Lydia, and the Mr. Collins wave. Those scenes are priceless!
IMO Winner: P&P (1995) David Bamber
Round 2: Sexy Darcy, Hand Clench Vs Firth in Bathtub & the Wet Shirt Scene
So the hand clench scene, I understand it but I don’t go crazy over it. First of all, as Doiel said in Gowns and Groans, they should have been wearing gloves. And not to be rude-but to me it always looks like his hand has a spasm. That’s just my view, if you love this scene then love it. I actually like this scene better.
So they started off with the Meryton Ball in 2005. Now I don’t really care for it as I am mostly distracted by how Caroline Bingley forgot to put a real dress on, she looks as if she is in a chemise not a gown. I never cared for how casual the Bennet sisters look as Mrs. Bennet most definitely would be wanting the girls to be more dressed up in order to snag a husband. It is lively, but I don’t care for the interactions between the characters:
Now the 1995 version is more subdued, but I like the costume choices better, and to me I like that it is concentrated on small scenes (Bingley & Jane along with Darcy & Elizabeth) with not so much going on in the background.
IMO Winner: P&P (1995)
Round 4: Romantic Aesthetic Vs. Accuracy
So Pride and Prejudice (2005) has a lot of romantic elements. You have these big scenic panoramas, Elizabeth on the cliff, Darcy and Elizabeth in the neoclassical building when he proposes (1st time), and the slow walk along the field in the early dawn (2nd proposal). This I personally don’t like, as Connor and Ruzika said, it is very Bronte-esque, but that is my biggest problem. Jane Austen is not Jane Bronte. And I really don’t like the scene where he finds her in the rain, as how did he know she would be there? And the field scene, they just happen to be there at the same time? Besides one of my favorite parts is at the end of the book when Mr. Darcy comes around with Bingley and Elizabeth is doing all she can to try and get his attention and figure out a way to talk to him, but is thwarted and unsure. And that longing and loss of hope-just gets me every time, will they get together ?!
And “Your hands are cold” I’ve always disliked that line as I feel it just kills the mood.
With me I love the accuracy of the mini-series, but of course there are things added in, like the Lake scene. But one of my favorite is when they are getting ready for the ball and the interaction between the sisters and Mr. Collins.
IMO Winner: P&P (1995)
Round 5: Bennet Family, “Behave Naturally” Vs. “Meet the Bennets”
So to get a view into the different relationships with the Bennet sisters, they used the “Behave Naturally” scene from P&P (2005). This is a great scene, even I love it.
The scene they chose from the P&P (1995) version is also a great scene. You really get the family dynamic in this one.
IMO Winner: Tie
Round 5: Darcy’s Flirtation, Sisterly Help Vs. Hungry Eyes
So with 2005, they chose the scene in which Elizabeth goes to Pemberley and meets Georgiana. It is a good scene as we get a new view of him from the servants, how he interacts with Georgiana, and that Darcy has been talking about her quite a bit with his sister. However, I have always hated Elizabeth skulking around and that peeping tom camera angle. I know it is partly because they had to combine different parts of the book for time limit, but her looking through the door gives me Norman Bates Psycho vibes.
For the 1995 version, they used a fan made video of Darcy staring and Hungry Eyes playing. That video is AMAZING but my favorite flirtation scene is when Darcy goes to see Elizabeth when she is staying at the Collins’ house, and Darcy comes to visit her and just stares or stares out the window because he doesn’t know what to say.
IMO Winner: P&P (1995)
So in my opinion there is a clear winner between Firth & Ehle versus Macfayden & Knightley:
But as for Jane Con? Everyone who had a paddle held it up and it came out to be 18-18
But then someone brought up the fact that not everyone had a paddle so they had us stand and count. The final result came out to be…………………………….
22-20 in favor of………
Yes Modesto Jane Con 2020 Declared Colin Firth as the Definitive Mr. Darcy.
So we all loved this workshop. They were fun, informative, interactive, and in the end we all could agree whether you love the 1995 or 2005 version, we all love Pride and Prejudice.
The only thing I would love more is if we looked at the other Darcy’s from films and TV shows, although I understand that wouldn’t be possible in one hour. I also would like to know who they think the worst Darcy is. I personally think it is the one in Austentatious (2015), which ugh, I still have to finish watching.
So one camping trip I was talking to my cousin who worked at Universal Studios about movies. She promised to send me shirt from The Mummy: Tomb of the Dragon Emperor, as I had liked the other The Mummy movies (which she never did. Still upset about that). We then moved to my favorite director Alfred Hitchcock. She had seen his films too and asked about which was my favorite. At the time, it was The Birds, and she told me hers was Rebecca. I hadn’t seen Rebecca yet, so as soon as I could get my hands on a copy, I watched it.
It has Laurence Olivier in it who I just love, and of course is who I consider the original Mr. Darcy.
It also has Joan Fontaine in it who I had loved in The Women and did great in Suspicion. Not to mention one of the creepiest housekeepers (although she’s on par with Milly from Under Capricorn). And of course it has George Sanders, who has one of the best voices-he oozes sarcasm, sophistication, and meanness, I don’t know how else to put it. Most of you will recognize him from All About Eve and the original Shere Khan from The Jungle Book.
So I have been struggling whether to review the movie or the book first, as both perfect for Catherine Morland. She would be all over this book and film. After a lot of deliberation, I decided to do the film as I saw it first.
I wanted this to be the first movie of Horrorfest VIII, but I couldn’t use it as this year I needed to start it off with a 1950s film. So if I can’t start it, then I will end it with this gothic film-an Alfred Hitchcock film that Catherine Morland would go ape over.
So this film has some interesting “drama” behind the scenes.
This is going to get good…
Laurence Olivier was married to Vivian Leigh at the time and really wanted her to be in the film. I’m sure most of you have heard of his high standards from My Week with Marilyn. He did not like Joan Fotaine, which made her nervous and worried-something Alfred Hitchcock loved to capitalize on. Move aside Stanley Kubrick, this is the original.
The film is based on the book by Daphne du Maurier. Both producer David O. Selznick and director Alfred Hitchcock were control freaks liked to be in control of their films-and when I say control I mean every aspect. So there was some serious issues between them. Selznick barred Hitchock from all writing while he banned Selznick from set.
Fight, fight, fight!
This was also the only film by Alfred Hitchcock that won an Oscar.
ONLY ONE? That’s sad!
So this film is rrreeeeeeeaaaaaallllllllyyyyyyyyy different from his other work as it starts off very slow, a romance, but then stuff gets real!
As it’s not like his other works, it’s not for everybody. All though we all know who’d be fangirling over it, that’s right-Catherine Morland.
So the film starts off bright (O’Selznick), then gets dark, gothic, foreboding woods (Hitchcock)
Oh, my favorite! Anything like that gets me excited, my Catherine Morland heart starts pumping.
Last night I dreamt I went to Manderly, Oh My Goodness-I love this opening with the language, it grabs you right away.
It is sucking me in!!!!!!!!
It grabs you right away-the secret, solemn, gothic, and foreboding Northanger Abbey Manderly.
So we go back in time to the south of France, a handsome man is about to jump off the cliff, but stopped by a woman. Who is this handsome man? Why he is played by Laurence Olivier.
Our heroine, who’s name is never given but played by Joan Fontaine, is a lady’s companion to an annoying woman, Edith Hopper.
The handsome man comes over and it is Maxim de Winter-Hopper treats our heroine like crap, but he is interested in her youthful beauty and kindness. Hopper tries to grill him, but he manages to move the conversation away from him.
Oh my goodness Mrs. Hopper, she’s AWFUL!!!!!!! Our poor heroine. Hopper dresses her down to remember her place, and to not speak to anyone above her.
It turns out that Mr. de Winter is a widower, gossip shared by Miss Hopper-he was madly in love with his wife and has been despondent ever since.
One morning our heroine was going to eat lunch alone, but Mr. de Winter spots her and invites her to his table. She is so young in spirit-clumsy, awkward, unsure, childlike.
Joan Fontaine is so cute and she has a sad back story in this. Mother died when she was young and she lived with father who died last year. Having no money and no place to live, is now a companion to a horrible women. She is just so kind and sweet and adorable-you feel so bad for her.
Maxim de Winter is handsome, charming, and he is captivated by our heroine’s honesty and naiveté. Maxim is a man who carries weariness in his soul. He takes her out where she planned to sketch.
They talk and she shares how she once went to Cornwall and saw this beautiful house on it, called Manderly. That just happens to be Maxim’s house. He talks about it and you can feel the weight if sadness coming on him.
Joan is so cute just talking on and on, Maxim takes her aback.
Going back to her room the heroine overhears her sick client talking bout Maxim de Winter. She goes on and on about how he was crazy about his beautiful wife. She drowned sailing a few years ago.
As our heroine’s boss is still sick she has free time and goes to have a tennis lesson, but gets interrupted by Maxim who takes her out. Soon everyday they are out together. Her client, Edith Van Hopper, is after Mr. de Winter, and has no clue that her companion is falling in love with him. She tries to get our heroine to stay and keep her occupied while she is sick, but…
Our heroine is so adorable-dreaming, wishing, hopeful. Youth and innocence brimming!
But it is all over too soon. After today the nurse is going and she needs her companion by her side day and night. Our heroine is despondent over this as she doesn’t want her time with Maxim to end.
Maxim is handsome and charming, but something about him isn’t quite right. There is a deep wound to him, but what?
One day they are out and our heroine wants to know why he picked her over the other women, he could have anyone-someone older, sophisticated, classy, etc. He tells her he enjoys her company, but as he says it, he says it a little harsh and our heroine becomes upset, but then he kindly tells her to call him by his first name. And later sends her flowers.
Mrs. Van Hopper receives a letter about her daughter becoming engaged and they must leave for America ASAP. But no, what about Maxim!!! Our heroine tries to reach him, but no avail. This is it. Her fairytale is over. She rushes back to her room to reach him one last time, but doesn’t get a chance. Her boss comes and it is goodbye.
She tries one more time but he’s in the shower. NOOOOO!
But our heroine wont give up. She runs up to his room as a last ditch effort. Maxim is surprised, but our heroine tells him she needed to say goodbye.
Maxim “proposes”. He basically asks her “do you prefer New York or Manderly?” Gosh, these classic English dudes need to earn better proposals.
Maxim trying to figure out where it all went wrong.
She thinks he wants a secretary. That always cracks me up. He tells her, I’m asking you to marry me. Well, you can’t blame her-your proposal sucked! A girl wants romance!
Our heroine is so in shock she falls into a chair. She doesn’t think they should marry as she is too far beneath him. He says I guess you don’t love me, and she spills her heart out. So young, so sweet.
He asks her to pour him coffee, and that he takes it with two lumps of sugar in coffee and tea. This scene reminds me of the film The Clock. These two strangers spend the day together, marry, and then he will be shipped out the next day-and at the end she has to ask him all the little details as they realize they know zero about each other.
I love how Maxim reveals how to Mrs. Van Hopper that they are going to be married. But Mrs. Hopper is such a toad and continues to boss our heroine around, trying to keep her on “her place.” She asks to speak to our heroine alone for a few minutes, and as soon as Maxim is gone she berates our heroine and acts like she is a floozy.
She continues to berate her that she can’t be the mistress of Manderly and she’ll fail as she is no lady. She continues going on saying things like Maxim doesn’t love her, he went crazy after his wife died, and it still looks like he is. This lady!
The two marry in a small ceremony at the courthouse and Maxim is a much different person. Lighter, happy, in love-bright and shining just as our heroine.
They are so cute! But Hitchcock fans all know-it won’t last..
They have their honeymoon and go to Manderly, the place from the beginning. As they head in our heroine has a shiver. All seems bright, but that shiver and the rain-are major clues that unhappiness and coldness lie ahead.
They arrive and our heroine meets the household and Mrs. Danvers (Judith Anderson) the housekeeper from Hell. She is such a creep! Our heroine is so nervous and shy and no match for Mrs. Danvers who acts as if she is the wife and our heroine is a servant.
And one is Mrs. Danvers
Maxim had them moved to the East Wing, not the West where he used to live with Rebecca. Our heroine is so nice and tries to work things out with Mrs. Danvers, but she’s a cold stone hearted woman. Ugh.
This house is so beautiful, but so empty, cold and creepy. Our heroine goes to check out the West Wing where he lived with Rebecca but it is locked and forbidden.
Whenever I watch this film it reminds me of The Tomb of Ligeia, with the creepy dead wife, handsome husband who has been all alone in a creepy house. Thinking of that also makes me think of Jane Eyre. Geez-classic English literature is full of handsome rich men with creepy first wives.
The next day our heroine meets Crawley the manager of the estates. Maxim and Crawley leave her to go about their business and casually drops that his sister and husband are coming to visit. With that news our heroine is lost and nervous as what to do-like a child almost. Like DUDE!!!!!
This is how I always imagined Cinderella or other characters that marry someone super wealthy must feel like the next day when they are like this is not at all what I’m used to. I typically am serving others how do I get used to being served?
She’s lost and confused in the house and everyone is looking down on her as she knows nothing while the first Mrs. de Winter was such a lady.
Mrs. Danvers comes to get her approval on lunches, but even though she is asking, the power is all in Mrs. Danvers. She looms over her like she could squash her.
Our heroine is in the morning room to write letters, but she has no one to write to. She looks through Rebecca’s address book and finds addresses for a marquis, a viscount, etc. Another proof of her inadequacy.
She overhears Beatrice, Maxim’s sister, talking about her. Beatrice tells it straight. She lets her know that Mrs. Danvers adored Rebecca too and will probably treat her horrid at first. Ouch, all loved Rebecca.
At dinner the brother-in-law asks lots of questions and is disappointed as our herione doesn’t ride, doesn’t dance, doesn’t sail and isn’t at all like Rebecca. Beatrice makes her feel even more insecure about her hair, her clothes, etc.
Not at all like Rebecca at all. Not sophisticated, not elegant, not fashionable
So everyone hints about what happened to Rebecca, but no one has said the whole thing! My curiosity is going crazy!!
They go out walking with the dog and he wants to go to the cove, but Maxim doesn’t want to. That’s where her boat was held. Maxim doesn’t like to go near her boat. But our heroine follows the dog and finds a cottage with a creepy sailor. The cottage is eerie too, it causes our heroine to go into shock seeing it.
She manages to tie up the dog and tries to look for Maxim who is waiting at the top. He’s upset and angry. But why? What is he upset about?
He doesn’t want her to go in the cottage or go near it. She needs to stay away as it too is forbidden! Maxim regrets coming back to Manderly and he is right, he should have stayed far away.
Our heroine starts to cry and Maxim’s storm passes. He apologizes but it was at this moment I started to think there was more to this story. He doesn’t act like a man who loved his wife and was despondent over her death-in fact he seems angry. But not like despondent over her angry at her death.
Our heroine has so many questions, but Maxim doesn’t want to talk. She helps Crawley with getting some work done and starts probing for answers. Why is the cottage going to squat? Why are Rebecca’s things in there? What happened to her?
Crawley answers that she went sailing and the boat capsized and she drowned. They found her body when it surfaced. Crawley is extremely upset, was he in love with her?
Our heroine apologizes but she needs to know. She needs to know what happened and who she is being constantly compared to.
Crawley tries to reassure her, but no dice. She already was a shy, insecure girl and this has made it much, much worse.
Our heroine tries to be more like Rebecca by buying a black elegant dress and putting her hair up, but Maxim laughs. Seriously! Dude!
They watch their honeymoon film and they were so cute. So happy! But they are interrupted when the Butler addresses Maxim about a household issue. A servant is accused of stealing a china figure that our heroine broke and hid. Maxim is such a man and does not read what the subtext is, and who is the real mistress of the house. He makes her tell Mrs. Danvers. She is so scared of everyone looking down on her. He thinks she should just be mistress if the house, he clearly does not get it.
One of the best scenes is when they are watching the honeymoon film in the dark and the shadows make him see almost crazed and scary-we can only see half of his face.
It reminds me of that whole thing when you only see half a face-one looks evil one looks nice.
But the lights flick on and whatever we saw on his face in the dark is gone. It is just the handsome Maxim. He starts to wonder if they should be together, if he isn’t ruining her life bringing her to Manderly and all its gothic air and soul crushing.
Our poor heroine, she thinks she is at fault, but she doesn’t know where the real trouble lies. There is a dark cloud in Maxim-dark and depressed perfectly contrasted with the bright happy self on the film.
The next day Maxim leaves for London. No you fool don’t leave her alone with Mrs Danvers the maid from hell who hates her!!!!!!!!!
She’s lonely without Maxim, but as she looks out the window she sees a light on the West Wing! But no one uses it…ghost????
She starts to head over there but is interrupted when she hears Mrs. Danvers speaking to a gentleman with a amazing voice- it’s Shere Khan, I mean Mr. Jack Favell (George Sands). Mrs. Danvers is sneaking him in, why?
He is smarmy and sarcastic, making our heroine nervous and skittish. Why is he here? Not for anything good.
He leaves and asks our heroine to not mention him to Maxim. As he leaves he leaves a parting shot that he was Rebecca’s favorite cousin. Why did he come? What are he and Mrs. Danvers planning?
What’s going on?
I just love these camera angles of this giant house dwarfing our heroine. She looks so small and insignificant.
So like Catherine Morland and Belle from Beauty and the Beast she can no longer resist the forbidden wing! She must go in and look at “the room.” It is still in perfect tiptop shape. No dust, nothing out of place as if she stepped away and will be back any moment to take her rightful place. Very Psycho!
Mrs. Danvers interrupts our heroine and is downright cold and cruel showing off how great Rebecca was, her fancy fashionable clothes, her stylish and elegant ways, Lording over our heroine making her feel like crap, like a bug to be squashed. Trying to show how Maxim will never love our heroine.
OUCH, ouch ouch. Some women physically fight, most women fight this way with words and emotions. Every time I see this the scene it is just dreadful to watch, so painful, so hurtful. It’s not like other films-but horrible how each item, each moment in the room cuts our heroine stabbing her psychologically and emotionally. Every word a poisonous arrow full of toxins. Rebecca’s ghost her-soul lives in that house tormenting our heroine.
Mrs. Danvers starts talking about the sea air and I’m totally convinced she’s trying to hypnotize our heroine to kill herself. No doubt.
Our poor heroine is having like a complete breakdown, Rs everywhere, everything Rebecca.
But our heroine has a little but of gumption in her. She orders Mrs. Danvers to get rid of all these things. When Mrs. Danvers questions her, she staunchly tells her I Am Mrs. de Winter–I love it! You go our heroine.
Maxim comes home and she throws herself at him so happy he is home. She wants to throw the annual costume ball to prove to everyone that she can be Mrs. de Winter.
She wants to have a stunning costume to out-Rebecca Rebecca. Mrs. Danvers suggests that she look at her family portraits. Ugh I hate this!!! Why would you trust her???? Mrs. Danvers points out a woman’s portrait and our heroine runs with it. To be honest, I always skip this part as I can’t handle her humiliation. It’s too painful.
I can’t look.
Well things go as expected, it turns out it was a portrait of Rebecca that she copied for her costume.
The night is cut short when a ship runs aground the sand. Everyone wants to help, our heroine getting changed and running out after Maxim
She searches for Maxim and finds Crawley who gives shocking news. A diver going after the ship found another one-Rebecca’s boat! Oh no, any shred of happiness will be lost with the grief that is to come. Or is there to be grief? I’m not convinced.
Our heroine feels drawn to the cottage and finds Maxim hiding there. She thinks Maxim will hate her, but he’s not even thinking about the ball-it feels like years ago since the discovery of the boat.
Our heroine thinks it’s her, that any happiness of marriage is over. He tells her it is too late for them. They have lost their chance of happiness now! The thing he dreaded has happened!
What thing? Rebecca has won? What, what do you mean!!! What are you saying??!!!
Maxim then reveals that he knew the boat was down there. Not only that, but knew that her body was in the boat.
The woman buried in the family crypt was not Rebecca. He identified it but knew it wasn’t Rebecca.
What??? How do you know??
Because he put her there- OMGOOOOOOOOOOOOOOOOOOOOD
First time I watched this I was in shock. I suspected not everything was happy, sunshine rainbows between them?!! But he killed her?
Is it wrong that I still like him?
Our heroine tells her that she loves him and it doesn’t matter. She tells him how insecure she was and how she felt every time he compared her to Rebecca and she was always wanting.
But then he drops the biggest bomb ever!!!!
He NEVER LOVEd REBECCA!!!!!!???
I’m sorry, but what????
HE HATED HER! She was beautiful and enchanting. They married-she seemed perfect and accomplished. She had breeding, brains, and beauty. But then after the wedding he discovered she neither loved him, cared about him, wasn’t moral or faithful, etc. On their honeymoon he discovered the beast he married. I know what that is like…that described my own marriage.
She played the part so well, he would look the fool to divorce her-I know how that feels too. Thank goodness I got over that. Poor guy-he should have gotten an annulment.
Rebecca got involved with many people and hurt many, bring them to her flat in London and cottage by the sea. She spent a ton of time with Favell. Those two are “just” cousins?
One night he was done and went to talk to Rebecca. She looked ill, and told him basically that she was pregnant but it wasn’t his child. They were never together and he would never have a child. Her kid with another man would inherit his home and money and grow and continue the de Winter line. She continued to pick at him and he struck her. She smiled, tripped, and fell knocking herself out. She died.
He didn’t kill her but was afraid no one would believe him and then decided to sink the boat with her body.
Soooooooo even though he shares all that I believe him and feel for him. Especially as I know exactly what that is like.
Maxim is out of it-but our heroine has grown up, She takes control of the situation and supports him and encourages him.
Like I know what he did was bad but I really like him and our heroine and I want them to be together. Is that bad? He’s not really a hero.
Events go into motion and they make Maxim ID the body and question about the other one. No one is upset over it, it happens all the time where the grieving mistake especially a body that has been in the water. Unfortunately there will be another inquest-ugh.
No one thinks any foul play really happened, it is just routine.
Now that we have had this ordeal, our heroine has grown-the youth and innocence is gone- and we have a powerful character who looks to have aged in the last scene, and is in command of herself, powerful, not taking gruff or slight from any servant or person.
Our heroine goes to Maxim to try and get him to control his temper and not fly off the handle at the inquest. She knows they can overcome anything together. Aw, they are so cute together!!! Melodramatic, brooding, adoring, etc. I really like Maxim, and this couple.
They kiss in front of the fire, the flame of their love growing stronger.
Everything is going well at the inquest until the first thing to cause trouble is when the boatyard man inspected the boat and discovered the holes that caused the flooding were made from the inside of the boat. The death was no accident! It was suicide…or Murder!
Mr. de Winter is then to be questioned. He answers sarcastically ad angry-not making friends with the court. He gets badgered and starts losing it, when our heroine faints and stops the proceedings. She’s getting to be cunning! I like her more and more.
They head to the car to have lunch. Aw, I love how Maxim cares for her. Ugh lunch is interrupted by Jack Favell. He and Maxim can’t stand each other and the tension is thick. He steals some of their food and tries to blackmail them.
Bad luck is never ending!
I can’t stand him (although I love his voice and how he pronounces words) Favell reveals that he received a note from Rebecca that will tip the balance from suicide to murder. He tells them he will destroy the letter and drop it all for payment.
Maxim leaves to the nearby inn, getting a private room, so they can talk business. He calls Colonel Julian, in charge of the inquest, and asks him to join them as well. He reveals the blackmailing scheme to the Colonel. They read the letter to Favell, that he and Rebecca were to meet, but the note doesn’t really tip it either way.
She mentions going to the doctor and she had an important thing to tell him. That could be bad or good news. Favell insults our heroine and Maxim gives him a great big wallop. YES!!!
The Colonel questions what is the motive for murder? If Maxim killed her? Favell calls Mrs. Danvers to reveal the motive.
She refuses as she wants to protect Rebecca’s reputation, but when she hears that Maxim might have killed her she reveals the doctor’s name. Favell insists that Rebecca was going to have his child, and that Maxim killed her over it.
Favell leaves, not caring what destruction, embarrassment, hurt, or pain he causes in his path. Our heroine returns home, while maxim stays to hear the end. They go to find the Dr, Dr. Baker and question him. So was she pregnant?!!!
There was no Mrs de Winter he met with. It turns out she used an assumed name. Mr. Baker reveals that the problem for Mrs. de Winter was that she had cancer. Nothing could be done for her but death.
She LIED! No pregnancy! She did that on purpose!!!! She wanted to upset Mr. de Winter! She wanted him to kill her. She was a truly horrible person and I’m glad she is dead.
What a horrible, horrid person.
Favell calls Danvers and tells her what happened.
That’s not good.
Crawly and Maxim drive home, with Maxim speeding like a maniac. Something doesn’t feel right! Something is wrong! But what?!!!
Back at the house our heroine is waiting up for Maxim, but eventually succumbs to sleep. Mrs. Danvers skulks around like the demon she is.
That’s not good.
As they drive up they notice the sky is lit! But it is too early-OMG a FIRE!!!!! Manderly is on fire!!!!!!!
But our heroine?!!! What about her? She’s okay.
No need to guess who did it-Mrs. Danvers the housekeeper from Hell.
We then fade out to the embroidered pillow R burning too. Finally the demon is gone. Rebecca has been destroyed, our characters can find happiness. If you really think about it, that’s some Winchester stuff right there.
So that end another Horrorfest!!! I hope you all enjoyed it!
I hope you all have a fantastic and safe Halloween!