Isn’t that so painful? It made me think of this other quote:
And it made me the next song in our heartbreak countdown
7) Love Stinks by the J. Geils Band
Now this has always been one of my favorite songs, even before my break up. I think this is just a fantastic song as everyone can connect to it; no matter what age, ethnicity, sexual orientation, religion, or musical preference. Yep, this song crosses every boundary as all have been hurt by love.
So I was thinking today about how everyone says that Elizabeth Bennet, from Pride and Prejudice, “is revolutionary in that she actively rejects the conventions of the time in which it is written. Her determination to choose her own husband, using “rational” Love as her main criteria, deems her as a rebel of her time.” But you know who the real revolutionary? Emma Woodhouse from Emma.
Now I don’t want you to think that I’m denouncing the things Elizabeth stands for or her accomplishments at being a revolutionary character, but face it Emma is much more revolutionary.
Now most people forget about the revolutionary aspects of Emma’s character because they focus more on the love triangle, Emma’s meddling, etc. But in actuality Emma is a more revolutionary character.
So first of all we have what Elizabeth is famous for, her decision not to marry Mr. Collins, but rather wait for love. She dreams of marrying one day to a man that completes her. As we can tell by Charlotte’s defense:
Unlike Charlotte, Elizabeth is a romantic. She has an ideal person she is waiting for. She’s waiting for a highly practical and sensible one, but still waiting for her Mr. Right. Now this is revolutionary. Women lacked any options at all, they usually did only what their parents instructed of them. They married only for security, standing, and wealth. They tended to have very little happiness as their husbands would have mistresses and spend all their time with them, or involved in so many vices (gambling, drinking, drugs) etc. The book & TV show The Buccaneers, really shows the realistic side of marriage in the time (if you have Amazon Instant Watch you can watch it free).
Emma on the other hand rejects marriage. Granted, unlike Elizabeth, she has the money and power to support herself (her estate is not entailed); but still this is extremely revolutionary. She embraces the idea of being a spinster.
I know right?
“I do so wonder, Miss Woodhouse, that you should not be married, or going to be married! so charming as you are!”—
Emma laughed, and replied,
“My being charming, Harriet, is not quite enough to induce me to marry; I must find other people charming—one other person at least. And I am not only, not going to be married, at present, but have very little intention of ever marrying at all.”
“Ah!—so you say; but I cannot believe it.”
“I must see somebody very superior to any one I have seen yet, to be tempted; Mr. Elton, you know, (recollecting herself,) is out of the question: and I do not wish to see any such person. I would rather not be tempted. I cannot really change for the better. If I were to marry, I must expect to repent it.”
“Dear me!—it is so odd to hear a woman talk so!“—
“I have none of the usual inducements of women to marry. Were I to fall in love, indeed, it would be a different thing! but I never have been in love; it is not my way, or my nature; and I do not think I ever shall. And, without love, I am sure I should be a fool to change such a situation as mine. Fortune I do not want; employment I do not want; consequence I do not want: I believe few married women are half as much mistress of their husband’s house as I am of Hartfield; and never, never could I expect to be so truly beloved and important; so always first and always right in any man’s eyes as I am in my father’s.“
“But then, to be an old maid at last, like Miss Bates!”
“That is as formidable an image as you could present, Harriet; and if I thought I should ever be like Miss Bates! so silly—so satisfied—so smiling—so prosing—so undistinguishing and unfastidious—and so apt to tell every thing relative to every body about me, I would marry to-morrow. But between us, I am convinced there never can be any likeness, except in being unmarried.”
“But still, you will be an old maid! and that’s so dreadful!”
“Never mind, Harriet, I shall not be a poor old maid; and it is poverty only which makes celibacy contemptible to a generous public! A single woman, with a very narrow income, must be a ridiculous, disagreeable old maid! the proper sport of boys and girls, but a single woman, of good fortune, is always respectable, and may be as sensible and pleasant as any body else. And the distinction is not quite so much against the candour and common sense of the world as appears at first; for a very narrow income has a tendency to contract the mind, and sour the temper. Those who can barely live, and who live perforce in a very small, and generally very inferior, society, may well be illiberal and cross. This does not apply, however, to Miss Bates; she is only too good natured and too silly to suit me; but, in general, she is very much to the taste of every body, though single and though poor. Poverty certainly has not contracted her mind: I really believe, if she had only a shilling in the world, she would be very likely to give away sixpence of it; and nobody is afraid of her: that is a great charm.”
“Dear me! but what shall you do? how shall you employ yourself when you grow old?”
“If I know myself, Harriet, mine is an active, busy mind, with a great many independent resources; and I do not perceive why I should be more in want of employment at forty or fifty than one-and-twenty. Woman’s usual occupations of hand and mind will be as open to me then as they are now; or with no important variation. If I draw less, I shall read more; if I give up music, I shall take to carpet-work. And as for objects of interest, objects for the affections, which is in truth the great point of inferiority, the want of which is really the great evil to be avoided in not marrying, I shall be very well off, with all the children of a sister I love so much, to care about. There will be enough of them, in all probability, to supply every sort of sensation that declining life can need. There will be enough for every hope and every fear; and though my attachment to none can equal that of a parent, it suits my ideas of comfort better than what is warmer and blinder. My nephews and nieces!—I shall often have a niece with me.”
You see Emma embraces the idea of spinsterhood, the very thing that Charlotte is afraid of and what causes her to marry Mr. Collins, as a stupid man is seen as better than no man at all. Elizabeth isn’t afraid like Charlotte Lucas as she believes it will eventually happen, never considering what will happen if Mr. Right doesn’t come along. Emma on the other hand has the attitude of “forget men, I don’t need them in my life, maybe one will come around that will cause me to think differently, but if I never experience love I will be A-okay”.
Now this is HUGE for the times. Being a spinster was seen as beyond a horrible thing. It was a last result. It was the most deplorable thing a woman could amount to. But to Emma she doesn’t see it that way. She sees it an opportunity to live her life however she decides.
And when she finds out that Mr. Knightly might get with another person, she doesn’t wish that he would choose her instead, what she wishes is that nothing will change, that they will remain friends.
“Wish it she must, for his sake—be the consequence nothing to herself, but his remaining single all his life. Could she be secure of that, indeed, of his never marrying at all, she believed she should be perfectly satisfied.—Let him but continue the same Mr. Knightley to her and her father, the same Mr. Knightley to all the world; let Donwell and Hartfield lose none of their precious intercourse of friendship and confidence, and her peace would be fully secured.”
Well, Valentine’s Day is coming up, and you all know what that means: 14 posts on some of my favorite romantic moments from some of my favorite films. To review the top 14 romantic moments from last year, go here. Otherwise get ready for the romance and love headed your way.
The producer of this film got the idea for the story from a myth he was told about a half-fish and half-human race in the Amazon River. He wanted to go with a Beauty and the Beasttype vibe, but having an ending that was more reminiscent of King Kong.
Last October I created my own “poster” and changed my cover photo on facebook every day in honor of Halloween. This is it.
Love it! ❤
So the film begins when a fossil of a skeletal hand with webbed fingers is found in the Amazon.
Thinking this is the link between human evolution from sea to land Dr. Carl Maia goes to his former student Dr. David Reed to have him look into it.
From left to right Dr. David Reed (Richard Carlson), David’s girfriend and collegue Kay Lawrence (Julie Adams), Dr. Mark Williams (Richard Denning), & Dr. Edwin Thompson (Whit Bissell)
David persuades his boss Dr. Mark Williams that they should look into it. It could mean fame, fortune, etc, the possibilities are endless for the ones who find out more.
That night we the viewer see a clawed, webbed, hand emerge from the inky black lagoon
Followed by screams of terror. We know what that means. The diggers es muerte.
Meanwhile the scientists are blissfully unaware of what lies before them, they all go aboard the ship the Rita with a silly (comical relief) Captain Lucas.
Now when I went to Universal Studios in May 2012, in the special effects show they had the boat Rita and picked a family to go on it and show how they would make it look as if the ship was moving down a river when it actually wasn’t. I wanted them to pick my family, but they said only families of four and there were only three of us there. 😥
Anyways, so as the group travels down the Amazon, problems arise. It turns out that David isn’t the only one who likes Kay. Mark has a thing for her as well, but Kay only has eyes for David.
When they arrive at the camp, they find the rest of Dr. Carl’s team dead, having been utterly clawed up. Everyone assumes that a jaguar did it, but Captain Lucas is pretty sure that something more sinister is afoot.
Meanwhile, Kay is off by herself roaming about. Seriously, in practically every horror film there is always that one character that decides they are going to be stupid and go off somwhere on their own and almost gets or does get killed. In Kay’s case she is pretty lucky. The creature notices her and we see his clawed hand come for her foot when she is called back by the others.
I really love how they don’t show his face right away. That always adds to the effect of the horror film.
The team isn’t able to find any remains that they thought they would, and Mark is very upset that they have nothing. He threatens to cut all funding, but David is able to convince him that they should go downriver and check the Black Lagoon where the river ends. David figures that cliffside where the hand was found probably eroded and went downstream. Lucas doesn’t like the idea of going down into the Black Lagoon and neither does his crew. They have heard many, many, many stories about that place.
“Lucas: I can tell you something about this place. The boys around here call it ‘The Black Lagoon’; a paradise. Only they say nobody has ever come back to prove it.”
This part of the film always reminds me of King Kong. How all the crew members care for Kay, very similar to how they care for Ann.
Mark and David go diving and collect rocks. There we see that the tension between the two is more than just Kay. Mark is VERY ambitious and tends to take credit for others work. Kay talks David down and decides to go for a swim. Dun-Dun! Dun-Dun! Dun-dun-da-da! Dun-dun-dun-dun-dun-dun-dun, da-na-na!
THE CREATURE TRIES TO GRAB HER!
This is also the part where we are finally able to see what the creature looks like. He’s pretty creepy. The person who played him, Ricou Browning, was a professional diver and swimmer and played the Creature whenever he was underwater. The director said that since the Creature had gills, air bubbles couldn’t come out from his mouth or nose. Browning was required to hold his breath for up to 4 mins and his costume was designed without an air tank. Eeep! that’s pretty crazy! They things they did back in the day.
That scene when Kay is swimming always makes me think of Jaws as well. I bet Steven Spielberg was influenced by it.
Kay gets called back before the creature can do anything, and everyone prepares to go out, but they are stopped by the monster. In a Finding Nemo-esque way, where he pulls on a net and messes with the ship. When they pull up the net they see a ginormous hole in it, and a claw.
David and Mark decide to go after it, Mark carrying a harpoon gun. David is against this as he wants to capture the monster alive so that they can study it. Mark thinks it is better to just destroy it and live.
Look at these Hunky men! 🙂
The go swimming and see the creature. Mark tries to hit it with his gun, which angers David. When they return to the boat, they can hardly believe what they saw and ran into, trying to describe it to the others. Kay doesn’t find it too far fetched, reminding everyone that some fish can breathe air. Mark goes to print the pics David took with his underwater camera. To their disappointment, nothing can be seen at all. However, they don’t have to be disappointed long as the creature has come on board the ship!
They manage to fight him off, but they know they have to capture him or else he will kill them all. They try and drug the water and fish in hopes that he will eat them and knockout. That day and night they wait for him.
The creature manages to sneak on the ship.
Kay’s screams alert the rest of the crew and they scare the creature away by using light. He is having trouble as the drugs are stating to affect him. David and Mark chase after him and discover his underground grotto. The creature manages to kill one more person before he passes out. They tie him up in a net and take him onto the boat. They lock him up in a cage, but that doesn’t hold him for long. Dr. Edwin tries to save Kay by thrusting himself in front of her as a shield, but the Creature attempts to strangle him. Kay throws a lantern on the creature and sets him on fire. Scaring the monster off.
After this, David convinces everyone that they need to leave. They try, but as they are attempting to exit the lagoon, they discover a ton of felled trees block their way. Mark, being the guy he is, decides to go after the Creature and capture him. Of course now the Creature takes him down.
The Creature then jumps onto the boat and carries Kay away.
David goes after his lady love, taking Mark’s harpoon gun with him.
David and Kay get out, but the creature manages to follow them. They shoot him and he retreats floating in the water, but is he really dead? Or just recuperating?
NEVER SAY DIE!
Actually before the script was finished, plans had already been made to leave the Creature’s fate uncertain at the end of the picture, in order to leave an opening for a sequel. Which it had. Two of them, but neither was as good as the original deal.
The Creature has been such a huge thing in our culture. There was the parody Creature from the Haunted Sea (1961), has a part in The Munsters, makes an apperance in Scooby-Doo & the Ghoul School, makes an apperance in The Nightmare Before Christmas song “Town Meeting”, Lagoona Blue from Monster High is the daughter of the Creature, Gary Larson did a hilarious comic, and Jenny Clack, from the University of Cambridge, discovered a fossil amphibian named it Eucritta melanolimnetes, which means (literally) “the creature from the black lagoon”.