Le Fantôme de l’Opéra

Day 20) T is for Translated: Choose a book that was Translated from one language to English

The Phantom of the Opera by Gaston Leroux

Yes, I know I said I wouldn’t talk about this book. However, as I was trying to think of books I like that were originally in another language, I couldn’t think of anything but this book and Jules Verne’s novels.

I already reviewed two Verne books, so with nothing else coming to mind, I decided to review The Phantom of the Opera.

Gaston Leroux studied to be a lawyer, but when his father died, he found himself a millionaire. He immediately quit school and went on a big spending/gambling spree losing everything.

Afterwards, he began to work for a newspaper, doubling as a court reporter and a drama critic. As he toured the opera, ballets, plays, etc.; and heard different stories about what went on in the theaters, it gave him an idea.

With that he published The Phantom of the Opera as a serial from 1909-1910, being translated and published in English in 1911. The story is told from the viewpoint of an interviewer as he researches his subject and tries to tell the history of this Phantom.

Growing up I just loved this book so much. I used to check out the children’s version again and again; graduating to the unabridged when I grew older.

So here I am going to do a slightly different post, I am going to focus on one character: the Phantom.

I just love him:

Erik is a wanderer. After being hurt by so many he no longer considers him as having an nationality or family.

His pain originates from when he was a child and his own parents were too disgusted to see his “true form.”

“When my own father never saw me and when my mother, so as not to see me, made me a present of my first mask.” (pg. 130)

Aw, man.

He is so often used to being considered as death, that he has even prepared him room as such. All in black and even sleeps in a coffin. How sad is that? Poor guy!

But even in that ugliness and sadness there is beauty. He is a musical genius with a voice like no other.

“He heard a very captivating voice…Raoul had never heard anything more absolutely and heroically sweet, more gloriously insidious, more delicate, more powerful, in short, more irresistibly triumphant…nothing could describe the passion with which the voice sang…” (pg. 98)

Erik is very intelligent and has done many things before coming to the opera house and meeting Christine.

“You must not think, Raoul, that he [Erik] is simply a man who amuses himself by living underground. He does things that no man could do; he knows things which nobody in the world knows.” (pg. 135)

I mean he built THAT opera house and created numerous trap doors, spring sets, his own secret underground home. And that’s not the only thing he has created. He built palaces for Sultans and Kings; but always being betrayed by them as they want him dead so that they alone can posses his genius.

One day the Phantom comes upon Christine and decides to help assist her to become a fantastic singer.

“From that time onward, the voice and I became great friends.” (pg. 116)

They spend years together as the Phantom puts his all into teaching her and helping her. Then one day Christine spots Raoul and tells the phantom all about seeing him. And the voice disappears. Christine is anxious and scared. She knows she is nothing without him, she will shrivel up into a has-been.

The next day the Phantom comes and tells her he has to leave her.

“The voice was there, spoke to me with great sadness and told me plainly that, if I must bestow my heart on earth, there was nothing for the voice to do but go back to heaven.” (pg. 117)

You see, no threats. No harsh words. The Phantom would have simply backed off if she loved another. He would be heartbroken, but that would be the end of it. Except…

“I swore to the voice that you were no more than a brother to me nor ever would be and that my heart was incapable of any earthly love.” (pg. 117)

You see that!!!! You see that!!! She purposely leads on the Phantom because she just wants to use him. She doesn’t love him, she doesn’t care for him, as she has stated before:

“[to Raoul] And that, dear, first revealed to me that I loved you.” (pg. 117)

She knew, but she had a good thing and didn’t want to see it disappear. Now she tells Raoul that she “lied only because she thought she had no chance with Raoul.” But is that even the truth? She already admitted to playing the Phantom, she’s probably playing Raoul too. He’s rich and interested, and now she’s going to play the little helpless victim to catch him.

So you know what, I never feel sorry for her. She created this whole mess as she only cared about herself and not what her false declarations did to people. She almost kills hundreds because of her selfishness. I feel bad for the Phantom. Poor guy, who is completely crushed by her. He picked the wrong woman.

Then the Phantom carries her off underground into his home.

Now I admit, his carrying her off wasn’t the right thing to do. He should have asked her instead of just carrying her like that. But what does he do next? He confesses that he isn’t an angel or teacher but that he is the Phantom of the Opera, its architect, etc.

“He [Erik] feels me with horror and I do not hate him. How can I hate him Raoul? Think of Erik at my feet…he accuses himself, he curses himself, he implores my forgiveness!…He loves me! He lays at my feet an immense and tragic love…He has carried me off for love!” (pg. 125)

He treats her wonderfully. He respects her as a thing of beauty and doesn’t harm her or touch her. And when she is upset and wants to leave?

“And, when I stood up, Raoul, and told him that I could only despise him if he did not, then and there, give me my liberty…he offered it…” (pg. 125)

See he isn’t a crazy killer or psychotic (yet). He loves her and respects her wishes. She’s the viper, she’s evil as she chooses to stay there even though she doesn’t love him, she just wants to use him.

“For he sang. And I listened…and stayed!” (pg. 125)

She falls asleep and then wakes up in a whole different room, properly freaked. BUT then spots a note left to her by the Phantom.

“My dear Christine, you need have no concern as to your fate. You have no better nor more respectful friend in the world than myself.” (pg. 126)

He just let her alone, as he sees her as the kindest and most divine woman; respecting her. He also purchases tons of things for her in order to make the place truly home.

How sweet!

But Christine is not happy. She wants out. She is angry with the Phantom, even though he has given her everything! All she wants is to see his face as “no honest man would wear a mask.” But that is the one place Erik won’t give.

Then Erik mentions how most of her time with him will be musical practice. She is angry as he wants her to stay five days, then he will let her go again as she will either love him (hope) or pity him. But Christine is now upset that he won’t let her go now, but hey he offered you before.

She cannot make up her mind.

The real issue Christine has with the Phantom is his skull-like face. This is what breaks her and makes her horrified and disgusted. She can’t leave well enough alone, and asks him to play for her, plotting her deception. When he is too worked up in the music she snatches the mask off.

Now she thinks he is disgusting, and here is where he makes his first incredibly bad decision.

He tells Christine that he can’t let her go. He knows that she sees him only as a monster, and if returned to the surface would tell others of the “monster”, causing them to be riled up, create a mob, and set out to kill him.

Grab your torches and sharpen your pitchforks!

Christine, the little actress she is, starts playing to the areas he has been insecure. She tells him that he is genius, his music causes her to forget his looks. She even burns his mask to symbolize that she is “above” such things. In reality she is playing him  from every angle, earning his trust so that he is willing to believe she actually loves him and won’t harm him. Letting her go.

Christine acts as if he is a true monster, but the Phantom has a compassionate heart. She asks if she can pretend to “be engaged”, playacting, with Raoul and the Phantom agrees.

“He said, ‘I trust you, Christine. M. de Chagny [Raoul] is in love with you and going abroad. Before he goes, I want him to be as happy as I am.” (pg. 134)

How can someone be unfeeling when they consider what their arch rival’s feelings?

How sweet!

Eventually, the Phantom figures out the truth, that this was all a set up and steals Christine away; that final act of betrayal being the straw that broke the camels back.

I mean he really believed that someone had fallen in love with him.

“It is my wish…my wish to let her go; and she will come again…for she loves me!…All this will end in marriage…” (pg. 206)

He thinks his dream and true love is in his grasp!

“…Now I want to live like everybody else. I want a wife like everybody else and to take her out on Sundays. I have invented a mask that makes me look like anybody…All I have ever wanted was to be loved for myself…” (214)

The thing I really hate about the Andrew Lloyd Webber musical is how the changed the relationship between Christine and the Phantom with her thinking if him as her father and making Raoul less of the pansy he was. But most of all they make the Phantom a total psychi and murderer. He doesn’t really kill people in the book, unless it is for self-preservation. We only witness three: two were out trying to get him, and the third he accidentally kills Raoul’s brother, who when searching for him falls into a trap. The Phantom really regrets having killed him. And he also does bring the chandelier down, which injures and kills. How many, we don’t know.

He then gives Christina an option. She can choose Raoul and the Opera house will be blown up (as Erik has hidden dynamite under the floor when he built it) or she can choose him and save everyone. I have to admit that forcing her to choose marrying him was not right or what she should do, but people who have been betrayed often do not think logically but just want to heart the person who hurt them.

But in the end he let’s Christine go, because she finally gave him the one thing he has most wanted: companionship and love:

“I tell you I kissed her just like that, on her forehead…and she did not draw back her forehead from my lips! (pg. 247)

Poor Erik!

“Poor, unhappy Erik! Shall we pity him? Shall we curse him? He asked only to be “some one,” like everybody else. But he was too ugly! And he had to hide his genius or use it to play tricks with, when, with an ordinary face, he would have been one of the most distinguished of mankind! He had a heart that could have held the empire of the world; and, in the end, he had to content himself with a cellar. Ah, yes, we must pity the opera ghost.” (pg. 259)

 I think what resonates the most with this story is how relatable the Phantom was. Who of us hasn’t at one time hated how we looked?

Had our heart broken:

Been betrayed by someone we thought cared about us?

Or felt we hadn’t received the recognition we deserved?

What else can I say?

Why yes I do!

Starting in 2015, I decided to dress up “Jane Austen” in Halloween costumes. Check her out as the Bride of Frankenstein.

To start the 30 Day Challenge from the beginning, go to It Was a Pleasure to Burn: Fahrenheit 451

For the previous post, go to Each Illustration is a Little Story. If You Watch Them, In a Few Minutes They Tell You a Tale: The Illustrated Man

For more on The Phantom of the Opera, go to How to Meet the Perfect Guy

For more on Gaston Leroux, go to Fantom of the Opera

For more Jane Austen quotes, go to Midnight in Austenland

For more Silverstein, go to The End by Silverstein

Today’s carol is The First White Christmas from the claymation, The First Christmas:The Story of the First Christmas Snow.

I couldn’t find any info on the song, but they play it in the opening and ending credits. I always thought it was cute, and it tends to get stuck in my head.

I couldn’t find a video unfortunately, or a good link to watch the film (as they took down the best one).

For more on The First Christmas:The Story of the First Christmas Snow, go to 25 More Films of Christmas

For more Christmas Carols, go to She Struck Him as a Fixer-Upper, a Block of Clay Ready for Pygmalion’s Chisel: The Overnight Socialite

Remember, Remember The 5th of November

So today is Guy Fawkes Day and you know what that means…

So this something I actually have to thank my ex-boyfriend for. He may have been a cheating scumbag that at times I really want to punch in the face (or kick in the junk)

But he did introduce me to some great music, V for Vendetta, and The Sandman Chronicles.

As it is the 5th of November, it is time to honor it and V. V is amazing. First of all he’s played by Hugo Weaving.

I know, what an amazing actor!!! He has some serious fighter skills!

This was my first date with my ex and all I could do was swoon over him. V, that is not my ex.

Besides being an epic fighter, he’s a man with a message and something to fight for.

Now do I agree with everything he does? No. He never should have cut Evey’s hair. A girl’s hair is more than hair, it is a part of their identity, a mark of their femininity. What he did was just wrong there.

See Hook agrees with me.

But you can’t help but be swayed by him. He is so eloquent!

In fact, I became so enthralled that I actually wrote a song about the film from V to Evey. I composed it as I was biking to school and was unable to write it down. Sadly, by the time I got to class I couldn’t remember much. This is about all I can recall:

“I cut off all your hair,

But I swear to you I care

Because I’ve got a vendetta to win your heart

(Win your heart) (Win your heart)”

Silly huh? But what’s a fangirl to do?

So today I have a proposition for you all. Now none of you under obligation:

So last year my friend Benita, who is also a huge V fan, and I were discussing the film. She suggested that we should tag walls with Vs on November 5th to honor him. I thought that was a great idea, but didn’t want to get in trouble for vandalism. I thought we should do it in chalk, as it washes off, but that’s when I came up with a better idea!

But I thought what could make this 5th of November really special would be if we would post this picture on our facebook walls.

And then on 5 of our friends’ walls asking them to do the same. If we all work together we can cover the world!!! Think about it!

And never forget:

For more on dystopian futures, go to In Their Proper Place

For more on hot masked men, go to I’m Batman!

For more on Hugo Weaving, go to Beast or Man

For more films based on books, go to What Have We Done to Each Other?

For more on Lylod Alexander, go to A Hidden Wonder

For more of my favorite quotes, go to There’s Nothing Out There. Nothing in the Mist

It’s Happening Again, Isn’t It?: Scream 2 (1997)

It’s happening again, isn’t it?

So welcome to another Screamin’ Saturday. Yep, every Saturday this month we are going to cover the Scream franchise. Go to What’s Your Favorite Scary Movie? to read about the first one.

**** Contains Spoliers ****

Now the first Scream film was a parody of horror films. Scream 2 is similar, but takes it one step further by making this a parody of horror sequels, and sequels in general. Kevin Williamson actually came up with the ideas for Scream 2 while writing the script for Scream. Scream 2 began principal photography just six months after the release of Scream, and it was released less than a year after its predecessor.

So Scream takes place two years since the last film, and Gale Weathers has not only written her book about the Woodsboro murders, but her book has been turned into a film, Stab. They are having a midnight showing for the film in which all those who attend receive a free ghostface mask + costume.

So we open with a boyfriend and girlfriend going to see the film. She’s not really into it, but her boyfriend is all over the slasher flick. The two start watching the film, when her boyfriend goes off to the bathroom. Just like in Friday the 13th, he meets his end.

Ghostface attacks!

Making it body #1

Victim #1

Back at the theater, his date is chilling, watching the film, when she too meets her end.

Victim #2

Everyone hears her screams, but does nothing as they think it was just a publicity stunt.

The next day we go to Windsor College, where the dead boy and girl attended school; and also the place that Randy and Sidney go to. Randy is in his film class where they are discussing whether or not violent films really encourages people to become killers. The reason this plays such a crucial role in the film, was because after the first film came out there were a ton of people trying to copy the murders and they way they killed people in the film. In fact many tried to blame it on scary movies and try to get directors like Wes Craven to be held responsible for it.

“Film Teacher: You could say that what happened in that theatre was a direct result of the movie itself.

Cici: That is so Moral Majority. You can’t blame real life violence on entertainment.

Film Class Guy #1: Yes you can. Don’t you ever watch the news?

Film Class Guy #2: Hello? The murderer was wearing a ghost mask just like in the movie. It’s directly responsible.

Cici: No, it’s not. Movies are not responsible for our actions.

Mickey: Its a classic case of life, imitating art, imitating life.

Film Class Mopey Girl: Its not hypothetical, it’s not about art. I had biology with that girl. This is reality.

Randy: Thank you. I agree with you. Let me tell you about reality, Mickey. I lived through this, okay? Life is life. It doesn’t imitate anything.

Mickey: Oh come on Randy, with all due respect, the killer obviously patterned himself after two serial killers who were immortalized on film.

Film Class Guy #2: Thank you!

Film Teacher: So, you’re suggesting that someone is trying to make a real life sequel?

Randy: Stab 2? Who would wanna do that? Sequels suck! Oh please, please! By definition alone, sequels are inferior films!

Thank you Randy!

And this spurns a debate on whether or not sequels are horrible films. I have to say that I usually hate sequels, but there are some that are better than the original, such as Aliens, or just as good, like Terminator 2.  Anyways, as they are debating, one student, Mickey, says that Godfather II is so much better than the original. Mickey you are stupid. Godfather II is no where near as awesome as the original Godfather. The Godfather was an amazing film about this family and one man’s struggle to get free, but getting trapped in something he does not want. It is AWESOME! The second one isn’t bad, but the plot is a little scattered with the juxtaposition between Vito’s start in America, and Michael’s life. I don’t think it’s awful, but it just doesn’t hold a candle to the original. Mickey, I only have one thing to say to you:

Don’t mess with me!

Sorry! Back to the film…

So Randy still is in love with Sidney, and I personally hate how the directors never put them together. I wanted Randy to win the girl. But sadly, that’s not in his future.

He checks up on Sidney who is scared about everything happening again.

We are then introduced to the rest of the crew. Sidney’s new boyfriend Derek (Jerry O’Connell),  his best friend Mickey (Timothy Olyphant) and…wait a sec. Timothy Olyphant? the sexy guy from Deadwood and Justified? He’s in this film???? Woaaaaaah!! This dude is one incredible actor. He goes from yucky creep:

Uber Creep!!!

to:

Excuse me again. Sorry! And Sydney’s best friend Hallie (Elise Neal). (Funny it mimics the old crew. In Scream: Sidney, Randy, Billy, Stu, & Tatum. Scream 2: Sidney, Randy, Derek, Mickey, & Hallie. 3 boys and 2 girls). Soon to join them is Deputy Dewey, as he wants to watch over Sidney and make sure she is okay. He does suffer from a limp and other ailments, as his stabbing almost killed him. Following after him is Gale, who is once again, not received well.

Meanwhile Sidney continues to get harassed on the phone:

“Sydney: Hello? Hello?

Phone Voice: Hello Sidney.

Sydney: Yes?

Phone Voice: What’s your favorite scary movie?

Sydney: Who is this?

Phone Voice: You tell me.

Sydney: [picks up caller ID] Cory Gillis, 555-0176.

Phone Voice: S***!

Sydney: Hot flash Cory…

Phone Voice: S***!

Sydney: …prank calls are a criminal offense prosecuted under penal code 653M.

[caller hangs up]

Sydney: Hope you enjoyed the movie.”

Meanwhile, that night in a sorority house, Cici, the girl from the film class (and played by Sarah Michelle Geller) recieves a lot of phone calls and is attacked that night.

Ghostface attacks!

Making her

Victim #3

That night Sidney gets attacked by ghostface, and just manages to get out okay with Derek’s help. He saves her but gets a flesh wound in the process. She is then is given two policemen bodyguards to protect her.

The next day, Sidney is totally freaking out, as she herself also gets attacked. Derek tries to make her feel better by singing her a Partridge Family song, I Think I Love You:

This is one of my all time favorite songs! I find it so incredibly romantic!

So romantic!

And gives her his Greek letters for protection.

No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, Derek NO!

Noooooooooo!!!!!!!

Have you not seen any horror films?!!!!

 

This is why Randy is awesome, he would know about this and he would not make this stupid mistake. OMG movie heroes make this mistake all the freakin’ time. The Wolf Man, The Mummy, Dracula, etc. If you have been given a necklace just for you DO NOT and I repeat DO NOT GIVE IT AWAY! IF YOU DO YOU WILL DIE!!!!!!!!!!!!!!!! Every single time! I mean it is true that this is just Greek letters and not something given by Van Helsing, or a Gypsy ,or whatever, but still. If you hadn’t given it away you wouldn’t have marked yourself as a dead man. Just saying.

Ouch

Randy and Dewey meet up to try and figure out who the killer might be. While they are discussing it, they see clips from the film Stab. Now I do have to say I love the movie within the movie as they show scenes from the film. And good job Wes on continuity. In Scream, Sidney mentions how she wouldn’t be lucky to have a great actress play her, she’d probably end up with Tori Spelling.

Randy also goes over the rules for sequels.

And also discusses our potential killers. Is it Derek, the boyfriend? Could Sydney have made the same mistake twice? How about creepy Mickey? Or the supposedly sweet Hallie?

Everyone’s a suspect!

Sidney, meanwhile is suffering from PTSD. She is supposed to be the star of the school play, but has a complete breakdown in rehearsal.

And this is something that makes absolutely no sense to me whatsoever. I know Wes did it this way so that when Ghostface is attacking her she can go all loca, but still who would ever be in a play where people in freakin’ masks are attacking you? There is no way whatsoever that someone with that much trauma would dare even do that. I’m sorry, but I just don’t believe it.

Now I want to take a brief sidebar from the film (I know again…sorry!) But let me just say that I love how this film is such a great representation of the ’90s. You have that one side of the culture with the dark clothing very goth (Sidney and Gale). And on the other hand you have the prep look with floral and pastels (Derek and Hallie). You have everyone running around in denim, stonewash of course. Ah, it’s such a throwback. They even give a Saved By the Bell reference, and call each other bonehead. Oh ’90s.

Anyways back to the film. So Randy, Dewey, and Gale have now teamed up to try and find the killer. Poor Randy. He loves Sidney so much, but she won’t give him the time of day. Now I cannot understand why Sidney won’t date Randy. Randy is awesome. He has great taste in film. He is tall and buff. He does a great British accent. Why Sid? Why? He’s perfect.

So they get a call, and while Randy talks to ghostface, Dewey and Gale hunt around the area trying to find the murderer.

Victim #4

RANDY NOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO!

Noooooooooo!!!!!!!

Why, why why!!!!!! Why did Randy have to die? Why?????????!!!!!!!!! Just like the garage scene was the biggest mistake of Scream, killing Randy was the biggest mistake you could make for the sequel. Randy was awesome. Randy was hot. Randy was the only one who had seen horror films. Whyyyyyyyyyyyyy???????!!!!!!!!!!!!!!!

So Sidney, even though her life is threatened, has schoolwork to do. She goes to the library and her guards go to the other side of the building.

WHY AREN’T THEY NEXT TO HER?

Then Sidney gets threatened and her bodyguards take off to investigate.

So what is up with Sidney’s bodyguards? Do they want her to die? She gets threatened and they live her alone to investigate. SHE WAS JUST THREATENED!!!!! DO YOU WANT HER TO DIE??????? Ugh! One of you should have stayed while the other went out looking.

While they are gone Cotton Weary comes onto Sidney. I’m sure you guys remember Cotton. He was played by Liev Schreiber, and was the man that Sidney thought had murdered her mother. He had been released after the whole Stu & Billy issue. He’s been trying to reach Sidney to have her go on TV with him and discuss the past, but she has been ignoring him.

Okay Cotton is a real creep. The way he just pops out of nowhere and how he is obsessed with Sidney, I’m having Phantoms flashbacks. Let me just say that I don’t like Liev Schieber. I think he is creepy in everything! (Well except Kate & Leopold). 

So after that they decide to take Sydney and Hallie to a safe house. She stops to say good-bye to Derek, but it turns out he gets kidnapped by his frat brothers as he is going to get a beat down for giving away his letters.

Okay this is a weird scene. Seriously what is with all the Troy references? They are doing a Greek tragedy about Troy as their school play. The Greek frat/Sorority yells about how this is for Troy and call themselves gods. Who talks like that? What is their obsession with Troy in this film?

Anyways, so the four of them are on their way to a safe house, when Sydney asks the cops where they are going. They tell her that they can’t, because if they tell her, then they’ll have to kill her.

Sydney is being threatened BY A KILLER AND YOU THINK MAKING A JOKE ABOUT KILLING HER IS FUNNY?

Like dude really? Bad form, bad form

I mean like

Anyways, back to the film.

So as they are driving they get attacked by Ghostface.

Ghostface attacks!

Now this makes no sense to me. How did Ghostface know where they were going? I mean they were taking her to a secure location, a safe house, yet he reaches the intersection way before them. I mean he could have guessed they would exit and go down that way, but every campus has at least four exits, how did he know they weren’t going to double back? And how did he make it there on foot? And what was his plan if they didn’t happen to get a red light? I mean he is on foot, and they will be driving at least 35m/hr, maybe faster.

Shame on you!

So the two take a really long time, trying to get out of the car without disturbing ghostface. They make it out and start running away. When Sidney decides to go back and take a look at who the killer is.

This isn’t the time to stay there, this is the time to RUN AWAY!!!!!!!!!!!

She goes back, but the killer has magically disappeared and kills Hallie. Bringing our total to:

Victim #5, 6, & 7

The body count is racking up!

Sidney, finally takes the right advice and runs away, toward the theater/film department/building.

Meanwhile, Gale and Dewey go are in the theater to check out the film department and look at some tapes.

While their things get a little heated. Now Dewey and Gale, tsk. tsk. What is this Twin Peaks? You are going to sex while there is a killer loose?

But they get interrupted by a tape that shows images from Cici’s murder, Randy’s, and then the two of them. Ghostface then chases them around stabbing Dewey in the process. Now Gale manages to outrun him for quite a while and it is  pretty B.A. how Gale is attacking and trying to take Ghostface down. The whole chase scene with Gale and the killer is very reminiscent of Jurassic Park. The raptors and Ghostface could be best buds.

Sidney has reached the stage, where she sees Derek tied up. She goes to help him when ghostface comes upon her and reveals himself to be……….

Uber Creep!!!

Mickey

Yep, Mickey is crazy and the killer. He tells Sidney that he isn’t working alone, but has a partner.

“Mickey: Don’t you know, history repeats itself? Hmm, Sid? [removes mask to reveal Mickey; uses voice-changer] Surprise, Sidney.

Derek: What the f***?

Mickey: Since Derek here disappeared on my a**, I’ve been on my own, all f****** night. Thanks a lot, partner.

Derek: You motherf*****! Sid, you know me better than that. Untie me.

Sydney: Oh my god, Derek!

Derek: No, no, no… Sid.

Mickey: It’s okay, Derek. We got her.

Derek: No, no, Sid, listen to me. You know me better than that. He’s lying.

Mickey: What do you think, Derek? Sidney’s experiencing a little deja vu?

Derek: Sid, he’s lying! The man is lying! Sid, untie me! Untie me!”

So now Sidney is caught between the two. Could she have made the same mistake?

What to do

Before Sidney can make a decision Mickey shoots Derek in the chest. Bringing us to:

Victim #8

“Mickey: You should really deal with your trust issues Sid: I mean, poor Derek. He’s completely innocent and such a nice boy too. He’s bright and funny and handsome. Decent singing voice. And he was going to be a doctor. This is just the kinda boy you’d like to take home to mom. If you had a mom.”

Mickey tells Sidney to look behind her and she his partner. She does and it is Gale

But behind Gale is another reporter who had been around earlier, Debbie Salt. The women who Sidney recognizes as Mrs. Loomis, Billy’s mom.

Now what’s really interesting about Scream 2 is that the cast didn’t know who the killer was until the last day. They had kept it a big secret and had actually gone through multiple endings with different killers. Everyone from Derek, Hallie, Mrs. Loomis, and Cotton; before settling on the deadly duo of Mickey and Mrs. Loomis.

Anyways, so Billy’s mom and Mickey have been working together. Mickey wanted to kill because he wanted to get caught and use horror films as his defense at trial. Mrs. Loomis, shoots Mickey who shoots Gale and knocks her off the stage. She then turns to Sidney and explains her real reasons behind it all. Pulling a Mrs. Voorhees, she wants to get back at the person who killed her son.

Pamela Voorhees: [high voice] Kill her, Mommy! Kill her! Don’t let her get away, Mommy! Don’t let her live!
[normal voice] I won’t, Jason. I won’t!

After Mrs. Voor…Loomis is about to slit Sidney’s throat, when Cotton comes on the scene.

I love this ending. Even though Cotton is a total creep and this is the meanest thing ever, I just love that he blackmails her into giving him the interview.

Gale is alive and after she joins the group. Mickey seems to wake up, but Sidney shoots both Mickey and Mrs. Precott.

Dewey is alive and gets taken to the hospital and Cotton gets his interview as the hero of the night.

So tell me Wes Craven, how does Dewey survive another extreme stabbing and live? How does he live and not Randy? Randy is awesome, why’d he have to die? Why. I’m still not over that. Wes Craven you break my heart.

Wes Craven and I

Tune in next Saturday for the third installment

To start Horrorfest III from the beginning, go to Even a Man Pure of Heart

To go to the previous post, go to Happily Ever Aftermath

For more on the Scream saga, go to What’s Your Favorite Scary Movie?

For more on Wes Craven, go to Kruegar Town

For more horror parody, go to A Deliciously Creepy Tale

For more on slasher film, go to It’s Coming From Inside the House

For more on Friday the 13th, go to Camp Blood

For more great sequels, go to The Boys Are Back in Town

For more films that spanned sequels, go to I’ll Be Back

For more of my fav songs, go to Rock You Like a Hurricane 

Only A Woman: Queen of Outer Space (1958)

How did she manage to overthrow the men? They didn’t take her seriously. They were preparing for war. After all, she was only a woman.

Now this is a film I didn’t really care for. It was HIGHLY sexist.

So the film is about four astronauts going on a mission to Venus to try and find out what it holds.

The interesting thing is that they used the same space station and uniforms from Forbidden Planet.  I spotted it right away.

When the guys arrive at Venus they discover it full of only women!

I know you guys are thinking that it sounds really great. However you are dead wrong!!!! These women hate men.

The women take the men and lock ’em up.

The whole Venetian society is run by one woman, the Queen, who is the biggest man hater of them all.

Now Zsa Zsa Gabor is often thought to be “the queen of outer space”, but she is just an underling (unfair as she gets to be all over the poster). However, it is actually played by Laurie Mitchell. Anyway Queen Yllana (Mitchell) hates men, and when she took over the planet she rid them of them. She wears a mask and forces everyone else in a position of power to follow that credence.

While they lock up the men, we get to hear all the beautiful things that the men say:

Lt. Larry Turner: How can a doll as cute as that be such a pain in the neck?

Lovely guys, just lovely.

Ugh

So the Queen doesn’t know how the men were able to get to Venus and that is something she is trying to figure out.

Capt. Neal Patterson: I didn’t say anything to the Queen. I didn’t want to put her on guard, but I’m beginning to think our being here is not an accident.

Prof. Konrad: I’m afraid I must agree with you.

Lt. Mike Cruze: What is that? What is that?

Capt. Neal Patterson: The ray that destroyed the space station and knocked us off our course may have originated right here.

Lt. Mike Cruze: Oh, come off it! How could a bunch of women invent a gizmo like that?

Lt. Larry Turner: Sure, and even if they invented it, how could they aim it? You know how women drivers are!

Ugh, men

They find out that Talleah (Zsa Zsa Gabor) was the one who brought them. She leads a rebellion that doesn’t like being away from men. She wants to end the Queen’s rule.

She and the Captain of the vessel start a relationship. However, someone else is interested in the Captain.  The Queen. She saw him and wants him.

He thinks he can use it to his advantage, by romancing her.

Talleah: I hate her! I hate that queen!

Lt. Mike Cruze: She’s jealous!

Lt. Larry Turner: Twenty-six million miles from Earth, and the little dolls are just the same.

Ugh, men

So he tries to romance her and the Queen is actually eating it up. In fact he convinces her, that he likes her so much he won’t be turned away by her face. She is so convinced of his care that she allows him to unmask her.

She has horrible scarring on her face from radiation. This is why she hates men. No one would give her any attention because of her ugly face. She becomes so angry she wants to destroy the opera house…I mean the Earth!

“Queen Yllana: I’m going to allow myself the exquisite pleasure of watching you while I obliterate the Earth.”

While Queen Yllana is crazy and evil, but at the same time you understand it. She could have been a nice person, but if no one is willing to give her a chance and look past her outer self, than how could she not turn evil?

So in the end Talleah and her group take down the Queen and allow the men to roam free. And Talleah becomes the new queen.

Ugh, men

Yeah, I didn’t really like it. It wasn’t that interesting and I hated the men’s attitude to the women. It was just so hard to get through.

To start Horrorfest III from the beginning, go to Even a Man Pure of Heart

To go to the previous post, go to What Is This Thing?

For more on aliens, go to Friday Night Fun

For more on men being a disappointment, go to Men What Happened?

For more on radiation poisoning, go to They’re Coming to Get You Barbara

For more on unmasking, go to Feast Your Eyes on My Accursed Ugliness

I’m Batman!

Now I’m not pulling an Alfred, I really am Batman. Why do you ask? Why I think I’m Batman? I don’t think, I know. How?

So yeah…

Yep, it’s true. And I’m going to stand for justice!

Comment below as to who you are!

For more on Batman, go to A Twist on Wrecking Ball

For more quizzes, go to Unbound

For more on Supernatural, go to You Can’t Have Just One!