Is Christine the Ultimate Femme Fatale?

As this is Noir November #Noirvember, I thought it was no better time to talk about one of the top classic femme fatale.

I hate Christine, I think she was a horrid little urgh.

And I don’t use that lightly. First we see her all upset at Raul for being rude and condemning Erik

“Why do you condemn a man who you have never seen, whom no one knows about and whom you yourself know nothing?” (pg. 104)

But then she’s like I’m so scared of him. Aaah! She makes him sound evil, even though the story is hardly anything.

She heard this wonderful voice and begs him to teach her.

“From that time onward, the voice and I became great friends.” (pg. 116)

They spend years together as the phantom puts his all into teaching her and helping her. Then one day Christine spots Raoul and tells the phantom all about seeing him. And the voice disappears, Christine is anxious and scared. She knows she is nothing without him, she will shrivel up into a has-been.

The next day the Phantom comes and tells her he has to leave her.

“The voice was there, spoke to me with great sadness and told me plainly that, if I must bestow my heart on earth, there was nothing for the voice to do but go back to heaven.” (pg. 117)

You see, no threats. No harsh words. The Phantom would have simply backed off if she loved another. He would be heartbroken, but that would be the end of it. Except…

“I swore to the voice that you were no more than a brother to me nor ever would be and that my heart was incapable of any earthly love.” (pg. 117)

You see that!!!! You see that!!!

What???!!!

She purposely leads on the Phantom because she just wants to use him. She doesn’t love him, she doesn’t care for him, as she has stated before:

“[to Raoul] And that, dear, first revealed to me that I loved you.”

She knew, but she had a good thing and didn’t want to see it disappear. Now she tells Raoul that she “lied only because she thought she had no chance with Raoul.” But is that even the truth? She already admitted to playing the Phantom, she’s probably playing Raoul too. He’s rich and interested, and now she’s going to play the little helpless victim to catch him.

So you know what, I never feel sorry for her. She created this whole mess as she only cared about herself and not what her false declarations did to people. She almost kills hundreds because of her selfishness. I feel bad for the Phantom. Poor guy, who is completely crushed by her. He picked the wrong woman.

Poor guy

And she goes on about being captured by a madman and held prisoner, BUT he treats her well. He respects her as a thing of beauty and doesn’t harm her or touch her. And when she is upset and wants to leave?

“And, when I stood up, Raoul, and told him that I could only despise him if he did not, then and there, give me my liberty…he offered it…” (pg. 125)

See he isn’t a crazy killer or psychotic (yet). He loves her and respects her wishes. She’s the viper, she’s evil as she chooses to stay there.

“For he sang. And I listened…and stayed!” (pg. 125)

Seriously?

So she falls asleep and then wakes up in a whole different room, properly freaked. BUT then spots a note left to her by the Phantom.

“My dear Christine, you need have no concern as to your fate. You have no better nor more respectful friend in the world than myself.” (pg. 126)

Wow

He just let her alone, as he sees her as the kindest and most divine woman; respecting her. He also purchases tons of things for her in order to make the place truly home.

But Christine is not happy. She wants out. She is angry with the Phantom, even though she is packed with beautiful gifts. All she wants is to see his face as “no honest man would wear a mask.” But that is the one place Erik won’t give.

Then Erik mentions how most of her time with him will be musical practice. She is angry as he wants her to stay five days, then he will let her go again as she will either love him (hope) or pity him. But Christine is now upset that he won’t let her go now, but hey he offered you before.

Seriously

The real issue Christine has with the Phantom is his skull-like face. This is what breaks her and makes her horrified and disgusted.She can’t live well enough alone, and asks him to play for her, plotting her deception. When he is too worked up in the music she snatches the mask off. 

She tells Raoul this as each visit “increased her horror.”

Now what’s really interesting is after Christine has told her tale, Raoul asks her:

“You are frightened…but do you love me? If Erik were good-looking, would you love me, Christine?” (pg. 132)

Hmm…

And what does Christine say? Does she say NEVER, I don’t love him I LOVE YOU? No. Does she say that Erik is a horrible person, and she could never love him? No. Now what does she say?

“She rose in her turn, and put her two trembling arms round the young man’s neck and said: ‘Oh my betrothed of a day, if I did not love you, I would not give you my lips! Take them, for the first time and the last.” (pg. 132)

You see that!!! You see that!!! SHE NEVER ANSWERS THE QUESTION!!!! And you know why???!!! Because the answer is NO! She don’t love you Raoul, she’s using you just as she used Erik. She could have easily answered she loved you, but instead she deflected the question and gave you a kiss. I hate when people do that, urgh!

Let me tell you something, if you ever are having a serious and deep conversation with someone and they deflect you with a kiss, hug, sex, whatever, you need to get out of that relationship because they are not serious about you. Should’ve seen it Raoul, except you were to busy focusing on that kiss that you missed it.

Meanwhile, Christine, the little actress starts playing Erik to the areas he has been insecure. She tells him that he is genius, his music causes her to forget his looks. She even burns his mask to symbolize that she is “above” such things. In reality she is playing him  from every angle, earning his trust so that he is willing to believe she actually loves him and won’t harm him. Letting her go.

Christine acts as if he is a true monster, but the Phantom has a compassionate heart. She asks if she can pretend to “be engaged”, playacting, with Raoul and the Phantom agrees.

“He said, ‘I trust you, Christine. M. de Chagny [Raoul] is in love with you and going abraod. Before he goes, I want him to be as happy as I am.” (pg. 134)

How can someone be unfeeling and a loser when they consider what their arch rival’s is feeling?

See Erik isn’t the monster, Christine is! She just goes and destroys two men’s lives-never thinking about them or how it affect them; all she cares is about her self.

Yeah, that’s why I hate Christine Daaé.

For more on The Phantom of the Opera, go to President of the “I Don’t Like Raoul Fanclub”

For more on Christine Daaé, go to Le Fantôme de l’Opéra

For more femme fatales, go to That Girl is Poison

Le Fantôme de l’Opéra

Day 20) T is for Translated: Choose a book that was Translated from one language to English

The Phantom of the Opera by Gaston Leroux

Yes, I know I said I wouldn’t talk about this book. However, as I was trying to think of books I like that were originally in another language, I couldn’t think of anything but this book and Jules Verne’s novels.

I already reviewed two Verne books, so with nothing else coming to mind, I decided to review The Phantom of the Opera.

Gaston Leroux studied to be a lawyer, but when his father died, he found himself a millionaire. He immediately quit school and went on a big spending/gambling spree losing everything.

Afterwards, he began to work for a newspaper, doubling as a court reporter and a drama critic. As he toured the opera, ballets, plays, etc.; and heard different stories about what went on in the theaters, it gave him an idea.

With that he published The Phantom of the Opera as a serial from 1909-1910, being translated and published in English in 1911. The story is told from the viewpoint of an interviewer as he researches his subject and tries to tell the history of this Phantom.

Growing up I just loved this book so much. I used to check out the children’s version again and again; graduating to the unabridged when I grew older.

So here I am going to do a slightly different post, I am going to focus on one character: the Phantom.

I just love him:

Erik is a wanderer. After being hurt by so many he no longer considers him as having an nationality or family.

His pain originates from when he was a child and his own parents were too disgusted to see his “true form.”

“When my own father never saw me and when my mother, so as not to see me, made me a present of my first mask.” (pg. 130)

Aw, man.

He is so often used to being considered as death, that he has even prepared him room as such. All in black and even sleeps in a coffin. How sad is that? Poor guy!

But even in that ugliness and sadness there is beauty. He is a musical genius with a voice like no other.

“He heard a very captivating voice…Raoul had never heard anything more absolutely and heroically sweet, more gloriously insidious, more delicate, more powerful, in short, more irresistibly triumphant…nothing could describe the passion with which the voice sang…” (pg. 98)

Erik is very intelligent and has done many things before coming to the opera house and meeting Christine.

“You must not think, Raoul, that he [Erik] is simply a man who amuses himself by living underground. He does things that no man could do; he knows things which nobody in the world knows.” (pg. 135)

I mean he built THAT opera house and created numerous trap doors, spring sets, his own secret underground home. And that’s not the only thing he has created. He built palaces for Sultans and Kings; but always being betrayed by them as they want him dead so that they alone can posses his genius.

One day the Phantom comes upon Christine and decides to help assist her to become a fantastic singer.

“From that time onward, the voice and I became great friends.” (pg. 116)

They spend years together as the Phantom puts his all into teaching her and helping her. Then one day Christine spots Raoul and tells the phantom all about seeing him. And the voice disappears. Christine is anxious and scared. She knows she is nothing without him, she will shrivel up into a has-been.

The next day the Phantom comes and tells her he has to leave her.

“The voice was there, spoke to me with great sadness and told me plainly that, if I must bestow my heart on earth, there was nothing for the voice to do but go back to heaven.” (pg. 117)

You see, no threats. No harsh words. The Phantom would have simply backed off if she loved another. He would be heartbroken, but that would be the end of it. Except…

“I swore to the voice that you were no more than a brother to me nor ever would be and that my heart was incapable of any earthly love.” (pg. 117)

You see that!!!! You see that!!! She purposely leads on the Phantom because she just wants to use him. She doesn’t love him, she doesn’t care for him, as she has stated before:

“[to Raoul] And that, dear, first revealed to me that I loved you.” (pg. 117)

She knew, but she had a good thing and didn’t want to see it disappear. Now she tells Raoul that she “lied only because she thought she had no chance with Raoul.” But is that even the truth? She already admitted to playing the Phantom, she’s probably playing Raoul too. He’s rich and interested, and now she’s going to play the little helpless victim to catch him.

So you know what, I never feel sorry for her. She created this whole mess as she only cared about herself and not what her false declarations did to people. She almost kills hundreds because of her selfishness. I feel bad for the Phantom. Poor guy, who is completely crushed by her. He picked the wrong woman.

Then the Phantom carries her off underground into his home.

Now I admit, his carrying her off wasn’t the right thing to do. He should have asked her instead of just carrying her like that. But what does he do next? He confesses that he isn’t an angel or teacher but that he is the Phantom of the Opera, its architect, etc.

“He [Erik] feels me with horror and I do not hate him. How can I hate him Raoul? Think of Erik at my feet…he accuses himself, he curses himself, he implores my forgiveness!…He loves me! He lays at my feet an immense and tragic love…He has carried me off for love!” (pg. 125)

He treats her wonderfully. He respects her as a thing of beauty and doesn’t harm her or touch her. And when she is upset and wants to leave?

“And, when I stood up, Raoul, and told him that I could only despise him if he did not, then and there, give me my liberty…he offered it…” (pg. 125)

See he isn’t a crazy killer or psychotic (yet). He loves her and respects her wishes. She’s the viper, she’s evil as she chooses to stay there even though she doesn’t love him, she just wants to use him.

“For he sang. And I listened…and stayed!” (pg. 125)

She falls asleep and then wakes up in a whole different room, properly freaked. BUT then spots a note left to her by the Phantom.

“My dear Christine, you need have no concern as to your fate. You have no better nor more respectful friend in the world than myself.” (pg. 126)

He just let her alone, as he sees her as the kindest and most divine woman; respecting her. He also purchases tons of things for her in order to make the place truly home.

How sweet!

But Christine is not happy. She wants out. She is angry with the Phantom, even though he has given her everything! All she wants is to see his face as “no honest man would wear a mask.” But that is the one place Erik won’t give.

Then Erik mentions how most of her time with him will be musical practice. She is angry as he wants her to stay five days, then he will let her go again as she will either love him (hope) or pity him. But Christine is now upset that he won’t let her go now, but hey he offered you before.

She cannot make up her mind.

The real issue Christine has with the Phantom is his skull-like face. This is what breaks her and makes her horrified and disgusted. She can’t leave well enough alone, and asks him to play for her, plotting her deception. When he is too worked up in the music she snatches the mask off.

Now she thinks he is disgusting, and here is where he makes his first incredibly bad decision.

He tells Christine that he can’t let her go. He knows that she sees him only as a monster, and if returned to the surface would tell others of the “monster”, causing them to be riled up, create a mob, and set out to kill him.

Grab your torches and sharpen your pitchforks!

Christine, the little actress she is, starts playing to the areas he has been insecure. She tells him that he is genius, his music causes her to forget his looks. She even burns his mask to symbolize that she is “above” such things. In reality she is playing him  from every angle, earning his trust so that he is willing to believe she actually loves him and won’t harm him. Letting her go.

Christine acts as if he is a true monster, but the Phantom has a compassionate heart. She asks if she can pretend to “be engaged”, playacting, with Raoul and the Phantom agrees.

“He said, ‘I trust you, Christine. M. de Chagny [Raoul] is in love with you and going abroad. Before he goes, I want him to be as happy as I am.” (pg. 134)

How can someone be unfeeling when they consider what their arch rival’s feelings?

How sweet!

Eventually, the Phantom figures out the truth, that this was all a set up and steals Christine away; that final act of betrayal being the straw that broke the camels back.

I mean he really believed that someone had fallen in love with him.

“It is my wish…my wish to let her go; and she will come again…for she loves me!…All this will end in marriage…” (pg. 206)

He thinks his dream and true love is in his grasp!

“…Now I want to live like everybody else. I want a wife like everybody else and to take her out on Sundays. I have invented a mask that makes me look like anybody…All I have ever wanted was to be loved for myself…” (214)

The thing I really hate about the Andrew Lloyd Webber musical is how the changed the relationship between Christine and the Phantom with her thinking if him as her father and making Raoul less of the pansy he was. But most of all they make the Phantom a total psychi and murderer. He doesn’t really kill people in the book, unless it is for self-preservation. We only witness three: two were out trying to get him, and the third he accidentally kills Raoul’s brother, who when searching for him falls into a trap. The Phantom really regrets having killed him. And he also does bring the chandelier down, which injures and kills. How many, we don’t know.

He then gives Christina an option. She can choose Raoul and the Opera house will be blown up (as Erik has hidden dynamite under the floor when he built it) or she can choose him and save everyone. I have to admit that forcing her to choose marrying him was not right or what she should do, but people who have been betrayed often do not think logically but just want to heart the person who hurt them.

But in the end he let’s Christine go, because she finally gave him the one thing he has most wanted: companionship and love:

“I tell you I kissed her just like that, on her forehead…and she did not draw back her forehead from my lips! (pg. 247)

Poor Erik!

“Poor, unhappy Erik! Shall we pity him? Shall we curse him? He asked only to be “some one,” like everybody else. But he was too ugly! And he had to hide his genius or use it to play tricks with, when, with an ordinary face, he would have been one of the most distinguished of mankind! He had a heart that could have held the empire of the world; and, in the end, he had to content himself with a cellar. Ah, yes, we must pity the opera ghost.” (pg. 259)

 I think what resonates the most with this story is how relatable the Phantom was. Who of us hasn’t at one time hated how we looked?

Had our heart broken:

Been betrayed by someone we thought cared about us?

Or felt we hadn’t received the recognition we deserved?

What else can I say?

Why yes I do!

Starting in 2015, I decided to dress up “Jane Austen” in Halloween costumes. Check her out as the Bride of Frankenstein.

To start the 30 Day Challenge from the beginning, go to It Was a Pleasure to Burn: Fahrenheit 451

For the previous post, go to Each Illustration is a Little Story. If You Watch Them, In a Few Minutes They Tell You a Tale: The Illustrated Man

For more on The Phantom of the Opera, go to How to Meet the Perfect Guy

For more on Gaston Leroux, go to Fantom of the Opera

For more Jane Austen quotes, go to Midnight in Austenland

For more Silverstein, go to The End by Silverstein

Today’s carol is The First White Christmas from the claymation, The First Christmas:The Story of the First Christmas Snow.

I couldn’t find any info on the song, but they play it in the opening and ending credits. I always thought it was cute, and it tends to get stuck in my head.

I couldn’t find a video unfortunately, or a good link to watch the film (as they took down the best one).

For more on The First Christmas:The Story of the First Christmas Snow, go to 25 More Films of Christmas

For more Christmas Carols, go to She Struck Him as a Fixer-Upper, a Block of Clay Ready for Pygmalion’s Chisel: The Overnight Socialite

There are Thirteen Chairs at the Table…And That’s Unlucky: Mystery of the 13th Guest (1943)

There are thirteen chairs at the table.

Yeah, and that’s unlucky.

So I found this film on Amazon Instant Watch. It was an old film with not much of synopsis, but I thought I would take a gamble and try it out. If it sucked, I could just stop and watch something else; if it rocked, then I would have a new great movie to add to my list. A win-win situation.

And as 13 plays a huge role in this film, I decided to post it on October 13 at 13:13pm (1:13 civilian time). 🙂

So the film starts out with a type of dun, dun, dun music across the credits making it dramatic and bringing out shivers.

How come they don’t do that anymore? Today they do a voiceover, narration, or pop song to sell the soundtrack. *Sigh* The world we live in. I miss the dramatic flair we used to have.

So a girl (Helen Parrish) is coming to a house after it being closed up for thirteen years. Not only that, but she decides to go at like 12:00 am, why not wait until daylight?

She asks the cab to wait for her while she goes in the house. I wouldn’t want to, but he’s nice enough to.

She uses a flashlight to check out the rooms, when she notices a phone. A phone?

Weird. Why would there be a phone in a house that’s been closed for thirteen years? And who would do it?

Sounds suspicious

Unfortunately, the phone switchboard operator can’t give out that information. As the girl continues to walk around the house, she decides to try the lights and guess what? They work too.

Someone has been in the house. Someone has opened it up. But who? Who would do that? And why?!

The girl doesn’t really think on it, as she has other things on her mind. She remembers the last dinner that was held here, thirteen years ago. In it she was given an envelope and asked to wait until her 21st birthday to open. That’s why she is here at 12:00am.

As she goes into the room she looks at the table and remembers where everyone was sitting.

Grandpa was at the center, with her next to him, then Mr. Barksdale, Uncle Adam, Aunt Lucille, Uncle John, Harold, Aunt Martha, Tom, Marjory, Uncle Wayne, Aunt Joan, and the 13th guest…. The thirteen chair was empty.

hmmm…I wonder why?

Grandpa is sick and dying. He knows it is his last party and that most of the people at the table want him dead. He gives an envelope to Marie, the girl who is remembering, telling her not to open it until her 21st birthday, forcing everyone to wait until then.

Kind of harsh grandpa, but it is his money so he can do whatever he wants with it. In fact no one knows what is in the envelope, not even the lawyer. And now the time has finally come. She can open it.

So she opens it and the paper says:

13-13-13

What’s this supposed to be? A safety deposit box number? Code to a safe? Thanks a lot grandpa.

As she is looking at the  note, there is some creaking in the house. There is someone inside!!!!

Marie goes to make a phone call, leaving the room. Then we hear a gunshot and a scream!

AAAAAAAAHHH!!!!!!!!!!!!!!!

The taxi driver is freaked out and takes off. He goes to the nearest phone and calls the cops. They head over, with Lead Detective Lt. Burke and his constantly asleep partner “Speed” Dugan. And seriously, he is always falling asleep.

He doesn’t seem to be a good detective at all. He should try another profession.

Meanwhile, whilst all that is going on, Uncle Adam has decided that the opening of the will, will bring out the worst in the family. He’s afraid that one of the remaining seven possible inheritors will try something, maybe even hurt Marie as she holds some kind of clue with that envelope.

Them in this case

He asks Private Investigator Johnny Smith (Dick Purcell) to get on the case and protect Marie.

Instantly I think, it will be one of those mysteries.

It’s going to be one of those mysteries where the P.I. and girl will meet and he will fall for her and try to protect her. She’ll be as tough as nails, while still a damsel in distress.

But in the end he will help her and she will fall for him. 🙂

In the next scene the police detectives have come on the scene and discover Marie’s dead body.

Yes, dead body.

NO, no, no, no, no, no, no ,no, no. She can’t be dead. She’s not dead, they must be mistaken. She has to end up with the P.I.

The P.I. comes in and explains he was hired to protect the girl, and the detective tells him too bad, you are too late. She’s dead.

You can’t do that! You can’t go around switching things!!!! There’s a formula to this!!!!!!!!

Sorry, back on track. Well…I guess…I guess they did kill her off. Weird, it’s like they pulled a Psycho before Psycho even came out. Weird. I thought Alfred Hitchcock was the first to do something like that.

Childhood broken.

So it’s odd that she is in the chair instead if by the phone, were we, the viewer, last saw her. That means only one thing, this killer, whoever they are, purposely moved her to the table to send a message by placing her at the table. But what message?

So 13 has a lot of fears surrounding it. There is the superstition of “13 at Dinner”, the first to get up will die. Friday the 13th is supposed to be full of bad luck, and there is no 13th floor on most hotels and office buildings. A coven of witches was made of 13 people. There were 13 steps to the gallows.

So the doctor examines the body and is unsure how she died. His best guess, until he can really examine her, is that she died of electrocution.

The detectives haven’t figured out how they did it, but know there must be a conductor around here somewhere.

When the phone rings the detective goes to answer, but they are hung up on. While the phone company is tracing the call, one of the detectives reports that the lightbulbs in the room are all burned out, reaffirming that electrocution was what killed the girl and what is causing these issues.

You know what that means. Bad things.

It turns out that the phone call was from the Lowry Hotel. Lt. Burke sends out his lazy or narcoleptic detective. But he can’t leave. Why? Someone stole their squad car.

Why would you steal a squad car? Do you want to go to jsil?

So they put out an APB on the car and also grab the rest of the Morgan family.

They question Marie’s cousin Tom, and her brother Harold, [aka Bud]. They discover that Marie’s 21st birthday was the day before, and that’s why she opened up the house so late. They ask about where everyone was laid out, and the police find out that not only was there a missing guest, but that the killer placed Marie in the exact spot where she had been sitting on the night if the last dinner.

They ask them for a diagram to be better understand where everyone was sitting.

By now, they have figured out the caller was John Barksdale, the lawyer. He also was the one who had the phone plugged in and the lights turned on. He left the hotel at 1:00am and hasn’t been seen since.

Back at the mansion, Speed is on duty and has, you guessed it, fallen asleep.

This makes it easy for John Barksdale to sneak into the house.

Somewhere in the house a shadow looms.

Barksdale heads straight to the library, and starts moving books around.

As he does this, we see in a secret room the shadow turns out to be a masked man.

He makes the phone ring and when Barskdale touches the phone,

Electrocuted!

Who is this masked person? Is it Uncle Wayne, Uncle Adam, Tom, or Harold?

 When Speed hears the noise in the house he takes off. The detectives return to the mansion where they find Barksdale dead, and seated in his place at the table.

 Johnny Smith is the only smart detective in this film, and he figures out that the killer is killing them off in the order they were seated at the table. That means that it has to be one of the original guests as how could anyone else know where they were.

But which one?

But that’s not the biggest surprise of the day, Marie is alive!!!

YES! Marie is ALIVE. And guess who had it all figured out? Johnny Smith. He noticed scarring on the dead girl’s face, and suspected that she wasn’t really Marie but made to look like her. But who is behind it? And where has Marie been the whole time?

It turns out that Marie heard the scream and gunshot, and hid upstairs. When she thought it was safe she came out and saw herself, dead!

Noooooooooo!!!!!!!

She freaked out, stole the police car, and has been hiding out, afraid for her life. Lt. Burke finds it fishy, Johnny Smith however, believes her wholeheartedly, and is also extremely attracted to her.

They put her in a room as they discuss what this all means. She decides to sneak out to the library to call her brother.

NOOOO! Don’t do it Marie, it’s the DEATH PHONE!!!!

Noooooooooo!!!!!!!

The music starts building!!!!!

AAAAAAAAHHH!!!!!!!!!!!!!!!

But luckily, Johnny steps in and stops her. Good thing as the man in the mask was watching her and was going to kill her.

They round everyone up and put them in a room together. They talk about who the killer might be, with Marie saying she thinks it is Uncle Adam. I don’t know if she is serious or not, but that is way harsh.

Johnny warns Adam that the murderer is killing people in the order they sat at the table, so Adam better watch out as he is next.

So all of Marie’s relatives suck. None of them care about her, espechially Marjorie. The only one who seems happy to see her is her brother Harold.

They are pretty horrible: bitter, brash, barbs flying all over, etc. Johnny Smith has had enough, and has them all arrested.

How can he do that? He’s not a cop? Whatever!

Johnny and the cops head back to the mansion where they find another dead body.

It turns out to be Uncle Wayne. He showed up late as he came from California. It looks like the killer left the phone electrocution device on. They still haven’t found the machinery, so it must be in a secret room. That clinches it, it must be one of the orginal party people. But which one?

They decide to release them all, and tail them.

Johnny Smith calls Marie and warns her not to share what was in the note, as someone is trying to kill for that information. And what does she do right after? Tell Harold and Tom that it was 13-13-13.

Come on, didn’t you just listen to what he said!

Marjory spots her tail right away as Speed is no good at all. He ends up failing asleep in a cab heading to Atlantic City.

The plastic surgeon hears of the story in the news, and comes down. They ask him if the man matches Barksdale’s appearance, but it turns out to not be him. They all head over to see Marie, but it turns out she isn’t there. She had received a message to go to the mansion to meet Johnny Smith. But Johnny Smith didn’t write any message.

This tends to happen in mysteries/thrillers/horror film/books a lot. I guess moral is to always double check that you are supposed to meet with that person.

As they are heading out to the mansion, the plastic surgeon sees a photo of Tom, and recognizes him as the man who brought the woman in.

They all hurry to save Marie! They meet up with Tom at the mansion and it turns out he and Barksdale were in it together, in order to steal the fortune away. But, he claims to not be the killer. Hmm…

While Marie is trying to figure out where Johnny is, the masked man attacks her from behind, trying to bring her down the cellar in the second room.

Luckily, Johnny and the police make it in time. They tear the library wall apart, and follow the masked man, taking him out and saving Marie.

And the masked man is……………………………………………………………………………………………………………

Uncle Adam

Yep, his kindly all I want to help my niece was a lie. He wanted her dead, and everyone else, so he could have all the money.

And it turned out Marie knew it all along and so did Johnny Smith.

It turns out that the Grandpa left all his money to Marie. He thought the best way to protect Marie was to make everyone wait 13 years.  His thinking was that everyone would die or not care about who got the money after all that time. Oh the irony, as by doing that and making them wait, he did that he built up so much resentment that he almost caused her to be murdered.

And in the end Johnny and Marie get together. I KNEW IT!!!!!! Faith restored.

So you might have noticed, they don’t solve the mystery of the 13th guest. This film is actually a remake of a 1930s film, which is based on a book. I’ll have to get a copy of those to see if they answer it.

The best of my knowledge the 13th guest is A) left empty because of the superstition that the first of 13 to rise will die within a year; B) the 13th guest is the devious side of Uncle Adam, or C) the 13th guest is a red herring.

Whether they solve the “mystery of the 13th guest” or not, this was a good film.

To start Horrorfest IV from the beginning, go to You Cannot Conquer It. It Has Conquered You!: Dr. Jekyll and Mr. Hyde (1931)

For the previous post, go to Gypsy Justice: Thinner (1996)

For more on the mystery side, go to A Haunting We Will Go: The Hardy Boys and Nancy Drew Mysteries (1977)

For more films based on books, go to That Place…There’s Queer Things Goes On There: Jamaica Inn (1939

For more remakes done well, go to Beast or Man: The Wolfman (2010)

In other news, this is my 600th post. Yay!

This time, it only took me five months instead of six to reach that. Wow!

For my 500th post, go to Fantom of the Opera

For the 400th post, go to The After Party