For Darkness Shows the Stars

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For Darkness Shows the Stars (For Darkness Shows the Stars #1) by Diana Peterfreund

So I picked this book up as you know I will review anything Austen. I thought it was going to be about Pride and Prejudice as most are, but it surprised me and was about Persuasion instead.

persuasion

Persuasion was published in 1818 after Austen’s death, alongside Northanger Abbey. Out of all the Austen works, these two seem to have the least amount of fans and notice.

It is sad they don’t have more.

I have always found that strange as I love both of these novels.

Even though it isn’t as loved by people, Persuasion has had two films made of it and a lot of it is based on Austen’s feelings of her first love and a wish fulfillment of being reunited.

Anyways, just in case you’ve never heard of it (and as I have yet to work through it as I am still stuck on Emma) I think we need a quick review.

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Anne Elliot and Fredrick Wentworth fall in love. He asks her for her hand in marriage, but Anne’s father refuses. Anne is unsure and goes to a family friend for advice; as her mother is dead, her father lives in his own world, and her sisters don’t care. This family friend persuades her to say no as Anne is above him in station, Fredrick has no options for promotion (as his family can’t procure it), the likelihood of him dying and living Anne a penniless widow (as her father will leave her nothing) is very high, and the two are so young.

Hmm…

Anne goes to Fredrick and refuses, him becoming angry as he thinks it is just because of his lack of money and station. (In Anne’s defense the real thing that made her unsure was the stressing of him most likely being killed and her being left alone.)

Years pass, Anne has never seen Fredrick again or stopped loving him. She had other men interested, but refused them as she didn’t love them.

What has changed is the Elliot family fortune, her father and older sister have blown through their money so fast that they are being forced to let out their home to a sea Admiral. A Captain Admiral Croft and his wife, Mrs. Croft. Mrs. Croft who turns out to be Fredrick Wentworth’s sister!

Anne goes to stay with her sister, Mary Musgrove, for a while, while her other sister and father are staying in Bath, with Anne to join them later.

When she is staying with Mary, Fredrick Wentworth returns to visit his sister and husband. Now a Captain, he has also become extremely wealthy; having taken so many risks in the war that he excelled monetarily and was promoted. Captain Wentworth is searching for a wife, and is funny and kind to all; but Anne.

It appears that old hangups remain so. Will Wentworth and Anne be reunited? Will Wentworth marry another?

You have to read the book!

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So this science-fiction/Fantasy book takes place in the not too distant future…

Sorry, anyways…there were advancements in technology, so much that they were able to do DNA procedures to make your body excel in ways previously unimaginable, almost cyborg like.

These DNA procedures cause a war between people who believe this is not what God wants, and those who believe that the pursuit of science is the only answer. Unfortunately, they discover they did not know everything, as many of these experiments go wrong as people lose a majority of their faculties.

After wars, bombing, and a complete restructuring of the world they know, the people are divided into two groups: Luddites and the Reduced.

Like the class system in Metropolis.

Luddites are the royalty and own all the land, they care for the Reduced in a feudal system/slave system as the Reduced are tied to the land, but more extensively like slaves, yet not traded and sold as slaves are. Reduced are mutes, who aren’t in complete control of their faculties, need to be supervised, etc.

Recently, things have been shifting as there are “Reduced” who are born very intelligent, able to speak, often called “Children of the Reduced” or “CORs”, and “Post-Reduced” or “Posts” by themselves.

Our main character is Elliot North (Anne Elliot) a wealthy Luddite, one of the oldest Luddite families. She, her father, and sister have a farm; but it is going downhill as her father and sister don’t care about the people, the farm, long term care, but only themselves and what they want. For instance her father has cut down all their apple trees for a “better view” or destroyed Elliot’s planted field for a racetrack.

Elliot tries hard to keep things running, to take her mother’s place, but finds herself drowning in the debt her father and sister, Tatiana North, create. In fact, they have had to rent out her grandfather’s, Chancellor Boatwright, home and ship yard to a set of wealthy free Posts- Admiral Innovation, his wife Dr. Felicia Innovation and their crew: Captain Malakai Wentforth, Andromeda Phoenix, and Donovan Phoenix.

Not good

Elliot’s only solace is the barn, where she would work on her plans, and relive her memories with her old friend, the boy she loved, and Post; Kai. Since she has lost her field and all her months of hard work, nothing seems right. But there is plenty to do on a farm.

When the Innovations and their crew arrive, Elliot finds herself admiring and enjoying the company of the Innovations and the crewman Donovan. Andromeda doesn’t seem to like her one bit, although Elliot has no clue what she could have done to upset her. However, everything changes when she meets Captain Malakai Wentforth. It appears it is her old friend and love has returned-Kai (Captain Fredrick Wentworth).

Years ago the two forged a friendship, (despite her father’s constant striving to keep them apart), a friendship that turned into love. The two made plans to run away together, but in the end Elliot couldn’t do it. She knew she had to fulfill her promise to her mother and take care of the farm and the Posts. She wrote Kai a letter:

Dear Kai,

Please do not hate me. I couldn’t bear it if you hated me.

                      But I cannot go with you.

                      I thought I could. Last night, I thought everything was possible. I thought you were right, that there was nothing for me here, either. Mother’s dead, Grandfather’s locked in his own head, and you’re leaving. Why in the world should I stay? It was a beautiful dream. But outside your room, outside the barn, in the cold light of morning, I realized that was all it was. A dream. There is nothing for me here, but that doesn’t mean I am nothing to the North estate.

                     Today, when I was supposed to be packing, I wandered the estate. I watched the Posts in their little cottages, I watched the Reduced in the fields, and I thought about our lots in life.

                    We can’t escape who we are born to be, Kai. The Reduced are Reduced. They will always be Reduced. And I will always be a Luddite. I was born this way. I will die this way. I can’t turn my back on that. Luddites were handed a sacred trust-we are the caretakers of humanity. Without us, the world would have burned, and all mankind would have been destroyed. I cannot ignore that. I cannot forget who I am.

                    But you are not a Luddite.

                    That’s why I cannot go with you. And also why I can’t ask you to stay.

                     God be with you.

Yours,

Elliot

 Elliot’s feelings for Kai resurface but he wants nothing to do with her.

He is rude, cruel, cynical, and nasty around her. He spends a lot of time with their neighbors, the Groves-Horatio and his younger sister Olivia. Olivia has fallen for Kai, and to Elliot’s utter disappointment it looks like he feels the same way.

Noooo!

But Elliot cannot focus on that only as her long lost cousin, Benedict and air to the North estate, returns eager to regain control of the promised land, her grandfather grows more ill, and her father tries to engage her in even more power plays.

During one of her free moments, she joins Andromeda, Kai, Donovan, Olivia, and Horatio on an outing to the sea cliffs. Kai and Donovan jump from incredible distances, and Andromeda explains that they recognize the wind shifts because of their piloting expertise. As they continue, Elliot realizes something is not right.

When Olivia tries to do the jump, she falls and is horribly injured. While they try and help her, Elliot realizes that Kai is hiding a big secret, one that could destroy everything.

Not good

Once again Eliot finds herself at a fork in the road. Should she follow the man she loves? Or cling to her Luddite responsibilities.

***Spoiler Warning***

I thought it was pretty good story and interpretation of Jane Austen’s Persuasion. Having Wentworth as a slave/serf rather than lower standing put a completely new spin on the relationship.

I liked how in between the time of the novel, there were letters and notes their younger selves passed, giving us a view of how their relationship started.

Aw!

It doesn’t follow the book exactly, but the author did a good job in staying true to the core of the story, while at the same time doing her own thing.

Good job!

Now there are two things I didn’t like.

First, I didn’t like how the author inserted God to create conflict between those who wanted change and mutation and those who wanted things to remain the same. The insertion wasn’t really what bothered me as much as the author not really giving us a stand on how our main character felt. One of the laws is to not try to play with genetics as you are raising yourself for a a fall, messing with things you shouldn’t control, etc. As much as the main character struggles with her ideas and wondering if they are against God, we never see what her relationship to God is. Is she extremely devout? Who or What is her God? What exactly do they believe in their religion? She brings it up constantly, but we never really know why this is such an issue to her because the author chooses to ignore it. We never see her pray, attend church, do any type of worship, etc. In my opinion you either need to go all the way or just leave it out; no in-between.

The second thing that bothered me was how mean Kai was in this. I mean he was horribly cruel. Now in Persuasion she doesn’t really explain herself as to way she refuses him, so he draws his own conclusions. I this Kai knows! He knows that she needs to help care for the people! He knows how her father and sister are, and without Elliot they would be cruel, starve everyone, and run the whole farm down into the groumd! Yet even though he knows this, he is so horrible to her. I understand why the author made him that way, and it completely makes sense as to character to behave in such a way. But it makes it hard to read as he acts like a jerk, before he finally comes to his senses.

But otherwise I thought it was an excellent read and one of the better Austen reinterpretations on the market. I suggest you check it out for yourself.

For more on Persuasion, go to What Would Jane Do?: Quips and Wisdom from Jane Austen

For more Persuasion variations, go to Captain Wentworth’s Diary

For more books based on Jane Austen, go to Suspense & Sensibility (Or First Impressions Revisited)

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You’re a Detective, Let Me Give You a Tip. Don’t Wave Important Evidence in a Telephone Booth. They Have Glass Windows: Blackmail (1929)

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You’re a Detective, Let Me Give You a Tip. Don’t Wave Important Evidence in a Telephone Booth. They Have Glass Windows

So this is an Alfred Hitchcock film.

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Most people don’t. This is one of his early films, and the first “talkie” he made. In fact this is the first British talkie.

Mal_huh Whoa Wow what

Originally Hitchcock wanted it to be silent, but was forced to add sound so that England could catch up with the USA. This caused quite a few issues as the leading actress, Anny Odra, looked the right part, but her accent was so incredibly thick that no one could understand her and she had to lip sync her lines.

ouch Hermione

It also has quite a few music heavy scenes as theaters weren’t quite ready to just have the sound of voices, and neither was Hitchcock. He thought talkies were ridiculous.

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Now I thought about doing three Hitchcock films again, but I wasn’t sure what to do after Psycho. I decided to do this early film as I think it is unfair that a lot of his work that set up the later films are ignored. Thus far I have only planned on reviewing this Hitchcock film, but you never know. A lot can happen in a month and I might change my mind and add another.

Who knows!

Who knows!

So on to the review.

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So the film starts off with a group of police officers, Scotland Yard [as this is when Hitchcock was in England], are off in a paddy wagon searching for a man. Their is no sound in this beginning part, just chase music.

 

The man they are looking for is smoking in bed. He sees the men approach his door through a reflection in the mirror. There is a gun next to him in the bed and he looks at it, while pretending to read the paper. He tries to reach for it, but the detectives stop him and force him to dress. He is under arrest.

Or in this case "we"

Or in this case “we”

They carry him down and take him in the wagon to New Scotland Yard. The spend a long time questioning him, the passage of time being shown through multiple cigarettes being burned.

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After the hours of questioning, the days not over yet. They still have to put him in a lineup, wait as the witness looks over the men and ponders of one is the one they saw. When their man is selected he is formally charged, taken fully into custody, fingerprints are taken, he is sent to the cells, etc. The detectives work is over for the day.

Take note, rest of Hollywood.

Two of the detectives were involved stop in a bathroom to polish up. One of them is Detective Frank Webber (John Longden), he has a date tonight and heads out to meet his girlfriend who should be waiting in the foyer.

Alice White is waiting, as she has been there for thirty minutes. She is very upset with Frank as she hates waiting.

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Frank tries to greet her, but Alice is just angry with him. She won’t let him hold her arm or hand; and keeps looking away from him. This attitude doesn’t please Frank as Alice has been doing this a lot and he feels she is overreacting.

You need to calm down

You need to calm down

He’s a detective, sometimes things won’t go according to plan, it is part of the job.

The two take a train, and here we have the longest cameo of Hitchcock in any of his films.

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It is hilarious. The whole trip he is trying to read and a little kid just will not leave him alone. After this Hitchcock decided to make his cameo’s short, quick, and early on as to not take away film.

Take note, rest of Hollywood.

They go out to a tea room, but have trouble finding a place to sit as it is packed. Alice is still mad at Frank for being late and blames him for their current trouble.

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Now I personally think that Alice is overreacting. First of all you are dating a detective, you should know that things will come up and they might have to work later than planned. I mean, come on. It goes with the territory. And secondly, from the way the room is mobbed with people, if you had arrived 30 minutes earlier, it really wouldn’t have helped you out.

So there! tongue sticking out pug

They have to literally fight for a table, managing to scoop one from another couple. But when they sit down, Alice complains that she left her glove at the previous table they had tried to sit at. Frank being a gentleman, goes to retrieve it.

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Frank returns with the glove and jokes that he could tell it was hers because of all the holes in it. Alice doesn’t laugh but continues to be angry and snippy at him for making her wait around, acting like he does it for fun. Frank explains that it is work, but Alice continues on feeling wounded.

Now Alice is not really angry at him for being late, but upset because she feels he doesn’t pay enough attention to her, but puts her behind his work.

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But instead of telling Frank why she is upset she kind of tries to play games with him. Frank is trying to get the waitresses attention, because they were going to see a new Scotland Yard film, and he doesn’t want to be late. Alice, upset and trying to get him jealous/pay attention tells him she doesn’t want to see the film as she’s “seen all worth seeing.”

No thank youhowaboutno

Frank goes to speak to the waitress to get their order and while he is gone Alice spots another man.

What! Mark Wahlberg that's weird

He greets her and heads to another table. Alice then pulls out a note given to her by him earlier.

I’ll be there 6:30 Tuesday, will you?

I don't think so

What a jerk! There is no excuse in all the world to ever justify cheating on your relationship.

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Frank returns, ready for them to stay as they aren’t going to the movies. But Alice tells him she has changed her mind and wants to go.

Okay...

Okay…

But then Alice changes her mind again (this is the third time) and doesn’t want to go.

What?

What?

But then she changes her mind again and doesn’t want to go with him.

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This makes Frank angry as he is tired of this mood Alice is in and doesn’t want to play any games. He tries to get the waitress to take care of their order but can’t flag her down.

 Things are not going as Alice imagined they would in her head and she tries to fix things and get him to stay, but Frank is done. He leaves money on the table and exits the restaurant.

See ya!

See ya!

Frank doesn’t actually leave but paces outside reviewing what happened in his head. He decides he overreacted and starts to go inside to apologize when he sees Alice leave the restaurant with another man, the same one she had made plans with earlier.

OMG gasp

Poor Frank!

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I truly think she engineered the whole fight to get rid of Frank and wasn’t sorry.

Seriously!

Seriously!

So the guy Alice is with is never given a name, he is The Artist in the credits so that is what I will call him.

Anyways,  Alice and the artist walk back to his place. Outside it, is a man waiting to speak to the artist.

suspicious Hmm

Originally, the Artist was going to walk her home; but “as they are right by his home” he offers to show her his “studio”.

Really? His "studio"?

Really? His “studio”?

Alice doesn’t want to go at first, kind of playing that she “can’t”. But then decides to head in.

Don’t do it Alice, it is nothing but trouble.

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Before they go in, the artist is called over by the man. They have a quick discussion, with the artist he saying no and then he and Alice continue in.

I wonder what that was all about.

I wonder what that was all about.

Before they head up to the top floor, his studio, the artist looks at his mail first and sees something distressing. He sends Alice up while he deals with it. He questions the landlady about the note.

Who is this man? Why does it distress him so?

Hmm...

Hmm…

Anyways, the artist’s studio is on the top floor. When they get there he makes a fire to keep them warm. Seduction 101.

Alice looks around the room at the art and sees a weird Jester picture that makes her laugh. I’m not sure why as I always thought it just looked odd.

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However, the painting laughs and Alice laughs with it. Maybe she is laughing to hide her hurt over Frank. Maybe she is laughing because she wants to convince herself that the artist is a better guy. Maybe she is laughing because she is doing something out of character, wild. Maybe she laughs because she is breaking the rules; in a man’s room at night. Well whatever the reason, the two laugh together.

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Alice waits for the artist to finish with the fire and plays with the piano. She then spots the painters palette and asks him how to hold it, of which he comes to show her. She accidentally paints the canvas and he has her keep going. All she can do is make a stick figure like face, so the Artist “helps” her paint, holding onto her.

Really? His "studio"?

Really? His “studio”?

They two make a body for the girl, a naked body. Foreshadowing.

dun-dun-duuuun

Alice then signs the painting, while the artist goes to get them some drinks. Alice looks around the room and sees a costume and holds it onto her, asking about being painted.

The artist asks her to put it on so he can paint her, but Alice refuses as she has to go home.

Gotta go!

Gotta go!

This makes the artist is “sad” as he thinks she would make the most lovely painting. But no, now that he thinks about it his costume wouldn’t suit her.

Really? That old line?

Really? That old line?

But Alice falls for it and decides to put the costume on. Alice goes to one side of a screen and undresses as the artist plays the piano.

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Artist sings to her playing the piano, and Alice listens to it in her little costume. When she comes out, the artist really lays on the flattery telling her the song he was singing was all about her. Alice comes out in the little costume as she can’t zip it up and neither can he, Alice chooses to leave it alone.

Bad idea. Stop Alice.

Bad idea. Stop Alice.

He then sets her just right, caressing her body, and going in for the kiss. Alice says no, and decides she needs to go. She starts to undress, when the artist approaches her, taking her dress away. He won’t give it back until she comes out to get it.

It's getting worse!

It’s getting worse!

He wants to be with her but Alice says no. Unfortunately, she didn’t know this guy very well before she decided to go up in his room alone with him, as he doesn’t take no for an answer.

The next scene is done very well and in true Hitchcock fashion. Out of any director, he always knew how much to show, and how much to leave up to the viewer’s imagination.

Master

Master

So the two struggle as the artist tries to rape Alice. We never see the fight but through a shadow and the way the curtain moves. Alice manages to grab the bread knife on the table next to the bed, and stabs him.

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Now here is where I can see why Hitchcock choose Ondra as his leading lady. Prior to this act, Alice was silly, innocent, childish, selfish, and acting only on her needs. After this act, her whole personality changes in the film; reflecting that shattered innocence and trauma she faces.

I’m getting ahead of myself. So Alice is in shock after murdering the artist and moves about sluggishly, mechanically, almost robotically. In fact, she reminds me a lot of the robot Maria in Metropolis

Alice doesn’t know what to do, but knows she needs to get out. She grabs her dress and sees the Jester. No longer are they laughing together, but instead the Jester is laughing at her. And how she was so foolish. Angry, Alice punches the picture.

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This causes her to wake up from her distress and she throws her dress on, and coat, in such a hurry that she doesn’t even zip up the dress. She quickly grabs her bag and umbrella, quickly painting over her name on the other canvas.

Getting out of here

Getting out of here

She turns out the lights and starts to sneak downstairs. We see his signature style in the cinematography with the stairs, lights, and use of angles.

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Something that will be done in future films, such as Shadow of a Doubt.

As Alice walks away we see the shadow of the man who had accosted the artist earlier, trying to speak to him about something.

It's getting worse!

It’s getting worse!

Alice walks home almost in a trance, zombish as everything she sees makes her think of the dead body. She sees a bar sign that shows a shaking of a drink, but instead sees a hand stabbing with a knife. Alice just walks all over, hurt, shock, uncertain, afraid, and seeing the dead hand, the dead arm, the dead man she killed.

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We then hear a scream, the landlady found the body.

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Scotland Yard is called on the case, and Frank gets called in on it, topping off his sucky night. He starts poking around the apartment, looking at everything, looking out the window, and spots the broken picture. He looks at the costume and the painting. As he looks at the laugh, he shares in the joke that this guy thought he was going to have a fun night but instead ended in death.

But then he finds a glove.

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Full of holes like his girlfriend’s…It looks and feels like hers. He then sees the body, that face He knows!

It's getting worse!

Instead of giving evidence, he hides the glove.

Now he too is stuck in the coverup

Now he too is stuck in the coverup

Alice sneaks into her room and quickly gets out of her coat and jumps into bed before discovered. Afterwards she quickly changes and fixes herself up. Instead of her furry coat and dark dress, she changes to something light colored, floral, an innocent dress, young looking, more demure. Trying to recapture what she lost and go in the opposite direction of what she was before.

Meanwhile, downstairs at the house and the smoke shop, everyone is talking about the murder. Alice goes into the telephone booth and searches for the police number, ready to call them and admit everything..but loses her nerve.

I don't know what to do

Her parents notice that Alice doesn’t look well, but she doesn’t say anything, just remains quiet. A dramatic shift from her previous performance of silliness and gaiety; too quiet, contemplation. A real talented actress.

So her act continues to haunt her, and she still sees and hears knife everywhere.

 

Frank comes in and Alice is happy to see him as she realizes he’s the only one for her,  but also afraid. Is he still mad from last night? Is he here to arrest her?Frank says hi and leaves, but then comes back and asks to speak to Alice for  minute.

It's getting worse!

He takes her into the phone booth for privacy and tries to get Alice to tell him what happened, but she can’t talk about, still too traumatized. Frank gives her the glove.

While they are talking, a guy, Mr. Tracey, knocks on door and asks to talk on the phone since they aren’t using it. He is the one from the night before that say Alice enter the building. He lets them know he wants to speak to Scotland Yard, letting them know by his innuendo why he wants to talk to Scotland Yard.

Blackmail!

Blackmail!

Alice is frightened and worried, but Frank quickly asses the situation. The Tracey lets them know what he saw and that he wants to be treated right or else.

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Frank buys him the most expensive cigar, at his request, and then the two make him breakfast. Might not be much, but this guy is planning on milking them for everything!

Meanwhile, back at the police station they are questioning the landlady. They discovered the note that had the artist all aflutter and want to know more about who wrote it. Unfortunately, the landlady is not very observant and the only thing she noticed was that he tilted his head and twisted his hands around. They have her look through the criminal books, until it come up as Mr. Tracey.

Mr. Tracey who at this moment is living like a king. Best cigar, great breakfast, cup of tea…

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Frank gets a call from Scotland Yard, catching him up on the latest news of the case. He hangs up the phone and he has an idea. you can sees it in his eyes.

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Frank has Alice lock the door. Then he starts discussing that there was a suspicious looking man with a criminal record hanging around the murdered artist’s place. Alice is freaking out, and doesn’t want to do this, this blackmail. Yeah, I bet you never saw that one coming? Eh? We all knew that Alice would be blackmailed, but did you ever see Frank turning the tables coming? I sure didn’t the first time I saw it.

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 But, lets not get too hasty…Mr. Tracey has one more trick up his sleeve. Tracey says that he will talk, all about Alice. But Frank isn’t worried saying that Tracey’s word is nothing. His plan to sit and wait for the squad car who is on its way now.

The two argue, and Alice freaks out.  The chains of guilt weigh heavy on her and she doesn’t want Tracey pay for her crime. Frank doesn’t really want to listen to her as he is still a angry and hurt over what happened with Alice going off with another guy and that she hasn’t told him anything about what happened.

Tracey tries to convince Frank to let him go. He tells him “I’m not bad I was just in a bad situation…”

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Yeah right you were trying to blackmail that other guy and then you were trying to do it to them.

Some people

Some people

Frank and Tracey’s eyes are locked on each other as the other police officers come. Tracey jumps out the window and the chase is on! Music for this next part as we repeat the opening scene of these guys trying to hunt him down and take him off to jail. when they were looking for him.

Here we have a great repeat of Alice’s earlier trance of seeing the knife everywhere; except instead of a weapon Tracey sees cops everywhere. Cops searching for him!

Meanwhile, for the first time since everything started, Alice actually thinks on what happened and tries to figure out what she should do.

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Tracey takes off to hide in a museum, but doesn’t look at any of the exhibits making him seem super suspicious.

He eventually heads up to the roof, climbing over the famous building. Oh Hitchcock and you love for having people climb the tops of famous architectural creations. I mean there is the Statue of Liberty in Saboteur, Mount Rushmore in North by Northwest, etc.

Tracey ends up killing himself accidentally when the glass breaks on the roof. And that is the end of that. They believed him to be the murderer, the evidence pointed toward him, and with him dead: case closed.

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Oh, but not quite as Alice has decided to turn herself in, leaving Frank a note and heading to the New Scotland Yard.

When she arrives the Officer thinks she is here to see Frank but she lets him know that she is here to see Inspector Walls.  She is sent to his office and walks down the hallway, with certainty that every step brings her closer to doom.

It's getting worse!

Worried and afraid Alice goes in and sees Frank is there with Inspector Walls. Frank tries to stop her as they “solved the murder”. Alice is scared trying to get everything out, but before she can Inspector Walsh is called away, and Frank is to take care of her.

Frank takes Alice aside and tells her that he knows what happened. Alice tells him he doesn’t know, and starts to relay the whole story, how she was attacked and was defending herself.

What! Mark Wahlberg that's weird

Alice and Frank walk out, with a better understanding and a hope for the future. The officer asks if Alice told him who did it, and Frank says yes. The officer jokes that he better watch out she might have his job. They all laugh. Except Alice, she sees the jester painting…

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What a great film for cinema history and to see Hitchcock working out things that he would become known for later.

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To start Horrorfest V from the beginning, go to Who You Gonna Call?: Ghostbusters (1984)

For the previous post, go to It Was the Curse. My Curse: The Cheerleader Murders (2016)

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For more Alfred Hitchcock films, go to We All Go a Little Mad Sometimes: Psycho (1960)

For more films centering on blackmail, go to The Perfect Murder: Dial “M” for Murder (1954)

For more films that center on a painting, go to Murder is My Favorite Crime: Laura (1944)

 

How To Survive A Horror Film

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With Halloween approaching and the number of Horror films increasing, I thought it would be a good time to write a post on how to survive a horror film, just in case you happen upon this situation 😉 . Most of us have heard of the “Randy Rules” in Scream (1996), but in this we are going to look a bit more in depth in how to successfully survive a horror film.

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1) Do Not Try Out Witchcraft, Ouija Boards, or any of the Occult for “Fun.” You Will Be Messing with Forces You Have No Control Over

It is never good to mess with the occult, play around with witchcraft, or use the ouija board. When you do such things you are opening a door to a lot of stuff you don’t want to mess with. Often you open yourself or others to demon possession or evil spirits. It is best to just stay far away from such things.

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2) Do Not Make Deals With the Devil, Demons, or Other Supernatural Beings

Never, ever make a deal with the devil. It is like trying to mess with the occult or witchcraft, you are opening yourself up to serious trouble, and the devil will not like to loose his quarry. Besides, the deals/wishes you make never turn out exactly as you hope.

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3) Anything and Everything Can be a Weapon

One of the things that bothers me the most is when people are surrounded by potential weapons and don’t use them. I mean look at Scream (1996), when Tatum is in the garage and attacked by Ghostface, she tries to squeeze herself through a tiny hole to escape rather then use something, anything in the garage. I mean she is in a GARAGE!!! There are hundreds of potential weapons! USE THEM!!! That is one example, but seriously, use anything and everything.

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4) Don’t Stop Assaulting Your Attacker Until You are Sure They Are Not Going to Get Up

Now this is huge. In horror movies, if the person is able to outwit the killer and knock them out, they usually just leave it at that and take off. DON’T! You knock that sucker out until you are sure they are no longer going to try to injure you. Break their legs if necessary. Because if you don’t, they are just going to recover and come after you.

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5) If Someone Gives You a Protective Charm Do Not Give It Away

I have mentioned this in Dracula (1931), The Mummy (1932), The Wolf Man (1941), Scream 2 (1997), and many more. If someone gives you some kind of charm that is supposed to help you and only work for you, DO NOT GIVE IT AWAY!!!! It will only work FOR YOU!!!! That is why it was given TO YOU!! And if you give it away you are just going to get yourself and the person you were trying to help in serious trouble. Keep it and protect yourself so that you can actually help others, instead of accidentally killing them.

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6) Sex = Death

As Randy says in Scream, Sex = Death. Never overlook the purity angle, it is like a protective charm. If you don’t do it, you are less likely to die.

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7) Doctors are Almost Always Evil

Sometimes Doctors can be good people, but if you are in a horror film, forget it; they are usually evil. Such as Dr. Hartz from The Lady Vanishes (1938), he seems kindly and trying to help, but in reality just wants the main character to think they are going crazy! Same thing in Dr. Hollingshead from The Secret Life of Walter Mitty (1947). Then you have doctors who commit horrible things in the name of science; like We have Dr. Frankenstein (from any Frankenstein film) who tries to create life and can’t control his monster. Or  there is Dr. Arthur Carrington from The Thing From Another World (1951), who almost kills everyone as he doesn’t care about human life but scientific discovery is what matters. Not to mention Dr. Alfred Brandon from I Was a Teenage Werewolf (1957), who experiments on teenage boy. And lets not forget Dr. Hannibal Lecter, who eats people. I could go on, but there are too many examples to choose from.

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8) Do Not Spend the Night in an Abandoned or Haunted House, Psychiatric Hospital, or Carnival

I mean seriously. Just do not go there. Nothing good will ever, ever, ever come of it! I mean look at The Uninvited (1944), House on Haunted Hill (1959), House on Haunted Hill (1999), The Hunting (1963), The Haunting (1999), etc. I could go on and on, but let’s continue with our list.

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9) If There is a Curse on Something Do Not Touch It

I know curses, many laugh at them; but of you are in a horror film and you see something that says it is cursed DON’T TOUCH IT! It is better to live another day then to have yourself face all kinds of horrors.

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10) Do Not Drink Any Potions or Test An Experiment On Yourself

NEVER, EVER, EVER, EVER, EVER test a potion or try an experiment on yourself. It always ends badly! I mean you have Dr. Jekyll & Mr. Hyde, The Fly, Batman’s Man-Bat he had to fight, even Goosebumps did an episode where the dad ended up creating a plant clone of himself. I know many don’t like animal testing or get under the stress of trying to accomplish something; but just stop! Don’t test yourself or else something bad will be created.

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11) If There is a Murderer Running Around, Do Not Go Out and Party

This drives me crazy! A murderer is running around killing people and people decide to: 1) not take any precautions; 2) go about their lives like nothing is different; and 3) party. If there is a murderer running around, yes it is good to be in a group (rule 12 & 17) but you shouldn’t be out partying, drinking (rule 13) or putting yourself in a dangerous situation.

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12) Never Split Up

splitupScoobyDoo

NEVER, EVER, EVER go anywhere by yourself. There is power in numbers! As a group you could take a killer down, versus as a couple or single. When you split up, all you do us make it easier for someone to kill you.

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13) Do Not Do Drugs or Drink

While some of you might enjoy that type of thing it is never a good idea in a horror film. Anytime you try something that will keep you from thinking clearly, you are in serious trouble as you are likely to make bad decisions that will lead to your death. It is better to just say no.

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14) Always Call the Police

If you are being attacked, threatened, harassed, etc.; call the police. Don’t try and take care of it yourself, don’t try to investigate, call FOR BACKUP! That’s their job!!! They have guns and can make an arrest!

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15) Never Say “I’ll Be Right Back”

Unlike the Terminator here, you won’t be back. Uttering these words is signing a death warrant, as soon as they leave your lips you become next on the killer/creature’s hit list.

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16) Never Say “Who’s There?”

Killer Scary Movie

Never say “who’s there”. If the person was a friend, they wouldn’t be skulking around your house in the first place, trying to scare you. Instead they would knock, ring the doorbell, or call out to you. The only type of person who would be creeping in your house is one who intends on harming you. And if you call out “who’s there”, you’re just helping them find and kill you faster.

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17) Do Not Go Out to Investigate a Strange Noise

When you hear something strange outside, do not go out and look into it. You should wait for assistance or call in the police. If you try looking yourself, you are going to end up in a trap set by a monster, psychopath, murderer, etc. Besides, why unlock the door or turn off the alarm; allowing whatever is watching you the opportunity to come in and attack? Just stay inside snug like a bug.

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18) Do Not Use the Bathroom

Have you ever though of how vulnerable you are in the bathroom? Most have no windows to flee from or they aren’t the most accessible. Some do, but for most the only easy way out is the door, which is where most attackers will come through. Plus the reason you would be in the bathroom; shower or toilet, you won’t have any weapons to help you and it would be extremely easy to kill you. If you are in a horror film, just hold it or stay stinky. You are more likely to live that way.

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19) Never Go Off By Yourself

Like I said before, the less people around you, the easier you are to kill. If you go off on your own to investigate, look around, run away; you are just putting a giant target on your back. Stay together, it is safer.

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20) Always Look Behind You and Above You

Always take a 360 degree look around you. They may be behind, they may be in front, they may even be above you. Search every angle!!!

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21) Be Nice, A Person Scorned or Mistreated Can Do Horror-ble Things

In horror movies, there are lots of people who have been bullied so much and hurt by others they end up becoming homicidal maniacs. And who do they tend to attack first? The last person to hurt them. Look at The Phantom of the Opera (any version), Carrie (1976), Hangman’s Curse (2003), Heathers (1985), etc. So if you don’t want to end up being first on the hit list be kind to those you meet.

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22) If You Are a Girl Or Not White, Be Extra Cautious

Psychopaths and monsters love to kill/eat women and minorities. Because of this if you are either, or both; take extra steps to protect yourself. Be like Ben in Night of the Living Dead.

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23) Don’t Trust Anyone, They Are All Suspects

People can tell you all kinds of things, but that doesn’t mean they are telling the truth. If you find yourself in a horror film, don’t trust anyone. And I mean ANYONE!

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24) Never Judge a Book By its Cover

Never judge a book by its cover. Someone who seems sweet, innocent, impossible to commit cruel acts, etc; could secretly have evil intentions lurking under the adorable facade. Always be watchful and once again, trust NO ONE!

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25) Children can Be Evil too, Never Rule Them Out

When trying to figure out who the murderer is, never overlook kids. I mean sure some will be obvious in their creepiness, such as the one pictured above, but there are many who look innocent and sweet but are actually evil. Don’t be fooled!

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26) Never Try to Create Life

NEVER, EVER, EVER, EVER try to create Life. It just does not go the way you plan. You can’t control the beasts you create and they just run amuck everywhere. I mean look at FrankensteinBride of Frankenstein, Jurassic Park, Jurassic World, Alien: Resurrection, the list goes on but I’ll stop here.

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27) Never Try to Control a Monster

In any horror film, whenever they create  life they always think they have complete control over it. Well, that never works out. You see, just because you made it doesn’t mean it will listen to you; every parent knows that. And more often than not, those creations will try and kill you.

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28) If Someone Tries to Make a Deal with You to Kill Someone, Do Not Think it is a Joke

Joking around with the idea of murder might be something you would do with a friend, but be careful, you never know how far they might take it.

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29) Listen to Urban Myths, They Tend to be Right

We all like to hear scary stories around a campfire and about areas. But if you are in a horror film, play very close attention as more often than not, the myths and legends turn out to be true or someone is copying them and making them true. It is always good to pay attention and know the details, it just might save your life.

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30) Never Think You Have Destroyed a Monster, They Always Find a Way to Come Back

You try to kill them and you think you do, but they always come back. Always make sure you keep an eye out for the sequel and their return.

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31) Don’t Be an Idiot

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Be smart! Don’t be stupid and do stupid things. Use your common sense! Bimbos and Mimbos are almost always the first to die.

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So there we are, 31 tips to help you survive a horror film. I hope they help you survive October.

This post is brought to you by a

horrornerd

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To start Horrorfest V from the beginning, go to Who You Gonna Call?: Ghostbusters (1984)

Keep tuned for more horror film reviews!

She Cries in the Night: The Screaming Skull (1958)

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She’ll come back…she’ll come back

So a few years ago, my sister bought the Greatest 100 Horror Classics DVD collection. There were some great films on this: such as Carnival of Souls, The Phantom of the Opera (1925), Night of the Living Dead, Metropolis etc. And of course some duds, like The Beast of Yucca Flats.  This film was also included in the collection, and a film I really liked.

This film was a new thing for director Alex Nicol, who also played the role of Mickey. The film is based on the book The Screaming Skull by Francis Marion Crawford, but borrows a lot from Alfred Hitchcock’s Rebecca.

DeanSupernaturalLetsGetStarted

So the film starts out with us on a bayou. There appears to be something in the water as a guy creeps closer to shoot it. It is large, scaly, with ginormous eyes.

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This isn’t how I remember the movie starting at all. I better check the DVD menu. Yep, whoops. I accidentally chose the wrong film.

So embarressed

So embarressed

I would have reviewed Attack of the Giant Leeches (1959) and you all would not have been ready for that. Now here we go with The Screaming Skull.

We open on a candle and flower arrangement. Dark depressing music…zoom out it’s a funeral Makes sense.

Narrator: “The Screaming Skull” is a motion picture that reaches its climax in shocking horror. It’s impact is so terrifying that it may have an unforeseen effect. It may *kill* you! Therefore the motion picture producers feel they must offer free burials for any that die of fright, during The Screaming Skull.

Let me stop and say this is one awesome beginning, like The Beast Must Die. I award it a thousand gold stars.

love it

So we open on a beautiful mansion, impeccable gardens, relaxing lily pond. A dream house.

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When we see something in the water. What is that?  A SKULL!!!!!

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AAAAAAAAHHH!!!!!!!!!!!!!!!

AAAAAAAAHHH!!!!!!!!!!!!!!!

It actually made me think of David Lynch and his constant use of a tranquil, pretty setting that has evil lurking below.

TwinPeaks dark henious evil

So we have the opening titles/credits using the same music from Sleeping With the Enemy, but added a woman vocalizing is high it almost like screaming.

So that switches with a peaceful drive up to the house, and light airy music. They park the car and out comes the newlyweds, Eric and Jenni Whitlock. Eric is bringing his new wife back to his old house.

Jenni loves the house as the garden looks like a magician paradise, it even has peacocks.

love it

She sees a window and asks if that will be their room.

Jenni: Will that be our room.

Eric: Will need some fixing first.

Jenni: Was that her room?

The “Her” she is talking about is Eric’s first wife Marian. He is a widower. I know what you are thinking:

Rebecca (1940)

Rebecca (1940)

But it is not the same. In The Screaming Skull, Marian the first wife was the wealthy one and the house belonged to her.

So as the couple are walking around, we that the house is pretty much empty. Marian got rid of all her families’ furniture and was planning on purchasing new pieces to make it “their home”. The two hadn’t gotten far with redecorating before she died. Now Jenni and Eric will make this house “their” house.

girlieButLoveit BuffyVS

He wants to show her the rest of the house, but she stops and looks at the window into the room.

dun-dun-duuuun

Eric picks up Jenni and carries her around the room. Meanwhile, there is a guy behind them creeping through the windows.

He's creepin' in your windows. He's starin' at your people.

He’s creepin’ in your windows. He’s starin’ at your people.

Who the heck is he? And why is he doing that?

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While the two are kissing, he sneaks away.

suspicious Hmm

The two walk around the yard and pass Mickey, the gardener’s, tool shed. He’s been in charge of maintaining the grounds since Eric has been away. Wow Micky sure has a green thumb, it looks amazing!

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As they are seeing the yard, Eric tells Jenni that Mickey & Marian would spend hours working on the garden together. He doesn’t think Mickey ever got over her death, he was in love with her, and still believes she is coming back.

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So as the two are talking and walking, someone drives up. It is the Reverend and  Mrs. Snow. They came to meet the new bride and drop off something for dinner. As they are all talking, the Reverend and Mrs. Snow get invited to dinner.

As they are heading to the house, Eric spots the gardener, Mickey. It turns out he was the guy creepin’ on them earlier. So Mickey isn’t really a creep, he is developmentally disabled. He and Marian grew up together so it is hard on him not having her in his life.

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Mickey sees the land as his and Marian’s place, and anyone else is trespassing.

Who is that?

Back inside the house, the group is clearing things up a little. Mrs. Snow and Eric go off to make dinner, while the Rev. and Jenni hang out.

While they are preoccupied, Mickey sneaks  inside the house and goes to look at a painting of Rebecca…opps I mean Marian. Sorry, certain parts of the film are a bit similar it was easy to make that mistake.

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Mickey wants Marian to send them away, so it can just be the two again.

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Eric is talking with Mrs. Snow and she is saying how much she likes Jenni, and how great she is. Eric thinks it is great Mrs. Snow likes Jenni, but there is something he has to tell her.

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I knew there had to be more to her than just a sunny personality. Here we go, give me the whole story.

So Jenni didn’t have a happy childhood. She lost her parents years ago in a horrible way. She is very impressionable, so talking about sad pasts is something best to stay away from. It sounds to me as if she and Ruth from Dangerous Crossing had a similar experience after they lost their fathers. Jenny probably had to go to a mental hospital afterwards too.

How did she loose them? They drowned in an accident, and Jenny saw it all. That is super damaging for a child to experience something like that. SUPER damaging.

StarTrekBonesMcCoyPoorGirl PM

So the Rev. and Jenni are talking when she asks him how he knew they were in town. It turns out that the Reverend heard of them moving in from the lawyer, as the lawyer and Eric are executors of the estate. All that was left to Eric out of Marian’s tremendous fortune, was the house and grounds. He notified the lawyer he was back and moving in with his new wife.

Even more what Jenni wants to know is how did Marian die?

Reverend Snow: Didn’t Eric tell you?

Jenni Whitmore: I think the subject is painful for him. He doesn’t like to talk about it. Will you tell me? I’d really like to know

So it was a rainy day and Marian and Mickey had been working in the greenhouse. She left him to go back to the house for a few minutes. The way it was pieced together later was that she was probably coming back and slipped in a leaf, fell down, and smashed her skull in the cement wall around the pond, fell in the water and drowned. That was where Eric found her later.

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While they are talking, Mickey is sneaking about. I think it would be mean to say this, but the way he moves and creeps makes me think of Gollum from the The Lord of the Rings series.

After dinner the Snows are walking home and talking about the two.

Reverend Snow: Did you know that Jenni is very wealthy?

Mrs. Snow: Yes Mr. Mowry told me. She’s not at all like Marian. So gentle and timid, as if she is afraid of something.

OMG Jenni is Joan Fontaine from Rebecca. Sweet, young, shy, timid, like same character. Except Joan was poor while Jenni is rich.

That night, Jenni and Eric are sleeping in cots, as their furniture isn’t out of storage yet. That night Jenni is reading a book sent by Mrs. Snow, Beast in the Jungle. It seems like a very sad book, I don’t know why she would give such a book to Jenni knowing her background.

That night Jenni hears loud bumping and clanging noises.

Who is that?

Who is that?

She calls to Eric, but he is not there.

Ahhh!

Ahhh!

She decides to investigate, calling to Eric, but receiving no answer. Eerie music starts playing as she keeps calling Eric. Turns out to be a shutter in Marian’s old room, not properly latched.

As she is leaving, Eric comes in and scares her as she leaves the room. She starts when she sees something on the ground, that looks like water and a lily pad.

Why is that in here?

Why is that in here?

Jenni thinks Mickey brought it in as he doesn’t like her as she is a replacement Marian. Eric, on the other hand, thinks it was just an accident. It freaks Jenni out and she looks at the painting sounding a bit crazy as she talks. She thinks the painting reminds her of her mother, who she hates. Almost as if she is haunting her.

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We find Mickey in the pond, by the lily pads. Did he bring it in? Is he trying to upset her? Make her go crazy?

Why is that in here?

The next day, Eric tells Jenni that he talked to Mickey and he is no longer allowed in the house. Jenni is worried Mickey might become angry and take it out on her, but Eric tells her not to worry about it. But Jenni is worried. She wants Mickey to like her, for them to be friends. Eric tell her to garden with him.

Eric leaves that day to get the electricity turned on, furniture out of storage, and see the bank and lawyer.

Now it just occurred to me, what does Eric do? What does he do that he had the ability to live away for two years, but then move back to his former home. They all said Marian had money, I mean he did move into her family house; but they never mention him having money. Does he have any? And if he doesn’t, he sure was lucky to bag two wealthy wives.

dean whinchester shrug smile oh well

Jenni sees Mickey and tries to befriend him. But Mickey won’t say a word. She tries to reassure him that she wants the garden to stay beautiful in honor or Marian. They pick flowers to place at her graves.

Now her grave is a weird one. It is an obelisk with a relief of Marian’s face in it. And it is just creepy, like she was mixed into the stone or forever watching.

creep watching lovely bones Stanley tucci

While they are doing this, Mickey is overcome with emotion.

Mickey: She cries in the night.

Jenni Whitmore: Dead people don’t cry Mickey!

Mickey: I heard her.

 Jenni Whitmore: Heard?

Is Mickey really hearing something, or just messing with Jenni? And if he is hearing something who or what is it?

Who is that?

At the house, Jenni looks at Marian’s painting. She hears some creaking, but just assumes it is the house settling.

So earlier, Eric said he was going to be gone all day and out late that night. When night comes, the electricity still not on, forcing her to use candles, as she is getting ready for bed.

Once again, Jenni hears the shriek of  the peacocks. Creepy little buggars. Jenni decides to try to go to sleep, but feels weird not having Eric in the house.

Gilmore girls creep

Jenni hears a noise and looks to the window, nothing. She runs downstairs to investigate…just the peacocks. Looks at the picture of Marian again. She is looking at the painting when the cabinet door behind her slowly opens.

She turns around and sees a SKULL!!!!

AAAAAAAAHHH!!!!!!!!!!!!!!!

AAAAAAAAHHH!!!!!!!!!!!!!!!

Suddenly cuts appear on her hand!!!!

what what'shappeningSupernatural

And she runs away to her room, and locks the door jumping under the covers. Now Jenni is so freaked out that every noise is making her heart race. She hears tree branches scrapping, making sounds like something trying to get her.

Ahhh!

Ahhh!

And then it sounds like something is coming up the stairs. A banging noise.

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Something is coming up the stairs!!!!!

OMG gasp

This scene is shot from the “thing’s” point of view so we don’t know what it is!!!!

Suspense have to know

I know there is a strong likelihood that it is just her husband, but I’m still a bit freaked, my heart os pumping. Who or what is it?

i'mscared

Jenni is equally freaked, what is coming?! She goes to look and nlocks door to see what is making noise, but there is nothing there

Whattheheck

Jenni runs to window, the peacocks are gone, nothing is here. What could be making such a racket?

She looks at cabinet, and sees that the skull is still there and not a figment of her imagination. She goes to get the skull ad flings it out the window.

Good-bye

Good-bye

It rolls on the grass an stares at her with its eyeless gaze.

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She goes back to bed, but can’t sleep.

Then the camera zooms on the front door Something’s coming?!!! Something starts knocking…Don’t answer it!!!

Noooooooooo!!!!!!!

Noooooooooo!!!!!!!

Jenni is afraid, and she just sits in bed waiting for it to go away. Soon  she feels the need to check, after all it couldbe important. She looks down from room, unsure of what to do.

They're watching her!

She decides to risk it and opens the door. Creepy music playing again getting the blood pumping with fright. She calls to Eric, but no answer. Just more pounding on the door.

i'mscared

Jenni opens it and the skull is there!

AAAAAAAAHHH!!!!!!!!!!!!!!!

AAAAAAAAHHH!!!!!!!!!!!!!!!

what what'shappeningSupernatural

She screams and runs inside, the skull tumbles after her.

OMG gasp

She faints. And I don’t blame her.

Mickey pops out of the shadows. Could he have done this? If not, did he see who did? Or what did?

shiver

Jenni wakes up in Eric’s arms. She asks him if he saw anything when he found her, but he says no. Just her on the floor.

Mal_huh Whoa Wow what

Is it all in her head?

So Jenni weirded out. She had never imagined any such thing before, why should she see it now? She wants her doctor from New York to examine her, but Eric vetoes the idea, saying that Rev. Snow will be coming tomorrow and can help.

I think it is weird how Eric doesn’t want a trained psychologist’s help. Seems odd to me, especially as she asked for him. Hmm…

Why is that in here?

The Rev. comes and studies the cabinet. He discovers that the door is very loose, and can easily open on its own. The door is also damaged on the bottom, which caused Jenni’s scratches. Both look for a skull but find nothing.

Jenni feels like a fool, but knows that she saw a skull there.

weird

She asks the Rev. if Eric told him of her past. He says he knows a little. Jenni decides to gives him a bit more. She grew up loving her father and hating her mother.

Jenni Whitmore: I wasn’t a child when I wished my mother dead. One day I got my wish.

So both of her parents drowned. She tried to help them, but couldn’t overcome tide. She still hears their cries. She blames herself for the deaths, saying she killed them. This is common in grief, survivor’s guilt. For Jenni she became so unbalanced that she had to be put in hospital. She was released and told cured. So why would she be seeing strange things now?

Eric is outside looking for Mickey, but he can’t find him anywhere. He sends the Rev. and Jenni on ahead for lunch, promising to be there soon. After they leave he heads into the garden. He goes to Marian’s grave and calls for Mickey. Mickey hears him but keeps running away from him. Is he running because he is in trouble or running from trouble?

Why is that in here?

When Eric arrives at the Snow’s house, Rev. gives him a talking to. The Rev thinks he should take Jenni far from the house as it scares her and makes her think she is crazy. Eric refuses as if they left, it would mean Jenni is crazy. I guess that reasoning makes sense, but it still seems a bit off to me.

IDon'tTrustHimGreatGatsby

Later eric finally find Micjey, grabbing him and questioning him, scaring Mickey and Jenni. Mickey says it isn’t him, but Eruc doesn’t listen tossing him aside. This is Another side to Eric. He has quite the temper.

thorthrowhammerviolencejusticemebad

Jenni feels bad about Eric’d behavior toward Mickey, as she believes what is going on is all in her mind. I’m not so sure Jenni, there’s something rotton in the state of Denmark.

So Eric decides to burn the picture of Marian as it reminds Jenni of her mother, and is what Eric says is the root of Jenni’s current madness. They create a bonfire and Eric forces Jenni to light the match, even though she doesn’t want ti. As thepicture burns there is a huge screech!

AAAAAAAAHHH!!!!!!!!!!!!!!!

AAAAAAAAHHH!!!!!!!!!!!!!!!

Eric says it is only the peacocks, but is it?

dun-dun-duuuun

We are show the garden where the pond bubbles, the flowers at Marian’s grave are uprooted, and shrieking is heard. Sounds like Marian is not happy to be destroyed.

Th deed is done and Eric asks Jenni to help him bury the ashes. Jenni feels worse after the act, as if it’s not over yet.

Jenni Whitlock: She’ll come back…she’ll come back.

Jenni spreads the ashes while Eric waters them down. As she is spreading them, she unearths a SKULL!!!!!

The-Screaming-Skull-1958

AAAAAAAAHHH!!!!!!!!!!!!!!!

AAAAAAAAHHH!!!!!!!!!!!!!!!

She screams for Eric, but he doesn’t see anything.

what what'shappeningSupernatural

Jenni faints, and while she is knocked down, Eric touches the skull, picking it up and hiding it somewhere.

OMG gasp

Aha! He is behind it! I knew it!!! This isn’t Rebecca, it’s Gaslight!

Eric places the skull in the pond and heads back to Jenni. Little does he know, Mikey was watching the whole time.

Tht night Eric has to go out of town. Jenni is freaked, but Eric tries to calm her down. The Rev. comes over to drop off some eggs for Jenni. Eric takes the Rev outside and tells him what happened, saying he saw “nothing”. What a jerk.

Jerk

Of course the Rev buys his bleeding heart routine. Eric also tells the Rev. “something I never told anyone.” When Jenni was in the mental hospital she tried to do away with herself.

So that’s his plan! Make his wife look crazy, murder her, and have everyone think it a suicide. After all you can’t have two accidents in a row.

Mal_huh Whoa Wow what

What? I think what? Yeah that’s right. I think he killed his first wife too. Probably wanted her money, and then when he ended up with none, decided to remarry and kill his second bride,

So Eric tells the Rev. he thinks Jenni will try again unless he get her to the hospital tonight. After tonight they are never coming back to the house.

Eric goes back in and talks to Jenni. She tells him the Rev. was kind. He told her he would search the whole estate for that skull. Jenni shrugs it off as kindness, but Eric is worried.

OhNOthisisgonnabebad

If they find the skull,  it will bring up a lot of questions he doesn’t want answered. Jenni goes upstairs to pack. Eric goes looking for the skull, but it is gone!!!!!!!!

Where did it go?

Where did it go?

He spots Mickey and chases after him. Eric grabs him and questions him again, beating him. But Mickey tells him he didn’t take it, Marian took it.

Whattheheck

Eric laughs it off and leaves. After he is gone we see that Mickey does have the skull in his workshop, hidden away. Mickey put the skull in a basket, hidden under a cloth.

Meanwhile, Eric has checked the pond again, finding nothing. He then goes to the grave, hoping the skull is there. But he doesn’t find anything but uprooted flowers. Then when he looks at the grave, instead of her face he sees the SKULL.

Whattheheck

He throws a rock at the grave, angry.

Meanwhile, Mickey has taken his basket of skull over to the Snows’ house. They start questioning why Eric would lie about seeing the skull. Only one reason, he wanted to make Jenni crazy. They all head to the house.

the-screaming-skull-photo-crop

Jenni has finished packing and goes looking for Mickey. She wants to say good-bye, but can’t find him. She goes into the tooshed where she sees a headless body moving!

AAAAAAAAHHH!!!!!!!!!!!!!!!

AAAAAAAAHHH!!!!!!!!!!!!!!!

She runs for her life, while this ghostly hated figure chases after her.

Inside Eric is preparing a rope, going to hang his wife, when he hears her coming and screaming. She runs up the stairs where Eric is hiding. He grabs her and starts choking her, about to kill her when he hears a knocking at the door.

He goes to answer it, and when he opens it he sees the figure with a skull face!!!!

screamingskulldoorPhoto Jan 29, 4 36 06 PM

Eric backs away, while the figure comes closer. It is wearing the same dress Marain wore in the painting, it must be her!

AAAAAAAAHHH!!!!!!!!!!!!!!!

AAAAAAAAHHH!!!!!!!!!!!!!!!

The skull winds up on the stair blocking Eric from going up. It tumbles down, chasing him as lightening comes out overhead.

The skull becomes large and astral chasing him, and causing him to fall down. He tries to run and get in his car, but he sees it again! It is everywhere!!

metropolis

The skull jumps on to his neck, biting him in the throat and causing him to fall back into the pond, drowning.

Jenni wakes up and is freaked out. She finds Miraian’s dress on the ground. Just then the calvary show up (the Snows and Mickey) but are too late, and have missed everything. They ask her if she is okay, and she tells them what happened. Crying and completely freaked out.

Rev. Snow goes looking, and finds Eric’s dead body, in the same place Marian was killed. Jenni is confused and wants to know why he did it. The Rev. tells her his suspicions about the money. Now the question is, did Marian really die in an accident? We’ll never know.

They all leave, while Mickey goes to the pond and tells Marian they are gone, she can now rest.

TheEnd_Title_2

This was a great film and I strongly recommend it. The characters are good, the storyline, etc. It is a bit predictable, but that last scene when the skull really attacks, very creepy.

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Back to the facebook cover/mini posters.

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To start Horrorfest IV from the beginning, go to You Cannot Conquer It. It Has Conquered You!: Dr. Jekyll and Mr. Hyde (1931)

For the previous post, go to He is Coming: The Visitation (2006)

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For more on husbands who are more than what they seem, go to I Do Think You Are Confused Mrs. Bowman: Dangerous Crossing (1953)

For more on the Greatest 100 Horror Classics, go to In Their Proper Place: Metropolis (1927)

For more films based on a book, go to There are Thirteen Chairs at the Table…And That’s Unlucky: Mystery of the Thirteen Guest (1943)

I Survived!

HorrorFilm

 

I survived, did you?

So this year’s Horrorfest was very, very different. After last year’s issues, I started writing this in May. This was the first time I have ever fully planned out a Horrorfest, as I had all the films picked and almost all finished by September.

So for the past two years, you have heard me say how I haven’t been able to complete all of Universal’s Classic Monster Films. Well I finally did it.  Wooot!!!

the wolf man

Once I wrote that post, I was so excited. You see, I felt I really couldn’t do a post on any werewolf films until I had covered the first one. I thought it was only right to start with the original. With that done, I could move onto any other werewolf film I desired. And I did. I decided to end Horrorfest with The Wolfman (2010). But then I decided to take it one step further. About every five episodes has a werewolf in it. It was a howling good time.

wolfman

I also decided to do When a Stranger Calls, because of the phone harassment I had experienced. I took this one step further by doing  all four of the Scream films, along with the Alfred Hitchcock film Dial “M” for Murder.

when-a-stranger-calls

Speaking of Alfred Hitchcock, after hearing me complain for two years about trying to review one of his films, I have reviewed not one, not two, but three Alfred Hitchcock films. I was only planning on doing Under Capricorn, because I was planning on talking about Samson Flunky for St. Patrick’s Day 2015. I ended up doing Shadow of a Doubt as it just entered my mind and Dial “M” for Murder. Still haven’t gotten around to Psycho. Well, there’s always next year.

AlfredHitchcock

So every year I mention wanting to do  Vincent Price films; like House on Haunted Hill. The Tomb of Ligeia, The Pit and the Pendulum, etc. I didn’t get around to any of those famous Vincent Price films, but I did do a film with him in it. I went over Laura (1944), which is when he is really young.

VincentPrice

So I hope you all enjoyed it! I did. But then everyday to me is October.

EverydayHalloweenHorrorfanOctober

 

So I usually put in a poll to see what you all you like, but I decided that I don’t care. I liked them all. Instead I’m just going to list them below for some of you who might have missed them.

Even a Man Pure of Heart: The Wolf Man (1941)

It’s Coming From Inside the House: When A Stranger Calls (2006)

In Their Proper Place: Metropolis (1927)

What’s Your Favorite Scary Movie?: Scream (1996)

I’ll Be Back: The Terminator (1984)

Let Them Fight: Godzilla (2014)

Unleash the Savage Instincts that Lie Hidden Within: I Was A Teenage Werewolf (1957)

What is This Thing?: Phantoms (1998)

Only A Woman: Queen of Outer Space (1958)

Happily Ever Aftermath: Grimm (2012)

It’s Happening Again, Isn’t It?: Scream 2 (1997)

You Think You Know Something, Don’t You?: Shadow of a Doubt (1943)

You Will Die in Seven Days: The Ring (2002)

Keep Clear Of the Moor. Beware the Moon: An American Werewolf in London (1981)

I Was Here For A Moment. And Then I Was Gone: The Lovely Bones (2009)

Part X: The Movie List That Would Not Die

Tuesday the 17th: Psych (2009)

All I Know About Trilogies is That in the Third One, All Bets are Off: Scream 3 (2000)

Who’s Afraid of Cory Wolf: Boy Meets World (1994)

But the Book, It Will Never Close…: Along Came a Spider (2001)

Every Time I Bring a Girl Over, You Try to Eat Her!: Vampires Suck (2010)

Murder is My Favorite Crime: Laura (1944)

Monster Movie: Supernatural (2008)

You’re Gonna Need a Bigger Boat: Jaws (1975)

Don’t F*** With the Original: Scre4m (2011)

Werewolves Roam Among Us: Alvin and the Chipmunks Meet the Wolfman (2000)

The Past of a Man: Under Capricorn (1949)

There’s Nothing Out There. Nothing in the Mist: The Mist (2007)

What Have We Done to Each Other?: Gone Girl (2014)

The Perfect Murder: Dial “M” for Murder (1954)

Beast or Man: The Wolfman (2010)

Beast or Man: The Wolfman (2010)

There is no sin in killing a beast, only in killing a man. But where does one begin and the other end?

So this year I decided to do something very, very different. Now the in the past, all Horrorfests have ended on a film that takes place on Halloween. This wasn’t a credence that I set out to make, it just kind of happened along the way. With Horrorfest I had always planned on ending on Halloween (1978)I knew it was the best way to end the first year with a big bang. Besides, that year I had done the other slasher films that spanned numerous sequels and remakes (Friday the 13th Nightmare on Elm Street). Horrorfest II I was trying to also end on a really great film that would produce the same kind of bang, and decided on Children of the Corn as that film was creepy. It also happened to take place on Halloween.

This year I was trying to decide what would be the best opener and closer. I was originally going to open with Metropolis as I had done a post in July referencing it. But after I wrote that post, it just didn’t speak to me as an opener. I started going through my drafts and that’s when I spotted The Wolf Man (1941)The Wolf Man has to be my favorite of the classic horror film monsters (along with The Phantom of the Opera). I hadn’t had a chance to review it yet, and since it was the last of the classics I decided it should be the opener.

the wolf man

Once I wrote that post, I was so excited. You see, I felt I really couldn’t to a post on any werewolf films until I had covered the first one. I thought it was only right to start with the original. With that done, I could move onto any other werewolf film I desired. The possibilities were endless.

excited

With the beginning finished, I then set my sights on the end. What could I do that would really pop? As I started thinking and looking, I saw my draft for The Wolfman (2010). And that’s when it hit me.

Mal_huh Whoa Wow

I could end Horrorfest III with The Wolfman (2010). It could be like bookends!!!! In the beginning the original that started it all  and the end the newest rendition. !!! Yes!! It could work and it will. So here we are The Wolfman (2010).

Double double yay

So a little backstory before we begin the review. As you would have read in an older post, I love The Wolf Man (1941). It is one of my all-time favorite horror films. One day in my photography class, we were watching trailers of different films as we were looking at the cinematography and technique. My teacher was on a Mac which has Front Row, and shows you trailers of the past, present, and future films. One trailer I remember looking at was Nightmare on Elm Street (2010). I wasn’t planning on seeing it, as I hadn’t seen the original. But as we reached the end, I saw The Wolfman.

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I screamed ay my teacher, stop!! I want to see that. So we watched the trailer.

AWESOME!!! RIGHT!!! So I knew there were going to be changes, I knew it was going to be nowhere near as good as the original, but I was soooo pumped!! So I watched the trailer in February 2009, and saw the film was slated for that October. I couldn’t wait!!!

excited

I ticked off the months, but then in October I discovered it wasn’t out in theaters.

Mr-DarcyexcuseMe

Yep, there had been some production problems, so they pushed it back to February. FEBRUARY!!! V-Day weekend. I was upset, but what could I do? I just had to wait it out.

Laura Angry Mad Upset

But then February came and I decided that it would be my V-day present to myself. You see I have never had a boyfriend or date for V-day, so I always just buy myself whatever I want. It’s actually pretty nice as you don’t have to fight with anyone over where to go or what to see; and you are never, ever, ever, disappointed.

perfect plan

I asked a couple of friends who were also single and we bought tickets for opening night. I knew that I wouldn’t be 100% pleased, but I was looking forward to those improved transformation scenes.

So moving on to the review.

DeanSupernaturalLetsGetStarted

So let’s go back in time. The year is 1891 and we are in England. Lawrence Talbot (Benicio del Toro) is the second son of Sir John Talbot (Anthony Hopkins). He and his dad had a lot of issues and problems so he left as soon as he could. Since then he has been a renowned Shakespearean actor, famous throughout all England for his Hamlet and Macbeth.

the wolfman play acting stage

He recieves a letter from a Gwen Conliffe (Emily Blunt). She was engaged to his older brother Ben, but he has been murdered. Not only was he murdered, but horribly mangled by something. When Lawrence gets the news, he immediately returns home for the funeral.

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When he gets there he sees his father and the two have a harsh welcome. Unlike The Wolf Man (1941), where father and son were trying to work on repairing their relationship, Sir John doesn’t care. He still has huge issues with his son not being what he wants him to be. The way that Sir John treats him, causes Lawrence to want to leave, and go far away…but he can’t. He has to properly say good-bye to his brother.

the wolfman funeral 2010

Lawerence does try to get away from his father as he knows staying near him will just cause more fights. He also really wants to see his brother. So he heads down to the local slaughterhouse where the body is kept before burial.

ew! Gross Yuck

I know but you have to remember this is a small village in 19th century England. They didn’t have a mortuary to hold the body until burial. They also didn’t understand how diseases spread and that it is not a good idea to have a dead body near your food.

There at the slaughterhouse, the butcher gives Laurence his brother’s items, that is everything found on him at the time of his death.

The_Wolf_Man_4Crying sad

Later that night he heads over to the local pub for a drink and overhears the gossip on the murder. Most of the villagers blame a band of gypsies. Not long after they moved into the area, Ben was murdered. In fact, someone remembers a case occuring years earlier of gypsies moving into the area and dead bodies surfacing. As they discuss this, Laurence remembers that Ben had had a gypsy medallion on him.

Mal_huh Whoa Wow

This is the first time that Laurence has ever met his brother’s fiance Gwen. Now for you Wolf Man fans, you should recognize that it is the same name given to Laurence’s love interest in the original film. Except in that film she was to marry the hunter/groundsman of the Talbot estates. Anyways, Laurence meets her and can instantly see why his brother fell for her, as he himself is attracted to her.

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Of course Lawrence is the most amazing, gentleman/good guy that he would never ever think of putting the moves on her. He does thank her for trying to be there for his father and for everything. He also let’s her know that if she ever needs him, he’ll be there for him.

Gwen is also attracted to him, and you really can’t blame her. If Benecio is in his early 40s, that means her husband to-be was hecka old. Also Benecio/Lawrence has this adorable hurt puppy dog look that makes you just want to show him he is special, and that you care for him. He looks so sad that it makes you just want to take him, and take care of him. Making sure is life is bright and never unhappy again. That look is killer on any girl as it flies through their best defenses. Major chink in the armor.

swoon dreamy

Sorry, digressing….So with Lawrence back, and the funeral over, Gwen decides to return to London. Laurence would like to leave too, but wth his brother’s death, he now is sole heir to the estate and the first son. When his father dies he will become Sir Lawrence and be expected to uphold all those duties (House of Lords most likely). This isn’t the life that Laurence wants, but at this moment he is too loaded with grief and confusion over his brother’s death that he doesn’t question or try to rebel.

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So with Gwen gone, and his father an emotionless robot who only cares about himself; Lawrence takes it upon himself to try and figure out what happened to his loving brother. Now Lawrence is putting on the black cowl and trying to become a vigilante or anything, he just wants some closure about his brother’s death. He heads down to the gypsy camp to try to get some answers.

Being questioned police Annex - Tierney, Gene (Laura)_03

Where were you the night in question?

That night is a full moon

attack Wolf Boy Meets World

Which as you’ve guessed it means trouble is going to be roaming about. Lawrence meets up with the gypsy woman Maleva, who tells him that something truly evil has attacked his brother.

Wolf Man 1941 5

But before he can get anything more, the townspeople attack the village. They try to drive the gypsies from the area, and kill a dancing bear they believe to be the beast that killed Ben Talbot.

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Grab your torches and sharpen your pitchforks!

As they are attacking, a superhuman, wolfish creature descends upon the area and starts slaughtering people.

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And I’m not talking about just a few people, this is like a Scream sequel. The body count by the end of this film is in the double digits.

wolfman dead bodies lots cart

Hey, my generation is the Millennials. They aren’t as classy, they need lots more blood and guts.

Anyways, the werewolf is attacking everyone, and Lawrence spots a young boy running into the woods. At the same time the werewolf spots the boy, causing Lawrence to put himself in the way in order to protect the child. As he does so, the wolf attacks him.

wolfman-strangle

And he gets bitten.

dun-dun-duuuun

Malvea find him and cares for him, despite the community telling her that it is better for all if they let him die. But Malvea can’t, she says he still is a man and deserves to be treated as such. She also states that only a loved one can kill him.

hold-up-wait-a-minute-let-me-put-some-pimpin-in-it

Malvea honey, I don’t think so. Anyone can kill a werewolf as long as they have some kind of silver object. Nowhere is that in the original film, as if you read my post you would know that film revolutionized werewolf mythology. Click here to check it out now.

And besides that, is there nothing you can do for him? You are a cinematic gypsy in a horror film! You’re supposed to have a potion or herb or special thing that can protect you from turning. Now if you have read my DraculaThe Mummy, The Wolf Man, or Scream 2 posts, you know I make fun of the films when the guy is given a special charm to protect him but then stupidly turns it over to the girl he loves, EVEN THOUGH IT WILL NOT WORK FOR HER.

Every time!

Every time!

But I really enjoy that part of the film, as it humanizes the character and makes you adore them. I mean its sweet how much they love the girl in their life that if there is anything that can do to ward of the monster, they prefer them to have it. Even though by doing so they make things worse, hey it’s the thought that counts.

Frozen Sacrifice self love you sisters

I also hate how gypsies have been giving “B” standing in modern horror films. I mean without their supreme wisdom and knowledge in the supernatural, they are just nomadic people. In real life they are still awesome, in a  horror film? That’s just boring.

Bones David Bored I;m bored boring

But I guess that’s just they way it is these days.

Sadface Batman

So where was I? Oh yeah, Lawrence has been bitten by the werewolf. He is moved back to Talbot Manor, and Gwen returns from London to nurse him back to health. While recovering he has really strange dreams. Lots of blood, murder, and even his mother appears. You see his mother died when he was very, very young and her death severely traumatized her as he discovered her dead body. But why would that death be haunting him now? Is it because of Ben? The slaughtered people seen in the gypsy camp? Or is it something else?

suspicious  Hmm

Lawrence actually heals pretty quickly, which he finds kind of odd. And that’s not the only thing that’s odd in the Talbot homestead. One day his father’s manservant, Singh (Art Malik), shows him a case of silver bullets and hints that something monstrous is walking through the woods.

Weird

Weird

He’s not the only one concerned. Inspector Abberline (Hugo Weaving) comes to town. Yes, yes I’m going to admit it. Any film with Hugo Weaving gets an 10x increase in awesome. I mean this guy is truly one of the most talented actors alive. When he ecomes a role you totally forget that he is Hugo Weaving and just think of him as that character. For me I’m always going, Hugo Weaving was in that film? Oh that’s who was that amazing character. I totally forgot that character was being played by an actor. I mean he is that  good. You have Agent Smith in The Matrix, Elrond in The Lord of the Rings trilogy, V in V for Vendetta, the Red Skull in Captain America: The First Avenger, and that’s just to name a few.

wolfman 2010 inspector abberline hmm i've almost got it hugo weaving

Anyways, Inspector Abberline comes to town to investigate. He already believes he knows who the killer is…Lawrence.

Yeah I don't understand it either

Seriously? Lawrence? A Murderer? Come on, this guy wouldn’t hurt a fly. I mean look at him, really look at him. There isn’t a murderous bone in his body! Besides, he just arrived in town so there is no way he could have murdered his brother. Dude, you’re dumb.

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But it isn’t completely ungrounded. You see, Lawrence has a history of “mental problems.” You see, I didn’t want to give you the full story so early, but Lawrence’s mother’s death really did a number on him. Now today, we would really try to help the child as we understand such events as those are highly traumatic and can cause serious issues. Then not so much. Lawrence discovered the body and was very upset. He was afraid and kept mentioning a monster had hurt her. Instead of trying to help his kid, Sir John sent him to an insane asylum, where he was tortured. And I mean torture. Many methods to improve these patients were electrotherapy, iron cuffs/collars, bloodletting, dipping the patient in hot or ice-cold water, and a gyrating chair “to shake up the blood and tissues of the body to restore equilibrium”. By the 1900s, many hospitals had added lobotomies to their lists of “cures”.

AAAAAAAAHHH!!!!!!!!!!!!!!!

AAAAAAAAHHH!!!!!!!!!!!!!!!

Yeah not fun. So Aberline thinks he is the perfect suspect. Laurence though, is having none of that.

Lawrence Talbot: I get your implication, and resent it. You’re clearly aware of my personal history, as I believe I’m aware of yours. Weren’t you in charge of the ripper case a couple of years back?

Det. Aberline: You’re a direct man. So I’ll be equally direct with you. I am not your enemy, Mr. Talbot. You’ve been seen as Hamlet, Macbeth, Richard III, all with that same face. A prudent man would ask who else might be living inside that head of yours?

Laurence doesn’t quite know what is going on and asks Gwen to leave as he’s worried something might happen to her. That night he follows his father, and watches him go down to the family crypt, to the area where his dead mother resides. There he finds a chair with restranints. His father locks the door and stays in the crypt, leaving a confused Laurence.

Weird

Weird

As Laurence turns to go inside, he becomes…The Wolfman!

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Now this was worth the price of admission. These transformation scenes are awesome!!!

Freakin’ sweet!

So now that he is a wolfman, he does what they all do. Ravage the countryside.

Film Title: The Wolfman Claw

The next day the Inspector comes for him and has him arrested to be sent back to the “mental hospital”

Noooooooooo!!!!!!!

Noooooooooo!!!!!!!

How horrible is that. I mean this has to be Laurence’s biggest fear, to be sent back to that horrible place. Poor guy. And I was doing some research last night, not only were insane asylums awful, but the one he has to go to, Bedlam, was one of the worst.

you're evil

Dr. Hoennegar, the leading physician, takes Laurence under his wing and subjects him to ice treatments, that is to be consistently dunked into ice water and left there for long periods of time.

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Can you imagine?

And oh joy, he also gets electroshock therapy.

Stupid, stupid

While he is incarcerated, Sir John comes to visit and tells him a story. You see Sir John is the cause of all this.

Mal_huh Whoa Wow

Back in the day when he was younger and hunting in India, he heard this rumor about an unusual predator. He travels to the remote cave that the predator calls his home and while there was bit by a feral boy and became a victim of lycanthropy.

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Except, it was more than “imagining” he actually became a werewolf and began attacking things.

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That’s when Laurence realizes everything about his mother’s death makes total sense. He did see a beast kill her, but it was his father! His father killed his mother and then sent him to a mental institution!!! What a truly, truly evil man to allow his son to be tortured. And now for a second time!!!

you're evil

Now this was my biggest issue with the film. Every other part of the movie was actually pretty great. It was an amazing homage to the orginal film. Benecio del Toro was actually a huge fan of the original and tried to bring a lot of Lon Chaney Jr. into his acting. But the thing I absolutely hate was the changed relationship with his father.

HateEverythingthewomen

It just didn’t work in my opinion. I mean that is what truly made the original fantastic, was that everything in his life was going great, he was a great man; and this tragedy strikes that ruins everything. He and his father were finally, finally becoming close and working out all their issues. He had met a nice girl, even though she was engaged, and had hope for that relationship. He loved England and was getting back into the groove of it. But then this horrible thing happens and he has to say good-bye to it all. He knows he is going to die, but what does he do? He goes to his dad and makes sure that he has something to protect him. Because even though he has spent years hating and being angry at his father, he truly loves him. It’s just so wonderful and sad all at the same time

The_Wolf_Man_4Crying sad

But having the dad the evil guy, I don’t know…it just makes the film feel as if it is missing a huge part of it. It doesn’t hit in the heart like the orginal.

But moving on, so his father murdered his mother and then sent the only witness to a torture chamber (mental hospital) to ensure that those memoris would never come to light as they are only crazy “child fantasies”.

you're evil

Since then, Sir John has had his manservant Singh has been locking him up so he doesn’t wreck havoc anymore. However, Ben was planning to leave with Gwen once they were married and this enraged Sir John. He wasn’t locked up that night and killed him to keep him from going away. He became so incensed with the power that he ran wild later, killing all in the gypsies camp and biting Laurence purposely.

Omg what a–

wordICan't say Toy Story

He did it on purpose because he wanted a fall guy. He wants to roam free as a werewolf and he allows his son to be caught and tortured. Argh!!! Urhg! this man! I;m so angry I can’t spell right. He needs a good sock in the face.

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After he finishes his story he leaves, intent on never returning.

Jerk

He deserves another punch.

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That night Laurence is taken to the observation room, where the good doctor presents him as a curio to his collegues. Unbeknowest to him, moonlight is coming through the window and landing on Laurence. This causes him to turn into….the Wolfman!

wolfman

This is one of the coolest scenes, but unfortunately I could only find it in Italian. Sorry! But you don’t really need to understand what they are saying to enjoy the effects/makeup.

Dr. Hoenneger: Ah, Mr. Talbot. We are here tonight to illustrate conclusively that Mr. Talbot’s fears are quite irrational. So, we will remain in this room together, and once Mr. Talbot has witnessed that the full moon holds no sway over him, that he remains a perfectly ordinary human being, he will have taken his first small step down the long road to mental recovery. We are all aware that Mr. Talbot has suffered quite traumatic personal experiences. He witnessed his mother’s self mutilations. His young mind, unable to accept it, created a fantastical truth, that his father is to blame. That is father is literally a monster. But, your father is not a werewolf. You were not bitten by a werewolf. You will not become a werewolf, any more than I will sprout wings and fly out of that window.

Freakin’ AWESOME

Totally fangirl over that.

Laurence runs away, being chased by the Inspector, and also wreaking havoc. There are some truly amazing shots of him by the bridge, on statues. Just plain awesome!

wolfman statue on tiop of werewolf

The next day he visits Gwen in her antique shop. They realize they have fallen in love, but Laurence knows nothing can come of it. He has to kill his father and himself in order to protect others.

the_wolf_man_1941_larry_is_talking_to_gwen

Inspector Abberline comes to see if Lawrence is there, but he is too late. Lawrence has already left for Talbot estate.

Gwen refuses to believe that they can’t be together. She starts studying lycanthropy and tracks down Maleva the gypsy for more advice. Maleva cannot help her, as there is no cure for werewolf.

Noo!

Noo!

Meanwhile, the Inspector has also headed back to the village and this time armed with silver bullets. That show in the Observation room must have finally convinced him that werewolves are real. Gwen also heads toward Talbot Hall.

Lawrence is the first to arrive and discovers a murdered Singh. He takes his gun loaded with the silver bullets and starts hunting his father.

Sir John Talbot: You have me at a disadvantage. It makes me happy.

Lawrence Talbot: What does?

Sir John Talbot: Well, seeing you here like this. My son returned. It is glorious, isn’t it?

Lawrence Talbot: No, it’s hell.

Sir John is a freak. He needs help. Serious help.

Anyways, it turns out there are no bullets in Singh’s gun, but blanks. Sir John did that on purpose as he will not be destroyed. Sir John attacks his son and the two begin fighting. The full moon comes up and transfroms them into werewolves. And yes, yes we have a werewolf fight. I personally thought it was a little cheesy (and dumb) but this is the millenal generation. And it is something the people want.

So after Laurence burns and decapiitates his father, Gwen walks into the house.

AAAAAAAAHHH!!!!!!!!!!!!!!!

AAAAAAAAHHH!!!!!!!!!!!!!!!

NOOOOOOOOOOOOOOOOOO GWEN!!!!!!!!!!!!!!!!!!!!!!!

The wolfman, Lawrence, attacks her. Luckily, the inspector had also just arrived on the scene. He tries to use his gun, but misses allowing him to be bit by the werewolf. Gwen steals the gun and takes off, being pursued by the wolfman.

wolfman 2010 hiding from wolfman

He chases her to a waterfall. With nowhere left to go, Gwen starts begging and pleading with the wolfman, hoping to get to Lawrence. Lawrence reason faintly returns to the beast, who hesitates. He then hears the sound of a posse coming to attack him.

mob

Grab your torches and sharpen your pitchforks!

While he is concentrated on them, Gwen shoots him through the heart.

Noo!

Noo!

Laurence changes back to his human form, and before he dies thanks Gwen for saving him.

Lawrence Talbot: [his eyes open after being shot by a silver bullet and transforming back into a human] Gwen?

Gwen Conliffe: [crying] I’m sorry…

Lawrence Talbot: It had to be this way.

Gwen Conliffe: I’m sorry.

Lawrence Talbot: [he holds her hand] Thank you. [Dies]

aw cry

The posse and an injured inspector arrive just as Laurence dies.

So that is The Wolfman. Now do I think it is as good as the original? HECK NO! But that does not mean it isn’t an awesome film. Besides that one thing that majorly irks me, I really enjoyed it. I thought it was a pretty awesome film. The cinematography is beautiful, the acting incredible, and those transformation scenes? Freakin’ awesome! And I did like how they moved the story to show how harshly “mental disabled” people were treated. And you know what? Most of the people who were in those didn’tr even have serious problems. They would throw in the homeless, those with learning disabilities, women of large fortune who had husands that wanted the money but not the girl, etc. It was horrible. Horrible.

But back to the film, I think it is a worthwile view. It may not be exactly how I imagined it, but you do have some great werewolves in this, and no Jacob ones. Real werewolves.

2010The Wolfman

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And so ends another Horrorfest. I am so pleased with this years as I was able to redeem myself from last year’s only half the month’s posts. 31 days of terror and woe once again. I hope you all enjoyed it. I wish you all a very happy, and safe, Halloween. May it be everything you wish it to be.

Happy Halloween jack-o-lantern

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To start Horrorfest III from the beginning, go to Even a Man Pure of Heart

For the previous post, go to The Perfect Murder

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For more on werewolves, go to Werewolves Roam Among Us

For more monster movies, go to There’s Nothing Out There. Nothing in the Mist

For more on 19th century England, go to The Past of a Man

For more on insane asylum, go to I Bid You Welcome

For more remakes, go to Don’t F*** With the Original

In Their Proper Place: Metropolis (1927)

Metropolis

It was their hands that built this city of ours, Father. But where do the hands belong in your scheme?

In their proper place, the depths.”

So back in July I did a post on trying to start a revolution and I mentioned this film. Now this film is not mainly a horror film but a mix of a Dystopian Drama, Sci-fi and Horror, a Dystfiror. This film also reminds me A LOT of Atlas Shruggedso I chose this poster instead of the other one that has the robot on it. Robot, you may ask? But that’s getting ahead of ourselves.

So this film takes place in a future far away [2026]. In this land the people have been split into two groups, the workers and the rulers. High above is the city Metropolis with its pleasure garden, as the wealthy lounge about doing nothing and anything they want. Below the city lies the workers, who are constantly going to support the city and all of the upper-dwellers’ desires.

humandepravity

Sounds familiar? That’s because stupid Matt Damon ripped it off for his Elysium film. Go here to read why I don’t like Matt Damon (hint: you have to scroll down to #5).

Anyways, the ruler of Metropolis is Jon Frederson, who’s only compassion and love is aimed at his son, the rest of the world and people be d*****. His son Freder…Now I know what you’re thinking because I thought of it too. Really, Freder Frederson? Really now? That’s you’re name?

Harry Potter Funny name

Why yes, yes I do think so.

3qnlqc

Well I don’t care.

So there! tongue sticking out pug

So anyways I’m like that’s really all you can come up with? With all the names there are that is the only one you can think of? Freder Frederson?

No imagination

Spongebob would be disappointed in you.

spongebob-imagination-o

When I watched it I renamed him Alan, as Alan Frederson was way better than Freder Frederson.

I like it!

I like it!

Anyways, I digress so Freder is chillin’ in the pleasure garden (everytime I hear pleasure garden I think of Bosch’s Garden of Earthly Delights), just enjoying being rich and worry-free.

metropolis07

They got lots of pleasures, alright.

Maria brings some children to see the Garden, and Freder sees her and falls for her, completely taken with her.

Maria, leader of the Rebellion

Maria, leader of the Rebellion

He then follows her down to the workers’ realm.

stalker

Freder journeys down into the machine rooms and sees it explode, injuring and killing the workers.

AAAAAAAAAAAAAAAAAAAAAAAHHHHH!!!!!!!!!!!!!!!

AAAAAAAHHH!!!!!!!!!!!

He runs to report to his father:

Sorry had to do it

Sorry had to do it

Frederson is upset at having gotten the news from Freder instead of his foreman. (Everytime I read that sentence all I can thik of Señor Senior Sr and Señor Senior Jr. from Kim Possible). Sorry! I’m moving on, I swear! So the assistant Josaphat is fired for his failure. Jo knows that now that he no longer holds such a high position, he will be sent to the worker’s underground and forced to be in the factories, getting the same harm inflicted on him that he did to others. He decides to kill himself, but is stopped by Freder. Frederson is confused by the way his son is starting to act and sends his henchman the Thin Man.

On a side note, evil, businessman and father Frederson, has some secret plans in the mix. They were found on the dead factory workers’ bodies, which angered him extremely, as he doesn’t want it revealed yet.

Upon Freder’s return, he finds a worker and takes his place as the worker is too old and sick to continue. They trade clothes, in which the worker, Georgy, is supposed to come back later for them. However, Georgy enjoys his taste of the high life and spends the night at a club, forgetting all about Freder. (You might recognize pieces of this film as parts were used in Queen‘s Music Video for “Radio Ga Ga“.)

Metropolis city

Freder on the other hand finds a map in his pocket and hears about a secret meeting. (There is also this weird scene where he hallucinates from exhaustion, but let’s skip it).

Meanwhile up above evil dad Frederson has discovered copies of the map and decides he will do something about this little insurrection. He goes to see his minion, Rotwang, in order to figure out what to do about it. [Check out the name Rotwang. It just screams evil!]

Rotwang is an inventor and he had been in love with Frederson’s wife, who died in childbirth. Rotwang has been unable to let go of her memory and created his own version of the perfect woman Maschinenmensch

metropolis-5

Its a pretty freaky scene, and totally creeps Frederson out.

Gilmore girls creep

Understandable, as it would freak me out too. It did. It still does.

Rotwang deciphers the map, and sees that it shows a system of catacombs that lie beneath Metropolis. They go down to investigate what’s going on.

Downstairs, there is a large gathering of the workers. Freder is there too, trying to find out what’s up. Maria is at the head of the group as she is the leader. She tries to rally the people to arms and to fight against their oppressors. She tells them that they must be patient until they can find a mediator between the two worlds.

Freder believes that he is the one to fill that role. He also realizes that he is in love with Maria and declares his love for her. She returns it.

The two make plans to meet up the next day, but unbeknowest to them they are being watched by Freder’s father and lackey. Freder’s father asks Rotwang to make the robot look like Maria so they can turn all the workers against her. Rotwang agrees, but has a secret agenda. He plans on killing Freder for causing the death of his mother.

you're evil

Like what a jerk! He couldn’t do anything, he was just a baby. And Rotwang is a MAJOR creepo!!!

Certified Creepo Ribbon

So Rotwang follows Maria and kidnaps her, hiding her away to complete his evil plan.

Georgy gets caught and sent back down to the worker’s area. They think that Freder’s friend Josaphat is involved, as that is where Georgy was supposed to spend the night, and Josaphat has to flee to the worker’s city. Freder goes to meet with Georgy, but can’t find him. He goes over to the Cathedral where the two were supposed to meet but can’t find Maria.He does overhear monks talking about the apocalypse, and the Whore of Babylon wrecking havoc through the world. He begs them not to harm Maria and goes searching for her.

Meanwhile Maria is trapped while the mad scientist Rotwang completes his robot’s likeness.

Victor Moritz: You're crazy!  Henry Frankenstein: Crazy, am I? We'll see whether I'm crazy or not.

I’m sure you all knew I was going to make this connection.

Rotwang complete his robot and sends it off to Father Frederson. This version of Maria is wanton and lustful. Freder goes to see his father and finds the two in an embrace.

I mean seriously, what were you thinking?

I mean seriously, what were you thinking?

Freder freaks out and drops into a delirious state of mind.

metropolis

 

Poor guy!

right in the feels broken heart

False Maria begins to unleash chaos throughout the land as she causes men to murder and fight each other.

Freder recovers and finds his friend Josaphat. Meanwhile, Maria manages to escape their grasp. Freder and Josaphat try to stop the false Maria from urging the workers to destroy the city, but everyone tries to attack him as they recognize him as Frederson’s son. He is luckily saved by Josaphat. Upstairs, Frederson wants the workers to fight, allowing him to use his army against them.

The workers are extremely riled up and rush to the machine rooms destroying the Heart Machine that powers the city.

Grab your torches and sharpen your pitchforks!

Grab your torches and sharpen your pitchforks!

Poster - Metropolis_13

The system’s below start to fail and the worker’s area began to flood. But the workers have forgotten one thing. They left their children behind!

Noooooooooo!!!!!!!

Noooooooooo!!!!!!!

Maria has managed to escape and runs downstairs to help save the children. [Side Note: Unemployment and inflation were so bad in Germany at the time that the producers had no trouble finding 500 malnourished children to film these flooding sequences.] Maria and Josaphat work together to get them out okay. In the machine room, Grot begins to yell at the workers. He reprimends them for letting their emotions get the best of them and killing their children. The parents freak out and march after the false Maria.

mob

Grab your torches and sharpen your pitchforks!

They take False Maria and burn her at the stake. Freder is heartbroken, thinking he lost her.

Noooooooooo!!!!!!!

Noooooooooo!!!!!!!

But then when she burns away, she is revealed to be the robot.

Rotwang chases the real Maria to the roof pursued by Freder. Fredersen and the workers watch from the ground. Rotwang falls to his death and Freder is able to unite the two. He [heart] ends by linking the hands of Fredersen (head) and Grot (hands) to bring them together.

Metropolis

This movie was actually supposed to be against facism and Hitler, but unfortunately Adolph Hitler and Joseph Goebbels really liked this film. Fritz Lang, the director, was Jewish, but Hitler told him that in spite of his background they would make him a honorary Aryan. Lang left Germany immediately after that night.  

1927_Metropolis

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To start Horrorfest III from the beginning, go to Even a Man Pure of Heart

To go to the previous post, go to It’s Coming From Inside the House

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For more on Metropolis (1927), go to Viva La Révolution

For more on dystopian futures, go to Na-Na-Na (Na Na Na Na Na Na Na Na Na)

For more on mad scientists, go to A Halloween Hello From the Austen Men

For more on creating a monster, go to I Want Friend Like Me

For more on Harry Potter, go to Fashionably Postworthy

For more of my favorite quotes, go to Horrorfest III: The Revenge

Viva La Révolution

Eugène_Delacroix_-_La_liberté_guidant_le_peuple

So I decided to do this post in honor of Bastille Day! Yay! You know I find the French Revolution so fascinating on how things got so ugly, so quickly. Also the complete irony on how they tried to change everything about France and erase all shreds they were ever ruled by a monarchy, but yet at the same time, find themselves being ruled by a king in about 10 years. By the way this is Liberty Leading the People by Eugène Delacroix (1830) about the July Revolution of 1830 (the 26-29), which ousted King Charles X of France. For those of you wondering, this took place two years before the June Uprising depicted in Les Miserables. So in this image we have liberty, represented as a woman (as usual) leading the people onward. This painting helped end the Enlightenment period and made way for Romanticism, the style that revolved around political events and current issues to try and evoke emotion out of the viewer. The people in the image following liberty and the French flag, are a wide range of people from different classes. To the far left is a poor peasant, and next to him a member of the bourgeois in a top hat, and to the right of liberty a member of the military.

Anyways, this post is also a response to Girl on Firemy post on The Hunger Games quiz result I got. I mentioned how I would start a revolution as I have tried before at an Oxfam  banquet.

So at my school we do an Oxfam banquet every year that raised awareness of hunger and homelessness in the world, U.S. and city that we live in. Each person who visits picks a name/occupation out of a bowl and it determines where you will be placed, and what your economic status is. Those who are lower class are the majority, sit on the floor, are treated rudely, have to drink water with coffee grounds in it, share a thing of rice, and eat last. Those who are middle class are seated at tables and get clean water, beans, and rice. Those who are upper class get bread rolls, salad, clean water in glasses, eat off glass plates instead of paper, cookies, and some kind of meat dish. They get the most attention and there are only like five of them, but yet they have more tables set out with food that remain empty. Throughout the night they have speakers and do a discussion of how we felt about the activity.

Freud

Now the first year I worked the bowl, holding it and making sure no one cheated, and all went to their right place. At the end of the shift, I pulled out a name and ended up getting upper class. Unfortunately, the waitstaff forgot to serve us the main dish so we only had salad and bread.

The next year they didn’t need volunteers so I just went with my friends. This year I got middle class (pooh) and in order to eat we had to do “chores”. They gave us a bag with holes in it and we had to clean up the newspaper pieces they had ripped and thrown about. The poorer class had it worse as they didn’t have a bag and the people get throwing more and more paper at them.

throw confetti

So I came up with the idea to tie the holes up as otherwise, we were going nowhere. After we finished we got our nasty food (it was horribly done as our caf sucks). Then we sat there. Now we had plenty of food left over, and I tried to give it to the other group but they just wouldn’t take it. They felt that it was their role so they were going to accept that. Well I wasn’t. I saw all those tables with empty people and I was hungry. So I told my friends, let’s start a revolution! Look at all the uneaten food that is going to be thrown away afterwards. Let’s go get it. Come on, there is plenty for us. We won’t have to take anybody’s stuff, we won’t force them to do anything. We’ll just rise up and take the stuff we need. I was very much Maria from Metropolis.

Maria, leader of the Rebellion

Maria, leader of the Rebellion

 

Come on everyone! Let’s do this!

But sadly, none of my friends wanted to as they “thought they would get in trouble”.

tumblr_lo2xcfV0AQ1qiucd5o1_500

But I was like images

And went and took the food.

Yum!

Yum!

A few people followed my lead, but mostly everyone was too complacent to stand up for their rights or scared they would get kicked out. So what if we do? Then we do. That’s the problem with revolutions or fighting for a cause. You need others to fight with you, but sometimes you just can’t convince them to take that chance. 😦

According to Buzzfeed I’m a real revolutionary and belong during this time period

Revolutionary France Les Misreables

Go here to see what time period you belong in

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For more of my favorite art, go to You’re Just So Pretty to Look At

For more on the French Revolution, go to Sucky Sequels

For more on The Hunger Games, go to The Hunger Games: Willy Wonka and the Chocolate Factory

For more on rebels, go to A True Princess

For more on Revolutions, go to Being Friends is Good Enough

You’re Gonna Need a Bigger Potato: Aliens in the Attic (2009)

You’re gonna need a bigger potato.

First I want to say happy 50th! This is my 50th post! I never thought I would make so many in such a few months 😀

So I know this isn’t really a Halloweeny film; but it has aliens in it so it counts. I was up early this morning and was flipping channels and this came on. I remember when this first came out in theaters, I never saw it as I thought it was going to be extremely dumb and full of childish slapstick comedy. It was full of that, and it was pretty dumb at times; but it ended up being better than I thought it would be. I actually only came in at the end of the film, so it took a while for me to get a sense of what was going on.

So these aliens invade, and only the kids are aware of this; as always the adults are stupidly blind to anything going on.

When I came into the story, the aliens had attached these mind control devices to one of the kids, Bethany’s, boyfriend Ricky. There was also one attached to the Grandma, but the kids were controlling it. The twin boys were incredibly adorable and remind me of my nephew who is obsessed with video games.

The fight between the two, was purely structured to garnish cheap laughs from children as they watch an elderly lady kick butt.

The only thing that makes this scene even funny is the lovely Doris Roberts. I love her so much!

Bethany comes in at the end and sees her boyfriend kicked through the basement. The other kids tell her that aliens have invaded which she finds hard to believe. She goes to talk to her loser boyfriend, which we find out is a liar and cheating on her. He breaks up with her and takes off.

The adults discover the worn-torn, destroyed room and immediately yell at the oldest kid in the room, Tom (Bethany is in the basement). All the kids get sent up to their rooms as they are being punished for destroying everything.

Bethany reconvenes with them upstairs trying to do something. Tom has given up, as he feels they can do nothing to save Earth. Bethany tries to get everyone to go fight, but they won’t follow anyone but Tom.

Tom I thought was very attractive. Super sexy as he was played by Carter Jenkins. Anyways, Tom is now encouraged and they go down to the basement to defeat the aliens.

When they get there they discover their cousin Jake, played by Austin Butler. (Where has he gone? I haven’t seen him in anything recently.) He was kidnapped by the Zarkonian aliens and knows they are trying to create some kind of machine. The kids had become friends with one of the aliens, Spark, and he is the techno one that they are forcing to build the machine.

Metropolis supermachine

They are about to give up again, when Jake comes up with a mentos/cola bomb. They shoot them at the aliens which knock them all out except for the commander. Tom takes him out with his potato gun, which accidentally knocks him into the machine they were forcing Sparks to create.

Everyone cheers at this, but then Sparks tells them that it is not good, it makes the commander big!

They have to try and battle him while the other kids handle the small aliens. Jake is able to distract the commander while Tom calibrates the mathematic equation to shoot the commander with a mind controlling device. While he is doing this, one of the other aliens increases his size and the commander and him have an epic fight.

While they duke it out Sparks reverses the machine, making anything that goes through it little. Tom sends them both through the machine, with the “ugly” alien going off with his girlfriend, while the commander is seemingly zapped into nothingness.

They have stopped the aliens, but there is still an invasion coming. One the adults stupidly think are a meteor shower.

Sparks calls the aliens and tells them to retreat. After a tearful goodbye, he goes home to be with his family. All the kids enjoy the rest of their vacation, having finally bonded and become a perfect unit.

Cheesy, yes. The very, very, end was hilarious though. 😀

Hope you enjoyed that lighthearted post. More posts to come. 10 days until Halloween!

Aliens-In-The-Attic-

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To start Horrorfest from the beginning, go to I Don’t Belong In the World

For the previous post, go to Quite a Horror Story

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For more on aliens, go to When Potatoes Go Bad

For more on channel surfing, go to Secrets Are Great, Unless You Get Caught

For more on video games, go to Push All the Buttons!