I Want to Understand You: North & South (2004)

Most Romantic Moment #11

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So I’ve mentioned my love of this show before. My friend introduced me to it and I fell head over heels for Mr. Thornton.

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So the show takes place during the English Industrial revolution, the late 18th century. Reverend Richard Hale has decided to leave the church of England, and is forced to leave his parish in the country South, and go to Milton, in the industrial North. He brings with him his wife, and daughter Margaret.

 Her father becomes a private tutor, with only one client, Mr. Thornton. Mr. Thornton was born poor and worked his way up, now owning his own cotton mill and becoming one of the richest men in the area. He’s also just how I like them:

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He and Margaret get off on the wrong foot, and continually are having misunderstandings. However, as much as Margaret and Mr. Thornton say they don’t care about each other; time will tell.

Besides their relationship, there are others things clashing. The workers want more money and are threatening to unionize.  But Mr. Thornton doesn’t have more money to give them. He may be wealthy, but his money is wrapped up in cotton prices and completely dependent on how well it does: plus he bought new, pricey, technology to help the workers and doesn’t have enough profits to pay everyone what they wish. It’s a complicated issue.

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Most Romantic Moment: I Love You and Want to Understand You

*Spoilers*

So the romantic moment I have chosen comes at the very end of the series. Mr. Thornton has already declared his love and proposed to Margaret.

How romantic

How romantic

But she has refused him because she thinks he just wants to add her to his possessions.

As if Clueless

I mean:

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Since then they have had several more misunderstandings, Margaret’s parents have died, she returned to the English countryside, and the mill has been closed (with the town most likely following). Mr. Thornton has decided to journey to the South and visit Margaret’s hometown.

How romantic

How romantic

I know some of you probably don’t understand this. How could I pick it over Margaret saving his life or his famous “look back at me scene.”

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The reason why I choose him traveling to Margaret’s old home this time around instead of the other two was because of one simple thing: he wanted to travel there because he loves her and wants to fully understand who she is.

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He has heard her talk about the South on and on. So he decides to travel there because he wants to finally get a view on who she is.

He has been wrong about her before, as she was about him; and has decided that the only way he will be able to convince her that he really and truly cares; is if he he goes to her hometown and learns everything he can about who she is, why she loved the South, her home, her whole culture that makes up who she is.

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He loves her just so much that he wants to know every thing about her; from beginning to end.

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To start Romance is in the Air: Part IV from the beginning, go to I Can’t Pretend I Have to Be: Casual Sex? (1988)

For the previous post, go to I’m Putting You First: How to Steal a Million (1966)

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For more on North & South, go to Old Fandoms and New Fancies

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It’s Alive, it’s ALIVE!: Frankenstein (1931)

Look! It’s moving. It’s alive. It’s alive… It’s alive, it’s moving, it’s alive, it’s alive, it’s alive, it’s alive, IT’S ALIVE!

What horror movie countdown would be complete without the film Frankenstein

Frankenstein is an amazing film that tells the story of when one man tries to be more than he is; he tries to be God. It is based on the novel, Frankenstein, by Mary Shelley (FYI: A much better writer than her husband)

Edward Van Sloan: How do you do? Mr. Carl Laemmle feels it would be a little unkind to present this picture without just a word of friendly warning. We’re about to unfold the story of Frankenstein, a man of science who sought to create a man after his own image without reckoning upon God. It is one of the strangest tales ever told. It deals with the two great mysteries of creation: life and death. I think it will thrill you. It may shock you. It might even horrify you. So if any of you feel that you do not care to subject your nerves to such a strain, now is your chance to, uh… Well, we’ve warned you. 

I have always loved this film, but I think The Bride of Frankenstein is much better. I will get more into why that is later.

This movie is terrifying as we see a Frankenstein becomes consumed with creating this being. He won’t listen to anyone else and his behavior frightening his friends, family, and fiancé.

Henry Frankenstein: Crazy, am I? We’ll see whether I’m crazy or not.

Let me just clarify for everyone out there that the name Frankenstein alludes to Victor Frankenstein, the mad doctor who creates the Monster. For some reason they changed his name to Henry in this film. In the film his best friend’s name is Victor, while in the book it is Henry. Go figure. The Monster is never called by a name other than Monster, Creature, or something similar. It’s like  The Creature from the Black Lagoon or The Thing from Another World, no proper names are given.

Anyways, he is helped out by a hunchback named Fritz

Not Igor, FRITZ!

The hunchback named Igor who helps mad scientists isn’t from the original Frankenstein, but comes from one of the sequels, Son of Frankenstein, where his name was Ygor; later translated to Igor.

Anyways, Fritz is the one who makes the mistake of stealing the criminal brain.

My Bad

 

So Frankenstein starts getting ready to bring his monster to life. In the novel, Shelley never tells us how it is done; Frankenstein never wanted to share the details of the experiment for fear that someone would create their own living dead. With nothing to go off of, the writers and directors decided to use lightening, and therefore changeing film culture and film history as this is referenced and parodied in so many films and TV shows.

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“Henry Frankenstein: Look! It’s moving. It’s alive. It’s alive… It’s alive, it’s moving, it’s alive, it’s alive, it’s alive, it’s alive, IT’S ALIVE!
Victor Moritz: Henry – In the name of God!
Henry Frankenstein: Oh, in the name of God! Now I know what it feels like to be God!”

Frankenstein is so intent on proving everyone wrong, so focused on completing everything that he never stops to think whether he should do this. This is an interesting question posed; how far is too far?

So Frankenstein is able to create his monster:

Played by the very amazing Boris Karloff; extraordinary actor. He almost didn’t play this part as they originally offered it to Bela Lugosi who turned it down. I’m glad it was Karloff, because as much as I love Lugosi, no one could have done this better.

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The green makeup that is such a part of the Frankenstein figure was used because it gave Karloff a deadlike pallor of skin. Now it has become such a strong part of culture, we see the green-skinned, bolted monster every October.

After the Monster is created, we see this innocentlike creature. He is afraid of fire and tries to attack Fritz who brings a torch by him. All bystanders fear for their lives and chain the Creature up in the dungeon. Frankenstein and his friend Victor leave and discuss the best way to euthanize him. Unbeknownst to them Fritz is stupidly taunting the creature with a torch; causing the Monster to reach out and kill him.

When Victor and Frankenstein return; they see Fritz’s dead body on the floor, and have to run away from the Monster as it tries to attack them too. Frankenstein prepares a shot to kill him, and Victor gives it him. With all his problems solved, Frankenstein leaves to prepare for his wedding, and Victor begins to dissect the Creature. Unfortunately, the Monster didn’t die; but was only knocked out. He kills Victor and then escapes, running amuck in the countryside.

He runs into a little girl, who is nice and shows him the flowers she is picking up.

She shows him how flowers float in the river, which Frankenstein ultimately does to the little girl. Thinking that if he tosses the girl in the water she will float; he ends up ultimately drowning her.

Little Maria: See how mine floats.
[the Monster picks her up]
Little Maria: No, you’re hurting me! No!”

The farmer finds his daughter’s floating corpse and goes to pieces. He starts hunting down the monster; searching everywhere to find the fiend.

Frankenstein, happily preapering for his wedding is brought news of Victor’s death. He goes out searching for the monster along with the peasants who have their torches and pitchforks at the ready.

Grab your torches and sharpen your pitchforks!

Eventually Frankenstein tracks the monster down and is prepared to destroy him.

However the Monster knocks him out and carries him off to the windmill where he throws him off. Luckily, Frankenstein is caught by a vane and saved from death. There some peasants carry him home while others destroy the mill and kill the monster. Or do they?

Frankenstein gets home, where we see that he is safe and sound and in the arms of his Elizabeth dear.

After I watched the film a gazillion times, I read the novel and found it to be much more horrifying than the movie. In the book Frankenstein isn’t this bumbling creature, completely innocent and doesn’t understand things; but a criminal mastermind. Having learned to read and talk before he died; he is able to after some time remember how to do this and begins becoming more “human”. The one thing that he never regains is compassion, kindness, etc; all the caring emotions that make us who we are. He has no empathy or sympathy, believing that he was shown nothing but hatred and cruelty so he must show this to all.

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What they take from this and use in the sequel, The Bride of Frankenstein, is his want of a mate; his desire to have one like him to spend his life with. He threatens to destroy everyone that Frankenstein holds dear if he does give in to his demands. Frankenstein goes through a constant struggle with himself; knowing that he cannot risk creating another creature being made and mating along with the first. He realizes his mistakes at creating such a thing far too late. The monster doesn’t like hearing no and kills all Frankenstein loves. There is no sweet guy, accidentally killing someone like Lenny in Of Mice and Men, but this is a true psychopath fully aware of the crimes he is committing. Not only is the creature a serial killer, but he has become so intelligent that he is able to plant evidence so that people think someone else is the murderer. He kills Frankenstein’s brother William, and plants a locket on William’s nanny so that she is also killed. Then he kills Henry, Frankenstein’s friend, planting evidence so Frankenstein is arrested. He also kills Elizabeth, Frankenstein’s wife, making it seem once again that Frankenstein is the killer. With all those that he loves dead, Baron Frankenstein dies as well.   After everything is gone from him; Frankenstein devotes his life to hunting down what he created and destroying it.

It’s a great book, I suggest reading it and watching the film.

There’s a classic terror for your Tuesday! More to come!

I almost forgot to mention this. Unlike The Mummy, Dracula, or The Wolfman; Frankenstein has never had a major motion, globally shown, sent to all theaters, remake. However that is all about to change as Guillermo del Toro is planning one, and hoping that it will be coming out soon. To read more up on it go here. We shall have to wait and see what happens and how it turns out.

Here’s poster I made for my cover page on facebook in honor or Halloween. Hope ya love it.

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To start Horrorfest from the beginning, go to I Don’t Belong in the World

For the previous post, go to When Potatoes Go Bad

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For more on Frankenstein, go to A Monster Race

For more on Boris Karloff, go to Eternal Punishment for Anyone Who Opens This Casket

For more films based on books, go to The Only Thing That Matters is the Ending

For more on Jurassic Park, go to Life Finds a Way

For more on the living dead, go to A Tale So Strange It Must Be True

For more on mad scientists, go to A Very Scary Story

For more universal films, go to Universal’s Classic Monster Movies

For more of my fav quotes, go to Insults