Monster Movie: Supernatural (2008)

“All three monsters – the Dracula, Wolf Man, and the Mummy – all the same critter, which means we need to catch this freak before he “Creature from the Black Lagoon’s” somebody.”

So I know that I have had quite a few TV episodes this October. I know that I went a little overboard, but I wanted to include this anyway. You see I have been wanting to review this episode for a while, but felt that I couldn’t do it until I had reviewed the original The Wolf Man film. As I finally did it this October, it allowed me to finally be able to talk about this episode. This is my all-time favorite episode because it has what I love! Monster Movies!!

Yep it parodies a series of Classic Horror Films: Dracula (1931), The Mummy (1932), Wolf Man (1941). In fact to further the homage to classic horror film, they even filmed the whole thing in black and white!

So Supernatural is a show that like Grimm, every episode could be done for Horrorfest. The show consists of two hunter brothers, Dean and Sam Winchester, who travel all over the U.S. hunting ghosts, demons, vampires, werewolves, etc. As the seasons progress they get more focused on the battle between angels and demons and stopping the end of the world. It’s an awesome show.

So this episode takes place in season 4. There have been a lot of angst and sadness

(I won’t go into detail in case you haven’t watched it and want to) and the two brothers have finally been reunited.

So Dean and San are driving into Pennsylvania on the trail of vampires. Sam is worried about the apocalypse, but Dean convinces him to stop off at an Oktoberfest to relax a bit. They find the Sheriff and introduce themselves as Agent Angus and Agent Young (homage to Angus Young of AC/DC).

There they are told to speak to the witness Ed Brewer, but the Sheriff doesn’t put much stock in his testimony. They run into the very beautiful waitress Jaimie, who points them toward Ed. There Ed describes the Vampire as being the one out of the 1931 Dracula film.

Yep, Dean and Sam are shocked, but Ed insists that it is true. The guy looked just like Bela Lugosi’s Dracula.

In fact the vampire even uses the Transylvanian accent.

Sam and Dean confer and determine that it is probably a twilight-esque fan and that it isn’t really strange enough for them to stick around.

The night however, things change.

A couple is making out in a car when a werewolf comes upon them and attacks.

The next day, Sam and Dean talk to the girl who survived the attack, Anne-Marie, and discover that the killer looked just like Lon Chaney Jr. in the 1941 Wolf Man film.

The sheriff also finds wolf hair on the dead body. Sam and Dean are confused as real werewolves don’t have wolf hair.

That night a guard discovered an Egyptian sarcophagus at the docks. As the guard is about to call to figure out what is going on, the mummy rises from its grave.

The Mummy attacks the guard, strangling him.

The Winchesters go down to investigate and try and figure out what is going on. There they discover the sarcophagus is actually a movie prop that has been laced with dry ice. Dean leaves Sam to figure out a theory, while he heads down to meet up with Jamie for their date.

Meanwhile, Jamie has been waiting for a while and decides that Dean is most likely standing her up. She starts to walk home, when she runs into Dracula.

Blood!

He calls her his reincarted love, and tries to kidnap her, but Jamie sprays him with pepper spray and then runs away…right into Dean. Dean gets a punch into Dracula

But then finds himself overpowered by the vampire

The vampire calls him “Harker” (reference to Jonathan Harker the fiancé of Mina [the woman Dracula tries to take]). Dracula tries to bite Dean, but he rips his ear off and a medallion. With his ear gone, Dracula runs away and jumps on his scooter.

Nope you heard my correctly

Back at the bar, Dean shows Sam the ear and medallion.

“Dean Winchester: I, uh, pulled it off during the fight. Look at the label on the ribbon.

Sam Winchester: It’s a costume rental.

Dean Winchester: All three monsters – the Dracula, Wolf Man, and the Mummy – all the same critter, which means we need to catch this freak before he “Creature from the Black Lagoon‘s” somebody.”

They determine that they are dealing with a shapeshifter obsessed with classic film. Now if you have been reading my posts posts, such as Phantom of the Megaplex, Scream, and An American Werewolf in London, you know probably realize another reason why I love this episode. Yep, I can relate to the shapeshifter. I love classic film (especially horror) and I can completely understand him.

Anyways, so Sam, being the scholar, recognizes the name Harker and figures that the shapeshifter is trying to recreate the 1931 film, Dean being Jonathan and Jamie being Mina. I guess that makes Sam, Van Helsing.

The two figure that it must be someone who knows Jamie and is obsessed with her. When they question her, Jamie can’t think of a person who is strange or crazy. Lucy, her best friend and coworker, mentions that Ed recentlly moved to town and is the projectionist for the old theater. Plus he has a crush on Jamie.

HIghly suspicious

Sam goes to investigate while Dean stays with Jamie. The two are drinking beer and having a deep conversation, when Lucy interrupts. She is on her way out the door, but Jamie invites her to stay and have a drink with them.

Back on the case, Sam has gone into the old theater and discovers Ed playing the pipe organ.

He pulls on Ed’s ear, but find it fast in place.

“Sam Winchester: [tries to tear out Ed’s ear] It’s supposed to come off.

Ed Brewer: No, it’s not!”

This means Ed is not the shapeshifter!!! But if he isn’t…who is?

Back at the bar, Dean and Jaimie are getting groggy and falling asleep. Dean punches Lucy in the face, and discovers that Lucy is not “Lucy” but the shapeshifter.

AAAAAAAAHHH!!!!!!!!!!!!!!!

And she has drugged the two of them. Dean tries to hold on, but faints.

Dean wakes up and finds himself in lederhosen.

Noooooooooo!!!!!!!

In a Frankenstein-esque dungeon.

Now I really like what Dracula has to say here. It’s so poetic. “Life is small, meager, messy. The movies are grand, simple, elegant. I have chosen elegance.”, it’s very Movie Mason from The Phantom of the Megaplex.

Anyways, Dracula is about to electrocute Dean and have a “movie” where the monster wins, when something interrupts him. The doorbell rings and the pizza delivery guy is there.

Pizza Delivery Guy: Uh, pizza delivery?

Dracula: Ah, you have brought a repast. Excellent. Continue to be of such service, and your life will be spared.

Pizza Delivery Guy: Uh-huh. That’ll be $15.50.

Dracula: Tell me…

Pizza Delivery Guy: Yeah?

Dracula: Is there garlic on this pizza?

Pizza Delivery Guy: I don’t know. Did you order garlic?

Dracula: No!

Pizza Delivery Guy: Then no. Look, mister, I’ve got four other deliveries to make. You want to just pay me the money so I can go?

Dracula: Of course. Yes. But I have a coupon.

And why not take a pizza break? Pizza is awesome.

I love Pizza

So now that Dracula has food for later, he prepares to finish Harker/Dean, but is interrupted by Jamie waking up.

Meanwhile back at the bar, Sam has figured out that with Jamie and Dean missing it must be Lucy. He sets out for her house.

Back in the dungeon, Dracula wants Jamie to dress in the gown he bought her and eat pizza with him.

Just like the Mummy, trying to dress his “reincarnated bride” in his old love’s clothes.

Jamie is really freaked out as she has been drugged, was betryed by her best friend (as Dracula was pretending to be “Lucy”) and is stuck with a killer. Dracula tries to apologize and tells Jamie his backstory. He was called a monster from the beginning of his life and beat by his father. He found solace in monster movies, and achieves strength and confidence when taking their form.

This part actually reminded me a lot of The Phantom of the Opera. Here is a man who is disfigured and mistreated because of it. He knows only how to hate as he has been so mistreated. It makes you wonder how things might have been different if one person had loved him.

While Dracula is reminiscing, unbeknownst to him Sam has slipped into the house and is skulking around the dungeon. Dracula knocks Jamie out and turns his attention to Sam and the freed Dean. They start fighting, with Sam being thrown through a fake door. Dean and Dracula are struggling to get the gun with silver bullets along with trying to knock the other out. Dean tries a groin attack and move for the gun, but Dracula throws him back. Before he can do anything else, Jamie, who has just woken up, grabs the gun and shoots him.

With Dracula conceding, that maybe this is how the “film” should end.

The next day Dean says good-bye to Jamie. The two brothers agree that’s it was nice doing some old-fashioned monster hunting, rather than the angels & demons stuff. They discuss what film they would want to live in as the episode ends.

To start Horrorfest III from the beginning, go to Even a Man Pure of Heart

For the previous post, go to Murder is My Favorite Crime

For more on Supernatural, go to Keep Clear of the Moor. Beware the Moon

For more on Dean Winchester, go to I’m Batman!

For more on Sam Winchester, go to You Can’t Have Just One!

For more horror parody, go to Who’s Afraid of Cory Wolf?

For more on Dracula, go to I Bid You Welcome

For more on The Mummy, go to Part X: The Movie List That Would Not Die

For more on The Wolf Man, go to Unleash the Savage Instincts that Lie Hidden Within

For more monster movies, go to What Is This Thing?

For more on Phantom of the Megaplex, go to Friday Night Fun

For more on recreating a scene, go to Carried Away

For more on pizza, go to Food, Food, Food

Eternal Punishment for Anyone Who Opens This Casket: The Mummy (1932)

“Eternal punishment… for… anyone… who… opens… this… casket. In the name… of Amon-Ra… the king of the gods.”

I LOVE this film!!!! It is a classic horror/B film that stars the amazing, wonderful, absolutely fabulous Boris Karloff! That man was a genius and can do creepy so well. Just check out Frankenstein. Anyway The Mummy is a member of Universal’s Classic Horror collection; a collection that also houses The Phantom of the Opera, Frankenstein,  The Bride of Frankenstein, Dracula, The Creature from the Black Lagoon, The Wolf Man, etc.

I love this movie so much that last year I made my own poster for my cover page on facebook. Here it is, hope you like it.

So The Mummy has become such a huge part of our culture. It has been in so many other films and TV series; such as Scooby-Doo and the Ghoul School, Scooby-Doo and the Reluctant Werewolf, Get Smart: The Mummy, Laverne & Shirley: The Mummy’s Bride, Transylvania 6-5000, DuckTales: Ducky Horror Picture Show, Supernatural: Monster Movie, Frankenweenie, etc

It also has had countless remakes such as The Mummy’s Hand (1940), The Mummy’s Tomb (1942), The Mummy’s Ghost(1944),  The Mummy’s Curse (1944),  Abbott and Costello Meet the Mummy, The Mummy (1959), The Curse of the Mummy’s Tomb (1964), The Mummy’s Shroud (1966),  Blood from the Mummy’s Tomb (1971), The Mummy’s Revenge (1973), The Mummy Lives (1993),  The Mummy (1999), The Mummy Returns (2001), The Mummy: Tomb of the Dragon Emperor (2008), and the animated series The Mummy

What’s funny is that The Mummy started out as something completely different. It was originally going to be called “Cagliostro“, based on a “prophet”/charlatan who claimed that he had lived for several centuries. It was changed with the discovery of King Tut‘s tomb and the controversy over “his curse”.  It is the only one of the Universal Classic Horror Collection that is not based off of legend, myth, or classical fiction; but was created all on its own. Interestingly enough, this film is very similar to Dracula, as the writers and directors who worked on that worked on this as well.

Previous to Frankenstein Karloff was unknown, but by this time Karloff was such a huge name that all they had to do was advertise “KARLOFF is THE MUMMY!”

So the film begins with Sir Joseph Wemple leading an archeological expedition in Egypt. He and his crew strike it rich finding a mummy and all his belongings.

However, this mummy, has a curse placed upon him.

“Sir Joseph Whemple: [translating inscription on box] “Death… eternal punishment… for… anyone… who… opens… this… casket. In the name… of Amon-Ra… the king of the gods.” Good heavens, what a terrible curse!”

Not only that but

“Doctor Muller: Look – the sacred spells which protect the soul in its journey to the underworld have been chipped off the coffin. So Imhotep was sentenced to death not only in this world, but in the next.”

Sir Joseph’s best friend, Doctor Muller, warns him to stay away from the mummy, that only bad things will come of it, but Sir Joseph can’t, he just has to continue to examine the body all in the name of science. Doctor Muller is very much a Van Helsing type character, expressed more so as the film continues.

Sir Joseph manages to find the scroll of Thoth that brings the dead back to life, and his assistant, Ralph Norton, can’t help but read it.

He reads it in front of the Mummy and brings him to life!!!!!

AAAAAAAAAAAAAAAAAAAAAAAHHHHH!!!!!!!!!!!!!!!

Isn’t Karloff gruesome? What a great costume!

I can’t really blame Norton, as I would do the same thing if I could see Boris Karloff. 😀

This is so me.

We are then fast-forwarded ten years to the present, 1932. Sir Joseph’s son is also an archeologist, but unfortunately his digging crew has come up with nothing so far. Frank Whemple, Sir Joseph’s son, is the only Whemple left in Egypt, as after his father discovered his crazed assistant, Sir Joseph packed up and returned to England, determined to never come to Egypt again. Frank is about to follow his father when he is approached by a modern Egyptian Aderth Bay [they used this name for the leader of the Maji in The Mummy (1999)]. 

Look familiar?

Yep Ardeth Bay is really the Mummy. He gives Frank a map to finding a site “greater than Tutankhamun’s”, his reasons for sharing being that Egyptians are not allowed to dig up their own land but can only do it through foriegners.

Karloff’s makeup was based on the appearance of Ramses III; and had to go through eight hours of makeup application. Karloff speaks in a stilted voice that only adds to his mummy persona, but this was due to the fact that so many layers of cotton were glued to his face to create the wrinkled skin that Karloff was unable to move his facial muscles enough even to speak.

Even though I am referring him to as the Mummy, his real name is Imhotep. Imhotep is the high priest and they named him after the orginal high priest who designed the stepped pryamid of Djoser in 2630–2611 BCE, the first pryamid ever created in ancient times. That Imhotep wasn’t sentenced cruely but actually so honored he was declared a god.

Anyways, back to the film. They dig and find the remains of Ankh-es-en-Amon, the princess.

Later Frank attends a ball in which he spots the beautiful Helen Grosvenor, played by Zita Johann.

Helen is biracial, her mother was Egyptian while her father was British (the Evie character in the 1999 version). Her father is in charge of the Sudan, but Helen didn’t want to go and is staying with Dr. Muller. She is very nostalgic and easily lost in  the mystery and mysticism of ancient Egypt.

Imhotep prepare a ceremony t0 help him discover who his beloved Ankh-es-en-Amon’s reincarnated body is. You see back in the day, Imhotep was mummified after trying to resurrect his forbidden lover, the princess Ankh-es-en-Amon. Ever since he was revived he has been trying to find ways to bring her back. But first he needs her reincarnated form as they are “linked” to put Ankh-es-en-Amon’s full spirit in.

This reincarnated body is Helen Grosvenor who looks just like Ankh-es-en-Amon.

Imhotep calls to her, and she answers. In a zombie like trance she gets a cab and goes to the museum. She tries to get in, but it is locked for the night. Frank finds her and tries to figure out how to help her when she faints. Frank picks her up and takes her to Dr. Muller’s.

Helen wakes up and her and Frank form an Insta-connection. While they are busy oogling each other, Sir Joseph and Dr. Muller are trying to figure out how Ardeth Bay, Imhotep, and Helen are all connected. They also hear of a murder at the museum (Ardeth Bay killed a guard who discovered him) and find the remains of his ceremony.

Hmm…

Sir Joseph and Dr. Muller return and have connected all the dots. They try to bring Frank up to speed but he just thinks they are talking crazy.  Imhotep shows up as he knows that they hold his scroll needed for the ritual. When he arrives he finds Helen. He tries to remind her “who she is”, but she doesn’t remember. She does however have a bond with him, one she cannot explain. Dr. Muller tries to get her out of there, but she doesn’t want to go. However, Frank is able to convince her.

They too hold a bond

Dr. Muller, Sir Joseph, and Imhotep all have a confrontation, everyone letting each other know that they know who each is. They tell Imhotep that they are going to burn the scroll of Thoth that brings people back from the dead. Imhotep warns them to return the scroll to him or die.

That night Imhotep uses his magical pool to see Sir Joseph trying to burn the scroll.

He doesn’t like that one bit and sends Sir Joe a heart attack. He then commands the servant, as he has the power to command all those with Egyptian blood, to burn some other paper and bring him the scroll.

The next day Dr. Miller gives Frank an Isis charm that will protect him. But he warns him not to give the charm to ANYONE ELSE IT WON’T WORK FOR ANYONE ELSE!

That day Imhotep calls to Helen and she goes to him. He shows her the past in his wishing pool.

He was punished for messing with fate that wasn’t his to mess with.

When Helen goes home, Frank is there waiting having been extremely worried about her. Helen goes through a range of emotions as her two sides are fighting with each other. Dr. Muller puts her under house arrest/house care. She acts very much like Mina after Dracula has bit her.

They keep looking for Imhotep but can’t find him. They ask Helen to answer the next time he calls so they can find him and kill him.

Frank waits outside Helen’s door and decides to help her by placing his Isis charm around the doorknob to keep Imhotep out.

DID YOU NOT HEAR THE MAN EARLIER?

HE SAID IT WILL WORK ONLY FOR YOU! YOU KEEP IT! I mean this is such a classic mistake made by these men in these horror films. In Dracula, he just has to give the girl the cross charm that is supposed to protect only him, and then gets knocked out and is unable to keep her from being kidnapped. In The Wolf Man, he gives the girl the charm to protect him, and it doesn’t work for her. Instead he manifests into being a werewolf and almost kills her. MORAL OF THESE STORIES, KEEP THE DANG CHARM!!! DON’T GIVE IT AWAY!!!

Imhotep knocks out Frank and kidnaps Helen, taking her away to the museum to complete the ritual.

However, Ankh-es-en-Amon doesn’t want to die and be transformed, she likes being alive. She also knows that she is someone else and wants to live that life as well.

Just as Frank and Dr. Miller storm in, Ankh-es-en-Amon calls upon Isis for help and protection.

Isis comes to life and turns Imhotep into a pile of dust. Frank calls Helen back from the spirit world and the two live happily ever after.

Click here to watch the full movie.

So I took this quiz to see what classic monster I am. I totally thought I would get The Phantom of the Opera, but instead I got the Mummy.

Go here to see who you are.

I have to say that some of that I agree with. The classic things are spot on as I’m sure any of you who have read my posts have realized that.

To start Horrorfest II from the beginning, go to There Are Many Strange Legends in the Amazon: The Creature From The Black Lagoon (1954)

For the previous post, go to Say Something Human: Warm Bodies (2013)

 For more Boris Karloff, go to It’s Alive, it’s ALIVE!: Frankenstein (1931)

For more Classic Horror Films, go to Feast Your Eyes On My Accursed Ugliness: The Phantom of the Opera (1925)

For more mummies, go to Grimwood Ghouls’ Gym Teacher: Scooby-Doo and the Ghoul School (1988)