This is ever a dilemma with hot, attractive guys who play hot, attractive guys. Is it Dean that I’m in love with?
Or is it the incredible Jensen Ackles, the actor?
Of course in the case of Dean and Jensen, both is always the answer.
To read more on Dean Winchester, go to Paging Dr. Sexy
For more on Supernatural, go to The Best Medicine
Do you really believe in the perfect murder? Mmm, yes, absolutely.
So after years of his absence from my Horrorfest countdowns, I have finally included Alfred Hitchcock in not one, not two, but three posts.
Alfred Hitchcock is my favorite director. He was influential in creating new ways of filming psychological thrillers, he is often credited for creating the true horror genre/slasher film with Psycho (1960), and was just a pure cinematic genius. He is just amazing.
Dial “M” For Murder is one of his highly known films (although not as known as Vertigo or Psycho). It has been referenced or parodied in countless films and TV shows. In the ’90s they even remade the film under the title A Perfect Murder. It starred Michael Douglas, Gwyneth Paltrow, and Viggo Mortenson; but it wasn’t nearly as good.
This film also started Hitchcock’s filming relationship with Grace Kelly. This film was crucial in her career as it made her stand out not only to Alfred Hitchcock but other directors as well, a huge step to becoming a permanent leading lady. After this film she starred in Hitchcock’s Rear Window and To Catch a Thief. Hitchcock was impressed with her ideas and thoughts on the script in how a woman would act (especially regarding clothing), that after this film he allowed her to make all her own wardrobe decisions. She, like Audrey Hepburn, quickly became known for her style and class. But that wasn’t the only thing that Hitchcock found attractive, he really liked her and fell for her; but she wouldn’t give him the time of day, (romantically that is). (For more information on Hitchcock and his leading ladies, I strongly suggest the book Spellbound by Beauty by Donald Spoto. It’s an amazing read!) And sadly she had to retire from acting at an early age as she married the Prince of Monaco. However short a career, it was an amazing one.
This film also reunited Hitchcock and Robert Cummings, who had starred in an earlier film, Saboteur (1942). In this film Cummings plays an important role, but a smaller one than his earlier collaboration.
This film is also the only Hitchcock film to ever be shot in 3-D. In the 1950s, 3-D was super popular, so popular that some people came up with the idea of Smell-O-Vision to beat it (I’m serious!). Hitchcock didn’t want to shoot in 3-D, but until the late 1960s, studios had a lot more pull and Warner Bros. wanted it. Hitchcock obliged, although it did cause a few issues for him as he had to rework his known style to incorporate what 3-D was able to accomplish at the time.
So the film is based on the play of the same name Frederick Knott, and he also helped write the screenplay. It is set in England and as you can guess from the poster, the phone plays a huge role in this film as well. That really seems to be a theme this month. I swear that wasn’t planned.
Oops!
Well here we go!
So before I start the film, let me give you the background on the characters. Now as you watch the film things are revealed to you, but it’s easier for me to give them at the start.
So we have a couple, Tony Wendice (Ray Milland) and his wife Margot (Grace Kelly). Tony was a huge tennis star and met Margot when he was competing. She comes from a very wealthy family. The two were married and Margot convinced him to give up competing as she didn’t like him being away. He complied and now sells sports equipment. However, as he no longer is the dashing tennis star, she lost interest in him and had an affair with Mark Halliday (Robert Cummings) an American Crime writer.
As the film starts out we have Margot and Mark in a very cozy embrace.
“Margot Mary Wendice: Let me get you another drink. Mark, before Tony comes I ought to explain something.
Mark Halliday: Yes, I’ve been waiting for that.
Margot Mary Wendice: I haven’t told him anything about us.”
Margot tells Mark that she burned all his letters, except one. That one was stolen by a blackmailer who demanded payment, but he never picked up the money or returned the letter. She is worried that her husband will find out.
Mark has a completely different reaction to the news.
He wants them to tell Tony all about the affair so that Margot can get a divorce and the two can marry. Margot doesn’t want to as “she feels bad” about hurting “Tony’s feelings”.
Now I’m no expert, but if the person doesn’t want to break up the relationship, it seems to me that they want, to quote an old cliché, “have their cake and eat it too.” I think Margot likes the respectability of her marriage and doesn’t want the divorce scandel, but at the same time is heavily intrigued by Mark. And who can blame her? Robert Cummings is a looker.
Photo from Saboteur
That night Tony is introduced to Mark, him being Margot’s “friend”. The two discuss Mark’s profession.
Tony Wendice: How do you go about writing a detective story?
Mark Halliday: Well, you forget detection and concentrate on crime. Crime’s the thing. And then you imagine you’re going to steal something or murder somebody.
Tony Wendice: Oh, is that how you do it? It’s interesting.
Mark Halliday: Yes, I usually put myself in the criminal’s shoes and then I keep asking myself, uh, what do I do next?
Margot Mary Wendice: Do you really believe in the perfect murder?
Mark Halliday: Mmm, yes, absolutely. On paper, that is. And I think I could, uh, plan one better than most people; but I doubt if I could carry it out.
Tony Wendice: Oh? Why not?
Mark Halliday: Well, because in stories things usually turn out the way the author wants them to; and in real life they don’t… always.
Tony Wendice: Hmm.
Mark Halliday: No, I’m afraid my murders would be something like my bridge: I’d make some stupid mistake and never realize it until I found everybody was looking at me.”
Tony invites Mark to join him for a tennis party, and Mark agrees. Its all men, so Margot will be staying home. After a bit more pleasantries Margot and Mark leave to go out “as friends” to a theatre show that Tony didn’t want to see, while Tony stays home to “work” on some stuff.
After they leave, he calls up an old friend. Swann (going by the name Captain Lesgate) from his old Cambridge days. He brings him there under false pretenses of wanting to purchase a vehicle from him. He then tells Swann that he wants him to murder his wife.
“Tony Wendice: One thousand pounds in cash.
C.A. Swann: For a murder?
Tony Wendice: For a few minutes work, that’s all it is. And no risk, I guarantee.”
Tony then goes on to tell Swann a story.
Tony only married Margot for her money, and it really injures his pride to see her cheating on him and tossing him over like an old shoe. He followed her one day and discovered the affair.
He wanted to kill Mark.
He then moved to the idea of murdering his wife. But things changed…
“Tony Wendice: It’s funny to think that just a year ago, I sat in that Knightsbridge Pub actually planning to murder her. And I might have done it, if I hadn’t seen something that changed my mind.
C.A. Swann: Well? What did you see?
Tony Wendice: I saw you.”
Back in the day, Swann was always getting into trouble for all kinds of stuff, and it struck Tony that he could commit the perfect murder. He then began extensive planning. He has been collecting £1000 over the year, under the guise of racetrack betting, etc.; compiling the money for such a purpose.
He even went to great lengths to get one of the letters from Mark and pretended to blackmail her. With Mark back in town he has set up the whole scenario on how to murder her even planning to use Mark as an alibi, as being the husband he will be the first suspect. All he needs is someone to do it for him. He has a lot of information on Swann’s background (as he has been tracking him) and uses it to blackmail him into completing his murderous plot. And he has to do it tomorrow.
He reveals his perfect plan.
“Tony Wendice: At exactly three minutes to eleven, you’ll enter the house through the street door. You’ll find the key to this door under the stair carpet here.
C.A. Swann: The fifth step?
Tony Wendice: That’s the one. Go straight to the window, and hide behind the curtains. At exactly eleven o’clock, I shall go to the telephone in the hotel to call my boss. I shall dial the wrong number. This number. That’s all I shall do.”
His wife will answer the phone, and then Swann can strangle her and leave through the french windows.
Swann agrees to the plot as he feels he has no other choice in the matter. Tony is estatic as everything seems to be going along perfectly.
But then things start falling apart. Margot doesn’t want to stay home. She is thinking of going out to dinner and seeing a movie. Mark thinks it’s a great idea but Tony convinces her to stay home.
“Margot Mary Wendice: Don’t make me stay home. You know how I hate doing nothing.
Tony Wendice: Doing nothing? Why there are hundreds of things you can do. Have you written to Peggy, thanking her for the weekend? And what about those clippings? It’s an ideal opportunity.
Margot Mary Wendice: Well I like that. You two go gallivanting while I stay home and do those boring clippings.”
Before Tony leaves, he stills Margot’s key from her bag and puts it in the marked hiding place. Keeping his key in his pocket, he and Mark leave for the party.
Back at the home, Margot has been working hard on her scrapbooking. She eventually goes to bed, putting everything away…at least almost everything. She actually forgets the scissors and leaves them by the phone.
That night everything starts being put into motion. Swann enters the place the same way that Tony planned it out. He leaves the key under the stair and hides behind the curtains waiting for the phone.
However, back at the party, things aren’t quite going as planned.
Stupid, stupid
Tony’s watch stops and he has to ask for the time, finding out that it is actually past 11:00.
He hurries to the pay phone and makes the call, hoping that everything else goes accordingly. Margot gets up to answer the phone. As she is talking, Swann reaches out to strangle her.
But instead of overpowering her like he’s supposed to, Margot ends up getting him. As the two are struggling, she reaches for something…anything to stop him. She ends up grabbing the scissors and stabbing him with them, completely killing him.
Margot is a mess and is freakin’ out. I can’t blame her, someone is trying to murder you and you kill them.
Tony tells her to touch nothing and wait for him. He’s on his way over.
As he heads over Tony freaks out. His plans have failed. But then something comes to him. A new plan, a way to fix things.
He decides to make it look like Swann was blackmailing Margot and that she murdered him rather than self-defense. He calls the police and sends Margot to bed. He then plants Mark’s letter in Swann’s coat, takes the key and puts it back in Margot’s handbag, and burns the scarf that Swann was going to use, replacing it with Margot’s stocking. He then tells Margot to make sure she doesn’t tell the police that he told her not to call the police. He’s worried how it might make her look. However, Tony is plotting very well, and the police begin to strongly suspect her.
Hmm…
The police figure out that Swann did not come through the French Windows. He must have come through the hall, as it rained the night before. If he had come through the garden there would be muddy footprints. Inspector Hubbard (John Williams) strongly suspects Margot and believes her to be the killer. We cut to a scene showing Margot on trial amd sentenced to be hanged.
Except thing are not quite perfect. There are quite a few things Tony didn’t plan. One of which was getting rid of the money. As Tony mentioned, he’s been drawing a lot of money out of his bank every week, pretending to spend it on racehorses. He had planned to give it to Swann, but now is at a loss. He can’t put it back in the bank as there would be too many questions. He can’t keep it, if the police find it, it’s all over for him.
So he tries to spend it all. Unbeknowest to him, the police are watching him very carefully. And they notice this.
Months later, on the night before Margot’s execution, Mark comes to speak to Tony. He tells him that instead of letting Margot die, he should say that he tried to murder her. That he hired Swann. This will give him some jail time but save Margot’s life. Tony does not want to do that.
Inspector Hubbard comes back to the flat to question Tony some more about the money he’s been spending. Mark hears this and starts searching, finding the briefcase full of money.
Tony thinks of a lie quickly and says that this was the money Margot had to give to Swann, but then changed her mind and killed him. The Inspector listens and takes his comment as fact…or does he?
Hmm…
Now, if Tony was really smart he would have made up a different lie. I would have said that I realized there was nothing between me and Margot and was planning on leaving her. However, I knew that I wouldn’t get much money in the divorce (he signed a prenup), so I’ve been taking some money out, bit by bit. When the murder happened, I knew it would come to light and was afraid that it might put me in a bad light or under suspicion. I mean its not the perfect excuse, but at least it shows he wasn’t going to kill her as why remove money when he was planning on getting it all. But he doesn’t think that way.
This makes the inspector highly suspicious of Tony and he steals the key from Margot’s purse, intent on sneaking in and investigating.
Hold on, that is illegal. He doesn’t have a search warrant or permission to be searching the house. Anything he finds will be immaterial and thrown out of court. I looked it up and this is what it said:
By the laws of England, every invasion of private property, be it ever so minute, is a trespass.No man can set his foot upon my ground without my license, but he is liable to an action, though the damage be nothing; which is proved by every declaration in trespass, where the defendant is called upon to answer for bruising the grass and even treading upon the soil. If he admits the fact, he is bound to show by way of justification, that some positive law has empowered or excused him. The justification is submitted to the judges, who are to look into the books; and if such a justification can be maintained by the text of the statute law, or by the principles of common law. If no excuse can be found or produced, the silence of the books is an authority against the defendant, and the plaintiff must have judgment.
So technically, anything he finds can not be used in a court of law. That’s it, Tony is allowed to go free.
But of course this is a movie, and things go differently. Inspector Hubble discovers that the key in the purse does not work on the front door. He instead finds it under the stair carpet. This gives him the great idea of creating a little trick to discover if Tony is the true killer.
The Inspector visits Tony and steals his raincoat, leaving his own, therefore taking Tony’s key. He calls the station and asks them to release Margot. She immediately returns home, but finds out that her key won’t work. Hubbard watches her and discovers that she does not know the key is under the stairs. The Inspector let’s her in and gets a policeman to take the bag back to the station. They then begin to wait for Tony.
Tony comes home from his errands and finds that he can’t get inside. His coat belongs to Inspector Hubble and he has the wrong key. When Tony discovers his key doesn’t fit, he goes down to the station to get Margot’s bag. When that key doesn’t fit, he looks under under the stairs and finds the key, giving himself away.
Tony enters and figures out they caught him. Being the gentleman he is, he doesn’t fight them. He knows when he has been defeated.
Tony Wendice: [pouring a drink] As you said Mark, it might work out on paper, but congratulations, Inspector. Oh, by the way… How about you, Margot?
Margot Mary Wendice: Yes, I could do with something.
Tony Wendice: Mark?
Mark Halliday: So could I.
Tony Wendice: I suppose you’re still on duty, Inspector.
It;s a great movie, despite the small legality issue, but otherwise an amazing film. I definitely recommend it.
To start Horrorfest III from the beginning, go to Even a Man Pure of Heart
For the previous post, go to What Have We Done to Each Other?
For more on Dial “M” for Murder, go to Part X: The Movie List That Would Not Die
For more on Alfred Hitchcock, go to The Past of a Man
For more on blackmail, go to Secrets are Great, Unless You Get Caught
For more films based on a play, go to Murder is My Favorite Crime
So here we are another step in the “Getting Over a Heartbreak” series:
24) Don’t Stop Believin’ by Journey
So this is one of the best and most famous Journey songs. Everyone loves this song, and if they don’t they are stupid and crazy! When this songs plays, its practically impossible not to sing along.
It was released in 1981 and immediately took root on the Billboard Hot 100. It was the top-selling rock song in digital history until it was overtaken by Imagine Dragons‘ “Radioactive” in January 2014. It’s been in countless films and TV shows and covered by millions. My favorite cover has to be from Rock of Ages. Otherwise I’m all about the original.
So the reason I included the song on this list is that this is a song that works well anytime you are feeling down. All you have to do is sing those verses and it instantly makes you feel better. Don’t stop believin’ you’ll make it through. Don’t stop believin’ you’ll get over that person. Don’t stop believin’ you’ll find someone better.
Just a small town girl
Livin’ in a lonely world
She took the midnight train
Goin’ anywhere
Just a city boy
Born and raised in South Detroit
He took the midnight train
Goin’ anywhere
A singer in a smokey room
The smell of wine and cheap perfume
For a smile they can share the night
It goes on and on and on and on
Strangers waiting
Up and down the boulevard
Their shadows searching
In the night
Streetlight people
Livin’ just to find emotion
Hidin’ somewhere in the night
Workin’ hard to get my fill
Everybody wants a thrill
Payin’ anything to roll the dice
Just one more time
Some will win
Some will lose
Some were born to sing the blues
Oh, the movie never ends
It goes on and on and on and on
Strangers waiting
Up and down the boulevard
Their shadows searching
In the night
Streetlight people
Livin’ just to find emotion
Hidin’ somewhere in the night
[Instrumental interlude]
Don’t stop believin’
Hold on to that feelin’
Streetlight people
Don’t stop believin’
Hold on
Streetlight people
Don’t stop believin’
Hold on to that feelin’
Streetlight people
And there is the amazing Rock of Ages version.
Remember: Don’t stop believin’ in yourself
After all:
To start the “Getting Over a Heartbreak” series from the beginning, go to If It Means A Lot to You
To go to the previous post, go to Love Will Find a Way
For more on Journey, go to I’ll Be Alright Without You by Journey
For more on ’80s music, go to Here I Go Again
For more on Rock of Ages, go to Nothing But a Good Time
For more of my fav songs, go to I Don’t Wanna Be in Love (Dance Floor Anthem)
For more on F. Scott Fitzgerald, go to For a Pessimist, I’m Pretty Optimistic
For more on Jane Austen, go to It’s All Jane Austen’s Fault
For more on Northanger Abbey, go to Project Runway
For more of my fav quotes, go to Women in Black
AAAAAAAAAAAAAAAAAAAAAAAHHHHH!!!!!!!!!!!!!!!
So last year, there was this freshman boy, Verne, that kept hitting on me. He just sat with me one day when I was waiting for a friend, (click here to read), and I was my typical cool self. I thought, what are the odds of seeing him again? Not very high, that’ll be the end of it.
Hahahahahaha,
Oh, ho, ho. I was sooooooooooooo wrong. I went out bowling with my friends and guess who just happened to be bowling as well, right next to me. Yep, it was him. (My life should be a movie or a TV show) To get the full story, check it here. I told him I had a boyfriend, which was a lie, but thought that would end it completely. Right?
You never learn
That’s right. It was not the end. So we had another encounter, he found me when I was on my way to class. And again I thought this was it, this was the end.
Really? Really? After all that has happened?
Yep, he entered my life again. My friends and I went to a Halloween dance and he came, but luckily I had my friends there to run interference for me.
So after that, I didn’t really run into him again. If I saw him I would abruptly away and flee whatever direction he was going in.
I use this picture so much I should just make it my widget!
One time we almost ran into each other, but I hid behind some bushes until he was gone.
But the other day, as I was walking to class I ran into him again.
He saw me on the second floor and called out to me. I quickly got out of there and continued on my way. I hope this doesn’t mean a return to my life.
AHHHHHHH!!!!
To read the Verne Saga from the beginning, go to Flirting With Disaster
For more on scenes of my everyday life go to It’s That Time Of the Year Again
Romantic Moment #14
Persuasion (2007)
So first of all:
So last year I ended the Romance is in the Air posts with Northanger Abbey. I thought this could become a tradition, always ending on a Jane Austen film. Hmmm…I wonder what next year will bring? Who knows?
Anyways, so two of my favorite Jane Austen books/films are Northanger Abbey and Persuasion. I mean I love the others, but I feel like these two are really forgotten by the fans and never gets any love. Which is just not fair because they are fantastic books and movies. They deserve fans!!! Love them!
Okay, let’s step back from the crazy. Sorry.
So Persuasion is a wish fullfillment piece by Jane Austen. Jane fell in love with a rich man from a good family, very Pride & Prejudice, but his family strongly disapproved and took him away from her in order to make sure their attraction didn’t turn into something scandalous like marriage. While Jane had offers from other men, she never stopped loving him and waited for him to come back into her life. (So now that you know this you will understand this movie/book even better.) Another fun, fun is not the right word let’s go with interesting an interesting fact, Jane died before this and Northanger Abbey were published so she didn’t name them. Her brother, who had them published, decided what they should be called based on what he thought would be interesting.
So, anyways, the film begins with nineteen-year old Anne Elliot getting engaged (secretly) to young naval officer Frederick Wentworth. However, her mother figure (as her mom is dead) and family friend, Lady Russell, convinces her to end the engagement. She tells her she is too young, that it is risky marrying an officer going off to war, he could die, she could end up a widow, she could be penniless, etc. (Lady Russell brings up some good points, but she also wanted to end the marriage as Anne was a higher station and had more money. She thought Fredrick Wentworth wasn’t good enough for her Anne.) Anne really values Lady Russell’s opinion and breaks off the engagement, even though it breaks her heart and she regrets it everyday.
Fast forward eight years and things have drastically changed. Anne’s father, Sir Walter, and older sister, Elizabeth, have squandered A LOT of the family fortune on their vanity. Anne tried to reign in the spending, but no one would listen as her sister has the position of running the home (that is until she is married). They now have to lease out their home and reside somewhere else. And just who should be living in their home, Admiral Croft and Mrs. Croft. Mrs. Croft just happens to be Frederick Wentworth’s sister. And to even add to it, her brother has had an increase in his fortunes. He made so much money in maritime victories during the Napoleonic wars. (He had no one to live for so he took A LOT of risks and they paid, boy did they pay.) He also was promoted to Captain.
Her father and sister leave for Bath, where they will be spending the season. Anne goes to see her bratty, hypochondriac, annoying, selfish, younger, sister, Mary. (As you can tell I don’t like her.) Mary is married to Charles Musgrove, a guy who wanted to marry Anne but she turned down as she still loved Frederick. He then married his sister to spite her, and spent the rest of his life (and family’s life) regretting that choice. Mary lives nearby the old Elliot homestead, so wouldn’t you know it, she runs into Frederick several times.
To make matters worse, Frederick is so hurt and still heartbroken that he just ignores her and won’t say anything. This pains Anne as she still loves him and is just bursting to tell him how she feels but scared. And then to further rub salt in the wound, Charles’ younger, pretty, single, sisters are both making a play for him.
And not only does he like it (of course, duh); but he totally plays it up in front of her. Just like a guy.
Although I totally get what he’s doing. I mean she turned him down and didn’t do it in the best way. He started thinking she was only interested in the fact that he had no money, otherwise a “Good Charlotte Witch“.
Anyways, so the rest of the family has no clue what happened between Anne and Capt. Wentworth. So they purposely keep trying to bring Wentworth over. The one sister, Henrietta, stops her flirtations with Wentworth as her cousin is deeply into her. Everyone believes that Wentworth will ask for Louisa’s hand, but he still hasn’t gotten over Anne, but is just trying to get at her.
The whole family decides to travel down to Lyme Regis, with Wentworth to visit his friend, Captain Harville and Captain James Benwick. Benwick recently lost his fiancé, the sister of Harville, and is stilll grieving her. He loves poetry and he and Anne become close. People start speculating about more happening between them, which does not make Wentworth happy. Anne also attracts the attention of the Elliots’ long-estranged cousin, and her father’s heir, William Elliot. Also disturbing Wentworth.
Things change when Louisa suffers from a fall and gets a serious concussion, because of her stubborn behavior (she’s the girl that does whatever she wants). Anne is the only able to keep her head and assist her. The Musgroves care for her and Anne goes to Bath. Captain Wentworth faces the fact that when Louisa recovers he may be tied to her forever, which is something he is not so sure he wants to do.
In Bath, Anne finds out that her father and Mr. Elliot, her cousin, have fixed their relationship. Elizabeth assumes that he wishes to court her while Lady Russell more correctly suspects that he admires Anne. Anne doesn’t really like Mr. Elliot, she feels like something is not right about him and tries to avoid him as much as possible.
Admiral Croft, having heard a rumour of Mr. Elliot’s proposal to Anne, sends Wentworth to ask Anne if she and her new husband require them to quit Kellynch Hall. Anne informs Wentworth that Admiral Croft has been misinformed.
There’s hope!
Soon the Crofts, Musgroves, Benwick, Harville, Wentworth, etc; the whole crew comes to Bath. Louisa is engaged, but not to Wentworth, but Benwick. Wentworth is not happy about Mr. Elliot’s attentions to Anne, not at all. Anne also goes to visit her friend, Mrs. Smith, who is a struggling widow. She tells Anne that Mr. Elliot is not a nice guy at all. He has been so determined to inherit everything that he has been going after Sir Walter’s love interest in order to ensure he doesn’t remarry and have a son. Anne is shocked, but it reaffrims her feelings of mistrust toward him.
Wentworth is moved by what he overhears Anne says about women never giving up their feelings of love even when all hope is lost. This makes him brave enough to share his feelings and he writes her a letter telling her how he feels. Anne recieves the letter and runs after Wentworth, there he proposes and she accepts. We fast forward, and Wentworth is surprising Anne with a gift. It’s her old house!
Most Romantic Moment:
He writes one of the most beautiful letters ever! Now the thing I really love about Persuasion is you can just feel for the characters, everyone has experienced rejection and heartbreak; and the hardest thing can be trying to put yourself out there. So we have Wentworth who loved Anne, had his heart thrown through a shedder. He realizes that he loves Anne, but should he say something? Does she still love him? Is she angry over the way he treated her? Has she moved on? Will she reject him again? This has to be one of the bravest and romantic things ever.
I can listen no longer in silence. I must speak to you by such means as are within my reach. You pierce my soul. I am half agony, half hope. Tell me not that I am too late, that such precious feelings are gone for ever. I offer myself to you again with a heart even more your own than when you almost broke it, eight years and a half ago. Dare not say that man forgets sooner than woman, that his love has an earlier death. I have loved none but you. Unjust I may have been, weak and resentful I have been, but never inconstant. You alone have brought me to Bath. For you alone, I think and plan. Have you not seen this? Can you fail to have understood my wishes? I had not waited even these ten days, could I have read your feelings, as I think you must have penetrated mine. I can hardly write. I am every instant hearing something which overpowers me. You sink your voice, but I can distinguish the tones of that voice when they would be lost on others. Too good, too excellent creature! You do us justice, indeed. You do believe that there is true attachment and constancy among men. Believe it to be most fervent, most undeviating, in
F. W.
I must go, uncertain of my fate; but I shall return hither, or follow your party, as soon as possible. A word, a look, will be enough to decide whether I enter your father’s house this evening or never.
So romantic!
That is so romantic, just laying everything out like that. He totally threw caution aside and just told her everything.
So romatic! And that is just one of the best ways to try and win a girl back. Conclusion:
So now because it is my blog, and I want to, I am going to review my favorite parts of the letter.
So that ends this Valentine countdown. I hope you all have a wonderful holiday whether you are single or in a relationship. Eat lots of candy, wear red, watch sappy movies; that’s what I’ll be doing. 😀
For more Persuasion go to A Frederick Wentworth Sighting, Let’s Hear it for the Boys, and On the 10th Day ‘Til Christmas
In other news:
For the 100th post, go to Wanna Grow Old With You: The Wedding Singer (1998)
For the 300th post, go to That’s What You Get
janeaustenrunsmylife 