No Haunt Me Then!…I Know That Ghosts Have Wandered On The Earth. Be With Me Always…Drive Me Mad, Only Do Not Leave Me in This Dark Alone…I Cannot Live Without My Life! I Cannot Die Without My Soul.: Wuthering Heights (1939)

“Catherine Earnshaw, may you not rest so long as I live on! I killed you. Haunt me, then! Haunt your murderer! I know that ghosts have wandered on the Earth. Be with me always. Take any form, drive me mad, only do not leave me in this dark alone where I cannot find you. I cannot live without my life! I cannot die without my soul.”

The American posters for Wuthering Heights are super boring, while the foreign ones are all much more interesting, although I do like the one above a lot! I really love whoever decided to make Heathcliff green as he looks like a monster (or should I say Munster?).

When I was plotting out what film to start Horrofest X with, I was, as usual, struggling. I always want to be sure the first post is a good one, a film that I adore or is special to me. This year the first film was supposed to be from the 1930s and as I started looking at 1930s films, I realized I had already reviewed a lot of my favorite 1930s horror films. On a whim I decided to search backwards, starting with the last year of the decade, 1939, and when I saw Wuthering Heights, I knew it was the perfect film to begin with.

Wuthering Heights (1939) is an adaption of the 19th century gothic novel of the same name, by Emily Brontë. It is a novel I was obsessed with as a tween and teen. I used to read this book over and over again, and I loved Heathcliff more than I should have. But you know teenage girls, they tend to be attracted to the bad boy who “only needs someone to truly show them love and care and then they will change their ways!” Not true at all, but I believed it, and believed it of Heathcliff (at least until I married one and realized that it was a mistake). I essentially was Isabella.

I still enjoy the book, although my ardor for Heathcliff is not as it was a tween/teen, as it is extremely well written and sucks you in from the moment Cathy taps on the windowpane. And this adaption is one that I haven’t seen in a while but have loved because of one truly handsome and amazing man, Laurence Olivier.

Laurence Olivier has always been one of my favorite actors and classic Hollywood heartthrobs and he truly does this part justice. Jane Austen fans should recognize him as the OG Darcy (and even though that film heavily strays from the book I love his version of Darcy as well). He never would have gotten that part if it wasn’t for this film, this one made him a star! Laurence Olivier was just fantastic in this as he can do the moody mcbroody parts so well.

And speaking of Jane Austen, this film is a double feature as not only is it one I would recommend for Jane Austen fans, an Non-Austen Film for Austen fans:

It is also has a spot on Catherine Morland’s Viewing List as this gothic film is one that Catherine would have loved!

Wuthering Heights is a book where the characters all have issues with each other and spend a majority of time fighting or upset with each other. The process of making this film was another one of those cases of “life imitating art” as the cast spent a lot of time behind the scene not getting along at all. This film was directed by William Wyler and he and Laurence Olivier argued a lot. Olivier really resented his directing style of doing multiple takes with slight differences, (prior to this Olivier had done little film acting and more stage work). Later on, he credited Wyler for a lot of growth, but at the time he was heavily annoyed.

Merle Oberon and Olivier also had a rocky relationship. The two had gotten along in a previous film shoot, but spent this one yelling and arguing with each other whenever filming stopped and could not stand each other.

David Niven and Wyler historically did not get along and Niven was dreading this film. At one point Wyler was upset that Niven wouldn’t cry, and wanted to do repeated takes until he did; but Niven told him he had a no crying clause in his contract. Wyler made him get a copy of the contract to prove that this was true. Niven and Oberon also hated working with each other as the two had a romance go sour.

Merle Oberon did not care for working with Wyler as well as his methods of perfection and pushing his actors and actresses rivals Stanley Kuberick. One rain scene he made Oberon do over and over again until she became so sick she vomited and had a fever. When she came back from the hospital he immediately began pushing her as he had before, but she refused to film the scene unless heaters were brought in to protect her health.

You’ll also notice that the clothing is not accurate to the time period as the director changed the clothing to be the 1840s instead of early 1800s as he liked those fashions better.

Samuel Goldwyn Mayer wanted to change the story too as he thought it was too dark for a romance, luckily this suggestion was not accommodated. I used to think Wuthering Heights was a romance, but now as an adult having experienced someone like Heathcliff but worse, the real romance of Wuthering Heights, is the spooky elements and the mysterious moors.

I haven’t seen this movie in years, but I remember really enjoying it. I know it isn’t your typical “horror film”, but I’m counting it as it has Gothic elements, ghosts, and plenty of psychopaths/sociopaths. I know a lot of people talk about Heathcliff’s behavior and dislike him, but to be honest he really doesn’t deserve as much hate as he gets as every character in this film is a truly terrible person.

The film starts off with the credits but use such romantic music, light and airy-but this manor holds mystery, decay, and trouble.

From Twin Peaks

“Only a stranger lost in a storm would dare knock on the door of Wuthering Heights”.

The story begins with poor Mr. Lockwood. He’s a tenant that started renting on Heathcliff’s land to get away from people. Now he’s lost in a blizzard about to go on a ghostly adventure.

In the house is Heathcliff, scowling, angry, harsh and as cold as the blizzard Mr. Lockwood came in from. This is also a woman, Mrs. Heathcliff, in the home, hard and worn-as weathered as the home they live in. I love this imagery.

Mr. Lockwood is trying to make the best of the rudeness received at the house but you can tell he’s like these people are strange. That night he struggles with sleep, especially when one of the shutters come open. He hears a woman crying and she grabs his hand and holds it tight.

From House on Haunted Hill

Frightened he calls for Heathcliff who storms over. Mr. Lockwood tells Heathcliff, who screams and pushes him out-pulling open the shutter and calling to “her” again. He’s so sad and brokenhearted, making you feel for Heathcliff.

Mr. Lockwood is shocked and the housekeeper Nelly tells him that Heathcliff is searching for the girl, Cathy, who died many years ago. Mr. Lockwood doesn’t believe in ghosts, but thinks he is just seeing things. Nelly then decides to tell him the story of what happened all those years ago.

We then go back to 40 years earlier, when Wuthering Heights was a bright and happy place. Wuthering Heights was never a truly happy place in the book. It was less miserable, true, but the late Mr. Earnshaw was not a kind man at all and produced a horrible son who then abuses his sister and Heathcliff. This house has housed misery for so long time; it is seeped into the bones of the manor.

Mr. Earnshaw returns from his trip to Liverpool and instead of just bringing gifts back he also brings a boy-dark skinned, dirty, a “gypsy” child. Mr. Earnshaw kindly admonishes his children for their rude behavior to Heathcliff and all I can think is this Earnshaw is nothing like the Earnshaw in the book. He puts Heathcliff in Hindley’s room, and Hindley is none too pleased about that.

Mr. Earnshaw has been coughing an awful lot ever since he returned home. You all know what that means-he’s on death’s door. He’s not long for this world.

Heathcliff and Cathy get along swimmingly, racing horses and getting into all kinds of mischief. In one game, Heathcliff wins the race against Cathy and wins her as his slave. His joy quickly ends as Hindley, resentful of the love Heathcliff receives from his father and hating the ire he gets, bullies him. He takes his horse from him, reminding him again he will never be anything as he is a nobody, an orphan; he doesn’t even have a last name. And in a time when where you came and your opportunities from were all tangled up in name and family; Heathcliff has nothing. And he is in a system where he will never be able to achieve or grasp anything-unless he does it in slightly illegal ways. In a lot of ways Heathcliff makes me think of Jay Gatsby from The Great Gatsby. Both are single minded and have an obsession with their first love. Both will do anything possible to get a position of power, wealth, status-even if they need to do it in illegal ways. Both have no qualms using others to get what they want-Heathcliff is just more rude and cruel about his methods lashing out in pain instead of living in denial.

Heathcliff and Hindley fight with Cathy defending Heathcliff and turning against her brother. Hindley beats Heathcliff up, although it is really badly choreographed. Heathcliff is angry and it is pretty odd but I have another comparison. The child actor who played Heathcliff is amazingly spot on, he does a fantastic jobbut the way he and Hindley interacted right now-it makes me think if a mafia movie like The Godfather. The way Heathcliff is so calm and cool-he’s another Michel Corleone.

Heathcliff is calmly furious, which is extremely frightening, and is prepared to wait and find a way to do anything possible to make Hindley pay. If I was Hindley, I would be very, very afraid.

Don’t mess with me!

Cathy wants to have fun, but Heathcliff only wants revenge! Cathy does finally convince him and they ride off together. The two play together with Heathcliff pretending to be Cathy’s prince, and it is a super cute scene that really gives you a view into their relationship and friendship.

Of course this isn’t a gothic story without some tragedy. Mr. Earnshaw dies and all happiness is gone from the home. Heathcliff wants to see Mr. Earnshaw, but Hindley is the master now and will not let Heathcliff. He also kicks Heathcliff out to the stables. Poor Heathcliff is sad and alone and crying. It breaks my heart-poor Heathcliff.

With Hindey as the master, the whole house is plunged into darkness and despair. Hindley and Cathy do well and are dressed well, with Heathcliff becoming Cinderfella, a slave-dressed in rags. Heathcliff listens and obeys, but you can see the rebellion in his eyes-he’s biding his time for one day…

Laurence Oliver is such a handsome man. You can pout him in dirt and rags, but he still is a shining star. 

As soon as Hindley leaves each day Heathcliff and Cathy are off to runningin the moors in their special place. Aw, they seem so sweet and happy together. Too bad it won’t last.

Cathy decides to try and “encourage” Heathcliff by insulting his appearance and manhood. She questions why he doesn’t just leave and go somewhere else. And I’m like, girl really? Why do you think he stays here?

Heathcliff is super romantic “I could never part from you”; while Cathy is all “get rich and come take me away.” The two are in two totally different mindsets with Heathcliff all focused on the emotional, and while Cathy is emotional she is also much more practical. The only way she will ever be able to leave Wuthering Heights, her brother, this despair; is through marriage. And the only way she get Hindley’s blessing or survive with nothing from him is if they have money.

Heathcliff begs her to run off with him now, but she declines. You know some people would say she doesn’t really love him or is just using him, but I like that she recognizes a life without privilege as a woman is hard and that is not the life for her. She wants to be with her love, but even more so she also wants to be taken care of. You know there is a big difference between being punished by your brother and sleeping in he stables for a night or two (which she has done) and having to live in stables because you have no money and no connections. Her practicality reminds me a lot of Charlotte in Pride and Prejudice, and her choice of money over love of Mr. Willoughby. Although she is much better than Mr. Willoughby as she made it clear to her partner what she needed and wasn’t running around taking advantage of others. Heathcliff is very Marianne in the way he doesn’t really think about what will happen next, how will they survive?

Heathcliff vows to stay and be treated cruelly if it means they can be together. He gives an oath, but Cathy ignores it as she hears music and goes to their neighbors the Lintons. The two hop a fence to get a closer look, but awaken the guard dogs. They try to hop back over the fence but one of the dogs runs at Cathy’s leg and injures her, Heathcliff being a fights the dogs off with his bare hands. WOW!

Soooo cute!!!!

The party come out and of course they take Cathy in and treat Heathcliff like dirt, trying to keep him from coming in-but he breaks through to se her. Everyone treats him horrible, and Cathy even tells him to go. Heathcliff is furious about his treatment and vows to leave, but will come back and bring ruin everyone’s head. I know we aren’t supposed to root for him as his quest to of vengeance on all these who have wronged him turns him into a crooked cruel man, but after the way they treated him I follow what he’s tracking.

Anyways, Heathcliff gives his strong amazing poetic vow to bring ruin to them all-and let me tell you Heathcliff has style. He knows how to command a room and do it right. He storms out in a powerful exit.

Wow!

Cathy recuperates at the Linton home and when she returns she has had a lot of her wild ways “calmed”. Cathy returns surprised to hear that Heathcliff isn’t gone. He tried but he couldn’t be away from her. Cathy cruelly insults him and shares that the Linton house was so much better. Heathcliff sees the divide between them and does not like this, storming out.

Edgar is such a pompous jerk and insults Heathcliff. Cathy does not like it; she is the only one who can demean him. Being back in the house the real her comes out and her wild ways have all come out. She yells and screams at Edgar Linton and kicks him out of the house.

Cathy then runs off to her room crying. She removes the Linton from her (taking off Isabelle Linton’s borrowed dress) and puts her old clothes on, old self, and runs to meet Heathcliff in their special spot. The wealthy items tossed for plain, showing Heathcliff she chooses him-but does she?

The two cling tighter on the hill, but all I can think is not for long, They pick heather, but while the scene is beautiful and romantic, like the flowers you know that this will not last forever.

Poor Edgar is not run off by Cathy’s bad behavior, he tries to win her by sending gifts and begs her to see him. Cathy agrees to have him over and she really enjoys the way she has manipulated him and all I can think is poor Edgar, poor little soul. Heathcliff has heard Edgar is coming over and he’s furious, even more so by the airs she puts on and stating that he has no control over her-he’s just a stable boy.

Cathy continues to break his heart calling him a beggar, dirty, etc He slaps her and leaves running right into Edgar. Oh no, things are going to get bad-but instead of fighting Heathcliff runs out into the rain to the stable. Morose and alone.

Heathcliff hides out in the stable until Edgar leaves. He returns to the house hands bloody from him trying to cute the “dirt and soil and lower class from them”. Nelly hides Heathcliff when Cathy comes down, as Heathcliff doesn’t want her to know how her words cut at his heart. But Cathy shares that Edgar asked her to marry him and that she loves him because he is handsome, rich, and pleasant. Nelly asks about Heathcliff, and Cathy shares she wished Heathcliff never came back. She wants to be free from the cold depressing life at Wuthering Heights and Edgar is the way for her to do it . They actually do Cathy a lot of injustice in this film, making her seem like a gold digger, when Hindley was horrible to live with. Cathy is a awful person, but she is in a horrible life and is trying to get out the only way she knows how.

Heathcliff runs away and Cathy follows trying to find him. Hindley comes home drunk and doesn’t care wanting to drink to celebrate the departure of Heathcliff. Edgar finds Cathy and brings her to his home.

Cathy recuperates at the Linton’s and Edgar does all her can for her. Poor guy, he’s so sweet and such a fool. He thinks that Cathy could actually love him and not just what he could provide for her-what a delusional man and a poor sad man. Cathy vows to be his wife and treat him well and that she will ever kiss another man (lies, all lies!)

The two are married and Catherine has everything she ever wanted: free from Wuthering Heights, among people who do not like confrontation and are always pleasant, the leading lady of the area, money, power, status, …yet she isn’t happy. Something unsettles her. Something cold is coming…

Cathy loved being lady of the manor and living with the Linton’s. Edgar is trying to marry Isabella off, but she finds all the men weak and boring. A kind peaceful night is interrupted when an old lover returns. Heathcliff has returned from America with money. He wants to see Cathy and she refuses knowing that with their love she won’t be able to resist him. Love? Or obsession? Edgar, however, makes her see him. He’s so secure in his love and affections, what a fool.

Heathcliff walks in even more handsome than before, clothes, hair, and style. He gazes upon Cathy with love and desire in his eyes. They ask how he has become so wealthy and he tells them he claimed his “princely fortune,” reminding her of all they used to say in their games. He also drops a bigger emotional bomb; he is the owner of Wuthering Heights. Hindley is a drunken fool that gambled everything away.

Step one of his revenge plot had started. Step two and three is to destroy Edgar and Cathy Linton. Now I feel for Edgar but he is also such a pompous jerk that he makes me want to slap him. He goes on about poor Hindley losing his home, him having his property stolen. It wasn’t stolen from him, he held it in so little esteem that he gambled it away. That’s life, plus Hindley is one if the most horrible people in this book (he’s not as present in the film) so I don’t gel bad. If it was me I would have kicked him out. Heathcliff actually acts with way more class that Edgar has and leaves.

Oh no, Isabella has fallen for Heathcliff and defends him against her brother and sister-in-law. Edgar tries to stop it, but is too late. She can’t resist that bad boy “that just needs love to fix him”. Don’t do it Isabella, don’t do it!

From Laura

Wuthering Heights is now Heathcliff’s home and he lets Hindley stay, but he has to be in the stables, just like when Heathcliff was a boy. My how have the turntables turned?

Oliver looks so hot in this film, he’s too distracting in his long coat. His intense gaze is so hypnotic I can’t look away. I don’t even know what he is saying; I’m lost in his dreaminess.

The business is interrupted when a lady comes to see him. He thinks it will be Cathy but is disappointed to see Isabella. Isabella came to the house as she was riding in the moors and her “horse went lame” and she “just happened” to be nearby. Poor foolish Isabella. She has this imagined view of who she thinks Heathcliff is, silly girl.

Isabella tries to endear herself to Heathcliff letting him know that she defended him, she cares for him, she can help heal his broken heart. She just lays it all out, shoots her shot. Poor romantic fool. Heathcliff recognizes what is really happening, he did from the beginning, and calls her out. Unfortunately he knows being with Isabella will help his revenge and woos her to get back at Edgar for his treatment and at Cathy for marrying another. Heathcliff don’t you know a path of revenge will only be a sad and troubled road.

The next scene the Linton’s are having a party and Heathcliff waltzes in, being the fine looking man he is. Isabella cheers and is so pleased to see him. Poor foolish girl.

At the party all Heathcliff can do is stare at Cathy and it takes every ounce of willpower for her not to stare back, often breaking as she cannot resist him.

Isabella waltzes with someone and Cathy and Heathcliff sneak away to talk. He tries to get her to admit she cares for him, but she refuses. She insists she loves Edgar and only him, but Cathy is not a good liar-anyone can see that isn’t true. The two have a line here when he tells her he came because she willed him to come from across the sea. Again I never noticed it before but again is very similar to The Great Gatsby. Gatsby thinks the same thing looking at her green light imagining it is a secret sign for the two of them.

Heathcliff: If he loved you with all the power of his soul for a whole lifetime he couldn’t love you as much as I do in a single day. Not he. Not the world. Not even you, Cathy, can come between us.

Cathy: Heathcliff, you must go away. You must leave this house and never come back to it. I never want to see your face again or listen to your voice again as long as I live.

Heathcliff: You lie! Why do you think I’m here tonight? Because you willed it. You willed me here across the sea.

That night Cathy comes to talk to Isabella and Isabella won’t listen. Cathy tries to warn her that Heathcliff doesn’t care and is just using her, but Cathy comes in yelling and screaming and just sounding like a jealous shrew, and she is jealous. Its so obvious to everyone watching, even to Edgar.

Cathy returns home and speaks to Edgar, but they are too late. Isabella has left and eloped with Heathcliff. Edgar is resigned and Cathy is crazed begging him to stop the wedding-killing Heathclff if necessary and for the first tim Edgar sees that he never really knew Cathy and is seeing her for the first time.

Unfortunately, poor Isabella gets no fairy tale ending- just darkness, despair, and decrepitness. Her innocence, lightness, gayess, etc all gone. The doctor tries to get Isabella to go home, letting her know that Cathy is sick and dying. Isabella is glad at that news, shocking the doctor as she thinks with Cathy gone they might have a chance of happiness.

Poor Isabella, she deserved better. She tries so hard to get his love, but gets nothing. He treats her bad because she isn’t Cathy, ignoring her and not treating her like the pretty little doll everyone did. Instead of pushing her away it makes her more clingy and desperate, what Heathcliff can’t stand.

Nelly comes to get Isabella as Cathy is dying and Isabella does not care. But Heathcliff run to his lady love. Cathy is dying and the one place she truly wants to be, with Heathciff.

Heathcliff storms into the house and runs to his lady love who is wasting away. Cathy dies but befoe she goes they kiss (she broke her vow). Heathcliff spurts out in anger releasing all that has fueled him through the years. Angry she choose money over love, she choose Edgar the unpassionate, etc. He throws curses.

We then bounce back to the present as Nelly finishes her story. Mr. Lockwood still doesn’t believe them. The doctor comes to see Hindley and shares he saw Heathcliff out there in the snow with a woman, but when he caught up to them he only found Heathcliff’s body. Yes, Heathcliff and Cathy are finally reunited in death.

So this film was very well written and had an amazing cast. They did cut out a lot of the book and removed the massive amount of cruelty these people inflict on each other to instead focus more on the romance. If you love gothic films and Wuthering Heights, you should definitely give this a watch. If you love gothic films and Wuthering Heights, you should definitely give this a watch.

So that is it for the first post of Horrorfest X. It was quite a challenge as all technology was failing me-it I will persevere. Stay tuned for more!

The usual Facebook cover I make. 🙂

For more on Wuthering Heights, go to Shame Book Tag

For more Laurence Olivier, go to Last Night I Dreamt I Went to Manderley Again: Rebecca (1940)

For more gothic films, go to Are You Prepared to Encounter All of Its Horrors?…Let’s Just Say That All Houses Have Their Secrets, and Northanger is No Exception.: Northanger Abbey (2007)

For more on Catherine Morland’s Viewing List, go to He’s Married to a Corpse. He Has a Corpse Bride!: Corpse Bride (2005)

For more Non-Austen Films for Austen Fans, Walking on Sunshine (2014)

L.A. Theatre Works Pride and Prejudice Audio Adaption

So I like listening to audiobooks when I get ready in the morning, drive to work, clean, etc. I was searching through Overdrive’s online system (a free program provided by the library) and spotted this one. As I love Pride and Prejudice, I couldn’t resist and borrowed it.

However when I started listening to it I found out that this isn’t an audiobook, but is an audio adaption of a theater production of Pride and Prejudice, recorded in front of a live audience.

The cast is small, but just perfect for this. We have the following:

I really enjoyed this production as it was a lot of fun and extremely comedic, I was laughing so hard. For me the one that stole this entire show was Mrs. Bennet, her timing and spirit were spot on. I loved it. Jane Carr you were just wonderful!

Like when I listened to Northanger Abbey, read by Anna Massey, this did have me look at something of Pride and Prejudice in a new light. This was an abridged version of course, so events take place sooner then they would, but this adaption got me thinking about the motive behind Elizabeth’s muddy walk. In this adaption Elizabeth overhears Mr. Darcy say she is tolerable, but not handsome enough to tempt him and is really upset. Afterwards, Jane goes to visit the Bingleys and gets sick with Elizabeth strolling to see her sister and walking through the mud.

I always thought her mud walking was just her in a hurry to see her sister, not paying as close attention, or caring if she walked in mud or not as she was worried about Jane. BUT what if that was only part of the reason. I mean she knows that Mr. Darcy is going to be at Netherfield, and the last time she saw him he called her not attractive. Do you think that she partly walked in that mud to show Darcy, that if he is going to consider her only tolerable then she’ll really show him what tolerable is.

I totally believe her wanting to see her sister is the prime motivation for Elizabeth, but do you think a small part of her was trying to shove the country in his face? Like if this is how they view those from the country, if he finds me not handsome, then I’ll really show him. Like when people insult that you about being too much of something so you go overboard about it? Like just a little part of her did it on purpose, maybe even just a subconscious part thought that coming in disheveled and dirty was a way to kind of prove to Mr. Darcy his words didn’t affect her, a kind of “forget you” move? I think so.

And to me what makes it even more enjoyable is at that moment Darcy doesn’t see the mud or dishevelment but is thinking about how beautiful she is.

If you have an opportunity to check out this audio adaptation, it is well worth a listen as it is extremely enjoyable.

For more Pride and Prejudice, go to I Was Asked to Be a Guest on the Podcast P.S. I Love Rom Coms + My Review of their Bridget Jones’ Diary Episode

For more Pride and Prejudice adaptions, go to Elizabeth: Obstinate, Headstrong Girl Audiobook

For more audiobooks, go to Northanger Abbey Audiobook Narrated by Anna Massey

For more Jane Austen adaptions, go to Incense and Sensibility

I Was Asked to Be a Guest on the Podcast P.S. I Love Rom Coms + My Review of their Bridget Jones’ Diary Episode

So first of all, sorry for the long title. I usually try to make them shorter than that but decided to not only share my experience on being on the podcast, but to review an episode as well.

So a few weeks ago I was sent a message by Allie Jennings asking if I wanted to be a part of their podcast, being a guest for their Northanger Abbey (2007) episode. At first I wasn’t sure it was real, as I have recently been receiving a lot of scammy messages from sites asking me to be a rep or to collaborate with them, but of course nothing comes to fruition or they want me to pay for things.

But then I took a look over their profile and decided to message them back. We set up a time and I was extremely excited to be a guest on their podcast.

—Being a Guest on the Podcast—

We set up a time so that we could record and I was looking forward to being a part, but I was also a bit nervous. What if I freeze up, lose my train of thought, or repeat myself? All I could think of was game shows when they have people on and they are forever known as the person who gave the world’s dumbest answer.

But all my fears disappeared once we started talking. Allie and Mia immediately made me feel comfortable and I even forgot we were being recorded. I had such a great time discussing Jane Austen, rom-coms, JJ Feild, and Northanger Abbey with them. Mia and Allie are not only fun, charming, and easy to talk to; but extremely talented and very professional. The whole experience felt like being with friends and discussing your favorite things.

Their format is very fun and inviting as well. First they pick a rom-com character they are channeling, share a synopsis of the film they are reviewing, give background trivia on the film, discuss the film and the characters, and end it with a reality check and a trope countdown. It’s a lot of fun and well structured, but also leaves room to let the conversation flow naturally.

We had a few technical difficulties, I blame myself (electronics always go wrong around me.) But whoever did the editing did an amazing job, you couldn’t even tell we had any issues.

I listened to the podcast and was happy that only a couple of times I ran on a bit (when I was losing my train of thought), and I did repeat myself a few times, but on the whole I did a lot better than I thought I would. All together it was a wonderful experience and I loved every moment of it.

If you are interested in listening you can look them up on their podcast or you can click on the link here.

—Review of Podcast Episode, Bridget Jones’ Diary (2001) featuring Nick Casalini and Muriel Montgomery—

I had listened to their Pride and Prejudice (2005) and Persuasion (1996), both of which I enjoyed, and I encourage you to check out. But instead of reviewing those I decided to go down a different path. During the podcast we were talking about Northanger Abbey and the subject came up that I’ve slowly been introducing my niece to Jane Austen through films. We started with Sense and Sensibility (1995) and then this year watched Northanger Abbey (2007). I’m trying to decide what to do for next year when the ladies suggested that we watch Bridget Jones’ Diary.

Ooof, I don’t like that film or the book. I don’t hate it, it is more like I just don’t get it. I feel like Tom Hanks’ character in Big when he’s at the toy demo.

My friend loved it and we had watched it together, but I was not into it and I still don’t understand why people are. But after hearing Mia and Allie share how much they like it, I decided to give their episode a listen. This podcast feature guest stars Nick Casalini and Muriel Montgomery from Hella in Your Thirties.

So first of all I was laughing so much listening to this. Nick Casalini was so funny as a lot of things he said, went with my thoughts on why I don’t like the film. The only thing I do not agree with is his opinion that Colin Firth is not attractive.

All I wanted to do was forcefully take Nick in a barouche and explain to him why he is an amazing actor and a truly handsome man. Just kidding! (Or am I? LOL of course I am I don’t have a barouche.)

One of the best things I like about this podcast is that unlike some other film reviews where you feel they have a certain view or thought about the film that the review is headed toward, in this it is very free flowing and allows for a difference of opinion and for all views to be considered. I really enjoy that as it feels so often that people want your thoughts to follow theirs, I like when there is that allowance of all views.

Both Allie and Mia agreed that Bridget Jones, while a retelling of Pride and Prejudice, is not a good version of it, and that it would be better to separate it from being a Jane Austen adaption. This did improve my thoughts on the film, as while I still am not a fan of the film, after listening to their thoughts on the movie I better understand why people like it.

Bridget Jones is a regular person trying to do better, but as hard as she tries, she usually ends up in more of a mess. I have to say I do like that Bridget is an ordinary woman. She typically is dressed in clothes that one would buy off the rack and she isn’t always picture perfect. I really like the scene when she tried to be like Grace Kelly in the convertible but ends up with her hair in a mess, because that is sooo relatable. One trope I find super annoying is when you have this gorgeous woman who is always dressed perfectly with clothing and hair but she’s “unattractive.” I liked in this that Renee is her usual pretty self but she also has an attainable style, she doesn’t always look perfect and stylish and she doesn’t look as if she spent hours on her hair and makeup when the film stated she didn’t.

It was also nice to hear how this film impacted Mia and Allie; along with listening to their love of something they enjoyed from their childhood. And I loved Nick’s comments at the more absurd scenes, it was hilarious.

One thing I was sad about was that they didn’t talk about the only scene I love from the film, the cooking of the blue soup for the dinner party. That is the only scene I would be willing to watch over and over.

But whether you enjoy the film they talk about or not, you are going to enjoy their podcast. These ladies are so much fun!

For more on Northanger Abbey, go to I Watched Northanger Abbey (2007) with my 13 Year Old Niece

For more on Bridget Jones’ Diary, go to Why Do People Love Bridget Jones’ Diary?

For more Jane Austen adaptions, go to Recipe for Persuasion

Recipe for Persuasion

Recipe for Persuasion (The Rajes #2) by Sonali Dev

Last year I reviewed the first in the series, Pride, Prejudice, and Other Flavors and I really enjoyed that book! I liked the way Dev took Pride and Prejudice and made it her own, I enjoyed the characters and the themes, but most of all I loved the multiracial characters of DJ and Emma. Growing up biracial there was never a lot of material to read or watch that touched on those issues and I am always happy to read one.

So when Dev said that she was planning on writing another book, this one being a retelling of Persuasion, I was jazzed. I could not wait to read it!

Then I finally got my hands on a copy, I read it all in one setting and I didn’t really like it as much as I thought I would. So I decided to let my thoughts steep for a while and think about what it was that made me not love the sequel when I had really loved the first book in the series.

Hmm…

This book is about Trisha’s cousin Ashna Raje. Ashna is an Indian princess; her father (a prince) married a cricket star, but was constantly getting into trouble and causing scandal, so he was sent away from India to to America to be with his older brother (who would hopefully help whip him into shape). There he built a home and a restaurant, cooking Indian and fancy cuisine.

Ashna lived with her father in California, spending most of her time living with her Raje cousins, as her mother was always gone as she traveled around the world trying to better women’s lives. Ashna’s father died when Ashna was graduating high school and after his death she decided to carry on his legacy and traveled to Paris to attend Cordeon Bleu (meeting and befriending DJ, from the previous story). When she returned home eager to put her education to work and carry on her father’s dreams, she discovered that the people she left in charge of the business had embezzled a large portion of the profits and fled, the resturant is dwindling in customers, and that nearly every time she tries to make something new or deviate from the original menu she has panic attacks.

DJ tries to help her revamp the menu, but she struggles trying to do anything. Her customers continue to dwindle and her sous chef leaves her for a better position.

Ashna feels alone and lost when her mother, who left her as a child, calls and makes her feel worse about her life and her choices (as always); along with trying to convince her to sell the resturant and do something else. Ashna becomes angry that her mother is again belittling her life choices and decides to do the one thing she never thought she would ever do, agree to be on her friend, China Dashwood’s, cooking show competition.

China Dashwood is producing a new show, Cooking With the Stars, that pairs a local chef up with a celebrity. Ashna was set against it, but being on the show will be good for business and help stick it to her mom, who Ashna has a lot of unresolved issues with.

Meanwhile, in England, World Cup Winner Rico Silva is trying to decide what to do next with his life. Rico was born in a favela in Brasil, the illegitimate son of a famous fútball star. When his mother passed away, he was sent to America to stay with his Tia. There he started playing soccer; along with meeting and falling in love with Ashna.

But Ashna was always ashamed of him and never wanted him to meet her father or family, always keeping him hidden from them and a secret, just like his dad treated his mom. One day, Rico went to see her father and he said horrible things to him and about his family. Ashna never spoke to Rico after that, completely ignoring all his texts and calls.

Now Rico is a famous fútball player who’s knee injury has forced him to retire. Feeling bad for himself at a friend’s bachelor party, he starts thinking of his string of failed relationships, as he has never been able to move past Ashna. He decides to google her and discovers she is going to be on a cooking show. Not making the most logical decisions, he decides to go on it too, be her partner, and get his revenge? Find closure? Maybe a mix of both?

Ashna is extremely nervous to be on the show, but when she sees that her partner is Rico, the man who broke her heart-she is so surprised she drops her knife, nearly slicing off her toes. Luckily Rico dives and saves her.

Ashna is uncertain how she will make it through this competition while being so close to Rico, this whole situation is so painful and brings back both good and bad memories. Meanwhile, Rico starts regretting being alongside someone who still has so much emotional power over him.

They should not have done this.

But even if both wanted to back out, it is impossible now as they are leading the charts with their chemistry. Ratings are a dream as everyone is tuned in to see what will happen next in the cooking romance. But can the two work as a team? Or is the heat between then too much for this kitchen?

Hmmm…

So the story wasn’t bad but I wasn’t really as invested in these characters as I was with the ones from the previous book. It’s weird as I was really interested to have more Ashna, as I liked her in the previous book, but I felt like something was off in thiI think it is because the circumstances didn’t pull on my heart as much in this book as they did in the original Persuasion and in the previous book. In Persuasion, first we have the fear of loss of security as their family is running out of money and Anne’s father Sir Walter and sister Elizabeth are making no effort to change that. Anne gets a glimpse of her unhappy future as she stays with her horrible sister Mary and brother-in-law. In Recipe for Persuasion, there is the fear of losing her father’s resturant, but I had a harder time finding connecting to that as she still has the property and the house-both of which are prime Bay Area real estate, she could sell them and get millions. And if she did lose her place as she had too much debt that would be paid after the sale, she could always stay at the Raje family compound. Her family is amazing and she used to live with them, so it isn’t as scary an end. I mean it is still sad to have failed and to lose your dream, but she wouldn’t be lost or alone as all would be willing to help her as she regrouped and figured out what was next.

Also in Persuasion, when Wentworth comes back successful and has both the Musgrove sisters fawning over him, he enjoys the attention, especially as it is in front of the woman who rejected him-while Anne definitely feels less then and sad that she let him go. Then when Captain Wentworth realizes he still loves her, he is stuck waiting to see what will happen to Louisa as his attention to her made everyone assume they are to be engaged and he can’t abandon an injured woman. With this there is no block to their happiness, I mean Rico gets over his hurt fairly quickly and is trying to get with Ashna pretty early on in the book. The author does try to mislead us and Ashna with KDrama star Song and Rico growing close, but she isn’t a serious contender. She is never more than just friendly to him.

The other 1/3-1/2 of the book focused on Ashna’s mother’s story, Shobi, who’s storyline is very sad. The first part of Shobi’s story describes how she was in love with another man but her father wouldn’t let her marry a poor Muslim, and instead agreed to a marriage with the prince, Ashna’s father who wanted her. The prince is a horrible abusive man who rapes her on her wedding night. That part I didn’t have an issue with, having been in an abusive relationship I felt they dealt with her story well. What bothered me was the way she justifies leaving her child to help children all over the world and the anger she has at her ex-husband blaming him for her and her daughter’s decaying relationship. Now I will never condemn someone for leaving their abusive partner, but the way she belittles not being there for her daughter because she had a “greater good” to serve really bothered me. Her husband did not paint Shobi in the best light to her daughter, but I felt that she also needs to take responsibility for the choices she made, especially after her husband died. She still hardly spends time with Ashna, doesn’t listen to what she wants, just drops in without warning believing that will fix everything, threatens to sell the store if Ashna doesn’t listen to her, etc. And if she did apologize and recognize her failings to Ashna, instead of telling her again and again these impoverished women are more important than her own daughter, I would have liked her more.

I also didn’t like how easily Ashna and her mother Shobi resolve their issues. Ashna realizes that her being with Rico wasn’t what made her father commit suicide, but that her mother served him with divorce papers. That brought a bunch of memories of how horrible her father treated her mother and she instantly forgives her and is happy to hear her mother is in a happy relationship with another man (who Shobi has been dating for almost all of her married life). I understand what the author is doing and wanting to wrap up that thread, but I used to work with grieving adults and kids and it is never, ever that easy. This exact scenario happened with a preteen I was working with. The mom stayed with her abusive husband because of the kids, but was finally planning on leaving him. He found out and killed himself, the daughter being the one who found the body. The daughter hated her mom as she blamed her for the death, and idolized her father (just like Ashna) and after a lot of therapy and the art class they were in a better place; but she was still very angry with her mom, and it was a continual process. There were also adults who went to the grief class and had a similar scenario happen in their life and had never dealt with those issues. After the art therapy class they were in a better place with their parent-but still had hurt and blame over their mother “causing the death” of their father. I found it extemely unrealistic that Ashna who has never been in any therapy regarding her mother was able to get over the abandonment of her mother; moved past feeling second best to her mother’s charity work, and accepted that this whole time her mother had a secret life/relationship with another man in an instant. What? I would have liked it better if her mother and her started talking and then showing years later they are in a good place instead of it all fixed in one night.

Hmm…

There are also some interesting writing choices in this book as well. We have a chapter where we are in we are in Ashna’s POV and then it suddenly switches to her mom. It was a bit disorientating.

I also had a really hard time with all the Portuguese in this book. Being half Mexican I grew up with Spanish and Portuguese is not Spanish. This is nothing against the author or the language, I just struggled with it and cautioning other Spanish speakers/readers you too might have a bit of a struggle as well.

So that’s all that I did not care for, now what did I like? First of all I loved that again we have an interracial relationship with Ashna (Indian) and Rico (Brazilian). Growing up biracial there wasn’t a lot of media that had interracial or multiracial couples/characters. Anytime there is anything that has even a tiny shard of it, I am excited to see. I loved that scene when they blend Rico’s favorite dish from Brasil with pieces of an Indian recipe that Ashna’s grandma used to make. That scene was just wonderful! It made me think of my own life when blending traditions from both sides of my culture.

Like Pride and Prejudice and Other Flavors, this book was also a love letter to food. I like how it highlights the comfort, love, and traditions of it. I also love how we have the two bond of cooking. Rico, having only been a part to get back at Ashna, actually find himself enjoying creating these different dishes with Ashna. And Ashna finds herself having a renewed interest in it, and finding herself once again being creative and not stuck in the past and past recipes. In a sense, then cooking together really is what begins to help heal what transpired between them. And of course there is the constant Chais that Ashna creates and blends for her cousins. It made me want some, real chai, so bad.

And of course, Rico writes Ashna a letter to convince her that he’s serious in his feelings for her. You know me, I’m a sucker for a character writing a love letter. It gets me every time.

I also liked how the author shared about the struggles women face in other places of the world along with Shobi’s struggle with abuse and marital rape. I think both of these issues are important and I’m glad that Sonali Dev didn’t shy away from it all.

So I didn’t hate it and I don’t think it was a bad story-there was just something missing for me…a missing ingredient that I felt the previous book had and this one lacked.

She just published a third book, Incense and Sensibility, and I have read and will be posting on it soon (I hope).

Because of the content of those book I want to end this post with this: Are you in an abusive relationship? Do you need help or assistance? If you are in need of help please contact the National Domestic Violence Hotline. 24 hours a day, seven days a week, 365 days a year, the National Domestic Violence Hotline provides essential tools and support to help survivors of domestic violence so they can live their lives free of abuse. You can reach them at 1.800.799.7233

For more Persuasion, go to Jane in Love

For more Persuasion adaptions, go to Holiday Mix Tape

For more on The Rajes, go to Pride, Prejudice and Other Flavors

For more Jane Austen adaptions, go to I Watched Northanger Abbey (2007) With My 13 Year Old Niece

Desire & Decorum: Chapter 12, In Sickness and In Health

So it has been almost a year since I last reviewed one of these chapters from the Choices videogame. Originally I was just playing the game but as I could do that faster than I could review, I ended up deciding to not play another chapter until I finished reviewing what I already had played. Of course things came up and I got distracted by other things on my list to write/review/etc-so now I am getting to Chapter 12 of Book 1, while I think Pixelberry has already created book three or four of this video game.

Anyway, quick backstory since it has been so long. This game is storybook based where you have a story that progresses, but at times you get to make a choice as to what to do, say, who to fall in love with, etc. Some choices require you to spend diamonds to play, which you can earn every time you play a chapter or purchase from their store. Some “books” have different side quests, like in this one you want to become an accomplished woman and certain choices allow you to gain items.

It’s really fun as you have the power to decide what path the story takes.

This game is set in the Regency time period, and of course is catered toward Jane Austen fans. In this game you are the illegitimate daughter of the Earl of Edgewater, something you discovered on your mother’s deathbed. You met your father and he accepts you and wants to make you his legal heir, as your half-brother passed away.

You have an evil stepmother and conniving stepbrother, Mr. Marcastle, who has a dim fiancé, Miss Sutton. They are all plotting against you.

And a lot has happened since the beginning of the book: you have held a garden party (which you rocked), you are currently having a London season, you go to Mr. Sinclaire’s house (a suitor I am all about)-who has a sad Rebeccaesque backstory and he gifts you a book, you visited the Opera St. James where your mother used to preform, went to see an Opera and were stuck with the Duke who is a horrible jerk, took a walk in the rain with Mr. Sinclaire, learned to paint, helped your friend refuse a gross geezer, and have just learned that your father has fallen ill, found out the truth about Mr. Sinclaire’s wife and the Duke, and are trying to reach your father in time before his last breath.

Whew! That’s a lot. Now onto the next chapter!

So this chapter’s title In Sickness and In Health, and reading that just reaffirmed for me thah my father did going to die.

So I had an option earlier in the game to buy a horse and I did. Sometimes these purchases turn out to be a waste as then they never resurface in the game, but I’m glad I did as I am using her to race to my dad. It did turn out to be a useful purchase.

So Mr. Harper and I race to my father’s home as quickly as we can. There is an option for you to stop and rest with Mr. Harper and hear him tell a story-and if Mr. Harper is the romantic route you want to take, if you do so it will bring you closer together. But as for me, not only did I not want to wait I also was low on diamonds, and didn’t want to spend what little I had in case something came up in later on in the chapter. The previous chapter turned out to be really expensive.

So I make it to the house and who should stand in my way? My wicked stepmother.

She won’t let me see my dying father and claims that she will find a way to keep me from my inheritance, as she believes she should have it over me. From a historical side I do feel bad for her as women had very little rights but in this game she is a horrible witch so I don’t feel bad if she will loses everything.

Sucks to be you

While tbe Countess may think she has outwitted me, I outmaneuver her and go upstairs where I run into the Bishop Monroe, a new character who allows me to visit with my father. I go to my father and there I discover the big twist. I am not illegitimate, but my father and mother were married!

Never mind, it turns out I am illegitimate as my mother and father were forced into an annulment just before I was born.

Wait, what? That doesn’t sound right to me but let’s see how the game plays out and then I’ll do the research later.

Hmm…

So it turns out that my grandfather didn’t want my parents together and forced the annulment. My father shared that he wrote letters to my mother and I let him know that I saw them as it turned out she saved them and I had the opportunity to read them in the previous chapter (which I did).

Only a few people knew about the marriage, but I’m thinking there must be some documentation that will help strengthen my claim.

My father tells me he wanted to tell me more but thought it would be too confusing and kept it to himself. He wants to share his story with me and you have the option to pay to play as him and find out the truth. I declined as I had no money and didn’t want to spend anymore on this game.

My father warns me that my claim will be weak without a strong man to back me. He wants me to get with the Duke but after the last chapter, NO WAY!

I do share that I am interested in someone, and let him know that someone is Mr. Sinclair.

I can’t resist, Mr. Sinclaire is just too much like a mix between Mr. Darcy and Maxim de Winter from Rebecca. He’s unlocked the Laurence Olivier achievement.

My father approves as he has always been close to the Sinclaires. He gives me my mother’s ring and a copy of his Will so that it can strengthen my claim.

My father asks me to share my childhood stories with him and I do to comfort him and relieve his guilt. I stay by his side until his last breath.

I know that this isn’t real, but it seriously touched my heart when I read that scene. Poor Earl of Edgewater.

That’s the sad end of this chapter, in the next one we will have to deal with my father’s funeral. I’m sure there will be plenty of intrigue and conflict.

Funeral scene from The Wolfman (2010)

For more Desire and Decorum, go to Desire & Decorum: Chapter 11, The Clock Runs Out Part III

For more on Choices, go to Desire & Decorum: Chapter 11, The Clock Runs Out Part II