So you know what that means: Horror TV episodes Tuesday
I know this is a little odd, TV episodes on a Tuesday instead of Friday as I’ve been doing for the past few years?
Well this year October 1st started on a Friday and it just doesn’t seem right for Horrorfest to start with a review of a TV episode.
So instead we will be reviewing TV episodes on Tuesdays, TV Tuesdays.
And we are starting our TV episode pick with a Munster episode!
I used to watch The Munsters all the time on TV Land growing up and it still is one of my favorite shows. Every time I rewatch it I am amazed at how funny it is.
Although, one thing I don’t like was that later on there were some changes to Herman’s character, the writers making him be jealous all the and not so bright, really pretty childish in fact. I didn’t care much for that change.
So the story is of your classic middle class American family living in Southern California (they mention the Dodgers and there are a few other clues), the Munsters. The thing that makes this family different from the others is that the Munsters are monsters.
Herman Munster is a Frankenstein like creation, he was built in a lab and has an evil twin brother. Lily (Dracula) Munster is his wife and is both vampire and werewolf, although predominantly vampire. The two have a son, Eddie, who is also predominantly vampire, but has wolffish tendencies. There’s grandpa, Count Dracula, who is also predominantly vampire, but can also change into a wolf. And rounding out their family is Lily’s niece, who’s been adopted into the family, Marilyn Munster. Marilyn isn’t a classic monster but a beautiful blonde who the family pities because she is “ugly” (i.e. not a monster).
The Count’s son, Lily’s brother, is the wolf man and they also have a cousin Gill (the Creature from the Black Lagoon). But those monsters don’t live with them. We’ve got almost all the Universal Monsters.
This episode is one of my favorite episodes and it is the pilot, which is odd as usually the pilot episode is not as good. I do enjoy other episodes , but this is a fav with all its Munster-y goodness.
So the episode starts off with Marilyn and her boyfriend Tom. She wants him to meet her folks, but he’s not interested-he just wants to make out. He’s super disrespectful and does not take her seriously at all. I’m like dump him and find another.
Tom decided to placate Marilyn and convince his parents to invite her aunt and uncle to their Masquerade party.
I love the Munster house, I wish I lived there.
If only!
They also have one of the best themes, many of you will recognize it from “it was Agatha all along” from Wandavision or tiktok but it was cool before then.
It turns out Tom’s parents are super snobs and don’t want to invite the Munsters over at all. Tom pleads with them as he really wants to “get with” Marilyn and knows this is the only way to get her to “move forward” with him. Tom is so rude and just a major jerk. Marilyn deserves better.
Ugh…this guy
Grandpa Dracula is mad that he isn’t invited to the party and refuses to stay home and babysit Eddie. When he threatens to either change into a bat, go anyway, and make a scene; they call Tom’s parents, Agnes and Albert Daly, and ask if he can come too. Tom’s parents agree, but while they are calm and sweet to the Munsters, they talk badly about them behind their back.
The night of the party comes and with thunder, lightning, and rain. Eddie loves it and wishes the lighting would hit their house.
But this storm and sudden downpour funny is only happening over the Munster’s home, every where else it is beautiful sunny CA. Aw, I wished I lived in the Munsters house!
Soooo cute!!!!
Since all the adults are going out, Marilyn has the parent of a friend coming over to babysit. Marilyn dresses as Priscilla Alden (to go with Tom’s John Alden), Herman is King Arthur, Lily as Little Bo Peep (seen as scary to the Munsters), and grandpa is Napoleon. I think it is weird out of all the different things they could have dressed up, Tom wanted them to be two pilgrims from the Mayflower. What a boring costume. That lack of imagian should be a real clue to Marilyn to not get involved with him anymore.
I like how their clock is The Raven. when it tells what the bell rolls, it screams out Nevermore, such a good touch.
Lily warns Herman to be on his best behavior for Marilyn’s sake and he promises to be a gentleman.
Herman: I’m every inch a gentleman…several gentlemen
Over at the Daily’s house, Mr. Daley has decided to go as Frankenstein’s monster. You know what that means, hilarity and possibly mistaken identity!
Mrs. Morton comes over to babysit and is shocked at what she sees. I don’t know why people always act weird, I wouldn’t really think twice about a lot of things they say. For instance, Mrs. Morton thinks it is weird that Lily says not to let Eddie’s pet in as last time it ate the whole sofa, I wouldn’t be surprised but think it was a dog that liked to chew couches.
They get to the party and grandpa almost bites Mrs. Daley, but as she is a terrible person I actually wouldn’t mind if grandpa did it!
Eddie stays upstairs in his room and talks to his babysitter through a radio set. How cool is that? And Eddie is such an easy babysitting job. Although Mrs. Morton isn’t as into the macabre setting as I am. I like it dark and spooky.
Marilyn asks grandpa to dance with Mrs. Daley and he doesn’t want to. I’m with grandpa as Mrs. Daley is annoying. Grandpa brings up his dead wives (over a hundred) and says he still visits them. Mrs. Dailey thinks he’s drunk, but I would think he was exaggerating and just goes to the cemetery a lot. But whatever.
Marilyn tries to get Herman to meet Mr. Dailey but he’s not interested as the host should introduce himself. I’m with Herman, they should have been greeted at the door or Tom should have brought his parents over. Another sign that these Daleys are just rude and terrible people.
Herman meets Mr. Dailey, who is dressed like Herman’s real face. Herman tells Mr. Daley he looks familiar and thinks it is sad he couldn’t get a costume as Herman thinks that is his real face. Haha I love it. My favorite scene!
Back on Mockingbird Lane, Mrs. Morton hears wolf howling noises and gets freaked out, but it’s just Eddie-howling at the moon. We also see that he has a pet dinosaur, Spot.
Tom comes over to Marilyn and just tries to make time with her. She’s not having it as her aunt and uncle are not having a good time.
At the masquerade they are giving out a prizes for the best costume, a “little prize” which is a giant bottle of something. Herman gets nominated and when he takes his helmet off everyone is amazed at his “second costume” and he wins.
All seems great, but Lily decides it is time to go. She heard their comments about his “second costume”, “the mask” he is wearing and says she does not want to spend another minute there. They all storm off along with Marilyn following as she is upset with the Daleys for insulting her family. Good for you girl, family is more important.
Tom follows Marilyn as he doesn’t understand why she is made and doesn’t want to lose the groundwork he spent all night making. understand why she is upset.
Later Lily and Herman are decompressing when Tom and Marilyn arrive. Marilyn is done with him, but Tom won’t take no for an answer. He follows her in the house and unfortunately Marilyn is convinced to hear him out, going to the kitchen to make coffee.
Tom goes into the other room and sees Lily and Herman for what they really look like and gets so scared, his wig stands on end. This show has wonderful special effects, so goofy!
He runs off and Marilyn is sad to have scared another man off, but also a bit glad. I’m glad too, Tom was not for you girl. You deserve better than that.
So rewatching this series the Munsters, Herman, Lily, and Grandpa- make me think a lot of the Bennet family. They are so eager for Marilyn to be married, but at the same time their behaviors scare off a lot of the men and ruin her chances. It’s hilarious.
It’s not like my mother is a maniac or a raving thing. She just goes a little mad sometimes. We all go a little mad sometimes. Haven’t you?
So this Horrorfest IV, we are doing something different. For Horrorfest (the original) we ended on Halloween (of course) as we had looked at the big 3 of horror film producing sequels: Friday the 13th, Nightmare on Elm Street, & Halloween. On Horrorfest II, we had to cut our reviews in half due to my schedule and ending with a film that takes place on Halloween (along with our yearly Stephen King film review), Children of the Corn. And of course I don’t think anything will top last years “theme” of Werewolves, starting with The Wolf Man (1941)and ending with it’s remake The Wolfman (2010). This year I decided it was time to finally review one of my favorite films, the one I have been talking about again and again, Psycho (1960).
I love this film, in fact it was one of my early introductions to the ultimate, obsessive, fangirling that I would do over Alfred Hitchcock.
My first film was The Birds. I loved it and knew I wanted to see everything he made. That second film that completely made me in love with his works, was Psycho (1960).
The first time I saw this film was on AMC. When they were announcing the line up, they played this song.
So whenever I hear this song I think of the film, and vice-a-versa.
So if you are wondering if this is going to be an extremely long post all about how much I love this film, like my review of Jaws, then you are right. I love this film so let’s get started.
**Spoiler Alert**
(Although this movie is fifty-five years old, so if you haven’t seen it already, then shame on you)
This year marks the 55th anniversary of Psycho, and select theaters brought it back. And as I was lucky that mine did, I immediately bought tickets and went to see it.
Alfred Hitchcock’s Psycho (1960) is remarkable for many things. It is considered his first horror film, and while not the first slasher film in history, it is the first American slasher film, influencing countless director’s and movies.
While many adore this film today, it had quite a few problems getting it off the ground in 1960. Alfred Hitchcock read the novel Psycho, by Robert Bloch, and immediately saw the benefits of turning this into a film. Unfortunately, Paramount Pictures did not. They cut the budget down to $800,000, hoping that Hitchcock would stop this idea of making a “dirty”, “smut” film; but he would not be deterred. Hitchcock used more of Universal to make the film, which is why in the end they won the rights.
Oh yeah
Instead Hitchcock gave up his usual pay, taking over 30% of the profits on sales. As the film did amazingly well in theaters he made a bundle.
Hitchcock bought the book for $9,000 anonymously, and then went on to buy up every book out there to try and keep the ending a secret. He used most of the crew from his show Alfred Hitchcock Presents, and made everyone promise to keep the film as secret as possible. He didn’t tell any the ending until filming, a technique that would be copied in other films, like the Screamfranchise.
To begin with how different this film was, let’s start with the trailer. It was over six minutes long, much longer than any trailer made then or now.
But it was great and gets you pumped for the film.
So the first thing we are introduced is to is the credits, with the famous score.
The music just drags you in sending shivers down your spine.
Now the actors we see on here, we all know today, but at the time the only real famous person was Janet “Scream Queen” Leigh. Part of this was due to the cut budget of Hitchcock, but he also wanted a different style and to use unknowns instead of huge stars.
Prior to this movie Anthony Perkins was being groomed to being a big star. In 1953, he debuted in The Actress and in 1956, Friendly Persuasion, won him best supporting actor. That all changed with Psycho. After this movie he became famous, but also typecasted.
Vera Miles was in a few things but also hadn’t been cemented as a “Star”. Alfred Hitchcock liked her looks, and more, planning on giving her the lead in Vertigo (1958), but when she became pregnant and had to drop out, he couldn’t stand her. He thought she did it on purpose and was upset that she made him recast. The only ever worked together on this film.
Before Psycho, John Gavin was known for the remake in Imitation of Life (1959). Psycho made him famous (along with Spartacus).
Anyways, back to the film!
So we are introduced to the city of Phoenix, Arizona; where our film takes place, December 11th. I had never realized this until I saw the film this most recent time, but I don’t recall ever seeing any Christmas decorations anywhere. Not in the homes of the characters or offices. Supposedly the reason why it was set in December was because of the Christmas decorations in Phoenix but I didn’t spot any. I’ll just have to look again. But you know what that means? That this can be a Christmas film! I smell a new tradition!!!!
So the film opens with Marion Crane (Janet Leigh) and Samuel Loomis (John Gavin) in bed together. Sam is half naked baring his chest and Marion is in her bra and slip.
Yeah, something like this is not shocking for today (I mean look at Game of Thrones) but you didn’t see anything like this after the motion picture code association (MPAA) was created. We saw plenty in the late 1960s early 1970s when the code lost its fierce control. But in 1960, oh ho ho. This was super raunchy!
This part always makes me sad as all Marion wants is to be married to Sam. Sam, however, wants to wait a few years. He is still paying his ex-wife alimony, paying off his father’s debts, and lives over the hardware store he owns in Fairvale, CA.
Now Fairvale doesn’t exist, as it was all shot on the Universal backlot or in a soundstage. I originally thought it took place in Fairfield CA as they sound the same and that would make a lot of sense. But in a later scene I saw a map of Shasta County, so I think that Fairvale is supposed to be Redding.
Then again I could be wrong.
So Sam does not want to be married for a few years, and it horrible to be leading her on like that with weekend trips every now and then; stolen lunch hours. That is not a complete relationship. Marion hates it as she wants to be a respectable woman.
Marion Crane: Oh, we can see each other. We can even have dinner but respectably in my house with my mother’s picture on the mantel and my sister helping me broil a big steak for three.
Sam Loomis: And after the steak, do we send Sister to the movies? Turn mama’s picture to the wall?
Sam tells her that them marrying now is a bad idea, but Marion doesn’t care. She would do it all for him. He jokes that maybe she should move on, but when she agrees he quickly is worried. They part on good terms, making plans for the next visit. Neither are incandescently happy, but that’s love.
Marion heads back to work at the real estate agency. As she comes through the doors, you can spot Alfred Hitchcock in a cowboy hat standing outside the window. Hitchcock knew people would spend the whole film searching for him, so he wanted it out of the way as soon as possible.
Back at the Agency, Marion checks in with her associate secretary, Caroline (played by Pat Hitchcock, Alfred’s daughter). Caroline is married, which makes Marion feel as if everyone in the world is married but her.
In walks her boss, Mr. Lowery, and their new client, Tom Cassidy, a rich oilman. He is paying $40,000, in cash, to buy his daughter a house for her and her soon-to-be husband.
Tom Cassidy: I’m buying this house for my baby’s wedding present. Forty thousand dollars, cash! Now, that’s… not buying happiness. That’s just… buying off unhappiness [waves money in front of Marion] I never carry more than I can afford to lose! Count ’em.
Caroline: I declare!
Tom Cassidy: [staring at Marion] I don’t! That’s how I get to keep it!
He then goes on to flirt with Marion, disgustingly.
Cassidy then makes a comment about Mr. Lowery being able to afford air conditioning. Can you imagine being in Arizona without air conditioning? It would drive ANY person insane!
Marion is asked to take the money to the bank, while the boss and Mr. Cassidy get their drink on. Marion has a headache, and asks to go home after she drops the money off, her boss lets her and she heads on her way.
The next shot we see is the money on Marion’s bed, next to a suitcase.
What a great shot, Hitchcock defintely knows his stuff.
So yes Marian stole $40,000. That would be around $350,000 today. That’s a lot of money.
On one hand you kind of understand Marion. She is so tired of her life, all she wants is to be with Sam, now and always. She thinks she can take the money, pay his debt, and they can live happily ever after. But she is not thinking clearly, what about when they discover the money is gone? They will know it is her.
She decides to drive to see Sam. When she gets stopped at a light who should she see but her boss!!!
This is when the score starts up again, heightening the intensity!
Marian is driving, but starts to fall asleep. She pulls off on the side of the road.
She is awakened the next day by a CHP officer (California Highway Patrol) . Now this police officer is very scary. He is wearing sunglasses and never takes them off, giving him almost a robotic look. Super creepy as you can’t see the expression on his face or his eyes.
Now Marion doesn’t help her case as she acts super suspicious, being cold, curt, and trying to take off.
You can see here that Marion is not a rule breaker. She’s always been a good girl, and as this is her first time breaking the rules she is doing poorly at “being bad”.
The CHP follow her, but turns off in Gorman, CA while she continues to Bakersfield. There, she decides to change cars. The salesman is so sweet, and adorable, but as Marian is in such a hurry, he starts to wonder about her too.
This is not good Marion, as if anyone is to come later and ask questions about you, you would be remembered. Not only for acting weird, but also because it’s Janet Leigh.
As she is there, up comes the CHP. Too bad Marion looks as good as she does, the cop could spot her right away.
Marion buys a newspaper, looking for news of the stolen money but is relieved to find nothing. It is too early for that, but you understand how scared she is.
As she is looking at the cars I can’t help but notice that, man those cars are dirt cheap. $957 for a 3 year old car? I wish they were that cheap now.
Anyways, the cop continues to watch her from across the street. This only makes Marion more nervous and suspicious sounding. In fact the car salesman starts to wonder if she is trying to get rid of a stolen car.
The paperwork is completed, Marion paying $700 of the $40,000 and trading in her car. She then takes off, only to be stopped because she forgot her luggae in her haste. This gives the cop plenty of time to see her plates.
Poor Marion, she’s not a master criminal mind.
She heads off, but as she drives all she can hear in her head how terribly everything has gone and how it will all blow up in her face in the end.
All she can do is keep driving, hanging on to the hope that when she gets with Sam everything will be okay.
Unfortunately, it begins to rain and Marian being from Arizonia, doesn’t know how to drive in Northern California winter rains. So she has to pull over at the nearby motel she finds.
The property consists of a giant Victorian mansion on the hill, with twelve rooms down the way. The house was designed after Edward Hopper’s painting, House by the Railroad, it wasn’t supposed to be creepy but a part of early Americana. But as we only really see the house at night, except for once at the end, and because if the events that later transpire; this all looks uber creepy.
After the fire occurred on the Universal backlot (the same one that destroyed Back to the Future’s clock tower), this building and the motel was declared a historic landmark and can never be destroyed or taken done (unless by a non-human disaster). Isn’t that great, that will be there forever!
We are then introduced to Norman Bates, son of the motel owner, and played by Anthony Perkins.
When I saw Norman I was like whoa!!!! That guy is hot!!!!!
So cute with his boyish charm. He looks as if he is in his early twenties (was actually 27) and just utterly adorable. Perkins was chosen for being a gentle, stammering, handsome young man: the ultimate all-American boy next door. You just want to give him a hug. At one point during the filming, Perkins asked Hitchcock if playing Norman Bates would be a bad career move and Hitchcock told him it might be. He was right as it killed his career, but he was just too perfect as Norman, the movie would not have worked without him.
Anyways, so Norman tells Marion that he can give her a room, and that there is a diner up the way, right outside of Fairvale, which is only 15 miles away.
15 miles!!! If only it hadn’t rained, she’d be with Sam right now.
Marion signs in under a false name, Marie Samuels, and says she is from Los Angeles. After careful consideration, Norman gives her key #1.
He takes her into the room and shows her around the closet, desk with stationary, bathroom etc. When it comes to the bed, he actually stumbles over the words, being too bashful.
He’s so young, and adorable. He has such a sweet little boy smile, so adorable. Those things are fatal to me as they just make me smile in return. I let down all my defenses.
So Norman knows Marion is hungry and probably does not want to travel out in the storm coming down, so he offers to make her dinner, sandwiches, and have her come down to the house. Marian agrees.
After he leaves, Marion looks around the room for a place to hide the money. Where should she put it that’s not obvious? Where?
Hmm…
She finally settles on hiding the cash in the newspaper. As she waits for Norman to finish making the sandwich, she overhears Norman and his mother yelling in the house.
Norma Bates: No! I tell you no! I won’t have you bringing some young girl in for supper! By candlelight, I suppose, in the cheap, erotic fashion of young men with cheap, erotic minds!
Norman Bates: Mother, please…!
Norma Bates: And then what? After supper? Music? Whispers?
Norman Bates: Mother, she’s just a stranger. She’s hungry, and it’s raining out!
Norma Bates: “Mother, she’s just a stranger”! As if men don’t desire strangers! As if… ohh, I refuse to speak of disgusting things, because they disgust me! You understand, boy? Go on, go tell her she’ll not be appeasing her ugly appetite with MY food… or my son! Or do I have tell her because you don’t have the guts! Huh, boy? You have the guts, boy?
Norman Bates: Shut up! Shut up!
Man his mother is horrible. She is evil and cruel, treating him like he’s a little boy instead of a grown man. Mean old woman, I wonder if she was abusive in other ways than emotional/verbal. There are some deep issues here.
Norman takes off down to the motel bringing the sandwiches. Marion reveals that she heard everything, and Norman offers for them to eat here instead. Marian moves aside so that he can come in the room, but he can’t. He sees the bed in the room, and stops.
It makes him too uncomfortable, so he ends up inviting her into his office, and then the parlor.
Here is where we see a lot of Norman’s issues. His mother has cuckholded him so that he is still a child in many ways, but at the same time a grown man with grown man like interests. He likes Marian but also a bit freaked as well. Marion on the other hand is a grown woman and not squeamish about sharing a room to eat, even though the major feature is the bed.
Boy/Man Child
They go into the parlor which is full of birds, taxidermied ones. Now this used to always freak me out, but after working in a museum last year and being around a lot of taxidermied animals it’s not that bad. Did you catch that not as bad,meaning it is still creepy.
So while he and Marian are back in the parlor he tries hard to be “adult”, but keeps stammering as he hasn’t ever entertained anyone before.
Norman Bates: You-you eat like a bird.
Marion Crane: [Looking around at the stuffed birds while eating] And you’d know, of course.
Norman Bates: No, not really. Anyway, I hear the expression ‘eats like a bird’ – it-it’s really a [stammers] fals-fals-fals-falsity. Because birds really eat a tremendous lot. But -I-I don’t really know anything about birds. My hobby is stuffing things. You know – taxidermy.
The two then discuss Norman’s mother.
It turns out that Norman’s father died when he was only five years old and his mother had to raise him all on her own. She met a man and when she found out her boyfriend was married, became broken. He mentions something interesting here, that this guy could have made mother do “anything”. Maybe get rid of him or kick him out even? Hmm……..
The conversation moves on:
So this saying was actually used first in the film The Awful Truth starring Irene Dunne and Cary Grant. In it Irene is about to complete her divorce to Cary and marry a mamby-pamby mamma’s boy, who when Irene leaves him, goes off with his mom as after all “A boy’s best friend is his mother.” It of course was made famous by Psycho.
Marian tries to give helpful advice, but Norman is not in agreement.
In that moment we see something lurking below that boyish charm and sweet face. Something dark.
You may notice the theme of “mother issues” in this film. Norman and his mom have serious issues, which may extend to her not only being emotionally abusive but physically as well. Possibly molestation, but we are not sure. Hitchcock himself had a lot of issues with his own mother, her forcing him to stand at the foot of her bed for hours as punishment. The screenwriter, was currently in therapy for his own issues with his mother when he wrote this script. And Anthony Perkins also had mother issues and an early life eerily similar to Norman’s. His father died when he was five, and he also was raised by a controlling and cruel woman.
Freaky
They end their talk and Marian tells him she needs to go to bed as she has a long drive back to Phionex. She also gives him her real name. He says goodnight and double checks the book seeing that she lied.
Marian heads next door, and Norman doesn’t leave yet. Instead he decides to take a look at Marian changing.
You know I have seen this movie like a million times and on the big screen is the first time I have ever noticed the painting that Norman uses to hide the hole he peeks through, it is Susannah and the Elders by Giovan Battista Tiepolo. The story of Susannah and the Elders is that Susannah is a young and beautiful woman. She sends her attendents away as she takes a bath, and two voyeuristic elders, watch and lust after her. They try to blackmail her into having sex with them, saying they will lie that she was meeting a lover. When she refuses, they try to put Susannah to death, but the prophet Daniel intervenes and saves her. It works with the whole voyeuristic theme the film has going.
Looking at that I notice there are a lot of naked women paintings and scultptures in the house. Who picked these? Norman? Unlikely. His mother? Even unlikelier. The lover? Most likely. But weird that his mother would allow such things.
Norman heads back to the house and is about to go upstairs, but stops. Where was he going before? To see his mother? Go to bed? He heads to the kitchen instead and thinks.
After speaking to Norman, Marian has a change of heart. She decides to head home and turn herself in, hoping they will be lenient. She does a few sums, and determines that she has $39300 left. As she rips it up and dumps it down the toilet and decides to take a shower.
This short scene involving the toilet took forever to get approved. In fact, this is the first american film to show a toilet in a movie.
Weird
I notice as she shuts the bathroom door, there is NO lock on the door.
She goes to take the shower and we have the scariest and one of the best scenes ever!
So intense and scary!!! I mean think of it, the shower os the most vulnerable place you could be at. You are naked, and have nothing to cover yourself up, nothing to use to defend yourself. In fact Janet Leigh said she was so freaked out when she saw herself murdered, that she never took a shower again. Opting only for baths.
There are tons of myths surrounding this shower scene and I am going to set the record straight. So the filming of this scene took a whole week to get it just how perfectionist Alfred Hitchcock wanted it, this was 1/4 of the total time it took to make the entire film.
Janet Leigh filmed most of this scene. She wore pasties to cover her privates, but the warm water from the shower melted them, and Alfred Hitchcock kept on filming. She did have a stunt double, who did some nudes, and she was sadly murdered the same way in real life as shown on screen.
And whoa this was a huge move to make. Killing the most famous person off? This was not done at the time, not at all.
When Norman discovers his mother covered in blood, he runs down to check on Marion. He finds her dead and freaks out, almost becoming sick.
He looks all around trying to compose himself, when he decides to put her body and belongings in the trunk of her car and cleans up the bathroom. He puts all her belongings in it, but forgets the newspaper. A car drives up, which surprises him, so much that he looks back in the room and grabs the paper. He then takes the car to the swamp to dump.
I just love that moment when it doesn’t go down right away and he freaks out. What will he do if it doesn’t sink. But it does, and he is relieved. The end.
A week later, Sam is sitting in his office writing a letter to Marian. On the small screen they have always shown this too quickly for me to read the whole thing. This time I was able to see everything and in the letter, Sam apologizes to Marian and says he doesn’t want to wait a few years but wants to marry her now.
If only he had asked her sooner! If only she had waited a week. If only, if only, if only. 😦
Lila comes in and introduces herself to Sam. She questions him about Marion and whether he and her were in it together, but Sam has no idea what’s going on.
Private Investigator Arbogast comes on the scene. He was hired by Mr. Lowrey and Cassidy to find Marion, hoping she would give the money back and that they wouldn’t have to bring in the police.
Sam denies knowing where Marion is, and Arbogast tells him that he will find Marion, one way or another.
He goes around asking at ever motel, hotel, and boarding house in the area. Each one says no. He spots the Bates Motel, and goes in to speak with Norman.
Norman is sitting on the porch eating Kandy Korn, as it says on his candy bag. Where’s he getting this in December? I guess it could have been leftover from Halloween. This was Norman’s personal touch, to add even more of a boyish charm.
Arbogast interrogates Norman, and I notice Norman speaks in a lot of clichés and metaphors. It’s probably due to him being only with his mother and never with peers.
He starts to clean the rooms, but skips door number one. He knows what went in that room and doesn’t want to think about it.
Arbogast follows and looks up at the house. He sees a figure, and questions Norman again. At first Norman says no one is there, but then says that it is his mother. Arbogast thinks Norman is hiding Marian, and infers that she seduced him, which angers Norman.
Milton Arbogast: Now, if this Marion Crane were here… you wouldn’t be hiding her would you?
Norman Bates: No.
Milton Arbogast: Not even if she paid you?
Norman Bates: No.
Milton Arbogast: All right, then lets say for the sake of argument that she needed your help and that she made you out to be a fool in helping her…
Norman Bates: Well, I’m not a fool. And I’m not capable of being fooled! Not even by a woman.
Milton Arbogast: I mean no slur on your manhood.
Norman Bates: She might have fooled me, but she didn’t fool my mother.
Norman is angry. Arbogast wants to speak to his mother, but Norman says no. As Norman is angry his face is put in more shadow and he loses that boyish charm and innocence, looking much darker.
Creepy!
Arbogast starts to head back to Lila and Sam, but stops and calls Lila from a phone booth. He tells her what Norman said, that Marion was here and then left, but it doesn’t feel right.
He decides to go back to speak to Mrs. Bates, promising to be back in an hour. As he drives back to the motel, we see Norman there. Arbogast starts up to the house going through the back and leaving the door open, checking the front and bottom floor. When he can’t find anything, he heads upstairs. As he walks up, he gets attacked.
Dead.
#2
Back at the store, Lila and Sam are waiting for Arbogast. It has been hours and he hasn’t shown, with Lila getting really impatient.
She is determined to head down to the motel to find out if her sister was there. Sam tells her to wait while he calls, but she is heading out the door. Sam stops her and agrees, he will go and look for Arbogast and she should stay here in case he returns.
All I can think is, man Lila is intense in what she wants. If she had been the one dating Sam, then she would have been married a long time ago.
Sam gets there but can’t find Arbogast or Norman anywhere. We see Norman by the swamp. Yep, dumping another body and car. Whoa, Norman really stepped into it this time. If it weren’t for the money, they wouldn’t be lookingthis intensely for her.
When Sam gets back and finds out that Arbogast still hasn’t returned, he and Lila head to the Sheriff’s house. They tell the Sheriff everything, but he doesn’t really seem to take them seriously.
Sheriff Al Chambers: Your detective told you he couldn’t come right back because he was goin’ to question Norman Bates’ mother. Right?
Lila Crane: Yes.
Sheriff Al Chambers: Norman Bates’ mother has been dead and buried in Greenlawn Cenetery for the past ten years!
Eliza Chambers: I helped Norman pick out the dress she was buried in. Periwinkle blue.
Sheriff Al Chambers: ‘Tain’t only local history, Sam. It’s the only case of murder and suicide on Fairvale ledgers.
Sam Loomis: You mean the old woman I saw tonight wasn’t Mrs. Bates?
Sheriff Al Chambers: Now wait a minute, Sam, are you *sure* you saw an old woman?
Sam Loomis: Yes! In the house behind the motel! I called and I pounded, but she just ignored me!
Sheriff Al Chambers: You mean to tell me you saw Norman Bates’ mother?
Lila Crane: It had to be – because Arbogast said so too. And the young man wouldn’t let him see her because she was too ill.
Sheriff Al Chambers: Well, if the woman up there is Mrs. Bates… who’s that woman buried out in Greenlawn Cemetery?
SHE’S DEAD??????!!!!!!!!!!!
Ten years? Ten years dead?
And if she’s not dead but in the house, who’s in the cemetery?
Norman knows that there will be more people coming. They came for Marion, and they will follow Arbogast as well. So he moves his mother to the fruit cellar to hide.
Norman Bates: Now mother, I’m going to uh, bring something up…
Norma Bates: Haha… I am sorry, boy, but you do manage to look ludicrous when you give me orders.
Norman Bates: Please, mother.
Norma Bates: No! I will not hide in the fruit cellar! Ha! You think I’m fruity, huh? I’m staying right here. This is my room and no one will drag me out of it, least of all my big, bold son!
Norman Bates: They’ll come now, mother! He came after the girl, and now someone will come after him. Please mother, it’s just for a few days, just for a few days so they won’t find you!
Norma Bates: “Just for a few days”? In that dark, dank fruit cellar? No! You hid me there once, boy, and you’ll not do it again, not ever again; now get out! I told you to get out, boy.
Norman Bates: I’ll carry you, mother.
Norma Bates: Norman! What do you think you’re doing? Don’t you touch me, don’t! NORMAN! Put me down, put me down, I can walk on my own…
This is probably the first time he has ever stood up to his mother in his life.
The next day, Lila and Sam head over to the church to go over to the Bates residence with the sheriff. To their surprise, the sheriff has already gone, and found nothing.
Lila and Sam are unsatisfied and decide to go over there themselves. They check in as man and wife, and hide out in their room until the coast is clear.
The two sneak into room one, where they search every inch to find any trace of Marian. In the bathroom, they discover a slip of paper in Marian’s handwriting. Lila is excited, but Sam dashes that by telling her it doesn’t really help as Norman admitted that she came there. They need proof of what occurred next.
They decide to split up, with Sam distracting Norman, while Lila questions the mother. As Sam walks out, it turns out Norman is standing in the doorway of the office.
He must have heard them, I mean right? Right?
Anyways, Sam distracts him as Lila heads up the hill.
All I can think is that what the Sheriff said to them did not seem to register. He and his wife say that the mother is dead. Do they think it is a lie? She faked her death? She never died? Another body is in the casket?
As Lila looks upstairs, she spots the mother’s room. It has a deep indentation in the bed, creepy mirrors everywhere, brass hands, etc.
She goes into another room and sees that it is Norman. And the bedroom is weird. It is itty-bitty. In a giant house, why would he be given a room the size of a cell?
All he has is baby toys, and they all look sad. Like I seriously think he was abused as a child. Look at his doll. The rabbit that sits on the bed with him. Why would an almost 30 year old man sleep with a stuffed animal, unless he was abused as a child.
The music he listens to is Beethoven’s Eroica. I used to think it was used because it was a letter away from Erotica, but after looking into the backstory, it was written for Napoleon, and supposed to signify all a man is, powerful, brave, strong; what Norman wished to be.
She then spots a book with no title. I always wondered what the book signified, and discovered that books then that were pornographic were published titleless.
This whole scene in the room is supposed to show the duality of Norman, a grown man, but still a child in so many, many ways.
Norman realizes that Sam has been distracting him, and knocks him out, then running for home. Lila spots Norman coming, and hides in the downstairs. That’s when she notices the fruit cellar and heads down.
When she gets there we have one of the best reveals ever!
So the sheriff takes him down to the jail, an they call in the psychiatrist to find out what was going on.
Dr. Fred Richmond: No. I got the whole story – but not from Norman. I got it – from his mother. Norman Bates no longer exists. He only half-existed to begin with. And now, the other half has taken over. Probably for all time.
Lila Crane: Did he kill my sister?
Dr. Fred Richmond: Yes, – and no.
Dr. Fred Richmond: Now to understand it the way I understood it, hearing it from the mother… that is, from the mother half of Norman’s mind… you have to go back ten years, to the time when Norman murdered his mother and her lover. Now he was already dangerously disturbed, had been ever since his father died. His mother was a clinging, demanding woman, and for years the two of them lived as if there was no one else in the world. Then she met a man… and it seemed to Norman that she ‘threw him over’ for this man. Now that pushed him over the line and he killed ’em both. Matricide is probably the most unbearable crime of all… most unbearable to the son who commits it. So he had to erase the crime, at least in his own mind. He stole her corpse. A weighted coffin was buried. He hid the body in the fruit cellar. Even treated it to keep it as well as it would keep. And that still wasn’t enough. She was there! But she was a corpse. So he began to think and speak for her, give her half his time, so to speak. At times he could be both personalities, carry on conversations. At other times, the mother half took over completely. Now he was never all Norman, but he was often only mother. And because he was so pathologically jealous of her, he assumed that she was jealous of him. Therefore, if he felt a strong attraction to any other woman, the mother side of him would go wild. [Points finger at Lila Crane] When he met your sister, he was touched by her… aroused by her. He wanted her. That set off the ‘jealous mother’ and ‘mother killed the girl’! Now after the murder, Norman returned as if from a deep sleep. And like a dutiful son, covered up all traces of the crime he was convinced his mother had committed!
Sam asks about the clothes, definitely weirded out by seeing Norman in that getup. And I agree, he was totally creepy looking.
Officer: He’s a tranvestite!
Dr. Fred Richmond: Ah, not exactly. A man who dresses in women’s clothing in order to achieve a sexual change, or satisfaction, is a transvestite. But in Norman’s case, he was simply doing everything possible to keep alive the illusion of his mother being alive. And when reality came too close, when danger or desire threatened that illusion – he dressed up, even to a cheap wig he bought. He’d walk about the house, sit in her chair, speak in her voice. He tried to be his mother! And, uh… now he is. [pause] Now, that’s what I meant when I said I got the story from the mother. You see, when the mind houses two personalities, there’s always a conflict, a battle. In Norman’s case, the battle is over… and the dominant personality has won.
Sheriff Al Chambers: And the forty thousand dollars? Who got that?
Dr. Fred Richmond: The swamp. These were crimes of passion, not profit.
Everyone’s like:
It wasn’t about the money at all? Yes folks, that is this film’s MacGuffin. A MacGuffin is something that the characters search for or aspire for, but in the end, has nothing really to do with the actual plot.
This last scene is my favorite as it is soooo creepy.
That moment when he smiles, it sends shivers down my spine.
So Mrs. Bates is evil. Pure evil. She was abusive to Norman throughout his life, and now throwing him under the bus. Pure evil.
So before we en I thought I would include some thoughts I had about Norman now that I’ve revealed the “truth” about him
1)When Norman chooses the parlor over the bedroom, I wonder if the Norman side “knew” it was best not to get to close as it might awaken mother sooner and “she” might do something drastic?
2)When he gets angry about institutionalizing his mother is it the dutiful son Norman that is angry, or his “mother”?
3) When Norman tells Marion he can’t leave, if he does then his mother will die all over again. Poor Norman, stuck in an endless cycle of abuse.
4) When Norman sees that Marion gave a false name in the book, do you think that “mother” found her an easier person to kill as no one was likely to connect that Marie Samuels to anyone? Do you think it made her more suspicious of her character?
5)I wonder if Marion had stayed up later with Norman would that have changed things? Would “Mother” have failed to come out? Or would she have come out earlier?
They are nothing with any real answer, but just something to ponder on and ask your cinephile friends.
I know you guys know that this post isn’t going to end. Like Jaws, I have a LOT to say. So in Universal Studios, when I took the backlot tour, they showed us a scene from Psycho. As they have declared the site historical, they also decided to have someone act out a scene from the movie every time a tram goes by. And it is awesome!
And so ends another Horrorfest. I know it has been crazy this year, as personal issues made me fall behind in posting. In fact, by the time this airs I still might not have caught up. However, what I was able to do was a lot of fun, and I hope you all enjoyed it. I wish you all a very happy, and safe, Halloween. May it be everything you wish it to be.
The story, it’s happening to us now. We’re living it. It’s-it’s alive, it’s real, it’s breathing.
So remember way back in April, when I talked about how much I love the Brothers Grimm and all their stories?
Well for those of you who don’t, I loved them. I used to read the stories over and over and over again.
They are such a huge, huge part of my childhood. I not only read them, but I read like every version of their tales. Such as Shannon Hale’s The Goose Girl;The Princess Test by Gail Carson Levine; or The Rumplestilskin Problem by Vivian Vande Velde. And that’s just naming a few, I’ve read practically every version and retelling out there.
So when I saw a trailer for The Brothers Grimm I was so EXCITED! I’m not quite sure what I was expecting, I don’t even remember what the trailer was like. I just know if it had the Brothers Grimm’s name on it. I WAS THERE!!!!!!!!
My mom, sister, and went to see it and I thought…..
WHAT THE HECK IS THIS THING? THE BROTHERS GRIMM WHAT? THIS THING IS SO CREEPY I AM SCARRED FOR LIFE!!! SCARRED!!!
Needless to say I didn’t like it.
I didn’t understands half the things that were happening! I didn’t like most of the characters. And I thought it was one of the creepiest things I had ever seen. And I was like thirteen at the the time and saw many different films, but this one creeped me out. After a while, I kind of forgot about it, other than I liked Heath Ledger (he’s always awesome) and that I actually liked Matt Damon in this.
I know, I know. If you have been following you should be shocked at that statement as I have said quite a few times how much I dislike Matt Damon. I just think he is a horrible actor as he is the same in everything!! However, he was so different in this film that I actually forgot it was him. And that is what a good actor does, they melt away so all you see is their character on the screen.
Anyways, so time past and I completely forgot about this movie. That is until I saw it on Amazon Prime Instant Watch.
Amazon’s all watch this!
And I thought, hey, ten years have past. Maybe it’s time to give it another view.
Why not?
And as I remember it being a horrorish/comedy film (what I call Com-Ror), I can totally review it for horrorfest. So here we go. I present to you:
So this film is actually a melting pot. It is a historical fiction, horror, comedy, and fantasy concoction.
And they actually work pretty well together.
So the film opens up with the poor Grimm family. The young sister is sick and they are all shivering from the cold as they have no more wood for a fire. Wilhelm, the oldest, is trying to be the man of the house and helping his mother while Jacob has gone out to sell the family cow. Instead of bringing back money, he has “magic beans”.
Poor, sweet, naive little Jacob. He was tricked into getting magic beans. The mom is sad, but Wilhelm becomes incensed and beats his brother.
I know we are barely into the film and already we have a dead father, soon-to-be dead sister, a boy tricked out of everything, and then one brother getting beat by the other. That’s a really dark opening scene for a family picture.
And by now you can kind of see the direction this film is taking. It is going to be the story pieces occurred in real life and lead to the collection of tales we have today. I have to say I was actually down with that. It could be pretty cool. The sort of prequel to Once Upon a Time or something.
We then have the title and a killer opening scene. SUPER DRAMATIC! And I loved it! Dark night, rain, two strangers on horses with a note demanding entrance!
It was AWESOME!!!!!!!!!
Anyways, it turns out that Wilhelm (Matt Damon), or Will as he is more often called, and Jacob (Heath Ledger), or Jake are ghost hunters/witch killers/ monster destroyers. Basically the 19th century version of Dean and Sam Winchester.
When I first saw this I was like what are you doing? I’m pretty sure that there were nothing like that. After watching I had to read up on them.
It turns out in real life that Jacob was actually the older brother. Their father did die when they were young and they had to take care of the family, eventually going to school for law. But later during the Romantic period, they began collecting folk tales, creating the classic literature we have today.
How did they go from that to:
Yeah…
This was one of the reasons I wasn’t really into this “modern”, twisted type of film, in fact a lot weren’t. This film was actually ahead of its time as if it had come out a few years ago (instead of 10) it would have fit right in with Red Riding Hood (2011), Snow White and the Hunstman (2012), The Raven (2012), Abraham Lincoln: Vampire Hunter (2012), and Hansel & Gretal: Witchhunters (2013). I mean look at that poster! Isn’t this something you would see today?
Eliminating Evil Since 1812 this is something you would definitely see today.
Anyways, back to the review. So the brothers are in Karlstadt to get rid of a witch menacing a mill. This is actually a pretty awesome scene as they fight the witch. I wish I could find a video. Oh well. This is kind of what it looked like:
So this witch comes at them and attacks. They try and destroy her, but she starts to control them and they start to fight with each other.
They fight, but Will manages to overcome it and kill the ghost. They get paid and all is well until we discover that the whole thing is fake. They hire two guys to play the monsters of the folk tales around the area, and then the Grimms come in and save the day by ridding the area of them.
Oh jeez.
You are taking folk historians and making them not only hunters but conmen.
Besides that, movie, I see what you’re doing.
This is going to be one of those films where they show a fake thing in the beginning that is going to be the direction the film goes to in the end. You know like in An American Werewolf in London, where he growls at himself in a mirror, only to later do the same things as a werewolf.
Oh well.
I guess we will just have to wait to see how it turns out.
So while in reality Jacob and Will were the best of friends, in this Will is extremely cruel.
When he goes to give Jacob his half of the money, his has to throw in one last dig.
Will: Your half professor, or would you like it in beans?
Come on Will, he was just a little boy!!!. He was trying to help!!!! Let it go!
So while they are celebrating and having fun, we cut to the village Marbaden. A girl in a little red cape is looking through the forest. Now the forest is amazing! It is exquisitely beautiful and terrifying. It looks just like something out of an illustration in a book or a painting. The film was worth it for those moments alone.
Anyways, the little girl becomes fightened and tries to outrun whatever it is, but doesn’t manage to and is taken.
So as the the guys are celebrating their sucess, Jacob starts to feel down. He was a scholar and is unhappy as to what he is doing now.
All I could think was why isn’t he a scholar anymore? Did he lose his job? Was it because of the French? Time for a history lesson!
So in 1837 the two lost their posts at the university of Göttingen as they went against King Ernest Augustus I who dissolved parliament and demanded oaths of allegiance from all employees. But this film takes place earlier than that…In the early 19th century, Napoleon was seizing control of the world and had gained Western Germany. It is logical that Jacob, being rather outspoken and prone to not always thinking before he speaks, refused to do something similar to what happened at Göttingen, and lost his position.
Moving on…
Anyways, Will has gone on to be with some bar maids, while Jacob is scribbling in his book when a man charges in. It is the famous Italian torturer, Mercurio Cavaldi. He takes them to see French General Delatombe who is strangely played by the same actor who plays Elizabeth Swann’s dad in Pirates of the Caribbean.
They have discovered that the Grimms are conmen, having captured their other workers, and tortured them And this movie spares nothing, showing the men upside down and covered in snails.
Yes, snails. I mean I hate snails and that would be torture to me, but is having snails on you really painful? Let’s look it up! And I found nothing so I’m unsure why they would do that.
Anyways, Delatombe demands to know where the 10 missing girls are. Jacob and Will have no clue what is going on.
Apparently someone has stolen 10 girls from the village of Marbaden. The French General doesn’t like that the German people are not listening and reverting back to their cultural ways. He sends the Grimms and their team to solve the mystery, or be killed. The Grimms heartily go.
Meanwhile, two siblings have decided to go looking for the missing girls, Hans and Greta (Hansel and Gretal). The forest steals Greta’s scarf away from her, using it to eventually lure her away and capture her.
Hans races home to find his father.
Back in the villlage the town has gathered and are telling the Grimm brothers everything that has happened. Who has disappered and how they have disappered.
As they are talking, Hans rushes in and relates what has happened. The Grimms are eager to get started and ask for a guide. They recommend the “cursed one”.
They go see the “cursed one”, who turns out to be Angelika. Her father was a great woodsman, but died last year in the winter snow, although a body was never recovered. Her two sisters were the first to be taken, hence making her “cursed”.
Angelika doesn’t want to help, but the torturous Calvadi convinces her, by almost killing her with a knife. And then he starts hitting on her in the nastiest way. He’s just ew!
Yeah…
So with all parties in accord they journey into the forbidden forest.
Now I just want to stop and say that I really like that while the film is predominately English (of course) there is quite a lot of dialogue spoken in French and German. I like when movies do that. Good going guys.
Take note Hollywood
Back to the forest. Will is totally in his role saying how he “feels” things and can “sense” things.
And Jacob is all, whatever Will.
But he loves the forest as it seems as if all those stories he’s studied over the years are finally coming alive. In fact he believes that this particular story they are in is about King Childeric I’s beautiful Queen. She was the fairest of all, and cared only about herself. When the black plague came, she built a tower high above the forest and the dying people. Unfortunately she still caught it, but tried to use black magic to overcome it and live forever. The spell worked, but instead of remaining beautiful, she aged.
It has been over 500 years and Jacob believes that not only is she in the tower, but she is behind it all.
Will on the other hand thinks that is the stupidest thing he has ever heard
and that someone else is trying to con the villagers.
They find the tower in the woods, of which Angelika tells them that it was destroyed, but mysteriously grew back.
Ahhh!
Some of the first creepy things we see are all these ugly black bugs coming out of stuff. It’s like The Mummy beetles or something. Then the trees keep moving all around. If that was me I’d want to get out of there asap.
So far we have had beetles, creepy trees, and now birds. Creepy birds right out of a Hitchcock scene.
They want to leave and are trying to go, but can’t find the way as the trees have moved around.
While everyone is distracted, a wolf transforms into a person, the woodsman.
I guess a backwards wolfman?
And feeds one of the horses spiders. And guess which horse it is? Jacob’s.
He leaves and the Grimm team regroups eager to leave the forest. Angelika grabs a toad and talks to it, licking its belly so it will point the way.
DISGUSTING!!!!
At this point I was looking at Anjelika and thought, she looks really familiar. Where have I seen her before….?
So I looked her up and it was LENA HEADEY. Man that woman, I CAN NEVER RECOGNIZE HER. She looks different in like every movie she is in. From The Jungle Book, to The Brothers Grimm, to 300, to Dredd,to Game of Thrones; man I never would have realized her characters were played by the same person unless you lined them up next to each other. And probably not even then. You’re good Lena, real good.
So they make it back to the village. The Grimms are working as Cinderella’s in girls clothes, by orders of Calavadi.
I told you he was one real sicko.
Meanwhile, a little girl hears a voice calling her. She gets up to see where it is coming from and it turns out to be one of the horses making noises. She goes over to calm it down. ALONE!
Now this part always bothered me. We see how SUPER protective the father was of his daughter, and she knew that pretty much every girl has been captured and taken away, why would you do this alone? I would have woken up my father and been like I hear something come with me.
Now this part is truly disgusting with the horse. All these spiders come and make a web that grabs the girl, and the horse swallows her. The third most horrifying scene in this film.
It is so disgusting and horrible, but also very well done. The Grimm brothers and friends follow them and her and the forest is truly horrifying.
When the tree kills the man, just ouch.
Calvaldi believes that the Grimm brothers killed his men with the help of Angelika, and they all head back to see the General. Now this is the second most horrifying scene when they torture them, trying to get them to confess. They kill a kitten! A KITTEN! Why would they kill a cute orange kitten in this?
I mean seriously, what were you thinking?
They convince the General they will stop it and head back to the village.
Now in this moment I realized how much I absolutely love Jacob Grimm.
Jacob is a total fanboy!
He loves folk and fairy tales, and has studied them for so long.
And now he is actually in the story!! He gets to be the hero of his favorite thing to read!!! How awesome is that!!! That is like every fan’s dream. I know it was mine. There were so many places I always wanted to visit and so many tales I wanted to be the hero of. I AM JACOB.
Anyways so Jacob is really excited, but Will isn’t. In fact Will wants to take off and leave this all behind.
And what’s wrong with that? Doesn’t everyone?
Anyways, so Jacob tries to convince Angelika to help him out.
Will Grimm: Ignore him. He wishes his whole life was something out of a book. And now he thinks he’s in love.
Jacob Grimm: Shut up, Will!
Will Grimm: Angelika, do what your father wanted: leave the village now.
Angelika: No, Will. I’m gonna find my sisters.
Jacob Grimm: Will doesn’t care about them. Will doesn’t care about anything but himself!
Will Grimm: This isn’t a fairy tale. They are not coming back!
Jacob Grimm: This is not your world, Will! [to Angelika] Angelika, you know, don’t you? The story, it’s happening to us now. We’re living it. It’s-it’s alive, it’s real, it’s breathing. And we can give it a happy ending.
Angelika: Jake…
Jacob Grimm: Angelika, we’ll find your sisters. All right? We’ll bring them back.
Will Grimm: [getting angry] Bring back her sisters? [kicks Jacob] Bring them back? Bring them back with what? Magic beans?
Jacob Grimm: Why do you say that?
Will Grimm: Magic beans don’t work! They don’t bring people back to life! They did not then and they will not now! You go wait by the horses! Jacob, wait by the horses!
Will is such a jerk, I totally want to punch him in the face!
Will talks to Angelika, but Jacob will not be deterred and he runs off to the forest to try and save the girls.
But Will chases after him.
When Jacob punched Will in the face finally I was so happy. Yeah!!!!
Finally!
So now the brothers are back to being a team, but while they are doing that, back in the village comes the most horrifying scene ever. This is not for the weak of heart. I swear, this scene scarred me FOR LIFE! FOR LIFE!!!!
So Sasha is going to get water from the well, when a bird falls in and…I can’t do the scene justice, you’re just going to have to watch it yourself.
That ball of goo coming to life
Her face, eyes, and mouth melting away
Ahhh!
Then this black blob has her face and mouth and starts following her
AAAAAAAAHHH!!!!!!!!!!!!!!!
Then it goes inside and grabs her and eats her!
And turns into a cookie and runs away!!!
I am SCARRED FOR LIFE!!! It gave me nightmares, it made it impossible for me to eat gingerbread for a few years. And I wasn’t a little little kid when I saw this either. I was 13. This scene, it just
I have to move on now.
So the Grimms are in the forest. Will has helped get Jacob on top of the very high tower,
Don’t fall.
On the roof Jacob notices the coffins they saw before are numbered 12, like a clock.
Down below Will spots something strange in the water. It’s Sasha in a dress. He goes over to look at her, when the wolf comes.
He changes into a person and we see his face, seeing that it is Angelika’s dad!!! He goes over to Sasha and places her into a coffin. On her feet form glass slippers, and he takes one drop of blood, giving it to a raven to give to the queen upstairs.
In the mirror she looks beautiful and young, but in reality she is an old skeleton.
She starts to charm Jacob, while below Will has to deal with her woodsman.
The whole breaking the mirror destroys the power of the witch reminds me of The Picture of Dorian Gray. The only way to kill Dorian was to destroy his picture, the only way to kill this witch, break the mirror.
They run back to the village with Sasha, Will being the one to kiss the frog to find out the way. When they get there, Sasha is prounounced dead as she isn’t breathing, even though Will saw her walk to the coffin. While they are trying to figure things out who should show up but the French General and a mass of troops.
They declare that the Grimms are really behind it all, having killed their two workers who “confessed” it all.
They decide they are going to burn down the forest and the Grimm brothers. As they are tied up and ready to start the pyre, they toss in Jacob’s book, his collection of tales. All I could think was
Noooooooooo!!!!!!!
NOT THE BOOOOOOOOOOOKS!!!!!!!!!!!!!!!!!!!!!!!
Anjelika has been able to free herself and she goes and saves the boys from being burnt to a crisp. Jacob tries to save his book, but Will drags him off as his life is more important.
Noooooooooo!!!!!!!
NOT THE BOOKS!!!!
Now the Queen doesn’t appreciate anyone trying to destroy her home and sends out some magic that not only stops the flames, but takes out a few guys as well.
When the get into the forrest they run into the wolfman/huntsman who reveals to Angelika that he is her father. He was dying in the forest when the Queen found him and saved him. He is in love with her and would do anything for her. Even sacrificing his own children.
Not only did he take his two youngest girls first, but he snags Angelika to replace Sasha and complete the circle of 12.
I know he’s under a magic spell, but his OWN DAUGHTERS!!!
Will is totally unsure of what to do, while Jacob is in his element and has become even more attractive. Not only is set out on saving Angelika, but he also takes out the murderous General.
It must be nice for Jacob to be the hero for once, instead of Will.
I noticed something about the French, German, and Italians. Everyone who is not German is a crazy psychopath. We have the murderous, vain, evil Queen; the gloutton, tortourous, evil General; Calvadi the pervert and master of torture; and then the general’s right hand man just as crazy and creepy. I think it was on purpose, trying to show the way that the Germans thought of the invaders, how stereotyped and evil they are. It works for the film.
Jacob climbs up the tower to kill the queen, but the knife he picks up is enchanted and he ends up stuck to the wall. I know that he had no other weapon on hand, but come on! She’s an evil sorceress, anything in the room that belongs to her, chances are she can control them!!!
Will ends up following Jacob and when he gets there the Queen enchants the knives so that they have a duel to the death. (Just like I said they would)
I think that is a pretty jerk move to slip from the knife so you brother can kill you. I understand why you do it as it is the only way to free one of you and have him save the day, but it still is pretty mean.
As Jacob is trying to figure out what to do next, the Queen decides that dear old dad, is too old, and turns her attentions toward Will becoming her love slave. As she is turning Will, Jacob finally remembers the mirror and destroys it, killing the Queen.
So Jacob is the hero!
Jacob’s Hero List
Save the Girls ✓
Defeat the Evil Queen ✓
Save the Day ✓
Now if only he had a plan on how to get out of a crumbling castle.
He makes it out okay, but it looks like he celebrated prematurely. The girls are still dead, or really frozen in eternal sleep.
Spoke too soon
Jacob is lost in what to do, but Calavadi, who has now become a “Grimm-y”, tells him that in his home country there is a story of true love’s kiss waking the girl. Jacob goes to kiss Angelika, but Calvadi warns him that if the love is not true than Angelika will die!
Jacob goes for the kiss and…
The spell is broken. All the girls come out and are alive and well.
Jacob goes over to Will, but he’s not moving…
Spoke too soon
Jacob is heartbroken, but Calavadi reminds him that a kiss could wake him too. As Jacob goes, Will interupts him. Yep it turns out that Will the stinker is alive and fine. Angelika kisses him to “wake him up”; and then everyone returns to town. There the village throws a big party, happy to have everyone back.
Will Grimm: I’ve been thinking of an alternative career path.
Jacob Grimm: Will.
Will Grimm: One that uses all of our new expertise.
Jacob Grimm: Will.
Will Grimm: Now, I haven’t really sorted it yet…
Jacob Grimm: Will, Will, Will, listen. This is the real world. We’re-we’re men without a country, we’re enemies of the state, and worst of all we haven’t a single bean to our name.
Will Grimm: It’s a good name, though, isn’t it?
Jacob Grimm: It’s a damn good name. Let’s dance. Come on!
So how did I like it ten years later? I liked it. It made much more sense now that I was older and more used to this kind of film style. The CGI was pretty good for a 2000’s film, and the backgrounds were just beautiful. The story was so-so, but cute and funny, except for the three deranged parts. I don’t think this would be a movie I would purchase to add to my collection, but I definitely will re-watch it in the future.
janeaustenrunsmylife 