They’re Coming for Me Now…And Then They’ll Come for You: House on Haunted Hill (1959)

HOuseonHauntedHill

The ghosts are moving tonight, restless… hungry…In just a moment I’ll show you the only really haunted house in the world.

I have been trying to review this film since the first Horrorfest, but something always seems to gum up the works. This is one of my all time favorite horror films and my favorite Vincent Price film.

VincentPrice

Years ago I was at a yard sale, where I found this film, along with: Invasion of the Body Snatchers (1956), The Wolf Man (1941), The Stepford Wives (1975), Rebecca (1940), The Phantom of the Opera (1943), North by Northwest (1959), Family Plot (1976), Lifeboat (1944), The Creature from the Black Lagoon (1954), Notorious (1946), and The Night of the Hunter (1955).  

I had never heard of this film, but if it has Vincent Price you know I’m all over it.

ineedthis

Then I watched it and saw it is one of the best horror films ever made, with everything you could want:

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So do you dare continue on?

evillaugh

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So the film starts off with the scariest opening I have ever seen. All we have is a black screen and screaming from men and women.

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Can you imagine hearing that full volume in a darken theater?

shiver

I can imagine people were freaking out.

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We then are met by Watson Pritchard (Elisha Cook Jr.) who warns us about the house and how we should stay away:

Watson Pritchard:The ghosts are moving tonight, restless… hungry. May I introduce myself? I’m Watson Pritchard. In just a moment I’ll show you the only really haunted house in the world. Since it was built a century ago, seven people, including my brother, have been murdered in it. Since then, I’ve owned the house. I only spent one night then and when they found me in the morning, I… I was almost dead.

AAAAAAAAHHH!!!!!!!!!!!!!!!

AAAAAAAAHHH!!!!!!!!!!!!!!!

We then cut to wealthy businessman Fredrick Loren (Vincent Price). He has rented the House on Haunted Hill for a party,

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inviting five people to attend and promising them each $10,000 if they stay the whole night.

As soon as they pull up to the house, strange things begin happening. A chandelier almost kills a guest when it falls,

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And another guest gets knocked unconscious,

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And it doesn’t stop there. It turns out that all is not happy with the Loren life. Fredrick is angry with his wife as he believes her to be a gold digger and trying to murder him.

Frederick Loren: Do you remember the fun we had when you poisoned me?

Annabelle Loren: [laughs] Something you ate, the doctor said.

Frederick Loren: Yes, arsenic on the rocks…[grabs AnnabelleAnnabelle, you’d do it again if you thought you’d get away with it, wouldn’t you?

But Annabelle (Carole Ohmart) says that he is a jealous, crazy psychopath who has already killed three wives and is going to add her to his dead list.

Annabelle Loren: My husband is sometimes insane with jealousy. Nothing matters to him!

Lance Schroeder: Would he hurt you?

Annabelle Loren: He would kill me if he could…You know, of course, that I’m his fourth wife. The first simply disappeared; the other two died…All his doctors said heart attacks. Two girls in their 20s. Lance… I don’t want to join them.

Who is telling the truth? Who is lying? And which is a killer?

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We are given the history of the house with its gruesome murders, from beheadings to being thrown in acid.

Ahhh!

Ahhh!

They are locked in with no way out, one guest is nearly strangled to death, one having a nervous breakdown, and one murdered!

AAAAAAAAHHH!!!!!!!!!!!!!!!

AAAAAAAAHHH!!!!!!!!!!!!!!!

Which one is the killer? Or is it a ghost?

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Watch it yourself to find out. I will not ruin the ending of this masterpiece.

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To start Horrorfest V from the beginning, go to Who You Gonna Call?: Ghostbusters (1984)

For the previous post, go to That’s What We’re Trying to Find out! We’re Trying to Find Out Who Killed Him, and Where, and With What!: Clue (1985)

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For more Vincent Price, go to No Mere Mortal Can Resist the Evil of the Thriller: Thriller (1983)

For more ghosts, go to Night on Bald Mountain: Fantasia (1940)

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So everyone:

Happy Halloween jack-o-lantern

By the time this posts, I know Horrorfest won’t be finished, so you know what I’ll be doing tonight; but whatever you do I hope you have fun, get candy, and stay safe!

Remember:

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What Are the 39 Steps?: The 39 Steps (1935)

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Beautiful, mysterious woman pursued by gunmen. Sounds like a spy story. That’s exactly what it is.

This is another one of Alfred Hitchcock’s little known gems, and celebrating its 80th anniversary. I know many of you might be wondering why I chose this film and Jamaica Inn instead of The Birds or Vertigo. I don’t know, I guess I just feel like everyone talks about those films, and no one talks about Hitchcock’s earlier works, which were also fantastic. Maybe not as stylized as he didn’t have money and the technology wasn’t as great; but they are good stories with amazing suspense.

Suspense have to know

So the film is based on a book of the same name by John Buchan. It has been remade in 1959, 1978, and more recently in 2008. I have only seen Hitchcock’s and the 2008 version, but so far this is my favorite.

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I first became aware of this film when I bought a DVD for a dollar at Wal-Mart that had 4 Alfred Hitchcock films: Easy Virtue, Sabotage, The 39 Steps, and Jamaica Inn. As I was watching the film, the DVD froze right in the middle, making me unable to know how the film ended.

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Now if you have never had this happen to you in the middle of a Hitchcock film then you are lucky that you don’t know how excruciatingly painful it is to be stopped in the middle. How does it end???? I was going crazy, until my mom told me that she might have a VHS copy of it. I searched every inch of our film cases, until I found it. Watching it and loving it.

Finally something GOOD!

One thing I really like about this film, is that it is one of Hitchcock’s earliest films to have the theme of an ordinary person, caught up in extraordinary circumstances.

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I’m not sure if it is the first as I haven’t seen all of his silent films. They are hard to get copies of.  So let’s get started on the prelude to SaboteurNorth by Northwest, The Man Who Knew Too Much and all those other great regular joes getting a most irregular experience with The 39 Steps. 

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This film was made in Britain, so the opening is very different, not the usual Hollywood or FBI warning type things you see.

The music hall has a special guest today, Mr. Memory a man who knows everything as he commits to memory 50 facts a day. Richard Hannay has decided to come and watch the program with countless others, as it is a full house tonight. And of course, lots of hecklers, as this isn’t a super high class program, we have working and middle class attending. People are questioning Mr. Memory, but the program stalls when some drunks start brawling and create a hoopla. Two shots ring out and everyone flees.

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A woman runs into Hannay and he helps get her out of the building. She asks to come home with.

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Richard is a bit wary, but agrees.

The two go to his apartment, his temporary one as he is not permanent here. He just came from Canada but travels all over Canada, England, Scotland, and Ireland for his job.

When they get inside Hannay notices that the girl starts acting strangely. She will stand away from windows and close to the walls. She asks him to move a mirror around, and to close the curtains on the windows. The phone rings and she pleads him not to answer as she is sure “they” are calling for her.

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He gives her a drink which she gulps down, clearly frightened about something. She is ready to give him an explanation, but not until they move to the more secure kitchen instead, of which she closes the curtains.

The phone rings again, Hannay compiling to her wishes, but finding the whole thing strange. Even more when she asks for something to eat.

Weird

Weird

She tells him to call her Annabella Smith, it is not her real name, as she changes it wherever she goes. Hannay starts cooking her some eggs, when they hear a thump of the stove being turned on, which frightens Annabella. Hannay assumes it is because of the gunshots they heard earlier, but she tells him she was the one who fired the shots.

Say What

Annabella tells then there were two men there that wanted to kill her. Hannay doesn’t believe her.

Richard Hannay: Beautiful, mysterious woman pursued by gunmen. Sounds like a spy story.

Annabella Smith: That’s exactly what it is.

Annabella tells him everything; she is a secret agent with no country, helping whatever one she chooses. She is here to help England, not because she loves the country but because they pay well. There is an agent that is trying to get vital information on England’s defense out of the country and she is here to stop it.

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Richard doesn’t believe her at all. She then tells him to look down in the street. When he does he sees a man waiting by the light post looking up trying to see into the apartment!

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Hannay believes Annabella is telling the truth. Annabella is scared and knows that Hannay is now stuck in this mess. That is when she decides to give him her secret.

Annabella Smith: Have you ever heard of the 39 Steps?

Richard Hannay: No. What’s that, a pub?

With that smart aleck reply, Annabella decides to tell him no more, it is all up to her she is the only one who can stop them. Hannay asks her why she doesn’t tell the police, but she points out that they will have the same response he did. She also warns him about how clever the spies are, especially the head agent.

Richard Hannay: Who is he and what is his name?

Annabella Smith: He has a thousand names can look like anyone, only thing he cannot hide is a missing finger.

Richard offers Annabella his bed while he takes he couch. She tells him the only other thing she needs is passage to Scotland, there is a man there who can help her. Richard asks if the 39 Steps are in Scotland, and she tells him they can talk more about it tomorrow.

Majorly

Majorly

No, no, no, no, no, no, no. If you have important info you do not wait until later, you give it now. Whenever people say they will save it for later, they die, and then the others have to try and figure out what they meant.

Every time!

Every time!

That night Anna wakes him up screaming throwing a paper at him. And then she’s dead!

AAAAAAAAHHH!!!!!!!!!!!!!!!

AAAAAAAAHHH!!!!!!!!!!!!!!!

And the phone keeps ringing, Hannay wants to answer but doesn’t . He looks out the window and sees the man still waiting outside. He hears everything Anna said in his head again, these men will stop at nothing.

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He grabs the paper from her dead hand and sees it is a map of Scotland, with an area circled. There is only one thing for Hannay to do, get himself to Scotland.

Hannay takes off the next morning, wearing his hat low to hide identity. He waits in the lobby, running into the milkman. He asks to buy his clothes, saying that he is truing to get away from murderer and spy, but the milkman doesn’t believe him. He then tells him that he spent the night with a married woman, and her brother and husband are waiting to beat him up. They milkman feels sorry for him, and they trade clothes, with Hannay running off to the train The Flying Scotsman, heading to Scotland.

Hannay shares a compartment with three guys. One buys a newspaper when they stop at a station. They read that a woman was murdered in West End near the BBC. There is a picture of the owner of that flat. Luckily, in the picture, Hannay has his hat on low, so it is hard to recognize him.

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Richard walks out of the compartment and heads over to the policeman, thinking about turning himself in, as he didn’t do it he should be proved innocent. Right? Wrong! He hears the police to another person say that the evidence they have is enough to hang the man. Hannay decides to forget that, he wants to live.

He goes back to the train but the spy’s henchmen have caught up with him. He runs into another compartment with a woman, stopping to kiss her. The men pass them by.

He tells her he is in need of help, and that these spies are after him. He asks her to lie and say they are together. But when the men come back, she gives him up.

How rude

They question him, are you Hannay and he says no.

Just then the porter comes in and I just love this scene here so much:

Porter: Are you coming in for tea, Sir?

Richard Hannay: I’ll be right along

Instead of going out the regular door, he then goes right through the exiting door even though the train is still going. Afterwards, he crosses into another compartment and runs down the hall. A great scene done by the master. You have to watch it.

He runs through the dining car, stopping at the pet and luggage, with the henchmen close behind. The engine masters are angry as the henchmen pulled the chain to make the train stop, sure that Hannay jumped out. And he did. He is hiding on the bridge barely hanging on waiting for them to all leave.

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The train leaves, reducing Hannay to be to walking about Scotland. He reaches he circled area and stops at a country house, in the area.  He pretends to be looking for work and asks about newcomers to the area, being told of an Englishmen in town.

As night is coming he asks to stay, paying for food and lodging. There is a young girl at the home, and he thinks it is the old man’s daughter, but she is actually his wife.

clueless mybad oops

He sits at the table while she cooks dinner.

The wife is from Glasgow and tells him about how nice it is, and you can clearly she misses it. Hannay tells her that he has never been there but London, Montreal, and more. She wnts to know more about London and he answers her questions.

He asks to read the paper, and sees another article on him.

Later during dinner, while the husband is praying, his wife looks at the paper. She figures it out and makes a face to Hannay, then the two then stare at each other. Her husband is a bit worried that they might have done something, so he makes up an excuse and goes outside watching them through the window.

He's creepin' in your windows. He's starin' at your people.

He’s creepin’ in your windows. He’s starin’ at your people.

That night, the wife hears something, getting up and waking Hannay so he can flee. As she is getting him out, the husband gets up. He thought those looks were about getting it on, and he thinks they are trying to get together now. Although Hannay is fully dressed, but you know how jealousy blinds

Hannay tries to explain, but the wife urges him to leave. He says the police are after him and is willing to pay for the man for silence. He agrees to this, telling his wife to put Hannay in the barn. The wife knows the husband will betray him, so she gives Hannay her husband’s dark  coat and Hannay thanks her, running off.

Along came a spider morgan freeman running

The men walk across the moor searching for Hannay. They are having to crawl through the hills and rocks, running like in Invasion of the Body SnatchersAlthough Hannay has to cross gushing streams and rivers.

Hannay flees to the Englishmen’s house, Professor Jordan, asking to come in saying he is from Annabella Smith. He goes in, and when the men later reach the house and ask the maid if Hannay has come by, she tells them there has been no one for half an hour. She lied to help him? Maybe this really is the guy Annabella wanted to see.

Then again I could be wrong.

Then again I could be wrong.

So Annabella’s name gains him access to the house. Professor Jordan in charge asks him to wait a bit as they are celebrating his daughter’s birthday. He introduces Hannay to his wife. Hannay is then introduced to all these movers and shakers in that area of Scotland. Professor Jordan tells him to look at the view, where they see the men searching the river for Hannay.

h party beaks up and the professor locks them in the room. Hannay tells him that Annabella was murdered that is why he came. Professor Jordan asks him why he came to see him, and Hannay tells him how Annabella was coming to warn him about the foreign agent.

Professor Jordan: Did she tell you what he looked ike?

Richard Hannay: There wasn’t time. She did tell me he was missing a finger.

Professor Jordan: Which hand?

Richard Hannay: [holds up left hand] this one I think.

Professor Jordan: Are you sure she didn’t mean this one? [holds up right hand and reveals he is missing his pinky finger.]

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Too bad for Hannay, the professor has been playing him since the beginning. The professor decides tat the only thing to do is kill Hannay. He lives in Scotland as a respected citizen, he can’t have him there starting rumors or saying things against him. Besides he has his information on the defense of England and needs to get it out of the country. He tries to get Hannay to commit suicide, as it is much tidier, butHannay says no so the professor shoots him in the heart.

WHAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAATTTTTTTTTTTTT????????!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Noooooooooo!!!!!!!

Noooooooooo!!!!!!!

And this was where my DVD died. Is that it? Is he dead???!!!! How could they do that???? Is that all there is????????

Noooooooooo!!!!!!!

Noooooooooo!!!!!!!

In the next scene we see out country couple. The husband is searchiung for his hymn book but can’t find it. It was last in his overcoat. Turns out that it stopped a bullet for Hannay.

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Hannay goes to the sheriff telling him everything. The Sheriff eagerly listens and says he will happily help him.

Finally something GOOD!

Finally something GOOD!

Turns out all a lie, the Sheriff just playing him until the henchmen, who he believes agents of the government, come to get him. He tells the sherif to call Scotland Yard in London. but he won’t as they men will be taking him there. Yeah right, they are going to kill him. Hannay manages to get away, breaking through a window and joining a Scotland parade to hide. He then quickly ducks into an assembly hall. They are waiting for their speaker who is running late and assume it is him.

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He sits on the stage he is thrust on. They introduce the professor they are waiting for, and Hanny finds himself on stage.

Richard Hannay: Ladies and gentleman I apologize for my hesitation in rising just now, but to tell you the simple truth I’d entirely failed while listening to the chairman’s flattering description of the next speaker to realize that he was talking about me.

He has no idea what he is supposed to be talking on, and as he is talking, He looks into the crowd and spots the women he used earlier on the train.

He starts asking the crowd what they want to talk about. He grabs onto the topic of the “idle rich” and starts ranting about what he has been through carefully hiding it between political speech.

Richard Hannay: I know what it is to feel lonely and helpless and to have the whole world against me, and those are things that no men or women ought to feel.

It starts a huge momentum as everyone is cheering and wanting to shake his hand, helping him sneak out, but then he is grabbed by the henchmen, lead by the girl.

He asks the girl to help him, telling London the information. The two guys look at each other and decide it is better to be safe than sorry, telling the girl, Pamela, she has to come with them.

They drive to the “police station”, passing it as they are going to another one 40 miles away. We know they aren’t, something Hannay tries to get Pamela to understand that they are taking them to the spy, Professor Jordan, to kill him. They have to stop the car as a huge flock of sheep are in the way. They handcuff Hannay and the girl together, as they go to move the sheep.

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As soon as they are gone, Hannay gets out of there dragging the girl with him. They hide under a bridge, Hannay forcing her to be quiet until the men pass. Lucky it is a foggy night, as the two run through the moors. The girl tries to escape, but Hannay keeps pulling her along.

The two’s dialogue is just amazingly hilarious as they constantly bicker and fight.  Hannay is angry as he has not only told her three times of his innocence, but the men clearly taking them 40 miles “to the police station” and going the wrong way should prove his innocence. But she won’t listen. As she insists he is a murderer Hannay decides to use that to get her to do what he says.

They find an inn, and go inside. Hannay tells the innkeeper that they are man and wife, and he asks for a room and supper. He tells Pamela he has a gun, his finger in his pocket,  which gets her to sign the book for them. She tries to get her away, but he keeps pushing her on with him. Hannay also tells the innkeeper they are a runaway couple, with people after them. People used to elope to Scotland all the time, so the innkeeper doesn’t find it strange but romantic.

Hannay tells Pamela she should take her skirt off as it being wet could make her sick. She refuses, but takes her stockings off, and as they go over to the fireplace, Hannay hangs them up for her.

She doesn’t want to lie on the bed, but Hannay makes her as he is tired, and where he goes she goes. As I said before their conversation are hilarious. He starts making up lies about killing as she thinks he is a murderer. But you can tell they aren’t true as he is being sarcastic. The film is worth watching for the amazing dialogue. I wish I could get a copy of that scene to place here.

I love it

The two go to sleep. The professor/spy leader prepares to move out, and try to take care of this Hannay problem.

Meanwhile, the Pamela has woken up.

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She tries to use the nail file to pick at the lock but when that doesn’t work, squeezes her wrist out, rubbing it raw. She sneaks away and starts downstairs.

She sees the men who she was in the car with and plans to go to them, but overhears them talking on the phone and realizes Hannay is telling the truth about everything, They question the innkeeper about the couple, and before he can answer, his wife comes down and chases them all out.

The girl heads upstairs, feeling sorry for being so mean and cruel to him, when he’s been given a rough break. She goes to the couch and goes to sleep.

The next morning, Hannay finds himself free of the  girl. He is freaked, but sees her on the couch. He asked her why she didn’t leave and she tells him everything she overheard. Hannay starts putting everything together, and is angry that the men didn’t stay the night but left right away. The two rush over to the London Palladium, where the men said they would pick up the “package”.

In London, Pamela goes o Scotland Yard to tell them all the information from Annabella. They don’t really believe it and ask for Mr. Hannay, but she won’t tell him.

No thank youhowaboutno

She rushes out to the Palladium to find Hannay, Scotland Yard detectives behind her. They shut the Palladium down  as they are truing to catch Hannay once and for all.

Through binoculars Hannay sees that the professor is there. Hannay isn’t sure what to do, when he is joined by Pamela. When he hears the tune he has been whistling everywhere. It’s Mr. Memory!

That's it!

That’s it!

He must be the package they are after and want to get rid off. Scotland Yard finds Hannay, arresting him, when he shouts out “What are the 39 Steps? As Mr. Memory answers, the professor shoots him.

The professor tries to flee, but he didn’t know that all the exits were blocked. Hannay asks Mr. Memory about the information, and he reveals that it was a huge job to memorize, plans to build a new ship. After talking a little about them, he dies, and it is all over for Hannay. He is cleared and able to go on his way, now with Pamela in the picture.

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What a great film. And very under appreciated. You should watch it and love it, as it is amazing.

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To start Horrorfest IV from the beginning, go to You Cannot Conquer It. It Has Conquered You!: Dr. Jekyll and Mr. Hyde (1931)

For the previous post, go to A Modern Mummy: Under Wraps (1997)

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For more Alfred Hitchcock films, go to That Place…There’s Queer Things Goes on in There: Jamaica Inn (1939)

For more films based on books, go to They’re Here Already! You’re Next!: Invasion of the Body Snatchers (1956)

There’ll Be Somebody With My Name…But She Won’t Be Me!: The Stepford Wives (1975)

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I won’t be here when you get back, don’t you see? It’s going to happen before then. Don’t ask me to explain it, I just know. There’ll be somebody with my name, and she’ll cook and clean like crazy, but she won’t take pictures, and she won’t be me! She’ll – she’ll, she’ll be like one of those the robots in Disneyland.

So first, happy 40th anniversary! February 12, 1975 brought this great film to us.

So one day I was spending the night at my friend’s house, and her grandmother had a massive movie collection, although nothing made past the ’90s. We were trying to figure out what to watch, when she chose The Stepford Wives (2005). I thought it was funny, and even bought it for myself when it was on sale for $5 at Wal-Mart.

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Then I was at a yard sale, where a friend who has a monster horror/mystery film collection was selling all the VHS he had just bought DVDs of. I saw The Stepford Wives (2004) and was shocked. There was another version of the film?

Say What

I bought it; along with Invasion of the Body Snatchers (1956), The Wolf Man (1941), Rebecca (1940), The Phantom of the Opera (1943), North by Northwest (1959), House on Haunted Hill (1950), Family Plot (1976), Lifeboat (1944), The Creature from the Black Lagoon (1954), Notorious (1946), and The Night of the Hunter (1955).  I really cleaned him out.

ineedthis

Then one day, I decided to watch The Stepford Wives (1975). And I LOVED it! I thought it was sooooo much better than the remake, in fact I never even watch the 2005 version anymore. I really should just donate it to the library or thrift store.

So this film was based on a novel, in fact written by the same man who wrote Rosemary’s Baby, Ira Levin. Funny that I should review both films the same year. I didn’t even realize they were by the same person until right now.

Anyways, on with the review.

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The film starts out with Janna Eberheart (Katherine Ross) saying good-bye to her apartment they have been living in in the city.

Sadface Batman

She doesn’t want to leave, but moving to the suburbs will be better for her two young kids.

Now Katherine Ross is extremely beautiful, and her husband is only so-so. How did he score such a ringer? Not  to be mean, but he looks old and is balding, and looks like the type to get a beer gut.

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They are unpacking their stuff when a beautifully coiffed woman comes over with a casserole, Carol Van Sant. She walks and talks a bit weird, almost unearthly in grace.

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Later Walter is walking the dog and tells his neighbor, she cooks as good as looks.

Men

Men

So it turns out that Joanna definitely did not want to move. It was all her husband’s idea. He thinks it is safe, secure, and there is more room for the kids and Joanna to have dark room for her photography. Joanna is still not pleased.

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The next day Joanna’s kids take the bus to school. All the other kids are too perfect and not rowdy at all. Weird.

What! Mark Wahlberg that's weird

Now that the kids are gone, what is the city girl gonna do? She has tea, clearly bored.

StirsTea

She does get interviewed by neighborhood lady, who writes the women’s magazine. We found out that Walter Eberheart, her husband, is a lawyer; while is an inspiring photgrapher. The thing she misses most about New York? The noise.

The next day she goes to return the casserole dish to neighbor, when she sees a guy come up from behind and start feeling her up and kissing her. It is mid morning! Is that her husband? And what is he doing here instead of at work? Weird.

weird

That night Walter tells Joanna how he has met the other Stepford commuters. They invite him to Men’s Association. It has only one rule, men only. Joanna is not pleased.

Men

Men

We see that their relationships actually are having some problems that have been happening for a while.

Joanna Eberheart: You pretend we decide on things, but you have already decided on everything. You ask me if I want to move out of city, and I find you have already been looking. You ask me if I like this house place and I find that you have already made a down payment. You ask me about the men’s association and you have already joined. Why even bother to ask me at all.

When they go out grocery shopping, it seeems as if all the other women are more in control of their kids, have planned out their list better, being perfect; while  JOanna harried and forgetful.

Carol coming out of market, and gets into a car crash. She is taken by the ambulance, and keeps repeating herself over and over as if stuck on something.

Joanna Eberhart: [ambulance drives off] We may be new here, but isn’t Stepford Hospital that way?

Walter Eberhart: Oh, no, no, no, you’re wrong… No, no, you’re *not* wrong, the ambulance went *that* way, didn’t it?

What! Mark Wahlberg that's weird

That night Joanna wakes up in bed alone, and hears something downstairs. It is Walter in front of the fire, as he just got back from mens association. He is upset and drinking. What’s going on? Why is he so sad and upset? What did the men do?

suspicious Hmm

The next day Bobbie Markowe (Paula Prentiss) comes to see her after reading about her in the lady’s paper. You notice she is the only other woman wearing pants as well.

Bobbie is like Joanna. She moved her from New York, not her decision but her husbands. She isn’t perfectly coiffed and doesn’t have a spic and span house. She is normal and the two quickly become friends.

stepfordwivesweirdwhat is going on

That night Joanna is working in her dark room developing pictures. Walter calls and tells her the meeting will be at their house, in 20 mins. That’s really short notice to be given, what if the house was a mess? But i suppose those guys think a house should always be perfect.

After Walter gets off the phone, Dale, leader of the men;s association tells him he recognizes that Walter is not altogether sure, telling him not to worry the change is for the better.

Gilmore girls creep

So while Joanna is pouring teas and coffees, Dale is watching her, he likes seeing women in domestic settings.

Joanna Eberhart: Why do they call you Diz?

Dale Coba: Because I used to work at Disneyland.

Joanna Eberhart: No, really.

Dale Coba: That’s really. Don’t you believe me?

Joanna Eberhart: No.

Dale Coba: Why not?

Joanna Eberhart: You don’t look like someone who enjoys making other people happy.

Joanna sit in on the meeting, One guy draws Joanna, as the rest of the men talk about charity events they could do. The men are absolutely boring and horrible at planning and deciding on something. She goes to check on the kids to get out of there.

Bones David Bored I;m bored boring

They all stop talking as soon as she leaves. Hmm…interesting.

When she comes back, the meeting breaks up and the guy gives her the drawing of her.

Ike Mazzard: [Handing drawing to Joanna] In case you’re wondering what I’ve been doing.

Joanna Eberhart: You’re not the Ike Mazzard are you?

Ike Mazzard: I’m afraid so.

Joanna Eberhart: Walter tell him, I’m just awful on names. You’ll have to forgive me. I used to gawk at all those girls in those magazines. You blighted my adolescence, you know that?

Walter Eberhart: [Grinning] I thought I benighted your adolescence.

Joanna doesn’t like the men, as she thinks they are boring. The women, besides Bobbie, are not friendly and also don’t seem to think that much beyond how they look or how to cook. She thinks her husband is acting weird by hanging with these people.

Dale give a barbecue, and Joanna and Bobbie dress casual; Joanna in a nice sundress and Bobbie in pants. However, all the other women are dressed SUPER fancy in long dresses. Joanna and Bobbie feel really out of place, but can’t quite put their finger on why exactly.

Joanna Eberheart: It’s all so dazzling, so why don’t I like it. I like it but I don’t like it. Does that make sense?

Carol starts talking to them, but keeps repeating herself. Something is not right with her. Is she drunk? Or is it something else?

Really?

The next day Carol comes and apologizes to Joanna and Bobbie. She explains that she used to be an alcoholic, one of the reasons why they moved out of the city, and the reason why I was acting weird last night. I had started drinking again. Her husband made her come apologize to the newcomers, didn’t want to frighten them off.

stepfordwivesweirdwhat is going on

So strange to Bobbie and Joanna. Both ladies did women’s liberation in New York and decide they need to start something here in Stepford. They start inviting women, but they don’t really care and don’t want to. One too busy ironing, one too busy baking, another shopping, etc.

The last person they see is Charmaine. She is relatively new, only been here a little bit longer than Bobbie. She heard that the girls wanted to start meeting, and wants to join as she has had a hard time connecting. She used to play tennis with one girl, but now she is far too busy cooking and cleaning.

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One of the men wants to do a speech experiment with her. Needs to know every place you have ever lived, and you have to read off a vocab list he made up. Joanna won’t do it, unless the wives come to her meeting.

Joanna Eberhart: I’m very busy…just like your wife. Bobby and I tried to involve her in one of our projects, but she had too much ironing. Maybe you could convince her. Kit Sundersen, too. If they could find the time for me… I could find it for you.

Claude Axhelm: Isn’t this uh… kind of blackmail, Joanna?

Joanna Eberhart: It’s what made this country great, Claude.

They have the Women’s Liberation meeting, but the other wives don’t seem really into it. Joanna starts by saying she thinks walter cares more about law than her. Charmaine says that she doesn’t think her husband ever loved her, but only married her because she looked right. After that emotional piece, one of the wives says she didn’t bake any thing yesteday  because she didn’t finish cleaning. Then all the “other wives” start talking about products they use, sounding like a commercial.

So weird.

Joanna goes out for a walk with her dog, when she is gone men come over and looking at room and all her stuff. They leave after their observations.

The next day, Bobbie and Joanna run into an older woman who tells them about a new family coming to Stepford, a black family. She says it doesn’t surprise her as Stepford is the most liberal place. Bobbie and Joanna are surprised and find out they used to have a ton of women’s groups, including a huge Women’s Liberation. What happened?

They go see Carol, who they discovered was the leader of the Women’s Liberation in Stepford. She tells them it died out because the women got bored.

Joanna Eberheart: Is it enough?

Carol Van Sant: It is enough for me, maybe not for you.

Joanna goes to New York to show some photographs to a gallery, but the owner turns her down. When she returns, she discovers that her dog is gone. She and Bobbie start driving around looking for him when they see Charmaine’s Tennis courts being destroyed!

Whattheheck

They go see her and she is dressed like other wives and acting like them. She only cares about making her husband happy. Fired the maid and wants to do all the cooking and cleaning herself. She’s letting her husband get the heated swimming pool that he always wanted.

what what'shappeningSupernatural

Both are freaking out about this. Bobbie is convinced that they must be poisoning the water or something. She wants to take a sample and give it to a trustworthy chemist, but doesn’t now any. Joanna does, and when they give it to him; there is nothing in the water.

Bobbie is scared.

i'mscared

She wants to leave, and is planning on asking Dave tonight to move. She doesn’t want to become one of those women.

Creepy!

Creepy!

Joanna wants to leave, but Walter doesn’t. After a bit of pleading, he gives in. But is it too late to move?

OhNOthisisgonnabebad

They start looking in different areas together. Dave, Bobbie’s husband is mad about house hunting. He was so upset that he almost canceled their annual trip to plaza. Bobbie has Joanna take care of her kids.

The kids are crazy and loud, and Walter hates it. Joanna takes tons of photos while kids are playing. Joanna is working in the dark room making Walter have to care for the kids. He wants Joanna to take over as he is tired and can’t think of anything else to do. Joanna tells him too bad, she deals with it every day.

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Joanna goes to New York to get a gallery owner to look at them, thinks they are amazing.

Double double yay

Joanna goes to tell Bobbie about gallery accepting her work, but Bobbie doesn’t even care. She just wants to discuss clothes, looks, cleaning, all about taking care of Dave.

Noooooooooo!!!!!!!

Noooooooooo!!!!!!!

They’ve gotten to her, and she is no longer the same.

Joanna tries to tell Walter what is going on, but he doesn’t understand and won’t listen. He just keeps telling her that she is crazy!

Noooooooooo!!!!!!!

Noooooooooo!!!!!!!

Joanna is going to leave, and planning on it today. Walter stops her, telling her they will move, but only if she sees someone. He tries to get her to see one in town, but she refuses. She wants to find her own person and someone far from Stepford.

Getting out of here

Getting out of here

Joanna visits a doctor far way, but is afraid to tell doctor the real reason why she wants to leave Stepford. Ater four months Charmain changed. After four months Bobbie chnged. And four months is how long Joanna has been in Stepford. She’s afraid that whatever changed them will change her as well.

Joanna Eberhart: I won’t be here when you get back, don’t you see? It’s going to happen before then. Don’t ask me to explain it, I just know. There’ll be somebody with my name, and she’ll cook and clean like crazy, but she won’t take pictures, and she won’t be me! She’ll – she’ll, she’ll be like one of those the robots in Disneyland.

Dr. Fancher: Alright, now listen. I’ll give you a prescription which you have filled, then you gather up your children and you GET THE HELL AWAY! Don’t tell your husband, don’t tell anyone, just go, wherever you feel safe. Now, do you have family?

Joanna Eberhart: They’re dead.

Dr. Fancher: Well, just drive, and stop some place. Then in a few days – I’ll be back on the 10th – you ring me, I’ll come to you, and we’ll sort this thing out. Now how does that sound?

Joanna comes home and plans to do just that. She goes upstairs looking for kids, but they are not here.

OhNOthisisgonnabebad

Joanna wants to know where they are, but Walter won’t tell her. He tries to get her to go upstairs and lie down, grabbing her.

gaslightingrid-bergman-theredlist

They fight and Joanna breaks away, going upstairs and locking herself in. Oh no, just like in Rosemary’s Baby! But it didn’t save her!

rosemary'sbabyknife

The phone starts blinking, and Joanna can see that he is talking to someone. While he is on it, she sneaks out of the house and heads off to Bobbies to look for her kids. But when she gets there, they aren’t there.

After she short circuts Bobbie, she heads back home. When she gets there, she smacks him in the head with a fireplace poker, demanding to know where her children are.

batmanBamSmackKaboom

He mutters “association” and Joanna decides to head out there. When she gets there she hears her children’s voices calling, follows the sound and it turns out to just be a recording. It was all a ploy to get Joanna there.

Noooooooooo!!!!!!!

Noooooooooo!!!!!!!

Joanna Eberheart: Why change the women?

Dale Coba: Because we can we make them perfect.

 But Joanna won’t just go down, she still has a lot of fight in her and takes off running. She gets lost in the hallways and opens a door to her bedroom.

what what'shappeningSupernatural

Camera slowly pans…………..tension building…………dun dun dun dun dun….and we see:

Her!!!! Brushing her hair with her black demon eyes. Robot Joanna. Body even more perfect. Probably one of the creepiest moments in any horror film, of all time there.

AAAAAAAAHHH!!!!!!!!!!!!!!!

AAAAAAAAHHH!!!!!!!!!!!!!!!

Next day all in supermarket, talking to each other.

And we end seeing that new family in town, fighting the same way everyone else did previously. They are next on list.

Noooooooooo!!!!!!!

Noooooooooo!!!!!!!

TheEnd_Title_2

So after watching this a second time, there are a few things I have noticed and wanted to bring light to now that the “real” review is over.

1)The Husband was the one who wanted to move. So I wonder, did Walter know ahead of time that the town was like that? Is that why he choose Stepford out of any other suburb?

paris-whenitsizzlesaudreyhmmHepburn

2) The clothes are great with the differences. Joanna and Bobbie are the only ones “in” with current fashion. They wear jeans, crop tops, no bras, and show lots of skin with their mini skirts and shorts. Originally the directors wanted the robot women to be “playboy bunnies”, but I think it was better having them in nice, lacy dresses. It definitely shows an extreme difference between the “fixed” women and those “still in need of alterations”. Plus the women in those dresses, defintely is a throwback to not the ’50s, like most assume: but the turn of the century. I mean look at those clothes, throwback to a time when women really had no rights. Or at least that is my views on the whole thing.

stepfordwivesweirdwhat is going on

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1975StepfordWives

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To start Horrorfest IV from the beginning, go to You Cannot Conquer It. It Has Conquered You!: Dr. Jekyll and Mr. Hyde (1931)

For the previous post, go to Because I Am Mad, I Hate You. Because I Am Mad, I Have Betrayed You: Gaslight (1944)

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For more on evil robots, go to We’re Mad Scientists. We’re Monsters: Avengers, Age of Ultron (2015)

For more by Ira Levin, go to What Have You Done to Him?: Rosemary’s Baby (1968)

For more husbands that are more than what they seem, go to She Cries in the Night: The Screaming Skull (1958)