October 12, 2021 by L.

Murder in High C: Murder She Wrote (1995)

So you know what that means: Horror TV episodes Tuesday

I know this is a little odd, TV episodes on a Tuesday instead of Friday as I’ve been doing for the past few years?

Well this year October 1st started on a Friday and it just doesn’t seem right for Horrorfest to start with a review of a TV episode.

So instead we will be reviewing TV episodes on Tuesdays, TV Tuesdays.

And our next TV episode comes from Murder She Wrote.

I love Murder She Wrote, as I grew up watching the reruns on TV Land and Hallmark. The story was of widowed, retired school teacher, Jessica Fletcher (Angela Lansbury) who becomes an author-published under the name J.B. Fletcher.

As she goes about life she gets pulled into all these different murder mysteries, using her intellect and observational skills to solve the crimes.

Today’s pick is one of my favorites from Murder She Wrote, because of all the possibilities.

This episode takes place in season 11. Jessica Fletcher has become an international bestseller and has made friends with people of various backgrounds from all around the globe. In this episode Jessica is in Italy, excited for her friend Andrea Beaumont’s big premiere as prima soprano. Over a year ago, Andrea was stalked by a crazed fan and has been in therapy. She is finally returned to singing, but as Andrea heads to the theater we see the fog and hear a creepy voice threaten to kill her.

Andrea ends up fainting and is sent back to her hotel, this being the first of many incidents. Andrea continues to get calls as someone is harrassing her? But who could it be?

This episode has a plethora of suspects:

Andrea’s former stalker was sentenced to prison last year, but when the police start investigating they discover that he was released early. He has been keeping with his probation appointments, but a week ago he seemed to have disappeared. Has he come back and followed her to Italy to finish the job?

Drew Granger (Bruce Abbott) is the conductor of the opera production and he is in an extremely bad mood. He and Andrea had a thing, but she left him when she met Jonas Cole, marrying Cole instead. Drew is dating Vicki Lawson, PR manager, but he doesn’t seem to be over Andrea, as he and Cole are constantly going toe to toe over her. Could he have been repeating the stalking as he is intimate of the details and wants her to pay for leaving him? Does he think by making things stressful she would want to date him again, this incident bringing them closer together? Or maybe it isn’t romantic at all? Granger was asked to conduct in New York, a much bigger deal than this Genoa show-but he’s locked in his contract. If Andrea cannot continue and the production chooses to cancel instead of continue he will be free to leave. Could it be him?

Stella Knight is the former prima soprana, but is seen as being “too” old, having to move over for the younger Andrea. She is furious and demands her husband do something and does all she can to make things hard on Andrea. The stalking was widely publicized, could she be recreating it so Andrea quits and Stella can take back her role?

Jonas Cole is Andrea’s stock broker husband. He is caring and loves her, but he always seems to be gone or off doing something when she needs him most. And as they always say-the husband is the first to be looked at. He could be trying to kill her and wanting someone else to “take the fall”, maybe for money or to get rid of her so he can remarry. Maybe he doesn’t want Andrea dead, but is trying to “kill” her career hoping to “scare” her into permanent retirement?

Rudolfo Petrocelli is the company director and is worried about money and the performance. He can’t understnd it, but they seem to be barely making it. If Andrea quits the performance she will have to pay for dissolving the contract. If that happens the company would actually make more money than what they would make with ticket sales. Could he be behind this scaring?

Vicki Lawson is the PR manager of the tour and this event. She’s good friends with Andrea…or is she? She is dating Drew Granger and mad that he seems to be focused on Andrea than her. Not only does Drew end up dumping her when Andrea joins, but when she tries to make Drew see he needs her expertise, he gives her the kissoff. Could it be that she became so jealous that she is striking out at Andrea? Maybe she thinks if she gets rid of her she can have Drew back?

The poilice promise their protection and tap the phones to try and pinpoint where the stalker is calling from. But even with their best efforts the stalker still comes backstage and tries to attack Andrea.

So Whodunnit? One of the suspects figures it out and tries to to blackmail the stalker, winding up dead instead, (as the murder in Murder She Wrote). Which one could it be?Which one? You need to watch this to find out.

While some episodes are a little more obvious as to who the killer is, I really like that this one gave us so many possibilities. It is a fantastic episode, with plenty of remediate and turns. But don’t worry, Jessica always figures them out.

For more Murder She Wrote, go to The Witch’s Curse: Murder She Wrote (1992)

For more mysteries, go to A Teenager Tries to Be Nancy Drew, With Disastrous Results: True Crime (1996)

For more Angela Lansbury, go to Because I Am Mad, I Hate You. Because I Am Mad, I Have Betrayed You: Gaslight (1944)

For more with stalkers, go to Superhero Film or Stalker Thriller: Unbreakable (2000)

June 30, 2020 by L.

Desire & Decorum: Chapter 11, The Clock Runs Out Part II

So as you can see in the title, I didn’t get to finish this chapter. I ran out of diamonds-so quick recap.

From the beginning.

First of all, this chapter starts off with a warning:

This chapter contains scenes of implied sexual violence that may be upsetting to some players. Discretion is advised.

What does that mean? This sounds bad…

Hmmm…

In the last part, I found out that my father is dying, and instead of keeping it from my arch-enemy, my stepbrother Mr. Marcastle, I told him. He has been trying to destroy me, but it is his father too. Family, right?

While I am commiserating, Briar gives me a stack of love letters. Of course I want to read them-maybe something sweet about my parents or even useful information that can help me is in them? But unfortunately, I did not have enough diamonds. I ended up having to pause the game and now I’m back as I achieved enough diamonds to get to read them.

So the first letter is from April 1794, and is from my father to my mother. In the letter, my father talked about how he loved hearing my mother sing at the opera, debate music, and he found out her address as he had to write her so they could meet up again.

The next letter is from May 1974 and it turns out that my grandfather didn’t want them to be together. My mother didn’t have enough of a pedigree or money for him-I see we have a General Tilney on our hands.

My father writes incredibly romantic letters about how my mother is the only one for him.

Everything seemed to be going well with them, what could have changed things? Why didn’t the end up together?

What happened?

Then there is a letter from February 1795 in which he declares no matter what my grandfather does or says they are going to be together. He will risk it all for my mother…

But if that is how he felt, how come they didn’t get married? What happened?

Hmm…

Then there is a letter from grandfather, uh oh…

It turns out he stole any incoming letters and my father married someone else. Even the letters that came in 1800 about me being born…what a jerk! So the grandfather is the true villain.

I learned a little about the past, but mostly it just made me sad. Although this did answer my question why grandma liked me. I was trying to figure out why she was so nice to me if she didn’t like my mother, so it wasn’t her, it was grandfather!

But as the title of the chapter says, the clock is running out and I need to hurry to see him if I am going to catch him before his final moments. But before I can do anything, Miss Sutton comes to warn me that I need to hurry. She heard Mr. Marcastles and Countess Henrietta talking about the will, and how my father left me Edgewater. I must hurry home before them as they plan to destroy the will.

Thank goodness I decided to be nice to her, or else I never would have found out about this.

Making friends turned out right to be the right strategy with her.

I need to hurry, and the fastest way would be with a horse. Good thing I bought a horse a few chapters back.

But as I head outside, I run into Duke Richards who invites me out and isn’t interested in me saying no.

In fact, not only does he insult me, calling me a b****** but he threatens me as well. He tells me he is going to force me to come with him, to take what he wants, and when I threaten to tell people-he says who will believe me.

You are going to threaten me??!!!!

I have the option to confront Duke Richards or say nothing. I am not letting this go.

I would love to take him down…but it costs 16 diamonds and I just spent all mine on reading the letters from my dad.

Looks like there is going to be a part III to this thing.

For more Desire and Decorum, go to Desire & Decorum: Chapter 11, The Clock Runs Out Part I

For more on Choices, go to Desire & Decorum: Chapter 10, On Your Marks

For more love letters, go to P.S. I Like You

February 25, 2020 by L.

Modesto Jane Con: Opera Modesto Presents Mansfield Park

So I had to take a break from finishing my review of Modesto Jane Con, as we had Valentine’s Day posts and some other things, but now I am ready to finish reviewing Modesto Jane Con.

So if you have been following me on social media, you know I have been super excited about Modesto Jane Con. The past eight years I have seen pictures from different Jane Cons and festivals and wished I could go-but they were not possible for me to attend as it always came down to a problem of time, money, work, etc. Instead I had to be content with seeing pictures on social media.

I’m sad…

But then Modesto Jane Con was created!

From January 10th-12th there were all kinds of workshops, activities, movies, an opera, and even a fashion show!

Your $30 ticket allowed you to attend the workshops (BOTH DAYS) and see one showing of Mansfield Park Opera (your choice of Saturday or Sunday).

That was it, I was going! And I convinced my book club + my sister to join me. I scrounged around for a costume (I’ll post on that later) and made sure to bring a notebook to take copious notes on the workshop and opera to-of course post on them later (as I am now).

So the first workshop of the day was Gowns & Groans. After that you had your choice of The Definitive Darcy and Lizzie or Start You Own Book Club. The third workshop was your choice of Dressing the Regency Lady or Are You a Long-Lost Austen? Searching Your Family Tree.

So after Dressing the Regency Lady, we had about an hour and fifteen mins before the Mansfield Park Opera pre-show talk by Hillari DeSchane. We checked out a few things and had lunch, and then headed to the Opera.

The building was really cool as it was a classic theater showing old, foreign, & independent films that also hosts concerts & events. It has a snack bar that serves popcorn, wine, soft drinks, and espresso. I really wanted tea, but it didn’t serve any. Oh, well…

So quick review of the book, for those of you who might not have read it. Mansfield Park is the story of Fanny Price, a sweet kind girl-niece to the Bertram family, who was sent to stay with the Bertrams. Instead of being treated as family, she is seen as “lesser” because of the “bad blood” inherited from her father who her mother “married down” to.

She is particularly mistreated by her evil aunt, Mrs. Norris, and two cousins; all of which take pride in bossing her around and being as cruel as can be. Fanny is the essence of sweetness, taking this injustice in stride and trying to remain optimistic in a bad situation.

The life of the Bertrams are interrupted when a Mr. Henry Crawford and Miss Mary Crawford come to visit their half-sister Mrs. Grant. Mary is set on winning the eldest Bertram, but finds her interest captured by the younger brother, Edmund,-even though he is intent on being a minister and Mary finds religion hypocritical. Fanny has loved Edmund since she was young, but he has never thought of her in such a way and he is now completely captivated by Mary. Henry Crawford’s sole interest is to upset the apple cart by going after the Bertram sisters for sport, having no intent of being serious or facing any consequences. Will the Bertrams and Fanny survive this?

That is not good,

The Mansfield Park Opera was a part of the Story into Song Literacy Initiative and worked with a lot of literacy advocacy organizations, (such as the Becoming Jane Austen Book Club, Modesto Library, Modesto Friends of the Library, and more) and half of the cast are making their solo professional debuts. Pretty amazing!

So like when I did my Psycho (1960) review, I brought my notebook and took notes in the dark of my thoughts of the performance. Hopefully I can still read them.

So we attended the preshow with Hillari DeSchane:

Hillari DeSchane is a JASNA life member and a board member of Opera Modesto. Her pre-show opera talks have become audience favorites. DeSchane’s first Regency pet cozy: A Christmas Tail: A Regency Holiday Mystery received a Certificate of Merit from the Cat Writers Association hillarideschane.com

So the program gave a copy of the full talk, but I’m not going to write it word for word. I’ll just write my notes and paraphrase a bit.

So taking a book as long and complex as Mansfield Park and cutting it down to a two-hour opera is no easy feat. Mansfield Park is a “tapestry of human emotion and psychology.” (Deschane).

In the opera they strip the book down to the central theme and a small number of characters. The story is told as a chamber opera, more intimate-like a theater in the round. The opera itself is group centered, with no arias or being solo based.

The opera also focus on the theme of “The Fall of Man” and the “Expulsion from Eden.” Mansfield Park is Eden, a paradise, and each character is tempted by their own personal snakes, with many falling victim to their pleasures and “biting the apple”.

As seen with the recent TV show Sandition, there are many who think Austen needs to be sexier and steamier but truth is-they just need to remake Mansfield Park as it has it all: gambling, drinking, seduction, adultery-just full of thse vices without modern additions.

We really see the focus of this motiff in Scene 5: Chapter Five. In the Wilderness. Here they explore Mr. Rushworth’s home in Sotherton, where they walk a “serpentine path”. Henry offers to explore with Maria Bertram while her fiance is gone, tempting her with the two being alone together, even singing “how tempting those pathways that lie hidden-how much sweeter are the joys we are forbidden.” Edmund is given the choice to wait with Fanny while she rests from the walk, or to go off with Mary alone-and he walks off with Mary forgetting all about Fanny on her own.

The ending was changed to be more happily ever after for all, (in the novel people have to face the consequences of their actions), but I didn’t mind too much.

So the ten characters we have are:

Fanny Price (Alexandra Jernic)
Edmund Bertram (Andrew Pardini)
Mary Crawford (Angela Yam)- Professional Opera debut
Henry Crawford (Emmanuel Mercado)
Maria Bertram (Darby Schmidt)-Professional Opera debut
Julia Bertram (Brylan Finley)- Professional Opera debut
Mr. Rushworth (Luca Mitchell)- Professional Opera debut
Aunt Norris (Alison Collins)
Lady Bertram (Anakira Gabriella-Graça)
Sir Thomas Bertram (Brad Reed)- Professional Opera debut

From The Modesto Bee. Left to Right: Lady Bertram, Sir Thomas Bertram, Fanny Price, Henry Crawford, Mary Crawford, and Edmund Bertram.

There is no Tom, although he is mentioned, and sadly no William Price who I love. Oh, well.

Sad really.

So the opera was AMAZING! As I mentioned in an earlier post the group of us who came varied in our knowledge of Mansfield Park. One book club member had never read or seen a film version of Mansfield Park (or any Jane Austen beside The Darcy Monologues), one book club member had seen the 2007 film version, my sister had seen the 2007 version and the 1999 version years ago, and I had read the book and seen the 1999 film, 2007 film, & the 1983 miniseries. However, all were able to follow the storyline and completely comprehend and bcome fully involved in the story.

We all loved the music and found everyone to be entertaining, talented, amazing, and that they completely captured the characters they were portraying.

Fanny was perfect! She had an amazing voice; along with perfect facial expressions. I’m not a big opera fan (as in I don’t watch them all the time), and this was my first time attending one, but one thing I have noticed when I’ve seen the films or clips of Operas is that they don’t always focus on the acting-more on the singing. Alexandra Jernic was spot on. The way she looked at Edward when singing, as if they were the only ones in the room. The incredible sorrow when seeing Edward and Mary together and knowing his preference for Mary over Fanny. Or the ball scene when all are happy and excited for what the night will bring, but Fanny who all this is supposed to be for her, but she is sad and alone as her love is excited to dance with another.

Mrs. Norris was just as perfect. You hated her as immediately-every time she sang and the way she acted toward Fanny, I don’t know if there has been a better one.

Mr. Rushworth was wonderful. He was kind caring, goofy, hilarious. It amazed me that he was only 18 when he was so talented.

Another thing I really enjoyed about the performance is that each character had their own distinctive music, tone, and speed. For instance Mr. Rushworth’s was fast and quick, just like how his character spoke in the book and sang-while Henry’s music was slower, softer, more seductive.

We also loved seeing the costumes and how they looked on the performers, as in an earlier workshop we saw the swatches. We also kept an eye out for Kristine Doiel’s favorite dress of the production, the gray number that Mary Crawford wears in Scene 5: Chapter Five. In the Wilderness. It was originally worn by Anne de Bourgh in the Miss Bennet: Christmas at Pemberley. I tried to get a good picture, but this was all I got:

But the one who stole the show for me was Angela Yam, Mary Crawford.

Every time she entered the stage all my attention went to her. She had an amazing voice and was equally amazing in her acting. One of the best scenes was when she and Edward first see each other, the way she doesn’t sing anything other than hello, but her whole body language is changed. The rest of the scene continues in the way she acts and looks. It was fantastic. That continued throughout the whole Opera as she was able to convey sooo much in her tone, a look, a motion. I was surprised this was her debut as she just blew me away. I stopped taking notes as I just wanted to enjoy her performance.

We had to leave after the opera and head home, but we did all the way humming, singing, and talking about how much we enjoyed it.

It was a wonderful experience and I am so happy to have been able to watch it. If I could have, I would have stayed the next day and watched it again.

For more on Modesto Jane Con, go to Modesto Jane Con: Looking Around the Library, Lunch, and a Crazy Random Happenstance

For more Mansfield Park, go to Rational Creatures: Fanny Price & Mary Crawford

For more Mansfield Park adaptions, go to Little Literary Classics Mansfield Park Cloth Book

For more Hillari DeSchane, go to Modesto Jane Con: Gowns & Groans, A Costumer Looks at Regency Costumes on Film and Stage

For more Opera, go to Desire & Decorum: Chapter 8, Ill Repute

May 25, 2019 by L.

Desire & Decorum: Chapter 9, An Indelicate Proposal

So in the last episode I went to the Opera where the stupid Duke assaulted me all night.

And I went off with Mr. Sinclaire, to get away from the Duke, and had a nice moment with him.

So first things first, I hate the title for this chapter because all I can think of is:

An that title has nothing to with this chapter-I don’t even get proposed to. Seriously people.

Anyways, so grandma has arrived to give me a dressing down for my behavior, but I’ve been good except last night when I was with Mr. Sinclaire. And that was mostly because I knew the Duke would assault me if I road with him.

It’s not fair!

Grandma reads me the riot act:

Miss Sutton! Not only is she saying that but that the Earl is not my father and that I am seducing men.

Forget you!

I”M SO ANGRY, but I know it’s not Miss Sutton:

My grandmother agrees with me, but it doesn’t matter the truth. My reputation is on the line ad I need to restore it before it is too late. After all a reputation is all a woman has.

So Grandma is going to have Mr. Marcastle host a card game. This will give me a chance to win people over with the home court advantage.

The next morning, Grandma sets out to settle the rumors surrounding me. But before she sets out to do that, she wants to know who I am interested in. We talk about it:

Grandma is still pushing the Duke, but as I try and share what Mr. Sinclaire shared with me about him, but before I get a chance to we are interrupted by Miss Parsons.

Excuse me!

Grandmother urges Miss Parsons and I to paint. This is something that Catherine has no training in and I think it is one of those in my “quest” to achieve.

It looks like a palette is there in front of the fireplace.

Miss Parsons invites me to accompany her to the greenhouse so she can paint me. Then I can send off miniatures to my father, friends, and maybe…Mr. Sinclaire?

Trying to flirt

So in this game there are quite a bit of things that are not correct for Regency history and culture, and I have forgiven them for this-but looking at the Greenhouse, I noticed it had a lot of glass and was more open. To me that doesn’t seem quite right, as I know the Crystal Place wasn’t constructed until 1854 (thank you Art History). So I did some research, and like I thought because the technology wasn’t invented yet, most greenhouses were regular buildings with just a lot more windows.

From History Hoydens

But I guess that isn’t a huge issue. Still though, it wouldn’t take you guys too much at Choices to google it. I mean there are tons of books, blogs, and more on it.

Research

Anyways…we try to paint.

This reminds me of the scene in Emma when Emma paints Harriet.

“Miss Woodhouse has given her friend the only beauty she wanted,’—observed Mrs. Weston to him—not in the least suspecting that she was addressing a lover.—’The expression of the eye is most correct, but Miss Smith has not those eye-brows and eye-lashes. It is the fault of her face that she has them not.’ ‘Do you think so?’ replied he [Mr. Elton]. ‘I cannot agree with you. It appears to me a most perfect resemblance in every feature. I never saw such a likeness in my life. We must allow for the effect of shade, you know.’ ‘You have made her too tall, Emma,’ said Mr. Knightley. Emma knew that she had, but would not own it…”

But while that is fun, something is bothering my friend Miss Parsons. I ask her about it and she wants to discuss it outside the greenhouse, so we walk outside.

Her family is eager to marry her off, as her fiancé died (my half brother who passed away before the game starts) and they want her to marry an old geezer who can’t hear and is on wife number 5. Looks like he’s giving Henry the VIII a run for his money.

I’m shocked, but that’s how it was then. It’s funny but this exchange reminds me of the book Prada and Prejudice, a teen YA retelling I read back when I was 17. In the story the girl buys these prada heels at a thrift store and trips, waking up in 1812! They all think she is the long lost friend recently returned from America. She then tries to help Emily (the girl who thinks she is her long-lost friend) from marrying an old man.

Well, now that I have brought it up, I’ll need to review the book. Watch out for it!

Looking forward to it!

Anyways…

What was I talking about?

Oh, yeah-tonight the geezer plans to propose at Mr. Marcastle’s card game. Just like in Prada & Prejudice, I decide that I will do all in my power to help stop it.

She kind of reminds me of Charlotte Lucas, how she feels at the end of her rope and her family is willing to have her go off with almost any guy.

Miss Parsons feels stuck, but I’m there for her and promise that of she gets thrown out of her home for refusing the Viscount, that I will open my home for her.

So after the painting, I head back to get ready for the card game. They offer a green dress, but I don’t really like it. Not to be mean, but I find it kind of ugly. So I wear the red one I bought for Mr. Sinclaire’s party.

Briar, my maid (and best friend from the country) and I talk and she tries to convince me that Mr. Marcastle is just the greatest thing ever. Nothing I say will convince her that this is a bad idea. He’s an engaged gentleman, and you are a servant, seriously Briar, he’s just messing with you.

So the card game I am playing Old Maid with Miss Holloway and my Grandma, but I don’t think that was something they played in regency times. So let’s do some more research…

So it was created in the late 1700s, but wasn’t popular until Victorian times. Still it fits in the timeline, so its good. However, I would prefer them playing Whist.

And of course this is a great metaphor as Miss Holloway and I are not only competing in the game but in real life as to who will end up “the Old Maid”.

Ooohh…she angry. Haha

Sucks to be you

So interestingly, even though Mr. Marcastle is engaged he is trying to get with Miss Holloway-oh no! That’s not how it was done! It was practically a contract-people would go to court and have to pay a fine over broken engagements. So he wouldn’t be doing that-especially with the question of his inheritance up for grabs.

I really don’t think you guys did any research.

Miss Parsons is just as shocked and all I can think is this dude needs to get his act together, three ladies? He’s just asking to be murdered.

You are just asking to be killed.

So I’m there mostly for my bestie, Miss Parsons:

Yep, don’t mess with me!

We take a turn about the room to escape from the Viscount.

Grandma notices the attentions that Mr. Marcastle is giving Miss Holloway and slams him.

So Miss Parsons and I go clue crew on why is Mr. Marcastle trying to flirt with Miss Holloway?

We conclude it must be my evil-stepmother, but why would she do that? It doesn’t make sense.

Huh?

Miss Holloway hears about my painting lesson and makes fun of the artwork, but she ends up making fun of my grandma’s ands gets a dressing down.

Miss Parsons is still ignoring the Viscount, and we step outside for a minute. I try to encourage her to not give in and marry him, as she won’t be happy.

When he follows us outside, Miss Parsons says she can’t spend any time with him as she promised me some painting lessons. Painting lessons in the middle of a party? Sounds weird, but whatever.

She teaches me how to paint and I create a masterpiece! An apple!

For those of you who have played the other Choices games, it’s the same one that Kira’s mom, Joelle, makes in The Royal Romance: Book 3. And she’s a famous artist, so that means mine is fantastic!

And I gained the painter’s easel and palette:

I’m not sure what is left as that looks like I’ve accomplished everything!

Despite our best efforts, the viscount proposes and Miss Parsons turns him down cold-in front of everyone. And as he has horrible hearing-all HEARD it.

Mr. Marcastle tries to propose to Miss Holloway, again-would NOT have been done. But she slams him with his behavior with Briar:

Ouch

But news comes that my father has been stricken ill. I want to return home, but grandma wishes me to stay. My dad should be okay…right?

I guess we will just have to wait and see…

For more Desire & Decorum, go to Desire & Decorum: Chapter 8, Ill Repute

For more Choices, go to Desire & Decorum: Chapter 7, Opera St. James

For more Bible verses, go to Book Club Picks: Julie

For more painting, go to Book Club Picks: The Masterpiece

May 9, 2019 by L.

Desire & Decorum: Chapter 8, Ill Repute

In the last episode I was invited to the opera by the Duke, ugh, and was able to get a preview with help from the Prince. That opera house was where my late mother used to perform. I also got a letter from my father warning me about the countess trying to slander me and that I need to do some husband hunting.

So you were just reading your father’s letter:

Keeping an eye on you!

So I have two goals: one stop all rumors that the Countess is spreading, and two-find me a man. I write back to let me father know that I don’t have anything concrete-no formal proposal or possible engagement.

After finishing my letter, I hurry to Mr. Woods so that he can mail it out before Countess, Miss Sutton, or my step-brother tries to steal it.

I got this!

Mr. Woods and Briar are planning on going off to drop letters off. Briar is such a little flirt with Mr. Woods and with Mr. Marcastle, she’s going to get in some serious trouble. And, as my dearest friend and the one I was raised with, IF she gets a bad reputation, than so will I. I’ve got to keep my eyes on her.

They ask me to come with them. I wasn’t sure if I wanted to spend my money on that, BUT, if I let her go off-she might do something. Plus, I might run into Mr. Sinclaire. So after some hemming and hawing, I decided to go with them.

Remember how in another chapter I bought a horse?

Since I have her, Fancy is what I named her, I get to ride her around London.

ME!!!

The first person I run into is Mr. Sinclaire.

Hello there!

We give him the letter, and then have to go on our way.

That’s it? That’s all I get?!!

You better have something better for me!! I’m going to be mad if I wasted 19 diamonds!

We get a little back story on Mr. Woods, how he grew up in London and went out to the country-hoping one day to settle down, marry, bring his parents out there.

Briar says how love is the most important thing, that it would be okay to “be as poor as a church mouse” as long as she is with the man she loves. Then why are you messing around with Mr. Marcastle? Hmmm…? Stay with Mr. Woods and leave Marcastle ALONE!

Seriously

We then visit with Mr. Chambers, who’s pants are undone as he was getting it on with another guy. We give him his letter and move on.

That’s it!!!!!????

To be honest, this is soooooooooooooooooo boring! I WOULD NOT buy this at all if I was you!

Just skip that “adventure”.

Later at home, Miss Parsons pay me a visit and brings a little puppy pug. Her sister’s dog had puppies, and offers me one-but I don’t have enough diamonds to purchase one. I don’t really want one as all I can think of is in Mansfield Park where the Mrs. Bertram has a pug.

“She was a woman who spent her days in sitting, nicely dressed, on a sofa, doing some long piece of needlework, of little use and no beauty, thinking more of her pug than her children…” –Mansfield Park by Jane Austen

Afterwards, Miss Parsons and I head over to the opera house in Prince Hamid’s luxurious carriage. We are discussing things, and Prince Hamid tells me how he has heard awful things about me…but he still likes me:

Of course I am, because:

So we get to the Opera where the Duke is trying to get all over me-

I’m not interested!

The Viscount Westonly is trying to get with Miss Parsons, and I’m trying to help her avoid him. Her family is trying to marry her off to anyone with money, they don’t care that he is a seven wife widower. Hmm…did they die of natural causes or…!

Murdered!!!!!

Just kidding, it was natural causes…I think.

Hmmm…

At the Opera, Mr. Chambers also joins us and, ugh, Miss Holloway.

Miss Parsons mentions that she hasn’t seen Mr. Sinclaire at the opera and the Duke gives a comment that Mr. Sinclaire visits other costumed ladies-ladies of the night!

WHAAAAAAAAAAAAAAAAAAAAAAAT????????????!!!!!!!!!!!!!!!!!!!!!!

I can’t believe this!

Could Mr. Sinclaire be a skeeze? I know the Duke is one. The whole performance he keeps trying to touch me and comments about how he wants to see me-see me naked is more like it-ugh.

After the opera, instead of having my ride with the Prince and Miss Parsons, the Duke’s sent them all away.

Should I stay in the carriage and risk being assaulted by him?

There aren’t a lot of choices for women in the 1800s.

I spot Mr. Sinclaire and follow him. He is on his way to do something, and invites me along. I know it isn’t proper to go off with him, but what other choices do I really have? At least I know he will keep his hands to himself.

We go off as Mr. Sinclaire is giving food and clothing to people who live in the poorer areas. He is amazed that I would go with him, but first-he hasn’t been a woman trying to fight off the Duke, and second-he’s forgotten how I grew up. A little dirt won’t bother me, and I remember what it was like to have little.

Mr. Sinclaire is a very charitable and kind person, he thinks that no matter where or what station you are born, you should be treated right. So then why did he act like a jerk the first time I met him? He almost ran me down and then: