So my mom and I were looking on Amazon for something to watch and stumbled upon this. Neither of us had ever heard of it, and we both think Jack Lemmon is hilarious.
So the film starts off in London with a man being killed, we only see his feet as he is dragged away in a car. Neighbors hear the ruckus, but don’t actually see who is causing it.
Hmm, …
Fast forward some months and William ‘Bill’ Gridley, (Jack Lemmon), American diplomat, has returned from the Middle East. He is happy to be out of the desert and happy to be closer to America. His first duty is to find a place to live.
Hmm…
Meanwhile, Mrs. Carlyle Hardwicke, (Kim Novak), has been in the paper and everyone looks down on her. She needs money, but can’t work because she is married. You know how it was back in the day, this quote is from Mr. & Mrs. Smith (1949)
Store Manager: Miss Krausheimer, we understood you were a single woman. As an aid to to the unemployment crisis, it is our policy not to employ married women.
So Mrs. Hardwicke needs money and with her husband MIA she is trying to rent out half her house. No one will take it as they don’t want to rent to a murderess, which all believe her to be.
But of course, newly arrived Bill Gridley has no knowledge of this. He sees the house as perfect location, great rent and wants it.
Mrs. Hardwicke doesn’t want to rent to him as she is already talked about, imagine how it would increase if she has a male boarder! She tries to dissuade him, pretending to be the housekeeper, but Bill sees right through that and insists.
Mrs. Carlyle Hardwicke: To put it plainly, Mr. Gridley, I have a dubious reputation.
William ‘Bill’ Gridley: You DO? I’ll pay you 45 pounds a month.
He gives her the money and the deposit and when he hears she and her husband are not together, asks the beautiful Mrs. Hardwicke out to dinner.
He then goes to work for his boss Franklyn Ambruster (Fred Astaire) who is all about propriety and staying out off the radar. If Bill messes up, Ambruster’s career is on the line.
Franklyn Ambruster: I want you to know that I have no intention of watching you go down the drain and using my career as a raft.
That night he takes the beautiful Mrs. Hardwicke out to dinner and they have a lovely night, except everyone watches and stares at her. All talk, gossip, etc.
Bill sees none of it, just Carly, and falls head over heels in love for her. But before anything could happen, he gets interrupted by a phone call from his boss to come in early the next day. Moment ruined.
That night a man watching Mrs. Hardwicke’s house makes a call. The next day Inspector Oliphant comes to the embassy to speak to Ambruster and Bill. He lets them know all about the case and how they would put him on trial except that there is no body so technically no crime.
Bill is sure of her innoncence, but the inspector and his boss both want him to spy on her.
Franklyn Ambruster: If you foul up, Gridley, I’ll have you back in the Sahara so fast you’ll think London was a mirage.
William ‘Bill’ Gridley: In other words, if she knows I know, I go.
Franklyn Ambruster: That’s exactly right. And I hope you haven’t taken to talking in rhyme.
Bill sneaks into the house when Mrs. Hardwicke has left to try and get into the closet that she said he was never to use. There’s nothing in there but her husband’s clothes. He starts going through her room and finds a gun!
Ahhh!
But she is a single woman living alone. He puts it in a different place (as soon as I saw that I knew important!!!) and starts to search more But she comes back early!!!
Unfortunately, there aren’t a whole lot of clips of this film, but it is hilarious. Jack Lemmon is great at comedy-physical, verbal, and the faces he makes.
So he doesn’t find anything incrimminating, which is great. But the words that the inspector said to him is really starting to get to him. Carly plans a surprise for him, but all he can imagine is her killing him.
He doesn’t pay attention at the BBQ grill and puts in too much lighter fluid, the fire department is called and his face is landed in every paper.
That’s not good.
Ambuster is furious as this goes against everything he told him he wanted. He doesn’t care that Bill is helping the police, he is sending him back to the Sahara or Iran or as far away from him as he can.
Franklyn Ambruster: Then tell me one good thing about this morning, except that it’s your last one in London.
Bill gets ready to pack up and heads to his office, Armbuster is going to go on with his usual things but is interrupted by Mrs. Hardwicke coming to the office. He is won over by her beauty and charm and has officially joined team Hardwicke.
Franklyn Ambruster: …she couldn’t possibly have done it.
William ‘Bill’ Gridley: [Pointing at himself excitedly and nodding his head] That’s your discovery?
Franklyn Ambruster: With you, it was an opinion. With me, it’s a conviction.
Carly wants Bill out of the house but Bill doesn’t want to leave. She starts acting weird and two men come to “pick up a package”. She tells them to come back the next day and then plays the organ at night.
Even weirder, she’s surprised that Bill heard her playing. Uh….???!!! You weren’t that quiet about it…
She also acts strange about her organ when talking about it.
Hmm…
All embassy business has been thriwn out the window. Bill and Ambuster are on the case. That night they see the man come to the house again to speak to Carly, and she leaves with a package. Armbuster follows her while Bill goes after the man. This is a hilarious chase scene through foggy London.
Bill ends up at a church, where he discovers that Carly sold her beloved organ to get money. That’s why she was being so creepy and weird about it. It was her last time to play her beloved instrument.
Carly gives Ambruster the slip, he ending up in a grave that is being dug. Carly goes to a pawn shop, pawning a silver candelabra.
That night Bill calls Armbuster to find out what he knows and Carly picks up a line and overhears the conversation, ah landlines. She’s furious and refuses to speak to Bill again, wanting him OUT!
That night she is getting ready for bed, when a man is in her room!!!
It’s her husband!!!!!! He wants the money he stole. He killed the man sent to assassinate him and took off to hide out. He struggles with her and she goes for her gun, but it’s not THERE!!! Darn you Bill.
Meanwhile, Bill is downstairs calling the inspector and telling him that he will no longer be a spy, he’s done as he is in love with Carly. The inspector has just woken up from the call and is unsure what they are taking about.
Wha??
Bill hears the noises from upstairs in Carly’s room and throws the phone down to help. The inspector hearing Bill being worried, sends the police over.
When Bill gets there he finds Carly standing over her dead husband and the next scene she is on trial.
Now here is the part of the film I don’t get. They put her on trial for killing her husband and there is no acknowledgement of what they did earlier-all those months blaming her for the murder when he was alive! And knowing that she killed him in self-defense they try to make it out to be murder?
Man a good lawyer would rip them to shreds!!!! You know it!!!
So Carly acts kind of weird and doesn’t seem to defend her self.
Now when Bill tries to defend her, the prosecutor really turns his words inside out and sideways.
Huh?
All seems lost until the next door neighbor’s nurse, Agatha Brown, steps in and testifies that Carly was just defending herself. The trial is declared a mistrial and all is good.
Except that Carly doesn’t seem very happy. Bill tries to talk to her but she wants nothing to do with him.
She goes home, Agatha giving her a ride and it appears the nurse is blackmailing Carly. When Bill comes home, the nurse is leaving with a paper, talking about her new room.
Huh?
BIll questions Carly, but she just tells him to leave, going upstairs distraught. She goes into the bathroom with Bill trailing behind and talking to her. He hears the water stop and then nothing.
He calls out his name over and over, but nothing.
That’s not good.
Fearing she might hurt herself, sure, he knocks the door down, but it turns out she is just taking a bath.
Seriously
He questions her and she reveals what happened was that her husband attacked her and wanted the candelabra she had pawned. They fought and she killed him in self-defense. She looks out the window and realizes that Agatha couldn’t have seen anything because she spotted her walking up to the house that night, hoping to get her attention.
So if she didn’t see her than who did…Lady Fallott must have! That means she must know about the candelabra! Agatha isn’t likely to share it so they rush down to the pawn shop to see if the candelabra is still there.
Instead of the candelabra, they find the dead pawn shop owner. They know Lady Fallot must be next and go looking for her.
Invasion of the Body Snatchers (1958)
Meanwhile, a bobby notices them running off and goes in the pawn shop.
That’s not good.
Carly and Bill go next door and question if they know where Lady Fallott is. While they are doing that, Ambruster stops at the flat to pick up Bill. The two run into a car to the station, heading to Penzance while the police show up.
In Penzance the two search for Lady Fallot, while Agatha is intent on murdering her. As they are scrambling and chasing, the police and Ambruster follow behind. This is a HILARIOUS chase scene all to the theme of The Pirates of Penzance
I wish I had a clip to share with you all. In the end all is right and Bill and Carly end up together.
“You became that monster tonight not of your own accord. It will happen again.
It never will. I’m sure of it. I’ll conquer it!
Too late. You cannot conquer it. It has conquered you!”
So Horrorfest this year got off to a rough start. It’s not that I wasn’t excited for it or not eager to review horror films, I was just floundering. I wasn’t sure what to do for it, I mean after all last year was the best Horrorfest I have ever done. It was planned out way in advance, was half done by the time October rolled around, had a werewolf theme, etc. How could I top that? What could I do? Should I do another theme? I was just so unsure.
So I thought and thought and begin reviewing and planning a few things. I don’t know if this year will be as good as last years, but here we go!!!
After a looooooooong deliberation, I finally chose my final post. That left the first post which created an even looooooooooooooonger debate. But I finally picked, Dr. Jekyll & Mr. Hyde.
So before we start the review, let me give you a little background information. This film is based on the novel, The Strange Case of Dr. Jekyll and Mr. Hyde, and is set in Victorian England. It was turned into a play, in which the writer added in two love interests; and then adapted into a silent film in the 1920s. This version is the first with sound, and while similar to the book has made quite a few changes. This film came out in 1931, and is a Pre-Code film. That means this film came out before the Motion Picture Association of America (MPAA) was created and started rating things. So this film has a lot of things that wouldn’t be acceptable later to show on the big screen, in fact when they rereleased it in theaters they had to cut part of the film (added back in on VHS & DVD).
This film also had some different ways of filming (more on that later) and landed Fredric March an Oscar for his performance. This was back when the Academy wasn’t so hoity-toity, today they wouldn’t nominate anyone in a horror film unless it was for makeup, sound, or film editing.
The Academy SUCKS!
While in the book the story is told not through Dr. Jekykll, but his friend who discovers the whole story, they changed it so that all is through his point of view.
Anyways, lets begin the review.
So our film starts out with the credits and creepy organ music that sets the mood, and shivers down your spine!
We then are shown a pair of hands playing organ music. Oh early horror movies, you almost always had an organ in there somewhere.
Dr. Jekyll (Fredric March) continues to play when his butler tells him that he must leave soon if he is to reach his lecture hall in time and teach his lesson. Dr. Jekyll doesn’t want to quit his playing, but gets up to go.
Now here is one of the things that director Rouben Mamoulian did much, much differently. The camera angles for the first three minutes of the film are shot from Dr. Jekyll’s point of view, we don’t see his face.
I know. Very unusual but the effect works. We see him doing the mundane things and talking to his butler, but all I can think is what he looks like. I mean I know what Fredrich March looks like, but will he look the same here? Will they make him older like in the book? Will he be handsome? I just have got to see his face!!!!
And when we are finally shown it in the mirror:
Wow, what a hunk.
So after we are shown his face we go back to seeing through his eyes. Throughout the film while they switch back and forth between first person and observer point of view, the film is a majority from an observer/third point of view like most films.
So Dr. Jekyll heads to the University in his horse-drawn carriage. And one thing you notice right away, everyone likes or admires him. His butler, the carriage driver, the students think he’s spectacular, and even the older scholars enjoy his lectures and ideas.
So Dr. Jekyll begins his lecture and it is not what anyone has expected. Instead of discussing a part of the physical body, he chooses to discuss the Soul of Man. Dr. Jekyll defines that every person has two pieces to them. One side is constantly striving for the nobility of life, morals, i.e. the “Good side”. The other only cares for satisfying their desires and giving in to temptation, i.e. the “Bad side”.
Both are in an eternal struggle:
The Good side wants to be good all the time, but is constantly tempted to do evil. The Bad wants to do whatever it wants, but feels remorse at the things it does. Both are chained together, with one taking more control than the other, be it bad or good. What Dr. Jekyll proposes is to seperate the two, so that the bad can be destroyed and the good be the only left.
Everyone is appalled!What could he be thinking? Why would he even consider it?
In fact, Dr Jekyll has already started his experiment and research looks as if it could be possible.
After the lecture ends, people are split in how they feel about it. The young students laugh it off as a joke, split the soul in two, not even possible. The older attendees are in complete shock! How dare he blaspheme and cross into God’s territory!!!
Dr. Jekyll’s friend, Dr. Layon, warns him to give the whole thing up. That this will not end well at all for him. But Dr. Jekyll won’t listen, as he believes that science must push boundaries. There is no lines to consider, all is fair game.
Dr. Layon reminds Dr. Jekyll of the appointment they have with the Countess, but Dr. Jekyll tells him he’s not going, but heading to the poor’s hospital. Dr. Layon tells him that he must, certain things are expected of his caliber of gentlemen, but Dr. Jekyll refuses,
Dr. Jekyll: The things one can’t do are the things I want to.
So he goes to the hospital and helps a poor girl, put down her crutches and overcome her fear of walking. Dr. Jekyll would rather help someone who truly needs it, than a hypochondriac that just wants attention.
He is planning on operating on a woman, when Dr. Lanyon comes to bring him to dinner at General Carew’s house, with Jekyll’s fiancé Muriel. But Jekyll refuses dinner, saying he must operate now. So Dr. Lanyon leaves.
After dinner there is dancing and Muriel has had to do with other men, as Dr. Jekyll is still not there. He finally arrives, but Muriel is justifiably upset.
She quickly forgives him and they go off to the garden to talk. Here we see another side of Dr. Jekyll. He’s no longer the cool, collected, serious doctor; but giddy, adorable, and in love. In fact he wants to get married now.
It must be so strange for a genius who has been solely concentrated on science, logic, cold hard facts; to find himself with this sudden rush of emotion and desire. It’d be like if Sherlock Holmes met a woman he wanted to marry and have babies. So sudden, strange, and hard to control.
The General won’t let them marry immediately as he feels that such a short engagement would be indecent (hint: mean that his daughter is not a virgin, is pregnant, or has done other promiscuous/indecent things.) In his defense, he is trying to protect his daughter’s reputation, but this has disastrous results.
Dr. Jekyll is a man that once he gets an idea, strives constantly until he come to a conclusion or figured a solution to his problem. He isn’t used to “waiting”.
To make this even worse, this is a man who has denied himself any kind of passionate emotions. He has always strived to be a good person, but even more so, he has denied himself all emotions for logic, science, etc. Now Muriel has awakened a side of him that he had locked up and all these emotions are coming out.
It is something that Dr. Jekyll has no way of gageing or keeping in check. And instead of having the ability to wait or hold on, he wants it NOW!
Now as I mentioned before, in the book Dr. Jekyll isn’t engaged, his only love was knowledge, science, etc.: so this question only applies to the film. But if the General allowed them to get married now, would Dr. Jekyll have continued his quest for splitting the soul? Or would he have been too preoccupied with married life?
After Dr. Jekyll is shot down by the General, he and Dr. Layon leave. Dr. Jekyll is so angry and incensed that he is being denied. Why must we be unable to have the things we want?
He is so angry he thinks about strangling him.
While he and his friend are discussing this, he witnesses an altercation with a low-class woman and a low-class man. It might seem a little odd to us now to see such opulence next to such depravity, but a lot of cities were like that for a while, think of 42nd Street in New York, “where the underworld can meet the elite” [from musical 42nd Street].
The good doctor picks her up and carries her into her room. While the film never addresses it, or says exactly what she is, this woman, Ivy, is; but based on the way she acts (and the amount of men she is with) it is safe to say she is a prostitute. In later films and musicals, they make it more definite.
Anyways, when he gets her in bed, she shows him where the man hurt her, bruising her leg, and not just her leg but upper thigh. Yep, this where the liberties of the pre-code begin.
He tells her all she needs is rest, and Ivy insinuates she’d like him in bed with her.
He of course moves away from the bed, but Ivy hasn’t given up yet. She likes that he is a gentleman and gives him a strip tease before she gets into bed.
She sticks out her bare leg, BARE LEG, for Dr. Jekyll to examine as her knee is “broken”. When he comes over, she kisses him, and Dr. Jekyll doesn’t stop the kiss.
As they are kissing, his friend walks in. They leave, with Ivey swinging her leg back and forth and inviting Jekyll to come back anytime.
In fact as the two leave, her leg continues to swing back and forth over them slowly dissolving and showing how both men are still focused on it.
So the film presents these two women show the duality that Dr. Jekyll will become.
On one hand we have brunette Muriel, demure, sweet, kind, innocence, a lady: that has awoken feelings of love that he has never been aware of before. On the other hand we have the low class, brassy, blonde, who is highly sexual. She has awakened a lust in him and he wants her to satisfy his longing, but doesn’t want anymore than that.
So he and his friend leave, with his friend appalled at his actions.
Dr. Lanyon: Perhaps you’re forgetting, you’re engaged to Muriel.
Dr. Jekyll: Forgotten it? Can a man dying of thirst forget water? And do you know what would happen to that thirst if it were to be denied water?
Dr. Lanyon: If I understand you correctly, you sound almost indecent.
Now the problem in Dr. Jekyll’s case is not the Puritan viewpoints of the Victorian Era, a lot of people fall into that misconception. You see a man releasing his sexual drive with prostitutes was actually expected. Sex with a wife was viewed more for children, not “fun”. Dr. Jekyll’s problem is that he does not want to be a regular person who suffers from temptation and desire, he wants to be rid of it completely. He wants so badly to be perfectly good, hence all his charity work, and he wants to remove the ability to even “fall into sin”. Instead of having to make a choice, he wants to remove all need for morality as all would be good and make “good decisions.” He wants to be more than a mere, average, man.
The problem is that what he strives for is impossible, he is only setting himself up for failure and going to cause an extreme downfall.
Dr. Jekyll returns to his lab working day and night, not sleeping or eating, all in his quest to split the soul. He makes the potion and decides to test it on himself.
But in his defense, he does pen a letter telling Muriel he loves her and that he died in the pursuit of science.
If my love went this way, it wouldn’t make me happy but at least you know he was thinking of you.
So then he looks into the mirror and drinks the potion down.
As he is doing that, he goes through all those emotions he has been trying to ignore: wrath, lust, greed-they all swarm around him.
He looks in the mirror and we see this ugly thing. Now Dr. Jekyll was a tall, strong, good-looking man . This side hasn’t been used as much so he’s hunched, shorter, also doesn’t look as strong as Jekyll does. He’s more animalistic, apelike, covered in hair, large giant teeth.
Now something you might have noticed is the large amount of mirrors in this movie. There are so many to symbolize the duality of man. The mirror only shows the outside of a person, not their true inner self. The mirror is supposed to show our reflection, but sometimes people see only what they wish to see, not what is really there. The mirror is the only way we are able to see what everyone else sees, and a way in which we can construct what we want people to see in us.
I could go on longer, but let’s get back to the film.
So the first thing that his darker self, Mr. Hyde, does is cheer about how happy he is to be free. So long has Jekyll kept him crippled, living a good life, and denying the dark side. But now that he las let him out, will he be able to contain him again?
So Hyde is excited to be out and plans to roam the streets, when his butler knocks on the door. Hyde talks to him, but even though he is Dr. Jekyll, he doesn’t sound like him anymore. The butler is afraid and about to come in, so Dr. Jekyll changes back into his true self.
Dr. Jekyll has done it, he has actually done it.
But while he is pleased his experiment worked, at the same time he is afraid to let the dark side out. But it starts haunting him, tempting him.
He goes to Muriel to plead with her to marry him now. He is afraid that without her, he might make some very bad decisions. But Muriel and her father are leaving for a trip to Bath for a week.
Noooooooooo!!!!!!!
Muriel asks him to wait for her, and he agrees, but you can see in his face he doesn’t really want to wait. What he really wants is to be satisfied NOW!
Dr. Jekyll is in a tizzy. That swinging leg is still in his mind, along with his potion and he is worried that without Muriel to remind him of what he truly wants, he may give into the temptation.
He then receives a letter from Muriel stating that their week trip, is turning into a month.
Noooooooooo!!!!!!!
Dr. Jekyll has been sitting in his lab, moping and withdrawn from society and his patients. His butler is worried for him and tells him he should go out.
Butler Poole: You should go out, sir. London offers many amusements for a gentlemen like you, sir.
Dr. Jekyll: Yes, but gentlemen like me daren’t take advantage of them, Poole. Gentlemen like me have to be very careful of what we do or say.
Now Poole, the Butler, is trying to get Jekyll to go to the opera, museum, see a play, visit with friends, etc.: something not in the house. But Dr. Jekyll think of those things? No. Immediately his mind goes straight to sex. He cannot control this emotions, and I think that if he could just admit to himself that he is a man and has faults, instead of trying to make himself be perfect being he wouldn’t struggle as hard. Yes Dr. Jekyll, you are good, but just because you are good doesn’t mean that you don’t have flaws, you need to accept that.
And you know Dr. Jekyll could choose something else to do with his time, but that’s not what he wants. He wants to be with a woman. But he as Jekyll does not want to ruin his reputation, his good name, so instead he looks to another avenue.
Man this transformation looks so painful, I wouldn’t want to do it. This time he looks even uglier, more monstrous, brutish.
He goes after Ivy, the girl who has awakened his lust. She’s not home but out at the nearby tavern, so Hyde heads there. Even the way that he moves is brutish and apelike.
He meets up with Ivy:
So he tries to be a “gentlemen” as that is what Ivy wants, but can’t pull it off as Hyde as he is too dark in his actions.
He wants her to be his mistress and while Ivy refuses initially, Hyde makes it clear he gets what he wants.
He grabs her acting like an animal, and threatens her. Tells her he loves her but all he wants is sex. In reality he doesn’t love her, he’s attracted to her but wants a placeholder for Muriel.
In the next scene we see Ivy has agreed to being a kept woman, but not because she wants a nice home or things, but because she is scared out of her mind that Hyde will kill her.
Hyde comes to visit her, and we see that he is taller, standing upright, and much stronger looking then before. He is also uglier. It seems that Jekyll has been living Hyde more and more making him much stronger than the good Jekyll side.
As soon as Hyde enters the room, he heads straight to the bed, reading the paper. In there he notices that Muriel will be returning.
He forgot about that pesky fiancé of Jekyll, this means bad news for Hyde. Here we see that Dr. Jekyll has actually failed. He wanted to separate the two so that one can be destroyed and the good can only endure. But in fact that is not what has happened. Jekyll, when present is always conscious of his desires the Hyde. Hyde while bad and does what he wants, he too is conscious of the good Jekyll, not always choosing to follow. So he never split them, they still are in struggle, he just gave more of himself and power over to his dark side.
In fact the only real difference is that he feels okay being bad as he is not “Dr. Jekyll”. No one knows who he is, so he can do whatever he wants. Kind of like those people who get on the internet and feel free to do whatever as no one knows who they are.
Anyways, so Hyde makes sure Ivy doesn’t think about leaving him, being emotionally, verbally, and physically abusive to her.
Then he heads home as Dr. Jekyll wants out. Muriel is coming home, so he takes the potion and returns.
But we see all is not well, as his eyes are CRAZED. Dr. Jekyll is losing the war and Hyde is taking over.
He goes to Muriel who is upset that he hasn’t answered any of her letters. He apologizes and tells her he has been sick in mind. He begs her to marry him now instead of later as he NEEDS her. She agrees and the beg her father, who finally gives in. They invite him for dinner the next night, when they will announce to everyone that the two are to be married the next month.
Finally something GOOD!
Meanwhile, back in Ivy’s house, her landlady is helping tend to her wounds done by Hyde. Dr. Jekyll, feeling remorse for what has happened has sent over £60. Ivy isn’t sure who Dr. Jekyll is, as she didn’t now the name of the doctor who saved her earlier, but decides to see this man in the hopes he can stop Hyde.
Dr. Jekyll goes home, happy and plays the organ. And this time it isn’t light and airy, but dark and creepy. Hyde is still lurking, strong.
He is interrupted by Ivy who has come to see him. She begs him for help, ripping her top off to show him the whipping that Hyde gave her.
Heere Dr. Jekyll is forced to look at the consequences of his actions. He thought it would be okay to have the Hyde do what he wants, and Jekyll what he wants. But no, as both are a part of him, both are connected and cannot be separated.It was all an illusion to think so.
Jekyll promises Ivy that Hyde is gone forever, he will never bother her again. And Dr. Jekyll intends to keep it that way as he is to wed Muriel, he no longer needs Hyde.
He’s gone for good
But that’s where you are wrong Jekyll. You have given Hyde too much power, and now you will be unable to control him.
Dr. Jekyll walks to the General’s house for dinner when he spots a pretty robin singing. As he looks at him a cat eats him, which upsets Jekyll. And as that happens, Jekyll starts to become Hyde.
Noooooooooo!!!!!!!
You see Hyde cannot easily be kept down and he does not want to be. Jekyll has given him too much power and liberties. All he needs is for Jekyll to feel dark things: anger, greed, lust, violence, etc and Hyde will come out.
I know some of you might be tired of all the Star Wars memes and quotes and think I need to cool my obsession, but in a way Star Wars is similar to Dr. Jekyll & Mr. Hyde, particularly Anakin Skywalker. Dr. Jekyll is a man that doesn’t quite follow the rules. There is a moral code to science he should follow, but chooses to ignore it and continue in his experiment, one that ends up having him release his dark side and live out all those emotions and desires with no thought on how this will affect others. With Anakin, he too follows his own code as he doesn’t agree with all the Jedi rules. One of which is not to marry as the powers you have, when tied to emotions, can do some pretty bad things. Both people give into those darker sides, ultimately completely going over to the dark side.
Anyways, so now with Hyde out, he heads over to see Ivy. Hyde hates Dr. Jekyll, as Dr. Jekyll has kept him contained for so long, and still tries to imprison him. Ivy going to him is the ultimate betrayal, and for that she must die.
So as he is heading over there we get a great camera view. They split the screen so that in the upper left Hyde is heading off to get Ivy, and in the lower right, Muriel is waiting for Jekyll. As the camera pans in Muriel, we see that she not happy at all. Then Murial is in the lower left and Ivy is in the upper right, celebrating the end of Hyde.
Except Hyde is not quite finished:
Hyde kills her, but as he is escaping, the others in the building have heard what he has done and follow him.
Grab your torches and sharpen your pitchforks!
He sneaks to Dr. Jekyll’s house, but the butler won’t let him in. So he runs to the tavern and writes a note (as his handwriting is the same), asking his friend for chemicals and saying Hyde will pick up the package.
His friend follows the instructions, but when Hyde comes, he won’t let him leave, unless he promises to take him to see Dr. Jekyll. As Hyde can’t, although let’s be honest Dr. Jekyll is coming through in this moment as he wants to be changed back, and takes the potion, warning his friend about what he will see.
Mr. Hyde: Think before you decide, I tell you! Do you want to be left as you are, or do you want your eyes and your soul to be blasted by a sight that would stagger the devil himself?
When the Dr. Lanyon sees the transformation, he is in utter shock.
He tells him that he warned him not to do it, that he should have listened to him. Dr. Jekyll agrees, but says that he can control it now. That he will never, ever again become Hyde. Dr. Lanyon warns him that is not true. It is over, he is no longer in control.
Dr. Lanyon: You’re a rebel, and see what it has done for you. You’re in the power of this monster that you have created.
Dr. Jekyll: I’ll never take that drug again!
Dr. Lanyon: Yes, but you told me you became that monster tonight not of your own accord. It will happen again.
Dr. Jekyll: It never will. I’m sure of it. I’ll conquer it!
Dr. Lanyon: Too late. You cannot conquer it. It has conquered you!
They both agree that he must give Muriel up as he might kill her like he did Ivy. The next night he goes to Muriel and tells her that it is over.
But Muriel doesn’t want to end the relationship, she loves him. But Dr. Jekyll knows it is best to set her free. She tries to hug, him and he doesn’t want her too, as he is afraid it will release Hyde, He is completely broken in this scene as he loves her so much, but knows that any further involvement means death for her.
Dr. Jekyll: I have no soul. I’m beyond the pale. I’m one of the living dead!
She grabs him and they both sob, but then he leaves, and she continues to cry.
As she is indoors crying, Jekyll changes into Hyde, and Hyde sneaks into the house attacking her. When she screams her father and butler came after Hyde, who attacks both of them, beating the father.
He runs home to change back into Jekyll, but it is too late. Dr. Lanyon looks after the General and sees the broken cane Hyde dropped, recognizing it as Dr. Jekyll’s.
They return to his house accusing him of being the murderer. When Dr. Jekyll becomes scared and angry, he turns back into Hyde.
You can’t help but feel bad for Dr. Jekyll. He was a good man that wanted to do something for the good of all, but as they say: “The Road to Hell is paved with Good Intentions.”
So marks the first post of Horrorfest and there are many good movies coming along. Stay tuned!
As it has become a yearly tradition, my facebookcover/mini poster.
“All three monsters – the Dracula, Wolf Man, and the Mummy – all the same critter, which means we need to catch this freak before he “Creature from the Black Lagoon’s” somebody.”
So I know that I have had quite a few TV episodes this October. I know that I went a little overboard, but I wanted to include this anyway. You see I have been wanting to review this episode for a while, but felt that I couldn’t do it until I had reviewed the original The Wolf Man film. As I finally did it this October, it allowed me to finally be able to talk about this episode. This is my all-time favorite episode because it has what I love! Monster Movies!!
Yep it parodies a series of Classic Horror Films: Dracula (1931), The Mummy (1932), Wolf Man (1941). In fact to further the homage to classic horror film, they even filmed the whole thing in black and white!
So Supernatural is a show that like Grimm, every episode could be done for Horrorfest. The show consists of two hunter brothers, Dean and Sam Winchester, who travel all over the U.S. hunting ghosts, demons, vampires, werewolves, etc. As the seasons progress they get more focused on the battle between angels and demons and stopping the end of the world. It’s an awesome show.
So this episode takes place in season 4. There have been a lot of angst and sadness
(I won’t go into detail in case you haven’t watched it and want to) and the two brothers have finally been reunited.
So Dean and San are driving into Pennsylvania on the trail of vampires. Sam is worried about the apocalypse, but Dean convinces him to stop off at an Oktoberfest to relax a bit. They find the Sheriff and introduce themselves as Agent Angus and Agent Young (homage to Angus Young of AC/DC).
There they are told to speak to the witness Ed Brewer, but the Sheriff doesn’t put much stock in his testimony. They run into the very beautiful waitress Jaimie, who points them toward Ed. There Ed describes the Vampire as being the one out of the 1931 Dracula film.
Yep, Dean and Sam are shocked, but Ed insists that it is true. The guy looked just like Bela Lugosi’s Dracula.
In fact the vampire even uses the Transylvanian accent.
Sam and Dean confer and determine that it is probably a twilight-esque fan and that it isn’t really strange enough for them to stick around.
The night however, things change.
A couple is making out in a car when a werewolf comes upon them and attacks.
The next day, Sam and Dean talk to the girl who survived the attack, Anne-Marie, and discover that the killer looked just like Lon Chaney Jr. in the 1941 Wolf Man film.
The sheriff also finds wolf hair on the dead body. Sam and Dean are confused as real werewolves don’t have wolf hair.
That night a guard discovered an Egyptian sarcophagus at the docks. As the guard is about to call to figure out what is going on, the mummy rises from its grave.
The Mummy attacks the guard, strangling him.
The Winchesters go down to investigate and try and figure out what is going on. There they discover the sarcophagus is actually a movie prop that has been laced with dry ice. Dean leaves Sam to figure out a theory, while he heads down to meet up with Jamie for their date.
Meanwhile, Jamie has been waiting for a while and decides that Dean is most likely standing her up. She starts to walk home, when she runs into Dracula.
Blood!
He calls her his reincarted love, and tries to kidnap her, but Jamie sprays him with pepper spray and then runs away…right into Dean. Dean gets a punch into Dracula
But then finds himself overpowered by the vampire
The vampire calls him “Harker” (reference to Jonathan Harker the fiancé of Mina [the woman Dracula tries to take]). Dracula tries to bite Dean, but he rips his ear off and a medallion. With his ear gone, Dracula runs away and jumps on his scooter.
Nope you heard my correctly
Back at the bar, Dean shows Sam the ear and medallion.
“Dean Winchester: I, uh, pulled it off during the fight. Look at the label on the ribbon.
Sam Winchester: It’s a costume rental.
Dean Winchester: All three monsters – the Dracula, Wolf Man, and the Mummy – all the same critter, which means we need to catch this freak before he “Creature from the Black Lagoon‘s” somebody.”
They determine that they are dealing with a shapeshifter obsessed with classic film. Now if you have been reading my posts posts, such as Phantom of the Megaplex, Scream, and An American Werewolf in London, you know probably realize another reason why I love this episode. Yep, I can relate to the shapeshifter. I love classic film (especially horror) and I can completely understand him.
Anyways, so Sam, being the scholar, recognizes the name Harker and figures that the shapeshifter is trying to recreate the 1931 film, Dean being Jonathan and Jamie being Mina. I guess that makes Sam, Van Helsing.
The two figure that it must be someone who knows Jamie and is obsessed with her. When they question her, Jamie can’t think of a person who is strange or crazy. Lucy, her best friend and coworker, mentions that Ed recentlly moved to town and is the projectionist for the old theater. Plus he has a crush on Jamie.
HIghly suspicious
Sam goes to investigate while Dean stays with Jamie. The two are drinking beer and having a deep conversation, when Lucy interrupts. She is on her way out the door, but Jamie invites her to stay and have a drink with them.
Back on the case, Sam has gone into the old theater and discovers Ed playing the pipe organ.
He pulls on Ed’s ear, but find it fast in place.
“Sam Winchester: [tries to tear out Ed’s ear] It’s supposed to come off.
Ed Brewer: No, it’s not!”
This means Ed is not the shapeshifter!!! But if he isn’t…who is?
Back at the bar, Dean and Jaimie are getting groggy and falling asleep. Dean punches Lucy in the face, and discovers that Lucy is not “Lucy” but the shapeshifter.
AAAAAAAAHHH!!!!!!!!!!!!!!!
And she has drugged the two of them. Dean tries to hold on, but faints.
Dean wakes up and finds himself in lederhosen.
Noooooooooo!!!!!!!
In a Frankenstein-esque dungeon.
Now I really like what Dracula has to say here. It’s so poetic. “Life is small, meager, messy. The movies are grand, simple, elegant. I have chosen elegance.”, it’s very Movie Mason from The Phantom of the Megaplex.
Anyways, Dracula is about to electrocute Dean and have a “movie” where the monster wins, when something interrupts him. The doorbell rings and the pizza delivery guy is there.
Pizza Delivery Guy: Uh, pizza delivery?
Dracula: Ah, you have brought a repast. Excellent. Continue to be of such service, and your life will be spared.
Pizza Delivery Guy: Uh-huh. That’ll be $15.50.
Dracula: Tell me…
Pizza Delivery Guy: Yeah?
Dracula: Is there garlic on this pizza?
Pizza Delivery Guy: I don’t know. Did you order garlic?
Dracula: No!
Pizza Delivery Guy: Then no. Look, mister, I’ve got four other deliveries to make. You want to just pay me the money so I can go?
Dracula: Of course. Yes. But I have a coupon.
And why not take a pizza break? Pizza is awesome.
I love Pizza
So now that Dracula has food for later, he prepares to finish Harker/Dean, but is interrupted by Jamie waking up.
Meanwhile back at the bar, Sam has figured out that with Jamie and Dean missing it must be Lucy. He sets out for her house.
Back in the dungeon, Dracula wants Jamie to dress in the gown he bought her and eat pizza with him.
Just like the Mummy, trying to dress his “reincarnated bride” in his old love’s clothes.
Jamie is really freaked out as she has been drugged, was betryed by her best friend (as Dracula was pretending to be “Lucy”) and is stuck with a killer. Dracula tries to apologize and tells Jamie his backstory. He was called a monster from the beginning of his life and beat by his father. He found solace in monster movies, and achieves strength and confidence when taking their form.
This part actually reminded me a lot of The Phantom of the Opera. Here is a man who is disfigured and mistreated because of it. He knows only how to hate as he has been so mistreated. It makes you wonder how things might have been different if one person had loved him.
While Dracula is reminiscing, unbeknownst to him Sam has slipped into the house and is skulking around the dungeon. Dracula knocks Jamie out and turns his attention to Sam and the freed Dean. They start fighting, with Sam being thrown through a fake door. Dean and Dracula are struggling to get the gun with silver bullets along with trying to knock the other out. Dean tries a groin attack and move for the gun, but Dracula throws him back. Before he can do anything else, Jamie, who has just woken up, grabs the gun and shoots him.
With Dracula conceding, that maybe this is how the “film” should end.
The next day Dean says good-bye to Jamie. The two brothers agree that’s it was nice doing some old-fashioned monster hunting, rather than the angels & demons stuff. They discuss what film they would want to live in as the episode ends.
This is how I feel about Highway Star by Deep Purple.
My love for this song came around when Rock Band came out and it was all my friends were playing. When I saw Highway Star that was it, that was the only song I wanted to play/sing.
I just love this song for three main reasons:
The Lyrics are super easy to remember
You don’t have to sing it well, in fact it sounds better when sung badly
It has amazing guitar! This song is just so awesome, words cannot describe how I feel about the guitar solo.
Not to mention the epic organ!
Just make sure your musical genius doesn’t lead you to becoming a stalker or murderer
I mean to be honest this is me throughout the whole song.
This is my cruisin’ song. When I was practicing for my driver’s test (which I passed) I would sing this all the time.
The song was actually created on accident during a tour in 1971. A reporter interviewing the group asked how they wrote songs and guitarist Ritchie Blackmore grabbed his guitar and began playing a “G” riff over and over, while the vocalist Ian Gillan just made things up. The song was later retooled and performed that night. Deep Purple is so awesome.
So here are the lyrics, make sure when you listen you crank it up ands let it rip!
Nobody gonna take my car
I’m gonna race it to the ground
Nobody gonna beat my car
It’s gonna break the speed of sound
Oooh it’s a killing machine
It’s got everything
Like a driving power big fat tires
and everything
I love it and I need it I bleed it yeah it’s a wild hurricane Alright hold tight I’m a highway star
Nobody gonna take my girl I’m gonna keep her to the end Nobody gonna have my girl She stays close on every bend Oooh she’s a killing machine She’s got everything Like a moving mouth body control and everything
I love her I need her I seed her Yeah She turns me on Alright hold on tight I’m a highway star
Nobody gonna take my head I got speed inside my brain Nobody gonna steal my head Now that I’m on the road again Oooh I’m in heaven again I’ve got everything Like a moving ground an open road and everything
I love it and I need it I seed it Eight cylinders all mine Alright hold on tight I’m a highway star
Nobody gonna take my car I’m gonna race it to the ground Nobody gonna beat my car It’s gonna break the speed of sound Oooh it’s a killing machine It’s got everything Like a driving power big fat tyres and everything
I love it and I need it I bleed it Yeah it’s a wild hurricane Alright hold on tight I’m a highway star I’m a highway star I’m a highway star
I really wish they would put this song in Supernatural. I mean can’t you just see Dean singing it as he is in total love with his car? Right? Wouldn’t that be just perfect?
Yep I love The Phantom of the Opera and if I could visit anywhere I would totally love to go to his underground lair and hang out in his home with his awesome music.
![Count Dracula: Van Helsing. [Van Helsing turns to face Count Dracula] Count Dracula: Now that you have learned what you have learned, it would be well for you to return to your own country. Van Helsing: I prefer to remain and protect those whom you would destroy. Count Dracula: You are too late. My blood now flows through her veins. She will live through the centuries to come, as I have lived. Van Helsing: Should you escape us, Dracula. We know how to save Miss Mina's soul if not her life. Count Dracula: If she dies by day. But I shall see that she dies by night. Van Helsing: And I will have Carfax Abbey torn down, stone by stone, excavated a mile around. I will find your earth-box and drive that stake through your heart. Count Dracula: Come here. [Dracula raises his hand to hypnotise Van Helsing] Count Dracula: Come here...Your will is strong, Van Helsing. [Van Helsing reaches out for his crucifix as Dracula looms toward him] Count Dracula: More wolfbane? Van Helsing: More effective than wolfbane, Count. Count Dracula: Indeed. [Dracula lunges towards Van Helsing. Van Helsing holds up the crucifix. Dracula snarls and turns away. Van Helsing, in triumph, puts away the crucifix]](https://janeaustenrunsmylife.files.wordpress.com/2012/10/images21.jpeg)
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