Have You Checked the Children?: When a Stranger Calls (1979)

So I was originally going to post this yesterday, but when I saw that the film was rereleased in theaters on October 17, 1980. Even though that isn’t the anniversary of the original day of its release, October 26th, I thought that since it was an anniversary of one of its release and just a day later: I just couldn’t help but post it today. Happy 36th!

So of course growing up in the 2000s, my first interaction with the film When a Stranger Calls was the remake. I have never seen the original film, and since I needed a choice from the ’70s, I thought why not finally check this one out.

So the film starts off with creepy music and just a blank screen with nondescript text. I don’t know about others but when films do this, it actually kind of hypes up the horror/creepiness because you have no real clue what will be coming next.

We have a teenage girl walking down a dark street with her books. She arrives at the house she is to baby-sit that evening and everything seems fine. The parents are ready to go out, possibly staying out a bit later if they decide to go to a movie. The children are asleep upstairs

Now what is interesting is so far the plot of the remake actually mimics this one. I mean they begin a little different with giving her a reason as to no cell phone (as the remake is modern), but the way the parents act and the dialogue is exact.

Good job screenwriters.

With the kids sick, Jill has the house to herself to do whatever she wants. Wow, what a pretty sweet gig.

Alright!

Or is it?

Little does she know what the night will hold.

So Jill is relaxing, sitting on the couch and talking to her friend about Bobby, a guy they both are crazy about. It is weird seeing Carol Kane play a teenager she has such an adult voice. Her friend too. They sound as if they are in their twenties.

She is defintely close to 30

So the phone rings and there is no one on the line.

Phone rings again but this time Jill hears a voice

“Mysterious Stranger: Have you checked the children?”

Jill thinks it is just a prank and doesn’t even bother to look upstairs at the kids. In fact, she hasn’t looked at the kids at all since she came. I know she wasn’t supposed to disturb them as they are sick, but shouldn’t she check to see if they are alright?

The call comes again

“Mysterious Stranger: Have you checked the children?”.

Then she hears a sound in the other room. Creepy music rising.

Jill is a little freaked, and heads down the hall to look around. The kitchen light is off, and nothing is there. She hears something:

Just the ice machine. Whew. And don’t say that it was lame because some ice machines are weird. My old fridge sounded like an alien spaceship landing.

So the phone rings again

“Mysterious Stranger: Have you checked the children?”

This is super creepy to hear again and again. If it were me I would have gone upstairs. Actually truthfully, I never would have been in a situation like this. It was because of films like these my parents always had to have the kids come to our house when I would watch them.

But instead of checking on the kids, Jill goes to pour herself a drink. Bad baby-sitter bad.  Bad idea.

Phone rings again….is it him?

She slowly reaches for phone, and the music starts. No one is on the line this time too. Even creepier.

Jill calls the parents to see if it was maybe them, but they aren’t at the restaurant, they left 40 mins ago.

So she calls the police and gets a Sergeant Sacker. Jill tells him about the phone calls that she’s been receiving every 15 mins; but because there are no threats or obscene language the police don’t think it a big deal, just a friend or random weirdo.

So we get great shots of the house and around Jill. The camera is always in the front or behind but never exactly her height, and mostly far away, as if we are the man watching her.

Creepy…

The phone rings again.

“Mysterious Stranger: Why haven’t you checked the children.”

Jill looks out the window

But outside there is only pitch black darkness.  Now I have never liked my windows open or blinds up. I just don’t like the idea/feeling someone could be watching me. After films like this and real life events of people watching and attacking others, I feel even more that it makes a lot of sense to just keep them closed.

After watching that scene I just creeped myself out, and had to check all my doors and make sure my phone was beside me.

I’m ready for anything

Jill also freaks out and tries to secure the house.

I can’t believe she had the door unlocked the whole time. Then again it is the ’70s.

 So she’s finally going upstairs to check on the children, but then gets another call. WHAT’S UPSTAIRS???? DID HE KILL THE KIDS??? WILL HE KILL HER TOOO??????

She lets the phone just ring and ring this time. Although she does grab a cane, good job. You should carry something just in in case. Kudos for you!!!

But she never checks on the children.

…I just thought of something. What if they are the dead kids and babysitter from the beginning of the remake? Would they do that? Reveal the end of the old in the new? Well I guess it isn’t really a reveal as you should have watched it before the new one.

But still, this is driving me crazy!!!

What happened to the kids!!! Are they alive!!!

Jill calls the police again. She tells him tht he is watching her, but the police don’t really believe her as she didn’t see him and the house is locked up. The police tell her that if he calls again they will try and trace the call. But the problem is that she will have to keep him on the phone for 1 min.

Jill sits waiting, a fireplace poker now in her hands and vigilant. BUT SHE NEVER CHECKED THE CHILDREN!!! They are dead I just know it….!!!!!!

The phone rings…

Nothing and then it is him!

“Jill Johnson: Can you see me.

Mysterious Stranger: Yes.

Jill Johnson: I turned the lights down, I can turn them up if you like.

Mysterious Stranger: No, don’t.

Jill Johnson: You really scared me, if that’s what you wanted. Is that what you wanted?

Mysterious Stranger: No.

Jill Johnson: What do you want?

Mysterious Stranger: Your blood all over me.

AAAAAAAAHHH!!!!!!!!!!!!!!!

I SHOULD HAVE WTCHED THIS DURING THE DAY WHAT WAS I THINKING!!!!

AAAAAAAAAAAAAAAHHHHH!

This film is super creepy. I need a weapon near me too. In fact this guy is super creepier than the new one because he is calm the whole time as he talks to her.

Phone rings again, but it is the sergeant. They traced the call coming from inside the house. She needs to get out. But where is he? They show scenes of every part of the house she has been in and he isn’t thereeree!!!

Jill starts to open the front door, the door upstairs opens and we see a shadow as he is coming after her!!!!!!!

AAAAAAAAHHH!!!!!!!!!!!!!!!

We then zoom in on a face!!!!!!!!!!! IS IT HIM??????????????? AAAAAAAAAHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH!!!!!!!!!!!!!!!!!!!

It turns out that it is the police detective. This was what the beginning of the remake is based on. So the children are dead, and we see them carried out in black bags. The damage was so horrendous that the coroner was surprised the weapon was the killer’s bare hands. They caught him in time, so the babysitter is fine, but how fine?

But we are only at the 22 min mark?!! What else is coming? So far I think this is the scariest film I have reviewed this year just based on that opening scene alone!

So now it is seven years later, and I have no clue what is coming next? Is he going to track her down and try to kill her? Try to finish the job? Hmmmm…..

So the police detective has quit the force and become a private investigator. He has been asked by the father of the murdered children to hunt down Curt, the killer, as he has recently escaped from the insane asylum he was in.

“Dr. Mandrakis: Man murders two children in cold blood. Jury declares him insane. He is sent to a state institutional facility where the security isn’t perfect and escapes.”

The detective is on the case to hunt dow Curt no matter what. He heads to the institution and goes to speak to his doctor to find more info. Interesting how in a lot of ways this and Halloween are extremely similar.

We are now in a bar and see a man, is he Curt? Man tries to give a light to a lady but she ain’t having it. He’s British, so he must be Curt, and is trying to pick her up but she is not interested at all.

After that first part of the film which was so intense and chilling, this section is really boring.

Why should I care. Its like they made the adrenaline pump so much and now we have this bleh stuff, it just feels bad and boring.

We see a ’70s party, with the PI there. He speaks to a police officer from the force who agrees to help him.

Now you all know how much I don’t like remakes, but I have to admit the 2004 version, while their killer wasn’t as creepy as this guy, really knew how to give you what you wanted.  They kept it focused on what was scary and played it up even more having the girl isolated with the house so far away and no car.

So Curt follows the lady from the bar, to right outside her door. The phone rings and she answers. He gets inside and she is not as freaked out as she should be that the guy she refused followed her home, marched into her apartment, and will not leave. Eventually she kicks him out end scene.

Truth be told I don’t

The PI is still investigating. You know I would find this a lot more interesting if they had flipped the film, had the babysitter attack at the end and the search at the beginning. I guess that’s why they did it that way in the remake.

So the PI tracks Curt down to the lady’ house and wants to talk to her. She doesn’t want to talk to him, but he barges his way in.

Seriously!

He shows her a pic of man blah blah not interested skip, skip skip

The lady is worried, as she thinks Curt might be  following her, and the  PI waits outside. But Curt is already indoors. It turns out he was hiding in her closet. She is making tea and when she goes to the closet Curt is not there.

Okay, this is getting creepy agin. He’s not hiding behind the closet door either. Curt doesn’t kill her though, as he wants her to be his friend. She screams, he flees, the PI chases him but doesn’t catch him. Bleh Skip. Curt goes to bathroom, naked and looks at himself and cries. Whatever. SKIP. Now at the YMCA and the cop is looking for him, Fast forward The two chase, run fight, chase, run, PI lost him again. Curt gives a long soliloquy, boring.

Next scene we are in a nice neighborhood, with cute kids running about. It turns out they are Jill’s kids. The phone rings….is it Curt?

No just her husband Steve on the phone. He’s going to take her out to dinner so Jill needs to get ready and find a baby-sitter. Two kids; one boy and girl just like the ones she lost when sitting.

Jill puts them to sleep and a teenager, Sharon, comes to baby sit. They recreate the scene from the beginning; mom and dad are heading out and the sitter staying. So similar, I mean even the house looks similar just reversed. All say good-bye.

You know I’m surprised the PI never went here. I mean doesn’t he think the guy might go after her again?

So Jill and Steve’s dinner are interrupted by a phone call. Jill goes to answer. OMG it is HIM!!!

“Mysterious Stranger: Have you checked the children?”

He’s back, he’s on the phone. He’s after her kids!!!

The husband calls the baby-sitter and they ask her to check on the kids. The police have been called and they tell them the story. They call the baby-sitter again, but the LINE IS DEAD!!!!!!!!!

They drive home with the police and everything is fine. But is it really? Or is he hiding in the house?

OMG what is going to happen next??? Is he going to kill them???

Steve pulls out gun to protect them while they sleep. Now I would not go to sleep or stay there. They are crazy! I would check into a motel asap.

Back at the police station they are talking about the call. Was it him or just a copycat. The police friend  calls the PI to check it out, and makes sure there is a stakeout.

 Jill can’t sleep and goes downstairs to the kitchen, the lights go out.

Never a good sign.

IT IS HIM!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

AAAAAAAAHHH!!!!!!!!!!!!!!!

The PI keeps calling, but just gets the busy signal. Jill checks on the kids again. She sees her son with an ice cream in hand, not even melted. Where did you get it?!!!!!! It wasn’t there earlier. In fact it is the same one SHE had that night. OMG HE WAS IN THE ROOM WITH THE CHILDREN! OMG IS HER HUSBAND DEAD!!!!!!??????

Is he  in the closet??? She approaches it! NOOOOOO Don’t open without a weapon!!!!!!!!!!!!!!!!

AAAAAAAAAAAAAAAHHHHH!

Nothing is there but clothes. The PI only gets dial tone. Hurry the line was CUT!!!

huHURRYRRRRRRRYRYRYRYRRY OVERER THERE AAAAAHHHHHHHH!!!!

Where is he??? Where???

Jill decides to settle in bed, but can’t go to sleep. She picks up the phone but discovers that it is DEAD just like she will be!!!!!!!!!

Take the gun!!!! Grab it!!!

She hears Curt the killer’s voice, but where is he? Or is it just in her head??? She tries to wake Steven in bed, but its not her husband! It’s Curt!!!!!

AAAAAAAAHHH!!!!!!!!!!!!!!!

He attacks her, but is shot. Who shot him???

The PI. OH No Where is Steven? Is he dead???? No just knocked out in the closet.

OH MY GOSH!!! That was way scarier than I thought it would be. That end image of his eyes over the house, always watching ooooooooohhhhhhhhhhhhhhhh

This was amazingly creepy film. I mean just skip the middle and this is phenomenal. It lingered in my mind and continued to scare me when it was over.

So after the film I checked that question about Carol Kane’s age.  She was 27. I thought so, her voice was waaaaay tooo deep.

So it turned out that this director made the short film The Sitter, which was pretty much the first 20 mins of this film. After Halloween came out in 1978, the director decided to make a full length film based on what The Sitter was about.. So I was right. That middle section was so close to Halloween, because of Halloween.

To start Horrorfest V from the beginning, go to Who You Gonna Call?: Ghostbusters (1984)

For the previous post, go to No Mere Mortal Can Resist the Evil of the Thriller: Thriller (1983)

For more on When a Stranger Calls, go to It’s Coming From Inside the House: When A Stranger Calls (2006)

For more psycho killers, go to The Butcher of Burtonsville High: The Death of the Queen Bee, Bones (2010)

For more films with anonymous phone calls, go to There are Thirteen Chairs at the Table…And That’s Unlucky: Mystery of the 13th Guest (1943)

For more slasher films, go to We All Go a Little Mad Sometimes: Psycho (1960)

You Will Die in Seven Days: The Ring (2002)

“You will die in seven days…”

So many of you might remember the post I did a year ago on Ringu, the original Japanese film. I had watched Ringu because I had heard that it was far creepier and better version that the American one. However, I found that to be false, with The Ring being the creepier one of the two. This was mostly due to the actors, some story changes, and a better explanation of Samarra. But more than anything else, my own personal connection to the film (I’ll mention that at the end).

So I was home alone one night (my roommates were all out of town for the weekend) and decided that I would spend the night in watching films. I had spotted this at the library and decided that it was perfect film for the occasion. I decided that instead of watching it alone in the living room, I would watch it in my room with the lights off. You know, set the “creepy mood”.

So the story is pretty similar to the Japanese film. You have two girls who are talking about a cabin weekend that one of the girls, Katie, had gone to. Suddenly the topic of a cursed videotape comes up. If you watch this tape you will die in seven days. After her niece dies, the main character, Rachel (Naomi Watts) starts tracking down what caused her death and gets caught up in a supernatural mystery. (For more info check out Ringu or watch the film).

So what made this film much creepier than the original? Let’s get started.

1. Lighting/Set Design

I’m not sure where the story takes place but it is always raining and gloomy. Plus the camera crew gave the whole movie this blue tint when filming which also adds to the creepiness/horror film feel to it.

 

2. The Kid

In the first film Yoshi wasn’t really in the film that much. He had the nightmares and could hear his cousin “calling” to him, but that was mostly it. He watches the video, which leads his mother to try even harder to discover how to stop it. He then gets dropped off at his grandfather’s house for a bit and we don’t see him until the end of the film.

In the remake this kid is SUPER CREEPY

He’s kinda like Cole from The Sixth Sense, that is if Cole wasn’t a cutie. I mean this kid is an uber creep as he only talks in monotone, and doesn’t act like a kid at all-more like a 30 year old man. To top it off he even draws strange murderous pictures. Horrifying.

AAAAAAAAHHH!!!!!!!!!!!!!!!

3) The Video

So The Ring came out four years after Ringu and had much better special effects, not gonna lie about that. And the video was much more creepy in this film. Freaky, emphasis on the FREAK.

4. Samara/Background Explanation

So in the original film we don’t get a full background on her. We find out that a professor was looking into studies of mental telepathy and other things like that. He found a woman that has this ability and the two end up having a child that for some reason is more powerful, and CRAZY! The main character’s ex-husband also just happens to have this ability. That’s it. That’s all we get.

How does it pass down? Why does the husband have it? Is that why they got a divorce? Why was the girl so much stronger? Why did she kill all the horses?

In the remake they give her a weirder background that explains her murderous tendencies. She was almost drowned as a baby, taken away from her family, and then put into social services. She has a history of trying to get attention/be the center of attention. She was adopted by a couple that really wanted kids but she was unlike anything they had ever seen. She started to develop these powers that freaked out her parents as she was getting into their minds.

AAAAAAAAHHH!!!!!!!!!!!!!!!

She goes to a psychiatric hospital and is questioned and treated, causing her to react as a kid would with anger. She kills her doctor and gets sent back home to the horse ranch.

To prevent her from harming anyone, they put her up in the barn away from everyone else with only a TV set. This makes her very angry.

She gets very jealous and kills all the horses by making them go insane. To her adoptive mother, Anna, those were her children. She loved them and cared for them. She has a complete mental breakdown and gets sent to a sanatarium. After she is released the family goes to the mountains and she kills Samarra by throwing her down a well, and them committing suicide herself.

It may be strange, but explains things a whole lot more than the original. Plus it is very creepy.

So personal connection.

As I mentioned earlier, I was home alone. I had 5 housemates; 3 were staying the night at their boyfriends house and 2 had gone home to see her parents. My actual roommate had gone home to see her parents and wasn’t coming back until the next day. Instead of chilling in the living room, I took my food into my bedroom, along with the film.

So I was watching the film and had just gotten to the part when Rachel has watched the tape and received the call that in seven days she will die. Just as she has hung up her phone, my phone rings!

AAAAAAAAHHH!!!!!!!!!!!!!!!

I pause the film and reach for the phone, shakily saying hello as its ringing scared the bejeezus out of me.

It was just my sister. She had an idea for something and wanted to bounce it off me.

Phew!

So I go back to watching the film. As I reach the part when Samarra comes out of the TV

My door starts to open.

AAAAAAAAHHH!!!!!!!!!!!!!!!

So let me explain campus security. The dorms I was living in were like townhouses. They had 4 bedrooms-2 singles & 2 doubles. Every student was given an ID card that held campus money, allowed us to check out books, go into the rec center & dining hall, and most importantly our rooms. We had two doors to the dorms that were set to only accept the cards of the people of the house. Besides running your card through the slot (like a debit card) each member of the house had a unique four-digit number to gain access. A card wasn’t enough, you had to use your code as well. Plus the code had to match the card or else you were out of luck.

To make that even more impressive, every room was encoded to only accept the occupant’s card. My roommate and I were the only ones who could into my room, unless someone had one of our cards. (The codes were only for the front & back doors.)

So you can see why I was freaked out. Everyone had made plans to be gone, defintely be gone. But yet here was my door opening and someone or something entering.

AAAAAAAAHHH!!!!!!!!!!!!!!!

It being really dark and the fact that the rooms were L-shaped (therefore making it hard to see “who” was exactly coming in through the door) didn’t help that much.

Of course, as I’m sure you all have figured out by now it was just my roommate. It turns out she had changed her mind and decided to come home early.

This experience made the film much more exciting, although anything that happened in the film afterward that last scare was pretty anti-climatic.

So It was a pretty great film and I suggest you check it out.

And I’m not just trying to pass it off to save myself from being killed. LOL

To start Horrorfest III from the beginning, go to Even a Man Pure of Heart

To go to the previous post, go to You Think You Know Something, Do You?

For more on Ringu, go to That Video…Is Not of This World

For more on real life mimicking horror films, go to Krueger Town 

For more evil children, go to He Who Walks Behind the Rows

For more on remakes, go to Let Them Fight

For more films that spanned sequels, go to It’s Happening Again, Isn’t It?

For more on Supernatural, go to I’m Batman!

Unleash the Savage Instincts that Lie Hidden Within: I Was A Teenage Werewolf (1957)

 

I’m going to TRANSFORM him, and unleash the savage instincts that lie hidden within… 

So this is another werewolf film, and a B horror film, that doesn’t end well. And to be perfectly honest that’s how I like them.

As depressing as that sounds, I like it when the werewolf story ends like that that because it’s closer to the original story. Here we have a good man, who has been turned into something he doesn’t want to be and can’t control. It’s sad and poetic at the same time.

So the big reason I watched this film was because it first of all was about a werewolf, which you all know I love. And it stars Michael Landon.

So the story is about Tony Rivers (Michael Landon) a boy who is known for losing his temper. His dad is constantly telling him he should get help for his anger problems, but Tony won’t listen. He doesn’t believe he has any issues at all. After a really bad fight on campus with a classmate, the police get involved. The Detective urges Tony to meet up with a psychologist. The thing that really pushes him to reform is his girlfriend Arlene (Yvonne Lime). She tells him he has too many issues and she can’t date a guy like that. At a party that night he attacks his friend when he surprises him, and that pushes him into seeking help from the acclaimed Dr. Alfred Brandon.

Now this is what makes the whole story so sad. He is earnestly trying to get help and fix his problems, but everything goes bad as he turns to the evil Doctor. I tell ya, I don’t trust doctors (unless they are Michael Rennie), as they always turn out evil. Dr. Hartz from The Lady Vanishes (1938), Dr. Hollingshead from The Secret Life of Walter Mitty (1947), Dr. Einstein from Arsenic and Old Lace (1944),  Dr. Arthur Carrington from The Thing From Another World (1951), and that’s just to name a few.

Anyways, so the Dr. Brandon has no intention of helping Tony out. Instead he wants to experiment on him, testing out this serum he created to bring out people’s primitive instincts. His assistant tries to convince him not to, but Dr. Brandon won’t listen.

“Dr Hugo Wagner: But you’re sacrificing a human life!

Dr Alfred Brandon: Do you cry over a guinea pig? This boy is a free police case. We’re probably saving him from the gas chamber.

Dr Hugo Wagner: But the boy is so young, the transformation horrible –

Dr Alfred Brandon: And you call yourself a scientist! That’s why you’ve never been more than an assistant.”

That night the teens all go hangout at a party. One of the guys, Frank, is killed while he is walking home from the party.

Victim #1

The next day the police are studying the scene and trying to figure out what could have done this. The police station’s janitor, an emigrant from the Carpathian Mountains, looks at the photos and determines that it was a werewolf that did it. In his hometown “human beings possessed by wolves” are common, so he declares that nothing else could have killed the boy.

The next day, Tony goes back for a second session in which he tells the doctor that he feels like something is wrong with him. The doctor brushes it off and Tony continues on his way. That day his principal calls him into her office and tells him how happy she is with the improvement. She is going to recommend him entry to the State University.

I know this won’t end well

It really gets me because he is so hopeful and sweet, yet you know, you know nothing will end well.

So Tony is happy, now that he has a future and a ticket to be something. As he walks to class the bell rings, triggering his transformation.

And he attacks Theresa, his classmate, who is practicing nearby.

Victim #2

Tony flees for his life, and even though he looks wolfish, people recognize him and put out an APB. A reporter goes to his father and girlfriend to find out more about him and get a scoop. Meanwhile, the police follow Tony, siccing dogs after him, but Tony takes them down.

In the morning, Tony wakes up in his true form. He tries to talk to Arlene but can’t get anywhere with her as she is too freaked. He then runs down to Dr. Brandon’s office to get his help.  Dr. Brandon lies to Tony, telling him he will help him but in reality injects him with the serum. Tony starts to transform when the phone rings and it causes Tony to go berserk, attacking the Dr. and assistant. Right then the police charge in and take Tony out (even though they don’t use silver bullets. Although they don’t need to as he isn’t a true werewolf but a manmade one). When they do so, Tony returns. But dead.

Doesn’t it just get you in the feels?

It’s just so sad. He wanted the help, he wanted to be better; but just went to the wrong person and everything in his life went downhill.

This was one of the films created by studios to branch into the teenage crowd. They would do “Creature Double Features” at movie theaters (as shown in The Blob) and drive ins. They were usually short films and teenagers were the focal characters as that was who they were trying to appeal to. Other films were The Blob (1958), Invasion of the Saucer Men, I Was a Teenage Frankenstein, Blood of Dracula, How to Make a Monster, Village of the Giants, etc. 

Here is a facebook cover I made one year, as part of my countdown to Halloween

To start Horrorfest III from the beginning, go to Even a Man Pure of Heart

For the previous post, go to Let Them Fight

For more on werewolves, go to A Monster Race

For more mad scientists, go to In Their Proper Place

For more remakes given a teenage twist, go to You’re Just Too Good To Be True

That Video…is Not of This World: Ringu (1998)

This kind of thing… it doesn’t start by one person telling a story. It’s more like everyone’s fear just takes on a life of its own

On April 13, 2011; I was chilling with my friends when I suddenly recalled it was Friday, April 13th!

Friday the 13th? We must watch a scary movie! We weren’t satisfied with what we had in the dorm so we headed out to the library and checked out what they had. We were looking out the horror section, when my friend spotted Ringu and said that we should watch it since she had heard it was really creepy. I was totally down for that, and I have to agree that it was pretty creepy, but did have a few dull moments.

So the film starts out with two girls hanging out one night.

One starts joking with the other, telling her about a story she heard about these people watching a strange video, and later they recieved a call saying they would die in seven days. It quickly goes from funny to serious when the other girl, Tomoko, tells her friend that she saw the video and got the call. Her seventh day ends tonight. Tomoko then says she was just kidding, and that it’s no big deal, she’s going to be fine. However, the two go downstairs, and Tomoko is killed by some unseen force. Her friend then goes into shock and has to be put in a mental institution. This scene is pretty creepy.

Tomoko’s aunt Reiko Asakawa is a journalist and comes over for the memorial, bringing her son.

She feels that something is not right, as there has to be more to this story. She starts going through some of Tomoko’s stuff and finds a strange picture of Tomoko and her and friends at a cabin in Izu. In the photo all the kids’ faces are blurred out. All the kids in the photo are also dead.

 Reiko goes down to the cabin in Izu and finds a strange tape, but interestingly it is not the orginal piece but a copy.  Reiko watches it and it is full of strange images that don’t seem to make any sense. At the end the image cuts off and snow flurries take over the screen.

Immediately after it ended, the phone rings and the voice on the phone says she only has seven days to live.

The rest of the film is now counted in days as  Reiko’s time is limited.

Reiko goes to see her ex-husband, Ryūji Takayama. One thing they never explain is that Ryūji is a psychic (they call him that but all I observe is telepathic tendencies, i.e. reading her mind.) This is part of the reason why the two broke up as Reiko couldn’t deal with it his “abilities”. Reiko goes to him to tell him he might have to care for their son if she should die. Ryūji doesn’t believe her, so she forces him to take a picture of her. In the pic her face is blurred.

Ryūji works with media and asks to see the video hoping to figure something out. Reiko doesn’t want to show it to him but gives in. After they view it he gets a call too. She also makes him a copy to study.

Ryūji  is able to discover a phrase “frolic in brine, goblins be thine” hidden in the video, a saying that came from Izu Ōshima Island. That night, Reiko catches her son watching the tape and is now more than ever determined to discover how to defeat the thing that is killing people. Reiko and Ryūji team up and travel to the island to find out more.

On the island they discover that there used to be a great psychic Shizuko Yamamura. A doctor was working with her, showcasing her powers, but she was denounced a fake and disappered from sight.

The two find the doctor who was training Shizuko and discover that the doctor had a deeper relationship with Shizuko than just studying her; he was also her lover. Shizuko and him sired a child, Sadako, who was uncontrollable. She killed all the horses because they were disturbing her, killed people, etc. The father couldn’t handle her after the mom died and killed her by throwing her down a well. However, that didn’t completely kill Sadako as she psionically put her vengeful spirit into a tape. This spirit or Onryō killed the teenagers.

The two go back to the Cabin because that is where the videotape surfaced. They uncover a well and try to empty it to appease her spirit. Minutes before the seven days are up, Reiko finally finds Sadako’s corpse at the bottom. She hugs her and kisses her forehead, giving her “a mother’s love”. When nothing happens to Reiko, they believe that the curse is broken.

All seems fine until the next day. Ryūji is at his home and his TV switches on by itself showing the image of a well. The ghost of Sadako crawls out of the well and out of Ryūji’s TV set.

This wasn’t very creepy which disappointed me. I mean that was the whole buildup right? Well it just seemed very fake to me as she takes FOREVER to crawl across the floor.

So as Ryūji is dying he manages to dial Reiko’s number. She realizes the curse wasn’t broken and tries to figure out wat she did differently from her ex. She goes over everything she’s did in the past seven days and realizes what she did that Ryūji didn’t–copying the tape and showing it to Ryuji.  Reiko figures out that by having her son make a copy and giving it to someone, it is the only way to save her son. The last shot is her driving to her father’s and talking to him on the phone letting him know that her son has a video to show him. (I know HORRIBLE BETRAYAL)

It was pretty creepy and compelling, but the last part when Sadako comes was just not creepy enough. But this film is definitely worth a watch!

What’s also really interesting is that the director Kôji Suzuki got his inspiration for the Ringu novel, which this film is based on, from his favorite horror movie Poltergeist.

Here is a cover page/poster for facebook I made as part of my countdown to Halloween.