There’ll Be Somebody With My Name…But She Won’t Be Me!: The Stepford Wives (1975)

I won’t be here when you get back, don’t you see? It’s going to happen before then. Don’t ask me to explain it, I just know. There’ll be somebody with my name, and she’ll cook and clean like crazy, but she won’t take pictures, and she won’t be me! She’ll – she’ll, she’ll be like one of those the robots in Disneyland.

So first, happy 40th anniversary! February 12, 1975 brought this great film to us.

So one day I was spending the night at my friend’s house, and her grandmother had a massive movie collection, although nothing made past the ’90s. We were trying to figure out what to watch, when she chose The Stepford Wives (2005). I thought it was funny, and even bought it for myself when it was on sale for $5 at Wal-Mart.

Then I was at a yard sale, where a friend who has a monster horror/mystery film collection was selling all the VHS he had just bought DVDs of. I saw The Stepford Wives (2004) and was shocked. There was another version of the film?

I bought it; along with Invasion of the Body Snatchers (1956), The Wolf Man (1941), Rebecca (1940), The Phantom of the Opera (1943), North by Northwest (1959), House on Haunted Hill (1950), Family Plot (1976), Lifeboat (1944), The Creature from the Black Lagoon (1954), Notorious (1946), and The Night of the Hunter (1955).  I really cleaned him out.

Then one day, I decided to watch The Stepford Wives (1975). And I LOVED it! I thought it was sooooo much better than the remake, in fact I never even watch the 2005 version anymore. I really should just donate it to the library or thrift store.

So this film was based on a novel, in fact written by the same man who wrote Rosemary’s Baby, Ira Levin. Funny that I should review both films the same year. I didn’t even realize they were by the same person until right now.

Anyways, on with the review.

The film starts out with Janna Eberheart (Katherine Ross) saying good-bye to her apartment they have been living in in the city.

She doesn’t want to leave, but moving to the suburbs will be better for her two young kids.

Now Katherine Ross is extremely beautiful, and her husband is only so-so. How did he score such a ringer? Not  to be mean, but he looks old and is balding, and looks like the type to get a beer gut.

They are unpacking their stuff when a beautifully coiffed woman comes over with a casserole, Carol Van Sant. She walks and talks a bit weird, almost unearthly in grace.

Later Walter is walking the dog and tells his neighbor, she cooks as good as looks.

Men

So it turns out that Joanna definitely did not want to move. It was all her husband’s idea. He thinks it is safe, secure, and there is more room for the kids and Joanna to have dark room for her photography. Joanna is still not pleased.

The next day Joanna’s kids take the bus to school. All the other kids are too perfect and not rowdy at all. Weird.

Now that the kids are gone, what is the city girl gonna do? She has tea, clearly bored.

She does get interviewed by neighborhood lady, who writes the women’s magazine. We found out that Walter Eberheart, her husband, is a lawyer; while is an inspiring photgrapher. The thing she misses most about New York? The noise.

The next day she goes to return the casserole dish to neighbor, when she sees a guy come up from behind and start feeling her up and kissing her. It is mid morning! Is that her husband? And what is he doing here instead of at work? Weird.

That night Walter tells Joanna how he has met the other Stepford commuters. They invite him to Men’s Association. It has only one rule, men only. Joanna is not pleased.

Men

We see that their relationships actually are having some problems that have been happening for a while.

Joanna Eberheart: You pretend we decide on things, but you have already decided on everything. You ask me if I want to move out of city, and I find you have already been looking. You ask me if I like this house place and I find that you have already made a down payment. You ask me about the men’s association and you have already joined. Why even bother to ask me at all.

When they go out grocery shopping, it seeems as if all the other women are more in control of their kids, have planned out their list better, being perfect; while  JOanna harried and forgetful.

Carol coming out of market, and gets into a car crash. She is taken by the ambulance, and keeps repeating herself over and over as if stuck on something.

Joanna Eberhart: [ambulance drives off] We may be new here, but isn’t Stepford Hospital that way?

Walter Eberhart: Oh, no, no, no, you’re wrong… No, no, you’re *not* wrong, the ambulance went *that* way, didn’t it?

That night Joanna wakes up in bed alone, and hears something downstairs. It is Walter in front of the fire, as he just got back from mens association. He is upset and drinking. What’s going on? Why is he so sad and upset? What did the men do?

The next day Bobbie Markowe (Paula Prentiss) comes to see her after reading about her in the lady’s paper. You notice she is the only other woman wearing pants as well.

Bobbie is like Joanna. She moved her from New York, not her decision but her husbands. She isn’t perfectly coiffed and doesn’t have a spic and span house. She is normal and the two quickly become friends.

That night Joanna is working in her dark room developing pictures. Walter calls and tells her the meeting will be at their house, in 20 mins. That’s really short notice to be given, what if the house was a mess? But i suppose those guys think a house should always be perfect.

After Walter gets off the phone, Dale, leader of the men;s association tells him he recognizes that Walter is not altogether sure, telling him not to worry the change is for the better.

So while Joanna is pouring teas and coffees, Dale is watching her, he likes seeing women in domestic settings.

Joanna Eberhart: Why do they call you Diz?

Dale Coba: Because I used to work at Disneyland.

Joanna Eberhart: No, really.

Dale Coba: That’s really. Don’t you believe me?

Joanna Eberhart: No.

Dale Coba: Why not?

Joanna Eberhart: You don’t look like someone who enjoys making other people happy.

Joanna sit in on the meeting, One guy draws Joanna, as the rest of the men talk about charity events they could do. The men are absolutely boring and horrible at planning and deciding on something. She goes to check on the kids to get out of there.

They all stop talking as soon as she leaves. Hmm…interesting.

When she comes back, the meeting breaks up and the guy gives her the drawing of her.

Ike Mazzard: [Handing drawing to Joanna] In case you’re wondering what I’ve been doing.

Joanna Eberhart: You’re not the Ike Mazzard are you?

Ike Mazzard: I’m afraid so.

Joanna Eberhart: Walter tell him, I’m just awful on names. You’ll have to forgive me. I used to gawk at all those girls in those magazines. You blighted my adolescence, you know that?

Walter Eberhart: [Grinning] I thought I benighted your adolescence.

Joanna doesn’t like the men, as she thinks they are boring. The women, besides Bobbie, are not friendly and also don’t seem to think that much beyond how they look or how to cook. She thinks her husband is acting weird by hanging with these people.

Dale give a barbecue, and Joanna and Bobbie dress casual; Joanna in a nice sundress and Bobbie in pants. However, all the other women are dressed SUPER fancy in long dresses. Joanna and Bobbie feel really out of place, but can’t quite put their finger on why exactly.

Joanna Eberheart: It’s all so dazzling, so why don’t I like it. I like it but I don’t like it. Does that make sense?

Carol starts talking to them, but keeps repeating herself. Something is not right with her. Is she drunk? Or is it something else?

The next day Carol comes and apologizes to Joanna and Bobbie. She explains that she used to be an alcoholic, one of the reasons why they moved out of the city, and the reason why I was acting weird last night. I had started drinking again. Her husband made her come apologize to the newcomers, didn’t want to frighten them off.

So strange to Bobbie and Joanna. Both ladies did women’s liberation in New York and decide they need to start something here in Stepford. They start inviting women, but they don’t really care and don’t want to. One too busy ironing, one too busy baking, another shopping, etc.

The last person they see is Charmaine. She is relatively new, only been here a little bit longer than Bobbie. She heard that the girls wanted to start meeting, and wants to join as she has had a hard time connecting. She used to play tennis with one girl, but now she is far too busy cooking and cleaning.

One of the men wants to do a speech experiment with her. Needs to know every place you have ever lived, and you have to read off a vocab list he made up. Joanna won’t do it, unless the wives come to her meeting.

Joanna Eberhart: I’m very busy…just like your wife. Bobby and I tried to involve her in one of our projects, but she had too much ironing. Maybe you could convince her. Kit Sundersen, too. If they could find the time for me… I could find it for you.

Claude Axhelm: Isn’t this uh… kind of blackmail, Joanna?

Joanna Eberhart: It’s what made this country great, Claude.

They have the Women’s Liberation meeting, but the other wives don’t seem really into it. Joanna starts by saying she thinks walter cares more about law than her. Charmaine says that she doesn’t think her husband ever loved her, but only married her because she looked right. After that emotional piece, one of the wives says she didn’t bake any thing yesteday  because she didn’t finish cleaning. Then all the “other wives” start talking about products they use, sounding like a commercial.

So weird.

Joanna goes out for a walk with her dog, when she is gone men come over and looking at room and all her stuff. They leave after their observations.

The next day, Bobbie and Joanna run into an older woman who tells them about a new family coming to Stepford, a black family. She says it doesn’t surprise her as Stepford is the most liberal place. Bobbie and Joanna are surprised and find out they used to have a ton of women’s groups, including a huge Women’s Liberation. What happened?

They go see Carol, who they discovered was the leader of the Women’s Liberation in Stepford. She tells them it died out because the women got bored.

Joanna Eberheart: Is it enough?

Carol Van Sant: It is enough for me, maybe not for you.

Joanna goes to New York to show some photographs to a gallery, but the owner turns her down. When she returns, she discovers that her dog is gone. She and Bobbie start driving around looking for him when they see Charmaine’s Tennis courts being destroyed!

They go see her and she is dressed like other wives and acting like them. She only cares about making her husband happy. Fired the maid and wants to do all the cooking and cleaning herself. She’s letting her husband get the heated swimming pool that he always wanted.

Both are freaking out about this. Bobbie is convinced that they must be poisoning the water or something. She wants to take a sample and give it to a trustworthy chemist, but doesn’t now any. Joanna does, and when they give it to him; there is nothing in the water.

Bobbie is scared.

She wants to leave, and is planning on asking Dave tonight to move. She doesn’t want to become one of those women.

Creepy!

Joanna wants to leave, but Walter doesn’t. After a bit of pleading, he gives in. But is it too late to move?

They start looking in different areas together. Dave, Bobbie’s husband is mad about house hunting. He was so upset that he almost canceled their annual trip to plaza. Bobbie has Joanna take care of her kids.

The kids are crazy and loud, and Walter hates it. Joanna takes tons of photos while kids are playing. Joanna is working in the dark room making Walter have to care for the kids. He wants Joanna to take over as he is tired and can’t think of anything else to do. Joanna tells him too bad, she deals with it every day.

Joanna goes to New York to get a gallery owner to look at them, thinks they are amazing.

Joanna goes to tell Bobbie about gallery accepting her work, but Bobbie doesn’t even care. She just wants to discuss clothes, looks, cleaning, all about taking care of Dave.

Noooooooooo!!!!!!!

They’ve gotten to her, and she is no longer the same.

Joanna tries to tell Walter what is going on, but he doesn’t understand and won’t listen. He just keeps telling her that she is crazy!

Noooooooooo!!!!!!!

Joanna is going to leave, and planning on it today. Walter stops her, telling her they will move, but only if she sees someone. He tries to get her to see one in town, but she refuses. She wants to find her own person and someone far from Stepford.

Getting out of here

Joanna visits a doctor far way, but is afraid to tell doctor the real reason why she wants to leave Stepford. Ater four months Charmain changed. After four months Bobbie chnged. And four months is how long Joanna has been in Stepford. She’s afraid that whatever changed them will change her as well.

Joanna Eberhart: I won’t be here when you get back, don’t you see? It’s going to happen before then. Don’t ask me to explain it, I just know. There’ll be somebody with my name, and she’ll cook and clean like crazy, but she won’t take pictures, and she won’t be me! She’ll – she’ll, she’ll be like one of those the robots in Disneyland.

Dr. Fancher: Alright, now listen. I’ll give you a prescription which you have filled, then you gather up your children and you GET THE HELL AWAY! Don’t tell your husband, don’t tell anyone, just go, wherever you feel safe. Now, do you have family?

Joanna Eberhart: They’re dead.

Dr. Fancher: Well, just drive, and stop some place. Then in a few days – I’ll be back on the 10th – you ring me, I’ll come to you, and we’ll sort this thing out. Now how does that sound?

Joanna comes home and plans to do just that. She goes upstairs looking for kids, but they are not here.

Joanna wants to know where they are, but Walter won’t tell her. He tries to get her to go upstairs and lie down, grabbing her.

They fight and Joanna breaks away, going upstairs and locking herself in. Oh no, just like in Rosemary’s Baby! But it didn’t save her!

The phone starts blinking, and Joanna can see that he is talking to someone. While he is on it, she sneaks out of the house and heads off to Bobbies to look for her kids. But when she gets there, they aren’t there.

After she short circuts Bobbie, she heads back home. When she gets there, she smacks him in the head with a fireplace poker, demanding to know where her children are.

He mutters “association” and Joanna decides to head out there. When she gets there she hears her children’s voices calling, follows the sound and it turns out to just be a recording. It was all a ploy to get Joanna there.

Noooooooooo!!!!!!!

Joanna Eberheart: Why change the women?

Dale Coba: Because we can we make them perfect.

 But Joanna won’t just go down, she still has a lot of fight in her and takes off running. She gets lost in the hallways and opens a door to her bedroom.

Camera slowly pans…………..tension building…………dun dun dun dun dun….and we see:

Her!!!! Brushing her hair with her black demon eyes. Robot Joanna. Body even more perfect. Probably one of the creepiest moments in any horror film, of all time there.

AAAAAAAAHHH!!!!!!!!!!!!!!!

Next day all in supermarket, talking to each other.

And we end seeing that new family in town, fighting the same way everyone else did previously. They are next on list.

Noooooooooo!!!!!!!

So after watching this a second time, there are a few things I have noticed and wanted to bring light to now that the “real” review is over.

1)The Husband was the one who wanted to move. So I wonder, did Walter know ahead of time that the town was like that? Is that why he choose Stepford out of any other suburb?

2) The clothes are great with the differences. Joanna and Bobbie are the only ones “in” with current fashion. They wear jeans, crop tops, no bras, and show lots of skin with their mini skirts and shorts. Originally the directors wanted the robot women to be “playboy bunnies”, but I think it was better having them in nice, lacy dresses. It definitely shows an extreme difference between the “fixed” women and those “still in need of alterations”. Plus the women in those dresses, defintely is a throwback to not the ’50s, like most assume: but the turn of the century. I mean look at those clothes, throwback to a time when women really had no rights. Or at least that is my views on the whole thing.

To start Horrorfest IV from the beginning, go to You Cannot Conquer It. It Has Conquered You!: Dr. Jekyll and Mr. Hyde (1931)

For the previous post, go to Because I Am Mad, I Hate You. Because I Am Mad, I Have Betrayed You: Gaslight (1944)

For more on evil robots, go to We’re Mad Scientists. We’re Monsters: Avengers, Age of Ultron (2015)

For more by Ira Levin, go to What Have You Done to Him?: Rosemary’s Baby (1968)

For more husbands that are more than what they seem, go to She Cries in the Night: The Screaming Skull (1958)

Beast or Man: The Wolfman (2010)

There is no sin in killing a beast, only in killing a man. But where does one begin and the other end?

So this year I decided to do something very, very different. Now the in the past, all Horrorfests have ended on a film that takes place on Halloween. This wasn’t a credence that I set out to make, it just kind of happened along the way. With Horrorfest I had always planned on ending on Halloween (1978). I knew it was the best way to end the first year with a big bang. Besides, that year I had done the other slasher films that spanned numerous sequels and remakes (Friday the 13th & Nightmare on Elm Street). Horrorfest II I was trying to also end on a really great film that would produce the same kind of bang, and decided on Children of the Corn as that film was creepy. It also happened to take place on Halloween.

This year I was trying to decide what would be the best opener and closer. I was originally going to open with Metropolis as I had done a post in July referencing it. But after I wrote that post, it just didn’t speak to me as an opener. I started going through my drafts and that’s when I spotted The Wolf Man (1941). The Wolf Man has to be my favorite of the classic horror film monsters (along with The Phantom of the Opera). I hadn’t had a chance to review it yet, and since it was the last of the classics I decided it should be the opener.

Once I wrote that post, I was so excited. You see, I felt I really couldn’t to a post on any werewolf films until I had covered the first one. I thought it was only right to start with the original. With that done, I could move onto any other werewolf film I desired. The possibilities were endless.

With the beginning finished, I then set my sights on the end. What could I do that would really pop? As I started thinking and looking, I saw my draft for The Wolfman (2010). And that’s when it hit me.

I could end Horrorfest III with The Wolfman (2010). It could be like bookends!!!! In the beginning the original that started it all  and the end the newest rendition. !!! Yes!! It could work and it will. So here we are The Wolfman (2010).

So a little backstory before we begin the review. As you would have read in an older post, I love The Wolf Man (1941). It is one of my all-time favorite horror films. One day in my photography class, we were watching trailers of different films as we were looking at the cinematography and technique. My teacher was on a Mac which has Front Row, and shows you trailers of the past, present, and future films. One trailer I remember looking at was Nightmare on Elm Street (2010). I wasn’t planning on seeing it, as I hadn’t seen the original. But as we reached the end, I saw The Wolfman.

I screamed ay my teacher, stop!! I want to see that. So we watched the trailer.

AWESOME!!! RIGHT!!! So I knew there were going to be changes, I knew it was going to be nowhere near as good as the original, but I was soooo pumped!! So I watched the trailer in February 2009, and saw the film was slated for that October. I couldn’t wait!!!

I ticked off the months, but then in October I discovered it wasn’t out in theaters.

Yep, there had been some production problems, so they pushed it back to February. FEBRUARY!!! V-Day weekend. I was upset, but what could I do? I just had to wait it out.

But then February came and I decided that it would be my V-day present to myself. You see I have never had a boyfriend or date for V-day, so I always just buy myself whatever I want. It’s actually pretty nice as you don’t have to fight with anyone over where to go or what to see; and you are never, ever, ever, disappointed.

I asked a couple of friends who were also single and we bought tickets for opening night. I knew that I wouldn’t be 100% pleased, but I was looking forward to those improved transformation scenes.

So moving on to the review.

So let’s go back in time. The year is 1891 and we are in England. Lawrence Talbot (Benicio del Toro) is the second son of Sir John Talbot (Anthony Hopkins). He and his dad had a lot of issues and problems so he left as soon as he could. Since then he has been a renowned Shakespearean actor, famous throughout all England for his Hamlet and Macbeth.

He recieves a letter from a Gwen Conliffe (Emily Blunt). She was engaged to his older brother Ben, but he has been murdered. Not only was he murdered, but horribly mangled by something. When Lawrence gets the news, he immediately returns home for the funeral.

When he gets there he sees his father and the two have a harsh welcome. Unlike The Wolf Man (1941), where father and son were trying to work on repairing their relationship, Sir John doesn’t care. He still has huge issues with his son not being what he wants him to be. The way that Sir John treats him, causes Lawrence to want to leave, and go far away…but he can’t. He has to properly say good-bye to his brother.

Lawerence does try to get away from his father as he knows staying near him will just cause more fights. He also really wants to see his brother. So he heads down to the local slaughterhouse where the body is kept before burial.

I know but you have to remember this is a small village in 19th century England. They didn’t have a mortuary to hold the body until burial. They also didn’t understand how diseases spread and that it is not a good idea to have a dead body near your food.

There at the slaughterhouse, the butcher gives Laurence his brother’s items, that is everything found on him at the time of his death.

Later that night he heads over to the local pub for a drink and overhears the gossip on the murder. Most of the villagers blame a band of gypsies. Not long after they moved into the area, Ben was murdered. In fact, someone remembers a case occuring years earlier of gypsies moving into the area and dead bodies surfacing. As they discuss this, Laurence remembers that Ben had had a gypsy medallion on him.

This is the first time that Laurence has ever met his brother’s fiance Gwen. Now for you Wolf Man fans, you should recognize that it is the same name given to Laurence’s love interest in the original film. Except in that film she was to marry the hunter/groundsman of the Talbot estates. Anyways, Laurence meets her and can instantly see why his brother fell for her, as he himself is attracted to her.

Of course Lawrence is the most amazing, gentleman/good guy that he would never ever think of putting the moves on her. He does thank her for trying to be there for his father and for everything. He also let’s her know that if she ever needs him, he’ll be there for him.

Gwen is also attracted to him, and you really can’t blame her. If Benecio is in his early 40s, that means her husband to-be was hecka old. Also Benecio/Lawrence has this adorable hurt puppy dog look that makes you just want to show him he is special, and that you care for him. He looks so sad that it makes you just want to take him, and take care of him. Making sure is life is bright and never unhappy again. That look is killer on any girl as it flies through their best defenses. Major chink in the armor.

Sorry, digressing….So with Lawrence back, and the funeral over, Gwen decides to return to London. Laurence would like to leave too, but wth his brother’s death, he now is sole heir to the estate and the first son. When his father dies he will become Sir Lawrence and be expected to uphold all those duties (House of Lords most likely). This isn’t the life that Laurence wants, but at this moment he is too loaded with grief and confusion over his brother’s death that he doesn’t question or try to rebel.

So with Gwen gone, and his father an emotionless robot who only cares about himself; Lawrence takes it upon himself to try and figure out what happened to his loving brother. Now Lawrence is putting on the black cowl and trying to become a vigilante or anything, he just wants some closure about his brother’s death. He heads down to the gypsy camp to try to get some answers.

Where were you the night in question?

That night is a full moon

Which as you’ve guessed it means trouble is going to be roaming about. Lawrence meets up with the gypsy woman Maleva, who tells him that something truly evil has attacked his brother.

But before he can get anything more, the townspeople attack the village. They try to drive the gypsies from the area, and kill a dancing bear they believe to be the beast that killed Ben Talbot.

Grab your torches and sharpen your pitchforks!

As they are attacking, a superhuman, wolfish creature descends upon the area and starts slaughtering people.

And I’m not talking about just a few people, this is like a Scream sequel. The body count by the end of this film is in the double digits.

Hey, my generation is the Millennials. They aren’t as classy, they need lots more blood and guts.

Anyways, the werewolf is attacking everyone, and Lawrence spots a young boy running into the woods. At the same time the werewolf spots the boy, causing Lawrence to put himself in the way in order to protect the child. As he does so, the wolf attacks him.

And he gets bitten.

Malvea find him and cares for him, despite the community telling her that it is better for all if they let him die. But Malvea can’t, she says he still is a man and deserves to be treated as such. She also states that only a loved one can kill him.

Malvea honey, I don’t think so. Anyone can kill a werewolf as long as they have some kind of silver object. Nowhere is that in the original film, as if you read my post you would know that film revolutionized werewolf mythology. Click here to check it out now.

And besides that, is there nothing you can do for him? You are a cinematic gypsy in a horror film! You’re supposed to have a potion or herb or special thing that can protect you from turning. Now if you have read my Dracula, The Mummy, The Wolf Man, or Scream 2 posts, you know I make fun of the films when the guy is given a special charm to protect him but then stupidly turns it over to the girl he loves, EVEN THOUGH IT WILL NOT WORK FOR HER.

Every time!

But I really enjoy that part of the film, as it humanizes the character and makes you adore them. I mean its sweet how much they love the girl in their life that if there is anything that can do to ward of the monster, they prefer them to have it. Even though by doing so they make things worse, hey it’s the thought that counts.

I also hate how gypsies have been giving “B” standing in modern horror films. I mean without their supreme wisdom and knowledge in the supernatural, they are just nomadic people. In real life they are still awesome, in a  horror film? That’s just boring.

But I guess that’s just they way it is these days.

So where was I? Oh yeah, Lawrence has been bitten by the werewolf. He is moved back to Talbot Manor, and Gwen returns from London to nurse him back to health. While recovering he has really strange dreams. Lots of blood, murder, and even his mother appears. You see his mother died when he was very, very young and her death severely traumatized her as he discovered her dead body. But why would that death be haunting him now? Is it because of Ben? The slaughtered people seen in the gypsy camp? Or is it something else?

Lawrence actually heals pretty quickly, which he finds kind of odd. And that’s not the only thing that’s odd in the Talbot homestead. One day his father’s manservant, Singh (Art Malik), shows him a case of silver bullets and hints that something monstrous is walking through the woods.

Weird

He’s not the only one concerned. Inspector Abberline (Hugo Weaving) comes to town. Yes, yes I’m going to admit it. Any film with Hugo Weaving gets an 10x increase in awesome. I mean this guy is truly one of the most talented actors alive. When he ecomes a role you totally forget that he is Hugo Weaving and just think of him as that character. For me I’m always going, Hugo Weaving was in that film? Oh that’s who was that amazing character. I totally forgot that character was being played by an actor. I mean he is that  good. You have Agent Smith in The Matrix, Elrond in The Lord of the Rings trilogy, V in V for Vendetta, the Red Skull in Captain America: The First Avenger, and that’s just to name a few.

Anyways, Inspector Abberline comes to town to investigate. He already believes he knows who the killer is…Lawrence.

Seriously? Lawrence? A Murderer? Come on, this guy wouldn’t hurt a fly. I mean look at him, really look at him. There isn’t a murderous bone in his body! Besides, he just arrived in town so there is no way he could have murdered his brother. Dude, you’re dumb.

But it isn’t completely ungrounded. You see, Lawrence has a history of “mental problems.” You see, I didn’t want to give you the full story so early, but Lawrence’s mother’s death really did a number on him. Now today, we would really try to help the child as we understand such events as those are highly traumatic and can cause serious issues. Then not so much. Lawrence discovered the body and was very upset. He was afraid and kept mentioning a monster had hurt her. Instead of trying to help his kid, Sir John sent him to an insane asylum, where he was tortured. And I mean torture. Many methods to improve these patients were electrotherapy, iron cuffs/collars, bloodletting, dipping the patient in hot or ice-cold water, and a gyrating chair “to shake up the blood and tissues of the body to restore equilibrium”. By the 1900s, many hospitals had added lobotomies to their lists of “cures”.

AAAAAAAAHHH!!!!!!!!!!!!!!!

Yeah not fun. So Aberline thinks he is the perfect suspect. Laurence though, is having none of that.

Lawrence Talbot: I get your implication, and resent it. You’re clearly aware of my personal history, as I believe I’m aware of yours. Weren’t you in charge of the ripper case a couple of years back?

Det. Aberline: You’re a direct man. So I’ll be equally direct with you. I am not your enemy, Mr. Talbot. You’ve been seen as Hamlet, Macbeth, Richard III, all with that same face. A prudent man would ask who else might be living inside that head of yours?

Laurence doesn’t quite know what is going on and asks Gwen to leave as he’s worried something might happen to her. That night he follows his father, and watches him go down to the family crypt, to the area where his dead mother resides. There he finds a chair with restranints. His father locks the door and stays in the crypt, leaving a confused Laurence.

Weird

As Laurence turns to go inside, he becomes…The Wolfman!

Now this was worth the price of admission. These transformation scenes are awesome!!!

Freakin’ sweet!

So now that he is a wolfman, he does what they all do. Ravage the countryside.

The next day the Inspector comes for him and has him arrested to be sent back to the “mental hospital”

Noooooooooo!!!!!!!

How horrible is that. I mean this has to be Laurence’s biggest fear, to be sent back to that horrible place. Poor guy. And I was doing some research last night, not only were insane asylums awful, but the one he has to go to, Bedlam, was one of the worst.

Dr. Hoennegar, the leading physician, takes Laurence under his wing and subjects him to ice treatments, that is to be consistently dunked into ice water and left there for long periods of time.

Can you imagine?

And oh joy, he also gets electroshock therapy.

While he is incarcerated, Sir John comes to visit and tells him a story. You see Sir John is the cause of all this.

Back in the day when he was younger and hunting in India, he heard this rumor about an unusual predator. He travels to the remote cave that the predator calls his home and while there was bit by a feral boy and became a victim of lycanthropy.

Except, it was more than “imagining” he actually became a werewolf and began attacking things.

That’s when Laurence realizes everything about his mother’s death makes total sense. He did see a beast kill her, but it was his father! His father killed his mother and then sent him to a mental institution!!! What a truly, truly evil man to allow his son to be tortured. And now for a second time!!!

Now this was my biggest issue with the film. Every other part of the movie was actually pretty great. It was an amazing homage to the orginal film. Benecio del Toro was actually a huge fan of the original and tried to bring a lot of Lon Chaney Jr. into his acting. But the thing I absolutely hate was the changed relationship with his father.

It just didn’t work in my opinion. I mean that is what truly made the original fantastic, was that everything in his life was going great, he was a great man; and this tragedy strikes that ruins everything. He and his father were finally, finally becoming close and working out all their issues. He had met a nice girl, even though she was engaged, and had hope for that relationship. He loved England and was getting back into the groove of it. But then this horrible thing happens and he has to say good-bye to it all. He knows he is going to die, but what does he do? He goes to his dad and makes sure that he has something to protect him. Because even though he has spent years hating and being angry at his father, he truly loves him. It’s just so wonderful and sad all at the same time

But having the dad the evil guy, I don’t know…it just makes the film feel as if it is missing a huge part of it. It doesn’t hit in the heart like the orginal.

But moving on, so his father murdered his mother and then sent the only witness to a torture chamber (mental hospital) to ensure that those memoris would never come to light as they are only crazy “child fantasies”.

Since then, Sir John has had his manservant Singh has been locking him up so he doesn’t wreck havoc anymore. However, Ben was planning to leave with Gwen once they were married and this enraged Sir John. He wasn’t locked up that night and killed him to keep him from going away. He became so incensed with the power that he ran wild later, killing all in the gypsies camp and biting Laurence purposely.

Omg what a–

He did it on purpose because he wanted a fall guy. He wants to roam free as a werewolf and he allows his son to be caught and tortured. Argh!!! Urhg! this man! I;m so angry I can’t spell right. He needs a good sock in the face.

After he finishes his story he leaves, intent on never returning.

He deserves another punch.

That night Laurence is taken to the observation room, where the good doctor presents him as a curio to his collegues. Unbeknowest to him, moonlight is coming through the window and landing on Laurence. This causes him to turn into….the Wolfman!

This is one of the coolest scenes, but unfortunately I could only find it in Italian. Sorry! But you don’t really need to understand what they are saying to enjoy the effects/makeup.

Dr. Hoenneger: Ah, Mr. Talbot. We are here tonight to illustrate conclusively that Mr. Talbot’s fears are quite irrational. So, we will remain in this room together, and once Mr. Talbot has witnessed that the full moon holds no sway over him, that he remains a perfectly ordinary human being, he will have taken his first small step down the long road to mental recovery. We are all aware that Mr. Talbot has suffered quite traumatic personal experiences. He witnessed his mother’s self mutilations. His young mind, unable to accept it, created a fantastical truth, that his father is to blame. That is father is literally a monster. But, your father is not a werewolf. You were not bitten by a werewolf. You will not become a werewolf, any more than I will sprout wings and fly out of that window.

Freakin’ AWESOME

Totally fangirl over that.

Laurence runs away, being chased by the Inspector, and also wreaking havoc. There are some truly amazing shots of him by the bridge, on statues. Just plain awesome!

The next day he visits Gwen in her antique shop. They realize they have fallen in love, but Laurence knows nothing can come of it. He has to kill his father and himself in order to protect others.

Inspector Abberline comes to see if Lawrence is there, but he is too late. Lawrence has already left for Talbot estate.

Gwen refuses to believe that they can’t be together. She starts studying lycanthropy and tracks down Maleva the gypsy for more advice. Maleva cannot help her, as there is no cure for werewolf.

Noo!

Meanwhile, the Inspector has also headed back to the village and this time armed with silver bullets. That show in the Observation room must have finally convinced him that werewolves are real. Gwen also heads toward Talbot Hall.

Lawrence is the first to arrive and discovers a murdered Singh. He takes his gun loaded with the silver bullets and starts hunting his father.

Sir John Talbot: You have me at a disadvantage. It makes me happy.

Lawrence Talbot: What does?

Sir John Talbot: Well, seeing you here like this. My son returned. It is glorious, isn’t it?

Lawrence Talbot: No, it’s hell.

Sir John is a freak. He needs help. Serious help.

Anyways, it turns out there are no bullets in Singh’s gun, but blanks. Sir John did that on purpose as he will not be destroyed. Sir John attacks his son and the two begin fighting. The full moon comes up and transfroms them into werewolves. And yes, yes we have a werewolf fight. I personally thought it was a little cheesy (and dumb) but this is the millenal generation. And it is something the people want.

So after Laurence burns and decapiitates his father, Gwen walks into the house.

AAAAAAAAHHH!!!!!!!!!!!!!!!

NOOOOOOOOOOOOOOOOOO GWEN!!!!!!!!!!!!!!!!!!!!!!!

The wolfman, Lawrence, attacks her. Luckily, the inspector had also just arrived on the scene. He tries to use his gun, but misses allowing him to be bit by the werewolf. Gwen steals the gun and takes off, being pursued by the wolfman.

He chases her to a waterfall. With nowhere left to go, Gwen starts begging and pleading with the wolfman, hoping to get to Lawrence. Lawrence reason faintly returns to the beast, who hesitates. He then hears the sound of a posse coming to attack him.

Grab your torches and sharpen your pitchforks!

While he is concentrated on them, Gwen shoots him through the heart.

Noo!

Laurence changes back to his human form, and before he dies thanks Gwen for saving him.

Lawrence Talbot: [his eyes open after being shot by a silver bullet and transforming back into a human] Gwen?

Gwen Conliffe: [crying] I’m sorry…

Lawrence Talbot: It had to be this way.

Gwen Conliffe: I’m sorry.

Lawrence Talbot: [he holds her hand] Thank you. [Dies]

The posse and an injured inspector arrive just as Laurence dies.

So that is The Wolfman. Now do I think it is as good as the original? HECK NO! But that does not mean it isn’t an awesome film. Besides that one thing that majorly irks me, I really enjoyed it. I thought it was a pretty awesome film. The cinematography is beautiful, the acting incredible, and those transformation scenes? Freakin’ awesome! And I did like how they moved the story to show how harshly “mental disabled” people were treated. And you know what? Most of the people who were in those didn’tr even have serious problems. They would throw in the homeless, those with learning disabilities, women of large fortune who had husands that wanted the money but not the girl, etc. It was horrible. Horrible.

But back to the film, I think it is a worthwile view. It may not be exactly how I imagined it, but you do have some great werewolves in this, and no Jacob ones. Real werewolves.

And so ends another Horrorfest. I am so pleased with this years as I was able to redeem myself from last year’s only half the month’s posts. 31 days of terror and woe once again. I hope you all enjoyed it. I wish you all a very happy, and safe, Halloween. May it be everything you wish it to be.

To start Horrorfest III from the beginning, go to Even a Man Pure of Heart

For the previous post, go to The Perfect Murder

For more on werewolves, go to Werewolves Roam Among Us

For more monster movies, go to There’s Nothing Out There. Nothing in the Mist

For more on 19th century England, go to The Past of a Man

For more on insane asylum, go to I Bid You Welcome

For more remakes, go to Don’t F*** With the Original

Secrets are Great, Unless You Get Caught: Perfect Stranger (2007)

Secrets are great. Unless you get caught.

So a week ago I had some free time and was flipping through channels, planning on just zoning out in front of the TV until my next class. I landed on FX and started watching this movie with Halle Berry and Bruce Willis. It seemed really good, but I couldn’t finish it as I had to run off to my next class. I decided to rent it  and finish watching it as the plot really intrigued me.

Unfortunately; it wasn’t very good. I thought it had too many sexual scenes that were just awkward and painful to get through, I ended up having to fast forward through them all. I also thought they dropped the F-bomb too many times.

I also didn’t like Halle Berry’s character Ro. I thought that she was a mean, selfish jerk. Her friend Miles is head over heels crazy for her, and Ro knows this and instead of letting him off gently; she is totally rude to him, just using him for all the information he can get.

The only really good part about this film is the end. It was such a great twist! I wish there was a way one could just watch it and understand the rest of the film.

Here are the links if you want to check it out yourself.

🚨 FYI Spoiler Alert 🚨 

But I’m getting ahead of myself.

So the movie starts out with Halle Berry’s character Ro, a journalist,  tricking a senator into revealing all of his dirty secrets.

Ro is pretty high on her recent sucess and goes out to celebrate with her best friend/computer whiz/guy madly in love with her that she doesn’t care for, Miles. After she becomes extrremely drunk, she ends up being told by her boss that they are burying the story. Extremely angry that her freedom of press is being stomped on, she quits.

She starts on home feeling angry and crappy. She’s about to board the subway and head home, when her old school friend she hasn’t spoken to in years; and is really mad at (because she slept with her boyfriend) Grace, approaches her.

Hey girl, what up?

Turns out Grace met this guy, ADEX, online and had cybersex with him, later meeting up with him in real life. It turns out that “ADEX” was really the rich and famous Harrison Hill. She and him had a big fling and now she is threatening to blackmail him. She also wants Ro to write this up for the paper and completely embarass Hill. Ro blows her off and continues on home.

A week later, Ro gets a call from Grace’s mom telling her Grace is thought to be dead. Ro goes and identifies the drowned body, confirming that it is Grace. From here Ro decides she is going to take on Hill, and get him for what he did. She enlists Miles who has all the knowledge and contacts to pull off a caper like this.

She starts working at Hill’s Ad agency and quickly makes friends with the biggest gossip there; thus learning all the dirty secrets on everyone. Apparently Hill has had many affairs, all of which his wife is tired of. In fact, if he does it one more time, she’s leaving him. Now you might think, so what? He can get along without her. Wrong-o! Turns out Hill has nothing, nada, zip! His wife has the money, the company, EVERYTHING! He wouldn’t dare let her know that he was having another affair or else he would be kicked to the curb. He pretends to be the dutiful husband, going along with her to fertility tanks, because his wife is infertile.

Then Ro witnesses what Hill does to people he thinks are betraying him. He beats up one of his employees that he thinks is spilling secrets to their competitor.

Don’t make me angry

So more and more he is looking like the villain. But is it ever that easy?

Now there are a lot of web chatting, and online sex, and gross things…between her, TruBlue (random guy she meets online), and ADEX.

Oh and Ro has these weird flashbacks throughout the film that involve her father. They don’t outright say it, but strongly hint that he was molesting/raping her as a child. At times they become a mishmash of flashback/present day dream/nightmarelike things. They get very confusing at times.

Then the movie gets intense again. Ro has pretty much confirmed that ADEX is Hill. And she starts talking to him online AT WORK! I mean COME ON! HOW STUPID CAN YOU BE?

So of course she has stuff on her screen that she doesn’t want Hill to see, and he just HAS to come over to talk to her. The scene is actually pretty intense ands set up very well.

So Ro is able to get out of that tight spot, and turns down her boss’ offer to go out with him, wanting instead to keep things “professional”.

That night she meets up with Miles, once again being a complete jerk. Miles brings a friend who works with the coroner. Apparently Grace was not just drowned but drugged with Belladonna and had some put in her eyes. Hill’s wife’s family has donated a ton of money to medical research, a majority of that which uses Belladonna. Hmm…suspicious.

Also, after she was poisoned, Grace was drowned. She was also pregnant. Things are looking worse and worse for Hill.

*At this point in the film I have already decided that it is not Hill. It is way too obvious and I think that there is another character who has a stronger motive, Hill’s wife. What if Grace approached the wife right after talking to Ro. Maybe the wife was one of those women who couldn’t stand to lose her man and would take out any woman who dared try to take him from her? What if all those past affairs have just been compounding on her brain all these years, and she just snaps hearing about this one? But the most likely motive; she couldn’t bear to hear that after trying so long to be pregnant and being infertile, that this little tramp got pregnant by her husband. The one thing she could not do, being done by some harlot? That’s enough to drive any woman to the brink of insanity. It would be easy, all she would have to do is meet up with Grace to see the proof, give her a drink laced with the Belladonna, which of course would be easy for her to get, and kill her. If she didn’t want to do it herself she has plenty of money to hire someone to do it for her.

Ro goes out with Hill after all to try and probe his mind a little. She ends up being slightly charmed by him instead.

The next day he comes to pick her up and we see his wife is creepin’ on them from a taxi. Makes her look totally suspicious.

Ro is trying to get into Hill’s computer to get a look at his emails. Miles gives her a spyware program on a flashdrive, but it takes some time so she has to do it when Hill won’t be around. She waits until after work, when everyone is gone and sticks it in. Only prob is, Hill hasn’t left yet and she is caught red-handed.

She ends up making up a dumb story involving a private joke the two shared the night they went out.

For some strange reason he buys her answer and takes her out to dinner. They are having fun, making out, etc; and Ro leaves to go to the bathroom. And she leaves her purse and phone behind.

Okay, hold up now, what woman does that? What woman would leave to go to the bathroom and not take her purse and phone. Bad call writers, bad call.

So while she is gone her phone goes off, and Hill decides that he’s gonna read her text message. Seriously, who does that? Does he not understand the word “privacy”?

She comes back, and Hill starts driving her home. He stops in a random place and then starts yelling at her. Telling her he knows her secrets, that she is a spy from their rival competitors. Ro, trying to save herself, admits to it. Hill becomes so angry that he almost hits her.

Let’s rewind and back that up. Almost hits her. At this point in the film I knew it wasn’t him. He just had the sense around him that he would never hurt a woman. And I found it odd that the only thing he thought Ro was trying to discover about him was spying for another company? It just seemed off to me. I mean if he had killed Grace, Miles message would have made him think that Ro was onto him about that, yet the only thing that comes to mind is a rival company spy? Hmm….

So Ro is fired. Now this is where the story gets weird.

Miles decided to go in and save the day. The next day he pretends to be an IT guy for Hill, ready to do a complete inspection on Hill’s computer. Hill tells him to wait a bit and check out the office. He looks at these photographs done by Mrs. Hill of eyes dilluted with Belladonna.

At this point I’m completely sold on the fact that Mrs. H is the murderer.

Meanwhile, Ro goes to Miles house to make him dinner and discovers that he has some freaky, jacking-off, man-cave, room thing. Really gross and freaky. She also sees that Miles was TruBlue and had been sleeping with Grace too. 

He also channeled Helga from Hey Arnold with a super creepy Ro shrine. Its actually talks and says “Miles is sexy” in Ro’s actual voice. Very sick.

Yeah, pretty freaky!

Miles comes home and Ro starts yelling at him, and accusing him of being the murderer. Miles admits he’s a freak but shows her Hill’s company’s website with the Belladonna pics. He is now absolutely convinced that Hill or his wife killed Grace. Ro still won’t listen and walks out, never wanting to speak to Miles again.

The next day she takes all her info to the police and they set up a sting to catch Hill. Everything pretty much falls apart as the evidence is so high against him. His wife gives some pretty damaging evidence against him as well with Hill convicted and sent to jail.

Ro goes back to work and starts writing an article on everything that went on. She has a really great opening:

“Ro: It’s a world where you *think* actions have no consequence, where guilt is cloaked by anonymity, where there are no fingerprints. An invisible universe filled with strangers, interconnected online and disconnected in life. It will steal your secrets, corrupt your dreams, and co-opt your identity. Because in this world, where you can be anything you want, any *one* you want, you just might lose sight of who you are.“

So here, the movie seems pretty wrapped up, but you just know there has to be one last twist. I’m waiting for the wife to go crazy or be discovered or something.

So then we have this great shot of Mrs. Hill going to the medicine cabinet (where she kept the Belladonna) and opening it. Then we see gloved hands pull out some hair spray, unscew the bottom (like in Jurassic Park) and pull out Belladonna. The person is………………………………………………………………………………………………………

Ro.

Yes Ro. Ro is trying to dump out her secret Belladonna down the drain. Ro then has a flashback and we get the whole story. Her father was going to molest her, when her mom stepped in and beat her dad with the fireplace poker. Instead of calling the cops they buried him in the backyard, and Grace saw the whole thing and has been blackmailing her for years.

Great ending. Only great part of the film.

I especially love how they review the scene between her and Grace. You then get the full meaning of the words that she used when talking to Ro.

The only thing I didn’t like was the moving around of Miles and Ro when he is telling her he had it all figured out. I thought it was just weird. Ugh, and Miles was so gross trying to blackmail her into sleeping with him!

I love how in the end Hill wasn’t the “perfect stranger”, but they all were. Each character had secrets and things about them they were hiding; in the end being someone completely different than you expected.

So that’s today’s freaky tale. More are on the way.

To go to the beginning of Horrorfest, go to I Don’t Belong in the World

For the previous post, go to Universal’s Classic Monster Movies

 

Darcy’s Dream Date

Mr. Darcy and Elizabeth Bennet (1940)

In Pride and Prejudice, Mr. Darcy has very particular guidelines as to who the perfect woman is. The perfect (accomplished) woman is one who has

“a thorough knowledge of music, singing, drawing, dancing, and the modern languages, to deserve the word; and besides all this, she must possess a certain something in her air and manner of walking, the tone of her voice, her address and expressions, or the word will be but half deserved.’ Caroline Bingley…’All this she must possess,’ added Darcy, ‘and to all this she must yet add something more substantial, in the improvement of her mind by extensive reading.”

After reviewing this statement I have discovered that I am Mr. Darcy’s perfect woman.

Oh well…

1)Knowledge of Music

I grew up in a musical house, although I cannot play any one instrument profusely. Here are some of my musical accomplishments.

• The Afoxé: I love this instrument and have been playing it my whole life.
• The Piano: I know how to play Hot Cross Buns, Rugrats Theme, and Chopsticks.
• The Recorder: This is the instrument that I am best in. I learned how to play the Star Wars Theme, Hot Cross Buns, Three Blind Mice, Yo Ho (A Pirate’s Life for Me), and every song from Disney’s Pocahontas.
• The Guitar: I know one very old hymn.

2) Singing

I know how to sing, but will only do it around friends and family. But it still counts!

3) Drawing

I took painting and drawing classes for two years before I switched to photography. Now I am not one of those geniuses who can draw or paint a perfect image from memory, but I do well f I can see the image I am trying to recreate. Painting, I only do well at watercolors, or objects such as a room, plate, frame, etc. I also do very well in pastels, charcoal, and chalk. My main forte is collage and photography.

 

4) Dancing

I am not the world’s best dancer, but my biggest strength is that I am a fast learner, and can be taught dance moves quickly. However I have been trained in certain areas.

• Waltz: I learned this from the Sleeping Beauty’s collector edition DVD. It was very easy to learn
• Thriller: Love the song and know almost the whole dance.
• Ballet: Was in a class for a few days before I transferred out, I was put there by accident. However, what I learned there will forever remain in my mind.
• The Time Warp: Such a fun song!
• Bollywood: I watch a lot and love to dance along.
• Mash Potato: Such fun!
• The Twist: Who doesn’t like to twist?
• Square Dancing: A fun requirement everyone has to learn.
• Breakfast Club Dance: Not only can I do the feet thing, but I have Ally Sheedy’s dance down.
• MC Hammer: Only Can’t Touch This, and not even all of that.

5) Modern Languages

I wish I knew more languages fluently, but alas I am only bilingual (and even that some may not count.)

• Some Spanish: I’m half Mexican and I have taken three years of spanish class. I know how to introduce myself (Me llamo es), say where I am from (Yo soy de), if I want to go somewhere (Yo voy, tu vas, nosotros vamos…), how to ask for things (puedo por favor; donde esta…), help (ayudame), the weather, how to say I am hurt or injured, can count etc…

• Smattering of French: I know how to say hello, good-bye (five different ways), and a few other things.
• Sign Language: I know quite a bit and the whole alphabet.

5) Something in her air and manner of walking, the tone of her voice, her address and expressions

Got all those covered. 😊

Or 10th, 50th, 100th….

6) Extensive Reading

This is where I fit the bill most of all. I have been reading since I was a small child, and I READ ALL THE  TIME. I am never without a book, and devour them extremely fast, no matter the length. In fact I meet my goal of reading 365 books this year a couple of weeks ago. And I love to read EVERYTHING! Mystery, classics, sci-fi, horror, romance, historical fiction, non-fiction, biography, westerns, plays, novels, etc. I love the library, and spend as much free time there possible. One of my favorite things is to just go through the stacks and look at all the different books, choosing which I think will be best. I have too many favorite books and authors that I just can’t pick one. I really want a library like in Beauty and the Beast or The Swan Princess. I mean if Darcy has asked me to marry him in his rude, conceited way that first time; I would have considered saying yes because I would know he would have a fantastic library.

 

7) Embroidery

I know that this isn’t technically something that Darcy said was attractive in a woman, but it was something that most people valued a woman knowing back then. I only know hand sewing, and that in itself is mostly subjects related to patching; but I embroider like a boss. I have been doing it ever since I was a kid, amd enjoy it immensely.

8) Cooking

Yes, I know. Only poor women or domestic help cooked at that time, but I’m proud of the fact that I am an extremely good cook. I can make anything, as long as I have a recipe, and am not daunted at trying new things. And for all the modern men out there, I make the best sandwiches out of every person I know. My older sister and I used to kid that I would make one very lucky guy extremely happy with that talent.

Well with all these accomplishments; along with filling many others that we value today, what guy wouldn’t want me? LOL

To see what you get go here

How many of you out there also fit the bill for Darcy’s Dream Date?

For more on Pride and Prejudice, go to How to Get a Woman to Refuse Your Proposal

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