Those Aren’t Men They Are the Living Dead: White Zombie (1932)

We could have been killed. Worse than that we could have been caught. 

By those men?  Those aren’t men they are the living dead!

So zombie films have been extremely popular the last few years, they have encountered many changes; but they all owe it to this movie. Yes this is the first full length feature film about Zombies. Instead of biting or disease; this man makes Zombies through Voodoo, poison, drugs, and his eyes!

I first became aware of this film when I watched 50 Greatest Horror Classics Collection. I know that I have been reviewing films I didn’t like these past few days, so here we go with one I do.

Now one things that this film doesn’t really do, is explain exactly how he does the zombie-fying and mind control. This was explained in the sequel, Revolt of the Zombies (1936)

This film has a very interesting background. The film was thought lost until found in the 1960s, there it went a serious court battle as multiple people fought for ownership.

It only took eleven days to film but it was such a hit when it premiered. It did so well, that Lugosi regretted taking a salary instead of a percentage.

Vat have I done?

Well I think that is enough talking about it, shall we move on to the review?

So the film starts off with a young couple, Neil Parker and his fiancé Madeline Short. They have just arrived in the West Indies. Neil has a job out there and went for Madeline. They planned to marry as soon as they touched the port, but they meet Charles Beaumont who presented them with a better job offer, and they are headed to his house and to be married tonight.

If only they knew what was coming.

As they are driving in the buggy, they come upon a funeral in the middle of the road.

It sounds strange, but they do that so people don’t dig them up and use them with voodoo, or turn them into zombies, the living dead.

Then “Murder” Legendre, Bela Lugosi, come upon them with his group of Zombies. He steals Madeline’s scarf, and stares at her with his creepy eyes.

The driver, fearful, takes off at the speed of light.

“Neil Parker: We could have been killed.

Driver: Worse than that we could have been caught!

Madeline Short: By those men?

Driver: Those aren’t men they are the living dead. Zombies!

The driver warns them they should leave, but the couple are suspicious of zombies actually existing. Yet at the at the same time:

They are startled when they come upon the minister, having arrived at the Beaumont mansion for their wedding. They ask about zombies, and the minister, Dr. Bruner,  says he has been a missionary there for over thirty years and he has seen a lot of strange things occur.

Hmm…

 

They tell Dr. Bruner about what happened, meeting Beaumont on the boat, the job, etc. The Dr. thinks this is very odd.

Something strange is going on

This Beaumont they describe is nothing like the selfish, pushy, take over man that he knows. Everything about their situation smells bad, and he warns the couple to leave as soon as possible.

 

That makes TWO warnings! They need to leave!

And run fast

When the couple arrives, Mr. Beaumont doesn’t want to see them.

But then he changes his mind.

Okay this behavior means that there is something else going on here with Beaumont.

The butler agrees it is for the best to approach them as the minister is questioning why Beaumont is being so kind. He greets them but then has to leave while everyone prepares for the upcoming wedding.

Madeline is getting ready when she looks out the window and sees Beaumont get into a buggy with a man. When we zoom there, the man is emotionless, glazed over, dead eyes, a zombie!

Mr. Beaumont reaches a work area and sees 20 or 30 of these same walking dead. All empty eyed, slaves, and ZOMBIES!

AAAAAAAAHHH!!!!!!!!!!!!!!!

Legendre greets Mr. Beaumont and puts out his hand, but is ignored as Beaumont sees him as “beneath” him. Legendre then explains about his little operation: about how the dead don’t care about long hours, breaks, food, money, etc. He tries to sell the idea to Beaumont, but business is not on his mind. Instead his mind is on Madeleine.

He desperate to have her and is trying to get Legendre to stop the wedding. He thinks that if he took her away for a while she would change her mind. But Legendre does not think that will work, women will not forget so soon.

Beaumont pleads with him to do something, anything!

I must have her!

Legendre says that he has one way to do it..all Beaumont has to do is give her a tiny bit of this potion in her drink or on a flower and it will enable him to have what he desires.

Beaumont doesn’t want to do it that way but Legendre tells him that is impossible, there is no other choice.

That might Madeline is getting ready for her wedding, the church is all decorated. Mr. Beaumont walks her down the aisle pleading with her to marry him instead of her fiancé. Madeline kindly refuses.

See ya!

He promises to stop, after one last thing, giving her a rose. Madeline accepts, but little does she know that rose has been tainted with poison and will bring only death!

Madeline takes the hand of her love and the ceremony to twine them begins, but out in the courtyard Legendre lurks getting ready his magic.

He takes the scarf he stole from her earlier, and wraps it around a wax candle. He looks like the devil with his beard and eyebrows.

Creepy!

He carves the wax candle, quickly creating the figure of a woman. And then he stares with his eyes…

They all toast and are happy.

Neil Parker [Jokingly to Madeline] “Gypsy read my fortune.”

She looks into his cup and says “i see happiness, love, I see…” But then she sees Lugosi, with fiery demon eyes in her cup…

AAAAAAAAHHH!!!!!!!!!!!!!!!

She then says “I see death”

Immediately she falls down, and we see Lugosi’s eyes, knowing he is controlling her body and spirit.

A funeral is held and Madeline is to be buried.

Neil goes to a bar to drink, upset, heartbroken and seeing her everywhere. All are happy while he is the one in utter misfortune.

Her apparition appears to him, but he can’t reach her.

That night Beaumont and Legendre are in the graveyard and they see zombies! Legendre isn’t surprised as they are his slaves. Many have fought against his spells, but Legendre overpowered them all and controls them.

The zombies remove Madeline’s casket from the tomb. Just then they hear her husband, drunk, trying to approach the tomb screaming out her name. The zombies quickly take her away to conduct the ceremony elsewhere.

Neil finds the grave empty and is distraught.

Dr. Bruner explains that there are two ways this could happen.

1. Her bones were taken away to be used in a ceremony by some natives on the island.
2. Or she is not dead.

Neil is in shock! Not dead? But he saw her! The doctor said!

The minster agrees but he has seen so many strange things on the island, it could be possible!

Neil thinks the idea of her being murdered so someone can steal her body is ridiculous. But then Dr. Bruner tries to explain that she isn’t really dead, but instead a type of parlor trick with drugs to make her appear dead.

WOW

But Neil doesn’t listen.

Come on, LISTEN TO THIS MAN! If you had in the beginning you never would have gotten in this mess.

Seriously

So Dr. Bruner explains about a type of drug that produces a deathlike sleep, only to have them “awaken later” and be a zombie, one of the “living dead. I knew about this as I had seen it before in The Four Feathers, and read about how historically some witch doctors would do this. Because of that, I figured out a majority of Sherlock Holmes (2009).

They figure out that Beaumont must be the one behind this. Neil wants to take him to the authorities, but the minister reminds him they have no proof. Besides she died. No one would believe Beaumont pretended to kill her.

Beaumont has what he wanted and has desired or does he? He has the beautiful body of Madeline but something is missing from her. Her spirit.

She is an empty tomb, a shell of who she was, and it is driving Beaumont crazy!!!

He gives her the finest things money can buy, all that she could desire, but nothing changes in her eyes or look. Beaumont realizes his mistake and that he made a bad decision. He thought that just having her would be enough, but in reality he has nothing.

Beaumont begs Legendre to bring Madeline back. Legendre warns that Madeline won’t be happy as he just tried to control her. In fact she will most likely be furious. But Beaumont doesn’t care, he needs her. Legendre promises to bring her back and then the two have a toast. Don’t drink, it is a trap!!!!

After the drink, Lugosi reveals that he has done the same to Beaumont which he did to Madeline. He does not want to bring her back, as he has other plans for her,ones that Beaumont might not agree to.

Beaumont tries to get his butler to help him, but it is too late, he is under Legendre’s control as well.

The zombies come and carry the butler away, tossing him off the cliff, and all that is left is Beaumont and Legendre.

Dr. Bruner takes Neil to see the witch doctor.

Weird, right? He’s a minister. Doesn’t that go against what he represents?

Anyways, there they pick up a guide to take them up the mountain and to where Beaumont is housing Madeline. But Neil won’t listen.

That guy

Neil is trying to climb up the mountain but isn’t doing too well, he’s sick from a tropical disease or hangover.

Anyways, as they continue, you hear the vulture, the pet of Legendre; looming overhead, always watching. It reminds me of Maleficent’s bird in Sleeping Beauty.

Neil and Dr, Bruner argue over whether he should climb the mountain, Dr. Bruner thinking he is too sick too. Then they see Madeline looking over the balcony.

Neli calls out to Madeline hoping to reach her, but she still remains in her zombie state.

Beaumont has completely had a breakdown. No longer the powerful one, he too appears in a trance, the guilt of everything weighing down on him.

Legendre gave him a special type of poison, he is awake but in a trance and can’t talk, can’t move, a slave and awake inside knowing what he is going through and feeling it.

The shots and angles of this are beautiful. From framing Lugosi in the cross architecture, the stairs, etc. There is some beautiful, early, cinematography at play here.

So Lugosi sees Neil creeping up the stairs, but he is not really looking like a threat, as he is practically unconscious. Lugosi takes his hands and tries to work his spells on him, with his eyes, the third eye.

Madeliene wakes up from her bed and in a trance begins ro walk down thestairs. Searching, searching for what?

Madeline being framed in a cross architecture while wearing cross on her dress is almost a virginal sacrifice. Beaumont sees Madeline and wants to help but has no control over his body. She takes a knife from the table.

Legendre wants her to stab her husband Neil. She approaches him and is about to stab him when she stops. Something has come over her and she is unsure, but then Legendre’s eyes they call, her to do it,

She is just about to stab Neil when she is stopped by a person grabbing her arm and removing the knife.

A person dressed in black, who is it?

Legendre continues to try and control her but it does not work. She runs and Neil chases after her.

She runs to the hillside and looks over the water about to jump but stopped by Neil. He is happy to have her but Madeline remains motionless. Legendre comes followed by his zombie army.

AAAAAAAAHHH!!!!!!!!!!!!!!!

Neil has a gun and shoots at the zombies but it doesn’t stop them or produce blood, as they are already dead.

The minster was the man in black! He smacks Lugosi in the head stopping him. All his zombies throw themselves over the cliff, as control is momentarily lost and they wish to remain dead! Madeline wakes up, the control has ended.

And all is good.

But no Legendre awakens, he is not one to be easily thwarted and begins to exact his control.

Neil and the minster chase after  him, but are stopped when he throws some magic dust, burning their eyes.

AAAAAAAAHHH!!!!!!!!!!!!!!!

Beaumont creeps dow the steps, and we only see his shadow. He knocks Legendre over the cliff, his vulture/spirit guide thing going too.

Madeline is awaken and reunited with her love.

And the bride and groom get to go off and have their honeymoon.

A great film. You should definitely check it out.

To start Horrorfest V from the beginning, go to Who You Gonna Call?: Ghostbusters (1984)

For the previous post, go to What I Think You Will Think…You are Fully Under My Control: Jesse James Meets Frankenstein’s Daughter (1966)

For more zombie brides, go to He’s Married to a Corpse. He Has A Corpse Bride!: Corpse Bride (2005)

For more Bela Lugosi, go to I Bid You Welcome: Dracula (1931)

For more zombie films, go to Say Something Human: Warm Bodies (2013)

For more on The 50 Greatest Horror Classics, go to A Man Without a Face: The Bat (1959)

The Past of a Man: Under Capricorn (1949)

“The past of a man it is something.”

Now this is an Alfred Hitchcock film that is not as well known or talked about, for various reasons. A lot of people think the story is too melodramatic, and others don’t like it because certain elements resemble Rebecca and Gaslight. However, the reason why most people at the time hated it was it came out right after the news of Ingrid Bergman’s affair with Roberto Rossellini, the impeding divorce of her husband Dr. Petter Aron Lindström, and the birth of her twins by Rossellini. (To read more on that go here.) I on the other hand really liked this movie as I love:

1. Alfred Hitchcock
2. Ingrid Bergman
3. Joseph Cotten

Really now, how can you ever think this was horrible?

The title “Under Capricorn” references the Tropic of Capricorn, which bisects Australia. As you can tell now that I’ve explained the title, the film is set in Sydney, Australia during the 19th century.

So before we get into the film, we need to touch on the background history. In the 18th-19th century, England tried to discover a better way to deal with the mass amount of criminal activity and overcrowding jail cells. One thing that England did was hanging. However, people began to get upset about that. Some of the crimes were not really all that bad, but yet people were being given the death penalty. In order to have a harsh punishment, less-crowded jails, and less death-transportation became the way to go. Originally convicts were sent America, but with our revolution in 1776, that option was no longer possible. In the 1780s they started sending people to New South Wales, but with the Napoleonic wars, more labor was needed and they stopped the transportation.

After the war, problems arose again and they turned their attention to Australia. Between 1788-1868, they estimate about 165,000 people were sent Australia from a sentence that was usually 3 years to life (average was 7-14 years). Most people who were sent over were guilty of poaching, arson, robbery, and murder.

They were usually sent to extremely remote areas to prevent escape and discourage any attempt at returning. While it was allowed for people to return after they served their sentence, most people wouldn’t. More often than not they would create a better life in Australia. Typically, criminals would change their names, get land, farm, and create a brand new life for themselves.

This ended in the 1860s, although it had started to drop off by the 1830s. Most of the areas that were for “convicts”, began to become real towns and attracted better emigrants. (Most of this info came from the Victorian Crime and Punishment website, if you would like to check it out)

Now back to the story.

So it is 1831 in Sydney, Australia. Sydney is still a frontier with most of the population being ex-convicts. The new Governor, Sir Richard arrives, bringing along his foppish, indolent, “rich boy” nephew, Charles Adare (Michael Wilding).

It’s one of those guys!

So Charles is hoping that he will make a fortune out here in Australia. While there he meets the gruff Samson Flusky. Samson is a convict that had been transported from Ireland out to Australia to serve his time, for murder.

But now he is a successful buisnessman. He owns a lot of land and makes a lot of dough. He is highly respected in the community.

Anyways, so Samson has now reached the legal limit of land he can purchase and needs to look to new ways in order to expand his business. He wants Charles to purchase the land and sell it to Samson, guaranteeing a good profit.

Charles is intrigued by the prospect and agree to the invitation of dining at Samson’s house. While there, he has a pleasant surprise. He knows Samson’s wife, Lady Henrietta (Ingrid Bergman).

She was friends with Charles’ sister but now has encountered a lot of problems. She is an alcoholic and shunned by society as she is seen to be crazy.

Sam decides to invite Charles to visit as much as he wants, hoping it will help bring his wife out of her current depression.

Now Charles has always had a crush on Henrietta and is confused at her crazed behavior and decline. He asks his uncle about what happened to her. Lady Henrietta was the daughter of one of the fine Irish gentry. To the surprise of everyone, she ran off with one of the handsome stable boys, Samson, to elope in England. Lady Henrietta’s brother went after them and was killed by Samson. Instead of the noose, Samson decided to go to Australia.

Lady Henrietta followed him to Australia and waited seven years for the term to end. After Samson served his years, he was different. He wanted to be rich and to buy everything, but that was never enough. Henrietta was extremely unhappy and began drinking.

Now unbeknownst to all, Samson’s housekeeper Milly has a crush on him.

She has been running the house and secretly feeding Lady Henrietta alcohol. She is hoping that Henrietta will kill herself, leaving Samson all to Milly.

Charles decides to help try and restore Henrietta’s confidence. At Sam’s urging, he moves into their home. But that’s not all he’s interested in. He has always found Henrietta to be attractive, and now she is vulnerable and needy. He begins to pursue her.

Charles’ work has been going great. In fact, Henrietta gains enough courage to try and take the power back from Milly and put her in her proper place as housekeeper, not wife. Milly turns things around and Henrietta runs up to her room and locks herself in. Charles goes in to talk to her and Milly sees them. She tries to use it to her advantage, telling Sam all kinds of lies about their behavior. This angers Sam, who kicks her right out of the house. (Sam you rock! I always had a soft spot for Sam. I don’t know if it was because he was played by Joseph Cotten or because he just seems like a great guy who has been mistreated.)

Henrietta is doing much better, and improving more and more each day. In fact she is doing so well, that when she receives an invitation to the Governor’s Ball, she is eager to go. They all get ready, but Sam decides to not go after all. He had purchased a ruby necklace for her, but after overhearing how Henrietta and Charles don’t consider ruby to be the right accessory, he decides not to give it to her. You see Sam has enjoyed having Charles there as he has helped his wife, but at the same time it has been upsetting. With the two together, it makes him realize just how different he and Henrietta are. He thought it could be different in Australia, but sees that moving to a new place hasn’t really changed societal rules.  Sam thinks the rest of the ball will be the same, and that he’ll be too out of his element or that he’ll embarrass himself. He decides to stay home.

Sad and lonely

At the ball, Henrietta stuns everyone as they all adore her. And more importantly, Henrietta has a great time.

Back at the house, Milly has returned.

Milly asks for forgiveness and her job back but also starts talking smack about Henrietta. She tells Samson exaggerated stories of what has been going on between Henrietta and Charles. The two had shared only one kiss, and everything had been instigated by Charles. Milly, on the other hand, insists that Henrietta is the one that has been carrying on and that it has gone much, much further. To further push the issue and him, she tells him that Henrietta is of a different class than her and Samson, and those people do things non-aristocrats could never get away with.

I mean seriously this girl is a major jerk.

You just need to understand that he loves his wife and back the heck away from him. You- you-

At first Samson shrugs it off. Charles is younger than Henrietta and more concerned about clothing than anything else. But that evil woman Milly keeps pushing him, and when she mentions the differation in classes, that’s where he snaps.

Sam goes to the ball, makes a scene, and humiliates Henrietta in front of everyone

She returns home, weeping and half-crazed.

Sad and lonely

Charles runs after her and tries to help her. He tells her to leave Sam, but Henrietta can’t. She tells Charles that she deeply loves her husband and is bound to him. You see, Sam didn’t shoot her brother, she did.

Yep, that’s right. Sam has never killed anyone. Henrietta fell in love with Sam as he was kind and handsome. Can you blame her? He’s one attractive man.

The two wanted to marry, but it was impossible as Samson was a much lower class than Henrietta. So the ran off to England, but her brother followed them. Her brother tried to kill Samson, but missed and the two struggled. Henrietta took the gun and shot her brother so he wouldn’t kill Samson. Samson took the blame as he didn’t want her to suffer in  jail.

Unfortunately, that didm’t actually help. Henrietta couldn’t stay at home, and couldn’t leave Samson by himself so she followed him to Australia. Not only has she been dealing with the guilt of killing her brother, but the guilt of allowing Samson to rot in prison for her deeds. To further this, when Samson came out of prison he was a changed person. This lead to even greater guilt and drove Henrietta to the bottle. No wonder she’s been going crazy.

Now even though Henrietta admits this to him, Charles doesn’t really believe her. He thinks it is just her way of trying to protect the man she loves.

When Samson sees Charles in his house with Henrietta, he becomes incensed  for the betrayal and kicks Charles out.

Charles steals Sam’s horse and takes off. While riding, the horse breaks its leg, causing Charles to have s a really bad fall. He reluctantly returns to the house and relays the news. Samson goes for his gun to “shoot the horse”, but Charles believes he is going to kill him, as he has “killed” before. The two struggle over the gun and during the conflict, Charles is shot.

With Samson’s past, he is immediately thrown into prison, to either rot for good or be hanged. Henrietta tries to save him and tells the Attorney General the truth. That Samson has never killed anyone, she did it. This presents a serious problem for Samson. The only way he can get out of his predicament is if he corroborates Henrietta’s story, but then she will be sent back to Ireland to stand trial and imprisonment. If he says his wife is lying, then he will be killed. The Governor is really pushing a conviction as he wants someone to be punished for trying to harm his nephew. The AG gives Samson twenty-four hours to decide.

A no win situation

Back at the house the evil Milly sees the perfect oppurtunity to get Sam. She tries to poison Henrietta and plants a shrunken head on her bed to further scare her. Fortunately, she is discovered and ousted.

Good-bye

Meanwhile Charles has recovered from his wound and vouches for Samson, telling everyone that it was an accident.

Charles is put on a ship back to Ireland, and Samson and Henrietta are now happy. Henrietta has been freed from the poisonous Milly and finally from the guilt of what she did to her brother and Samson. Samson is better as he finally knows that Henrietta truly loves him and that he didn’t destroy her life.

All in all, this film really teaches you one thing:

Yep, sometimes you just need to move on.

To start Horrorfest III from the beginning, go to Even a Man Pure of Heart

For to the previous post, go to Werewolves Roam Among Us.

For more on Alfred Hitchcock, go to Horrorfest III: The Revenge

For more on Joseph Cotten, go to You Think You Know Something, Don’t You?

For more on Ingrid Bergman, go to I’ll Always Be There When You Need Me

For more on the Victorian Period, go to Redone Done Right

Secrets are Great, Unless You Get Caught: Perfect Stranger (2007)

Secrets are great. Unless you get caught.

So a week ago I had some free time and was flipping through channels, planning on just zoning out in front of the TV until my next class. I landed on FX and started watching this movie with Halle Berry and Bruce Willis. It seemed really good, but I couldn’t finish it as I had to run off to my next class. I decided to rent it  and finish watching it as the plot really intrigued me.

Unfortunately; it wasn’t very good. I thought it had too many sexual scenes that were just awkward and painful to get through, I ended up having to fast forward through them all. I also thought they dropped the F-bomb too many times.

I also didn’t like Halle Berry’s character Ro. I thought that she was a mean, selfish jerk. Her friend Miles is head over heels crazy for her, and Ro knows this and instead of letting him off gently; she is totally rude to him, just using him for all the information he can get.

The only really good part about this film is the end. It was such a great twist! I wish there was a way one could just watch it and understand the rest of the film.

Here are the links if you want to check it out yourself.

🚨 FYI Spoiler Alert 🚨 

But I’m getting ahead of myself.

So the movie starts out with Halle Berry’s character Ro, a journalist,  tricking a senator into revealing all of his dirty secrets.

Ro is pretty high on her recent sucess and goes out to celebrate with her best friend/computer whiz/guy madly in love with her that she doesn’t care for, Miles. After she becomes extrremely drunk, she ends up being told by her boss that they are burying the story. Extremely angry that her freedom of press is being stomped on, she quits.

She starts on home feeling angry and crappy. She’s about to board the subway and head home, when her old school friend she hasn’t spoken to in years; and is really mad at (because she slept with her boyfriend) Grace, approaches her.

Hey girl, what up?

Turns out Grace met this guy, ADEX, online and had cybersex with him, later meeting up with him in real life. It turns out that “ADEX” was really the rich and famous Harrison Hill. She and him had a big fling and now she is threatening to blackmail him. She also wants Ro to write this up for the paper and completely embarass Hill. Ro blows her off and continues on home.

A week later, Ro gets a call from Grace’s mom telling her Grace is thought to be dead. Ro goes and identifies the drowned body, confirming that it is Grace. From here Ro decides she is going to take on Hill, and get him for what he did. She enlists Miles who has all the knowledge and contacts to pull off a caper like this.

She starts working at Hill’s Ad agency and quickly makes friends with the biggest gossip there; thus learning all the dirty secrets on everyone. Apparently Hill has had many affairs, all of which his wife is tired of. In fact, if he does it one more time, she’s leaving him. Now you might think, so what? He can get along without her. Wrong-o! Turns out Hill has nothing, nada, zip! His wife has the money, the company, EVERYTHING! He wouldn’t dare let her know that he was having another affair or else he would be kicked to the curb. He pretends to be the dutiful husband, going along with her to fertility tanks, because his wife is infertile.

Then Ro witnesses what Hill does to people he thinks are betraying him. He beats up one of his employees that he thinks is spilling secrets to their competitor.

Don’t make me angry

So more and more he is looking like the villain. But is it ever that easy?

Now there are a lot of web chatting, and online sex, and gross things…between her, TruBlue (random guy she meets online), and ADEX.

Oh and Ro has these weird flashbacks throughout the film that involve her father. They don’t outright say it, but strongly hint that he was molesting/raping her as a child. At times they become a mishmash of flashback/present day dream/nightmarelike things. They get very confusing at times.

Then the movie gets intense again. Ro has pretty much confirmed that ADEX is Hill. And she starts talking to him online AT WORK! I mean COME ON! HOW STUPID CAN YOU BE?

So of course she has stuff on her screen that she doesn’t want Hill to see, and he just HAS to come over to talk to her. The scene is actually pretty intense ands set up very well.

So Ro is able to get out of that tight spot, and turns down her boss’ offer to go out with him, wanting instead to keep things “professional”.

That night she meets up with Miles, once again being a complete jerk. Miles brings a friend who works with the coroner. Apparently Grace was not just drowned but drugged with Belladonna and had some put in her eyes. Hill’s wife’s family has donated a ton of money to medical research, a majority of that which uses Belladonna. Hmm…suspicious.

Also, after she was poisoned, Grace was drowned. She was also pregnant. Things are looking worse and worse for Hill.

*At this point in the film I have already decided that it is not Hill. It is way too obvious and I think that there is another character who has a stronger motive, Hill’s wife. What if Grace approached the wife right after talking to Ro. Maybe the wife was one of those women who couldn’t stand to lose her man and would take out any woman who dared try to take him from her? What if all those past affairs have just been compounding on her brain all these years, and she just snaps hearing about this one? But the most likely motive; she couldn’t bear to hear that after trying so long to be pregnant and being infertile, that this little tramp got pregnant by her husband. The one thing she could not do, being done by some harlot? That’s enough to drive any woman to the brink of insanity. It would be easy, all she would have to do is meet up with Grace to see the proof, give her a drink laced with the Belladonna, which of course would be easy for her to get, and kill her. If she didn’t want to do it herself she has plenty of money to hire someone to do it for her.

Ro goes out with Hill after all to try and probe his mind a little. She ends up being slightly charmed by him instead.

The next day he comes to pick her up and we see his wife is creepin’ on them from a taxi. Makes her look totally suspicious.

Ro is trying to get into Hill’s computer to get a look at his emails. Miles gives her a spyware program on a flashdrive, but it takes some time so she has to do it when Hill won’t be around. She waits until after work, when everyone is gone and sticks it in. Only prob is, Hill hasn’t left yet and she is caught red-handed.

She ends up making up a dumb story involving a private joke the two shared the night they went out.

For some strange reason he buys her answer and takes her out to dinner. They are having fun, making out, etc; and Ro leaves to go to the bathroom. And she leaves her purse and phone behind.

Okay, hold up now, what woman does that? What woman would leave to go to the bathroom and not take her purse and phone. Bad call writers, bad call.

So while she is gone her phone goes off, and Hill decides that he’s gonna read her text message. Seriously, who does that? Does he not understand the word “privacy”?

She comes back, and Hill starts driving her home. He stops in a random place and then starts yelling at her. Telling her he knows her secrets, that she is a spy from their rival competitors. Ro, trying to save herself, admits to it. Hill becomes so angry that he almost hits her.

Let’s rewind and back that up. Almost hits her. At this point in the film I knew it wasn’t him. He just had the sense around him that he would never hurt a woman. And I found it odd that the only thing he thought Ro was trying to discover about him was spying for another company? It just seemed off to me. I mean if he had killed Grace, Miles message would have made him think that Ro was onto him about that, yet the only thing that comes to mind is a rival company spy? Hmm….

So Ro is fired. Now this is where the story gets weird.

Miles decided to go in and save the day. The next day he pretends to be an IT guy for Hill, ready to do a complete inspection on Hill’s computer. Hill tells him to wait a bit and check out the office. He looks at these photographs done by Mrs. Hill of eyes dilluted with Belladonna.

At this point I’m completely sold on the fact that Mrs. H is the murderer.

Meanwhile, Ro goes to Miles house to make him dinner and discovers that he has some freaky, jacking-off, man-cave, room thing. Really gross and freaky. She also sees that Miles was TruBlue and had been sleeping with Grace too. 

He also channeled Helga from Hey Arnold with a super creepy Ro shrine. Its actually talks and says “Miles is sexy” in Ro’s actual voice. Very sick.

Yeah, pretty freaky!

Miles comes home and Ro starts yelling at him, and accusing him of being the murderer. Miles admits he’s a freak but shows her Hill’s company’s website with the Belladonna pics. He is now absolutely convinced that Hill or his wife killed Grace. Ro still won’t listen and walks out, never wanting to speak to Miles again.

The next day she takes all her info to the police and they set up a sting to catch Hill. Everything pretty much falls apart as the evidence is so high against him. His wife gives some pretty damaging evidence against him as well with Hill convicted and sent to jail.

Ro goes back to work and starts writing an article on everything that went on. She has a really great opening:

“Ro: It’s a world where you *think* actions have no consequence, where guilt is cloaked by anonymity, where there are no fingerprints. An invisible universe filled with strangers, interconnected online and disconnected in life. It will steal your secrets, corrupt your dreams, and co-opt your identity. Because in this world, where you can be anything you want, any *one* you want, you just might lose sight of who you are.“

So here, the movie seems pretty wrapped up, but you just know there has to be one last twist. I’m waiting for the wife to go crazy or be discovered or something.

So then we have this great shot of Mrs. Hill going to the medicine cabinet (where she kept the Belladonna) and opening it. Then we see gloved hands pull out some hair spray, unscew the bottom (like in Jurassic Park) and pull out Belladonna. The person is………………………………………………………………………………………………………

Ro.

Yes Ro. Ro is trying to dump out her secret Belladonna down the drain. Ro then has a flashback and we get the whole story. Her father was going to molest her, when her mom stepped in and beat her dad with the fireplace poker. Instead of calling the cops they buried him in the backyard, and Grace saw the whole thing and has been blackmailing her for years.

Great ending. Only great part of the film.

I especially love how they review the scene between her and Grace. You then get the full meaning of the words that she used when talking to Ro.

The only thing I didn’t like was the moving around of Miles and Ro when he is telling her he had it all figured out. I thought it was just weird. Ugh, and Miles was so gross trying to blackmail her into sleeping with him!

I love how in the end Hill wasn’t the “perfect stranger”, but they all were. Each character had secrets and things about them they were hiding; in the end being someone completely different than you expected.

So that’s today’s freaky tale. More are on the way.

To go to the beginning of Horrorfest, go to I Don’t Belong in the World

For the previous post, go to Universal’s Classic Monster Movies