The Psychotic Episode: Boy Meets World (1999)

Boy Meets World was one of my favorite shows from the ’90s. I used to watch it anytime it was on. There are a lot of great episodes, especially ones for our Halloween countdown.

This episode comes from season 6. The gang are in college and Cory and Topanga are engaged. Story A is that Cory keeps having these nightmares about killing Shawn. Its kind of weird and a bit boring (to be honest). In the end the dreams symbolize what Cory will give up getting married, the path not taken.

The B story, that’s the one I remember and love. Jack is dating Rachel, the girl Eric also had fallen head over heels with. But since they are together, Eric moved out. He wants to watch the girl they love mack on their best friend?

He tries to move into his parent’s house, but no longer has a room as it is a nursery for his baby brother.

He tries Shawn and Cory, but no dice there either.

Then Topanga’s room, but nope there too.

He is sleeping in the Student Union when Jack ad Rachel find him. They try and bring him back, but anything would be better than having to constantly see the girl you love with your best friend.

He pleas for a roommate, he’s desperate when he gets an answer to his prayer. Another student, Adam is looking for a roommate.

It’s perfect!

So Eric checks out his new digs. It is not only a pretty nice apartment, its gorgeous, Eric only has to pay “whatever he can afford”, and there is a gorgeous neighbor Adam will delightfully introduce him to. Life is good for Eric.

Alright!

But then Eric sees why Adam can’t kept a roommate. Can’t sit in his dead mother’s chair.

Or his dead Uncle Dave’ couch.

Uhh…this is creepy

Adam calls him from a seat away and will only converse over a phone.

Then Adam brings out his pet parrot for Eric to meet and feed. She’s stuffed. Who does he sound like?

Boy/Man Child

This is getting to weird for Eric-he’s going out…but then Sheila, the neighbor comes over in only a towel and Eric stays.

Eric is actually coming around to living with Adam, the perks outweighing the weird.

But then Adam decides to introduce him to his mother. We hear Adam and his mother talking in the other room.

AAAAAAHHH!!!!!!!!!!!!!

That’s it-Eric’s out.

Good-bye

Hilarious and so well done. A great homage to Alfred Hitchcock’s Psycho and just all around great episode. You should definitely check it out.

To start Horrorfest VII from the beginning, go to It’s the End of the World: The Birds (1963)

For the previous post, go to Which Husband Ran Off With Addie Ross?: A Letter to Three Wives (1949)

For more Boy Meets World, go to Simply Fantastic

For more on Eric Matthews, go to Men

For more on Norman Bates and Psycho, go toI Don’t Kill People Anymore: Psycho II (1983)

It’s the End of the World: The Birds (1963)

It’s the end of the world

You know, I was having a hard time thinking of what movie to open with. What ’60s movie do I like?

Hmm…

Then I stupidly remembered The Birds. Of course!

It’s perfect!

This movie is one of the best Alfred Hitchcock movies ever. I simply adore this film so much. It has everything that makes up a good film. And I can just watch it over and over again.

So I don’t remember what exactly got me into Alfred Hitchcock, but I became obsessed with his films. I do know how I was introduced to The Birds. It was through Ann M. Martin, author of The Baby-Sitters Club.

Huh?

I loved the BSC books as a kid and read them all even belonging in the reading club that sent you two books a month and a little newsletter. I don’t remember if the newsletter or a book mentioned it, but I remember reading a note by Ann M. Martin about how she loved the film The Birds and because no one she knew had a VCR they could only watch it when it was on TV. Whenever it aired they would plan a sleepover and watch it with friends.

I can’t stop watching!

I became consumed with the idea of watching it, did and loved it. It was the first Alfred Hitchcock film I ever owned, me ordering it and planning on purchasing one every year on my birthday or Christmas and having the whole collection when I was an adult (did not happen sadly).

Later, a friend of mine. knowing how much I loved it, took me to Bodega Bay so I could see it in person and all the sites used in the film. It was so cool seeing everything and I later took many more trips out there. Here I am with the house that is used as a schoolhouse in the film. I blurred myself out as there are a lot of weirdos on the internet, no offense dear readers.

They also used to have a museum full of things from the movie and marketing/promotional materials, but it always had weird hours, then they closed it, then they had an awesome shop which doubled as a mini museum-but then the person died who owned it and the collection moved. Here I am with an item when they still had it.

Back in 2011, Tippi Hedren actually came out to do a promotional thing at Bodega Bay. I lived near there when I was going to school, but unfortunately I could not go and meet her as I had scheduled a trip home to be with family. However I had truly amazing and awesome friends who went out and stood in line and got her autograph my DVD. I tried to pay them back, but they would not let me know the price if it or let me do so.

I’m lucky

So while it was an amazing film done by an amazing director there is a sad twinge to the story as well. Alfred Hitchcock was obsessed with Tippi Hedren and controlled her, he wouldn’t let anyone talk to her-unless they were filming, and just was plan awful to her, abusing her really. She tried to talk to the studio heads but he was such a money maker they refused to do anything. And when she refused him, he blackballed her. Too bad she wasn’t able to have justice. If you would like to know more I really recommend reading Spellbound by Beauty: Alfred Hitchcock and His Leading Ladies by Donald Spoto

So that’s enough background, let’s move on to the review!

The film is based on a book by Daphne Du Maurier, this being the third of her works being published into a film-following Jamaica Inn and Rebecca. However, this story and her story have nothing in common besides birds attacking. And before we discuss the film, let’s watch the trailer.

So the film starts off in San Francisco where we have Melanie Daniels, Tippi Hedren, going into a bird shop to pick up her myna bird.

***little side note Alfred Hitchcock strolls on by***

****Second side note, by the way there is no music track-just bird noises****

*****And can I just say she is wearing a stunning green suit. I love it and wish I owned one just like it, although I have nowhere to wear it to.*****

Melanie notices a lot of birds in the air, thinking it odd, but moving along.

Huh?

Unfortunately her bird has not arrived yet. The shopkeeper goes to call and she waits along at the desk. In walks the gorgeous Rod Taylor, and Melanie decides the same thing. Pretending to be the shopkeeper so that she can talk to him and put the moves on him.

He wants lovebirds for his sister’s birthday. He can tell she is not a shopkeeper but is trying to embarrass her, asking her questions she has no clue to the answers. When he asks to see a love bird it escapes around the shop causing havoc. And the real shopkeeper comes out to try and catch it. He reveals to Melanie that he knows who she is and has been playing her the whole time. It turns out that she went to court over a broken glass window and he was there too. He’s a lawyer and believed she should have served time for what she did, not gone off scot-free because she is a wealthy woman with a famous father.

She’s offended, but not so that she takes down this handsome man’s license, has a friend of her father run the plate, buys him lovebirds,and tracks down the address of a Mr. Mitch Brenner.

She’s got it bad, and is slightly creepy-but I kind of understand as Rod Taylor is a dreamboat. Who wouldn’t want to run into him again.

She brings the birds to his house and plans to leave them outside with a cheeky note, but his neighbor informs him that Mitch is gone for the weekend to visit his family in Bodega Bay.

A little funny that neighbor knows so much, but hey this is the ’60s. People actually knew their neighbors.

So Melanie drives the curvy winding coast road to Bodega Bay, which I have done plenty of times, and I always thought it was weird that the birds never flap around but just move with the vehicle. They don’t act like normal birds. It has always been my theory that they are the demon seed that start the revolution against people. They are just too quiet and creepy.

This is the only video I could find. There was originally no music

She goes to the post office, which you can visit, so that she can find Mitch’s address. The postmaster shows her the way to go. When you go now everything is compeletly different, but you can still look across the water like she did.

The Tides restaurant still exists, although it has been redone as there was a fire. In fact they were allowed to use it for filming only if the main male character was named after the owner of the Tides, Mitch Brenner. So yes, that is how Rod Taylor’s character got his name.

Melanie asks for the name of Mitch’s sister, but the postmaster doesn’t know. He directs her to the school and the schoolteacher, Annie Hayworth (Suzanne Pleshette), to get the actual info. Turns out the name is Cathy.

Annie asks Melanie a few questions about her relationship to Mitch. Hmm, sounds like there is some history there.

Annie Hayworth: Did you drive up from San Francisco by the coast road?

Melanie Daniels: Yes.

Annie Hayworth: Nice drive.

Melanie Daniels: It’s very beautiful.

Annie Hayworth: Is that where you met Mitch?

Melanie Daniels: Yes.

Annie Hayworth: I guess that’s where everyone meets Mitch.

Melanie heads out into a rented boat with the birds. She sneaks up to their house in heels, not an easy feat, goes into the house and drops off the birds.

Now Tippi Hedren may be a beautiful woman but I would be extremely creeped out if someone did that to me. I mean she doesn’t even know him but tracked down not only Mitch’s home address, but boyhood address. A bit creepy and stalkerish.

Mitch, however, is besotted.

As Melanie heads back across the bay, Mitch takes his car to meet her.

******Can I stop and go on a slight sidebar here? Feel free to skip over if you wish. I just love Rod Taylor in that white sweater. I don’t know what it is but he is extra dreamy.

Drooling is over back to the movie*******

So Melanie gets dive-bombed by a gull, and pretty badly hurt and bleeding. Head wounds are the worst. Here is were I guess it starts, the first shot in the revolution.

******Side note: The man who asks Mitch what happened, is the real Mitch Brenner.*******

Back to the film. They go into the resturant where Mitch tends to her wounds. She questions him, wile he tries to get to why she came. Melanie tries to play off her stalkerish by saying it was on the way to visit Annie, the schoolteacher, but Mitch knows that its a lie, therefore confirming to us that there is something between Annie and him, or was.

Hmm…

Melanie tries to play it cool, but she can’t hide the fact she had the serious hots for him. Come on Melanie, you tracked him down-don’t try to be haughty.

Mitch’s mom Lydia comes in and is introduced to Melanie. Lydia is the original ice queen and horror future-mother-in-law. Ouch. And Jessica Tandy is a great actress, one line “Oh I see”, packed with serious weight. Let the games begin.

Ouch

Melanie is trying to head home but get tricked into coming to dinner as “she was staying the weekend” and won’t give up her lie. A girl has her pride after all.

She goes to Annie’s and wheedles staying there for the night. She tells Annie that she didn’t plan on staying long, which Annie replies she knows. That’s weighty right there, she knows as she didn’t plan on staying long either.

Melanie goes to dinner and meets cute little Cathy-friendly, cheery, adorable child. They mention that there is something wring with the chickens, They don’t like the feed…maybe because they are craving something else…like human flesh!

When Lydia calls her supplier it turns out her chickens aren’t the only ones on hunger strike. She agrees to see the farmer tomorrow to see if something is wrong with the chickens. And there is!

I love how Alfred Hitchcock plays the foreground and background against each other, both parts having things happen that go with the story, important, tension building, and just plan good.

We also found out that law and order Mitch is a defense attorney for “hoodlums and criminals”, interesting. Definitely a deep character.

Wow, there is more to him than I thought.

Cathy invites Melanie to her birthday party the next day, while in the kitchen Mitch and his mom start talking. They have a slight weird relationship as in someways his mom speaks to him as a child and in others their relationship is more spousal. Not that anything incestuous is going on, but as if that is the role that his mother put him in after his dad died.

We find out that there is a lot of interesting things in Melanie’s life. She jumps into fountains naked, tours Europe, and is always in the papers. A 1960s Sabrina van der Woodsen Debutante thats always doing something.

Mitch roots out the truth from Melanie about Annie, and starts goading her about her past misadventures, but Melanie isn’t having any of it. Good looks can only carry you so far Mitch.

Mitch Brenner: What about the letter you wrote me, is that a lie, too?

Melanie Daniels: No, I wrote the letter.

Mitch Brenner: Well what did it say?

Melanie Daniels: It said ‘Dear Mister Brenner, I think you need these lovebirds after all. They may help your personality.’

Mitch Brenner: But you tore it up?

Melanie Daniels: Yes.

Mitch Brenner: Why?

Melanie Daniels: Because it seemed stupid and foolish.

Mitch Brenner: Like jumping into a fountain in Rome?

Melanie Daniels: I told you what happened!

Mitch Brenner: You don’t expect me to believe that, do you?

Melanie Daniels: Oh, I don’t give a d*** what you believe!

Mitch Brenner: I’d still like to see you.

Melanie Daniels: Why?

Mitch Brenner: I think it might be fun.

Melanie Daniels: Well it might have been good enough in Rome, but it’s not good enough now.

Mitch Brenner: It is for me.

Melanie Daniels: Well not for me!

Mitch Brenner: What do you want?

Melanie Daniels: I thought you knew! I want to go through life jumping into fountains naked, good night!

We see the creepy birds watching from phone lines, congregating at the barn-waiting for the call to strike.

Not gulls but you understand the feeling.

Back at the house Annie and Melanie have brandy and Annie tells her her story and what happened. She met Mitch in college and fell in love, followed him here but Lydia got in the way. She kept them apart. She doesn’t want a daughter-in-law, she just wants her children. Annie didn’t want to lose him and stayed out here.

Then Mitch calls his ex-girlfriend for his new one. Ouch!

Poor girl

Melanie is apologized to and invited to the birthday party agreeing to come.

Both Annie and Melanie are surprised when a bird crashes into their door.

AAAAAAAAAAAAAAAHHHHH!

At the party Mitch takes Melanie off to the side with alcohol. She wants to head home as she has work. On Mondays and Wednesdays she works at the airport, on Tuesdays she takes classes, on Thursdays she has her club and lunches supporting a child through school, etc. Normal society things. Appears there is more depth to this party girl. Hmm…I wonder if the creators of Gossip Girl have ever watched this.

Hmm…

Mitch makes a joke about a mother’s care ad it turns out she has serious mother issues. Her mother abandoned them at age 11. A theme of mother’s issues is nothing new to Alfred Hitchcock as he himself had a ton and used the theme in many films, the most famous being Psycho.

At the party they are playing a game when the gulls show up and start attacking all the kids. Dive bombing and scratching. They try to help shoo them away and get everyone into the house.

Mitch is worried for Melanie ands invites her to stay the night there to be safe. And seriously, I think it is the love birds. Even with the cloth over them that should put them to bed as it is “night” they still squabble like crazy stopping only, when Cathy remarks on them. And just after, tons of sparrows come down the chimney attacking them. All cower in fear while Mitch tries to fight them off. Melanie moves Lydia and Cathy out of the room, to safety. After the attack and birds are gone they call the police, but there is nothing they can do about it.

The next morning, Lydia takes Cathy to school and then heads out to question the farmer about the chickens being sick. Lydia goes in looking for him and instead sees broken teacups, just like how hers were destroyed by the bird attack. The rooms are quiet and face the same destruction as hers and then she sees it!

Him, the dead birds, his eyes!

So freaky the first rime I saw it. Oh, and still remains a scene that terrifies most.

Traumatizing children for all time.

Lydia races home and leans on Mitch, telling him what happened. Mitch heads over to the police that are called when he and Melanie have some very tender intimate moments. Relationships speed up when danger mars your every moment.

Lydia is worried over Cathy, with the large windows at school and the broken ones at the dead body looming in her mind. We see another side of Lydia as well, more vulnerable, worried-maybe Mitch comes home not just to help his mom but because without his aid they would loose the land. Hmm…thats one thing I love about this film, on the surface it is one thing but there are many sides to all these characters.

Lydia asks Melanie to pick up Cathy as she is very worried about her and Melanie heads out right away. Melanie goes to the school, but decides to wait a bit until recess. The kids are singing and she stays outside when we have this amazing scene.

Melanie runs in and warns Annie about the jungle gym. Annie tells them they are conducting a fire drill as not to scare them and directs them to run to different places. Of course the birds attack. Poor kids.

Melanie ends up in the diner calling her newspaper mogul father and telling him the story of what happened, All listening to every word she is telling her father.

We are introduced to Mrs. Bundy (BUNDY AHH) who is an ornithologist and for the birds, Giving us some serious information on the birds.

Traveling Salesman: Gulls are scavengers, anyway. Most birds are. Get yourselves guns and wipe them off the face of the earth!

Mrs. Bundy: That would hardly be possible.

Deke Carter: Why not, Mrs. Bundy?

Mrs. Bundy: Because there are 8,650 species of birds in the world today, Mr. Carter. It is estimated that 5,750,000,000 birds live in the United States alone. The five continents of the world…

Traveling Salesman: Kill ’em all. Get rid of the messy animals.

Mrs. Bundy:…probably contain more than 100,000,000,000 birds!

We get a bit of debate as a Captain interjects that he also hates birds and wishes they were all gone, them having attacked one of his ship captains. Melanie states that the birds are killers after the kids. Everyone keeps talking down to Melanie as she tries to tell them that it wasn’t just a few but a ton and a series of different kinds.

Mitch shows up asking for Kathy, who is at Annies. Just as they argue the birds attack again. Mitch tells Melanie to stay behind as they take out a guy pumping gas causing it to flow over the ground. An unsuspecting smoker sets it off and boom.

This causes a big sign that the other birds can see and they all come in swarming. The pyre’s have been lit.

I’m in shock

All go out of the restaurant (Why? Don’t know) and we have the famous telephone scene.

They actually have a telephone booth and Tippi Hedren mannequin at one of the shops there and you can get a picture with it.

Mitch gets her out and they head back to the restaurant. Hiding with others. Mrs. Bundy, I notice you are quiet. Not talking down at her anymore are you?

One of them is hysterical, blaming Melanie. In a way I believe she is right. Although it isn’t Melanie, but those love birds.

Mitch and Melanie run to the schoolhouse to get Cathy finding Annie’s dead body.

Cathy is safely inside, but utterly traumatized. Mitch carries Annie inside and covers her with his coat. Then the three speed off to the Brenner house.

At the Brenner home, Mitch patches up the openings, prepping the house for an attack. He notices that there appears to be a pattern. They attack, disburse, regroup, attack again. Why?

Hmm…

Melanie tries to contact her father but the lines are cut. The birds isolating them and making it unable for them to reach anyone or get even local radio.

Lydia starts to freak out wanting answers, the tension exploding. All are succumbing to it.

Cathy wants the love birds with her, NOOOO nor those evil things. Even now they are probably plotting.

Now they wait, trapped. Kathy gets so anxious she makes herself sick. Then they wait again. Hearing them, being taunted by them.

I’m crazy

We have the first attack of gulls breaking windows and trying to peck through the door. Mitch being the one to take action and stop them. Then Melanie goes up to the attic.

Poor Melanie. they tend to her, but she is banged up. This scene was horrible to film. Seven days of birds being thrown at her, again and again.

Mitch uses this time of quiet to plan an escape. Melanie needs a hospital, so he and Cathy start getting things ready, not knowing what will face in the outside world or if they will be able to ever come back.

I like how Hitchcock ends the film with us not knowing if they make it out okay. We never know if everything will go back to normal. What or who caused this? I think it makes the film stronger and gives you the opportunity to create your own theory from each of his clues.  If they had given us an answer, it probably would have been lame no matter what was chosen, we would have found faults. Sometimes it is better just not knowing.

So there we go,  believe my theory or create your own. Either way watch the film.

This film changed how I look at birds. I never liked them before and hated them ever since. I’ll never look at another the same way again. Especially when they get in large groups or swarm overhead.

Not gulls but you understand the feeling.

After I showed this film to some friends who had never seen it, a few days later we were shopping at a store. As we are leaving, my one friend looks behind us at the store and goes ashen. She freaks out and tells us to run. As we are I look back and see a ton lined up on the store watching, then deciding to take off. We all ran as fast as we could to the car struggling in, and  speeding home. Nothing happened, but a film like this just sticks to you.

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So this kicks off the beginning of Horrorfest VII. I hope you enjoy it and the spooks. thrills, and chills that are to come.

For more on The Birds, go to Going on a Treasure Hunt

For more Alfred Hitchcock films, go to You’re a Detective, Let Me Give You a Tip. Don’t Wave Important Evidence in a Telephone Booth. They Have Glass Windows: Blackmail (1929)

For more Daphne de Maurier, go to That Place…There’s Queer Things Goes on There: Jamaica Inn (1939)

I Don’t Kill People Anymore: Psycho II (1983)

I don’t kill people anymore.

So you all know how I feel about sequels.

I can’t stand them, there are few and far between that I can actually watch, let alone love.

But I decided to review the sequel to Friday the 13th on Friday the 13th. And to take that one step further, I’ll be reviewing a sequel to horror films that spanned sequels and influenced the horror genre. First one:

You all know that I love Alfred Hitchcock:

Master

And how much I love Psycho.

So I thought I would give this a watch when it came up on AMC‘s Fear Friday. This film takes place 22 years after the original, Norman having been receiving help that whole time has finished the program and will be released to society and the Bates Motel.

Norman thinks he is ready to live his life again, but there are many others who are not. One of which is Marion’s sister Lila Loomis (she and Sam ended up getting married).

Lila Loomis: What about his victims? I have a petition here signed by 743 people against Norman Bates’ release, including the relatives of the seven people he murdered.

Norman sets about living a normal life as much as he can, hopeful that life will be better.

Dr. Raymond: You don’t have to stay. I could find you a place in town.

Norman Bates: No, no. I… I want to stay here.

Dr. Raymond: As long as you realize the memories are more likely to reoccur here. But you know how to handle that now, don’t you?

Norman Bates: Sure.

He discovers the person placed in charge of the motel while Norman was sent away was using the motel as an hourly one and to deal drugs. Norman kicks him out, takes a job at the local diner run by Mrs. Spool, and things seem to be going well. He even befriends a young waitress, Mary Samuels.

Things start going downhill fast when Norman is given mysterious notes and phone calls from Mrs. Bates.

Then a womanly figure in black is seen running around the complex and bodies are piling up.

Norman is trying to keep it together, but is feeling the pressure and unraveling with every attack. Objects in blood are found in the house, he starts forgetting what he was doing and where he was, items of his mother’s he thought were given/thrown away all end up back in the house.

Mary feels bad for him as he is trying so hard, she ends up moving in with him to help him keep it together. And when the sheriff comes to question him about an incident, she outright lies to protect him.

Sheriff John Hunt: Are you sure neither one of you heard anything between four to five this afternoon?

Norman Bates: No, I was…

Mary: [cutting Norman off] He was with me all afternoon. We were walking in the fields behind the house around that time.

Sheriff John Hunt: Okay. Nice to see you again, Norman. [the sheriff and his deputy walk out. Mary closes the front door and watches them walk away]

Norman Bates: [to Mary; bewildered] Why did you do THAT?

Mary: Do what?

Norman Bates: Lie to the sheriff. You weren’t with me all afternoon!

Mary: I had to do something! He was going to arrest you! [Norman suddenly holds his head in pain, and slumps down into a nearby armchairNorman, what’s wrong?

Norman Bates: It’s starting again.

Is someone trying to make Norman go crazy? Has Mrs. Bates risen from the grave? Or is Norman starting to kill again?

I have mixed feelings about this movie.

Hmm…

Let’s start with the negative:

So this movie was made in the ’80s and they decided that the classy way the original film was made wasn’t going to fly with modern viewers. So there is a lot of blood, gore, sex, etc.

Now what was positive:

I like this

I loved that they had the original actors reprise their roles. Anthony Perkins is just sheer perfection at playing a sweet innocent man you just feel sympathy and empathy for-and at the same time flip and be frightening.

I liked that the director really concentrated on trying to copy Alfred Hitchcock’s style and use the same angles and lighting he did.

The story line had a few issues, but for the most part they tried hard to be suspenseful like the original and have an ending you weren’t expecting.

To start Horrorfest VI from the beginning, go to One of Our Guests is a Werewolf, I Know It.: The Beast Must Die (1974)

For the previous post, go to For All You Know, A Witch Might Be Living Next Door to You: The Witches (1990)

For more on Psycho, go to We All Go a Little Mad Sometimes: Psycho (1960)

For more sequels, go to But If Any of It Fell Into the Wrong Hands…:Teenage Mutant Ninja Turtles II, Secret of the Ooze (1991)

For more ’80s films, go to That’s What We’re Trying to Find out! We’re Trying to Find Out Who Killed Him, and Where, and With What!: Clue (1985)

For more on Fear Fridays, go to Dracula. Not Myth, Nor Ravings of a Mad Irish Novelist, Oh No, He’s Real: Dracula 2000 (2000)

You Were Right, Let’s Get Married: Psycho (1960)

Most Romantic Moment #12

PSYCHO

So I know you are probably thinking:

crazy

But just hear me out. It may be unusual but just read what I have to say and you’ll see why I choose it.

hearts banner

Marion Crane is a secretary in a real estate firm in Arizona. She meets up with her long-distance boyfriend, Samuel Loomis every now and then but what she really wants is to be married. One day when a rich buyer comes in and pays in cash; Marion snaps and decides to take the money and journey to Sam. Unfortunately, it starts raining and Marion has to take a pit stop; pausing at the Bate’s Motel.

Psycho-1960-Alfred-Hitchcock-Bates-Motel-pic-51

She spends time talking to the young man who runs the motel, Norman Bates.

Boy/Man Child

Boy/Man Child

After their discussion; Marion decides to return to Arizona. However, she never gets the chance. That night she has a visit like she never expected.

Psycho-Shower

After her death; a private investigator comes searching for what happened to the money; along with Sam and Marion’s sister Lila.

So who is the killer? You better watch and see what Hitchcock had planned.

psycho-movie-poster-1960-1010541465

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Most Romantic Moment: Letter of Love

So the most romantic moment comes about halfway in the film. Not knowing of Marian’s death; Sam is writing a letter to Marion telling her that he was wrong and wants to marry her after all.

Now why this is so romantic is that between the two of them, Marion was the one who wanted to marry while Sam kept refusing as he is paying alimony and taking care of his father’s debts. He keeps telling her they need to wait a few years, that he doesn’t want her to be living in debt with him and over the father’s family store. However, Marion says that it doesn’t matter, she wants to be with him.

So seeing him writre to her such a beautiful letter telling her that he was wrong and that he agrees they should get married is so romantic.

psycho

How romantic

How romantic

Also extremely tragic as it is too late.

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To start Romance is in the Air:Part IV from the beginning, go to I Can’t Pretend, I Have to Be: Casual Sex? (1988)

For the previous post, go to I Want to Understand You: North & South (2004)

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For more on Psycho, go to We All Go a Little Mad Sometimes: Psycho (1960)

It’s Raining, It’s Pouring

So I like the rain.

rainyday

It is cozy, it is pretty, it’s fun. And living in California while in the midst of a drought, we have all been wishing for rain.

rain

And when it comes we are all ecstatic! Rejoicing in the streets!

Now the other day I was out running errands. The skies were kinda gray and it had been raining every few days, so I brought my umbrella along. I had just left a store when it happened.

OhNOthisisgonnabebad

It was like all of a sudden the Kraken was released or something. Water was pouring, galloping, annihilating.

AAAAAAAAHHH!!!!!!!!!!!!!!!

AAAAAAAAHHH!!!!!!!!!!!!!!!

It seriously hurt when it pelted you. I got in my car to drive home, but it was like I was in Psycho or something. I couldn’t see anything.

StoryOfMyLifeSomeLikeItHotMarilynMonroe

Good thing it was daytime or else I would have been out of luck. Of course when I got home, the rain become enjoyable again.

gloomyrainydays

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For more on rain, go to Rainy Days & Rainy Nights

For more on my everyday life, go to Walking on Pins and Needles

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In other news, I have to get my wisdom teeth out. Yep, all four.

ouch Hermione

I know. So I may or my not be taking a break from posting. We’ll just have to wait and see how I am. I may be in killer pain, loopy from the drugs, or just fine.

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A Horrorfest Hitch

Happy Halloween jack-o-lantern

So I hope you all had a great Halloween. Mine was pretty good, and I had an awesome costume. I was a ghostbuster, and designed a suit and proton pack; making it as close to the film as possible, but using a name patch with my own last name. In fact, I plan on wearing it every Friday the 13th. Awesome right?

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So I’m sure you all have been wondering, what was going on with Horrorfest? I missed days, posted unedited pieces, and only completed 28/31 posts. Well, October was really full. I had two weddings; both of my cats were injured within two days of each other and I had to take them to the vet for stitches, having to monitor them, administer medicine twice a day, and change their box constantly; worked my usual jobs; went to the Back to the Future trilogy at my local cinema; and I had a graduation for one of my works, and more.

keanu Whoa

And that’s just the tip of it. I also had some family issues that came up, causing me less time to work on this.

So I am sorry for the delays and unfinished work, next year I promise it won’t be like that. Next year will mark my fifth Horrorfest, and I’m planning to go all out for it.

So as there are only three posts that weren’t done, I am going to finish writing and posting them. After I do so I will update this post with those completed works. So let’s go to our Horrorfest  wrap-up!

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So this year I reviewed 23 films, 4 TV episodes, and had 2 editorials.

So one thing I noticed about this year was that my first Horrorfest the first film I reviewed was made in 1962, in the second Horrorfest the first film I reviewed was made in 1954, in the third Horrorfest the first film I reviewed was made in 1941, and this year’s first post was made in 1931. 1960s, 1950s, 1940s, and 1930s. I did that all without realizing it. Pretty cool, huh?

keanu Whoa

So this year I ended up with quite a few themes. The first being mad scientists; this occuring in Dr. Jekyll and Mr. Hyde, along with Avengers: Age of Ultron.

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Classic literature once again proved to be a prime place to find film adaptations perfect for Horrorfest. This year we had Dr. Jekyll and Mr. Hyde, A Study in Scarlet, and The Brothers’ Grimm Fairy Tales.

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Aliens were also a big theme this year. There was Attack of the 50 Foot Woman, Alien vs. Predator, Twilight Zone episode, The Iron Giant, Invasion of the Body Snatchers, and Total Recall.

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I also thought that doing three Alfred Hitchcock films was something I should continue. This year I reviewed Jamaica Inn, The 39 Steps; and after talking about it for three years, I finally reviewed Psycho. 

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This year I decided that every Friday would be a TV show review: choosing episodes from The Hardy Boys and Nancy Drew Mysteries, The Twilight Zone, Buffy the Vampire Slayer, and Midsomer Murders.

Ringu Watch TV

I also had the theme of boyfriends/husbands/wives who are more than what they seem. These were Dangerous Crossing, The Screaming Skull, the Buffy the Vampire Slayer episode, Rosemary’s Baby, Gaslight, The Stepford Wives, and Total Recall.

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We also had quite a few robots. The Buffy the Vampire Slayer episode, The Iron Giant, Avengers: Age of Ultron, and The Stepford Wives.

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Witches made a comeback; in Rosemary’s Baby and the Midsomer Murders episode.

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And after reading every year how I really, really, really wanted to do a famous Vincent Price thriller/horror/mystery; well guys you don’t have to hear me whine anymore, I finally did it with The Bat. Yay!!

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So for those who have missed it, here is everything in Horrorfest IV:

You Cannot Conquer It. It Has Conquered You!: Dr Jekyll and Mr. Hyde (1931)

And Then There Was Two: A Study in Scarlet (1933)

What Are the 39 Steps?: The 39 Steps (1935)

That Place…There’s Queer Things Go On There: Jamaica Inn (1939)

There Are Thirteen Chairs at the Table…And That’s Unlucky: Mystery of the 13th Guest (1943)

Because I Am Mad I Hate You. Because I Am Mad I Have Betrayed You: Gaslight (1944)

I Do Think You Are Confused, Mrs. Bowman: Dangerous Crossing (1953)

They’re Already Here! You’re Next!: Invasion of the Body Snatchers (1956)

It’s Mrs. Archer. She’s On a Rampage!: Attack of the 50 Foot Woman (1958)

She Cries in the Night: The Screaming Skull (1958)

A Man Without a Face: The Bat (1959)

We All Go a Little Mad Sometimes: Psycho (1960)

Will the Real Martian Please Stand Up?: The Twilight Zone (1961)

What Have You Done to Him?: Rosemary’s Baby  (1968)

There’ll Be Somebody With My Name…But She Won’t Be Me!: The Stepford Wives (1975)

A Haunting We Will Go: The Hardy Boys and Nancy Drew Mysteries (1977)

Someone Has Erased His Memory: Total Recall (1990)

I’m the Chosen One. And I Choose to Be Shopping: Buffy the Vampire Slayer (1992)

A Giant Metal Man: The Iron Giant (1995)

Gypsy Justice: Thinner (1996)

She’s Been Totally Different…Like Stepford: Ted, Buffy the Vampire Slayer (1997)

A Modern Mummy: Under Wraps (1997)

The Enemy of My Enemy is My Friend: Alien Vs. Predator (2004)

The Story, We’re Living It. It’s Alive: The Brothers Grimm (2005)

He is Coming: The Visitation (2006)

A Book Considered Too Dangerous to Keep: The Magician’s Nephew, Midsomer Murders (2008)

Psycho Strangers: The Girl He Met Online (2014)

We’re Mad Scientists. We’re Monsters: Avengers, Age of Ultron (2015)

Monster Mash

Haunted Harmonies of Halloween: Top 5 Songs to Play On Halloween

We All Go a Little Mad Sometimes: Psycho (1960)

PSYCHO

It’s not like my mother is a maniac or a raving thing. She just goes a little mad sometimes. We all go a little mad sometimes. Haven’t you?

So this Horrorfest IV, we are doing something different. For Horrorfest (the original) we ended on Halloween (of course) as we had looked at the big 3 of horror film producing sequels: Friday the 13th, Nightmare on Elm Street, & Halloween. On Horrorfest II, we had to cut our reviews in half due to my schedule and ending with a film that takes place on Halloween (along with our yearly Stephen King film review), Children of the Corn. And of course I don’t think anything will top last years “theme” of Werewolves, starting with The Wolf Man (1941) and ending with it’s remake The Wolfman (2010). This year I decided it was time to finally review one of my favorite films, the one I have been talking about again and again, Psycho (1960).

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I love this film, in fact it was one of my early introductions to the ultimate, obsessive, fangirling that I would do over Alfred Hitchcock.

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My first film was The Birds. I loved it and knew I wanted to see everything he made. That second film that completely made me in love with his works, was Psycho (1960).

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The first time I saw this film was on AMC. When they were announcing the line up, they played this song.

So whenever I hear this song I think of the film, and vice-a-versa.

So if you are wondering if this is going to be an extremely long post all about how much I love this film, like my review of Jaws, then you are right. I love this film so let’s get started.

**Spoiler Alert**

(Although this movie is fifty-five years old, so if you haven’t seen it already, then shame on you)

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PSYCHO

This year marks the 55th anniversary of Psycho, and select theaters brought it back. And as I was lucky that mine did, I immediately bought tickets and went to see it.

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Alfred Hitchcock’s Psycho (1960) is remarkable for many things. It is considered his first horror film, and while not the first slasher film in history, it is the first American slasher film, influencing countless director’s and movies.

While many adore this film today, it  had quite a few problems getting it off the ground in 1960. Alfred Hitchcock read the novel Psycho, by Robert Bloch, and immediately saw the benefits of turning this into a film. Unfortunately, Paramount Pictures did not. They cut the budget down to $800,000, hoping that Hitchcock would stop this idea of making a “dirty”, “smut” film; but he would not be deterred. Hitchcock used more of Universal to make the film, which is why in the end they won the rights.

AWESOME!!!

Oh yeah

Instead Hitchcock gave up his usual pay, taking over 30% of the profits on sales. As the film did amazingly well in theaters he made a bundle.

Hitchcock bought the book for $9,000 anonymously, and then went on to buy up every book out there to try and keep the ending a secret. He used most of the crew from his show Alfred Hitchcock Presents, and made everyone promise to keep the film as secret as possible. He didn’t tell any the ending until filming, a technique that would be copied in other films, like the Scream franchise.

To begin with how different this film was, let’s start with the trailer. It was over six minutes long, much longer than any trailer made then or now.

But it was great and gets you pumped for the film.

So the first thing we are introduced is to is the credits, with the famous score.

The music just drags you in sending shivers down your spine.

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Now the actors we see on here, we all know today, but at the time the only real famous person was Janet “Scream Queen” Leigh. Part of this was due to the cut budget of Hitchcock, but he also wanted a different style and to use unknowns instead of huge stars.

Prior to this movie Anthony Perkins was being groomed to being a big star. In 1953, he debuted in The Actress and in 1956, Friendly Persuasion, won him best supporting actor. That all changed with Psycho. After this movie he became famous, but also typecasted.

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Vera Miles was in a few things but also hadn’t been cemented as a “Star”.  Alfred Hitchcock liked her looks, and more, planning on giving her the lead in Vertigo (1958), but when she became pregnant and had to drop out, he couldn’t stand her. He thought she did it on purpose and was upset that she made him recast. The only ever worked together on this film.

ouch Hermione

Before Psycho, John Gavin was known for the remake in Imitation of Life (1959)Psycho made him famous (along with Spartacus).

Anyways, back to the film!

PSYCHO

So we are introduced to the city of Phoenix, Arizona; where our film takes place, December 11th. I had never realized this until I saw the film this most recent time, but I don’t recall ever seeing any Christmas decorations anywhere. Not in the homes of the characters or offices. Supposedly the reason why it was set in December was because of the Christmas decorations in Phoenix but I didn’t spot any. I’ll just have to look again. But you know what that means? That this can be a Christmas film! I smell a new tradition!!!!

Bishop's wife christmas tree

So the film opens with Marion Crane (Janet Leigh) and Samuel Loomis (John Gavin) in bed together. Sam is half naked baring his chest and Marion is in her bra and slip.

keanu Whoa

Yeah, something like this is not shocking for today (I mean look at Game of Thrones) but you didn’t see anything like this after the motion picture code association (MPAA) was created. We saw plenty in the late 1960s early 1970s when the code lost its fierce control. But in 1960, oh ho ho. This was super raunchy!

This part always makes me sad as all Marion wants is to be married to Sam. Sam, however, wants to wait a few years. He is still paying his ex-wife alimony, paying off his father’s debts, and lives over the hardware store he owns in Fairvale, CA.

Now Fairvale doesn’t exist, as it was all shot on the Universal backlot or in a soundstage. I originally thought it took place in Fairfield CA as they sound the same and that would make a lot of sense. But in a later scene I saw a map of Shasta County, so I think that Fairvale is supposed to be Redding.

Then again I could be wrong.

Then again I could be wrong.

So Sam does not want to be married for a few years, and it horrible to be leading her on like that with weekend trips every now and then; stolen lunch hours. That is not a complete relationship. Marion hates it as she wants to be a respectable woman.

Marion Crane: Oh, we can see each other. We can even have dinner but respectably in my house with my mother’s picture on the mantel and my sister helping me broil a big steak for three.

Sam Loomis: And after the steak, do we send Sister to the movies? Turn mama’s picture to the wall?

Sam tells her that them marrying now is a bad idea, but  Marion doesn’t care. She would do it all for him. He jokes that maybe she should move on, but when she agrees he quickly is worried. They part on good terms, making plans for the next visit. Neither are incandescently happy, but that’s love.

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Marion heads back to work at the real estate agency. As she comes through the doors, you can spot Alfred Hitchcock in a cowboy hat standing outside the window. Hitchcock knew people would spend the whole film searching for him, so he wanted it out of the way as soon as possible.

Back at the Agency, Marion checks in with her associate secretary, Caroline (played by Pat Hitchcock, Alfred’s daughter). Caroline is married, which makes Marion feel as if everyone in the world is married but her.

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In walks her boss, Mr. Lowery, and their new client, Tom Cassidy, a rich oilman. He is paying $40,000, in cash, to buy his daughter a house for her and her soon-to-be husband.

Tom Cassidy: I’m buying this house for my baby’s wedding present. Forty thousand dollars, cash! Now, that’s… not buying happiness. That’s just… buying off unhappiness [waves money in front of MarionI never carry more than I can afford to lose! Count ’em.

Caroline: I declare!

Tom Cassidy: [staring at Marion] I don’t! That’s how I get to keep it!

He then goes on to flirt with Marion, disgustingly.

ew! Gross Yuck

Cassidy then makes a comment about Mr. Lowery being able to afford air conditioning. Can you imagine being in Arizona without air conditioning? It would drive ANY person insane!

Marion is asked to take the money to the bank, while the boss and Mr. Cassidy get their drink on. Marion has a headache, and asks to go home after she drops the money off, her boss lets her and she heads on her way.

The next shot we see is the money on Marion’s bed, next to a suitcase.

Mal_huh Whoa Wow what

What a great shot, Hitchcock defintely knows his stuff.

So yes Marian stole $40,000. That would be around $350,000 today. That’s a lot of money.

keanu Whoa

On one hand you kind of understand Marion. She is so tired of her life, all she wants is to be with Sam, now and always. She thinks she can take the money, pay his debt, and they can live happily ever after. But she is not thinking clearly, what about when they discover the money is gone? They will know it is her.

She decides to drive to see Sam. When she gets stopped at a light who should she see but her boss!!!

Under Capricorn Aah oh no ugh

This is when the score starts up again, heightening the intensity!

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Marian is driving, but starts to fall asleep. She pulls off on the side of the road.

She is awakened the next day by a CHP officer (California Highway Patrol) . Now this police officer is very scary. He is wearing sunglasses and never takes them off, giving him almost a robotic look. Super creepy as you can’t see the expression on his face or his eyes.

Now Marion doesn’t help her case as she acts super suspicious, being cold, curt, and trying to take off.

suspicious Hmm

You can see here that Marion is not a rule breaker. She’s always been a good girl, and as this is her first time breaking the rules she is doing poorly at “being bad”.

The CHP follow her, but turns off in Gorman, CA while she continues to Bakersfield. There, she decides to change cars. The salesman is so sweet, and adorable, but as Marian is in such a hurry, he starts to wonder about her too.

suspicious Hmm

This is not good Marion, as if anyone is to come later and ask questions about you, you would be remembered. Not only for acting weird, but also because it’s Janet Leigh.

As she is there, up comes the CHP. Too bad Marion looks as good as she does, the cop could spot her right away.

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Marion buys a newspaper, looking for news of the stolen money but is relieved to find nothing. It is too early for that, but you understand how scared she is.

As she is looking at the cars I can’t help but notice that, man those cars are dirt cheap. $957 for a 3 year old car? I wish they were that cheap now.

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Anyways, the cop continues to watch her from across the street. This only makes Marion more nervous and suspicious sounding. In fact the car salesman starts to wonder if she is trying to get rid of a stolen car.

The paperwork is completed, Marion paying $700 of the $40,000 and trading in her car. She then takes off, only to be stopped because she forgot her luggae in her haste. This gives the cop plenty of time to see her plates.

Spoke too soon

Poor Marion, she’s not a master criminal mind.

She heads off, but as she drives all she can hear in her head how terribly everything has gone and how it will all blow up in her face in the end.

All she can do is keep driving, hanging on to the hope that when she gets with Sam everything will be okay.

Unfortunately, it begins to rain and Marian being from Arizonia, doesn’t know how to drive in Northern California winter rains. So she has to pull over at the nearby motel she finds.

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The property consists of a giant Victorian mansion on the hill, with twelve rooms down the way.  The house was designed after Edward Hopper’s painting, House by the Railroad, it wasn’t supposed to be creepy but a part of early Americana. But as we only really see the house at night, except for once at the end, and because if the events that later transpire; this all looks uber creepy.

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After the fire occurred on the Universal backlot (the same one that destroyed Back to the Future’s clock tower), this building and the motel was declared a historic landmark and can never be destroyed or taken done (unless by a non-human disaster). Isn’t that great, that will be there forever!

We are then introduced to Norman Bates, son of the motel owner, and played by Anthony Perkins.

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see cute guy look

When I saw Norman I was like whoa!!!! That guy is hot!!!!!

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So cute with his boyish charm. He looks as if he is in his early twenties (was actually 27) and just utterly adorable. Perkins was chosen for being a gentle, stammering, handsome young man: the ultimate all-American boy next door. You just want to give him a hug. At one point during the filming, Perkins asked Hitchcock if playing Norman Bates would be a bad career move and Hitchcock told him it might be. He was right as it killed his career, but he was just too perfect as Norman, the movie would not have worked without him.

Anyways, so Norman tells Marion that he can give her a room, and that there is a diner up the way, right outside of Fairvale, which is only 15 miles away.

Say What

15 miles!!! If only it hadn’t rained, she’d be with Sam right now.

Marion signs in under a false name, Marie Samuels, and says she is from Los Angeles. After careful consideration, Norman gives her key #1.

He takes her into the room and shows her around the closet, desk with stationary, bathroom etc. When it comes to the bed, he actually stumbles over the words, being too bashful.

You're so cute

He’s so young, and adorable. He has such a sweet little boy smile, so adorable. Those things are fatal to me as they just make me smile in return. I let down all my defenses.

Phew!

So Norman knows Marion is hungry and probably does not want to travel out in the storm coming down, so he offers to make her dinner, sandwiches, and have her come down to the house.  Marian agrees.

After he leaves, Marion looks around the room for a place to hide the money. Where should she put it that’s not obvious? Where?

Hmm...

Hmm…

She finally settles on hiding the cash in the newspaper. As she waits for Norman to finish making the sandwich, she overhears Norman and his mother yelling in the house.

Norma Bates: No! I tell you no! I won’t have you bringing some young girl in for supper! By candlelight, I suppose, in the cheap, erotic fashion of young men with cheap, erotic minds!

Norman Bates: Mother, please…!

Norma Bates: And then what? After supper? Music? Whispers?

Norman Bates: Mother, she’s just a stranger. She’s hungry, and it’s raining out!

Norma Bates: “Mother, she’s just a stranger”! As if men don’t desire strangers! As if… ohh, I refuse to speak of disgusting things, because they disgust me! You understand, boy? Go on, go tell her she’ll not be appeasing her ugly appetite with MY food… or my son! Or do I have tell her because you don’t have the guts! Huh, boy? You have the guts, boy?

Norman Bates: Shut up! Shut up!

Man his mother is horrible. She is evil and cruel, treating him like he’s a little boy instead of a grown man. Mean old woman, I wonder if she was abusive in other ways than emotional/verbal. There are some deep issues here.

Norman takes off down to the motel bringing the sandwiches. Marion reveals that she heard everything, and Norman offers for them to eat here instead. Marian moves aside so that he can come in the room, but he can’t. He sees the bed in the room, and stops.

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It makes him too uncomfortable, so he ends up inviting her into his office, and then the parlor.

Here is where we see a lot of Norman’s issues. His mother has cuckholded him so that he is still a child in many ways, but at the same time a grown man with grown man like interests. He likes Marian but also a bit freaked as well. Marion on the other hand is a grown woman and not squeamish about sharing a room to eat, even though the major feature is the bed.

Boy/Man Child

Boy/Man Child

They go into the parlor which is full of birds, taxidermied ones. Now this used to always freak me out, but after working in a museum last year and being around a lot of taxidermied animals it’s not that bad. Did you catch that not as bad,meaning it is still creepy.

Gilmore girls creep

So while he and Marian are back in the parlor he tries hard to be “adult”, but keeps stammering as he hasn’t ever entertained anyone before.

Norman Bates: You-you eat like a bird.

Marion Crane: [Looking around at the stuffed birds while eating] And you’d know, of course.

Norman Bates: No, not really. Anyway, I hear the expression ‘eats like a bird’ – it-it’s really a [stammers] fals-fals-fals-falsity. Because birds really eat a tremendous lot. But -I-I don’t really know anything about birds. My hobby is stuffing things. You know – taxidermy.

You're so cute

The two then discuss Norman’s mother.

It turns out that Norman’s father died when he was only five years old and his mother had to raise him all on her own. She met a man and when she found out her boyfriend was married, became broken. He mentions something interesting here, that this guy could have made mother do “anything”. Maybe get rid of him or kick him out even? Hmm……..

suspicious Hmm

The conversation moves on:

So this saying was actually used first in the film The Awful Truth starring Irene Dunne and Cary Grant. In it Irene is about to complete her divorce to Cary and marry a mamby-pamby mamma’s boy, who when Irene leaves him, goes off with his mom as after all “A boy’s best friend is his mother.” It of course was made famous by Psycho

Marian tries to give helpful advice, but Norman is not in agreement.

In that moment we see something lurking below that boyish charm and sweet face. Something dark.

suspicious Hmm

You may notice the theme of “mother issues” in this film. Norman and his mom have serious issues, which may extend to her not only being emotionally abusive but physically as well. Possibly molestation, but we are not sure. Hitchcock himself had a lot of issues with his own mother, her forcing him to stand at the foot of her bed for hours as punishment. The screenwriter, was currently in therapy for his own issues with his mother when he wrote this script. And Anthony Perkins also had mother issues and an early life eerily similar to Norman’s. His father died when he was five, and he also was raised by a controlling and cruel woman.

Weird

Freaky

They end their talk and Marian tells him she needs to go to bed as she has a long drive back to Phionex. She also gives him her real name. He says goodnight and double checks the book seeing that she lied.

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Marian heads next door, and Norman doesn’t leave yet. Instead he decides to take a look at Marian changing.

You know I have seen this movie like a million times and on the big screen is the first time I have ever noticed the painting that Norman uses to hide the hole he peeks through, it is Susannah and the Elders   by Giovan Battista Tiepolo. The story of Susannah and the Elders is that Susannah is a young and beautiful woman. She sends her attendents away as she takes a bath, and two voyeuristic elders, watch and lust after her.  They try to blackmail her into having sex with them, saying they will lie that she was meeting a lover. When she refuses, they try to put Susannah to death, but the prophet Daniel intervenes and saves her. It works with the whole voyeuristic theme the film has going.

Looking at that I notice there are a lot of naked women paintings and scultptures in the house. Who picked these? Norman? Unlikely. His mother? Even unlikelier. The lover? Most likely. But weird that his mother would allow such things.

weird

Norman heads back to the house and is about to go upstairs, but stops. Where was he going before? To see his mother? Go to bed? He heads to the kitchen instead and thinks.

After speaking to Norman, Marian has a change of heart. She decides to head home and turn herself in, hoping they will be lenient. She does a few sums, and determines that she has $39300 left. As she rips it up and dumps it down the toilet and decides to take a shower.

This short scene involving the toilet took forever to get approved. In fact, this is the first american film to show a toilet in a movie.

Weird

Weird

I notice as she shuts the bathroom door, there is NO lock on the door.

OhNOthisisgonnabebad

She goes to take the shower and we have the scariest and one of the best scenes ever!

So intense and scary!!! I mean think of it, the shower os the most vulnerable place you could be at. You are naked, and have nothing to cover yourself up, nothing to use to defend yourself. In fact Janet Leigh said she was so freaked out when she saw herself murdered, that she never took a shower again. Opting only for baths.

Psycho-Shower

There are tons of myths surrounding this shower scene and I am going to set the record straight. So the filming of this scene took a whole week to get it just how perfectionist Alfred Hitchcock wanted it, this was 1/4 of the total time it took to make the entire film.

Janet Leigh filmed most of this scene. She wore pasties to cover her privates, but the warm water from the shower melted them, and Alfred Hitchcock kept on filming. She did have a stunt double, who did some nudes, and she was sadly murdered the same way in real life as shown on screen.

Psycho-Shower

And whoa this was a huge move to make. Killing the most famous person off? This was not done at the time, not at all.

When Norman discovers his mother covered in blood, he runs down to check on Marion. He finds her dead and freaks out, almost becoming sick.

I don't know what to do

He looks all around trying to compose himself, when he decides to put her body and belongings in the trunk of her car and cleans up the bathroom. He puts all her belongings in it, but forgets the newspaper. A car drives up, which surprises him, so much that he looks back in the room and grabs the paper. He then takes the car to the swamp to dump.

I just love that moment when it doesn’t go down right away and he freaks out. What will he do if it doesn’t sink. But it does, and he is relieved. The end.

TheEnd_Title_2

A week later, Sam is sitting in his office writing a letter to Marian. On the small screen they have always shown this too quickly for me to read the whole thing. This time I was able to see everything and in the letter, Sam apologizes to Marian and says he doesn’t want to wait a few years but wants to marry her now.

aw cry

If only he had asked her sooner! If only she had waited a week. If only, if only, if only.  😦

Lila comes in and introduces herself to Sam. She questions him about Marion and whether he and her were in it together, but Sam has no idea what’s going on.

princess-leia-i-dont-know-what-youre-talking-about

Private Investigator Arbogast comes on the scene. He was hired by Mr. Lowrey and Cassidy to find Marion, hoping she would give the money back and that they wouldn’t have to bring in the police.

Sam denies knowing where Marion is, and Arbogast tells him that he will find Marion, one way or another.

He goes around asking at ever motel, hotel, and boarding house in the area. Each one says no. He spots the Bates Motel, and goes in to speak with Norman.

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Norman is sitting on the porch eating Kandy Korn, as it says on his candy bag. Where’s he getting this in December? I guess it could have been leftover from Halloween. This was Norman’s personal touch, to add even more of a boyish charm.

Arbogast interrogates Norman, and I notice Norman speaks in a lot of clichés and metaphors. It’s probably due to him being only with his mother and never with peers.

He starts to clean the rooms, but skips door number one. He knows what went in that room and doesn’t want to think about it.

Arbogast follows and looks up at the house. He sees a figure, and questions Norman again. At first Norman says no one is there, but then says that it is his mother. Arbogast thinks Norman is hiding Marian, and infers that she seduced him, which angers Norman.

Milton Arbogast: Now, if this Marion Crane were here… you wouldn’t be hiding her would you?

Norman Bates: No.

Milton Arbogast: Not even if she paid you?

Norman Bates: No.

Milton Arbogast: All right, then lets say for the sake of argument that she needed your help and that she made you out to be a fool in helping her…

Norman Bates: Well, I’m not a fool. And I’m not capable of being fooled! Not even by a woman.

Milton Arbogast: I mean no slur on your manhood.

Norman Bates: She might have fooled me, but she didn’t fool my mother.

Norman is angry. Arbogast wants to speak to his mother, but Norman says no. As Norman is angry his face is put in more shadow and he loses that boyish charm and innocence, looking much darker.

Creepy!

Creepy!

Arbogast starts to head back to Lila and Sam, but stops and calls Lila from a phone booth. He tells her what Norman said, that Marion was here and then left, but it doesn’t feel right.

The plot thickens

He decides to go back to speak to Mrs. Bates, promising to be back in an hour. As he drives back to the motel, we see Norman there. Arbogast starts up to the house going through the back and leaving the door open, checking the front and bottom floor. When he can’t find anything, he heads upstairs. As he walks up, he gets attacked.

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Dead.

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Back at the store, Lila and Sam are waiting for Arbogast. It has been hours and he hasn’t shown, with Lila getting really impatient.

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She is determined to head down to the motel to find out if her sister was there. Sam tells her to wait while he calls, but she is heading out the door. Sam stops her and agrees, he will go and look for Arbogast and she should stay here in case he returns.

All I can think is, man Lila is intense in what she wants. If she had been the one dating Sam, then she would have been married a long time ago.

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Sam gets there but can’t find Arbogast or Norman anywhere. We see Norman by the swamp. Yep, dumping another body and car. Whoa, Norman really stepped into it this time. If it weren’t for the money, they wouldn’t be lookingthis intensely for her.

When Sam gets back and finds out that Arbogast still hasn’t returned, he and Lila head to the Sheriff’s house. They tell the Sheriff everything, but he doesn’t really seem to take them seriously.

Sheriff Al Chambers: Your detective told you he couldn’t come right back because he was goin’ to question Norman Bates’ mother. Right?

Lila Crane: Yes.

Sheriff Al Chambers: Norman Bates’ mother has been dead and buried in Greenlawn Cenetery for the past ten years!

Eliza Chambers: I helped Norman pick out the dress she was buried in. Periwinkle blue.

Sheriff Al Chambers: ‘Tain’t only local history, Sam. It’s the only case of murder and suicide on Fairvale ledgers.

Sam Loomis: You mean the old woman I saw tonight wasn’t Mrs. Bates?

Sheriff Al Chambers: Now wait a minute, Sam, are you *sure* you saw an old woman?

Sam Loomis: Yes! In the house behind the motel! I called and I pounded, but she just ignored me!

Sheriff Al Chambers: You mean to tell me you saw Norman Bates’ mother?

Lila Crane: It had to be – because Arbogast said so too. And the young man wouldn’t let him see her because she was too ill.

Sheriff Al Chambers: Well, if the woman up there is Mrs. Bates… who’s that woman buried out in Greenlawn Cemetery?

SHE’S DEAD??????!!!!!!!!!!!

Say What

Ten years? Ten years dead?

Whattheheck

And if she’s not dead but in the house, who’s in the cemetery?

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Norman knows that there will be more people coming. They came for Marion, and they will follow Arbogast as well. So he moves his mother to the fruit cellar to hide.

Norman Bates: Now mother, I’m going to uh, bring something up…

Norma Bates: Haha… I am sorry, boy, but you do manage to look ludicrous when you give me orders.

Norman Bates: Please, mother.

Norma Bates: No! I will not hide in the fruit cellar! Ha! You think I’m fruity, huh? I’m staying right here. This is my room and no one will drag me out of it, least of all my big, bold son!

Norman Bates: They’ll come now, mother! He came after the girl, and now someone will come after him. Please mother, it’s just for a few days, just for a few days so they won’t find you!

Norma Bates: “Just for a few days”? In that dark, dank fruit cellar? No! You hid me there once, boy, and you’ll not do it again, not ever again; now get out! I told you to get out, boy.

Norman Bates: I’ll carry you, mother.

Norma Bates: Norman! What do you think you’re doing? Don’t you touch me, don’t! NORMAN! Put me down, put me down, I can walk on my own…

This is probably the first time he has ever stood up to his mother in his life.

The next day, Lila and Sam head over to the church to go over to the Bates residence with the sheriff. To their surprise, the sheriff has already gone, and found nothing.

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Lila and Sam are unsatisfied and decide to go over there themselves. They check in as man and wife, and hide out in their room until the coast is clear.

The two sneak into room one, where they search every inch to find any trace of Marian. In the bathroom, they discover a slip of paper in Marian’s handwriting. Lila is excited, but Sam dashes that by telling her it doesn’t really help as Norman admitted that she came there. They need proof of what occurred next.

They decide to split up, with Sam distracting Norman, while Lila questions the mother. As Sam walks out, it turns out Norman is standing in the doorway of the office.

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He must have heard them, I mean right? Right?

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Anyways, Sam distracts him as Lila heads up the hill.

All I can think is that what the Sheriff said to them did not seem to register. He and his wife say that the mother is dead. Do they think it is a lie? She faked her death? She never died? Another body is in the casket?

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As Lila looks upstairs, she spots the mother’s room. It has a deep indentation in the bed, creepy mirrors everywhere, brass hands, etc.

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She goes into another room and sees that it is Norman. And the bedroom is weird. It is itty-bitty. In a giant house, why would he be given a room the size of a cell?

All he has is baby toys, and they all look sad. Like I seriously think he was abused as a child. Look at his doll. The rabbit that sits on the bed with him. Why would an almost 30 year old man sleep with a stuffed animal, unless he was abused as a child.

The music he listens to is Beethoven’s Eroica. I used to think it was used because it was a letter away from Erotica, but after looking into the backstory, it was written for Napoleon, and supposed to signify all a man is, powerful, brave, strong; what Norman wished to be.

She then spots a book with no title. I always wondered what the book signified, and discovered that books then that were pornographic were published titleless.

ew! Gross Yuck

This whole scene in the room is supposed to show the duality of Norman, a grown man, but still a child in so many, many ways.

Norman realizes that Sam has been distracting him, and knocks him out, then running for home. Lila spots Norman coming, and hides in the downstairs. That’s when she notices the fruit cellar and heads down.

When she gets there we have one of the best reveals ever!

So the sheriff takes him down to the jail, an they call in the psychiatrist to find out what was going on.

Dr. Fred Richmond: No. I got the whole story – but not from Norman. I got it – from his mother. Norman Bates no longer exists. He only half-existed to begin with. And now, the other half has taken over. Probably for all time.

Lila Crane: Did he kill my sister?

Dr. Fred Richmond: Yes, – and no.

Dr. Fred Richmond: Now to understand it the way I understood it, hearing it from the mother… that is, from the mother half of Norman’s mind… you have to go back ten years, to the time when Norman murdered his mother and her lover. Now he was already dangerously disturbed, had been ever since his father died. His mother was a clinging, demanding woman, and for years the two of them lived as if there was no one else in the world. Then she met a man… and it seemed to Norman that she ‘threw him over’ for this man. Now that pushed him over the line and he killed ’em both. Matricide is probably the most unbearable crime of all… most unbearable to the son who commits it. So he had to erase the crime, at least in his own mind. He stole her corpse. A weighted coffin was buried. He hid the body in the fruit cellar. Even treated it to keep it as well as it would keep. And that still wasn’t enough. She was there! But she was a corpse. So he began to think and speak for her, give her half his time, so to speak. At times he could be both personalities, carry on conversations. At other times, the mother half took over completely. Now he was never all Norman, but he was often only mother. And because he was so pathologically jealous of her, he assumed that she was jealous of him. Therefore, if he felt a strong attraction to any other woman, the mother side of him would go wild. [Points finger at Lila Crane] When he met your sister, he was touched by her… aroused by her. He wanted her. That set off the ‘jealous mother’ and ‘mother killed the girl’! Now after the murder, Norman returned as if from a deep sleep. And like a dutiful son, covered up all traces of the crime he was convinced his mother had committed!

Sam asks about the clothes, definitely weirded out by seeing Norman in that getup. And I agree, he was totally creepy looking.

Officer: He’s a tranvestite!

Dr. Fred Richmond: Ah, not exactly. A man who dresses in women’s clothing in order to achieve a sexual change, or satisfaction, is a transvestite. But in Norman’s case, he was simply doing everything possible to keep alive the illusion of his mother being alive. And when reality came too close, when danger or desire threatened that illusion – he dressed up, even to a cheap wig he bought. He’d walk about the house, sit in her chair, speak in her voice. He tried to be his mother! And, uh… now he is. [pauseNow, that’s what I meant when I said I got the story from the mother. You see, when the mind houses two personalities, there’s always a conflict, a battle. In Norman’s case, the battle is over… and the dominant personality has won.

Sheriff Al Chambers: And the forty thousand dollars? Who got that?

Dr. Fred Richmond: The swamp. These were crimes of passion, not profit.

Everyone’s like:

Say What

It wasn’t about the money at all? Yes folks, that is this film’s MacGuffin. A MacGuffin is something that the characters search for or aspire for, but in the end, has nothing really to do with the actual plot.

This last scene is my favorite as it is soooo creepy.

That moment when he smiles, it sends shivers down my spine.

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So Mrs. Bates is evil. Pure evil. She was abusive to Norman throughout his life, and now throwing him under the bus. Pure evil.

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So before we en I thought I would include some thoughts I had about Norman now that I’ve revealed the “truth” about him

1)When Norman chooses the parlor over the bedroom, I wonder if the Norman side “knew” it was best not to get to close as it might awaken mother sooner and “she” might do something drastic?

2)When he gets angry about institutionalizing his mother is it the dutiful son Norman that is angry, or his “mother”?

3) When Norman tells Marion he can’t leave, if he does then his mother will die all over again. Poor Norman, stuck in an endless cycle of abuse.

4) When Norman sees that Marion gave a false name in the book, do you think that “mother” found her an easier person to kill as no one was likely to connect that Marie Samuels to anyone? Do you think it made her more suspicious of her character?

5)I wonder if Marion had stayed up later with Norman would that have changed things? Would “Mother” have failed to come out? Or would she have come out earlier?

They are nothing with any real answer, but just something to ponder on and ask your cinephile friends.

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I know you guys know that this post isn’t going to end. Like Jaws, I have a LOT to say. So in Universal Studios, when I took the backlot tour, they showed us a scene from Psycho. As they have declared the site historical, they also decided to have someone act out a scene from the movie every time a tram goes by. And it is awesome!

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And so ends another Horrorfest. I know it has been crazy this year, as personal issues made me fall behind in posting. In fact, by the time this airs I still might not have caught up. However, what I was able to do was a lot of fun, and I hope you all enjoyed it. I wish you all a very happy, and safe, Halloween. May it be everything you wish it to be.

Happy Halloween jack-o-lantern

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To start Horrorfest IV from the beginning, go to You Cannot Conquer It. It Has Conquered You!: Dr. Jekyll and Mr. Hyde (1931)

For the previous post, go to Man-Bat: On Leather Wings, Batman the Animated Series

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For more on Alfred Hitchcock, go to What Are the 39 Steps?: The 39 Steps (1935)

For more films based on books, go to Someone Has Erased His Memory: Total Recall (1990)

For more psychos, go to Tuesday the 17th: Psych (2009)

For more slasher films, go to Don’t F*** the Original: Scre4m (2011)