Every three thousand years, the stars align. Unleashing an army of monsters.
If you’ve been following me you’ve read this already, but for the new readers I’m giving a little background as to why I choose a TMNT film. If you have seen it already, feel free to skip ahead
So this is our second installment of four reviews of the Teenage Mutant Ninja Turtles’ films.
So I know those of you who haven’t been following me, and have stumbled upon this post are probably really confused. Teenage Mutant Ninja Turtles? As a horror film? NO WAY.
I know you are all saying to yourselves, hey this is a superhero movie, not a horror film. Au contraire, you see the turtles are radioactively enhanced to be larger; agile, smarter, etc. In fact the only thing that separates them from other radioactively changed creatures: such as the ants in Them, the giant spider in the Tarantula, or even Godzilla. They choosing to use their abilities for good and be superheroes doesn’t change the fact of how they were made.
So last week I started with the 2014 film as it contained a lot of horror film components, as these turtles are engineered in a lab instead of accidentally created, just like Frankenstein.
Today we are doing the 2007 version/remake. In this one we have a lot of horror film components, I mean we have giant stones turning into monsters and trying to destroy New York City. So no use waiting around:
So as you know I hate remakes and sequels.
I was not excited about this film coming out at all. It’s going to suck. I just knew I would hate it.
But my nephew loved the film and wanted me to watch it with him when it came out. What are you gonna do? It’s family!
But I was right. It was horrible.
So the film starts off with long narration about an Aztec warrior finding a portal to another dimension granting him immortality but his generals were turned to stone. It also released 13 monsters, everything from Bigfoot to the Jersey Devil.
Flashforward to present times, after the defeat of the Shredder, the turtles have broken up.
Yes…I’ll get to that later. So Leonardo was sent to central America to train to be a leader and hasn’t returned. Since then, the remaining turtles have been working
Yes…I know. More later. With Raphael doing vigilante things at night.
April is working as a relic acquirer
And not a reporter
Yes…I know. More later. She runs into Leonardo and convinces him to come back. He does and him and Raphael fight all the time.
April delivers the statue she find to the uber rich Max Winters, makes me think of Shreck from Batman Returns, and he hires the Foot clan to hunt down the 13 monsters.
The Generals awaken and help hunt down the monsters, but when they discover they won’t be immortal with all 13, they want to betray Winters.
Thanks to Casey, they’ve discovered the Aztec warrior is Winters and try to help him. Meanwhile Leonardo hates the vigilante Raphael is secretly, and tries to stop him. When he finds out it is Raphael, the two fight and Leonardo ends up getting captured by the generals as the 13 monster.
And in the end they save the day, destroy the monsters, and reunite.
So why did I hate it? Let’s count down!
The CGI was horrible. They looked awful and boxy and just bad. I would have preferred 2D. I mean look at Casey, his whole face and body, just no.
Not the right one.
And it’s not like CGI was still working out the kinks. I mean you had some good stuff like Ratatouille, Meet the Robinsons, I mean even the dumb movies like The Bee Movie and Alvin and the Chipmunks had good CGI. This was just bad.
2) Instead of the Turtle Background We are Focusing on Aztec Warrior Meets Monsters Meets Multiple Dimensions
I know this is so strange. They give the turtle background as to who they are, how they were created, and such like three lines! Three LINES!
Four turtles. Four brothers. Genetically reborn in the sewers of New York. Named after the Renaissance masters and trained as ninjas.
And then we are supposed to give our attention to this Yactl or whatever, his generals turning into stone, immortality gift, blah blah…
Our full attention?
I PAID TO SEE A TURTLE FILM!!! I WANT THE TURTLES!!!
It is so stupid! It makes no sense!!!!
I mean really, out of all the comic written, this is the back story you want to give us???!!! OUT OF EVERYTHING??? Who was paid to write that? If it had been up to me, as soon as I read that, they would have been FIRED!!!
3) Why Was the Main Warrior Not Turned to Stone?
So how come Yactl was not turned to stone but all the generals were? They never really seem to explain why he was the only one given the immortality. Then again maybe they did, but my mind glazed over when I had to pay attention to the most non-turtle Teenage Mutant Ninja Turtle film.
Yes film you are so bad you are forcing me to reference not just the Master of Disguise, but its stupidest scene to talk about how I feel.
4) The Turtles are Split Up
Hey guys let me point you to the title of the comics and the films: Teenage Mutant Ninja Turtles. Yes did you get that? TurtleS!!!!!!! TurtlesSSSSSSSSSSSS!!!!!!!!!!!!!!!!!!!!!!!!!
YOU CAN’T EVEN GET THAT RIGHT!!!!!! THERE ARE SUPPOSED TO BE MORE THAN ONE TURTLE FIGHTING!!!
It is so stupid! It makes no sense!!!!
Yes, they split the turtles up and send Leonardo to South America, why I don’t know. It’s dumb, it makes no sense, just argh!. They are supposed to be a team! When I paid for my ticket I paid to see four turtles not one on his own. And it makes no sense why they would split them up? Like seriously, who wanted that. Did any of these people read the comics or watch the TV show/films. I mean seriously!!!
Let’s move on…
5) April is Not a Reporter but Tomb Raider
April is not a reporter…
Yes April is not a reporter…
April is not a reporter but a tomb raider…
Yes no matter how many times I say it, it still sounds dumb. Why isn’t she a reporter? I mean how could she even go from reporter to tomb raider. It’s not like she’s an archeologist or anthropologist, or knows any of that stuff at all. And I SHE’S SUPPOSED TO BE A REPORTER!!!!!
And to ease the suckage of this film
6) The Turtles Have Jobs
The TURTLES have JOBS?!!!!!!
Just end the film here because that is literally the stupidest thing I have ever heard.
So you are telling me GIANT, MUTANT, GREEN, TURTLES with no social security numbers, good contact info, experience, etc are able to have jobs?
And let’s just forget about the social security number, experience, education; you know all those things you need to work and focus on this tiny little issue: GIANT, MUTANT, GREEN, TURTLES!!!!!!!!!
How do GIANT, MUTANT, GREEN, TURTLES get jobs? Huh HOW?!!!!!!!!!! This is just so stupid that if I think about it any longer my IQ will drop.
7) Why is Raphael the Nightwatcher?
So Raphael is the only one continuing to fight crime and be a ninja superhero. But instead of continuing as himself, he has faux batman gear and even takes on a faux Batman name with Nightwatcher (similar to Nightwing). I mean why does he even have to dress up? He is a giant turtle!!! And why hide it? Just because Leonardo is gone they can’t be vigilantes anymore? That makes NO SENSE!!!!!!!!!!!!!!!!!!!!!!!!!!!
You are driving me insane!!!!
8) No Shredder
While its true you don’t have to have a Shredder to make a TMNT film, you notice how much they suck when they don’t have one. Like this movie, and Teenage Mutant Ninja Turtles III. I mean Shredder and Turtles just go together, it’d be like making macaroni and cheese with no macaroni.
9) The Convoluted Plot
It feels like they spend hours talking about Yactl, the monsters, dimensions, blah blah blah.
I totally checked out from this film. I mean I came to see TMNT, not all this useless drivel they keep trying to push. Just dumb, dumb, dumb.
10) Raphael and Leonardo Fight Over Who is the Leader
Ugh I hate this plot thread. It is too:
I mean it worked in the first film, but because of that it doesn’t mean you have to do it non-stop!! Just do something else. I swear that if I see this repeated one more time in a TMNT film(not counting the 2014 one) I will be held responsible for me actions.
11) The End
It was horrible, dumb, and I didn’t like it. The only thing that was good was that it was over!
Yes this film was horrible, just horrible. I mean it was so bad, it made the 2014 film look good. For all their faults, at least they tried to make a TMNT film that actually centered on the TMNT.
Well that’s it for this post. Next week I’ll be reviewing the first Teenage Mutant Ninja Turtle film. How does it compare? How does it hold up? Well, all those questions will be answered in seven days.
There is no sin in killing a beast, only in killing a man. But where does one begin and the other end?
So this year I decided to do something very, very different. Now the in the past, all Horrorfests have ended on a film that takes place on Halloween. This wasn’t a credence that I set out to make, it just kind of happened along the way. With Horrorfest I had always planned on ending on Halloween (1978). I knew it was the best way to end the first year with a big bang. Besides, that year I had done the other slasher films that spanned numerous sequels and remakes (Friday the 13th& Nightmare on Elm Street). Horrorfest II I was trying to also end on a really great film that would produce the same kind of bang, and decided on Children of the Corn as that film was creepy. It also happened to take place on Halloween.
This year I was trying to decide what would be the best opener and closer. I was originally going to open with Metropolis as I had done a post in July referencing it. But after I wrote that post, it just didn’t speak to me as an opener. I started going through my drafts and that’s when I spotted The Wolf Man (1941). The Wolf Man has to be my favorite of the classic horror film monsters (along with The Phantom of the Opera). I hadn’t had a chance to review it yet, and since it was the last of the classics I decided it should be the opener.
Once I wrote that post, I was so excited. You see, I felt I really couldn’t to a post on any werewolf films until I had covered the first one. I thought it was only right to start with the original. With that done, I could move onto any other werewolf film I desired. The possibilities were endless.
With the beginning finished, I then set my sights on the end. What could I do that would really pop? As I started thinking and looking, I saw my draft for The Wolfman (2010). And that’s when it hit me.
I could end Horrorfest III with The Wolfman (2010). It could be like bookends!!!! In the beginning the original that started it all and the end the newest rendition. !!! Yes!! It could work and it will. So here we are The Wolfman (2010).
So a little backstory before we begin the review. As you would have read in an older post, I love The Wolf Man (1941). It is one of my all-time favorite horror films. One day in my photography class, we were watching trailers of different films as we were looking at the cinematography and technique. My teacher was on a Mac which has Front Row, and shows you trailers of the past, present, and future films. One trailer I remember looking at was Nightmare on Elm Street (2010). I wasn’t planning on seeing it, as I hadn’t seen the original. But as we reached the end, I saw The Wolfman.
I screamed ay my teacher, stop!! I want to see that. So we watched the trailer.
AWESOME!!! RIGHT!!! So I knew there were going to be changes, I knew it was going to be nowhere near as good as the original, but I was soooo pumped!! So I watched the trailer in February 2009, and saw the film was slated for that October. I couldn’t wait!!!
I ticked off the months, but then in October I discovered it wasn’t out in theaters.
Yep, there had been some production problems, so they pushed it back to February. FEBRUARY!!! V-Day weekend. I was upset, but what could I do? I just had to wait it out.
But then February came and I decided that it would be my V-day present to myself. You see I have never had a boyfriend or date for V-day, so I always just buy myself whatever I want. It’s actually pretty nice as you don’t have to fight with anyone over where to go or what to see; and you are never, ever, ever, disappointed.
I asked a couple of friends who were also single and we bought tickets for opening night. I knew that I wouldn’t be 100% pleased, but I was looking forward to those improved transformation scenes.
So moving on to the review.
So let’s go back in time. The year is 1891 and we are in England. Lawrence Talbot (Benicio del Toro) is the second son of Sir John Talbot (Anthony Hopkins). He and his dad had a lot of issues and problems so he left as soon as he could. Since then he has been a renowned Shakespearean actor, famous throughout all England for his Hamlet and Macbeth.
He recieves a letter from a Gwen Conliffe (Emily Blunt). She was engaged to his older brother Ben, but he has been murdered. Not only was he murdered, but horribly mangled by something. When Lawrence gets the news, he immediately returns home for the funeral.
When he gets there he sees his father and the two have a harsh welcome. Unlike The Wolf Man (1941), where father and son were trying to work on repairing their relationship, Sir John doesn’t care. He still has huge issues with his son not being what he wants him to be. The way that Sir John treats him, causes Lawrence to want to leave, and go far away…but he can’t. He has to properly say good-bye to his brother.
Lawerence does try to get away from his father as he knows staying near him will just cause more fights. He also really wants to see his brother. So he heads down to the local slaughterhouse where the body is kept before burial.
I know but you have to remember this is a small village in 19th century England. They didn’t have a mortuary to hold the body until burial. They also didn’t understand how diseases spread and that it is not a good idea to have a dead body near your food.
There at the slaughterhouse, the butcher gives Laurence his brother’s items, that is everything found on him at the time of his death.
Later that night he heads over to the local pub for a drink and overhears the gossip on the murder. Most of the villagers blame a band of gypsies. Not long after they moved into the area, Ben was murdered. In fact, someone remembers a case occuring years earlier of gypsies moving into the area and dead bodies surfacing. As they discuss this, Laurence remembers that Ben had had a gypsy medallion on him.
This is the first time that Laurence has ever met his brother’s fiance Gwen. Now for you Wolf Man fans, you should recognize that it is the same name given to Laurence’s love interest in the original film. Except in that film she was to marry the hunter/groundsman of the Talbot estates. Anyways, Laurence meets her and can instantly see why his brother fell for her, as he himself is attracted to her.
Of course Lawrence is the most amazing, gentleman/good guy that he would never ever think of putting the moves on her. He does thank her for trying to be there for his father and for everything. He also let’s her know that if she ever needs him, he’ll be there for him.
Gwen is also attracted to him, and you really can’t blame her. If Benecio is in his early 40s, that means her husband to-be was hecka old. Also Benecio/Lawrence has this adorable hurt puppy dog look that makes you just want to show him he is special, and that you care for him. He looks so sad that it makes you just want to take him, and take care of him. Making sure is life is bright and never unhappy again. That look is killer on any girl as it flies through their best defenses. Major chink in the armor.
Sorry, digressing….So with Lawrence back, and the funeral over, Gwen decides to return to London. Laurence would like to leave too, but wth his brother’s death, he now is sole heir to the estate and the first son. When his father dies he will become Sir Lawrence and be expected to uphold all those duties (House of Lords most likely). This isn’t the life that Laurence wants, but at this moment he is too loaded with grief and confusion over his brother’s death that he doesn’t question or try to rebel.
So with Gwen gone, and his father an emotionless robot who only cares about himself; Lawrence takes it upon himself to try and figure out what happened to his loving brother. Now Lawrence is putting on the black cowl and trying to become a vigilante or anything, he just wants some closure about his brother’s death. He heads down to the gypsy camp to try to get some answers.
Where were you the night in question?
That night is a full moon
Which as you’ve guessed it means trouble is going to be roaming about. Lawrence meets up with the gypsy woman Maleva, who tells him that something truly evil has attacked his brother.
But before he can get anything more, the townspeople attack the village. They try to drive the gypsies from the area, and kill a dancing bear they believe to be the beast that killed Ben Talbot.
Grab your torches and sharpen your pitchforks!
As they are attacking, a superhuman, wolfish creature descends upon the area and starts slaughtering people.
And I’m not talking about just a few people, this is like a Scream sequel. The body count by the end of this film is in the double digits.
Hey, my generation is the Millennials. They aren’t as classy, they need lots more blood and guts.
Anyways, the werewolf is attacking everyone, and Lawrence spots a young boy running into the woods. At the same time the werewolf spots the boy, causing Lawrence to put himself in the way in order to protect the child. As he does so, the wolf attacks him.
And he gets bitten.
Malvea find him and cares for him, despite the community telling her that it is better for all if they let him die. But Malvea can’t, she says he still is a man and deserves to be treated as such. She also states that only a loved one can kill him.
Malvea honey, I don’t think so. Anyone can kill a werewolf as long as they have some kind of silver object. Nowhere is that in the original film, as if you read my post you would know that film revolutionized werewolf mythology. Click here to check it out now.
And besides that, is there nothing you can do for him? You are a cinematic gypsy in a horror film! You’re supposed to have a potion or herb or special thing that can protect you from turning. Now if you have read my Dracula, The Mummy, The Wolf Man, or Scream 2 posts, you know I make fun of the films when the guy is given a special charm to protect him but then stupidly turns it over to the girl he loves, EVEN THOUGH IT WILL NOT WORK FOR HER.
But I really enjoy that part of the film, as it humanizes the character and makes you adore them. I mean its sweet how much they love the girl in their life that if there is anything that can do to ward of the monster, they prefer them to have it. Even though by doing so they make things worse, hey it’s the thought that counts.
I also hate how gypsies have been giving “B” standing in modern horror films. I mean without their supreme wisdom and knowledge in the supernatural, they are just nomadic people. In real life they are still awesome, in a horror film? That’s just boring.
But I guess that’s just they way it is these days.
So where was I? Oh yeah, Lawrence has been bitten by the werewolf. He is moved back to Talbot Manor, and Gwen returns from London to nurse him back to health. While recovering he has really strange dreams. Lots of blood, murder, and even his mother appears. You see his mother died when he was very, very young and her death severely traumatized her as he discovered her dead body. But why would that death be haunting him now? Is it because of Ben? The slaughtered people seen in the gypsy camp? Or is it something else?
Lawrence actually heals pretty quickly, which he finds kind of odd. And that’s not the only thing that’s odd in the Talbot homestead. One day his father’s manservant, Singh (Art Malik), shows him a case of silver bullets and hints that something monstrous is walking through the woods.
He’s not the only one concerned. Inspector Abberline (Hugo Weaving) comes to town. Yes, yes I’m going to admit it. Any film with Hugo Weaving gets an 10x increase in awesome. I mean this guy is truly one of the most talented actors alive. When he ecomes a role you totally forget that he is Hugo Weaving and just think of him as that character. For me I’m always going, Hugo Weaving was in that film? Oh that’s who was that amazing character. I totally forgot that character was being played by an actor. I mean he is that good. You have Agent Smith in The Matrix, Elrond in The Lord of the Rings trilogy, V in V for Vendetta, the Red Skull in Captain America: The First Avenger, and that’s just to name a few.
Anyways, Inspector Abberline comes to town to investigate. He already believes he knows who the killer is…Lawrence.
Seriously? Lawrence? A Murderer? Come on, this guy wouldn’t hurt a fly. I mean look at him, really look at him. There isn’t a murderous bone in his body! Besides, he just arrived in town so there is no way he could have murdered his brother. Dude, you’re dumb.
But it isn’t completely ungrounded. You see, Lawrence has a history of “mental problems.” You see, I didn’t want to give you the full story so early, but Lawrence’s mother’s death really did a number on him. Now today, we would really try to help the child as we understand such events as those are highly traumatic and can cause serious issues. Then not so much. Lawrence discovered the body and was very upset. He was afraid and kept mentioning a monster had hurt her. Instead of trying to help his kid, Sir John sent him to an insane asylum, where he was tortured. And I mean torture. Many methods to improve these patients were electrotherapy, iron cuffs/collars, bloodletting, dipping the patient in hot or ice-cold water, and a gyrating chair “to shake up the blood and tissues of the body to restore equilibrium”. By the 1900s, many hospitals had added lobotomies to their lists of “cures”.
Yeah not fun. So Aberline thinks he is the perfect suspect. Laurence though, is having none of that.
Lawrence Talbot: I get your implication, and resent it. You’re clearly aware of my personal history, as I believe I’m aware of yours. Weren’t you in charge of the ripper case a couple of years back?
Det. Aberline: You’re a direct man. So I’ll be equally direct with you. I am not your enemy, Mr. Talbot. You’ve been seen as Hamlet, Macbeth, Richard III, all with that same face. A prudent man would ask who else might be living inside that head of yours?
Laurence doesn’t quite know what is going on and asks Gwen to leave as he’s worried something might happen to her. That night he follows his father, and watches him go down to the family crypt, to the area where his dead mother resides. There he finds a chair with restranints. His father locks the door and stays in the crypt, leaving a confused Laurence.
As Laurence turns to go inside, he becomes…The Wolfman!
Now this was worth the price of admission. These transformation scenes are awesome!!!
So now that he is a wolfman, he does what they all do. Ravage the countryside.
The next day the Inspector comes for him and has him arrested to be sent back to the “mental hospital”
How horrible is that. I mean this has to be Laurence’s biggest fear, to be sent back to that horrible place. Poor guy. And I was doing some research last night, not only were insane asylums awful, but the one he has to go to, Bedlam, was one of the worst.
Dr. Hoennegar, the leading physician, takes Laurence under his wing and subjects him to ice treatments, that is to be consistently dunked into ice water and left there for long periods of time.
Can you imagine?
And oh joy, he also gets electroshock therapy.
While he is incarcerated, Sir John comes to visit and tells him a story. You see Sir John is the cause of all this.
Back in the day when he was younger and hunting in India, he heard this rumor about an unusual predator. He travels to the remote cave that the predator calls his home and while there was bit by a feral boy and became a victim of lycanthropy.
Except, it was more than “imagining” he actually became a werewolf and began attacking things.
That’s when Laurence realizes everything about his mother’s death makes total sense. He did see a beast kill her, but it was his father! His father killed his mother and then sent him to a mental institution!!! What a truly, truly evil man to allow his son to be tortured. And now for a second time!!!
Now this was my biggest issue with the film. Every other part of the movie was actually pretty great. It was an amazing homage to the orginal film. Benecio del Toro was actually a huge fan of the original and tried to bring a lot of Lon Chaney Jr. into his acting. But the thing I absolutely hate was the changed relationship with his father.
It just didn’t work in my opinion. I mean that is what truly made the original fantastic, was that everything in his life was going great, he was a great man; and this tragedy strikes that ruins everything. He and his father were finally, finally becoming close and working out all their issues. He had met a nice girl, even though she was engaged, and had hope for that relationship. He loved England and was getting back into the groove of it. But then this horrible thing happens and he has to say good-bye to it all. He knows he is going to die, but what does he do? He goes to his dad and makes sure that he has something to protect him. Because even though he has spent years hating and being angry at his father, he truly loves him. It’s just so wonderful and sad all at the same time
But having the dad the evil guy, I don’t know…it just makes the film feel as if it is missing a huge part of it. It doesn’t hit in the heart like the orginal.
But moving on, so his father murdered his mother and then sent the only witness to a torture chamber (mental hospital) to ensure that those memoris would never come to light as they are only crazy “child fantasies”.
Since then, Sir John has had his manservant Singh has been locking him up so he doesn’t wreck havoc anymore. However, Ben was planning to leave with Gwen once they were married and this enraged Sir John. He wasn’t locked up that night and killed him to keep him from going away. He became so incensed with the power that he ran wild later, killing all in the gypsies camp and biting Laurence purposely.
Omg what a–
He did it on purpose because he wanted a fall guy. He wants to roam free as a werewolf and he allows his son to be caught and tortured. Argh!!! Urhg! this man! I;m so angry I can’t spell right. He needs a good sock in the face.
After he finishes his story he leaves, intent on never returning.
He deserves another punch.
That night Laurence is taken to the observation room, where the good doctor presents him as a curio to his collegues. Unbeknowest to him, moonlight is coming through the window and landing on Laurence. This causes him to turn into….the Wolfman!
This is one of the coolest scenes, but unfortunately I could only find it in Italian. Sorry! But you don’t really need to understand what they are saying to enjoy the effects/makeup.
Dr. Hoenneger: Ah, Mr. Talbot. We are here tonight to illustrate conclusively that Mr. Talbot’s fears are quite irrational. So, we will remain in this room together, and once Mr. Talbot has witnessed that the full moon holds no sway over him, that he remains a perfectly ordinary human being, he will have taken his first small step down the long road to mental recovery. We are all aware that Mr. Talbot has suffered quite traumatic personal experiences. He witnessed his mother’s self mutilations. His young mind, unable to accept it, created a fantastical truth, that his father is to blame. That is father is literally a monster. But, your father is not a werewolf. You were not bitten by a werewolf. You will not become a werewolf, any more than I will sprout wings and fly out of that window.
Totally fangirl over that.
Laurence runs away, being chased by the Inspector, and also wreaking havoc. There are some truly amazing shots of him by the bridge, on statues. Just plain awesome!
The next day he visits Gwen in her antique shop. They realize they have fallen in love, but Laurence knows nothing can come of it. He has to kill his father and himself in order to protect others.
Inspector Abberline comes to see if Lawrence is there, but he is too late. Lawrence has already left for Talbot estate.
Gwen refuses to believe that they can’t be together. She starts studying lycanthropy and tracks down Maleva the gypsy for more advice. Maleva cannot help her, as there is no cure for werewolf.
Meanwhile, the Inspector has also headed back to the village and this time armed with silver bullets. That show in the Observation room must have finally convinced him that werewolves are real. Gwen also heads toward Talbot Hall.
Lawrence is the first to arrive and discovers a murdered Singh. He takes his gun loaded with the silver bullets and starts hunting his father.
Sir John Talbot: You have me at a disadvantage. It makes me happy.
Lawrence Talbot: What does?
Sir John Talbot: Well, seeing you here like this. My son returned. It is glorious, isn’t it?
Lawrence Talbot: No, it’s hell.
Sir John is a freak. He needs help. Serious help.
Anyways, it turns out there are no bullets in Singh’s gun, but blanks. Sir John did that on purpose as he will not be destroyed. Sir John attacks his son and the two begin fighting. The full moon comes up and transfroms them into werewolves. And yes, yes we have a werewolf fight. I personally thought it was a little cheesy (and dumb) but this is the millenal generation. And it is something the people want.
So after Laurence burns and decapiitates his father, Gwen walks into the house.
The wolfman, Lawrence, attacks her. Luckily, the inspector had also just arrived on the scene. He tries to use his gun, but misses allowing him to be bit by the werewolf. Gwen steals the gun and takes off, being pursued by the wolfman.
He chases her to a waterfall. With nowhere left to go, Gwen starts begging and pleading with the wolfman, hoping to get to Lawrence. Lawrence reason faintly returns to the beast, who hesitates. He then hears the sound of a posse coming to attack him.
Grab your torches and sharpen your pitchforks!
While he is concentrated on them, Gwen shoots him through the heart.
Laurence changes back to his human form, and before he dies thanks Gwen for saving him.
Lawrence Talbot: [his eyes open after being shot by a silver bullet and transforming back into a human] Gwen?
Gwen Conliffe: [crying] I’m sorry…
Lawrence Talbot: It had to be this way.
Gwen Conliffe: I’m sorry.
Lawrence Talbot: [he holds her hand] Thank you. [Dies]
The posse and an injured inspector arrive just as Laurence dies.
So that is The Wolfman. Now do I think it is as good as the original? HECK NO! But that does not mean it isn’t an awesome film. Besides that one thing that majorly irks me, I really enjoyed it. I thought it was a pretty awesome film. The cinematography is beautiful, the acting incredible, and those transformation scenes? Freakin’ awesome! And I did like how they moved the story to show how harshly “mental disabled” people were treated. And you know what? Most of the people who were in those didn’tr even have serious problems. They would throw in the homeless, those with learning disabilities, women of large fortune who had husands that wanted the money but not the girl, etc. It was horrible. Horrible.
But back to the film, I think it is a worthwile view. It may not be exactly how I imagined it, but you do have some great werewolves in this, and no Jacob ones. Real werewolves.
And so ends another Horrorfest. I am so pleased with this years as I was able to redeem myself from last year’s only half the month’s posts. 31 days of terror and woe once again. I hope you all enjoyed it. I wish you all a very happy, and safe, Halloween. May it be everything you wish it to be.
I’m going to TRANSFORM him, and unleash the savage instincts that lie hidden within…
So this is another werewolf film, and a B horror film, that doesn’t end well. And to be perfectly honest that’s how I like them.
As depressing as that sounds, I like it when the werewolf story ends like that that because it’s closer to the original story. Here we have a good man, who has been turned into something he doesn’t want to be and can’t control. It’s sad and poetic at the same time.
So the big reason I watched this film was because it first of all was about a werewolf, which you all know I love. And it stars Michael Landon.
So the story is about Tony Rivers (Michael Landon) a boy who is known for losing his temper. His dad is constantly telling him he should get help for his anger problems, but Tony won’t listen. He doesn’t believe he has any issues at all. After a really bad fight on campus with a classmate, the police get involved. The Detective urges Tony to meet up with a psychologist. The thing that really pushes him to reform is his girlfriend Arlene (Yvonne Lime). She tells him he has too many issues and she can’t date a guy like that. At a party that night he attacks his friend when he surprises him, and that pushes him into seeking help from the acclaimed Dr. Alfred Brandon.
Now this is what makes the whole story so sad. He is earnestly trying to get help and fix his problems, but everything goes bad as he turns to the evil Doctor. I tell ya, I don’t trust doctors (unless they are Michael Rennie), as they always turn out evil. Dr. Hartz from The Lady Vanishes (1938), Dr. Hollingshead from The Secret Life of Walter Mitty (1947), Dr. Einstein from Arsenic and Old Lace (1944), Dr. Arthur Carrington from The Thing From Another World (1951), and that’s just to name a few.
Anyways, so the Dr. Brandon has no intention of helping Tony out. Instead he wants to experiment on him, testing out this serum he created to bring out people’s primitive instincts. His assistant tries to convince him not to, but Dr. Brandon won’t listen.
“Dr Hugo Wagner: But you’re sacrificing a human life!
Dr Alfred Brandon: Do you cry over a guinea pig? This boy is a free police case. We’re probably saving him from the gas chamber.
Dr Hugo Wagner: But the boy is so young, the transformation horrible –
Dr Alfred Brandon: And you call yourself a scientist! That’s why you’ve never been more than an assistant.”
That night the teens all go hangout at a party. One of the guys, Frank, is killed while he is walking home from the party.
The next day the police are studying the scene and trying to figure out what could have done this. The police station’s janitor, an emigrant from the Carpathian Mountains, looks at the photos and determines that it was a werewolf that did it. In his hometown “human beings possessed by wolves” are common, so he declares that nothing else could have killed the boy.
The next day, Tony goes back for a second session in which he tells the doctor that he feels like something is wrong with him. The doctor brushes it off and Tony continues on his way. That day his principal calls him into her office and tells him how happy she is with the improvement. She is going to recommend him entry to the State University.
I know this won’t end well
It really gets me because he is so hopeful and sweet, yet you know, you know nothing will end well.
So Tony is happy, now that he has a future and a ticket to be something. As he walks to class the bell rings, triggering his transformation.
And he attacks Theresa, his classmate, who is practicing nearby.
Tony flees for his life, and even though he looks wolfish, people recognize him and put out an APB. A reporter goes to his father and girlfriend to find out more about him and get a scoop. Meanwhile, the police follow Tony, siccing dogs after him, but Tony takes them down.
In the morning, Tony wakes up in his true form. He tries to talk to Arlene but can’t get anywhere with her as she is too freaked. He then runs down to Dr. Brandon’s office to get his help. Dr. Brandon lies to Tony, telling him he will help him but in reality injects him with the serum. Tony starts to transform when the phone rings and it causes Tony to go berserk, attacking the Dr. and assistant. Right then the police charge in and take Tony out (even though they don’t use silver bullets. Although they don’t need to as he isn’t a true werewolf but a manmade one). When they do so, Tony returns. But dead.
Doesn’t it just get you in the feels?
It’s just so sad. He wanted the help, he wanted to be better; but just went to the wrong person and everything in his life went downhill.
“This alpha predator of yours, doctor, do you really think he has a chance? The arrogance of men is thinking nature is in their control and not the other way around. Let them fight.”
So when this film came out I had mixed feelings. I was a huge Godzilla fan when I was a kid and saw all the films growing up, and after the 1998 debacle I wasn’t too excited. My friend, however, really wanted to see the midnight showing, so we did. After I saw the film, I had even more mixed feelings of it. So here we are the pros & cons
1) Opening Credits
These beginning credits were amazing! I loved how they had pictures from old drawing of plesiosaurus, dinosaurs, disaster headlines, and pictures from the 1940s-50s atomic testing. I thought it was a great idea to overlay it by blacking out words and names to reveal the director, producers, actors, etc.
2) Half the Film Was Set in Japan.
I loved that the beginning to middle of the film was set in Japan as it made it much closer to the original film. I felt it also made Godzilla seem more authentic having it set in Japan. And I absolutely loved that unlike the “whitewashed” Godzilla (1998) they had lots of Asians in the film who actually spoke in Japanese.
3) Increased Diversity
I also loved that when they moved through different locations, the diversity continued. In Japan we have Japanese; in Hawaii, we see Asians, Whites, and Pacific Islanders; and in California we have a huge increase in Latino actors. This was great as even in 2014, films tend to be centered on one ethnic group.
4) Godzilla Was Actually Godzilla-(Ravaged the City while Protecting it)
This is extremely important, as who wants a Godzilla that doesn’t do anything? The earlier Godzilla films caused countless destruction, but at the same time were trying to “save” the city from other monsters. A type of “I’m the only one who can ruin this city”-type thing. You know, like when you have an older sibling that picks on you, but protects you from everyone else? Well in the 1998 Godzilla, not only was it an incredibly dumb storyline (and oh Matthew Broderick was incredibly stupid in that film!) but he just destroyed. He wasn’t fighting anything.
1) WHERE WAS GODZILLA???
GODZILLA WAS BARELY EVEN IN THE FILM!!!!! It takes 55 minutes, HALF THE FILM!!!!, before we even SEE GODZILLA!!!!! I mean I know they wanted to surprise us and throw us for a loop by having the first creature be the MUTO (Moving Unidentified Terrestrial Object), instead of Godzilla; but really? REALLY?????THEY ARE ONLY GOING TO SHOW THE BACK OF GODZILLA???!!!! WHAT IS THE NAME OF THE FILM???!!! GODZILLA!!! NOT MUTO!!!
2) Fight? More Like Flight!
WHAT WAS UP WITH THE FIGHT SCENES???!!! We get a millisecond of him fighting the male MUTO and a glimpse of the female. Then that’s it, game over. Really, really now? Why do you think I even came to see this film, I wanted to see the freakin’ monsters fight!!!
3) MUTO? Better Name WIT (What is This?)
What was up with the MUTOs? What the heck were those things?
I get the teasing of Mothra. We see it on the poster in Ford Brady’s room and it is the name of one of his pet insects. But then its not Mothra, and I’m okay with that if only they WOULD TELL US WHAT IT IS!!! They give us a male bat/moth thing and a female bat/ape thing? What are they? Where did they come from? Tell us! TELL US!!!
4) The Wife
I FREAKIN’ HATED THE WIFE!! SHE WAS SOOO HORRIBLE!!
She did not act like one happy to see the person they have been apart from. I mean she hasn’t seen him in IN OVER 14 MONTHS and he has a job where HE COULD DIE EVERY DAY!!! They are back together and she’s like “nope I need to answer the phone.” “Oh you have to leave, I’ll see you soon. Good-bye!” I mean her husband just got back and she’s pushing him off!!!! She should have been like “I don’t want you to go but your dad needs you so you need to go” or something.
Then there is when she thinks her husband is hurt in the destruction of Japan by the MUTO. THERE IS NO WAY THAT SHE WOULD HAVE LEFT HER PHONE IN THE OTHER ROOM AND ON VIBRATE. SHE WOULD HAVE THAT THING LOUD AND ON HER 24/7 IN CASE HE CALLED!!!
Then she is at the hospital, and let me do one quick reminder. Her husband has returned after being away over 14 months. He immediately had to go to Japan where there has been all kinds of destruction (as MUTO escaped) and she hasn’t heard from him. Then she gets a call on the hospital phone while she is at work (she’s a nurse) AND DOESN’T ANSWER THE PHONE??? SHE HASN’T SPOKEN TO HER HUSBAND IN OVER 24 HOURS!!! SHE SHOULD HAVE BEEN RUSHING TO THAT PHONE TO SEE IF IT WAS HER HUSBAND!!!
I thought she was having an affair or something the way she acted.
5) We Can Kill Them- They’re Just Tourists
They kill sooooooooooo many people.
When they are in Hawaii, one of the largest tourist attractions ever, and they don’t even clear the beaches before they start bombing and shooting? That was like Waikiki, do you know how many people are there on vacations?
In San Francisco, they just bomb and shoot everything!
There is no way they could do that. They could never get away with that much killing of U.S. citizens, no way!!
If you really want a closer look at the issues with it, check out Everything Wrong With. They are spot on!
But no matter what issues it face it was far, far, far better than that travesty of a Broderick film, and that in itself is enough for me.
That said, there is one other little thing I want to clear up. Anastasia is not a disney movie. I REPEAT! ANASTASIA IS NOT A DISNEY MOVIE! DISNEY DID NOT MAKE THIS MOVIE!!! It was 20th Century Fox! FOX MADE IT! FOX! FOX! FOX! FOX! It just urks me how people call it a Disneymovie because it IS NOT A DISNEY MOVIE!
So the film begins in 1916 Russia, where the Czar is giving a party. His mother, the Dowager Empress (Angela Lansbury) is visiting from France. She and his youngest daughter, have a close connection and the Dowager gives her a secret music box and a locket that is a key, that have the saying “Together in Paris”. The ball is interrupted by their “holy man” Rasputin (he was a real creepo) played by Christopher Lloyd. Rasputin is mad at the Romanovs for trying to banish him, and has sold his soul to brung destruction on all of them. The Dowager and Anastasia are saved by a kitchen boy, who sneaks them out through a secret passage. They run for a train, but Anastasia trips and is left behind.
Fast forward ten years, the Dowager Empress has put out notice of a heavy reward to anyone who can bring her, her granddaughter. Dimitri (John Cusack), the kitchen boy, is all grown up and has been having tryouts to find someone to play Anastasia so he can get the money and be gone from Russia forever. He and his partner, Vladimir, an ex member of the Royal Court, both have the knowhow to get it done. Dimitri also has the music box.
Meanwhile, Anya (Anastasia), played by Meg Ryan, has been living with amnesia in an orphanage. Now being of age, she is being sent out to work. Instead of following the directions given to her, she decides to follow a stray dog she found and head to St. Petersburg and ultimately, Paris.
The two meet up in the old Romanov palace as Dimitri and Vladmir have gone there to lick their wounds, no applicants worked out, and Anya wants to get papers from Dimitri to get out of Russia. They notice her similarities to Tsarina Alexandra and offers it as a potential way to find her family, not telling her about the money (you know that old cliché). They board the train and are on there way
Meanwhile, Rasputin is rotting in Purgatory, as he can’t go off to hell until all the Romonavs are dead, and can’t go topside because he lost his glass vial of evil I guess (I’m not sure what its real name is), is lost. Bartok, his pet bat has found the vial and goes down telling him about Anastasia’s “rebirth”. Rasputin goes up to kill her.
Back on the train, Anya and Dimitri feel a little something for each other but are mean to each other not wanting to admit it. They have to move to the baggage cart as things have changed under Stalin. While there, Rasputin attacks and they have to switch to a boat. Rasputin attacks them, and Dimitri saves her. They eventually reach Paris, and Anya passes all the tests, solidifying it when she answers that she was saved by a kitchen boy. Dimitri hears this and knows that she is the real deal. The only issue is, the Dowager has decreed to see no one again. They decide to surprise her at the opera, Dimitri deciding to let her go and to do everything he could to help her connect to her family. Dimitri’s scheme has reached the Dowager’s ears and she really lays into him, with Anya overhearing. Anya is pissed that Dimitri lied to her and runs off to her hotel room. Dimtri then drives the Dowager over there and the two talk and are united. They have a ball to welcome her back, with Vladmir being reinsteated and honored with medals. The Dowager offers Dimitri the money, but he refuses (sound like someone you know?) and takes off. That night, Rasputin attacks Anya, Dimitri returns, and they defeat Rasputin. The two elope and run off, Anya telling her grandmother that she will see her again soon.
Most Romantic Moment:
Just like 10 Things I Hate About You it was hard to choose the “most romantic moment” as it was chock full, but I can only pick one.
So Dmitri has left. He could have told Anya what he did for her when she was a kid. He could tell her that he was the one who saved her as a child. He could have told her that he figured out she was Anastasia and tried to help her at the Opera to get in to see the Dowager. He could have told her that he made sure that the two had a chance to talk because he wanted to reunite her with her family. He could have told her he didn’t take the money. Instead, he wanted to make her dreams come true. She made him want to reform his conman ways.
But Dmitri has no illusions. Even if he changed his ways, he knows nothing will happen between them.
Meanwhile, back at the ball Anastasia is being attacked by Rasputin. He has her down, and just when you think its over, Dimitri comes running in to save the day.
Yes! HE CAME BACK TO BE WITH HER! Even though it doesn’t make any sense. Even though coming back might not change anything, he DOES IT ANYWAY! Even though there is no guarantee that they will get together. Even though he knows she still might be angry with him and kick him to the curb. It doesn’t matter. He loves her so much he has to tell her how he feels. That’s so romantic!
And in the case of true love, coming back always works out.