Fantom of the Opera

Benedict-Cumberbatch-people-obsessedFandom

Yep, here we go with another one of my fangirl lists. Read it and enjoy! ūüôā After all one of a fangirls favorite thing to do is share their loves with others.

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Beach Party Series

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I grew up watching these¬†Beach Party films when I was a kid. My sister and I used to try and copy the dances and learn how to move just like them!¬†These films were silly and loads of fun, the perfect films to watch for a good time. It starred Frankie Avalon as “Frankie” surfer and singer staying at the beach for a good time. His girlfriend Dolores aka Dee Dee, was played by Annette Funicello, came along with all the friends. They would hang out and have fun, getting into a fight and breaking up, but always reuniting at the end. There was also Bonehead (called Deadhead in the first film) who was kinda dumb and never understanding that the ladies wanted him. The group also always ran into a motorcycle gang called “The Ratz” or “The Rat Pack” that were lead by Eric Von Zipper. These were also musicals and had amazing songs + dancing.

In¬†Beach Party, Frankie, Annette, and the gang are hanging out at the beach. Anthropologist, Dr. Robert Orville Sutwell, played by Robert Cummings, is studying the sex lives of Southern California surfing teens. He saves Dolores from Eric Von Zipper, paralyzing him with an “African” Vulcan touch, and Dolores develops a crush on him. This makes Frankie jealous, who starts flirting with a Hungarian waitress. Dr. Sutwell’s assistant Marianne has been in love with him for a long time and tries hard to win him over. The whole crew sing, dance, and have a groovy time. Also keep your eyes peeled for a cameo by Vincent Price.

In Muscle Beach Party, the sequel, the gang is back only to discover their beach is getting taken over by body builders? Will they be able to get rid of them and get their spot back? Also, an Italian contessa is after Frankie, and he seems to be enjoying it. Is this the end for Frankie & Dee Dee?

In¬†Bikini Beach, the teens are back on the beach only to face a new threat! Millionaire Harvey Huntington Honeywagon III is going to try to turn it into senior citizens. He also thinks that the teens are no better than animals. Frankie and Dee Dee also face a threat to their relationship, when British rocker “The Potato Bug”, Peter Royce Bailey (played by Frankie Avalon and a parody of the British rockers coming to America) is interested in Dee Dee and she seems to like him back.

Pajama Party was a bit different from the other films in the series. Frankie Avalon wanted more money and the studio replaced him with Tommy Kirk. In this Annette plays “Connie”, once girlfriend to Big Lunk {Deadhead in the other films} but realizes that his lack of brains and romance means it is time to move on. She meets Gogo, Tommy Kirk, who unbeknowest to her is actually a teenage martian preparing an invasion to Earth. Aunt Wendy (Elsa Lancaster) is an eccentric and rich woman, aunt to Big Lunk and always opening her house to teens. Her neighbor, J. Sinister Hulk; and his minions, Chief Rotten Eagle and Swedish Helga, are trying to con her out of her cash.

In Beach Blanket Bingo, Frankie and Dee Dee are back. In this they are at the beach and run into the singer Sugar Kane skydiving. Frankie saves her life when she falls into the ocean and starts falling for her charm. In reality this isn’t Sugar Kane, but her stunt double Bonnie. Bonnie is upset that her boyfriend Steve isn’t more interested and uses Frankie to up his jealousy. The Ratz are back and Eric Von Zipper falls for Sugar wanting her as his own. Also Deadhead falls for a mermaid. Another zany summer at the beach!

So when Teen Beach Movie came out by Disney, I had to watch it. I loved it as it was the perfect homage to the series I grew up with.

For more on Beach Films, go to Friday Night Fun

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Brotherly Love

Do any of you know the Lawrence Brothers?

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What a group of good-looking men. I was such huge fans of them all, following their careers very closely. I had a super huge crush on all three of them growing up. My love of Lawrence Brothers first started with their TV show, Brotherly Love

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Brotherly Love took place in Philidelphia, “the city of brotherly love”, and follows the trials of a blended family. This series starred the Lawrence brothers, but only lasted two seasons, I’m unsure as to why. I remember it being awesome!

Anyways, Joe Roman (Joey Lawrence) parents are divorced and he moves away with his mom. His dad remarries a woman, Claire, and they have two children; Matt (Matthew Lawrence) and Andy (Andrew Lawrence). Their dad is a race car driver and owns a garage. When he dies in an accident while racing, Joe returns home to take over the garage. A now 20-year old Joe tries to work with the family, being a father figure for Matt and Andy. He is cocky and arrogant, but an all around good person.

Matt is 15, and a bit of a nerd. He is a germophobe and a neat freak and has trouble with girls. Andy is mischeveuos and a cute little kid.

The series is rounded out by Lloyd, ex-coast guard and fellow mechanic, and Louise, female mechanic and ultimately the love of Joey.

This series was adorable and fun. I miss it. ūüė¶

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The Office

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Remember when this TV show came out? At first I didn’t watch it as I didn’t understand what it was about. A bunch of people working in an office that produces paper? Sounds boring to me. BUT, I had a friend who absolutely loved it. He wouldn’t stop talking about it so I decided to check it out, and loved it too. It is absolutely hilarious.

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Michael Scott is the head of that division, and played by Steve Carroll. He is so silly. I just love how much he hates Toby, this guy that works with him.

Then there was Dwight, the brownnoser who was always sucking up to Michael and trying to control everyone else. He was so strange and hilarious.

And the handsome, prankster, Jim played by the handsome John Krasinski

One great show.

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Once Upon a Time

ONCE UPON A TIME - ABC's "Once Upon a Time" stars Raphael Sbarge as Jiminy Cricket/Archie, Lana Parrilla as Evil Queen/Regina, Jared Gilmore as Henry, Jennifer Morrison as Emma Swan, Robert Carlyle as Rumplestiltskin/Mr. Gold, Ginnifer Goodwin as Snow White/Mary Margaret and Josh Dallas as Prince Charming/John Doe. Jamie Dornan (middle) guest stars as Sheriff Graham. (ABC/KHAREN HILL)

Now I know how obssesed everyone is about this show, but I only loved the first season. The second season opening moved really slow and I had a difficult time finding a way to watch it online (as I don’t have cable or netflix). Oh, well. The first season was amazing, and I had to watch every single episode asap.

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So the plot of Once Upon a Time, is that all the fairytales by the Brothers Grimm are all connected and exist in a parallel universe. Snow White (Ginnifer Goodwin) and Prince Charming have sent their child Emma, to our world in order to save her from the Evil Queen. Emma was raised as Emma Swan in foster care.

On her 28th birthday, Emma arrives home to find a little boy named Henry. He tells her that he is the son she gave up ten years ago, and according to his book of fairy tales, Emma is the daughter of Snow White and Prince Charming and the only one who could save the people of his hometown in Storybrooke, Maine.

She returns him to Stoneybrooke and stays in the town becoming sheriff. Her appearance causes the town clock to strike, which it had never done before, fulfilling a prophesy that on Emma’s 28th birthday she will begin the final battle, and return the fairy tale characters memories. These memories had been wiped by the Evil Queen, known as Regina Mills in the “real world”, the mayor and adoptive mother of Henry. Yeah things get complicated really fast!

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I loved the story as it was written extremely well. Ginnifer Goodwin is perfect as Snow White as she is just so adorable.

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Rumplestilskin was absolutely perfect and one of my favorite characters as well. I espechially loved the Belle and Beast storyline, with Rumplestilskin being the beast.

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And let’s not forget Sebastian Stan as the Mad Hatter. Oh, that storyline was just heartbreaking.

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Whether the rest are as good, I can’t say, but that first season was an absolute winner!

For more Once Upon a Time, go to I Left My Car in San Francisco
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The Phantom of the Opera

Three Musketeers

I love this book so much that words fail to express how I feel.

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It all started one day at the library. I was about six years old and complaining to my mother that I couldn’t find any books to read. Nothing just felt right. You know what I mean, when a book synopsis just connects to you, and you know you need to take it home to read?

So my mother eager to get home, pulls a book off the shelf and suggests that I read it. Instead of paying attention to whatever novel she had in her hand, I saw the one behind it. It was¬†The Phantom of the Opera;¬†a slender, abriged, children’s version.


It became my new favorite book and I would check it out all the time, completely annoying my mother.

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Later on I read the original, whole ¬†version;¬†which I also love. It is written so well, if you haven’t read it yet I highly recommend it.

So the story is written as a history/biography of the “ghost of the opera house.” It recounts the story of poor Erik. Born deformed, sent to live with gypsies, becoming an architect; but never finding love or support. He finds a young girl who he trains to be a singer, only to find her love false, therefore evoking in some very bad decisions. But he’s not evil, just misunderstood.

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At least that’s my take on it.

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I just connected with this poor man. He was bullied and betrayed because he was disfigured. No one paid attention to his genius in building and composing. He was living a life alone in isolation. I wanted to go underground with him.

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I would have gone off with him and loved him unlike Christine Daa√©, she’s a total jerk and loser.

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I also really, really love the 1925 film.


The film was not only horrtastic, but simply, and honestly amazing! It also stayed very close to the book, making only a few changes, and doing a much better job than some other versions (the 1943 one, so bad ūüė¶ ). In fact this year marks it’s 90th anniversary!

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Not to mention the amazing make up job that Lon Chaney did that just creeped you out. Absolutely amazing!

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And the fabulous masquerade scene that is one of the first color shots in the history of film.

Erik: [at the Bal Masque as "The Red Death"] Beneath your dancing feet are the tombs of tortured men! Thus does The Red Death rebuke your merriment!

Erik: [at the Bal Masque as “The Red Death”] Beneath your dancing feet are the tombs of tortured men! Thus does The Red Death rebuke your merriment!

Now I know that silent film isn’t for everyone, but I suggest that you¬†check out my review, Feast Your Eyes¬†on My Accursed Ugliness¬†for yourself.

Now I have mixed feelings about the 2004 film starring Gerard Butler. I won’t go too into it as I plan to review it for¬†Horrorfest IV.¬†I did love Gerard Butler and his singing.

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But I didn’t like the way they tried to make it that¬†Christine saw him as a father figure. My biggest issue however was the way he looked. Only half his face was disfigured! Why couldn’t Christine just sit on one side of him? I mean otherwise the Phantom was a really attractive guy.

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Anyways, however he is shown I love Erik, the Phantom. I defintely would have picked him over stinky Raoul.

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I’m writing a series of posts on the book that will be coming in the future. If you love anything Phantom, follow me and keep your eyes peeled.

For more on The Phantom of the Opera, go to How I Differ From Others

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NotaPsychopathFangirl

 

So that’s it for this installment. There will be plenty more next week.

For the previous post, go to Old Fandoms and New Fancies

Stay tuned for part 14

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In other news, this post brings us to 500! In about 6 months, I’ve written 100 posts! Wow!

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For post 400, go to The After Party

For post 300, go to¬†That’s What You Get

The Perfect Murder: Dial “M” for Murder (1954)

Dial M For Murder

Do you really believe in the perfect murder? Mmm, yes, absolutely.

So after years of his absence from my Horrorfest countdowns, I have finally included Alfred Hitchcock in not one, not two, but three posts.

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Alfred Hitchcock is my favorite director. He was influential in creating new ways of filming psychological thrillers, he is often credited for creating the true horror genre/slasher film with Psycho (1960), and was just a pure cinematic genius. He is just amazing.

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Dial “M” For Murder¬†is one of his highly known films (although not as known as¬†Vertigo or¬†Psycho). It has been referenced or parodied in countless films and TV shows. In the ’90s they even remade the film under the title¬†A Perfect Murder. It starred Michael Douglas, Gwyneth¬†Paltrow, and Viggo Mortenson; but it wasn’t nearly as good.

MeanGirls I know right!

This film also started Hitchcock’s filming relationship with Grace Kelly. This film was crucial in her career as it made her stand out not only to Alfred Hitchcock but other directors as well, a huge step to becoming a permanent leading lady. After this film she starred in Hitchcock’s¬†Rear Window and¬†To Catch a¬†Thief. Hitchcock was impressed with her ideas and thoughts on the script in how a woman would act (especially regarding clothing), that after this film he allowed her to make all her own wardrobe decisions. She, like Audrey Hepburn, ¬†quickly became known for her style and class. But that wasn’t the only thing that Hitchcock found attractive, he really liked her and fell for her; but she wouldn’t give him the time of day, (romantically that is). (For more information on Hitchcock and his leading ladies, I strongly suggest the book Spellbound by Beauty by Donald Spoto. It’s an amazing read!)¬†And sadly she had to retire from acting at an early age as she married the Prince of Monaco. However short a career, it was an amazing one.

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This film also reunited Hitchcock and Robert Cummings, who had starred in an earlier film, Saboteur (1942).  In this film Cummings plays an important role, but a smaller one than his earlier collaboration.

This film is also the only Hitchcock film to ever be shot in 3-D. In the 1950s, 3-D was super popular, so popular that some people came up with the idea of Smell-O-Vision to beat it (I’m serious!). Hitchcock didn’t want to shoot in 3-D, but until the late 1960s, studios had a lot more pull and Warner Bros. wanted it. Hitchcock obliged, although it did cause a few issues for him as he had to rework his known style to incorporate what 3-D was able to accomplish at the time.

So the film is based on the play of the same name Frederick Knott, and he also helped write the screenplay. It is set in England and as ¬†you can guess from the poster, the phone plays a huge role in this film as well. That really seems to be a theme this month. I swear that wasn’t planned.

Oops!

Oops!

Well here we go!

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So before I start the film, let me give you the background on the characters. Now as you watch the film things are revealed to you, but it’s easier for me to give them at the¬†start.

So we have a couple, Tony Wendice¬†(Ray Milland) and his wife Margot (Grace Kelly). Tony was a huge tennis star and met Margot when he was competing. She comes from a very wealthy family. The two were married and Margot convinced him to give up competing as she didn’t like him being away. He complied and now sells sports equipment. However, as he no longer is the dashing tennis star, she lost interest in him and had an affair with Mark Halliday (Robert Cummings) an American Crime writer.

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As the film starts out we have Margot and Mark in a very cozy embrace.

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“Margot Mary Wendice: Let me get you another drink. Mark, before Tony comes I ought to explain something.

Mark Halliday: Yes, I’ve been waiting for that.

Margot Mary Wendice: I haven’t told him anything about us.”

Margot tells Mark that she burned all his letters, except one. That one was stolen by a blackmailer who demanded payment, but he never picked up the money or returned the letter. She is worried that her husband will find out.

Mark has a completely different reaction to the news.

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He wants them to tell Tony all about the affair so that Margot can get a divorce and the two can marry. Margot doesn’t want to as “she feels bad” about hurting “Tony’s feelings”.

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Now I’m no expert, but if the person doesn’t want to break up the relationship, it seems to me that they want, to quote an old clich√©, “have their cake and eat it too.” I think Margot likes the respectability of her marriage and doesn’t want the divorce scandel, but at the same time is heavily intrigued by Mark. And who can blame her? Robert Cummings is a looker.

Saboteur

Photo from Saboteur

That night Tony is introduced to Mark, him being Margot’s “friend”. The two discuss Mark’s profession.

Tony Wendice: How do you go about writing a detective story?

Mark Halliday: Well, you forget detection and concentrate on crime. Crime’s the thing. And then you imagine you’re going to steal something or murder somebody.

Tony Wendice: Oh, is that how you do it? It’s interesting.

Mark Halliday: Yes, I usually put myself in the criminal’s shoes and then I keep asking myself, uh, what do I do next?

Margot Mary Wendice: Do you really believe in the perfect murder?

Mark Halliday: Mmm, yes, absolutely. On paper, that is. And I think I could, uh, plan one better than most people; but I doubt if I could carry it out.

Tony Wendice: Oh? Why not?

Mark Halliday: Well, because in stories things usually turn out the way the author wants them to; and in real life they don’t… always.

Tony Wendice: Hmm.

Mark Halliday: No, I’m afraid my murders would be something like my bridge: I’d make some stupid mistake and never realize it until I found everybody was looking at me.”

Tony invites Mark to join him for a tennis party, and Mark agrees. Its all men, so Margot will be staying home.¬†After a bit more pleasantries Margot and Mark leave to go out “as friends” to a theatre show that Tony didn’t want to see, while Tony stays home to “work” on some stuff.

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After they leave, he calls up an old friend. Swann (going by the name Captain Lesgate) from his old Cambridge days. He brings him there under false pretenses of wanting to purchase a vehicle from him. He then tells Swann that he wants him to murder his wife.

Say What

“Tony Wendice: One thousand pounds in cash.

C.A. Swann: For a murder?

Tony Wendice: For a few minutes work, that’s all it is. And no risk, I guarantee.”

Tony then goes on to tell Swann a story.

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Tony only married Margot for her money, and it really injures his pride to see her cheating on him and tossing him over like an old shoe. He followed her one day and discovered the affair.

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He wanted to kill Mark.

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He then moved to the idea of murdering his wife. But things changed…

“Tony Wendice: It’s funny to think that just a year ago, I sat in that Knightsbridge Pub actually planning to murder her. And I might have done it, if I hadn’t seen something that changed my mind.

C.A. Swann: Well? What did you see?

Tony Wendice: I saw you.”

Back in the day, Swann was always getting into trouble for all kinds of stuff, and it struck Tony that he could commit the perfect murder. He then began extensive planning. He has been collecting £1000 over the year, under the guise of racetrack betting, etc.; compiling the money for such a purpose.

He even went to great lengths to get one of the letters from Mark and pretended to blackmail her. With Mark back in town he has set up the whole scenario on how to murder her even planning to use Mark as an alibi, as being the¬†husband he will be the first suspect. All he needs is someone to do it for him. He has a lot of information on Swann’s background (as he has been tracking him) and uses it to blackmail him into completing his murderous plot. And he has to do it tomorrow.

He reveals his perfect plan.

“Tony Wendice: At exactly three minutes to eleven, you’ll enter the house through the street door. You’ll find the key to this door under the stair carpet here.

C.A. Swann: The fifth step?

Tony Wendice: That’s the one. Go straight to the window, and hide behind the curtains. At exactly eleven o’clock, I shall go to the telephone in the hotel to call my boss. I shall dial the wrong number. This number. That’s all I shall do.”

His wife will answer the phone, and then Swann can strangle her and leave through the french windows.

perfect plan

Swann agrees to the plot as he feels he has no other choice in the matter. Tony is estatic as everything seems to be going along perfectly.

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But then things start falling apart. Margot doesn’t want to stay home. She is thinking of going out to dinner and seeing a movie. Mark thinks it’s a great idea but Tony convinces her to stay home.

“Margot Mary Wendice: Don’t make me stay home. You know how I hate doing nothing.

Tony Wendice: Doing nothing? Why there are hundreds of things you can do. Have you written to Peggy, thanking her for the weekend? And what about those clippings? It’s an ideal opportunity.

Margot Mary Wendice: Well I like that. You two go gallivanting while I stay home and do those boring clippings.”

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Before Tony leaves, he stills Margot’s key from her bag and puts it in the marked hiding place. Keeping his key in his pocket, he and Mark leave for the party.

Back at the home, Margot has been working hard on her scrapbooking. She eventually goes to bed, putting everything away…at least almost everything. She actually forgets the scissors and leaves them by the phone.

That night everything starts being put into motion. Swann enters the place the same way that Tony planned it out. He leaves the key under the stair and hides behind the curtains waiting for the phone.

However, back at the party, things aren’t quite going as planned.

Stupid, stupid

Stupid, stupid

Tony’s watch stops and he has to ask for the time, finding out that it is actually past 11:00.

What!

He hurries to the pay phone and makes the call, hoping that everything else goes accordingly. Margot gets up to answer the phone. As she is talking, Swann reaches out to strangle her.

dial-m for murder strangle grace kelly

But instead of overpowering her like he’s supposed to, Margot ends up getting him. As the two are struggling, she reaches for something…anything to stop him. She ends up grabbing the scissors and stabbing him with them, completely killing him.

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Margot is a mess and is freakin’ out. I can’t blame her, someone is trying to murder you and you kill them.

I don't know what to do

Tony tells her to touch nothing and wait for him. He’s on his way over.

As he heads over Tony freaks out. His plans have failed. But then something comes to him. A new plan, a way to fix things.

Its-so-crazy it just mightwork

He decides to make it look like Swann was blackmailing Margot and that she murdered him rather than self-defense. He calls the police and sends Margot to bed. He then plants Mark’s letter in Swann’s coat, takes the key and puts it back in Margot’s handbag, and burns the scarf that Swann was going to use, replacing it with Margot’s stocking. He then tells Margot to make sure she doesn’t tell the police that he told her not to call the police. He’s worried how it might make her look. However, Tony is plotting very well, and the police begin to strongly suspect her.

Everyone's a suspect!

Hmm…

The police figure out that Swann did not come through the French Windows. He must have come through the hall, as it rained the night before. If he had come through the garden there would be muddy footprints. Inspector Hubbard (John Williams) strongly suspects Margot and believes her to be the killer. We cut to a scene showing Margot on trial amd sentenced to be hanged.

perfect plan

Except thing are not quite perfect. ¬†There are quite a few things Tony¬†didn’t plan. One of which was getting rid of the money. As Tony mentioned, he’s been drawing a lot of money out of his bank every week, pretending to spend it on racehorses. He had planned to give it to Swann, but now is at a loss. He can’t put it back in the bank as there would be too many questions. He can’t keep it, if the police find it, it’s all over for him.

I don't know what to do

So he tries to spend it all. Unbeknowest to him, the police are watching him very carefully. And they notice this.

Months later, on the night before Margot’s execution, ¬†Mark comes to speak to Tony. He tells him that instead of letting Margot die, he should say that he tried to murder her. That he hired Swann. This will give him some jail time but save Margot’s life. Tony does not want to do that.

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Inspector Hubbard comes back to the flat to question Tony some more about the money he’s been spending. Mark hears this and starts searching, finding the briefcase full of money.

What!

Tony thinks of a lie quickly and says that this was the money Margot had to give to Swann, but then changed her mind and killed him. The Inspector listens and takes his comment as fact…or does he?

Everyone's a suspect!

Hmm…

Now, if Tony was really smart he would have made up a different lie. I would have said that I realized there was nothing between me and Margot and was planning on leaving her. However, I knew that I wouldn’t get much money in the divorce (he signed a prenup), so I’ve been taking some money out, bit by bit. When the murder happened, I knew it would come to light and was afraid that it might put me in a bad light or under suspicion. I mean its not the perfect excuse, but at least it shows he wasn’t going to kill her as why remove money when he was planning on getting it all. But he doesn’t think that way.

princess Bride Victim to classic blunder Vizzini

This makes the inspector highly suspicious of Tony and he steals the key from Margot’s purse, intent on sneaking in and investigating.

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Hold on, that is illegal. He doesn’t have a search warrant or permission to be searching the house. Anything he finds will be immaterial and thrown out of court. I looked it up and ¬†this is what it said:

By the laws of England, every invasion of private property, be it ever so minute, is a trespass.No man can set his foot upon my ground without my license, but he is liable to an action, though the damage be nothing; which is proved by every declaration in trespass, where the defendant is called upon to answer for bruising the grass and even treading upon the soil. If he admits the fact, he is bound to show by way of justification, that some positive law has empowered or excused him. The justification is submitted to the judges, who are to look into the books; and if such a justification can be maintained by the text of the statute law, or by the principles of common law. If no excuse can be found or produced, the silence of the books is an authority against the defendant, and the plaintiff must have judgment.

So technically, anything he finds can not be used in a court of law. That’s it, Tony is allowed to go free.

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But of course this is a movie, and things go differently. Inspector Hubble discovers that the key in the purse does not work on the front door. He instead finds it under the stair carpet. This gives him the great idea of creating a little trick to discover if Tony is the true killer.

John Williams (Chief Inspector Hubbard) Dial M for Murder (1954)

The Inspector visits Tony and steals his raincoat, leaving his own, therefore taking Tony’s key. He calls the station and asks them to release Margot. She immediately returns home, but finds out that her key won’t work. Hubbard watches her and discovers that she does not know the key is under the stairs. The Inspector let’s her in and gets a policeman to take the bag back to the station. They then begin to wait for Tony.

perfect plan

Tony comes home from his errands and finds that he can’t get inside. His coat belongs to Inspector Hubble and he has the wrong key. When Tony discovers his key doesn’t fit, he goes down to the station to get Margot’s bag. When that key doesn’t fit, he looks under under the stairs¬†and finds the key, giving himself away.

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Tony enters and figures out they caught him. Being the gentleman he is, he doesn’t fight them. He knows when he has been defeated.

Tony Wendice: [pouring a drink] As you said Mark, it might work out on paper, but congratulations, Inspector. Oh, by the way… How about you, Margot?

Margot Mary Wendice: Yes, I could do with something.

Tony Wendice: Mark?

Mark Halliday: So could I.

Tony Wendice: I suppose you’re still on duty, Inspector.

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It;s a great movie, despite the small legality issue, but otherwise an amazing film. I definitely recommend it.

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To start Horrorfest III from the beginning, go to Even a Man Pure of Heart

For the previous post, go to What Have We Done to Each Other?

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For more on¬†Dial “M” for Murder, go to¬†Part X: The Movie List That Would Not Die

For more on Alfred Hitchcock, go to The Past of a Man

For more on blackmail, go to Secrets are Great, Unless You Get Caught

For more films based on a play, go to Murder is My Favorite Crime