“Cesare, I am calling you. I, Dr. Caligari, your master. Awaken for a moment from your dark night.”
So during my very first Horrorfest I reviewed the remake of this film.
This was back before I had established the “rules” of Horrorfest, one being always review the original film first.
It was an amaaaaaazing adaption! It used the original backgrounds from this movie and was full of talented actors, I highly recommend it. It is probably one of the best remakes I have ever seen.
Wow
And you know me, I’m not a remake person.
Well, every year since then I have thought I need to review the original, and with me being in my seven year of blogging (Horrorfest VIII), it is time to actually review the original 1920 version.
So this film was influenced by the life experiences of Hans Janowitz and Carl Mayer. Janowitz served as an officer in WWI and was very embittered by his experiences. Mayer feigned illness to try and get out of service, as he was a pacifist-and spent a lot of time in an asylum and under intense examinations. In fact, Dr. Caligari is based off a doctor that Janowitz was forced to talk to (and really didn’t like).
The two met through an actor friend of theirs and the inspiration to write the film came through Janowitz’s friend Gilda Langer. Mayer was in love with Langer, and she became the basis for the “Jane” character (the one that is in the love triangle with the two best friends.)
One day Gilda took Janowitz to a fortune teller who predicted that Janowitz would survive the war but Gilda would die. When Gilda died unexpectedly in 1920, that experience influenced the scene when Cesar predicts Alan’s death.
Spooky…
There are conflicting stories regarding who exactly wrote, planned, directed, filmed, etc-did what, something that will most likely never be settled. When this film first came ouot there were actually protests regarding the film when it showed in LA as Germany was still not very popular in 1920. People were still upset over World War I
This style of film and the background artwork reminds me of the Bauhaus movement, with its style and a bit of Metropolis. Dr. Caligari is supposed to represent the German government being in control and dictating others, while Cesare the solider-those who have been conditioned to kill. The rest of the characters are the people being lulled, hypnotized, and controlled.
The set is beautiful-painted, angles, and nothing is quite right giving the film a demented and creepy space. This disjointed feeling really adds to the question, is the main character telling the truth? Or are they insane.
So it is hard to review this film as I reviewed the amazing remake that actually copied every scene perfectly-but I’ll try.
The film starts at the end when the main character, Francis, is speaking to an old man about his fiancé. This one feels creepier than the remake as the music is completely eerie and the actors have to overact as this is a silent film. Everyone eyes bug out and they just freak you out. Serious chills!
So Francis starts sharing how his fiancé has been through such a strange event that she will never be the same again. She walks every night in a trance, and does not speak anymore. Francis starts to recount his story…
We go back in time to a city and place that we don’t know where it belongs. The backgrounds are amazing and slanted.
A man comes to the main hall to get a permit for his carnival. He calls himself Dr. Caligari, and speaks of having a psychic who can reveal all’s future. The clerk is in a BAD mood, and is extra rude to Dr. Caligari and forces him to pay an exuberant amount of money. Caligari does and walks away, but all does not seem to bode well for this clerk.
The next day he is dead. Murdered.
Then we are introduced to Alan, who is stopping by to visit his friend Francis and is begging him to partake in some kind of adventure. We learn that Alan has been combating depression and has been holing himself away these past months, even having to visit an asylum. He however, is feeling much better and convinces Francis to see the fair with him, “for old times sake”.
On the way they meet up with Jane Stern, a girl they are both madly in love with. Both are eager to get an answer from her as to who her choice will be, but she manages to slip away and into the night. The friends say good-bye and to the fair.
They stop at the fair and see the psychic Cesare. Cesare is a “living dead” man who can foretell all. He lives in a coffin, only being released every once in a while, Cesare is really creepy-the faces he makes.
Francis wants to leave, but Alan is rooted to the floor. When Dr. Caligari calls on him to ask a question, Alan is compelled to answer. He is physically incapable of leaving or turning away. He asks Cesare his question, but all does not go well.
“Alan: How long shall I live? Cesare: The time is short. You die at dawn!”
Francis quickly grabs Alan out of the tent and fearing a relapse in his friend, reassures him that Cesare’s tricks are stupid and do not mean a thing.
The next day Alan is dead. Murdered.
This horrible tragedy leads Francis on a path of reality so intermingled with insanity that one can hardly tell the fact from fiction. Francis is so sure that Dr Caligari killed his friend, that he becomes obsessed with finding proof. Is he trying to stop a mad killer? Or has he experienced such trauma he has reconstructed reality?
Hmmm…
So while the remake tries to leave you guessing whether it is real or not, whether he is crazy or if he knows the truth and is silenced. In this they make it clear that he is being treated in a hospital. That was a bit of a disappointment, but the film seriously deserves a watch. Those eyes, they are haunting.
You’re a Detective, Let Me Give You a Tip. Don’t Wave Important Evidence in a Telephone Booth. They Have Glass Windows
So this is an Alfred Hitchcock film.
Most people don’t. This is one of his early films, and the first “talkie” he made. In fact this is the first British talkie.
Originally Hitchcock wanted it to be silent, but was forced to add sound so that England could catch up with the USA. This caused quite a few issues as the leading actress, Anny Odra, looked the right part, but her accent was so incredibly thick that no one could understand her and she had to lip sync her lines.
It also has quite a few music heavy scenes as theaters weren’t quite ready to just have the sound of voices, and neither was Hitchcock. He thought talkies were ridiculous.
Now I thought about doing three Hitchcock films again, but I wasn’t sure what to do after Psycho. I decided to do this early film as I think it is unfair that a lot of his work that set up the later films are ignored. Thus far I have only planned on reviewing this Hitchcock film, but you never know. A lot can happen in a month and I might change my mind and add another.
Who knows!
So on to the review.
So the film starts off with a group of police officers, Scotland Yard [as this is when Hitchcock was in England], are off in a paddy wagon searching for a man. Their is no sound in this beginning part, just chase music.
The man they are looking for is smoking in bed. He sees the men approach his door through a reflection in the mirror. There is a gun next to him in the bed and he looks at it, while pretending to read the paper. He tries to reach for it, but the detectives stop him and force him to dress. He is under arrest.
Or in this case “we”
They carry him down and take him in the wagon to New Scotland Yard. The spend a long time questioning him, the passage of time being shown through multiple cigarettes being burned.
After the hours of questioning, the days not over yet. They still have to put him in a lineup, wait as the witness looks over the men and ponders of one is the one they saw. When their man is selected he is formally charged, taken fully into custody, fingerprints are taken, he is sent to the cells, etc. The detectives work is over for the day.
Two of the detectives were involved stop in a bathroom to polish up. One of them is Detective Frank Webber (John Longden), he has a date tonight and heads out to meet his girlfriend who should be waiting in the foyer.
Alice White is waiting, as she has been there for thirty minutes. She is very upset with Frank as she hates waiting.
Frank tries to greet her, but Alice is just angry with him. She won’t let him hold her arm or hand; and keeps looking away from him. This attitude doesn’t please Frank as Alice has been doing this a lot and he feels she is overreacting.
You need to calm down
He’s a detective, sometimes things won’t go according to plan, it is part of the job.
The two take a train, and here we have the longest cameo of Hitchcock in any of his films.
It is hilarious. The whole trip he is trying to read and a little kid just will not leave him alone. After this Hitchcock decided to make his cameo’s short, quick, and early on as to not take away film.
They go out to a tea room, but have trouble finding a place to sit as it is packed. Alice is still mad at Frank for being late and blames him for their current trouble.
Now I personally think that Alice is overreacting. First of all you are dating a detective, you should know that things will come up and they might have to work later than planned. I mean, come on. It goes with the territory. And secondly, from the way the room is mobbed with people, if you had arrived 30 minutes earlier, it really wouldn’t have helped you out.
They have to literally fight for a table, managing to scoop one from another couple. But when they sit down, Alice complains that she left her glove at the previous table they had tried to sit at. Frank being a gentleman, goes to retrieve it.
Frank returns with the glove and jokes that he could tell it was hers because of all the holes in it. Alice doesn’t laugh but continues to be angry and snippy at him for making her wait around, acting like he does it for fun. Frank explains that it is work, but Alice continues on feeling wounded.
Now Alice is not really angry at him for being late, but upset because she feels he doesn’t pay enough attention to her, but puts her behind his work.
But instead of telling Frank why she is upset she kind of tries to play games with him. Frank is trying to get the waitresses attention, because they were going to see a new Scotland Yard film, and he doesn’t want to be late. Alice, upset and trying to get him jealous/pay attention tells him she doesn’t want to see the film as she’s “seen all worth seeing.”
Frank goes to speak to the waitress to get their order and while he is gone Alice spots another man.
He greets her and heads to another table. Alice then pulls out a note given to her by him earlier.
I’ll be there 6:30 Tuesday, will you?
What a jerk! There is no excuse in all the world to ever justify cheating on your relationship.
Frank returns, ready for them to stay as they aren’t going to the movies. But Alice tells him she has changed her mind and wants to go.
Okay…
But then Alice changes her mind again (this is the third time) and doesn’t want to go.
What?
But then she changes her mind again and doesn’t want to go with him.
This makes Frank angry as he is tired of this mood Alice is in and doesn’t want to play any games. He tries to get the waitress to take care of their order but can’t flag her down.
Things are not going as Alice imagined they would in her head and she tries to fix things and get him to stay, but Frank is done. He leaves money on the table and exits the restaurant.
See ya!
Frank doesn’t actually leave but paces outside reviewing what happened in his head. He decides he overreacted and starts to go inside to apologize when he sees Alice leave the restaurant with another man, the same one she had made plans with earlier.
Poor Frank!
I truly think she engineered the whole fight to get rid of Frank and wasn’t sorry.
Seriously!
So the guy Alice is with is never given a name, he is The Artist in the credits so that is what I will call him.
Anyways, Alice and the artist walk back to his place. Outside it, is a man waiting to speak to the artist.
Originally, the Artist was going to walk her home; but “as they are right by his home” he offers to show her his “studio”.
Really? His “studio”?
Alice doesn’t want to go at first, kind of playing that she “can’t”. But then decides to head in.
Don’t do it Alice, it is nothing but trouble.
Before they go in, the artist is called over by the man. They have a quick discussion, with the artist he saying no and then he and Alice continue in.
I wonder what that was all about.
Before they head up to the top floor, his studio, the artist looks at his mail first and sees something distressing. He sends Alice up while he deals with it. He questions the landlady about the note.
Who is this man? Why does it distress him so?
Hmm…
Anyways, the artist’s studio is on the top floor. When they get there he makes a fire to keep them warm. Seduction 101.
Alice looks around the room at the art and sees a weird Jester picture that makes her laugh. I’m not sure why as I always thought it just looked odd.
However, the painting laughs and Alice laughs with it. Maybe she is laughing to hide her hurt over Frank. Maybe she is laughing because she wants to convince herself that the artist is a better guy. Maybe she is laughing because she is doing something out of character, wild. Maybe she laughs because she is breaking the rules; in a man’s room at night. Well whatever the reason, the two laugh together.
Alice waits for the artist to finish with the fire and plays with the piano. She then spots the painters palette and asks him how to hold it, of which he comes to show her. She accidentally paints the canvas and he has her keep going. All she can do is make a stick figure like face, so the Artist “helps” her paint, holding onto her.
Really? His “studio”?
They two make a body for the girl, a naked body. Foreshadowing.
Alice then signs the painting, while the artist goes to get them some drinks. Alice looks around the room and sees a costume and holds it onto her, asking about being painted.
The artist asks her to put it on so he can paint her, but Alice refuses as she has to go home.
Gotta go!
This makes the artist is “sad” as he thinks she would make the most lovely painting. But no, now that he thinks about it his costume wouldn’t suit her.
Really? That old line?
But Alice falls for it and decides to put the costume on. Alice goes to one side of a screen and undresses as the artist plays the piano.
Artist sings to her playing the piano, and Alice listens to it in her little costume. When she comes out, the artist really lays on the flattery telling her the song he was singing was all about her. Alice comes out in the little costume as she can’t zip it up and neither can he, Alice chooses to leave it alone.
Bad idea. Stop Alice.
He then sets her just right, caressing her body, and going in for the kiss. Alice says no, and decides she needs to go. She starts to undress, when the artist approaches her, taking her dress away. He won’t give it back until she comes out to get it.
It’s getting worse!
He wants to be with her but Alice says no. Unfortunately, she didn’t know this guy very well before she decided to go up in his room alone with him, as he doesn’t take no for an answer.
The next scene is done very well and in true Hitchcock fashion. Out of any director, he always knew how much to show, and how much to leave up to the viewer’s imagination.
Master
So the two struggle as the artist tries to rape Alice. We never see the fight but through a shadow and the way the curtain moves. Alice manages to grab the bread knife on the table next to the bed, and stabs him.
Now here is where I can see why Hitchcock choose Ondra as his leading lady. Prior to this act, Alice was silly, innocent, childish, selfish, and acting only on her needs. After this act, her whole personality changes in the film; reflecting that shattered innocence and trauma she faces.
I’m getting ahead of myself. So Alice is in shock after murdering the artist and moves about sluggishly, mechanically, almost robotically. In fact, she reminds me a lot of the robot Maria in Metropolis.
Alice doesn’t know what to do, but knows she needs to get out. She grabs her dress and sees the Jester. No longer are they laughing together, but instead the Jester is laughing at her. And how she was so foolish. Angry, Alice punches the picture.
This causes her to wake up from her distress and she throws her dress on, and coat, in such a hurry that she doesn’t even zip up the dress. She quickly grabs her bag and umbrella, quickly painting over her name on the other canvas.
Getting out of here
She turns out the lights and starts to sneak downstairs. We see his signature style in the cinematography with the stairs, lights, and use of angles.
Something that will be done in future films, such as Shadow of a Doubt.
As Alice walks away we see the shadow of the man who had accosted the artist earlier, trying to speak to him about something.
It’s getting worse!
Alice walks home almost in a trance, zombish as everything she sees makes her think of the dead body. She sees a bar sign that shows a shaking of a drink, but instead sees a hand stabbing with a knife. Alice just walks all over, hurt, shock, uncertain, afraid, and seeing the dead hand, the dead arm, the dead man she killed.
We then hear a scream, the landlady found the body.
Scotland Yard is called on the case, and Frank gets called in on it, topping off his sucky night. He starts poking around the apartment, looking at everything, looking out the window, and spots the broken picture. He looks at the costume and the painting. As he looks at the laugh, he shares in the joke that this guy thought he was going to have a fun night but instead ended in death.
But then he finds a glove.
Full of holes like his girlfriend’s…It looks and feels like hers. He then sees the body, that face He knows!
Instead of giving evidence, he hides the glove.
Now he too is stuck in the coverup
Alice sneaks into her room and quickly gets out of her coat and jumps into bed before discovered. Afterwards she quickly changes and fixes herself up. Instead of her furry coat and dark dress, she changes to something light colored, floral, an innocent dress, young looking, more demure. Trying to recapture what she lost and go in the opposite direction of what she was before.
Meanwhile, downstairs at the house and the smoke shop, everyone is talking about the murder. Alice goes into the telephone booth and searches for the police number, ready to call them and admit everything..but loses her nerve.
Her parents notice that Alice doesn’t look well, but she doesn’t say anything, just remains quiet. A dramatic shift from her previous performance of silliness and gaiety; too quiet, contemplation. A real talented actress.
So her act continues to haunt her, and she still sees and hears knife everywhere.
Frank comes in and Alice is happy to see him as she realizes he’s the only one for her, but also afraid. Is he still mad from last night? Is he here to arrest her?Frank says hi and leaves, but then comes back and asks to speak to Alice for minute.
He takes her into the phone booth for privacy and tries to get Alice to tell him what happened, but she can’t talk about, still too traumatized. Frank gives her the glove.
While they are talking, a guy, Mr. Tracey, knocks on door and asks to talk on the phone since they aren’t using it. He is the one from the night before that say Alice enter the building. He lets them know he wants to speak to Scotland Yard, letting them know by his innuendo why he wants to talk to Scotland Yard.
Blackmail!
Alice is frightened and worried, but Frank quickly asses the situation. The Tracey lets them know what he saw and that he wants to be treated right or else.
Frank buys him the most expensive cigar, at his request, and then the two make him breakfast. Might not be much, but this guy is planning on milking them for everything!
Meanwhile, back at the police station they are questioning the landlady. They discovered the note that had the artist all aflutter and want to know more about who wrote it. Unfortunately, the landlady is not very observant and the only thing she noticed was that he tilted his head and twisted his hands around. They have her look through the criminal books, until it come up as Mr. Tracey.
Mr. Tracey who at this moment is living like a king. Best cigar, great breakfast, cup of tea…
Frank gets a call from Scotland Yard, catching him up on the latest news of the case. He hangs up the phone and he has an idea. you can sees it in his eyes.
Frank has Alice lock the door. Then he starts discussing that there was a suspicious looking man with a criminal record hanging around the murdered artist’s place. Alice is freaking out, and doesn’t want to do this, this blackmail. Yeah, I bet you never saw that one coming? Eh? We all knew that Alice would be blackmailed, but did you ever see Frank turning the tables coming? I sure didn’t the first time I saw it.
But, lets not get too hasty…Mr. Tracey has one more trick up his sleeve. Tracey says that he will talk, all about Alice. But Frank isn’t worried saying that Tracey’s word is nothing. His plan to sit and wait for the squad car who is on its way now.
The two argue, and Alice freaks out. The chains of guilt weigh heavy on her and she doesn’t want Tracey pay for her crime. Frank doesn’t really want to listen to her as he is still a angry and hurt over what happened with Alice going off with another guy and that she hasn’t told him anything about what happened.
Tracey tries to convince Frank to let him go. He tells him “I’m not bad I was just in a bad situation…”
Yeah right you were trying to blackmail that other guy and then you were trying to do it to them.
Some people
Frank and Tracey’s eyes are locked on each other as the other police officers come. Tracey jumps out the window and the chase is on! Music for this next part as we repeat the opening scene of these guys trying to hunt him down and take him off to jail. when they were looking for him.
Here we have a great repeat of Alice’s earlier trance of seeing the knife everywhere; except instead of a weapon Tracey sees cops everywhere. Cops searching for him!
Meanwhile, for the first time since everything started, Alice actually thinks on what happened and tries to figure out what she should do.
Tracey takes off to hide in a museum, but doesn’t look at any of the exhibits making him seem super suspicious.
He eventually heads up to the roof, climbing over the famous building. Oh Hitchcock and you love for having people climb the tops of famous architectural creations. I mean there is the Statue of Liberty in Saboteur, Mount Rushmore in North by Northwest, etc.
Tracey ends up killing himself accidentally when the glass breaks on the roof. And that is the end of that. They believed him to be the murderer, the evidence pointed toward him, and with him dead: case closed.
Oh, but not quite as Alice has decided to turn herself in, leaving Frank a note and heading to the New Scotland Yard.
When she arrives the Officer thinks she is here to see Frank but she lets him know that she is here to see Inspector Walls. She is sent to his office and walks down the hallway, with certainty that every step brings her closer to doom.
Worried and afraid Alice goes in and sees Frank is there with Inspector Walls. Frank tries to stop her as they “solved the murder”. Alice is scared trying to get everything out, but before she can Inspector Walsh is called away, and Frank is to take care of her.
Frank takes Alice aside and tells her that he knows what happened. Alice tells him he doesn’t know, and starts to relay the whole story, how she was attacked and was defending herself.
Alice and Frank walk out, with a better understanding and a hope for the future. The officer asks if Alice told him who did it, and Frank says yes. The officer jokes that he better watch out she might have his job. They all laugh. Except Alice, she sees the jester painting…
What a great film for cinema history and to see Hitchcock working out things that he would become known for later.
Feast your eyes! Glut your soul on my accursed ugliness
I love this movie so much that words fail to express how I feel. This movie was the one that not only was my gateway into horror films, but also caused a life-long love affair with classic cinema.
It all started one day at the library. I was about six years old and complaining to my mother that I couldn’t find any books to read. Nothing just felt right. You know what I mean, when a book synopsis just connects to you, and you know you need to take it home to read?
So my mother eager to get home, pulls a book off the shelf and suggests that I read it. Instead of paying attention to whatever novel she had in her hand, I saw the one behind it. It was The Phantom of the Opera; a slender, abriged, children’s version.
It became my new favorite book and I would check it out all the time, completely annoying my mother.
Later on I read the original, whole version; which I also love. It is written so well, if you haven’t read it yet I highly recommend it.
I just connected with this poor man. He was bullied and betrayed because he was disfigured. No one paid attention to his genius in building and composing. He was living a life alone in isolation. I wanted to go underground with him.
I would have gone off with him and loved him unlike Christine Daaé, she’s a total jerk and loser.
Anyways, not long after I was flipping the channels and stopped on TCM. I love TCM (Turner Classic Movies) with a passion. I wish I could watch it 24/7 as they show the most amazing films ever.
Anyways, so that day they were doing a biography on Lon Chaney, and mentioned that he played the Phantom. I was now sucked in and had to watch. The film was the biopic Man of a Thousand Faces. Lon Chaney quickly became my favorite actor as I just fell in love with what a genius he was. He used to wait outside the movie studio, using his make-up to change his apperance to better fit roles. His most famous one being of course, the Phantom.
Afterwards, they held a marathon of his films, but I stopped watching as they didn’t show the one I wanted to see. I now had to watch the 1925 film! I did more research and found out that it is one of the first films to use color, only being able to for the Masque of Red Death scene. It was supposesed to be one of the most dramatic scenes in the film.
I now absolutely HAD to see that film. I went and rented it, hoping that it would be as good as it sounded. It was better than that! The film was not only horrtastic, but simply, and honestly amazing! It also stayed very close to the book, making only a few changes, and doing a much better job than some other versions (the 1943 one, so bad 😦 ).
Now I know that silent film isn’t for everyone, but I suggest that you check it out.
So we start off the film with someone lurking in the catacombs of the opera house. We don’t know who he is or what he is after. Then we switch to the opera house, and the creme de la creme of the elite milling about. Everyone is settling down as the show is about to start.
We see the ballerinas on stage dancing away.
Reminds me of Degas
Meanwhile in an office upstairs, the opera house is being turned over to new owners. Owners who know nothing of what lurks in the belly of the building.
For there lies the Phantom and a friend. A Persian man that had traveled with him since the Phantom has been abroad, but no one knows more than that.
So the new opera owners have gained a lot of problems with their purchase. Besides having to pay the phantom money, give him box 5, and a few other amenities; he is also demanding that they replace Carlotta with Christine, the girl he has been coaching. Needless to say, this is very upsetting for Carlotta.
I refuse to be treated in such a manner
In fact the Phantom has threatened Carlotta if she does not stay away. Carlotta is most unhappy; and leaves declaring she will not sing that night.
Instead Christine Daaé sings beautifully. She is also noticed by the stupid Vicomte de Chagny. I really dislike Raoul, Team Phantom all the way!
In the book Raoul struck me as a real annoying guy. Like one who is always trying to do different things; but only does them halfheartedly, always expecting someone to bail them out of a jam. Then again I could be biased.
Anyways Stupid Raoul notices Christine and tries to get with her. But she is not as receptive, in fact telling him kindly to get lost as she has her career to think about.
Stupid Raoul goes to leave, but actually, is secretly waiting outside her door to spy on her.
Now for anyone out there; if you tell a person you want a relationship to end and they don’t listen and spy on you, you need to call the police and get rid of them. I can’t believe him. Raoul just went from stupid to stalker. I mean who listens outside their ex’s door like that? Who does that?
So Carlotta decides to sing anyway, even though she has been warned that bad things will happen. The Phantom makes sure that she will never want to sing again.
“Erik: Behold! She is singing to bring down the chandelier!”
So Christine goes to her room and Raoul being the creep he is follows her. Erik, the Phantom, calls to her and tells her to go through her mirror; which is really a trapdoor. The Phantom built the Opera House, so built himself a home underneath the Opera House along with tons of secret passage ways and hideouts.
The Phantom takes her to his subterranean home, across a hidden lake.
Christine is amazed and kind of freaked out being there with him. All she can focus on is the fact that he is wearing a mask. Erik starts telling Christine his life story, and the sadness it has brought him. She ends up fainting, and he carries her to his guest room; beautiful and full of things she will love. It has a whole wall of shoes!
The next day everyone is in an uproar as Christine is missing! She wakes up to hearing the organ being played by the Phantom. He has been working on an opera for a long time.
“Erik: Since I first saw your face, this music has been singing to me of you and of –love triumphant!”
While he is romantically sharing his feelings, Christine is determined to rip off his mask.
Lon Chaney is truly amazing! I mean look at him! He is so awesome looking! So creepy! He is such a genius, devising his own make-up. The Phantom’s makeup was designed to resemble a skull. Lon Chaney attached a strip of fish skin (a thin, translucent material) to his nostrils with spirit gum, pulled it back until he got the tilt he wanted, then attached the other end of the fish skin under his bald cap. For some shots, a wire-and-rubber device was used, and it cut into Chaney’s nose and caused a good deal of bleeding. Cheeks were built up using a combination of cotton and collodion. Ears were glued back and the rest was greasepaint shaded in the proper areas of the face. The sight was said to have caused some patrons at the premiere to faint.
Christine is completely shocked at his apperance. Mary Philbin, the actress who played Christine, reaction to the unmasked Phantom was real – she had no idea what he would look like until that exact moment.
So the Phantom is upset, but Christine has to stay with him. He is not about to let her go. Now I know that is not appropriate behavior, but I feel so bad for him. She loved him until she saw his face, Now he has nobody. 😦
Then they have the most amazing scene ever! This was one of the first films to have color! They do this huge masquerade scene in color and he comes as the Red Death! It is too fantastic for words. I cannot describe it, you will have to watch it. His entrance, his outfit, etc.
Erik: Beneath your dancing feet are the tombs of tortured men! Thus does The Red Death rebuke your merriment!
Christine escapes from the Phantom and sneaks off with Raoul. They make plans to run away together, but little do they know that the Phantom has overheard everything.
Christine prepares to do her last performance, and as she is doing so, the Phantom comes and spirits her away. His only friend, a Persian courtier who has been with him through everything, goes to Raoul to lead him to Christine.
They go through the secret passage, but end up accidentally in the Phantom’s torture chamber.
The Phantom gives Christine two choices; she can choose to hit this ceramic scorpion,which means that she has chosen to marry the Phantom and be his forever, or the grasshopper which means death to Raoul and the opera house. The grasshopper if pressed will light a fuse of the gunpowder that is packed throughout the opera house and interconnected. Everything will blow! The scorpion is connected to a switch that will pump water into the bottom of the opera house and soak all the gunpowder and keep the opera house from blowing up.
She chooses the scorpion, but as the water starts to come up and drown Raoul. Christine asks the Phantom to save his life, that she will do anything for him if he does. He pulls Raoul out and then takes off with Christine, as the Parisians are hunting him down.
Grab your torches and sharpen your pitchforks!
The villagers follow in pursuit. As they are running, Christine throws herself out of the carriage. The Phantom goes to her, but the villagers are too close and he takes off. Raoul goes to Christine, and the Phantom is “killed” by the people.
I’ve never been a fan of that idea, you can’t kill the phantom, he’s unbeatable!
I love him! Is that sad and pathetic?
That’s the post for today. More to come! 4 days ’till Halloween!
Here’s poster I made for my cover page on facebook in honor or Halloween. Hope ya love it.
I must know everything. I must penetrate the heart of his secret! I must become Caligari!
So I checked out this movie from the library, thinking that it would be weird, but I was not prepared for how strangely horrtastic it was. This was an extremely well done horror film, that really does the original film justice.
So this is a remake of the 1920s silent film. It was revolutionary for its time, and inspired countless others. What David Lee Fisher wanted to do in his remake; is still have the orginal story, but redo it in a way that it would connect to a modern generation.
It was truly amazing. I recommend that all watch it; for multiple reasons:
This is one of the very, very few remakes that is as amazing as the original. They hardly changed anything, and took nothing away from the story.
The background is fantastic . Using a green screen they took the backgrounds from the original film, truly giving this film a uniquely demented and creepy space. It was seamlessly done, with the only times the fore and background being disconjointed is purposely, when you are at a point of the film that you are supposed to be unsure as to what is really happening. These out of sync scenes really help support the questioning of the characters’s sanity.
The cinematography is beautiful. Almost every scene takes your breath away at how beautifully it is set up.
The actors are amazing! (Judson Pierce Jones & Neil Hopkins are very attractive! :D)
The end is magnificent. They just twist everything that you are not sure what is reality and what isn’t.
So the film starts off at the end. The main character, Francis, is speaking to an old man about his fiancé, and how she has been through such a strange event that she will never be the same again. She walks every night in a trance, and does not speak anymore. Francis starts to recount his story, warning the man that he probably won’t believe a tale so strange, it must be true.
We then go back in time to a city and place that we don’t know where it belongs. Is it past or present? All one can tell is that the buildings slant, everything is triangular, misshapen, and strange.
Strangely beautiful
A man comes to the main hall to get a permit for his carnival. He calls himself Dr. Caligari, and speaks of having a psychic who can reveal all who attend’s future. The clerk is rude to Dr. Caligari and forces him to pay an exuberant amount of money. Caligari does and walks away, but all does not seem to bode well for this clerk.
The next day he is dead. Murdered.
Then we are introduced to Alan, who is stopping by to visit his friend Francis and is begging him to partake in some kind of adventure. We learn that Alan has been combating depression and has been holing himself away these past months, even having to visit an asylum. He however, is feeling much better and convinces Francis to see the fair with him, “for old times sake”.
They go out and get drunk, and then stop to see the psychic Cesare. Cesare is a “living dead” man who can fortell all. He lives in a coffin, only being released every once in a while. Cesare has a truly creepy wake up scene. There is just something about how Doug Jones jerks and twists his body that frightens you.
Francis wants to leave, but Alan is rooted to the floor. When Dr. Caligari calls on him to ask a question, Alan is compelled to answer. He is physically incapable of leaving or turning away. He asks Cesare his question, but all does not go well.
“Alan: How long shall I live? Cesare: The time is short. You die at dawn!”
Francis quickly grabs Alan out of the tent and fearing a relapse in his friend, reassures him that Cesare’s tricks are stupid and do not mean a thing.
On the way they meet up with Jane Stern, a girl they are both madly in love with. (It is a reoccuring theme in movies. Out of all the women in the world the best friends always fall for the same one). Both are eager to get an answer from her as to who her choice will be, but she manages to slip away and into the night. The friends say good-bye and go their seperate ways.
The next day Alan is dead. Murdered.
This horrible tragedy leads Francis on a path of reality so intermingled with insanity that one can hardly tell the fact from fiction. Francis is so sure that Dr Caligari killed his friend, that he becomes obsesed with finding proof. Will this quest for vengence and justice end well? That I cannot tell you as you must see it for yourself. The film is so good, that like The Bad Seed, I cannot tell you the ending. You must view it yourself.
This marks the seventh post of scary tales. More to follow.
Here’s a poster/cover page I made for my facebook page as a countdown to Halloween.
janeaustenrunsmylife 