Book Club Picks: A Voice in the Wind

So with everything that happened in July and with GISHWHES, I realized I totally forgot to post the last book we read for Book Club.

Just in case for anyone new, I started a book club with three other people. There is no theme or restrictions, just every month a different person has a turn to pick a book, we read it for the month, and afterwards meet to talk about it. Fun for everyone.

Last month’s pick was:

A Voice in the Wind (Mark of the Lion #1) by Francine Rivers

I first started reading Francine Rivers’ novels when a friend recommended Redeeming Love (a fantastic book that I strongly recommend). Afterwards, I started reading as many of her books as I could get a copy of. This one I put on my to-read list like five years ago and forgot all about it. I mean you know about to-read lists.

So when my friend brought it out as a suggestion, I was all for it.

That’s what I want

The story actually follows four main characters and how their lives intersect with each other, the decisions they make, and how they grow or regress as characters.

Character One: Hadassah

Hadassah is living in a time where Rome is in complete control and being Jewish or Christian can mean death. Unfortunately for Hadassah, she is both.

Yes, her parents were both Jewish but her father converted to Christianity when Jesus raised him from the dead (Luke 7:11-17). Her married Hadassah’s mother (who also converted to Christianity) and the two raised their three children as Christians.

Their lives have gone incredibly downhill as Rome marches on Jerusalem destroying it, with all of Hadassah’s family being murdered.  Hadassah finds herself unsure how she will continue on with her weak faith and uncertain future. Will she be able to trust God through it all?

Hadassah is saved from being killed; manages to survive the march to Rome, gets through a lice-filled boat, barely is maneuvered from becoming a temple prostitute, and is bought by a Jewish slave for his master, going into the powerful Valerian family. There she is given to serve the selfish, young, and beautiful Julia Valerian. Hadassah faces many ups and downs trying to live her Christian faith, set an example to others; while trying to walk the thin line that separates her from being thrown to the lions as a pre-show for the gladiatorial games.

She finds herself becoming friends with Julia’s older brother Marcus, praying hard for him and his family. But as her connection to Marcus grows stronger:

She finds herself unsure what path to take. Will Hadassah be able to serve God and receive a happy ending? Or will she cross that line and enter temptation? Or worse, death?

Character Two: Atretes

Atretes is a prince from Germany known for his wildness, strength, courage, and ability. After the death of his father he finds himself being handed the kingship and given a prophecy: a dark haired woman as his lover, being known throughout Rome, he will triumph over his foes, and being able to free his people from slavery.

That’s the kind of prophecy I’m talking about.

However, in the next battle skirmish, Atretes is captured by Roman soldiers. He tried hard to be killed in battle, but they decide to keep him and train him to become a gladiator.

At first he refuses to play along, but eventually becomes the star fighter as he discovers the only way to win his freedom is to follow along.

He achieves, money, fame, etc.; but still remains a slave and not given real freedom. His life changes when he meets Julia Valerian. She comes to him willingly, paying heavily to be with him. She appears to be everything foreseen by his mother and he begins to fall for her, and changes his perspective of “the game” as he fights for money, freedom, and the ability to marry the person he loves.

But will Atretes fullfill his prophecies of the woman he loves, overpower Rome, and free his people? Or will he discover that Rome doesn’t fight fair and that he will never truly be free from its grasp?

Hmm…

Character Three: Marcus Valerian

Meh.

Marcus Valerian grew up in a time of strife that has settles into prosperity and peace. His only hobbies in life are pursuing whatever pleases him: mostly making money and winning women. However, Marcus quickly becomes bored with this lifestyle and is always pursuing making more money and a harder challenge.

He is constantly going to the gladiator games, but becomes bored with those as well in life.

His father tries to instill a moral code in him, but Marcus refuses to listen to anything his father says as he feels that his father is “too old” and “behind the times”. He thinks his way is the best and his lifestyle-something he ends up instilling in his younger, naive, and impressionable sister.

Seriously, parents.

But when Hadassah enters the house she starts a ripple effect of a change of atmosphere. Everything about her and her beliefs challenges his lifestyle and the choices he is making in life.

Will Marcus find something real to fill his life? Will he ever be happy? Or will the choices he has made come back to bite him?

Hmm…

Character Four: Julia Valerian

Julia is the Marcus’ younger sister and has been sheltered her whole life and given every whim. In an effort to reshape her character and give her more morals, her parents give her Hadassah to be her servant; hoping that Hadassah’s kind and gentle spirit will rub off on Julia.

Hadassah

But all Julia cares about is being beautiful, idolizing her brother Marcus and his values, and seeks to become the most sough after gal in Rome. She ends up trusting women who are bad influences that like to manipulate her, not listening to any of the advice her parents try to give her.

She is married off to a kind man, but is too selfish and self-centered to appreciate him. Instead she sets her eyes on a handsome gladiator she sees training, Atretes. Later her foolish and heedless behavior causes the death of her husband, and she and Hadassah are sent back to her parent’s house.

Through it all Hadassah loves and cares for Julia as a sister, even when Julia is rude, crude, overbearing, etc.

Once again Julia chooses friends who don’t have her best interest at heart and are using her. She also marries a handsome, but abusive man. After she grows tired of being treated so cruelly she makes a decision that leads her down a dark path. As Julia continues to make bad decisions and hurt those around her, will Hadassah continue to care and help her? Will Julia turn from her dark choices? Will she have a happy ending? Or will she continue on her trail of destruction?

Hmm…

So what did I think of it?

I thought it was amazing! I started reading and I couldn’t stop:

And if that wasn’t enough, when I read the ending I was in SHOCK!!!

I quickly ran to get the sequel (literally ran)

The book was phenomenal. From Hadassah’s character:

To Marcus’ growth of character:

And all the twists and turns the novel took. You never knew what was going to happen next.

Wow

I definitely recommend it.

For more book club picks, go to Book Club Picks: The Darcy Monologues

For more Christian fiction, go to The Austen Series: Reason and Romance

For more bible verses, go to Should We Pity Miss Bates or Strive to Be Her?

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We All Go a Little Mad Sometimes: Psycho (1960)

PSYCHO

It’s not like my mother is a maniac or a raving thing. She just goes a little mad sometimes. We all go a little mad sometimes. Haven’t you?

So this Horrorfest IV, we are doing something different. For Horrorfest (the original) we ended on Halloween (of course) as we had looked at the big 3 of horror film producing sequels: Friday the 13th, Nightmare on Elm Street, & Halloween. On Horrorfest II, we had to cut our reviews in half due to my schedule and ending with a film that takes place on Halloween (along with our yearly Stephen King film review), Children of the Corn. And of course I don’t think anything will top last years “theme” of Werewolves, starting with The Wolf Man (1941) and ending with it’s remake The Wolfman (2010). This year I decided it was time to finally review one of my favorite films, the one I have been talking about again and again, Psycho (1960).

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I love this film, in fact it was one of my early introductions to the ultimate, obsessive, fangirling that I would do over Alfred Hitchcock.

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My first film was The Birds. I loved it and knew I wanted to see everything he made. That second film that completely made me in love with his works, was Psycho (1960).

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The first time I saw this film was on AMC. When they were announcing the line up, they played this song.

So whenever I hear this song I think of the film, and vice-a-versa.

So if you are wondering if this is going to be an extremely long post all about how much I love this film, like my review of Jaws, then you are right. I love this film so let’s get started.

**Spoiler Alert**

(Although this movie is fifty-five years old, so if you haven’t seen it already, then shame on you)

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PSYCHO

This year marks the 55th anniversary of Psycho, and select theaters brought it back. And as I was lucky that mine did, I immediately bought tickets and went to see it.

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Alfred Hitchcock’s Psycho (1960) is remarkable for many things. It is considered his first horror film, and while not the first slasher film in history, it is the first American slasher film, influencing countless director’s and movies.

While many adore this film today, it  had quite a few problems getting it off the ground in 1960. Alfred Hitchcock read the novel Psycho, by Robert Bloch, and immediately saw the benefits of turning this into a film. Unfortunately, Paramount Pictures did not. They cut the budget down to $800,000, hoping that Hitchcock would stop this idea of making a “dirty”, “smut” film; but he would not be deterred. Hitchcock used more of Universal to make the film, which is why in the end they won the rights.

AWESOME!!!

Oh yeah

Instead Hitchcock gave up his usual pay, taking over 30% of the profits on sales. As the film did amazingly well in theaters he made a bundle.

Hitchcock bought the book for $9,000 anonymously, and then went on to buy up every book out there to try and keep the ending a secret. He used most of the crew from his show Alfred Hitchcock Presents, and made everyone promise to keep the film as secret as possible. He didn’t tell any the ending until filming, a technique that would be copied in other films, like the Scream franchise.

To begin with how different this film was, let’s start with the trailer. It was over six minutes long, much longer than any trailer made then or now.

But it was great and gets you pumped for the film.

So the first thing we are introduced is to is the credits, with the famous score.

The music just drags you in sending shivers down your spine.

shiver

Now the actors we see on here, we all know today, but at the time the only real famous person was Janet “Scream Queen” Leigh. Part of this was due to the cut budget of Hitchcock, but he also wanted a different style and to use unknowns instead of huge stars.

Prior to this movie Anthony Perkins was being groomed to being a big star. In 1953, he debuted in The Actress and in 1956, Friendly Persuasion, won him best supporting actor. That all changed with Psycho. After this movie he became famous, but also typecasted.

OhNOthisisgonnabebad

Vera Miles was in a few things but also hadn’t been cemented as a “Star”.  Alfred Hitchcock liked her looks, and more, planning on giving her the lead in Vertigo (1958), but when she became pregnant and had to drop out, he couldn’t stand her. He thought she did it on purpose and was upset that she made him recast. The only ever worked together on this film.

ouch Hermione

Before Psycho, John Gavin was known for the remake in Imitation of Life (1959)Psycho made him famous (along with Spartacus).

Anyways, back to the film!

PSYCHO

So we are introduced to the city of Phoenix, Arizona; where our film takes place, December 11th. I had never realized this until I saw the film this most recent time, but I don’t recall ever seeing any Christmas decorations anywhere. Not in the homes of the characters or offices. Supposedly the reason why it was set in December was because of the Christmas decorations in Phoenix but I didn’t spot any. I’ll just have to look again. But you know what that means? That this can be a Christmas film! I smell a new tradition!!!!

Bishop's wife christmas tree

So the film opens with Marion Crane (Janet Leigh) and Samuel Loomis (John Gavin) in bed together. Sam is half naked baring his chest and Marion is in her bra and slip.

keanu Whoa

Yeah, something like this is not shocking for today (I mean look at Game of Thrones) but you didn’t see anything like this after the motion picture code association (MPAA) was created. We saw plenty in the late 1960s early 1970s when the code lost its fierce control. But in 1960, oh ho ho. This was super raunchy!

This part always makes me sad as all Marion wants is to be married to Sam. Sam, however, wants to wait a few years. He is still paying his ex-wife alimony, paying off his father’s debts, and lives over the hardware store he owns in Fairvale, CA.

Now Fairvale doesn’t exist, as it was all shot on the Universal backlot or in a soundstage. I originally thought it took place in Fairfield CA as they sound the same and that would make a lot of sense. But in a later scene I saw a map of Shasta County, so I think that Fairvale is supposed to be Redding.

Then again I could be wrong.

Then again I could be wrong.

So Sam does not want to be married for a few years, and it horrible to be leading her on like that with weekend trips every now and then; stolen lunch hours. That is not a complete relationship. Marion hates it as she wants to be a respectable woman.

Marion Crane: Oh, we can see each other. We can even have dinner but respectably in my house with my mother’s picture on the mantel and my sister helping me broil a big steak for three.

Sam Loomis: And after the steak, do we send Sister to the movies? Turn mama’s picture to the wall?

Sam tells her that them marrying now is a bad idea, but  Marion doesn’t care. She would do it all for him. He jokes that maybe she should move on, but when she agrees he quickly is worried. They part on good terms, making plans for the next visit. Neither are incandescently happy, but that’s love.

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Marion heads back to work at the real estate agency. As she comes through the doors, you can spot Alfred Hitchcock in a cowboy hat standing outside the window. Hitchcock knew people would spend the whole film searching for him, so he wanted it out of the way as soon as possible.

Back at the Agency, Marion checks in with her associate secretary, Caroline (played by Pat Hitchcock, Alfred’s daughter). Caroline is married, which makes Marion feel as if everyone in the world is married but her.

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In walks her boss, Mr. Lowery, and their new client, Tom Cassidy, a rich oilman. He is paying $40,000, in cash, to buy his daughter a house for her and her soon-to-be husband.

Tom Cassidy: I’m buying this house for my baby’s wedding present. Forty thousand dollars, cash! Now, that’s… not buying happiness. That’s just… buying off unhappiness [waves money in front of MarionI never carry more than I can afford to lose! Count ’em.

Caroline: I declare!

Tom Cassidy: [staring at Marion] I don’t! That’s how I get to keep it!

He then goes on to flirt with Marion, disgustingly.

ew! Gross Yuck

Cassidy then makes a comment about Mr. Lowery being able to afford air conditioning. Can you imagine being in Arizona without air conditioning? It would drive ANY person insane!

Marion is asked to take the money to the bank, while the boss and Mr. Cassidy get their drink on. Marion has a headache, and asks to go home after she drops the money off, her boss lets her and she heads on her way.

The next shot we see is the money on Marion’s bed, next to a suitcase.

Mal_huh Whoa Wow what

What a great shot, Hitchcock defintely knows his stuff.

So yes Marian stole $40,000. That would be around $350,000 today. That’s a lot of money.

keanu Whoa

On one hand you kind of understand Marion. She is so tired of her life, all she wants is to be with Sam, now and always. She thinks she can take the money, pay his debt, and they can live happily ever after. But she is not thinking clearly, what about when they discover the money is gone? They will know it is her.

She decides to drive to see Sam. When she gets stopped at a light who should she see but her boss!!!

Under Capricorn Aah oh no ugh

This is when the score starts up again, heightening the intensity!

shiver

Marian is driving, but starts to fall asleep. She pulls off on the side of the road.

She is awakened the next day by a CHP officer (California Highway Patrol) . Now this police officer is very scary. He is wearing sunglasses and never takes them off, giving him almost a robotic look. Super creepy as you can’t see the expression on his face or his eyes.

Now Marion doesn’t help her case as she acts super suspicious, being cold, curt, and trying to take off.

suspicious Hmm

You can see here that Marion is not a rule breaker. She’s always been a good girl, and as this is her first time breaking the rules she is doing poorly at “being bad”.

The CHP follow her, but turns off in Gorman, CA while she continues to Bakersfield. There, she decides to change cars. The salesman is so sweet, and adorable, but as Marian is in such a hurry, he starts to wonder about her too.

suspicious Hmm

This is not good Marion, as if anyone is to come later and ask questions about you, you would be remembered. Not only for acting weird, but also because it’s Janet Leigh.

As she is there, up comes the CHP. Too bad Marion looks as good as she does, the cop could spot her right away.

see cute guy look

Marion buys a newspaper, looking for news of the stolen money but is relieved to find nothing. It is too early for that, but you understand how scared she is.

As she is looking at the cars I can’t help but notice that, man those cars are dirt cheap. $957 for a 3 year old car? I wish they were that cheap now.

NostalgiaforWorldNeverKnown

Anyways, the cop continues to watch her from across the street. This only makes Marion more nervous and suspicious sounding. In fact the car salesman starts to wonder if she is trying to get rid of a stolen car.

The paperwork is completed, Marion paying $700 of the $40,000 and trading in her car. She then takes off, only to be stopped because she forgot her luggae in her haste. This gives the cop plenty of time to see her plates.

Spoke too soon

Poor Marion, she’s not a master criminal mind.

She heads off, but as she drives all she can hear in her head how terribly everything has gone and how it will all blow up in her face in the end.

All she can do is keep driving, hanging on to the hope that when she gets with Sam everything will be okay.

Unfortunately, it begins to rain and Marian being from Arizonia, doesn’t know how to drive in Northern California winter rains. So she has to pull over at the nearby motel she finds.

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The property consists of a giant Victorian mansion on the hill, with twelve rooms down the way.  The house was designed after Edward Hopper’s painting, House by the Railroad, it wasn’t supposed to be creepy but a part of early Americana. But as we only really see the house at night, except for once at the end, and because if the events that later transpire; this all looks uber creepy.

Gilmore girls creep

After the fire occurred on the Universal backlot (the same one that destroyed Back to the Future’s clock tower), this building and the motel was declared a historic landmark and can never be destroyed or taken done (unless by a non-human disaster). Isn’t that great, that will be there forever!

We are then introduced to Norman Bates, son of the motel owner, and played by Anthony Perkins.

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see cute guy look

When I saw Norman I was like whoa!!!! That guy is hot!!!!!

swoon dreamy

So cute with his boyish charm. He looks as if he is in his early twenties (was actually 27) and just utterly adorable. Perkins was chosen for being a gentle, stammering, handsome young man: the ultimate all-American boy next door. You just want to give him a hug. At one point during the filming, Perkins asked Hitchcock if playing Norman Bates would be a bad career move and Hitchcock told him it might be. He was right as it killed his career, but he was just too perfect as Norman, the movie would not have worked without him.

Anyways, so Norman tells Marion that he can give her a room, and that there is a diner up the way, right outside of Fairvale, which is only 15 miles away.

Say What

15 miles!!! If only it hadn’t rained, she’d be with Sam right now.

Marion signs in under a false name, Marie Samuels, and says she is from Los Angeles. After careful consideration, Norman gives her key #1.

He takes her into the room and shows her around the closet, desk with stationary, bathroom etc. When it comes to the bed, he actually stumbles over the words, being too bashful.

You're so cute

He’s so young, and adorable. He has such a sweet little boy smile, so adorable. Those things are fatal to me as they just make me smile in return. I let down all my defenses.

Phew!

So Norman knows Marion is hungry and probably does not want to travel out in the storm coming down, so he offers to make her dinner, sandwiches, and have her come down to the house.  Marian agrees.

After he leaves, Marion looks around the room for a place to hide the money. Where should she put it that’s not obvious? Where?

Hmm...

Hmm…

She finally settles on hiding the cash in the newspaper. As she waits for Norman to finish making the sandwich, she overhears Norman and his mother yelling in the house.

Norma Bates: No! I tell you no! I won’t have you bringing some young girl in for supper! By candlelight, I suppose, in the cheap, erotic fashion of young men with cheap, erotic minds!

Norman Bates: Mother, please…!

Norma Bates: And then what? After supper? Music? Whispers?

Norman Bates: Mother, she’s just a stranger. She’s hungry, and it’s raining out!

Norma Bates: “Mother, she’s just a stranger”! As if men don’t desire strangers! As if… ohh, I refuse to speak of disgusting things, because they disgust me! You understand, boy? Go on, go tell her she’ll not be appeasing her ugly appetite with MY food… or my son! Or do I have tell her because you don’t have the guts! Huh, boy? You have the guts, boy?

Norman Bates: Shut up! Shut up!

Man his mother is horrible. She is evil and cruel, treating him like he’s a little boy instead of a grown man. Mean old woman, I wonder if she was abusive in other ways than emotional/verbal. There are some deep issues here.

Norman takes off down to the motel bringing the sandwiches. Marion reveals that she heard everything, and Norman offers for them to eat here instead. Marian moves aside so that he can come in the room, but he can’t. He sees the bed in the room, and stops.

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It makes him too uncomfortable, so he ends up inviting her into his office, and then the parlor.

Here is where we see a lot of Norman’s issues. His mother has cuckholded him so that he is still a child in many ways, but at the same time a grown man with grown man like interests. He likes Marian but also a bit freaked as well. Marion on the other hand is a grown woman and not squeamish about sharing a room to eat, even though the major feature is the bed.

Boy/Man Child

Boy/Man Child

They go into the parlor which is full of birds, taxidermied ones. Now this used to always freak me out, but after working in a museum last year and being around a lot of taxidermied animals it’s not that bad. Did you catch that not as bad,meaning it is still creepy.

Gilmore girls creep

So while he and Marian are back in the parlor he tries hard to be “adult”, but keeps stammering as he hasn’t ever entertained anyone before.

Norman Bates: You-you eat like a bird.

Marion Crane: [Looking around at the stuffed birds while eating] And you’d know, of course.

Norman Bates: No, not really. Anyway, I hear the expression ‘eats like a bird’ – it-it’s really a [stammers] fals-fals-fals-falsity. Because birds really eat a tremendous lot. But -I-I don’t really know anything about birds. My hobby is stuffing things. You know – taxidermy.

You're so cute

The two then discuss Norman’s mother.

It turns out that Norman’s father died when he was only five years old and his mother had to raise him all on her own. She met a man and when she found out her boyfriend was married, became broken. He mentions something interesting here, that this guy could have made mother do “anything”. Maybe get rid of him or kick him out even? Hmm……..

suspicious Hmm

The conversation moves on:

So this saying was actually used first in the film The Awful Truth starring Irene Dunne and Cary Grant. In it Irene is about to complete her divorce to Cary and marry a mamby-pamby mamma’s boy, who when Irene leaves him, goes off with his mom as after all “A boy’s best friend is his mother.” It of course was made famous by Psycho

Marian tries to give helpful advice, but Norman is not in agreement.

In that moment we see something lurking below that boyish charm and sweet face. Something dark.

suspicious Hmm

You may notice the theme of “mother issues” in this film. Norman and his mom have serious issues, which may extend to her not only being emotionally abusive but physically as well. Possibly molestation, but we are not sure. Hitchcock himself had a lot of issues with his own mother, her forcing him to stand at the foot of her bed for hours as punishment. The screenwriter, was currently in therapy for his own issues with his mother when he wrote this script. And Anthony Perkins also had mother issues and an early life eerily similar to Norman’s. His father died when he was five, and he also was raised by a controlling and cruel woman.

Weird

Freaky

They end their talk and Marian tells him she needs to go to bed as she has a long drive back to Phionex. She also gives him her real name. He says goodnight and double checks the book seeing that she lied.

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Marian heads next door, and Norman doesn’t leave yet. Instead he decides to take a look at Marian changing.

You know I have seen this movie like a million times and on the big screen is the first time I have ever noticed the painting that Norman uses to hide the hole he peeks through, it is Susannah and the Elders   by Giovan Battista Tiepolo. The story of Susannah and the Elders is that Susannah is a young and beautiful woman. She sends her attendents away as she takes a bath, and two voyeuristic elders, watch and lust after her.  They try to blackmail her into having sex with them, saying they will lie that she was meeting a lover. When she refuses, they try to put Susannah to death, but the prophet Daniel intervenes and saves her. It works with the whole voyeuristic theme the film has going.

Looking at that I notice there are a lot of naked women paintings and scultptures in the house. Who picked these? Norman? Unlikely. His mother? Even unlikelier. The lover? Most likely. But weird that his mother would allow such things.

weird

Norman heads back to the house and is about to go upstairs, but stops. Where was he going before? To see his mother? Go to bed? He heads to the kitchen instead and thinks.

After speaking to Norman, Marian has a change of heart. She decides to head home and turn herself in, hoping they will be lenient. She does a few sums, and determines that she has $39300 left. As she rips it up and dumps it down the toilet and decides to take a shower.

This short scene involving the toilet took forever to get approved. In fact, this is the first american film to show a toilet in a movie.

Weird

Weird

I notice as she shuts the bathroom door, there is NO lock on the door.

OhNOthisisgonnabebad

She goes to take the shower and we have the scariest and one of the best scenes ever!

So intense and scary!!! I mean think of it, the shower os the most vulnerable place you could be at. You are naked, and have nothing to cover yourself up, nothing to use to defend yourself. In fact Janet Leigh said she was so freaked out when she saw herself murdered, that she never took a shower again. Opting only for baths.

Psycho-Shower

There are tons of myths surrounding this shower scene and I am going to set the record straight. So the filming of this scene took a whole week to get it just how perfectionist Alfred Hitchcock wanted it, this was 1/4 of the total time it took to make the entire film.

Janet Leigh filmed most of this scene. She wore pasties to cover her privates, but the warm water from the shower melted them, and Alfred Hitchcock kept on filming. She did have a stunt double, who did some nudes, and she was sadly murdered the same way in real life as shown on screen.

Psycho-Shower

And whoa this was a huge move to make. Killing the most famous person off? This was not done at the time, not at all.

When Norman discovers his mother covered in blood, he runs down to check on Marion. He finds her dead and freaks out, almost becoming sick.

I don't know what to do

He looks all around trying to compose himself, when he decides to put her body and belongings in the trunk of her car and cleans up the bathroom. He puts all her belongings in it, but forgets the newspaper. A car drives up, which surprises him, so much that he looks back in the room and grabs the paper. He then takes the car to the swamp to dump.

I just love that moment when it doesn’t go down right away and he freaks out. What will he do if it doesn’t sink. But it does, and he is relieved. The end.

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A week later, Sam is sitting in his office writing a letter to Marian. On the small screen they have always shown this too quickly for me to read the whole thing. This time I was able to see everything and in the letter, Sam apologizes to Marian and says he doesn’t want to wait a few years but wants to marry her now.

aw cry

If only he had asked her sooner! If only she had waited a week. If only, if only, if only.  😦

Lila comes in and introduces herself to Sam. She questions him about Marion and whether he and her were in it together, but Sam has no idea what’s going on.

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Private Investigator Arbogast comes on the scene. He was hired by Mr. Lowrey and Cassidy to find Marion, hoping she would give the money back and that they wouldn’t have to bring in the police.

Sam denies knowing where Marion is, and Arbogast tells him that he will find Marion, one way or another.

He goes around asking at ever motel, hotel, and boarding house in the area. Each one says no. He spots the Bates Motel, and goes in to speak with Norman.

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Norman is sitting on the porch eating Kandy Korn, as it says on his candy bag. Where’s he getting this in December? I guess it could have been leftover from Halloween. This was Norman’s personal touch, to add even more of a boyish charm.

Arbogast interrogates Norman, and I notice Norman speaks in a lot of clichés and metaphors. It’s probably due to him being only with his mother and never with peers.

He starts to clean the rooms, but skips door number one. He knows what went in that room and doesn’t want to think about it.

Arbogast follows and looks up at the house. He sees a figure, and questions Norman again. At first Norman says no one is there, but then says that it is his mother. Arbogast thinks Norman is hiding Marian, and infers that she seduced him, which angers Norman.

Milton Arbogast: Now, if this Marion Crane were here… you wouldn’t be hiding her would you?

Norman Bates: No.

Milton Arbogast: Not even if she paid you?

Norman Bates: No.

Milton Arbogast: All right, then lets say for the sake of argument that she needed your help and that she made you out to be a fool in helping her…

Norman Bates: Well, I’m not a fool. And I’m not capable of being fooled! Not even by a woman.

Milton Arbogast: I mean no slur on your manhood.

Norman Bates: She might have fooled me, but she didn’t fool my mother.

Norman is angry. Arbogast wants to speak to his mother, but Norman says no. As Norman is angry his face is put in more shadow and he loses that boyish charm and innocence, looking much darker.

Creepy!

Creepy!

Arbogast starts to head back to Lila and Sam, but stops and calls Lila from a phone booth. He tells her what Norman said, that Marion was here and then left, but it doesn’t feel right.

The plot thickens

He decides to go back to speak to Mrs. Bates, promising to be back in an hour. As he drives back to the motel, we see Norman there. Arbogast starts up to the house going through the back and leaving the door open, checking the front and bottom floor. When he can’t find anything, he heads upstairs. As he walks up, he gets attacked.

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Dead.

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Back at the store, Lila and Sam are waiting for Arbogast. It has been hours and he hasn’t shown, with Lila getting really impatient.

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She is determined to head down to the motel to find out if her sister was there. Sam tells her to wait while he calls, but she is heading out the door. Sam stops her and agrees, he will go and look for Arbogast and she should stay here in case he returns.

All I can think is, man Lila is intense in what she wants. If she had been the one dating Sam, then she would have been married a long time ago.

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Sam gets there but can’t find Arbogast or Norman anywhere. We see Norman by the swamp. Yep, dumping another body and car. Whoa, Norman really stepped into it this time. If it weren’t for the money, they wouldn’t be lookingthis intensely for her.

When Sam gets back and finds out that Arbogast still hasn’t returned, he and Lila head to the Sheriff’s house. They tell the Sheriff everything, but he doesn’t really seem to take them seriously.

Sheriff Al Chambers: Your detective told you he couldn’t come right back because he was goin’ to question Norman Bates’ mother. Right?

Lila Crane: Yes.

Sheriff Al Chambers: Norman Bates’ mother has been dead and buried in Greenlawn Cenetery for the past ten years!

Eliza Chambers: I helped Norman pick out the dress she was buried in. Periwinkle blue.

Sheriff Al Chambers: ‘Tain’t only local history, Sam. It’s the only case of murder and suicide on Fairvale ledgers.

Sam Loomis: You mean the old woman I saw tonight wasn’t Mrs. Bates?

Sheriff Al Chambers: Now wait a minute, Sam, are you *sure* you saw an old woman?

Sam Loomis: Yes! In the house behind the motel! I called and I pounded, but she just ignored me!

Sheriff Al Chambers: You mean to tell me you saw Norman Bates’ mother?

Lila Crane: It had to be – because Arbogast said so too. And the young man wouldn’t let him see her because she was too ill.

Sheriff Al Chambers: Well, if the woman up there is Mrs. Bates… who’s that woman buried out in Greenlawn Cemetery?

SHE’S DEAD??????!!!!!!!!!!!

Say What

Ten years? Ten years dead?

Whattheheck

And if she’s not dead but in the house, who’s in the cemetery?

Mal_huh Whoa Wow what

Norman knows that there will be more people coming. They came for Marion, and they will follow Arbogast as well. So he moves his mother to the fruit cellar to hide.

Norman Bates: Now mother, I’m going to uh, bring something up…

Norma Bates: Haha… I am sorry, boy, but you do manage to look ludicrous when you give me orders.

Norman Bates: Please, mother.

Norma Bates: No! I will not hide in the fruit cellar! Ha! You think I’m fruity, huh? I’m staying right here. This is my room and no one will drag me out of it, least of all my big, bold son!

Norman Bates: They’ll come now, mother! He came after the girl, and now someone will come after him. Please mother, it’s just for a few days, just for a few days so they won’t find you!

Norma Bates: “Just for a few days”? In that dark, dank fruit cellar? No! You hid me there once, boy, and you’ll not do it again, not ever again; now get out! I told you to get out, boy.

Norman Bates: I’ll carry you, mother.

Norma Bates: Norman! What do you think you’re doing? Don’t you touch me, don’t! NORMAN! Put me down, put me down, I can walk on my own…

This is probably the first time he has ever stood up to his mother in his life.

The next day, Lila and Sam head over to the church to go over to the Bates residence with the sheriff. To their surprise, the sheriff has already gone, and found nothing.

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Lila and Sam are unsatisfied and decide to go over there themselves. They check in as man and wife, and hide out in their room until the coast is clear.

The two sneak into room one, where they search every inch to find any trace of Marian. In the bathroom, they discover a slip of paper in Marian’s handwriting. Lila is excited, but Sam dashes that by telling her it doesn’t really help as Norman admitted that she came there. They need proof of what occurred next.

They decide to split up, with Sam distracting Norman, while Lila questions the mother. As Sam walks out, it turns out Norman is standing in the doorway of the office.

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He must have heard them, I mean right? Right?

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Anyways, Sam distracts him as Lila heads up the hill.

All I can think is that what the Sheriff said to them did not seem to register. He and his wife say that the mother is dead. Do they think it is a lie? She faked her death? She never died? Another body is in the casket?

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As Lila looks upstairs, she spots the mother’s room. It has a deep indentation in the bed, creepy mirrors everywhere, brass hands, etc.

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She goes into another room and sees that it is Norman. And the bedroom is weird. It is itty-bitty. In a giant house, why would he be given a room the size of a cell?

All he has is baby toys, and they all look sad. Like I seriously think he was abused as a child. Look at his doll. The rabbit that sits on the bed with him. Why would an almost 30 year old man sleep with a stuffed animal, unless he was abused as a child.

The music he listens to is Beethoven’s Eroica. I used to think it was used because it was a letter away from Erotica, but after looking into the backstory, it was written for Napoleon, and supposed to signify all a man is, powerful, brave, strong; what Norman wished to be.

She then spots a book with no title. I always wondered what the book signified, and discovered that books then that were pornographic were published titleless.

ew! Gross Yuck

This whole scene in the room is supposed to show the duality of Norman, a grown man, but still a child in so many, many ways.

Norman realizes that Sam has been distracting him, and knocks him out, then running for home. Lila spots Norman coming, and hides in the downstairs. That’s when she notices the fruit cellar and heads down.

When she gets there we have one of the best reveals ever!

So the sheriff takes him down to the jail, an they call in the psychiatrist to find out what was going on.

Dr. Fred Richmond: No. I got the whole story – but not from Norman. I got it – from his mother. Norman Bates no longer exists. He only half-existed to begin with. And now, the other half has taken over. Probably for all time.

Lila Crane: Did he kill my sister?

Dr. Fred Richmond: Yes, – and no.

Dr. Fred Richmond: Now to understand it the way I understood it, hearing it from the mother… that is, from the mother half of Norman’s mind… you have to go back ten years, to the time when Norman murdered his mother and her lover. Now he was already dangerously disturbed, had been ever since his father died. His mother was a clinging, demanding woman, and for years the two of them lived as if there was no one else in the world. Then she met a man… and it seemed to Norman that she ‘threw him over’ for this man. Now that pushed him over the line and he killed ’em both. Matricide is probably the most unbearable crime of all… most unbearable to the son who commits it. So he had to erase the crime, at least in his own mind. He stole her corpse. A weighted coffin was buried. He hid the body in the fruit cellar. Even treated it to keep it as well as it would keep. And that still wasn’t enough. She was there! But she was a corpse. So he began to think and speak for her, give her half his time, so to speak. At times he could be both personalities, carry on conversations. At other times, the mother half took over completely. Now he was never all Norman, but he was often only mother. And because he was so pathologically jealous of her, he assumed that she was jealous of him. Therefore, if he felt a strong attraction to any other woman, the mother side of him would go wild. [Points finger at Lila Crane] When he met your sister, he was touched by her… aroused by her. He wanted her. That set off the ‘jealous mother’ and ‘mother killed the girl’! Now after the murder, Norman returned as if from a deep sleep. And like a dutiful son, covered up all traces of the crime he was convinced his mother had committed!

Sam asks about the clothes, definitely weirded out by seeing Norman in that getup. And I agree, he was totally creepy looking.

Officer: He’s a tranvestite!

Dr. Fred Richmond: Ah, not exactly. A man who dresses in women’s clothing in order to achieve a sexual change, or satisfaction, is a transvestite. But in Norman’s case, he was simply doing everything possible to keep alive the illusion of his mother being alive. And when reality came too close, when danger or desire threatened that illusion – he dressed up, even to a cheap wig he bought. He’d walk about the house, sit in her chair, speak in her voice. He tried to be his mother! And, uh… now he is. [pauseNow, that’s what I meant when I said I got the story from the mother. You see, when the mind houses two personalities, there’s always a conflict, a battle. In Norman’s case, the battle is over… and the dominant personality has won.

Sheriff Al Chambers: And the forty thousand dollars? Who got that?

Dr. Fred Richmond: The swamp. These were crimes of passion, not profit.

Everyone’s like:

Say What

It wasn’t about the money at all? Yes folks, that is this film’s MacGuffin. A MacGuffin is something that the characters search for or aspire for, but in the end, has nothing really to do with the actual plot.

This last scene is my favorite as it is soooo creepy.

That moment when he smiles, it sends shivers down my spine.

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So Mrs. Bates is evil. Pure evil. She was abusive to Norman throughout his life, and now throwing him under the bus. Pure evil.

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So before we en I thought I would include some thoughts I had about Norman now that I’ve revealed the “truth” about him

1)When Norman chooses the parlor over the bedroom, I wonder if the Norman side “knew” it was best not to get to close as it might awaken mother sooner and “she” might do something drastic?

2)When he gets angry about institutionalizing his mother is it the dutiful son Norman that is angry, or his “mother”?

3) When Norman tells Marion he can’t leave, if he does then his mother will die all over again. Poor Norman, stuck in an endless cycle of abuse.

4) When Norman sees that Marion gave a false name in the book, do you think that “mother” found her an easier person to kill as no one was likely to connect that Marie Samuels to anyone? Do you think it made her more suspicious of her character?

5)I wonder if Marion had stayed up later with Norman would that have changed things? Would “Mother” have failed to come out? Or would she have come out earlier?

They are nothing with any real answer, but just something to ponder on and ask your cinephile friends.

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I know you guys know that this post isn’t going to end. Like Jaws, I have a LOT to say. So in Universal Studios, when I took the backlot tour, they showed us a scene from Psycho. As they have declared the site historical, they also decided to have someone act out a scene from the movie every time a tram goes by. And it is awesome!

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And so ends another Horrorfest. I know it has been crazy this year, as personal issues made me fall behind in posting. In fact, by the time this airs I still might not have caught up. However, what I was able to do was a lot of fun, and I hope you all enjoyed it. I wish you all a very happy, and safe, Halloween. May it be everything you wish it to be.

Happy Halloween jack-o-lantern

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To start Horrorfest IV from the beginning, go to You Cannot Conquer It. It Has Conquered You!: Dr. Jekyll and Mr. Hyde (1931)

For the previous post, go to Man-Bat: On Leather Wings, Batman the Animated Series

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For more on Alfred Hitchcock, go to What Are the 39 Steps?: The 39 Steps (1935)

For more films based on books, go to Someone Has Erased His Memory: Total Recall (1990)

For more psychos, go to Tuesday the 17th: Psych (2009)

For more slasher films, go to Don’t F*** the Original: Scre4m (2011)

Part IX: Adventures in Movie Lines (My Favorite Movie Lines List)

AdventuresinMOvieLines

Same drill as before…another installment of my favorite movie lines in no particular order, for your amusement. Enjoy!

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801)”Cameron: You embarrassed the girl. Sacrifice yourself on the alter of dignity and even the score.”–10 Things I Hate About You (1999)

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802)”Eloise Y. ‘Honey Bear’ Kelly: Let me jump to my own conclusions.”–Mogambo (1953)

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803)”Uncle Carmine: Brenda, I speak on behalf of your father, my beloved brother, that Morty is garbage, and it would be an honor to me to take him out.”–The First Wives Club (1996)

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804)”Hugh Forbes: Then, a toast: May their days be long and full of happiness; may their children be many and full of health; and may they live in peace… and freedom.”–The Quiet Man (1952)

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805)”Alex Fletcher: [singing] Sleeping with a clown above my bed…[spoken] ‘Clown’ is not right.
Sophie Fisher: That’s “cloud.” Why would you put a clown in your bed?
Alex Fletcher: It would not be the first time.”–Music & Lyrics (2007)

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806)”Cal: I will never stop trying. Because when you find the one… you never give up.”–Crazy, Stupid, Love (2011)

Neverleaveyou

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807)”Inspector Lestrade: In another life, Mr. Holmes, you would have made a excellent criminal.
Sherlock Holmes: Yes, and you an excellent policeman.”–Sherlock Holmes (2009)

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808)”[finding empty liquor bottles in trash]

Brenda: Let’s examine the evidence. Look! all bottles and gallon jugs!

Elise: I had guests!

Brenda: Who? Guns N Roses?”–First Wives Club (1996)

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809)”Eloise Y. ‘Honey Bear’ Kelly: The only lions I ever want to see again are the two in front of the public library.”–Mogambo (1953)

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810)”Azeem: Is she worth it?
Robin Hood: Worth dying for.”–Robin Hood: Prince of Thieves (1991)

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811)”Alex Fletcher: The best time I’ve had in the last fifteen years was sitting at that piano with you.
Sophie Fisher: That’s wonderfully sensitive… especially from a man who wears such tight pants.
Alex Fletcher: It forces all the blood to my heart.”–Music & Lyrics (2007)

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812)”Irene Adler: Why are you always so suspicious?
Sherlock Holmes: Should I answer chronologically or alphabetically?”–Sherlock Holmes (2009)

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813)”Landon: [voiceover] Jamie saved my life. She taught me everything. About life, hope and the long journey ahead. I’ll always miss her. But our love is like the wind. I can’t see it, but I can feel it.”–A Walk to Remember (2002)

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814)”Mrs. Danvers: [the new Mrs. de Winter wants to dispose of Rebecca’s letters] But these are Mrs. de Winter’s things.

The Second Mrs. de Winter: I *am* Mrs. de Winter now!”–Rebecca (1940)

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815)”Wayne Campbell: [to an old man in the neighboring car at a red light] Pardon me, do you have any Grey Poupon?”–Wayne’s World (1992)

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816)”Elise: You think that because I’m a movie star I don’t have feelings. Well you’re wrong. I’m an actress. I’ve got all of them!.”–First Wives Club (1996)

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817)”Sherlock Holmes: You have the grand gift of silence, Watson; it makes you quite invaluable as a companion.”–Sherlock Holmes (2009)

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818)”Mr. Knightly: How pleasant to be absent, but in the hearts of everyone.”–Emma (2009)

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819)”Cleopatra: Together we could conquer the world.”–Cleopatra (1934)

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820)”Bonnie Lopez: [as Reilly is playing his flute] Do you have to do that?
Reilly O’Reilly: Aye. I’m Irish. It’s how I manifest despair.”–Luck of the Irish (2001)

huh

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821)”Alex Fletcher: [Sophie moves a chair] What are you doing, you madwoman, you’re wrecking my apartment!
Sophie Fisher: Well, I can’t write sitting all the way across the room.
Alex Fletcher: No, go back to your corner!
Sophie Fisher: …Fine, all right. [Goes, leaving the chair where she moved it]
Alex Fletcher: I’m blocked. How am I supposed to get out?
Sophie Fisher: Go out the other side.
Alex Fletcher: But… but… I’ve never been out the other side.”–Music & Lyrics (2007)

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822)”Sherlock Holmes: It’s a matter of professional integrity! No girl wants to marry a doctor who can’t tell if a man’s dead or not!”–Sherlock Holmes (2009)

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823)”Mrs. de Winter: Last night I dreamt I went to Manderley again.”–Rebecca (1940)

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824)Antoninus: Are you afraid to die, Spartacus?
Spartacus: No more than I was to be born.”–Spartacus (1960)

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825)King Leonidas: This is Sparta!”–300 (2006)

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826)”Alex Fletcher: Just a little bit louder, because this song is intended for humans, okay?”–Music & Lyrics (2007)

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827)”Tramp: Say no more, I get the whole picture. Aunts, cats, muzzles… Well, that what comes of tying yourself down to one family.

Lady: Haven’t you a family?

Tramp: One for every day of the week. The point is, none of them have me.”–Lady and the Tramp (1941)

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828)”Sctanley: My name is Sctanley, spelled with a C.”–Couples Retreat (2009)

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829)”Stoney: Ya know what, Dave, just Chill, ’cause you know why? Link and I had a Stoney time at the Mountain.
Dave: You took him to Mega Mountain? Are you crazy?
Stoney: Yeah, ’cause they’re ridin’ The Vapor in reverse.
Dave: They are?
Stoney: Unh-huh!
Dave: Oh, cool!”–Encino Man (1992)

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830)”Halley: Sometimes things happens and you just have to deal.”–How to Deal (2003)

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831)”Brenda:[about her ex-husband’s mistress]What’s the matter, Morty? Can’t you buy her a whole dress?”–The First Wives Club (1996)

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832)”Sherlock Holmes: There’s only at one case that intrigues me at present. The curious case of Mrs. Hudson, the absentee landlady. I’ve been studying her comings and goings, they appear most… sinister.
Mrs. Hudson: Tea, Mr. Holmes?
Sherlock Holmes: Is it poisoned, Nanny?
Mrs. Hudson: There’s enough of that in you already.”–Sherlock Holmes (2009)

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833)”Mrs. Weston: Perhaps some tea and cake would revive you, Mr. Woodhouse.
Mr. Woodhouse: Cake! Surely you’re not serving cake at your wedding, Miss Taylor! Far too rich, you put us all at peril! Where is Mr. Perry, the apothecary? I’m sure he will support me!
Mrs. Weston: Ah, he is over there, Mr. Woodhouse, having some cake.”–Emma (1996)

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834)”Father of the Bride: Hey, buddy, I’m not paying you to hear your thoughts on life. I’m paying you to sing.
Robbie: Well, I have a microphone, and you don’t, SO YOU WILL LISTEN TO EVERY D*** WORD I HAVE TO SAY!”–The Wedding Singer (1998)

Boy Meets World

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835)”Nick: When you give up your dream, you die.”–Flashdance (1983)

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836)”Sophie Fisher: Are you OK?
Alex Fletcher: Yeah, yeah, I’m fine. It’s just my Pop! hip. It comes from years of doing our patented dance move. My God, I’ve suffered for my art.”–Music & Lyrics (2007)

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837)”Ivana Trump: Ladies, you have to be strong and independent, and remember, don’t get mad, get everything.”–The First Wives Club (1996)

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838)”Rita: This day was perfect. You couldn’t have planned a day like this.
Phil: Well, you can. It just takes an awful lot of work.”–Groundhog Day (1993)

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839)”Qui-Gon Jinn: Remember, your focus determines your reality.”–Star Wars Episode I: The Phantom Menace (1999)

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840)”Lori: [walks in] What are you girls doing?
Carrie: Destroying a man.”–John Tucker Must Die (2006)

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841)”Alex Fletcher: They’re aliens, clearly, I have no children.”–Music & Lyrics (2007)

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842)”Willy Wonka: The suspense is terrible… I hope it’ll last.”–Willy Wonka and the Chocolate Factory (1971)

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843)”Bulldog in Pound: He has an eye for a well-turned paw, he has. Let’s see, there’s been Lulu…

Toughy: Yeah, and Trixie…

Dachsie: Und Fifi…

Pedro: And my sister, Rosita Chiquita Juanita Chihuahua. I think.”–Lady and the Tramp (1941)

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844)”[on being told the Christians are being blamed for the burning of Rome]
Vinicius: The people won’t believe such a lie!
Petronius: But they are believing it. People will believe any lie, if it is fantastic enough.”–Quo Vadis (1951)

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845)”Athena: The gods cannot do for man what man must do for himself.”–The Odyssey (1997)

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846)”Edmund Bertram: Surely you and I are beyond speaking when words are clearly not enough.”–Mansfield Park (1999)

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847)”Robert: So, what’s the deal with this prince of yours? How long you been together?
Giselle: [wistfully] Oh, about a day.
Robert: You mean it feels like a day because you’re so in love.
Giselle: No, it’s been a day.
Robert: You’re kidding me. A day? One day?
Giselle: Yes.
[wistful again]
Giselle: And tomorrow it will be two days.”–Enchanted (2007)

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848)”Cameron: And, um, and here’s another problem. Bianca said that Kat likes pretty guys.
Patrick: [looks confused and slowly rises] Are you telling me I’m not a pretty guy?
Michael: H-He’s very pretty. He’s a gorgeous guy.
Cameron: Yeah. I-I just wasn’t sure. I didn’t know.
Michael: [gives him two thumbs up] You’re a gorgeous guy.”–10 Things I Hate About You (1999)

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849)”E.L.F.S. Leader: Tinsel. Not just for decoration.”–The Santa Clause (1994)

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850)”Fanny Price: Beware of fainting fits. Beware of swoons.”–Mansfield Park (1999)

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851)”Alex Fletcher: No, no. He is a jerk! He is a jerk. It’s not a question. He is a jerk!
Sophie Fisher: But…
Alex Fletcher: No, he is! He’s a jerk! He’s a jerk!”–Music & Lyrics (2007)

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852)”Sherlock Holmes: The game’s afoot.”–Sherlock Holmes (2009)

strange things are afoot at the circle k

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853)”Willy Wonka: So shines a good deed in a weary world.”–Willy Wonka and the Chocolate Factory (1971)

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854)”Sedgwick: Danny, do you speak Russian?

Danny: A little, but only one sentence.

Sedgwick: Well, let me have it, mate.

Danny: Ya vas lyublyu.

Sedgwick: Ya ya vas…

Danny: Lyublyu.

Sedgwick: Lyubliu? Ya vas lyubliu. Ya vas lyublyu. What’s it mean?

Danny: I love you.

Sedgwick: Love you. What bloody good is that?

Danny: I don’t know, I wasn’t going to use it myself.”–The Great Escape (1963)

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855)”Susan Price: So, this Henry Crawford, what’s he like?

Fanny Price: A rake. I think.

Susan Price: Oh, yes, please.

Fanny Price: They amuse more in literature than they do in life.”–Mansfield Park (1999)

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856)”Hector: And I’ve seen the limits of your mercy and I tell you now, no son of Troy will ever submit to a foreign ruler.”–Troy (2004)

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857)”Young Susan: Think up lots of stories for me and eat hundreds of tarts.”–Mansfield Park (1999)

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858)”Kingpin: There’s an old saying that too much pride can kill a man.”–Daredevil (2003)

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859)”Fanny Price: Run mad as often as you choose but do not faint.”–Mansfield Park (1999)

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860)”Mr. Connors: Well, what I mean is, it’s not what a person looks like that makes them what they are. It’s the intent of their hearts and the good they’re willing to do for others that matters.”–Behind the Waterfall (1995)

Depthofaperson

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861)”Willy Wonka: *We* are the music makers… and *we* are the dreamers of dreams.”–Willy Wonka and the Chocolate Factory (1971)

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862)”Daniel Cleaver: If you have to travel alone, travel in style.”–Bridget Jones’ Diary (2001)

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863)”[Mr. Stratford makes Bianca wear a pregnancy belly before leaving for a party, Patrick arrives and sees her]
Patrick: [to Kat] Who knocked up your sister?”–10 Things I Hate About You (1999)

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864)”Anne Elliot: Are you here for the concert?

Captain Wentworth: No, I am here for a lecture on navigation. Am I in the wrong place?”–Persuasion (1995)

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865)”Edmund Bertram: Your keen adaptability to my brother’s possible demise sends a chill through my heart. A chill. Happily planning parties with his money. You shush my father like a dog at your table, and then you attack Fanny for following her own, infallible guide concerning matters of the heart. All of this leads me to believe that the person I’ve been so apt to dwell on for many months has been a figure of my own imagination, not you, Miss Crawford. I do not know you, and I’m sorry to say, I have no wish to.”–Mansfield Park (1999)

Get out

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866)”Patrick: Was that a yes?
Kat Stratford: No.
Patrick: Well, then, was that a no?
Kat Stratford: No.”–10 Things I Hate About You (1999)

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867)”Donkey: Real smooth, Shrek. “I’m an ogre! Arrr!”–Shrek 2 (2004)

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868)“Dr. John Watson: [reading a note from Holmes] Come at once if convenient.
[flips the note over to back side] If inconvenient, come all the same.”Sherlock Holmes: A Game of Shadows (2011)

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869)”Mark Darcy: I should have done this years ago.

Daniel Cleaver: Done what?

Mark Darcy: This. [Darcy punches Cleaver, hard]

Daniel Cleaver: Ow. F*** me, that really hurt. What the f*** do you think you’re doing?

Mark Darcy: This.[Darcy punches Cleaver again, even harder]”–Bridget Jones’ Diary (2001)

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870)”Rogers: What else is there? She says, “Is beauty all that matters?”, and you say, “What else is there?”!

Prince Derek: It was dumb. I know!

Rogers: You should write a book: “How to Offend Women in Five Syllables or Less”.–The Swan Princess (1994)

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871)”Miles: It’s Christmas Eve and we are going to go celebrate being young and being alive.”–The Holiday (2006)

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872)”Father Fitzgibbons: I’m sure that the way to say what I’d like to say will occur to me after you’ve gone.”–Going My Way (1944)

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873)”Henry Crawford: Fanny. You are killing me.

Fanny Price: No man dies of love but on the stage.”–Mansfield Park (1999)

film-strip-874)”Queen Uberta: Where is Derek? Oh,never mind,I know where he is. Working on the mystery of the Fat Animal.

Rogers: The Great Animal,Your Highness.

Queen Uberta: Great, fat. It’s large and has fur.

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875)”Natasha: Bizarre what some men find attractive.”–Bridget Jones’ Diary (2001)

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876)”Willy Wonka: So much time and so little to do. Wait a minute. Strike that. Reverse it. Thank you.”–Willy Wonka and the Chocolate Factory (1971)

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877)”Camerlengo Patrick McKenna: I did not ask if you believe what man says about God. I asked if you believe in God.
Robert Langdon: I’m an academic. My mind tells me I will never understand God.
Camerlengo Patrick McKenna: And your heart?
Robert Langdon: Tells me I’m not meant to. Faith is a gift that I have yet to receive.”–Angel & Demons (2009)

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878)”Edmund Bertram: There are as many forms of love as there are moments in time.”–Mansfield Park (1999)

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879)”Willy Wonka: A little nonsense now and then is relished by the wisest men.”–Willy Wonka and the Chocolate Factory (1971)

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1080)”Denise Hennessey: I hate cosmetics companies. They get you addicted to the perfect lipstick or nail polish and then, six months later, they discontinue it. You have to buy your favorite colors like you’re storing up for the Apocalypse.”–P.S. I Love You (2007)

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1081)”Prince Derek: What? You’re all I ever wanted. You’re beautiful!

Odette: Thank you. But what else?

Prince Derek: What else?

Odette: Is beauty all that matters to you?

Queen Uberta: Derek, what else?

Prince Derek: [stammers; to Odette] What else is there?

[Rogers imitates a buzzer]”–The Swan Princess (1994)

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 882)”Fanny Price: Is it possible to be so happy?”

Edmund Bertram: Yes. Let’s make it our business, Mrs. Bertram, to happy ever after.–Mansfield Park (2007)

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883)”Kat Stratford: [to Patrick  after he asks her out for the first time] Do you even know my name screwboy?”–10 Things I Hate About You (1999)

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884)”Walter Burns: [ducking from Hildy’s throw and reaching for the ringing telephone] Oh, you’re losing your arm! You used to be able to pitch better than that.”–His Girl Friday (1940)

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885)”Daniel Cleaver: Come on Bridget, we belong together – you, me, poor little skirt. If I can’t make it with you then I can’t make it with anyone.

Bridget: That’s not a good enough offer for me.”–Bridget Jones’ Diary (2001)

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886)”Odysseus: Sometimes you need to serve in order to lead.”–Troy (2004)

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887)”Cardinal Strauss: [emphatically] Man is flawed, always. Even this one.”–Angels & Demons (2009)

 

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888)”Rothbart: Once you steal something, you spend your whole life fighting to keep it.”–The Swan Princess (1994)

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889)”Ms. Perky: So, I hear you were terrorizing Mr. Morgan’s class… again.
Kat Stratford: Expressing my opinion is not a terrorist action.
Ms. Perky: The way you expressed your opinion to Bobby Ridgeway? By the way, his testicle retrieval operation went quite well, in case you’re interested.
Kat Stratford: I still maintain that he kicked himself in the balls.”–10 Things I Hate About You (1999)

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890)”Roy Miller: I’ve been trained to dismantle a bomb in the pitch black with nothing but a safety pin and a Junior Mint, I think I can get you in and out of some clothes without… looking. I’m not saying that’s what I did.”–Knight and Day (2010)

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891)”Cardinal Strauss: Mr. Langdon, thanks be to God for sending someone to protect His church.
Robert Langdon: I don’t believe He sent me, father.
Cardinal Strauss: Oh my son, of course He did…”–Angels & Demons (2009)

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892)”Princess Odette: Will you love me, Derek? Until the day I die?

Prince Derek: No, Odette, much longer. Much longer.”–The Swan Princess (1994)

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893)”Captain Harvile: Poor Phoebe, she would not have forgotten him so soon. It was not in her nature.

Anne Elliot: It would not be in the nature of any woman who truly loved.

Captain Harvile: Do you claim that for your sex?

Anne Elliot: We do not forget you as soon as you forget us. We cannot help ourselves. We live at home, quiet, confined, and our feelings prey upon us. You always have business of some sort or other to take you back into the world.

Captain Harvile: I won’t allow it to be any more man’s nature than women’s to be inconstant or to forget those they love or have loved. I believe the reverse. I believe… Let me just observe that all histories are against you, all stories, prose, and verse. I do not think I ever opened a book in my life which did not have something to say on women’s fickleness.

Anne Elliot: But they were all written by men.”–Persuasion (1995)

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894)”Kat Stratford: We’re going now.
Walter Stratford: Alright, wait a minute. No drinking, no drugs, no kissing, no tattoos, no piercings, *no* ritual animal slaughters of any kind. Oh, God, I’m giving them ideas.”–10 Things I Hate About You (1999)

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895)”Mark Darcy: I like you, very much.

Bridget: Ah, apart from the smoking and the drinking, the vulgar mother and… ah, the verbal diarrhea.

Mark Darcy: No, I like you very much. Just as you are.”–Bridget Jones’Diary (2001)

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896)”Gru: This is literature? A two year old could have written this!”–Despicable Me (2010)

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897)”Joey: Mr. Morgan, is there any chance we could get Kat to take her Midol *before* she comes to class?
Mr. Morgan: Someday, you gonna get b****-slapped and I’m not gonna do a thing to stop it.”–10 Things I Hate About You (1999)

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898)”Willy Wonka: If you want to view paradise, simply look around and view it. Anything you want to, do it; want to change the world… there’s nothing to it.”–Willy Wonka and the Chocolate Factory (1971)

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899)”Odysseus: [to Achilles] War is young men dying and old men talking. You know this. Ignore the politics.”–Troy (2004)

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900)”Bridget: The only thing worse than smug married couple; lots of smug married couples.”–Bridget Jones’ Diary (2001)

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For the previous list, go to Part VIII: The Little Movie Lines List

For more on 10 Things I Hate About You, go to You’re Just Too Good to Be True

For more on 300, go to Part VII: It Was Said One Night

For more on A Walk to Remember, go to Fulfilling the List

For more on Behind the Waterfall, go to Pot o’ Gold

For more on Bridget Jones’ Diary, go to The Beauty of Darcy

For more on Cleopatra (1934) go to Snakes on a Post

For more on Crazy, Stupid, Love; go to Save the Last Dance for Me

For more on Emma, go to It’s All Jane Austen’s Fault

For more on Enchanted, go to According to Disney

For more on Flashdance, go to Darcy’s Dream Date

For more on The Holiday, go to 25 Films of Christmas

For more on John Tucker Must Die, go to Sucky Sequels

For more on Luck of the Irish, go to Friday Night Fun

For more on Mansfield Park, go to On the 10th Day ‘Til Christmas

For more on Music & Lyrics, go to I’m Sorry Sounds Better in a Song

For more on Persuasion, go to A Letter of Love

For more on Rebecca (1940), go to Mr. Darcy: Man of Dreams

For more on The Santa Clause, go to On the 11th Day ‘Til Christnas

For more on Sherlock Holmes, go to The World’s Greatest Criminal Mind

For more on Star Wars, go to And Away We Go

For more on the Swan Princess, go to You Should Write a Book

For more on Wayne’s World, go to Episode III: Revenge of the My Favorite Movie Lines’ List

For more on Willy Wonka and the Chocolate Factory, go to A Trip to the Mall Turns into the Twilight Zone

For more on The Wedding Singer, go to Love Stinks

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For more on Frank Perettigo to It’s Alive, It’s ALIVE!

For more of my fav quotes, go to Be Good to Yourself

Part VIII:The Little Movie Line List

MovieQuotes

Yep. it’s time for another My Favorite Movie Lines Lists! Enjoy!

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701)”King Henry VIII: Mistress Anne, will you teach the king of England how they dance in the French court?
Anne: There is nothing that France can teach England, your majesty.
King Henry VIII: Well said. Well said.”–Anne of the Thousand Days (1969)

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702)”Landon: I’m sorry she never got her miracle.
Reverend Sullivan: She did. It was you.”–A Walk to Remember (2002)

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703)”Flik: Here, pretend – pretend that that’s a seed.

Dot: It’s a rock.

Flik: Oh, I know it’s a rock, I know. But let’s just pretend for a minute that it’s a seed, alright? We’ll just use our imaginations. Now, now do you see our tree? Everything that made that giant tree is already contained inside this tiny little seed. All it needs is some time, a little bit of sunshine and rain, and voilá!

Dot: This rock will be a tree?

Flik: Seed to tree. You’ve gotta work with me, here. Alright? Okay. Now, y-you might not feel like you can do much now, but that’s just because, well, you’re not a tree yet. You just have to give yourself some time. You’re still a seed.

Dot: But it’s a rock.

Flik: [shouting] I know it’s a rock! Don’t you think I know a rock when I see a rock? I’ve spent a lot of time around rocks!

Dot: You’re weird, but I like you.”–A Bug’s Life (1998)

 

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704)”Princess Fiona: And my groom-to-be Lord Farquaad, what’s he like?
Shrek: Well, let me put it this way, Princess: men of his stature are in “short” supply.
Donkey: Yeah! Though there are those who think “little” of him!–Shrek (2001)

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705)”Jack: You’re gonna pay a disobedience fee of $10,000! Plus another $40,000 to rebuild the bar! And if you wanna see your friend alive again, do not call the cops! If you’re not here in half an hour to settle this, I’m gonna take the fine out on your friend’s legs! I’m gonna break ’em with this tire iron!
Dudley Frank: Don’t bring the money! I’m a computer programmer! I don’t need my legs!
Jack: Fine! I’ll break his hands!
Dudley Frank: Oh, d*** it. Bring the money!”–Wild Hogs (2007)

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706)”Scott: You’re perfect Kate… and so far not flammable.”–John Tucker Must Die (2006)

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707)”Hopper: First rule of leadership: Everything is your fault.”– A Bug’s Life (1998)

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708)”Anne: We had the situation under control.

Teresa: Yeah. We were about to go all Buffy on their gringo a****.”–Man of the House (2005)

 

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709)”Landon: Listen, Jamie, I was hoping we could run lines together?
Jamie: Okay, but just not so anybody knows, right?
Landon: Well I just figured we could surprise everyone with how good I get.
Jamie: Like we could be secret friends.
Landon: Exactly, exactly it’s like you’re reading my mind.
Jamie: Great umm… maybe you could read mine.
[she gives him a cold glare and turns away]”–A Walk to Remember (2002)

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710)”Terry: You know, sometimes I just wish I was a guy.

Buddy: No, you don’t! The male body needs sex at all times! It’s a living hell!”–Just One of the Guys (1985)

 

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711)”Queen Gorgo: There’s only one woman’s words that should affect the mood of my husband. Those are mine.” –300 (2006)

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712)”Lord Farquaad: Some of you may die, but that is a sacrifice I am willing to make.”–Shrek (2001)

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713)”Anne: No, he means the other Texas Rangers, you know, like The Lone Ranger.

Heather: He had that cool Indian friend, what was his name?

Teresa: Tonto?

Barb: He was hot! Why don’t guys wear loincloths anymore?”–Man of the House (2005)

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714)”Constance MacKenzie: All men are alike. The approach is different; the result is always the same.”–Peyton Place (1957)

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715)”Lucius: Always giving orders. Just like every other adult.”–Planet of the Apes (1968)

 

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716)”Ernst Robinson: It’s better to use your head than break your back, I always say.”–Swiss Family Robinson (1960)

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717) “Guinevere Pettigrew: Not everything comes along just when we want it. There are times when decisions just have to be made, or you certainly will miss out.”–Miss Pettigrew Lives for a Day (2008)

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718)”[teaching Dizzy how to fight]
Clem: First thing you wanna do is gouge the dude’s eyes out.
Luther: Hey, it’s just kids in high school.
Clem: Oh. So you’re gonna want to fight dirty. “–The New Guy (2002)

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719)”Tuck: You fired!

Roll: You fired!

Tuck: You fireeeeeed!”–A Bug’s Life (1998)

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720)”Terry: I’m just so confused.

Buddy: Of course you’re confused. You’re wearing my underwear.”-Just One of the Guys (1985)

 

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721)”Wayne Campbell: [after Ben orders Chinese food while speaking Cantonese] This guy is good.
Benjamin: I picked up a little Cantonese while I was in the Orient. You know, you sound a lot like you’re from Kowloon Bay as opposed to Hong Kong.
Cassandra: I was born in Kowloon Bay!
Benjamin: There you have it!
Wayne Campbell: This guy is really good.”–Wayne’s World (1992)

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722)”Shrek: Example… uh… ogres are like onions!
[holds up an onion, which Donkey sniffs]
Donkey: They stink?
Shrek: Yes… No!
Donkey: Oh, they make you cry?
Shrek: No!
Donkey: Oh, you leave ’em out in the sun, they get all brown, start sproutin’ little white hairs…
Shrek: [peels an onion] NO! Layers. Onions have layers. Ogres have layers. Onions have layers. You get it? We both have layers.”–Shrek (2001)

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723)”Terry McKay: Winter must be cold for those with no warm memories…”–An Affair to Remember (1957)

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724)”Mrs. Thornton: A person doesn’t always get what she deserves. Remember it. If there’s anything in life you want, go and get it. Don’t wait for anybody to give it to you.”–Peyton Place (1957)

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725)”Guinevere Pettigrew: I am not an expert on love, I am an expert on the lack of love, Delysia, and that is a fate from which I wish more fervently to save you.”–Miss Pettigrew Lives for a Day (2008)

 

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726)”Alex Whitman: This morning I couldn’t decide between a hamburger and a tuna melt. But my life made perfect sense. Now I know exactly want I want, but my life makes no sense. Somewhere between tuna melt and your aunt’s tamales, life lost meaning and gained a purpose.
Isabel Fuentes: What are you saying?
Alex Whitman: I am saying- This is morning I was worried I’d met the girl of my dreams at the drycleaners and not recognize her. But you- you are what I never knew I always wanted.”–Fools Rush In (1997)

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727)”Dizzy/Gil: Don’t make me do crazy eyes…”–The New Guy (2002)

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728)”Loretta Lynn: [Loretta catches Doo with another woman] Woman, if you want to keep that arm, you better get it off my husband.

Girl at fairgrounds: Who are you telling what?

Loretta Lynn: I don’t know who you are, but I know what you are.”–Coal Miner’s Daughter (1980)

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729)”Dizzy/Gill:The onIy music worth being called music. I’m talking about the funk.–The New Guy (2002)

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730)”Lonny: Drew… what’s the name of your band, mate?
Drew Boley: Wolfgang Von Colt.
Lonny: …and you’re sticking with that are you?
Drew Boley: Yeah…
Lonny: [to audience] Please welcome to the stage very poorly titled Wolfgang Van Colt!
Drew Boley: …Von Colt.
Lonny: [to Drew] It’s not an improvement.”–Rock of Ages (2012)

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731)”Interviewer: Do you have a criminal record?
Rocky Balboa: Nothin’ worth braggin’ about.”–Rocky II (1979)

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732)”Novalee Nation: You tell them that our lives can change with every breath we take… and tell ’em to hold on like hell to what they’ve got: each other, and a mother who would die for them and almost did… You tell them we’ve all got meanness in us, but we’ve got goodness too. And the only thing worth living for is the good. And that’s why we’ve got to make sure we pass it on.”–Where the Heart Is (2000)

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733)”Reporter: Where did you get the name, “The Italian Stallion”?
Rocky: Oh I made that up one night while I was eating dinner.”–Rocky (1976)

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734)”Henry Tilney: Now I must give you one smirk, then we can be rational again.”–Northanger Abbey (2007)

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735)”Willy Jack Pickens: Why does anyone lie? Cuz we’re scared? Or crazy? Or jut mean?… There’s a million reasons why a person lies… But sometimes, you tell a lie so big… that it changes your whole life… Lie’s so big… it makes you think…”–Where the Heart Is (2000)

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736)”Ben Calder: If I kiss you, do you think they’ll shoot me?
Anna Foster: No, but I will if you don’t.”–Chasing Liberty (2004)

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737)”Donkey: You know, not everybody like onions. What about cake? Everybody loves cake!
Shrek: I don’t care what everyone else likes! Ogres are not like cakes.
Donkey: You know what ELSE everybody likes? Parfaits! Have you ever met a person, you say, “Let’s get some parfait,” they say, “H*** no, I don’t like no parfait”? Parfaits are delicious!”–Shrek (2001)

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738)”Grandma Halley: First loves are never really over. Nobody’s perfect, Sweetheart. But that doesn’t mean it wasn’t worth your while.”–How to Deal (2003)

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739)”Henry Tilney: No! The discourtesy was all his. I-I have broken with my father, Catherine, I may never speak to him again.

Catherine Morland: What did he say to you?

Henry Tilney: Let me instead tell you what I said to him. I told him that I felt myself bound to you, by honor, by affection, and by a love so strong that nothing he could do could deter me from…

Catherine Morland: From what?

Henry Tilney: Before I go on, I should tell you there’s a pretty good chance he’ll disinherit me. I fear I may never be a rich man, Catherine.

Catherine Morland: Please, go on with what you were going to say!

Henry Tilney: Will you marry me, Catherine?

Catherine Morland: Yes! Yes I will! Yes!–Northanger Abbey (2007)

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740)”Old Woman: [watching Shrek fight] The chair! Give him the chair!”–Shrek (2001)

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741)”Leland: You don’t care about anything except you. You just want to persuade people that you love ’em so much that they ought to love you back. Only you want love on your own terms. Something to be played your way, according to your rules.”–Citizen Kane (1940)

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742)”J.P. Prewitt: The truth is male models have been assassinating world leaders for over 200 years. Abe Lincoln wanted to abolish slavery, right? Well, who do you think made the silk stockings and powdered wigs worn by our early leaders?
Derek Zoolander: Mugatu!
J.P. Prewitt: [pauses] Slaves, Derek. So they hired John Wilkes Booth to do Mr. Lincoln in. The first model/actor! Dallas. 1963. John F. Kennedy.
Matilda: Lee Harvey Oswald wasn’t a male model.
J.P. Prewitt: You’re ******* right he wasn’t, but the two lookers who capped Kennedy from the Grassy Knoll sure as s*** were!”–Zoolander (2001)

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743)”Annie Reed: Destiny is something we’ve invented because we can’t stand the fact that everything that happens is accidental.”–Sleepless in Seattle (1993)

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744)”Novalee Nation: It’s too late, isn’t it, Forney?

Forney Hull: Too late for what?

Novalee Nation: I lied to you, when you asked me if I loved you, and I said no. Remember?

Forney Hull: Yes.

Novalee Nation: I lied. It wasn’t true, I-I love you. It’s just I lied because I thought you deserved something better.

Forney Hull: Something better than you? Novalee, there isn’t anything better than you.

[they kiss]”–Where the Heart Is (2000)

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745)”Catherine Morland: When shall we go into society, Mrs Allen? I suppose it is too late this evening?

Mrs. Allen: Bless you, my child, we neither of us have a stitch to wear!

Catherine Morland: I did bring my best frock and my pink muslin is not too bad, I think.

Mrs. Allen: No, no, no, no! Would you have us laughed out of Bath?

Mr. Allen: Resign yourself, Catherine! Shops must be visited! Money must be spent! Do you think you could bear it?

Catherine Morland: Very easily, sir!”–Northanger Abbey (2007)

 

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746)”Jack Colton: What did you do, wake up this morning and say, ‘Today, I’m going to ruin a man’s life’?”–Romancing the Stone (1984)

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747)”Chiron: Percy, take this to defend yourself. It’s a powerful weapon. Guard it well. Only use it in times of severe distress.
Percy Jackson: This is a pen. This is a *pen.*”–Percy Jackson & The Olympians: The Lightening Thief (2010)

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748)”Ruth Meyers: My name is Ruth Meyers. Call me Ruth Meyers.”–Where the Heart is (2000)

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749)”[Riding in the curricle, Henry and Catherine see the first view of Northanger Abbey]

Henry Tilney: There.

Catherine Morland: It’s exactly as I imagined. It’s just like what we read about.

Henry Tilney: Are you prepared to encounter all of its horrors?

Catherine Morland: Horrors? Is Northanger haunted, then?

Henry Tilney: That’s just the least of it. Dungeons, and sliding panels; skeletons; strange, unearthly cries in the night that pierce your very soul!

Catherine Morland: [sardonically] Any vampires? Don’t say vampires. I could bear anything, but not vampires.

Henry Tilney: [laughing] Miss Morland, I believe you are teasing me now.”–Northanger Abbey (2007)

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750)”Patricia: I love you more than all the words in all the books in all the world.”–Why Did I Get Married? (2007)

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751)”Tiresias: It is the journey itself that makes up your life.”–The Odyssey (1997)

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752)”Lexie Coop: Americus? What kind of a name is Americus?

Novalee Nation: I wanted her to have a strong name.

Lexie Coop: Well, I guess I shouldn’t talk. I named my kids after snack foods: Brownie, Praline, Cherry and Baby Ruth.”–Where the Heart Is (2000)

 

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753)”Sam Baldwin: What is “tiramisu”?
Jay: You’ll find out.
Sam Baldwin: Well, what is it?
Jay: You’ll see!
Sam Baldwin: Some woman is gonna want me to do it to her and I’m not gonna know what it is!”–Sleepless in Seattle (1993)

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754)”Judge Dredd: Judgement time.”–Dredd (2012)

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755)”[Jack takes Joan’s shoes and breaks the heels off so she can hike through the forest]

Joan Wilder: These were Italian.

Jack Colton: Now they’re practical.”–Romancing the Stone (1984)

 

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756)”Thelma ‘Sister’ Husband: Home is where your history begins. Home is where they catch you when you fall.”–Where the Heart Is (2000)

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757)”Larry Zoolander: I just thank the Lord she didn’t live to see her son as a mermaid.
Derek Zoolander: Mer-man! [high-pitched cough] Mer-man!”–Zoolander (2001)

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758)”Becky: That’s your problem! You don’t want to be in love. You want to be in love in a movie.”–Sleepless in Seattle (1993)

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759)”Jem Trehearne: That’s women for you – save your life one minute, frightened of you the next. I guess I’m not a very pretty sight at the moment, but I don’t bite, you know.”–Jamaica Inn (1939)

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760)”[after reading Joan’s new novel based on her adventure]

Gloria: Joanie, you are now a WORLD-CLASS hopeless romantic.

Joan Wilder: No, hopeful. Hopeful romantic.”–Romancing the Stone (1984)

 

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761)”Data: Hey McFly, you bojo, those boards don’t work on water!”–Back to the Future Part II (1985)

Hoverboards

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762)”Shrek: [Burps] Better out than in, I always say.”–Shrek (2001)

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763)”Jamie: How can you see places like this… and have moments like this and not believe?
Landon: You’re lucky to be so sure.
Jamie: It’s like the wind. I can’t… see it, but I feel it.”–A Walk to Remember (2002)

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764)”Richard Hannay: I know what it is to feel lonely and helpless and to have the whole world against me, and those are things that no men or women ought to feel.”–The 39 Steps (1935)

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765)”Americus: Forney, if you give a cow chocolate will you get chocolate milk?

Forney Hull: Yeah. And if you spin a cow around real fast you’ll get whipped cream.

Americus: Wow! You know a lot.

Forney Hull: Well, I work in the library.”–Where the Heart Is (2000)

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766)”May: Love is many things. It’s varied. One thing it is not and can never be is unsure.”–Madea’a Family Reunion (2006)

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767)”Prince John: And why should the people listen to you?
Robin Hood: Because, unlike some other Robin Hoods, I can speak with an English accent.–Robin Hood: Men in Tights (1993)

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768)”Marty McFly: Great Scott!
Doc: I know, this is heavy”–Back to the Future Part III (1990)

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769)”Dizzy/Gil: Did we give up when Pearl Harbor was bombed?
Football player #72: Hey, I thought that movie made money.”–The New Guy (2002)

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770)”Mark Darcy: I don’t think you’re an idiot at all. I mean, there are elements of the ridiculous about you. Your mother’s pretty interesting. And you really are an appallingly bad public speaker. And, um, you tend to let whatever’s in your head come out of your mouth without much consideration of the consequences… But the thing is, um, what I’m trying to say, very inarticulately, is that, um, in fact, perhaps despite appearances, I like you, very much. Just as you are.”–Bridget Jones’ Diary (2001)

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771)”Suze: Fluent in Finnish?
Rebecca Bloomwood: Everyone has fudged their resume a little.”–Confessions of a Shopaholic (2009)

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772)”Donkey: All right, nobody move! I’ve got a dragon and I’m not afraid to use it! I’m a donkey on the edge!”–Shrek (2001)

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773)”[a leaf falls in front of one of the worker ants in the food lineWorker Ant #1: I’m lost! Where’s the line? It just went away. What do I do? What do I do?

Worker Ant #2: Help!

Worker Ant #3: We’ll be stuck here forever!

Mr. Soil: Do not panic, do not panic. We are trained professionals. Now, stay calm. We are going around the leaf.

Worker Ant #1: Around the leaf. I-I-I don’t think we can do that.

Mr. Soil: Oh, nonsense. This is nothing compared to the twig of ’93.”–A Bug’s Life (1998)

 

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774)”Richard Hannay: There are 20 million women in this island and I get to be chained to you.”–The 39 Steps (1935)

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775)”Doc: No one should know too much about their destiny.”–Back to the Future Part II (1989)

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776)”Rebecca Bloomwood: Men like you are the reason I left Finland.”–Confessions of a Shopaholic (2009)

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777)”Shrek: Fiona? Are you all right?
[Fiona looks at herself, and sees she is still an ogre] Princess Fiona: Yes. But, I don’t understand. I’m supposed to be beautiful.
Shrek: But you are beautiful.”–Shrek (2001)

PrettySoul

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778)”Sam Baldwin: I am NOT going to New York to meet some woman who could be a crazy, sick lunatic! Didn’t you see Fatal Attraction?”–Sleepless in Seattle (1993)

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779)”Dr. Harris: I blew it didn’t I? Why didn’t I concur?”–Catch Me If You Can (2002)

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780)”Derek Zoolander: What is this? A center for ants? How can we be expected to teach children to learn how to read… if they can’t even fit inside the building?–Zoolander (2001)

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781)”Sherrie Christian: I’m a stripper at the Venus Club.
Drew Boley: I’m in a boy band.
Sherrie Christian: You win.”–Rock of Ages (2012)

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782)”Mable ‘Madea’ Simmons: I told you, you don’t know how to lie. What kinda lawyer don’t know how to lie? Lie and lawyer go together lie-awyer… lie-awyer!”–Madea’s Family Reunion (2006)

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783)”Landon: Jamie has faith in me. She makes me want to be different, better.”–A Walk to Remember (2002)

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784)”Derek Zoolander: I’m sorry that good-looking people like us made you throw up and feel bad about yourself.”–Zoolander (2001)

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785)”Batiatus: Good luck, and may fortune smile upon… most of you.”–Spartacus (1960)

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786)”Manny: Utilizing psychic vibrations, I shall select the perfect volunteer.

Molt: Oh, oh, oh, oh! Pick me! Oh, oh! C’mon, I’m asking you with my brain.”–A Bug’s Life (1998)

 

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787)Frank Abagnale Jr.: [whispering to girl] Hey…You should fold it.
Joanna: What?
Frank Abagnale Jr.: That note. It’s a fake, right? You should fold it.
Joanna: It’s… It’s a note from my mom. I have a doctor’s appointment.
Frank Abagnale Jr.: Yeah, but there’s no crease in the paper. When your mom hands you a note to miss school, the first thing you do is, you fold it and you put it in your pocket. I mean, if it’s real, where’s the crease? [Joanna folds note to give it a crease.]–Catch Me if You Can (2002)

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788)”Angela: They’re just so sneaky that you think it was your idea.
Frances: Yeah. You’re sitting back and you’re like: “Oh, yeah. This my idea. But wait a second, why am I alone? Why am I unhappy?”
Angela: “Why have I gained 20 pounds?”
Frances: They Jedi mind-trick you. “–He’s Just Not That Into You (2009)

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789)”J.P. Prewitt: Male models don’t think for themselves.
Derek Zoolander: That’s not true!
J.P. Prewitt: Yes it is, Derek.
Derek Zoolander: [meekly] Okay.”–Zoolander (2001)

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790)”Alex: I dunno… I like you
Gigi: [She’s taken aback] You do?
Alex: Well, yeah, okay, don’t start doodling my name on your binder, okay.”–He’s Just Not That Into You (2009)

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791)”Capt. Crewe: Because it’s magic. Magic has to be believed. It’s the only way it’s real.”–A Little Princess (1995)

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792)”African Woman #1: I’m sure he just forgot your hut number!
African Woman #2: Or was eaten by a lion.
African Woman #3: You guys are awesome!”–He’s Just Not That Into You (2009)

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793)”Stoney: Bud-dy!”–Encino Man (1992)

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794)”Gigi: I may dissect each little thing and put myself out there so much but at least that means that I still care. Oh! You’ve think you won because women are expendable to you. You may not get hurt or make an a** of yourself that way but you don’t fall in love that way either. You have not won. You’re alone. I may do a lot of stupid s*** but I’m still a lot closer to love than you are.”–He’s Just Not That Into You (2009)

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795)”Mugatu: SHUT UP! Enough already, Ballstein! Who cares about Derek Zoolander anyway? The man has only one look, for Christ’s sake! Blue Steel? Ferrari? Le Tigra? They’re the same face! Doesn’t anybody notice this? I feel like I’m taking crazy pills! I invented the piano key necktie, I invented it! What have you done, Derek? You’ve done nothing! NOTHIIIING!”–Zoolander (2001)

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796)”Sara Crewe: I am a princess. All girls are. Even if they live in tiny old attics. Even if they dress in rags, even if they aren’t pretty, or smart, or young. They’re still princesses. All of us.”–A Little Princess (1995)

Princess

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797)”Von Luger: Are all American officers so ill-mannered?

Hilts: Yeah, about 99 percent.

Von Luger: Then perhaps while you are with us you will have a chance to learn some. Ten days isolation, Hilts.

Hilts: CAPTAIN Hilts.”–The Great Esacape (1963)

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798)”Gigi: Girls are taught a lot of stuff growing up. If a guy punches you he likes you. Never try to trim your own bangs and someday you will meet a wonderful guy and get your very own happy ending. Every movie we see, Every story we’re told implores us to wait for it, the third act twist, the unexpected declaration of love, the exception to the rule. But sometimes we’re so focused on finding our happy ending we don’t learn how to read the signs. How to tell from the ones who want us and the ones who don’t, the ones who will stay and the ones who will leave. And maybe a happy ending doesn’t include a guy, maybe… it’s you, on your own, picking up the pieces and starting over, freeing yourself up for something better in the future. Maybe the happy ending is… just… moving on. Or maybe the happy ending is this, knowing after all the unreturned phone calls, broken-hearts, through the blunders and misread signals, through all the pain and embarrassment you never gave up hope. “–He’s Just Not That Into You (2009)

film-strip-799)”Bridget: It is a truth universally acknowledged that when one part of your life starts going okay, another falls spectacularly to pieces.”–Bridget Jones’ Diary (2001)

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600)”Scott Calvin: Hey, Charlie, you know how to call 911?

Charlie: Sure, 9-1-1.”–The Santa Clause (1994)

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For the previous list, go to Part VII: It Was Said One Night

For more on A Bug’s Life, go to CANDY TIME!

For more on A Walk to Remember, go to Fulfilling the List

For more on Back to the Future, go to Fashion Show

For more on Bridget Jones’ Diary, go to The Beauty of Darcy

For more on Catch Me If You Can, go to 25 Films of Christmas

For more on Confessions of a Shopaholic, go to Episode V: My Favorite Movie Lines Strike Back

For more on Dredd (2012), go to Na-Na-Na-(Na-Na-Na-Na-Na-Na)

For more on Fools Rush In, The Swiss Family Robinson, and The Odyssey, go to Snakes on a Post

For more on He’s Just NOT That Into You, go to You’re My Exception

For more on Northanger Abbey, go to The Lining is Silver

For more on Rock of Ages, go to Don’t Stop Believin’

For more on Rocky, go to There’s No One Like Gaston

For more on Shrek, go to Episode IV: A New Favorite Movie Lines List

For more on Sleepless in Seattle, go to Anything Can Happen

For more on The Santa Clause, go to On the 11th Day ‘Til Christmas

For more on Wayne’s World, go to Episode III: Revenge of the My Favorite Movie Lines List

For more on Where the Heart Is, go to Forney Hull

For more on Wild Hogs, go to Sucky Sequels

For more on Zoolander, go to It’s Back:The Sequel

 

 

Part VII: It Was Said One Night (My Favorite Movie Line List)

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Here we go again! Another list! Hope you all enjoy it!

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601)”Gru: Whoa, whoa, whoa! What was that? She hit that. I saw that with my own eyes.
Carnival Barker: Well, you see that little spaceship there? You see how it’s not knocked over? You know what that means, Professor? It means you don’t get the unicorn! Aw, somebody’s got a frowny face! Better luck next time.
Gru: Okay, my turn.[Gru takes out a plasma gun and fires it, destroying the stand and disintegrating the spaceship] Knocked over!”–Despicable Me (2010)

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602)”Graham: Well, I cry all the time.
Amanda: You do not.
Graham: Yeah I do. More than any woman you’ve ever met.
Amanda: You don’t have to be this nice.
Graham: It happens to be the truth.
Amanda: Really?
Graham: A good book, a great film, a birthday card, I weep.
Amanda: Shut up.
Graham: I’m a major weeper.”–The Holiday (2006)

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603)”Wayne Campbell: So, do you come to Milwaukee often?
Alice Cooper: Well, I’m a regular visitor here, but Milwaukee has certainly had its share of visitors. The French missionaries and explorers were coming here as early as the late 1600s to trade with the Native Americans.
Pete: In fact, isn’t “Milwaukee” an Indian name?
Alice Cooper: Yes, Pete, it is. Actually, it’s pronounced “mill-e-wah-que” which is Algonquin for “the good land.”
Wayne Campbell: I was not aware of that.”–Wayne’s World (1992)

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604)”Derek Zoolander: I’m pretty sure there’s a lot more to life than being really, really, ridiculously good looking. And I plan on finding out what that is.”–Zoolander (2001)

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605)”Marian: There is a price on your head.
Robin Hood: How much?
Marian: One hundred gold pieces.
Robin Hood: Is that all? I shall have to annoy the good Sheriff more. Soon it will be a thousand.
Marian: For a thousand, I would turn you in myself.”––Robin Hood: Prince of Thieves (1991)

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606)”Sammy: What I’m saying is all I really want is someone to hold me and tell me that everything is going to be all right.”–The Wedding Singer (1998)

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607)”April: Don’t make me staple your head.”–Definitely, Maybe (2008)

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608)”Cynthia Morales: Love is not always that easy, Anna.
Alan Weiss: Nothing worth getting ever is.”–Chasing Liberty (2004)

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609)”Spartan King Leonidas: Spartans! Ready your breakfast and eat hearty… For tonight, we dine in hell!” –300 (2006)

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610)”Derek Zoolander: Moisture is the essence of wetness, and wetness is the essence of beauty.”–Zoolander (2001)

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611)”Spartacus: All men lose when they die and all men die. But a slave and a free man lose different things.
Tigranes Levantus: They both lose life.
Spartacus: When a free man dies, he loses the pleasure of life. A slave loses his pain. Death is the only freedom a slave knows. That’s why he’s not afraid of it. That’s why we’ll win.”–Spartacus (1960)

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612)”Airport Guy: Hey, do you like A Flock Of Seagulls?
Robbie: [sees the guys hair is just like the lead singer of A Flock Of Seagulls] I can see YOU do.”–The Wedding Singer (1998)

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613)”Miles: [holds up a copy of “The Graduate” on DVD] Uh oh… “Where have you gone, Joe DiMaggio… “? I bet you didn’t know, it was all written for the movie, it was a score, technically.
Dustin Hoffman: I can’t believe this… I can’t go anywhere.”–The Holiday (2006)

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614)Robbie:[Singing] You don’t know how much I need you. While you’re near me, I don’t feel blue. And when we kiss I know you need me to. I can’t believe I found a love that’s so pure and true. But it all was bulls***. It was a ******* joke. And when I think of you, Linda, I hope you f****** choke. I hope you’re glad with what you’ve done to me. I lay in bed all day long feeling melancholy. You left me here, all alone, tears running constantly. Oh would somebody kill me please? Somebody kill me please. I’m on my knees, pretty pretty please. Kill me. I want to die. Put a bullet in my heeeeaaaad.”–The Wedding Singer (1998)

Wedding Singer Love False Stinks

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615)”Dimitri: If we live through this, remind me to thank you.”–Anastasia (1997)

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616)”Derek Zoolander: What say we settle this on the runway… Han-Solo?
Hansel: Are you challenging me to a walk-off… Boo-Lander?”–Zoolander (2001)

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617)”Holly Golightly: You know those days when you get the mean reds?
Paul Varjak: The mean reds, you mean like the blues?
Holly Golightly: No. The blues are because you’re getting fat and maybe it’s been raining too long, you’re just sad that’s all. The mean reds are horrible. Suddenly you’re afraid and you don’t know what you’re afraid of. Do you ever get that feeling?
Paul Varjak: Sure.
Holly Golightly: Well, when I get it the only thing that does any good is to jump in a cab and go to Tiffany’s. Calms me down right away. The quietness and the proud look of it; nothing very bad could happen to you there. If I could find a real-life place that’d make me feel like Tiffany’s, then – then I’d buy some furniture and give the cat a name!”–Breakfast at Tiffany’s (1961)

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618)”Stoney: If you’re edged ’cause I’m weazin all your grindage, just chill. ‘Cause if I had the whole brady bunch thing happenin’ at my pad, I’d go grind over there, so dont tax my gig so hard-core cruster.”–Encino Man (1992)

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619)”Will Hayes: I kept the book…
April: Yeah?
Will Hayes: Because it was the only thing that I had left of you.”–Definitely, Maybe (2008)

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620)”Dowager Empress Marie: You’ll stop at nothing, will you?
Dimitri: I’m probably about as stubborn as you are.”–Anastasia (1997)

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621)”Det. Nunzio: [after Scott got arrested] Look, I know you’re Scott Calvin. You know you’re Scott Calvin. So let’s make this simple: I say ‘name’, you say ‘Scott Calvin’. [Gestures Scott to come close] Name?

Scott Calvin: Kris Kringle.

Det. Nunzio: Name?

Scott Calvin: Sinterklaas.

Det. Nunzio: [annoyed] Name!

Scott Calvin: Pere Noel. Babbo Natale. Pelznickel. [Imitates Ed Sullivan] Topo Gigio!”–The Santa Clause (1994)

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622)”Captain of the Guards: Yep, that’s catnip…
Puss-in-Boots: Um… that’s… not mine…”–Shrek 2 (2004)

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623)”Tom Fox: He doesn’t have a passport.
Carl Hanratty: For the last six months, he’s gone to Harvard and Berkeley. I’m betting he can get a passport.”–Catch Me if You Can (2002)

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624)”Bartlett: Virgil, isn’t it?

Hilts: Hilts. Just make it Hilts.”–The Great Escape (1963) 

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625)”Duke: What’re you gonna do, drown me in your tears?
Justin: I did not cry during that game. I had something in my eye.”–She’s the Man (2006)

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626)”Holly Golightly: I’ve got to do something about the way I look. I mean a girl just can’t go to Sing Sing with a green face.”–Breakfast at Tiffany’s (1961)

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627)”Roger Thornhill: I’m being followed. Can you do something about that?
Taxi Driver #2: Yes I can.
Roger Thornhill: Do it.”–North by Northwest (1959)

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628)”Shmi Skywalker: You can’t stop change any more than you can stop the suns from setting.”–Star Wars Episode I: The Phantom Menace (1999)

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629)”Will Hayes: Here… I wanna marry you because you’re the first person I wanna look at when I wake up in the morning, and the only one I wanna kiss goodnight. Because the first time that I saw these hands, I couldn’t imagine not being able to hold them. But mainly, when you love someone as much as I love you, getting married is the only thing left to do. So, will you, um, marry me?
April: Definitely. Maybe.”–Definitely, Maybe (2008)

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630)”Matt Murdock: So does every guy have to go through this just to find out your name?
Elektra: You should try asking for my number.”–Daredevil (2003)

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631)”Bianca: Has the fact that you’re completely psycho managed to escape your attention?”–10 Things I Hate About You (1999)

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632)”Robbie: We’re living in a material world and I am a material girl… or boy.”–The Wedding Singer (1998)

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633)”Frank Abagnale, Jr.: Brenda, I don’t want to lie to you anymore. All right? I’m not a doctor. I never went to medical school. I’m not a lawyer, or a Harvard graduate, or a Lutheran. Brenda, I ran away from home a year and a half ago when I was 16.
Brenda Strong: Frank? Frank? You’re not a Lutheran?”–Catch Me if You Can (2002)

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634)”Emperor Nero: [During the burning of Rome] What does the mob want?
Petronius: Justice.
Emperor Nero: A mob doesn’t want justice – they want revenge!”–Quo Vadis (1951)

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635)”Marylee Hadley: I’m allergic to politeness.”–Written on the Wind (1956)

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636)”Derek Zoolander: But why male models?
J.P. Prewitt: Are you serious? I just told you that a moment ago.”–Zoolander (2001)

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637)”Luther: If you’re gonna talk the talk, you gotta walk the walk. Otherwise you’ll be lined in chalk. “–The New Guy (2002)

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638)”Richard Dadier: Yeah, I’ve been beaten up, but I’m not beaten. I’m not beaten, and I’m not quittin’.” –Blackboard Jungle (1955)

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639)”Anne Elliot: If I may, so long as the woman you love lives, and lives for you, all the privilege I claim for my own sex, and it is not a very enviable one – you need not covet it, is that of loving longest when all hope is gone.”–Persuasion (1995)

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640)”Anderson: Sir, helmets interfere with my psychic abilities.
Judge Dredd: Think a bullet in the head might interfere with them more.”–Dredd (2012)

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641)”Mr. Knightley: Men of sense, whatever you may say, do not want silly wives!”–Emma (1996)

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642)”Raphael: For what is an artist in this world but a servant, a lackey for the rich and powerful? Before we even begin to work, to feed this craving of ours, we must find a patron, a rich man of affairs, or a merchant, or a prince or… a Pope. We must bow, fawn, kiss hands to be able to do the things we must do or die. [chuckles] We are harlots always peddling beauty at the doorsteps of the mighty.
Michelangelo: If it comes to that, I won’t be an artist.
Raphael: [scoffs] You’ll always be an artist. You have no choice.”–The Agony and the Ecstasy (1965)

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643)”Alex: You’re my exception.”–He’s Just Not That Into You (2009)

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644)”Derek Zoolander: Wait a minute. I might just have an idea. They’ll be looking for us at Maury’s right? But they won’t be looking for… not us.”–Zoolander (2001)

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645)”Dean: If there is a higher power, why is it He can’t get you a new sweater?
Jamie: He’s too busy looking for your brain.”–A Walk to Remember (2002)

Sarcasm

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646)”Beth: I just need you to stop being nice to me unless you’re gonna marry me.”–He’s Just Not That Into You

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647)”Policeman: How does the girl fit into the picture?

John L. Sullivan: There’s always a girl in the picture. What’s the matter, don’t you go to the movies?”–Sullivan’s Travels (1941)

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648)”Maya Hayes: What’s the boy word for ‘slut’?
Will Hayes: They still haven’t come up with one yet. But I’m sure they’re working on it.”–Definitely, Maybe (2008)

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649)”Rocky Balboa: I just also wanna thank God. Except for my kid bein’ born, this is the greatest night in the history of my life. I just wanna say one thing to my wife who’s home: YO, ADRIAN! I DID IT!”–Rocky II (1979)

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650)”Arthur Abbott: I’ve got something for you.
[picks up a corsage]
Iris: [touched] Oh.
Arthur Abbott: Forgive me. The last time I had a date, this this is what we did.
Iris: It’s beautiful.
[kisses Arthur on the cheek]
Arthur Abbott: If it’s corny, or if it’s going to ruin your outfit, you don’t have to wear it.
Iris: [Iris puts the corsage on her wrist] I like corny. [Takes Arthur’s hands] I’m looking for corny in my life.” –The Holiday (2006)

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651)”Derek Zoolander: Well I guess it all started the first time I went through the second grade. I caught my reflection in a spoon while I was eating my cereal, and I remember thinking “wow, you’re ridiculously good looking, maybe you could do that for a career.”
Matilda: Do what for a career?
Derek Zoolander: Be professionally good looking.”–Zoolander (2001)

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652)”Robin Hood: Blinkin, listen to me. They’ve taken the castle!
Blinkin: I thought it felt a bit drafty. Cor, this never would have happened if your father was alive.
Robin Hood: He’s dead?
Blinkin: Yes…
Robin Hood: And my mother?
Blinkin: She died of pneumonia while…[Remembers] Oh, you were away!
Robin Hood: My brothers?
Blinkin: There were all killed by the plague.
Robin Hood: My dog, Pongo?
Blinkin: Run over by a carriage.
Robin Hood: My goldfish, Goldie?
Blinkin: Eaten by the cat.
Robin Hood: [on the verge of tears] My cat?
Blinkin: Choked on the goldfish. [pause] Oh, it’s good to be home, ain’t it, Master Robin?”–Robin Hood: Men in Tights (1993)

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653)”Sir Thomas More: Why not be a teacher? You’d be a fine teacher; perhaps a great one.
Richard Rich: If I was, who would know it?
Sir Thomas More: You; your pupils; your friends; God. Not a bad public, that.”–A Man for All Seasons (1966)

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654)”Donkey: [singing] The sun will come out tomorrow, bet your bottom…
[trails off]
Shrek: Bet my bottom?”–Shrek 2 (2004)

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655)”Roger Thornhill: Handle with care, fellas. I’m valuable property.”–North by Northwest (1959)

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656)”Arthur Abbott: Iris, in the movies we have leading ladies and we have the best friend. You, I can tell, are a leading lady, but for some reason you are behaving like the best friend.
Iris: You’re so right. You’re supposed to be the leading lady of your own life, for god’s sake! Arthur, I’ve been going to a therapist for three years, and she’s never explained anything to me that well. That was brilliant. Brutal, but brilliant.”–The Holiday (2006)

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657)”Mr. Knightley: I can think of nothing less appealing than an evening of watching other people dance. Go on! [throwing stick for dog to fetch]
Emma Woodhouse: Then you shall have to dance yourself.
Mr. Knightley: I have no taste for it. I’d rather fetch that stick.
Emma Woodhouse: I’ll try to remember to bring it to the ball.”–Emma (1996)

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658)”Agnes: I like him. He’s nice.
Edith: He’s scary.
Agnes: Like Santa.”–Despicable Me (2010)

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659)”Robbie: See? Billy Idol gets it!”–The Wedding Singer (1998)

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660)”Mrs. Robinson: Elaine, it’s too late!
Elaine: Not for me!”–The Graduate (1967)

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661)”Gru: I went to kindergarten, I know how the alphabet works.”–Despicable Me (2010)

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662)”Father of the Bride: You are the worst wedding singer in the world, buddy!
Robbie: Sir, one more outburst, I will strangle you with my microphone wire. You understand me.”–The Wedding Singer (1998)

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663)”Donkey: Oh, Shrek. Don’t worry. Things just seem bad because it’s dark and rainy and Fiona’s father hired a sleazy hitman to whack you.”–Shrek 2 (2004)

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664)”Benjamin: Mrs. Robinson, you’re trying to seduce me.”–The Graduate (1967)

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665)”Man at Prairie Crossing: That’s funny, that plane’s dustin’ crops where there ain’t no crops.”–North by Northwest (1959)

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666)”Margaret Tate: Was that your family?
Andrew Paxton: Yes.
Margaret Tate: Tell you to quit.
Andrew Paxton: Every single day.”–The Proposal (2009)

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667)”Robbie: Hey, psycho – we’re not gonna discuss this, OK, it’s over. Please get out of my Van Halen t-shirt before you jinx the band and they break up.”–The Wedding Singer (1998)

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668)”Molly Malloy: If you was worth breaking my nails on I’d tear your face wide open.”–His Girl Friday (1940)

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669)”Eve Kendall: [Hanging by their fingers from Mount Rushmore] What happened with your first two marriages?
Roger Thornhill: My wives divorced me.
Eve Kendall: Why?
Roger Thornhill: They said I led too dull a life.”–North by Northwest (1959)

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670)”Holly Golightly: A girl can’t read that sort of thing without her lipstick.”–Breakfast at Tiffany’s (1961)

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671)”Gidget: Oh boy, the bigger they are the dopier they come.”–Gidget (1959)

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672)”Dudley Frank: The music moves me, but it moves me ugly.”–Wild Hogs (2007)

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673)”Linda: I don’t ever want to marry you.
Robbie: [takes a deep breath, sighs] Gee, you know that information… really would’ve been more useful to me *yesterday.*
Linda: I’ve been talking with my friends the last few days…
Robbie: Oh, boy, here it comes.
Linda: …and I think I’ve figured out what’s been bothering me. I’m not in love with Robbie, now. I’m in love with Robbie, six years ago. Robbie, the lead singer of Final Warning; I used to come watch you when you were in your silk shirt and Spandex pants, and you would sing into the microphone like you were David Lee Roth.
Robbie: I’ve still got the Spandex; I’ll put ’em on right now.
Linda: The point is, I woke up this morning and realized I’m about to get married to a wedding singer? I am never gonna leave Richfield!
Robbie: Why do you need to leave Richfield? We grew up here. All our friends are here; it’s the perfect place to raise a family.
Linda: Oh, yeah – sure! Living in your sister’s basement with five kids while you’re off every weekends doing wedding gigs at a whoppin’ sixty bucks a pop?
Robbie: Once again, things that could’ve been brought to my attention YESTERDAY!”–The Wedding Singer (1998)

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674)”Hildy Johnson: Walter, you’re wonderful, in a loathsome sort of way.”–His Girl Friday (1940)

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675)”Paul Varjak: [about Holly and Jose] So you’re getting married, then?
Holly Golightly: Well, he hasn’t really asked me, not in so many words.
Paul Varjak: Four you mean?
Holly Golightly: Huh?
Paul Varjak: Well that’s how many it takes: will you marry me?”–Breakfast at Tiffany’s (1961)

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676)”Edith: Are these beds made from bombs?
Gru: Yes, but they are very old and are not likely to explode. But don’t toss and turn.
Edith: Cool!”–Despicable Me (2010)

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677)”Dudley Frank: [after tasting some of Maggi’s chili] Mother of God! I swallowed hot lava!”–Wild Hogs (2007)

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678)”Sammy: If you find somebody you can love, you can’t let that get away.”–The Wedding Singer (1998)

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679)”Walter Burns: What do you think I am, a crook?
Hildy Johnson: Yes.”–His Girl Friday (1940)

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680)”Paul Varjak: And I always heard people in New York never get to know their neighbors.”–Breakfast at Tiffany’s (1961)

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681)”Maggie: You coming back through?
Dudley Frank: Maybe. A biker never knows. A week, a month.[pauses] Six days, ten hours, 27 minutes, give or take six minutes for wind resistance.”–Wild Hogs (2007)

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682)”[Harriet and Mr. Elton are talking as Emma tries to listen from behind a bush]
Rev. Elton: I love… I simply love…
Emma Woodhouse [to herself]: Could this be? The declaration?
Rev. Elton: Celery root.”–Emma (1996)

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683)”Shrek: The kingdom of FAR FAR Away, Donkey? That’s where we’re going! FAR! FAR!… away.”–Shrek 2 (2004)

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684)”Holly Golightly: It should take you exactly four seconds to cross from here to that door. I’ll give you two.”–Breakfast at Tiffany’s (1961)

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685)Gidget: Honest to goodness it’s the absolute ultimate!”–Gidget (1959)

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686)”Landon: Uh, yes, sir. I’d like to ask your daughter to dinner on Saturday night.
Reverend Sullivan: That’s not possible.
Landon: Well… with all due respect, sir, I ask you to reconsider.
Reverend Sullivan: With all due respect, Mr. Carter, I made my decision. You can, uh, exit the way you entered.
Landon: Listen, I’m sorry I haven’t treated Jamie the way I should’ve. She deserves more than that. I’m just asking you for the same thing that you teach us every day in Church. And that’s faith.”–A Walk to Remember (2002)

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687)”Prince Charming: Princess… Fiona?
Wolf: NO!
Prince Charming: Oh, thank heavens!”–Shrek 2 (2004)

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688)”Paul Varjak: You know what’s wrong with you, Miss Whoever-you-are? You’re chicken, you’ve got no guts. You’re afraid to stick out your chin and say, “Okay, life’s a fact, people do fall in love, people do belong to each other, because that’s the only chance anybody’s got for real happiness.” You call yourself a free spirit, a “wild thing,” and you’re terrified somebody’s gonna stick you in a cage. Well baby, you’re already in that cage. You built it yourself. And it’s not bounded in the west by Tulip, Texas, or in the east by Somali-land. It’s wherever you go. Because no matter where you run, you just end up running into yourself.”-Breakfast at Tiffany’s (1961)

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689)”Landon: Do you love me?
[she nods]
Landon: Will you do something for me, then?
Jamie: [smiles] Anything.
Landon: Will you marry me?”–A Walk to Remember (2002)

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690)”Robbie: All right, remember – alcohol equals puke equals smelly mess equals nobody likes you!”–The Wedding Singer (1998)

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691)”Holly Golightly: You could always tell what kind of a person a man thinks you are by the earrings he gives you. I must say, the mind reels.”–Breakfast at Tiffany’s (1961)

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692)”Dave: [At Home Depot] Please don’t pee in that, it’s not a real toilet.”–Couples Retreat (2009)

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693)”Mr. Knightly: [About Elton] That man is so full of himself I am surprised he can stay on that horse.”–Emma (2009)

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694)”Agnes: Why are you wearing your pajamas?
Vector: They’re not pajamas! It’s my warm-up suit.
Agnes: Why do you need warming up for?
Vector: For doing stuff.
Margo: What kind of stuff?
Vector: Super-cool stuff you wouldn’t understand.
Agnes: Like sleeping?”–Despicable Me (2010)

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695)”Walter Stratford: Hello, Katarina. Make anyone cry today?
Kat Stratford: Sadly, no. But it’s only 4:30.”–10 Things I Hate About You (1999)

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696)”Fairy Godmother: Don’t you point those dirty, green sausages at me!”–Shrek 2 (2004)

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697)”Emma Woodhouse: Oh, but if he seems happy, I will know that he’s decided to marry Harriet, and I will not, I know I will not be able to let him tell me. But if he seems sad, I’ll know that John has advised him against it. I love John! Or he may seem sad because he fears telling me he will marry my friend. How can John let him do that? I hate John!”–Emma (1996)

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698)”Joey: When you’re living in my house, you’re a Taliban! Okay? You keep your body a secret. Except you get to, you know, go to school and read books.”–Couples Retreat (2009)

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699)”Edith: When we got adopted by a bald guy, I thought this’d be more like Annie.”–Despicable Me (2010)

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700)”Receptionist: Look, she’s not seeing any clients today. Okay?
Shrek: That’s okay, buddy. We’re from the union.
Receptionist: The union?
Shrek: We represent the workers in all magical industries, both evil and benign.
Receptionist: Oh, of course.
Shrek: Are you feeling at all degraded or oppressed?
Receptionist: A little. We don’t even have dental.
Shrek: They don’t even have dental. Okay, we’re gonna have a look around. And buddy, it would be better if the Fairy Godmother doesn’t know about this. Know what I mean? Hmm?”–Shrek 2 (2004)

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For more on the film It Happened One Night, which this title is a parody of, go to I Don’t Want the Money

For more My Favorite Movie Lines List, go to Episode VI: Return of the Movie Lines List

For more on 10 Things I Hate About You, go to You’re Just Too Good To Be True

For more on A Walk To Remember, go to Fulfilling the List

For more on Anastasia, go to I’ll Always Be There When You Need Me

For more on Catch Me If You Can and The Holiday, go to the 25 Films of Christmas

For more on Daredevil, go to Pot o’ Gold

For more on Definitely Maybe and Zoolander, go to It’s BACK

For more on Disney, go to  For She Filled Their Lives With Sunshine

For more on Emma (1996), go to I Always Feel Like Somebody’s Watching Me

For more on Emma (2009), go to Obviously You’ve Never Met George Knightly

For more on He’s Just NOT That Into You, go to You’re My Exception

For more on Persuasion, go to Oh Oh De Lally

For more on Shrek 2, go to I Wouldn’t Change You, Darling!

For more on Star Wars, go to And Away We Go

For more on The Santa Clause, go to On the 11th Day ‘Til Christmas

For more on Wayne’s World, go to Episode III:Revenge of My Movie Lines List

For more on The Wedding Singer, go to Wanna Grow Old With You

For more on Wild Hogs, go to Sucky Sequels