I Want To Believe You, But I Have To Be Sure. I Can’t Stop Until I’m Certain That He’s Dead: Halloween II (1981)

He’s dead. You saw it. I saw a man in a mask. It was him. I want to believe you, but I have to be sure. I can’t stop until I’m certain that he’s dead.

Happy Halloween Everyone!

As I mentioned in my Leprechaun post, back in 2017, as that year had a Friday the 13th in October I had an idea to review the sequels to different slasher films in on the Fridays, with of course Friday the 13th Part II, being reviewed on the actual Friday the 13th. Unfortunately, I never finished that Horrorfest or the films I had planned to review as I had some technological difficulties with my computer and the app wasn’t fully developed.

Instead I planned to review the two remaining films later, in hopes of trying to do it again the next time there was a Friday the 13th in October, 2023. In 2017, 2023 felt like it was forever away, but of course now it is next year. As Halloween II is the last of the slasher films I need to review before next year, I thought why not end on it? I especially feel it is full circle as my first year of blogging I ended on Halloween and now my 10th year of blogging I’m reviewing Halloween II.

Oh well…

It’s been a long time since I’ve seen this film, all I remember is the “twist revelation”.

The film starts off with the end of Halloween. We see the last 10 minutes of the previous film when Michael Myers takes off and Laurie and Dr. Loomis are together. The best part of this opening is the music, John Carpenter really knew how to make something that sounded creepy!

Laurie gets sent to the hospital to be looked after her fight while Dr. Loomis is crazily searching for Michael Myers. He of course is busy killing, as several people hadn’t heard the news yet and haven’t taken any extra precautions.

At one point Dr. Loomis sees a man dressed up similar to Michael Myers, although from our viewpoint it is most definitely not him as the guy is smaller and the face mask not quite the same. He ends up getting chased by the Dr and Sheriff’s deputy, but while chase hit by another car and catches on fire. It happens so quickly I’m not sure why that happened.

So does that mean that the outfit he wears is an actual Halloween costume that can be easily purchased like in Scream? I thought it was one that Myers made himself?

One of the EMTs recognizes Laurie and gives her extra attention in the hospital. I know we should trust the EMTs but I’ve seen so many horror movies I don’t trust people, and I’m suspicious.

The police think that the case is over and that Michael has been killed, but Dr. Loomis is not so sure. He keeps saying he shot him six times and it did nothing. I know in the previous film he was supposed to bet he embodiment of the “boogeyman”, but in this he is actually of this Earth as we found in the end twist; so does that mean he sold his soul to the devil ? Or is he the Antichrist? Why does death not affect him?

Hmmm…

This film the pacing is a little slow. In the previous film they build up the characters so we knew them and there was an emotional reaction when they were murdered. With this film we have a double barreled cat and mouse, Michael hunting and being hunted, but it die strong the same. I think because none of these characters do we really know enough to care about except Laurie.

Laurie is recuperating in the hospital when one of the nurses has a side remark that they are having trouble with the phone, oh no! It’s Michael!!!! He must be at the hospital.

The security guard goes to check it out and of course is killed. It isn’t really as surprising or as suspenseful as it was in the previous film. When the security guard is talking to the nurse in the radio while investigating, behind her in the window it looks like Michael Myers is waiting and watching. At first I thought it was him, but I think it was just a trick of the light. It would have been creepier if he was watching her.

I think that’s the issue. Michael is just running around while in the previous film he was watching and looking and that added to the tenseness and creepiness of the film. No one enjoys being stalked. In this we haven’t really seen him.

The police are busy as already tonight is Halloween and they have to worry about drunks, mischief makers, and the like; now they are searching for a serial killer, trying to talk down riots, and having to work with after tragedy hysteria.

The cops are pretty certain the man killed by car and fire was Michael Myers, even though Dr. Loomis insists it is not him. The deputy starts taking Loomis a little more seriously when some boys are searching for their friend who never made jr friend, a friend who is similar to the dead body found.

Hmm…

Meanwhile, Laurie is sleeping when some repressed memories resurface. She is adopted and her adopted mother wouldn’t tell her anything about her real parents.

Meanwhile a nurse and the gross EMT (not the one into Laurie but the one who talks bad about women) decide to sneak off to the therapy room to have sex. Michael sneaks in and ups the temperature. When the gross EMT goes to check it, Michael kills him. I actually like how they did this scene as we can hardly see it through the glass doors and there is no sound other than the thermal pools. He kills the girl too.

It turns out that Michael broke into the school and left a message. He’s after his sister, planning to kill her. But who is his sister? Did he kill her already or is he planning on killing her?

The EMT into Laurie goes to check on her and finds her in a cationic state. He calls a nurse and after she checks her she goes searching for the Dr. But it’s too late, he’s already dead! And the nurse is next. Nurse…did they ever say her name?

I mean I knelt that we don’t have a lot of time to introduce the characters as so much is happening in one night, Halloween, it would be nice if their was as I don’t know who and if these people are and by not knowing them their deaths little affect me.

Michael goes after Laurie, but when he tries to kill end her he find the bed full of pillows. It turns out that Laurie must of had a premonition or something as she escaped her room just in time.

Hospital staff can’t find her, but we the viewer know she is alive and hiding. The EMT and a nurse talk about what to do next and when their separate we see they were staining in front of a doctor’s screen, one where Michael was hiding behind. Michael kills the EMT before he can leave the hospital.

The nurse tries to leave but the car is dead. She plans to take Karen’s car but it has a flat tire. With nothing else to do, she goes back to the hospital where she finds Laurie, but is murdered.

Now it is Laurie versus Michael Round 2: New Location. Laurie tried to get away, squeezing through a window, up an elevator, and out the hospital. But is it enough?

Dr. Loomis has been recalled as they don’t want to get involved with the legalities. On the way out of town the person entrusted to ensure Loomis leaves let slip there was a secret file on Myers and it turns out Laurie is his sister! Loomis uses his gun to force them to go to the hospital to try and save Laurie.

Back with Laurie, Jimmy the EMT is alive? I thought he was killed? He tries to start the car. It can’t and dies? Passes out? I’m not sure which but he lands on the horn and gives away their position. Laurie gets out of the car but her adrenaline is going and she is weak and tired from the night. She see Dr. Loomis arrive and calls out to him, but he doesn’t see her. Instead she tries to get back into the hospital as Michael is after her again.

Dr. Loomis shoots again and seems to knock him out, but he’s not dead. Do you think he sacrificed his sister and parents’ lives in order to be immortal or unlikable? And that’s why he needs to kill Laurie?

Hmmm…

Before when he was just an entity of evil I could see him being unlikable as evil never dies, but as a person with a family how come he can’t be killed?

Michael takes out the marshal and once again hunts Loomis and Laurie. Michael stand Loomis and tries to get Laurie but she shoots him in the face and this wounds him. Maybe tang is why he wants her dead, maybe his deal won’t he devil was that only those who share his blood can defeat him, home wanting to remove all those people?

Blinded by blood, Dr. Loomis uses this to gain some time by opening up ether and other aerosols. He tells Laurie to leave and then blows everything up. But Michael isn’t dead, you can’t really kill him…

He’s out there somewhere…

So that end another Horrorfest!!! I hope you all enjoyed it!

I hope you all have a fantastic and safe Halloween!

For more on Halloween, go to Everyone’s Entitled to One Good Scare: Halloween (1978)

For more John Carpenter, go to There’s Something in the Fog!: The Fog (1980)

For more Jamie Lee Curtis, go to It’s a Weird Case from the Start. A Case With a Hole in the Center: Knives Out (2019)

For more serial killers, go to X Marks the Murder, Part I: Diagnosis Murder (1996)

For more sequels, go to On Me Next Thousandth Birthday, I’ll Stalk Your Fairest Offspring and Claim Her As Me Bride!: Leprechaun 2 (1994)

Murder in High C: Murder She Wrote (1995)

So you know what that means: Horror TV episodes Tuesday

I know this is a little odd, TV episodes on a Tuesday instead of Friday as I’ve been doing for the past few years?

Well this year October 1st started on a Friday and it just doesn’t seem right for Horrorfest to start with a review of a TV episode. 

So instead we will be reviewing TV episodes on Tuesdays, TV Tuesdays.

And our next TV episode comes from Murder She Wrote.

I love Murder She Wrote, as I grew up watching the reruns on TV Land and Hallmark. The story was of widowed, retired school teacher, Jessica Fletcher (Angela Lansbury) who becomes an author-published under the name J.B. Fletcher.

As she goes about life she gets pulled into all these different murder mysteries, using her intellect and observational skills to solve the crimes.

Today’s pick is one of my favorites from Murder She Wrote, because of all the possibilities.

This episode takes place in season 11. Jessica Fletcher has become an international bestseller and has made friends with people of various backgrounds from all around the globe. In this episode Jessica is in Italy, excited for her friend Andrea Beaumont’s big premiere as prima soprano. Over a year ago, Andrea was stalked by a crazed fan and has been in therapy. She is finally returned to singing, but as Andrea heads to the theater we see the fog and hear a creepy voice threaten to kill her.

Aahhh!!!

Andrea ends up fainting and is sent back to her hotel, this being the first of many incidents. Andrea continues to get calls as someone is harrassing her? But who could it be?

Mystery, you say?

This episode has a plethora of suspects:

Andrea’s former stalker was sentenced to prison last year, but when the police start investigating they discover that he was released early. He has been keeping with his probation appointments, but a week ago he seemed to have disappeared. Has he come back and followed her to Italy to finish the job?

Hmm…

Drew Granger (Bruce Abbott) is the conductor of the opera production and he is in an extremely bad mood. He and Andrea had a thing, but she left him when she met Jonas Cole, marrying Cole instead. Drew is dating Vicki Lawson, PR manager, but he doesn’t seem to be over Andrea, as he and Cole are constantly going toe to toe over her. Could he have been repeating the stalking as he is intimate of the details and wants her to pay for leaving him? Does he think by making things stressful she would want to date him again, this incident bringing them closer together? Or maybe it isn’t romantic at all? Granger was asked to conduct in New York, a much bigger deal than this Genoa show-but he’s locked in his contract. If Andrea cannot continue and the production chooses to cancel instead of continue he will be free to leave. Could it be him?

Stella Knight is the former prima soprana, but is seen as being “too” old, having to move over for the younger Andrea. She is furious and demands her husband do something and does all she can to make things hard on Andrea. The stalking was widely publicized, could she be recreating it so Andrea quits and Stella can take back her role?

Jonas Cole is Andrea’s stock broker husband. He is caring and loves her, but he always seems to be gone or off doing something when she needs him most. And as they always say-the husband is the first to be looked at. He could be trying to kill her and wanting someone else to “take the fall”, maybe for money or to get rid of her so he can remarry. Maybe he doesn’t want Andrea dead, but is trying to “kill” her career hoping to “scare” her into permanent retirement?

Hmmm…

Rudolfo Petrocelli is the company director and is worried about money and the performance. He can’t understnd it, but they seem to be barely making it. If Andrea quits the performance she will have to pay for dissolving the contract. If that happens the company would actually make more money than what they would make with ticket sales. Could he be behind this scaring?

Hmm…

Vicki Lawson is the PR manager of the tour and this event. She’s good friends with Andrea…or is she? She is dating Drew Granger and mad that he seems to be focused on Andrea than her. Not only does Drew end up dumping her when Andrea joins, but when she tries to make Drew see he needs her expertise, he gives her the kissoff. Could it be that she became so jealous that she is striking out at Andrea? Maybe she thinks if she gets rid of her she can have Drew back?

The poilice promise their protection and tap the phones to try and pinpoint where the stalker is calling from. But even with their best efforts the stalker still comes backstage and tries to attack Andrea.

So Whodunnit? One of the suspects figures it out and tries to to blackmail the stalker, winding up dead instead, (as the murder in Murder She Wrote). Which one could it be?Which one? You need to watch this to find out.

While some episodes are a little more obvious as to who the killer is, I really like that this one gave us so many possibilities. It is a fantastic episode, with plenty of remediate and turns. But don’t worry, Jessica always figures them out.

For more Murder She Wrote, go to The Witch’s Curse: Murder She Wrote (1992)

For more mysteries, go to A Teenager Tries to Be Nancy Drew, With Disastrous Results: True Crime (1996)

For more Angela Lansbury, go to Because I Am Mad, I Hate You. Because I Am Mad, I Have Betrayed You: Gaslight (1944)

For more with stalkers, go to Superhero Film or Stalker Thriller: Unbreakable (2000)

Sadly I’m a Stalker

After all:

For more of my book loves, go to Weekend Plans

It’s Coming From Inside the House: When A Stranger Calls (2006)

We traced the call! It’s coming from inside the house! Do you hear me? It’s coming from inside the house! You need to get out!

So I love this movie so much! It came out during the period of remakes of 1970s horror films, you had Dracula 2000, The Exorcism of Emily Rose (2005), The Wicker Man (2006), The Texas Chainsaw Massacre (2003), Carrie (2002), The Omen (2006), The Hills Have Eyes (2006), Dawn of the Dead (2004), Halloween (2007), and Invasion (2007). 

I thought it was a great remake, although I’ve never seen the original. And as the trailer revels the climatic ending I don’t feel bad about doing so either.

So the film starts off a police cleanup as a baby-sitter and the kids she had been watching were ripped to shreds.

 Then we cut to out protagonist Jill who is practicing track. She is suffering from a supremo of bad days. Her times are all off and she needs to improve her speed. Part of the reason she is sucking so much is that she is distracted by her broken heart.

It turns out that her boyfriend and best friend hooked up! What jerks!

And she is grounded because she went over the mins on her phone. Remember, back in the day when every cellphone plan had min limits, and everyone was going over them all the time?

Oops!

She really wants to go to the bonfire party, but the only place she is allowed to go is to babysit.

Yep, the money from the job is supposed to be enough to cover the cost of the phone bill. They must be paying her an awful lot of money.

To further her punishment, she can’t have her own car but has to be dropped off by her dad and then dropped off by the couple when they return from their night. Now this is a pretty sweet baby-sitting job. It is for a rich family, who lets you eat anything in the house, watch things on their massive TV, getting paid lots of money, and you don’t even have to look after the kiddos as they’re sick.

Only one problem, she is in the freakin’ middle of nowhere. But it is a beautiful house!

It has a so many glass windows and such, it also has an inside garden/aviary thing.

Now my home has a whole wall of windows, so when I first watched this with my friends we were all freaked out during the…well I’ll save that for later.

So Jill doesn’t have much to do as the kids are sick and knocked out upstairs. The maid is there, but will be leaving shortly after she finishes her rounds. The couple have an older son who attends college and he may or may not be coming back to visit, but if he does he’ll crash in the guest house in their backyard.

Seems easy enough

So Jill gets ready for a night o’ fun. She eats popsicles and tries on jewelry and clothes.

Everything is fun and games until Jill begins to receive anonymous and annoying phone calls.

Jill Johnson: [phone rings] Hello? [no answer] [sighs] Mandrakis Residence.

Voice of the Stranger: Have you checked the children?

Jill Johnson: What

[Stranger hangs up. Jill runs and checks on the children. Comes back downstairs]

Jill Johnson: [phone rings] Hello?

Voice of the Stranger: [pauses] How were the children?

At this point in the film if you look hard enough you can actually see him watching her through the window while she is walking around and talking to her on the phone.

In between she gets some creepy calls from her ex’s friends. She gets even more calls, but then one turns out to be her ex-friend Tiffany. Tiff the big, bad, boyfriend stealer.

Tiff comes and tries to fix things between them, with Jill feeling lukewarm about the whole thing. She kicks Tiff out, who tries to leave but can’t as a tree blocks her path. A tree that wasn’t there earlier. That means only one thing, bye-bye Tiff.

Goodbye now!

 

The calls continue getting even creepier.

Jill Johnson: Tiffany, I know it’s you. I can see your name on Caller ID, genius.

Voice of the Stranger: This isn’t Tiffany.

Jill Johnson: Who is this?

Voice of the Stranger: [pause] Who is this?

Jill Johnson: Cody?

Voice of the Stranger: Who’s Cody?

Jill Johnson: You better cut this out!

[stranger hangs up]

Now for the most part Jill is pretty smart girl. She calls the police and tries to get them to trace the call and get rid of her stalker. She keeps the security system on at all times. When she sees a light go on in the guest house, she thinks it might be the son and tries to get him to come back with her to help.

She turns the security system off and runs down to the guest house to get the son. When she gets in there, she discovers that there is no one there.

Jill concludes that it must have been the maid, going over here to clean and then left after she completed the job. She runs back to the house, causing the security system to go off. She gets a call from the company, but tells them that it is only her. She must have only thought she turned the system off.

She continues to get more calls from “the Stranger”, telling her that he can see her.

Oh Crap!

Jill Johnson: He can see me!

Officer Burroughs: Sorry?

Jill Johnson: It’s Jill, the girl who called before about the man who keeps on calling.

Officer Burroughs: What’s going on?

Jill Johnson: He called me again.

Officer Burroughs: What did he say?

Jill Johnson: He’s out there, he’s outside, he’s watching me through the windows.

Officer Burroughs: Did you see him?

Jill Johnson: No, but I know he can see me, because I went upstairs…

Officer Burroughs: Okay, take a deep breath, where’s the house keeper?

Jill Johnson: I don’t know, I saw her purse and the keys but I can’t find her.

Officer Burroughs: The house locked up?

Jill Johnson: Yes.

Officer Burroughs: Alarm system?

Jill Johnson: It’s on.

Officer Burroughs: Okay, you’re safe inside that house. If he wanted to break in, he wouldn’t be calling.

Jill Johnson: But he must want something!

Officer Burroughs: Listen to me, Miss, it’s just some a****** trying to hassle you.

So when my friends and I were watching this film, we were in the living room which has a whole wall made entirely out of windows, similar to the house in the film. There is also a window behind the TV. As we were watching this part, something hit our window.

AAAAAAAAHHH!!!!!!!!!!!!!!!

Our cat had jumped up on the fence outside and hit the window with her tail. We were just so into the film that we were creeped out.

So back to the film. So Jill keeps trying to talk to “the Stranger” so the police can trace the calls. It is so creepy, it was like when that crazy girl kept calling/texting me last spring.

Jill Johnson: [On phone] You really scared me, if that’s what you wanted. Is that what you wanted?

Voice of the Stranger: No.

Jill Johnson: What do you want?

Voice of the Stranger: Your blood all over me.

As gross and creepy and Nightmare in Elm Street’s Freddy Kreugar.

EW!

That’s when everything starts to fall apart.

AAAAAAAAAAAAAAAAHHH!!!!!!!!!!!!!!!

Besides Tiff, Jill also finds the body of the housemaid. She tries to help save the children, but end up getting in a deadly fight with “the Stranger”.

Save the Children!!!!

Jill is awesome how she takes down the stranger, totally kicking butt.

Kudos for carrying the crowbar

The cops come and capture the killer and cart him off, taking Jill with them to be looked at.

The ending is great, with its nod to Friday the 13th. Check it out, it is an amazing film!

The creepiest thing about this film is how the guy watches her and how he gets in the house and does the whole cat and mouse game. It is such a creeptastic film.

To start Horrorfest III from the beginning, go to Even a Man Pure of Heart

For more on When a Stranger Calls, go to Do You Know Where Alex Is?

For more on psychopathic killers, go to Everyone’s Entitled to One Good Scare

For more great remakes, go to Redone Done Right

Everyone’s Entitled to One Good Scare: Halloween (1978)

It’s Halloween, everyone’s entitled to one good scare.

Let’s face it, you all knew this was coming. I mean how could I not end Horrorfest without ending on Halloween, literally.

I saw this movie during my quest to view the Big 3. I saw Nightmare on Elm Street first, which I was very disappointed in. Then I saw Friday the 13th, which wasn’t bad, but not super scary. Needless to say, when I got around to watching Halloween I thought it was going to suck. I had seen one of the many spanned sequels when I was flipping through channels, and that was absolute rot.

I LOVED Halloween though. I thought it was pretty creepy. I mean some parts are a little dumb, like the fact that you can’t kill Michael Myers, because “can’t kill the boogeyman”, but overall it was a very well done film.

The story is of a young boy, Michael Myers, who murders his sister. I hate how they never explain why he murders her. There are “theories”, but John Carpenter really should have given us a reason why Myers became a murderer. What was his stressor? What triggered him to this kind of response? I know you all think why I should care, but it concerns me as I took this quiz, Which Horror Movie Slasher are You?, and got Michael Myers.

Anyways he is sent to a sanitorium, where he is taken care of by Dr. Samuel Loomis. On October 30, Loomis and nurse Marion Chambers are preparing to take him off to be tried at court. Myers gets away and Loomis heads to Myers’ hometown Haddonfield to track him down.

Carpenter really liked Alfred Hitchcock movies, especially the film Psycho. He pays homage to the film throughout this movie; two of them being Dr. Samuel Loomis and Marion Chambers. In Psycho, Marion Crane is played by Janet Leigh, the poor women who ends up not living through her night at the Bates Motel. The man she loves and is hoping to marry soon, is Sam Loomis, played by the Very Handsome John Gavin.

We now are transitioned to the cute ’70s suburban town of Haddonfield. There we are introduced to straight A, good girl, Laurie Strode. Laurie Strode is played by Jamie Lee Curtis, and this was her first film and it really got her career going. The only reason why she got the part was because Carpenter thought it would be awesome to have Janet Leigh’s, the star of Psycho,  daughter be the star of his film. Janet Leigh had been knows as the “Queen of Scream”, a title that her daughter Jamie went on to also earn.

Laurie is planning on baby-sitting that night, watching scary movies, and carving Jack-o-Lanterns. Her two friends Annie and Lynda are much more wild and eagerly hoping to have wild nights with their boyfriends. While Annie’s plans fall through and she is going to be baby-sitting a girl down the street from Laurie, neither are as serious about it as Laurie.

From Laurie, we see that she has a problem connecting to others. She is quiet and reserved. She is also very wistful that she doesn’t have a date to the dance on that Friday, the night after Halloween. Her friends eagerly make plans for Friday, plans that get changed by Myers.

Laurie spends Halloween in a fog, as she keeps seeing someone watching her, but can’t tell if it is in her head or if someone is out there. No one else manages to see him, as just like in the Twilight Zone: Nightmare at 20,000 Feet, he always slips away.

I mean I totally relate to her in this film. When you are out walking around all the time like her, a lot of weirdos come around and you never quite know whether one is a safe weirdo, or one who might possibly do something.

Loomis meets up with the local sheriff, who is also Annie’s father, and the two search for Myers. They spend most of their attention focusing on the Myers’ old house. Neither is aware that Myers has already chosen his victims and is stalking them right now.

Laurie gets to the house and is a good baby-sitter, paying attention to Tommy Doyle. He is pretty much focused on the monster movie marathon. Two of the films he watches that night are The Thing From Another World (my favorite horror movie), and Forbidden Planet (my favorite scifi film). I recognized the scenes from them right away when I was watching it, and started screaming out their names. Carpenter redid The Thing From Another World, titling it The Thing. Kurt Russell stars in it as he was a fan of the original film. I thought the remake sucked! They changed EVERYTHING. But I’ll save that for another post.

Myers’ bloodbath begins! I don’t want to ruin the film for you guys, and say too much more as I think it should be watched. It is really good and has some definitely creepy music, which Carpenter wrote himself. I’m serious that music sends chills down my spines when I hear it. It totally creeps me out.

I will say one thing. I really liked how Laurie’s character fights back. She is pretty tough, and usually women don’t have that role in a horror film. Definitely check this out!

Also Carpenter references another Alfred Hitchcock film, Rear Window, when the boy witnesses something, but Laurie fails to believe him.

The only thing I wish we had to make the movie better is why Michael kills and why he choose those specific people to be his victims. Alas, we may never know.

When your done watching the film, watch this.

Sadly this ends my Horrorfest. There are now 31 Tales of Terror and Woe, which I suggest you read and watch.

I’m so sad that it is over, but it has been a lot of fun. I already can’t wait until next year to do it again.

Have a scaretastic, terrorific, horrifyingly amazing night. Eat candy, watch movies; just have fun. And be safe in anything you do. I just started getting readers and would hate to lose any of them. Happy Halloween! 😀

So this artist José Rodolfo Loaiza Ontiveros did a series of disney mash-ups, my favs being the horror films. To see more go to Disnified Horror.

He’s climbin’ in your windows

Here’s a facebook cover page I made for my facebook as part of my countdown to Halloween.

To start Horrorfest from the beginning, go to I Don’t Belong in the World

For the previous post, go to When the Itsy-Bitsy Spider Is No Longer Itsy-Bitsy

For more on psychopaths, go to I Can Be Your Best Friend or Your Worst Enemy

For more slasher flicks, go to Camp Blood

For more films influenced by Alfred Hitchcock, go to Whatever You Do Don’t Fall Asleep

For more films that have spanned sequels, go to They’re Coming to Get You Barbara

For more on The Twilight Zone, go to Surviving the Worst