Monster Movie: Supernatural (2008)

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“All three monsters – the Dracula, Wolf Man, and the Mummy – all the same critter, which means we need to catch this freak before he “Creature from the Black Lagoon’s” somebody.”

So I know that I have had quite a few TV episodes this October. I know that I went a little overboard, but I wanted to include this anyway. You see I have been wanting to review this episode for a while, but felt that I couldn’t do it until I had reviewed the original The Wolf Man film. As I finally did it this October, it allowed me to finally be able to talk about this episode. This is my all-time favorite episode because it has what I love! Monster Movies!!

Universal Monster Movie Horror

Yep it parodies a series of Classic Horror Films: Dracula (1931)The Mummy (1932), Wolf Man (1941)In fact to further the homage to classic horror film, they even filmed the whole thing in black and white!

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So Supernatural is a show that like Grimm, every episode could be done for Horrorfest. The show consists of two hunter brothers, Dean and Sam Winchester, who travel all over the U.S. hunting ghosts, demons, vampires, werewolves, etc. As the seasons progress they get more focused on the battle between angels and demons and stopping the end of the world. It’s an awesome show.

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So this episode takes place in season 4. There have been a lot of angst and sadness

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(I won’t go into detail in case you haven’t watched it and want to) and the two brothers have finally been reunited.

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So Dean and San are driving into Pennsylvania on the trail of vampires. Sam is worried about the apocalypse, but Dean convinces him to stop off at an Oktoberfest to relax a bit. They find the Sheriff and introduce themselves as Agent Angus and Agent Young (homage to Angus Young of AC/DC).

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There they are told to speak to the witness Ed Brewer, but the Sheriff doesn’t put much stock in his testimony. They run into the very beautiful waitress Jaimie, who points them toward Ed. There Ed describes the Vampire as being the one out of the 1931 Dracula film.

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Yep, Dean and Sam are shocked, but Ed insists that it is true. The guy looked just like Bela Lugosi’s Dracula.

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In fact the vampire even uses the Transylvanian accent.

Sam and Dean confer and determine that it is probably a twilight-esque fan and that it isn’t really strange enough for them to stick around.

The night however, things change.

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A couple is making out in a car when a werewolf comes upon them and attacks.

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The next day, Sam and Dean talk to the girl who survived the attack, Anne-Marie, and discover that the killer looked just like Lon Chaney Jr. in the 1941 Wolf Man film.

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The sheriff also finds wolf hair on the dead body. Sam and Dean are confused as real werewolves don’t have wolf hair.

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That night a guard discovered an Egyptian sarcophagus at the docks. As the guard is about to call to figure out what is going on, the mummy rises from its grave.

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The Mummy attacks the guard, strangling him.

The Winchesters go down to investigate and try and figure out what is going on. There they discover the sarcophagus is actually a movie prop that has been laced with dry ice. Dean leaves Sam to figure out a theory, while he heads down to meet up with Jamie for their date.

Meanwhile, Jamie has been waiting for a while and decides that Dean is most likely standing her up. She starts to walk home, when she runs into Dracula.

Blood!

Blood!

He calls her his reincarted love, and tries to kidnap her, but Jamie sprays him with pepper spray and then runs away…right into Dean. Dean gets a punch into Dracula

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But then finds himself overpowered by the vampire

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The vampire calls him “Harker” (reference to Jonathan Harker the fiancé of Mina [the woman Dracula tries to take]). Dracula tries to bite Dean, but he rips his ear off and a medallion. With his ear gone, Dracula runs away and jumps on his scooter.

Say What

Nope you heard my correctly

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Back at the bar, Dean shows Sam the ear and medallion.

“Dean Winchester: I, uh, pulled it off during the fight. Look at the label on the ribbon.

Sam Winchester: It’s a costume rental.

Dean Winchester: All three monsters – the Dracula, Wolf Man, and the Mummy – all the same critter, which means we need to catch this freak before he “Creature from the Black Lagoon‘s” somebody.”

They determine that they are dealing with a shapeshifter obsessed with classic film. Now if you have been reading my posts posts, such as Phantom of the MegaplexScream, and An American Werewolf in London, you know probably realize another reason why I love this episode. Yep, I can relate to the shapeshifter. I love classic film (especially horror) and I can completely understand him.

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Anyways, so Sam, being the scholar, recognizes the name Harker and figures that the shapeshifter is trying to recreate the 1931 film, Dean being Jonathan and Jamie being Mina. I guess that makes Sam, Van Helsing.

Count Dracula: Van Helsing.  [Van Helsing turns to face Count Dracula]  Count Dracula: Now that you have learned what you have learned, it would be well for you to return to your own country.  Van Helsing: I prefer to remain and protect those whom you would destroy.  Count Dracula: You are too late. My blood now flows through her veins. She will live through the centuries to come, as I have lived.  Van Helsing: Should you escape us, Dracula. We know how to save Miss Mina's soul if not her life.  Count Dracula: If she dies by day. But I shall see that she dies by night.  Van Helsing: And I will have Carfax Abbey torn down, stone by stone, excavated a mile around. I will find your earth-box and drive that stake through your heart.  Count Dracula: Come here.  [Dracula raises his hand to hypnotise Van Helsing]  Count Dracula: Come here...Your will is strong, Van Helsing.  [Van Helsing reaches out for his crucifix as Dracula looms toward him]  Count Dracula: More wolfbane?  Van Helsing: More effective than wolfbane, Count.  Count Dracula: Indeed.  [Dracula lunges towards Van Helsing. Van Helsing holds up the crucifix. Dracula snarls and turns away. Van Helsing, in triumph, puts away the crucifix]

The two figure that it must be someone who knows Jamie and is obsessed with her. When they question her, Jamie can’t think of a person who is strange or crazy. Lucy, her best friend and coworker, mentions that Ed recentlly moved to town and is the projectionist for the old theater. Plus he has a crush on Jamie.

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HIghly suspicious

Sam goes to investigate while Dean stays with Jamie. The two are drinking beer and having a deep conversation, when Lucy interrupts. She is on her way out the door, but Jamie invites her to stay and have a drink with them.

Back on the case, Sam has gone into the old theater and discovers Ed playing the pipe organ.

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He pulls on Ed’s ear, but find it fast in place.

“Sam Winchester: [tries to tear out Ed’s ear] It’s supposed to come off.

Ed Brewer: No, it’s not!”

OMG

This means Ed is not the shapeshifter!!! But if he isn’t…who is?

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Back at the bar, Dean and Jaimie are getting groggy and falling asleep. Dean punches Lucy in the face, and discovers that Lucy is not “Lucy” but the shapeshifter.

AAAAAAAAHHH!!!!!!!!!!!!!!!

AAAAAAAAHHH!!!!!!!!!!!!!!!

And she has drugged the two of them. Dean tries to hold on, but faints.

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Dean wakes up and finds himself in lederhosen.

Noooooooooo!!!!!!!

Noooooooooo!!!!!!!

In a Frankenstein-esque dungeon.

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Now I really like what Dracula has to say here. It’s so poetic. “Life is small, meager, messy. The movies are grand, simple, elegant. I have chosen elegance.”, it’s very Movie Mason from The Phantom of the Megaplex.

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Anyways, Dracula is about to electrocute Dean and have a “movie” where the monster wins, when something interrupts him. The doorbell rings and the pizza delivery guy is there.

Pizza Delivery Guy: Uh, pizza delivery?

Dracula: Ah, you have brought a repast. Excellent. Continue to be of such service, and your life will be spared.

Pizza Delivery Guy: Uh-huh. That’ll be $15.50.

Dracula: Tell me…

Pizza Delivery Guy: Yeah?

Dracula: Is there garlic on this pizza?

Pizza Delivery Guy: I don’t know. Did you order garlic?

Dracula: No!

Pizza Delivery Guy: Then no. Look, mister, I’ve got four other deliveries to make. You want to just pay me the money so I can go?

Dracula: Of course. Yes. But I have a coupon.

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And why not take a pizza break? Pizza is awesome.

I love Pizza

I love Pizza

So now that Dracula has food for later, he prepares to finish Harker/Dean, but is interrupted by Jamie waking up.

Meanwhile back at the bar, Sam has figured out that with Jamie and Dean missing it must be Lucy. He sets out for her house.

Back in the dungeon, Dracula wants Jamie to dress in the gown he bought her and eat pizza with him.

Just like the Mummy, trying to dress his "reincarnated bride" in his old love's clothes.

Just like the Mummy, trying to dress his “reincarnated bride” in his old love’s clothes.

Jamie is really freaked out as she has been drugged, was betryed by her best friend (as Dracula was pretending to be “Lucy”) and is stuck with a killer. Dracula tries to apologize and tells Jamie his backstory. He was called a monster from the beginning of his life and beat by his father. He found solace in monster movies, and achieves strength and confidence when taking their form.

This part actually reminded me a lot of The Phantom of the Opera. Here is a man who is disfigured and mistreated because of it. He knows only how to hate as he has been so mistreated. It makes you wonder how things might have been different if one person had loved him.

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While Dracula is reminiscing, unbeknownst to him Sam has slipped into the house and is skulking around the dungeon. Dracula knocks Jamie out and turns his attention to Sam and the freed Dean. They start fighting, with Sam being thrown through a fake door. Dean and Dracula are struggling to get the gun with silver bullets along with trying to knock the other out. Dean tries a groin attack and move for the gun, but Dracula throws him back. Before he can do anything else, Jamie, who has just woken up, grabs the gun and shoots him.

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With Dracula conceding, that maybe this is how the “film” should end.

The next day Dean says good-bye to Jamie. The two brothers agree that’s it was nice doing some old-fashioned monster hunting, rather than the angels & demons stuff. They discuss what film they would want to live in as the episode ends.

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To start Horrorfest III from the beginning, go to Even a Man Pure of Heart

For the previous post, go to Murder is My Favorite Crime

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For more on Supernatural, go to Keep Clear of the Moor. Beware the Moon

For more on Dean Winchester, go to I’m Batman!

For more on Sam Winchester, go to You Can’t Have Just One!

For more horror parody, go to Who’s Afraid of Cory Wolf?

For more on Dracula, go to I Bid You Welcome

For more on The Mummy, go to Part X: The Movie List That Would Not Die

For more on The Wolf Man, go to Unleash the Savage Instincts that Lie Hidden Within

For more monster movies, go to What Is This Thing?

For more on Phantom of the Megaplex, go to Friday Night Fun

For more on recreating a scene, go to Carried Away

For more on pizza, go to Food, Food, Food

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Anything Can Happen: An Affair to Remember (1957)

Romantic Moment #10

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An Affair to Remember (1957)

I love this movie so much! It is one of my favorite romantic films. I mean it has CARY GRANT in it, so already you know it is going to be wonderful.

Aw!

Aw!

Now even if you haven’t seen it, this film may sound familiar to you. This is the film the Meg Ryan and Tom Hanks film that Sleepless in Seattle is based around. An Affair to Remember is the film that Meg Ryan’s character, Annie, and Rosie O’Donnell’s character, Becky, are crazy about. Even Tom Hanks character Sam’s sister Suzy, (played by Tom Hanks’ wife Rita Wilson) adores it. In fact if you haven’t seen either movie I recommend watching An Affair to Remember before Sleepless in Seattle. You just enjoy the movie on a deeper level that way.

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An Affair to Remember is a remake of Love Affair starring Charles Boyer and Irene Dunne. As much as I like original films and Irene Dunne, I prefer An Affair to Remember because of Cary Grant. Like I said before, I’m a big fan.

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An Affair to Remember is about two people who meet on a cruise and fall in love, although both’s affections are engaged elsewhere. Nickie Ferrante, (Cary Grant), is a playboy engaged to Lois Clark; while Terry McKay, (Deborah Kerr), is mistress to Kenneth Bradley. The two try to stay apart but spend dinners together, walks, Terry even meets Nick’s grandmother; and the two end up falling in love.

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As both feel they are not good enough with the life styles they have been living, (both living off money provided from the people they are dating.) They agree to each live on their own and meet up in six months at the top of the Empire State Building. If the other doesn’t show up; the one waiting will know that they decided to go on with their life in the original direction planned.

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In six months, Nickie is a painter and he eagerly rushes to the Empire State Building. Terry is a singer in a nightclub, and on her way to meet Nickie, she gets hit by a cab; paralyzed for the rest of her life. Nickie ends up waiting the whole night for her, but she never comes.

It's so Sad!

It’s so Sad!

Terry tells Nickie nothing about the accident, feeling that she is not worthwhile being paralyzed. She is too proud to go to him, and too scared. The two cross paths at a concert, and Nickie sees her with her old boyfriend, hurt and betrayed at what he thinks she did.

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Will they be reunited or is this affair over for good?

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Most Romantic Moment: Reunited Lovers

This romantic moment comes at the very end. It is the most romantic and I am so sorry I don’t have a video to show you, but I couldn’t find one.

It is Christmas day and Terry has decided to spend it home alone, when Nickie shows up, angry, bitter and hurt; but determined to give her the shawl that his grandmother left Terry when she died.

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He tells her he painted a picture of her, and didn’t sell it. Instead a woman in a wheelchair wanted it, and didn’t have enough money so he had his dealer give it to her.

Nickie Ferrante: You know, l painted you like that, with the shawl. l wish you could have seen it. Courbet said it was one of my best. l didn’t think l could ever part with it, but there was no reason to keep it any longer. l couldn’t take money for it because, well, you know…So Courbet told me a young woman came into the gallery and… she liked it. She saw in it what l’d hoped you’d see, so… l told Courbet to give it to her. Because he said she didn’t have any money, and not only that, she was…Anyway, l told him to give it to her…”

At first he is angry that she is so indifferent to him, and never even gets up to greet him just laying on the couch; but as he is talking he starts thinking about the woman in the wheelchair and Terry’s actions. Could they be the same person?

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Nickie looks around, and then he sees it. THE PAINTING!

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He runs to her and holds her in his arms.

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This is the part everyone starts weeping at, bawling. Who can blame them? It is such a sweet moment, the two reunited.

“Terry McKay: Darling, don’t look at me like that.
Nickie Ferrante: Why didn’t you tell me? If it had to happen to one of us, why did it have to be you?
Terry McKay: It was nobody’s fault but my own. l was looking up. It was the nearest thing to heaven. You were there.
Nickie Ferrante: Oh, darling.
Terry McKay: Don’t worry, darling. If you can paint, l can walk. Anything can happen, don’t you think?
Nickie Ferrante: Yes, darling.
Terry McKay: Yes, darling.”

So romantic

So romantic

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So in Sleepless in Seattle, you get some great scenes of the women talking about this moment.

One of the best scenes is in the beginning when Becky and Annie are watching An Affair to Remember. I love this scene because it is the kind of conversations I have with my friends after I watch a great movie. I am always Annie in these scenarios.

“Annie Reed: Now those were the days when people knew how to be in love.
Becky: You’re a basket case.
Annie Reed: They knew it. Time, distance, nothing could separate them, because they knew it was right. It was real. It was… 
Becky:  A movie. That’s your problem. You don’t want to be in love. You want to be in love in a movie.


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And then one of my favorite scenes is when Suzy shares the story of An Affair to Remember with her brother Sam and husband. The guys make fun of her, but I love this scene because when I bring up the story of An Affair to Remember I tell it in the exact same way Suzy does.

I love this scene because I can see myself having the reaction of Annie or Becky.

And in the end Annie and Sam get the romantic ending that Terry and Nickie never got.

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To start Romance is in the Air from the beginning, go to Boom Box of Love: Say Anything (1989)

For the previous post, go to You’re Just Too Good Too Be True: 10 Things I Hate About You (1999)

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For more on An Affair to Remember, go to People Have to Snatch at Happiness When They Can in This World. It is Always Easier to Lose Than to Find: O Pioneers!

For more on Cary Grant, go to On the 7th Day ‘Til Christmas: The Bishop’s Wife (1947)

For more on falling in love at a bad time, go to If I Never Knew You

For more remakes, go to A Tale So Strange It Must Be True: The Cabinet of Dr. Caligari (2005)