Like my okay on Halloween Ends? I don’t care what they say, I know they will make more. When there is money to be made there will always be another sequel or remake.
But enough of that. Here ends another Horrorfest: 31 reviews of films and/or TV episodes that are mysteries, horror, film-noir, suspense, monster movies, thrillers, psycho killers, ghosts, vampires, zombies, mummies, etc.
I only started doing this because I already would watch something for Halloween every day in October (and annoy my friends by doing so); and it was a real easy leap to blog about it. I know some people don’t think I should as it has “nothing” to do with Jane Austen. That may be true, but I do know one character who would enjoy Halloween and Horror films.
I also did my third annual Celebrate Halloween withNorthanger Abbey. And added something new, reading a chapter of Northanger Abbey every day, it’s a perfect countdown to Halloween as it has 31 chapters
And of course our Annual items
A movie or TV episode from every decade from the 1930s-2020s
Jane Austen with Pup Fiction (1997)
Alfred Hitchcock with Marnie (1964)
Animated Film/TV Episode with Over the Garden Wall (2014) & Coco (2017)
Disney with Coco (2017)
Stephen King with Firestarter (2022)
Tim Burton with Beetlejuice (1988)
Vincent Price with The Pit and the Pendulum (1961)
So Horrorfest started I couldn’t tell you exactly when. I’ve always been a fan of horror, thriller, suspense, mystery, film-noir, etc. I would watch them all the time, but every day in October.
When I went to college, I continued and my roommates were thrown into my 31 Days of Horror films celebration.
Who knows?!
So when I started blogging in 2012 I decided to include it and officially create “Horrorfest”-blogging about a film every day. That way it would save my friends/roommates from something they weren’t as interested in.
Yay!!!
Over the years I have established a set of rules and annual films categories. Every year I have enjoyed doing it although sometimes I have fallen behind because of life getting in the way. Usually I have the posts written, like this year I had all 31 done extremely early-the best I have ever been, it is just the editing that slowed me down. If you have someone willing to edit your work-give them a lot of love, because it takes a LOT of time to do.
So last year I received quite a few comments questioning Horrorfest as it has nothing to do with Jane Austen. They felt that there was no reason to do it and didn’t want me to continue.
Hmmm
Well, they are right it does have nothing to do with Jane Austen.
Even though Horrorfest doesn’t really have anything to do with Jane Austen, I have tried to input anything Jane Austen related-I’ve reviewed Death Comes to Pemberley, Death by Persuasion-or things with Austen actors in it like Ruby in the Smokeand Dead Again. I’ve even reviewed some films that while not Jane Austen-are films that Austen fans will love.
But even if I don’t review something Jane Austen, I think its okay to include Horrorfest as there is one character who would love this:
Yep the Regency spooky girl:
So for this year’s review: how I do Horrorfest VIII is that I watch whatever, and review it. I mean I usually plan the first and last film-and of course I planned The Planet of the Apes series review after someone donated the set to the library-yet it always amazes me how many match up themewise.
This year we had gothic films with the Horror of Dracula and Rebecca.
We also had a multicultural Horrorfest VIII as my Jane Austen profile pic was inspired from my Mexican culture, we had Horror of Dracula from England, High Seas AKA Alta Mar from Spain, Spirited Away from Japan, and Strong Woman Bong Soon from Korea.
We had dystopian futures with Planet of the Apes,Beneath the Planet of the Apes, Escape from Planet of the Apes, Conquest of the Planet of the Apes, Battle for Planet of the Apes, Logan’s Run, and The Running Man.
We had Non-Austen Films for Austen Fans with Alta Mar AKA High Seas, “Death By Persuasion” from Midsomer Murders, Rebecca, and Strong Woman Bong Soon.
We had superheroes with Batman, Strong Woman Bong Soon, and Unbreakable.
Ghosts with The Fog,R.I.P.D., Spirited Away, and 13 Ghosts of Scooby-Doo.
And apes with the Planet of the Apes series and King Kong.
And of course our Annual films:
A movie or TV episode from every decade of 1930s-2010s
Doubledose of Alfred Hitchcock with Alfred Hitchcock Presents and Rebecca
Animated Film with Spirited Away,
Disney with Spirited Away,
Doubledose of Lifetimewith Death of a Cheerleader and Psycho Mother-in-Law,
Stephen King with The Running Man
Tim Burton with Batman
Vincent Price with 13 Ghosts of Scooby-Doo
The full list of films, TV episodes, and video game reviewed for Horrorfest VIII:
31 Days of horror, suspense, mystery, gothic tales, Alfred Hitchcock, psycho killers, ghosts, murder, dystopian futures, monsters, and more!
I love film and here’s my chance to share it with you all.
A couple years ago I put Jane Austen in a costume and added it to my Horrorfest traditions. This year I choose to dress her up in a skull mask for Halloween and Dia de Los Muertos. As you know I’m Latino and that is a part of the way people celebrate those who have passed on. This year both my grandmother died in the beginning of the year, while one of my best friends died last month. While I can’t paint my face, my skin allergies, I can honor them in this way. Along with Jane!
So a while back during my 30 Day Challenge one year, I talked about something I had accomplished-my intense thesis paper. The professor had noticed my love of film, and recommended that I choose that for my project and I did. I choose to talk about the Civil Rights era and Western film.
I know, it sounds weird, but it there were actually a lot of Western films that correlated with the changes occurring due to the Civil Rights Movement. It was different, it was ambitious, it would be a perfect change from anything anyone else had done. And it was-all those things but after a lot of serious work and time, and sleepless nights-I did it and it was good. And I won an award.
Afterwards, for another class I decided to stick with the idea-but this time with women in Post WWII Westerns. WWII allowed women more freedoms, as they had to take on previously masculine roles and duties. Westerns became the perfect avenue for this as historically women played a major part in “settling the West,” for example, thousands of women journeyed West under the Homestead Act. I discussed five influential western films that presented strong cowgirl characters and broke away from previous molds: Ramrod (1947), Red River (1948), Montana (1950), Rawhide (1951), and Calamity Jane (1953).
They were all fantastic films, but only two could work for Horrorfest VII: film-noir Ramrod and suspense-thriller Rawhide.
I was having a hard time trying to decide which one to review as I thought two Westerns during Horrorfest VII was a little much. I finally decided on Rawhide as thus far, I have only reviewed one 1950s film while four 1940s film.
Hmm…
Well enough background-let’s move forward. So this film is a remake of a 1930s film Show Them No Mercy. This black and white film stars Tyrone Power as Tom Owens, the son of a stagecoach tycoon, having been not living up to his father’s expectations he sent Tom out West at a stopover station, Rawhide Pass.
A coach comes through with a group of passengers, one being Vinnie Holt (Susan Hayward) and her niece Callie. Vinnie is a singer turned cowgirl, who is taking her niece to be raised by her maternal grandparents as her sister and brother-in-law died in a brawl.
They are going to head out but the calvary arrives with the news that there are escaped convicts after a gold shipment. They are there to escort the stagecoach, but they cannot take Callie as children are not allowed in such dangerous situations. Vinnie stays behind with her niece and upsets Tom’s life.
“Tom Owens: What are you doing?
Vinnie Holt: I’m taking this room.
Tom Owens: I’m sorry, this is mine.
Vinnie Holt: [Authoritatively] Not tonight, it’s not!”
That night Vinnie wants a bath for her and Callie. He’s angry and points out the trough, but Vinnie is harsh and won’t be cowed-getting him to admit where the hot springs are in the area. She doesn’t trust anyone-she’s a woman living in the West, and takes Tom’s gun with her just in case.
Meanwhile, a man comes over on a horse. Tom waits behind, while the other Rawhide worker Sam Todd (Edgar Buchanan) goes to check it out. The man shows a Sheriff badge, but it turns out he is the convict, Rafe Zimmerman (Hugh Marlowe) who was supposed to hang for the murder of his girlfriend and lover. He and his crew of three, all being guys from cells around him, take over the place. They kill Todd, and imprison Tom in his room.
Vinnie and Callie come back, and Vinnie quickly grapples the situation. She tries to hide, but is discovered when Callie cries out, but does manage to hide Tom’s gun before they imprison her too.
They think Vinnie and Callie are Tom’s wife and daughter. They keep them alive to use as collateral in order to ensure that Tom does what they ask. This soon turns into a game of cat and mouse as Tom and Vinnie try to figure a way out of the situation without revealing their plans to the outlaws.
Another coach comes by and Zimmerman pretends to be a sheriff assisting Tom with those convicts on the loose. Tom tries to find a way to slip a note, steal their gun, or get the one hidden under the trough. He and Vinnie also try digging out a hole in the wall of their room in hopes that they can all escape these madmen. But will they be able to make it through the night?
This is a great film you should see for yourself. Susan Hayward is a powerful character. While Hayward’s role of Vinnie is similar to the 1930s Western films as she provides a love interest, and creates a way in which to distinguish which of the outlaws is the true villain; however, she doesn’t allow her gender or temporary motherly duties keep her from her true character; a strong, brave, cowgirl–equal to any man. Throughout the film, Vinnie is also shown to be equal to her male counterpart. Not only does she instruct and command Tom, but will not tolerate anyone trying to take advantage of her as she knows how to survive the West and does not allow anyone to push her around because of her sex.
The film also reverses the damsel in distress cliché that one would expect in a love triangle-themed film. Throughout the movie, Vinnie is constantly harassed and attacked by the convicts, but never saved by anyone. Instead, Vinnie uses her strength, cunning, and resoluteness she needed to survive living in the West to disarm and dress down her opponents, even going as far as physically harming one in order to stop him.
Digging a way out
***Spoiler Alert***
And the end of the film is great. Instead of Vinnie being the damsel in distress in need of a savior, she saves Tom. One of the convicts, Tevis, had disarmed Tom and forced him to lay down on the ground, but before Tevis has a chance to shoot him, Vinnie steps in.
You know, I was having a hard time thinking of what movie to open with. What ’60s movie do I like?
Hmm…
Then I stupidly remembered The Birds. Of course!
It’s perfect!
This movie is one of the best Alfred Hitchcock movies ever. I simply adore this film so much. It has everything that makes up a good film. And I can just watch it over and over again.
So I don’t remember what exactly got me into Alfred Hitchcock, but I became obsessed with his films. I do know how I was introduced to The Birds. It was through Ann M. Martin, author of The Baby-Sitters Club.
Huh?
I loved the BSC books as a kid and read them all even belonging in the reading club that sent you two books a month and a little newsletter. I don’t remember if the newsletter or a book mentioned it, but I remember reading a note by Ann M. Martin about how she loved the film The Birds and because no one she knew had a VCR they could only watch it when it was on TV. Whenever it aired they would plan a sleepover and watch it with friends.
I can’t stop watching!
I became consumed with the idea of watching it, did and loved it. It was the first Alfred Hitchcock film I ever owned, me ordering it and planning on purchasing one every year on my birthday or Christmas and having the whole collection when I was an adult (did not happen sadly).
Later, a friend of mine. knowing how much I loved it, took me to Bodega Bay so I could see it in person and all the sites used in the film. It was so cool seeing everything and I later took many more trips out there. Here I am with the house that is used as a schoolhouse in the film. I blurred myself out as there are a lot of weirdos on the internet, no offense dear readers.
They also used to have a museum full of things from the movie and marketing/promotional materials, but it always had weird hours, then they closed it, then they had an awesome shop which doubled as a mini museum-but then the person died who owned it and the collection moved. Here I am with an item when they still had it.
Back in 2011, Tippi Hedren actually came out to do a promotional thing at Bodega Bay. I lived near there when I was going to school, but unfortunately I could not go and meet her as I had scheduled a trip home to be with family. However I had truly amazing and awesome friends who went out and stood in line and got her autograph my DVD. I tried to pay them back, but they would not let me know the price if it or let me do so.
I’m lucky
So while it was an amazing film done by an amazing director there is a sad twinge to the story as well. Alfred Hitchcock was obsessed with Tippi Hedren and controlled her, he wouldn’t let anyone talk to her-unless they were filming, and just was plan awful to her, abusing her really. She tried to talk to the studio heads but he was such a money maker they refused to do anything. And when she refused him, he blackballed her. Too bad she wasn’t able to have justice. If you would like to know more I really recommend reading Spellbound by Beauty: Alfred Hitchcock and His Leading Ladies by Donald Spoto
So that’s enough background, let’s move on to the review!
The film is based on a book by Daphne Du Maurier, this being the third of her works being published into a film-following Jamaica Inn and Rebecca. However, this story and her story have nothing in common besides birds attacking. And before we discuss the film, let’s watch the trailer.
So the film starts off in San Francisco where we have Melanie Daniels, Tippi Hedren, going into a bird shop to pick up her myna bird.
***little side note Alfred Hitchcock strolls on by***
****Second side note, by the way there is no music track-just bird noises****
*****And can I just say she is wearing a stunning green suit. I love it and wish I owned one just like it, although I have nowhere to wear it to.*****
Melanie notices a lot of birds in the air, thinking it odd, but moving along.
Huh?
Unfortunately her bird has not arrived yet. The shopkeeper goes to call and she waits along at the desk. In walks the gorgeous Rod Taylor, and Melanie decides the same thing. Pretending to be the shopkeeper so that she can talk to him and put the moves on him.
He wants lovebirds for his sister’s birthday. He can tell she is not a shopkeeper but is trying to embarrass her, asking her questions she has no clue to the answers. When he asks to see a love bird it escapes around the shop causing havoc. And the real shopkeeper comes out to try and catch it. He reveals to Melanie that he knows who she is and has been playing her the whole time. It turns out that she went to court over a broken glass window and he was there too. He’s a lawyer and believed she should have served time for what she did, not gone off scot-free because she is a wealthy woman with a famous father.
She’s offended, but not so that she takes down this handsome man’s license, has a friend of her father run the plate, buys him lovebirds,and tracks down the address of a Mr. Mitch Brenner.
She’s got it bad, and is slightly creepy-but I kind of understand as Rod Taylor is a dreamboat. Who wouldn’t want to run into him again.
She brings the birds to his house and plans to leave them outside with a cheeky note, but his neighbor informs him that Mitch is gone for the weekend to visit his family in Bodega Bay.
A little funny that neighbor knows so much, but hey this is the ’60s. People actually knew their neighbors.
So Melanie drives the curvy winding coast road to Bodega Bay, which I have done plenty of times, and I always thought it was weird that the birds never flap around but just move with the vehicle. They don’t act like normal birds. It has always been my theory that they are the demon seed that start the revolution against people. They are just too quiet and creepy.
This is the only video I could find. There was originally no music
She goes to the post office, which you can visit, so that she can find Mitch’s address. The postmaster shows her the way to go. When you go now everything is compeletly different, but you can still look across the water like she did.
The Tides restaurant still exists, although it has been redone as there was a fire. In fact they were allowed to use it for filming only if the main male character was named after the owner of the Tides, Mitch Brenner. So yes, that is how Rod Taylor’s character got his name.
Melanie asks for the name of Mitch’s sister, but the postmaster doesn’t know. He directs her to the school and the schoolteacher, Annie Hayworth (Suzanne Pleshette), to get the actual info. Turns out the name is Cathy.
Annie asks Melanie a few questions about her relationship to Mitch. Hmm, sounds like there is some history there.
Annie Hayworth: Did you drive up from San Francisco by the coast road?
Melanie Daniels: Yes.
Annie Hayworth: Nice drive.
Melanie Daniels: It’s very beautiful.
Annie Hayworth: Is that where you met Mitch?
Melanie Daniels: Yes.
Annie Hayworth: I guess that’s where everyone meets Mitch.
Melanie heads out into a rented boat with the birds. She sneaks up to their house in heels, not an easy feat, goes into the house and drops off the birds.
Now Tippi Hedren may be a beautiful woman but I would be extremely creeped out if someone did that to me. I mean she doesn’t even know him but tracked down not only Mitch’s home address, but boyhood address. A bit creepy and stalkerish.
Mitch, however, is besotted.
As Melanie heads back across the bay, Mitch takes his car to meet her.
******Can I stop and go on a slight sidebar here? Feel free to skip over if you wish. I just love Rod Taylor in that white sweater. I don’t know what it is but he is extra dreamy.
Drooling is over back to the movie*******
So Melanie gets dive-bombed by a gull, and pretty badly hurt and bleeding. Head wounds are the worst. Here is were I guess it starts, the first shot in the revolution.
******Side note: The man who asks Mitch what happened, is the real Mitch Brenner.*******
Back to the film. They go into the resturant where Mitch tends to her wounds. She questions him, wile he tries to get to why she came. Melanie tries to play off her stalkerish by saying it was on the way to visit Annie, the schoolteacher, but Mitch knows that its a lie, therefore confirming to us that there is something between Annie and him, or was.
Hmm…
Melanie tries to play it cool, but she can’t hide the fact she had the serious hots for him. Come on Melanie, you tracked him down-don’t try to be haughty.
Mitch’s mom Lydia comes in and is introduced to Melanie. Lydia is the original ice queen and horror future-mother-in-law. Ouch. And Jessica Tandy is a great actress, one line “Oh I see”, packed with serious weight. Let the games begin.
Ouch
Melanie is trying to head home but get tricked into coming to dinner as “she was staying the weekend” and won’t give up her lie. A girl has her pride after all.
She goes to Annie’s and wheedles staying there for the night. She tells Annie that she didn’t plan on staying long, which Annie replies she knows. That’s weighty right there, she knows as she didn’t plan on staying long either.
Melanie goes to dinner and meets cute little Cathy-friendly, cheery, adorable child. They mention that there is something wring with the chickens, They don’t like the feed…maybe because they are craving something else…like human flesh!
When Lydia calls her supplier it turns out her chickens aren’t the only ones on hunger strike. She agrees to see the farmer tomorrow to see if something is wrong with the chickens. And there is!
I love how Alfred Hitchcock plays the foreground and background against each other, both parts having things happen that go with the story, important, tension building, and just plan good.
We also found out that law and order Mitch is a defense attorney for “hoodlums and criminals”, interesting. Definitely a deep character.
Wow, there is more to him than I thought.
Cathy invites Melanie to her birthday party the next day, while in the kitchen Mitch and his mom start talking. They have a slight weird relationship as in someways his mom speaks to him as a child and in others their relationship is more spousal. Not that anything incestuous is going on, but as if that is the role that his mother put him in after his dad died.
We find out that there is a lot of interesting things in Melanie’s life. She jumps into fountains naked, tours Europe, and is always in the papers. A 1960s Sabrina van der Woodsen Debutante thats always doing something.
Mitch roots out the truth from Melanie about Annie, and starts goading her about her past misadventures, but Melanie isn’t having any of it. Good looks can only carry you so far Mitch.
Mitch Brenner: What about the letter you wrote me, is that a lie, too?
Melanie Daniels: No, I wrote the letter.
Mitch Brenner: Well what did it say?
Melanie Daniels: It said ‘Dear Mister Brenner, I think you need these lovebirds after all. They may help your personality.’
Mitch Brenner: But you tore it up?
Melanie Daniels: Yes.
Mitch Brenner: Why?
Melanie Daniels: Because it seemed stupid and foolish.
Mitch Brenner: Like jumping into a fountain in Rome?
Melanie Daniels: I told you what happened!
Mitch Brenner: You don’t expect me to believe that, do you?
Melanie Daniels: Oh, I don’t give a d*** what you believe!
Mitch Brenner: I’d still like to see you.
Melanie Daniels: Why?
Mitch Brenner: I think it might be fun.
Melanie Daniels: Well it might have been good enough in Rome, but it’s not good enough now.
Mitch Brenner: It is for me.
Melanie Daniels: Well not for me!
Mitch Brenner: What do you want?
Melanie Daniels: I thought you knew! I want to go through life jumping into fountains naked, good night!
We see the creepy birds watching from phone lines, congregating at the barn-waiting for the call to strike.
Not gulls but you understand the feeling.
Back at the house Annie and Melanie have brandy and Annie tells her her story and what happened. She met Mitch in college and fell in love, followed him here but Lydia got in the way. She kept them apart. She doesn’t want a daughter-in-law, she just wants her children. Annie didn’t want to lose him and stayed out here.
Then Mitch calls his ex-girlfriend for his new one. Ouch!
Poor girl
Melanie is apologized to and invited to the birthday party agreeing to come.
Both Annie and Melanie are surprised when a bird crashes into their door.
AAAAAAAAAAAAAAAHHHHH!
At the party Mitch takes Melanie off to the side with alcohol. She wants to head home as she has work. On Mondays and Wednesdays she works at the airport, on Tuesdays she takes classes, on Thursdays she has her club and lunches supporting a child through school, etc. Normal society things. Appears there is more depth to this party girl. Hmm…I wonder if the creators of Gossip Girl have ever watched this.
Hmm…
Mitch makes a joke about a mother’s care ad it turns out she has serious mother issues. Her mother abandoned them at age 11. A theme of mother’s issues is nothing new to Alfred Hitchcock as he himself had a ton and used the theme in many films, the most famous being Psycho.
At the party they are playing a game when the gulls show up and start attacking all the kids. Dive bombing and scratching. They try to help shoo them away and get everyone into the house.
Mitch is worried for Melanie ands invites her to stay the night there to be safe. And seriously, I think it is the love birds. Even with the cloth over them that should put them to bed as it is “night” they still squabble like crazy stopping only, when Cathy remarks on them. And just after, tons of sparrows come down the chimney attacking them. All cower in fear while Mitch tries to fight them off. Melanie moves Lydia and Cathy out of the room, to safety. After the attack and birds are gone they call the police, but there is nothing they can do about it.
The next morning, Lydia takes Cathy to school and then heads out to question the farmer about the chickens being sick. Lydia goes in looking for him and instead sees broken teacups, just like how hers were destroyed by the bird attack. The rooms are quiet and face the same destruction as hers and then she sees it!
Him, the dead birds, his eyes!
So freaky the first time I saw it. Oh, and still remains a scene that terrifies most.
Traumatizing children for all time.
Lydia races home and leans on Mitch, telling him what happened. Mitch heads over to the police that are called when he and Melanie have some very tender intimate moments. Relationships speed up when danger mars your every moment.
Lydia is worried over Cathy, with the large windows at school and the broken ones at the dead body looming in her mind. We see another side of Lydia as well, more vulnerable, worried-maybe Mitch comes home not just to help his mom but because without his aid they would loose the land. Hmm…thats one thing I love about this film, on the surface it is one thing but there are many sides to all these characters.
Lydia asks Melanie to pick up Cathy as she is very worried about her and Melanie heads out right away. Melanie goes to the school, but decides to wait a bit until recess. The kids are singing and she stays outside when we have this amazing scene.
Melanie runs in and warns Annie about the jungle gym. Annie tells them they are conducting a fire drill as not to scare them and directs them to run to different places. Of course the birds attack. Poor kids.
Melanie ends up in the diner calling her newspaper mogul father and telling him the story of what happened, All listening to every word she is telling her father.
We are introduced to Mrs. Bundy (BUNDY AHH) who is an ornithologist and for the birds, Giving us some serious information on the birds.
Traveling Salesman: Gulls are scavengers, anyway. Most birds are. Get yourselves guns and wipe them off the face of the earth!
Mrs. Bundy: That would hardly be possible.
Deke Carter: Why not, Mrs. Bundy?
Mrs. Bundy: Because there are 8,650 species of birds in the world today, Mr. Carter. It is estimated that 5,750,000,000 birds live in the United States alone. The five continents of the world…
Traveling Salesman: Kill ’em all. Get rid of the messy animals.
Mrs. Bundy:…probably contain more than 100,000,000,000 birds!
We get a bit of debate as a Captain interjects that he also hates birds and wishes they were all gone, them having attacked one of his ship captains. Melanie states that the birds are killers after the kids. Everyone keeps talking down to Melanie as she tries to tell them that it wasn’t just a few but a ton and a series of different kinds.
Mitch shows up asking for Kathy, who is at Annies. Just as they argue the birds attack again. Mitch tells Melanie to stay behind as they take out a guy pumping gas causing it to flow over the ground. An unsuspecting smoker sets it off and boom.
This causes a big sign that the other birds can see and they all come in swarming. The pyre’s have been lit.
I’m in shock
All go out of the restaurant (Why? Don’t know) and we have the famous telephone scene.
They actually have a telephone booth and Tippi Hedren mannequin at one of the shops there and you can get a picture with it.
Mitch gets her out and they head back to the restaurant. Hiding with others. Mrs. Bundy, I notice you are quiet. Not talking down at her anymore are you?
One of them is hysterical, blaming Melanie. In a way I believe she is right. Although it isn’t Melanie, but those love birds.
Mitch and Melanie run to the schoolhouse to get Cathy finding Annie’s dead body.
Cathy is safely inside, but utterly traumatized. Mitch carries Annie inside and covers her with his coat. Then the three speed off to the Brenner house.
At the Brenner home, Mitch patches up the openings, prepping the house for an attack. He notices that there appears to be a pattern. They attack, disburse, regroup, attack again. Why?
Hmm…
Melanie tries to contact her father but the lines are cut. The birds isolating them and making it unable for them to reach anyone or get even local radio.
Lydia starts to freak out wanting answers, the tension exploding. All are succumbing to it.
Cathy wants the love birds with her, NOOOO nor those evil things. Even now they are probably plotting.
Now they wait, trapped. Kathy gets so anxious she makes herself sick. Then they wait again. Hearing them, being taunted by them.
I’m crazy
We have the first attack of gulls breaking windows and trying to peck through the door. Mitch being the one to take action and stop them. Then Melanie goes up to the attic.
Poor Melanie. they tend to her, but she is banged up. This scene was horrible to film. Seven days of birds being thrown at her, again and again.
Mitch uses this time of quiet to plan an escape. Melanie needs a hospital, so he and Cathy start getting things ready, not knowing what will face in the outside world or if they will be able to ever come back.
I like how Hitchcock ends the film with us not knowing if they make it out okay. We never know if everything will go back to normal. What or who caused this? I think it makes the film stronger and gives you the opportunity to create your own theory from each of his clues. If they had given us an answer, it probably would have been lame no matter what was chosen, we would have found faults. Sometimes it is better just not knowing.
So there we go, believe my theory or create your own. Either way watch the film.
This film changed how I look at birds. I never liked them before and hated them ever since. I’ll never look at another the same way again. Especially when they get in large groups or swarm overhead.
Not gulls but you understand the feeling.
After I showed this film to some friends who had never seen it, a few days later we were shopping at a store. As we are leaving, my one friend looks behind us at the store and goes ashen. She freaks out and tells us to run. As we are I look back and see a ton lined up on the store watching, then deciding to take off. We all ran as fast as we could to the car struggling in, and speeding home. Nothing happened, but a film like this just sticks to you.
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So this kicks off the beginning of Horrorfest VII. I hope you enjoy it and the spooks. thrills, and chills that are to come.
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