Well Happy First Day of Summer! I’m sure for many of you out there you are very happy about “seeing the sun again”.
However, we’ve had the sun and over 100 degree weather already.
So even though we’ve already been “celebrating”:
I thought what better way to mark today than with a song?
Summertime by My Chemical Romance
So this song doesn’t really have anything to do with the Summer, but I just couldn’t help posting it today as the symmetry was so nice.
So this song comes off the Danger Days: The True Lives of the Fabulous Killjoys album. Like every album that MCR makes this one follows a story rather than being a collection of songs. In this one, the year is 2019, a post-apocalyptic California based on/referencing a lot of films (like Blade Runner, Terminator 2: Judgement Day, Mad Max, The Karate Kid, Dredd/Judge Dredd, Star Wars etc.)
Each band member has an alter-ego Gerard Way being Party Poison”, Ray Toro is Jet Star, Frank Iero is Fun Ghoul, and Mikey Way is Kobra Kid. All of which look really hot in their rebel wear/masks. There is just something to be said for vigilantes who wear masks. 🙂
Anyways, this song is a love song.
Or at least this is how I interpret the song. To me the song is about these people growing up and living in this horrible world; doing their best to get by but scared that the next day they will give in and give up the fight; or even worse turn into the people they are fighting: “terrified of what I’d be
as a kid from what I’ve seen”.
But then they meet their match, and even though the world may be crumbling, love makes everything better. With them they can be happy, even in a world that is bleaker than bleak: “turn my headphones up real loud I don’t think I need them now ’cause you stopped the noise.”
I really enjoyed the sweetness of the melody and the lyrics. To me it is how even when we are at our darkest moments, we can be lifted out by just one thing. One more fantastic number by MCR.
When the lights go out
Will you take me with you
And carry all this broken bone
Through six years down in crowded rooms
And highways I call home?
Something I can’t know ’til now.
‘Til you pick me off the ground
With a brick in hand, your lip-gloss smile,
Your scraped-up knees.
And if you stay I would even wait all night
Or until my heart explodes.
How long?
‘Til we find our way in the dark and out of harm
You can run away with me anytime you want
Terrified of what I’d be
As a kid from what I’ve seen
Every single day when people try
And put the pieces back together
Just to smash them down
Turn my headphones up real loud
I don’t think I need them now
‘Cause you stopped the noise.
And if you stay I would even wait all night
Or until my heart explodes.
How long?
‘Til we find our way in the dark and out of harm
You can run away with me anytime you want
Well, anytime you want
Well, anytime you want
Don’t walk away [3x]
‘Cause if you stay I would even wait all night
Or until my heart explodes.
How long?
Until we find our way in the dark and out of harm.
You can run away with me
You can write it on your arm
You can run away with me anytime you want
That place – Jamaica Inn. It’s got a bad name. It’s not healthy, that’s why. There’s queer things goes on there.
Alfred Hitchcock, practically everyone knows the King of Suspense.
But while most know the films The Birds; Psycho, Vertigo, etc: a lot of his earlier films are ignored. So while these may not be everyone’s favorite, these are films I love and enjoy.
Jamaica Inn was the last film Alfred Hitchcock made in the U.K., with him moving to the United States after this picture was completed. While it is not considered one of Alfred Hitchcock’s best films, most people hate it even going as far to state it as his worst, I like it so I’m going to review it.
So the film is based on the historical fiction novel of the same name, written by Daphne du Marier (the same woman who wrote The Birds and Rebecca). Both she and Alfred Hitchcock were very displeased with the end result. Now why did this movie have so many problems? Charles Laughton.
Now don’t get me wrong. He is a great actor, I mean look at his filmography. However, as he produced this he was able to call a lot of the shots, therefore not allowing Hitchcock to work his usual magic. Laughton changed the character chosen for him, forced Hitchcock to hire Maureen O’Hara, made Hitchcock reveal a twist earlier than planned, etc. It’s hard when someone usurps the director’s power.
But not everyone knows how to wield it.
Anyways, I’m going to review, because I like it.
Now before we get into the review, let’s have a brief history lesson.
This film takes place in the 1820 and involves a ship wrecking gang. Wrecking was a major economy booster and began as early as the 14th century, ending in the 20th century. Certain areas, such as Cromwell where this film takes place, gangs would cause ships to crash into the rocky shoreline, by either creating false lights or putting out the usual ones.
When the ships crashed, the gangs would then salvage the cargo, sell it, and kill the sailors to hide their crimes. It wasn’t until 1870, that rescuing the sailors brought in a reward.
In order to hide these activities, the wreckers would spread stories about ghost, phantoms, or other supernatural beings existing in the area.
Jamaica Inn is also based on a real inn and pub. It was known for its smugglers, pirates, and ghost stories.
So this film starts out with something a bit unusual, a prayer.
“O Lord we pray the–
not that wrecks should happen,
but that if they do happen
Thou wilt guide them–
to the coast of Cornwall,
for the benefit of the
poor inhabitants.
This real prayer for the 19th century shows how prevalent, wrecking/salvaging was.
So the film starts out with the pirates (as they technically are as they are robbing/plundering ships) putting out the lights at Cromwell’s shore during a huge storm, causing them to crash. The crew go out and salvage everything, leaving no sailor alive.
The leader of this group is Joss Merlyn, also owner of Jamaica Inn. He picks the ships, sells the goods, divvies up the profits, and makes sure every man follows his orders. He’s not looking to head for the gallows.
Meanwhile, Mary Yellen is traveling from Ireland to Jamaica Inn.
Mary is played by Maureen O’Hara, in her first big role. She’s heading to Jamaica Inn to be with her Aunt Patience as her parents died and she has no where else to go. She’s heading in a cab, when suddenly it starts moving extremely fast and passes Jamaica Inn.
What’s going on?
She tries to get him to stop, but he refuses to listen. He’s afraid of Jamaica Inn, as he’s heard stories of ghosts, pirates, thieves, and worse. Instead he overshoots it by miles, dropping her off in the middle of the night in the middle of nowhere.
Geez, how rude. I mean just living a women stranded in the middle of nowhere in the dark?
Luckily, she isn’t too far from the Squire’s house, Sir Humphrey. She decides to head down there for help.
Meanwhile, Sir Humphrey is having a big dinner and fancy party for him and his friends.
Now the Squire loves beautiful things. He’ll spend tons of money on a figurine, a horse, etc. Some of the ladies at the tale are interested in landing him, but they aren’t young or pretty enough for him.
Mary comes in from the cold and demands to see the Squire for help. Sir Humphrey is annoyed/intrigued at the intrusion sand makes a bet the girl will be ugly. However, when he sees her, he is stunned at her beauty.
He then tells her to remove her coat:
I’d be like “heck no!” I’m leaving my clothes on.
But, she agrees, and he says she looks stunning. That over and done with, she asks him for help to the Inn. Sir Humphrey doesn’t want her to go, as the inn is full of ruffians, no place for a pretty, young girl. He would rather she stay with him.
Mary thanks him, but insists on going to the inn to be with her aunt Patience. Sir Humphrey agrees to help, and takes her to the inn.
When they arrive, Joss is creepily staring through the window at Mary.
He’s creepin’ in your windows. He’s starin’ at your people.
She knocks at the door and when he opens it, he sticks a gun in her face.
Mary quickly tells him who she is, and then Joss tries to flirt with her, asking for a kiss.
Mary starts yelling at him and telling him to watch out, her uncle won’t stand for such rude treatment.
The jerk just laughs, and reveals he is her uncle.
Luckily, Patience comes out and stops his attentions for the moment. Mary is shocked when she sees Patience, she used to be so beautiful, but now is a tired, pale, weary, slip of a thing.
What happened to you?
You can tell by her pinched face that she is emotionally and physically abused by her husband.
Patience is happy to see her, but surprised. Apparently, they never received Mary’s letter telling of her parents death. They bring her in, with Joss making poor Patience carry the whole trunk. Mary goes to help, but Joss says no as he would hate to ruin a lady’s beautiful hands.
How could he flirt like that in front of his wife? To her own niece?
Mary has a fiery temper and yells at him. In return he picks up her trunk and throws it up the stairs, proving his strength. A true test of wills.
Don’t mess with me!
Downstairs the crew are laughing and being rowdy, Joss having Patience take Mary into the kitchen so that she won’t find out what’s going on.
When Harry, Joss’ right hand man, hears of a pretty lady, he tries to go see her and put the moves on her.
But Joss tells everyone that Mary is hands off, only for him. I mean to his wife’s niece? What a jerk and mega creep.
Back in the kitchen Mary and Patience are talking. Mary wants Patience to leave Joss, but she won’t. She ran away from him because she loved him, and even though he beats her, she still “loves” him. In reality, she has come to believe she deserves the beating, stuck in that cycle of abuse.
So back with the pirates. A recent addition to the team, Jem Trehearne, has been starting a ruckus with the men.
He believes there is a lot more going on then Joss is saying. He’s been keeping on eye on the merchandise ands how much they’ve received back and it is not adding up right. There is some that is being funneled elsewhere. Jem is also smart enough to realize there is no way Joss could fence these items on his own, there must be someone helping him. But who?
Sounds suspicious
Joss sees how unsettled everyone is, and turns the suspicions back onto the crew; telling the group how easy it could be for one of them to take the product and waylay it, selling it later and keeping the profits. Now we have a witchunt, wtith everyone questioning each other.
He starts questioning how long each has been with him, coming up to Jem who has only been a part of the group for two months. Jem tries to turn it back to Joss and his mystery partner, but all have turned against him.
Grab your torches and sharpen your pitchforks!
They seize Jem and search his pockets, finding gold. That settles it, he must hang.
Before they can get started, Patience interrupts. She never would do such a thing, except Mary has just told her the Squire, Sir Humphrey, gave her a lift to the inn. She’s worried that him being there, he might have seen something.
He tells Patience to take Mary up to her room to finish dinner, let’s Harry take care of Jem, and then heads upstairs to a locked room.
Sounds suspicious
And in there is the squire.
It turns out that Jem was right all along, there is someone else in charge, the squire.
This was an area of the film Hitchcock strongly disagreed with. He wanted to wait until the very end to do one of his famous reveals, us finding out that the Squire, supposed good guy was the real villain. But Laughton was a big star and he wanted more screen time, and as he was also producing the film, what he said went. It is interesting to see Hitchcock as he is starting out and then later on, when his word was the law. Even when it drove his actress crazy, like Tippi Hedren in The Birds.
Anyways, yes the real criminal mastermind is indeed the Squire, Sir Humphrey.
Don’t let that pompous act fool you. He wines and dines the captains, finding out when ships carrying valuables are coming, sending word to Joss, who then gets the group out there to take care of it. Joss turns the goods over to the Squire, who sells the product taking a hefty cut, and giving the rest to be doled out the crewman. In some ways, this is very similar to Michael Crichton’s book Pirate Latitudes.
So Sir Humphrey is not happy with what he has, he thinks he deserves more.
Joss disagrees, warning him about the unruly crewman who think they are being created. They were lucky that Jem was a perfect scapegoat, but what if next time they men turn on him?
Them in this case
Squire tells him it doesn’t matter, and he better deal with the problem. They need to refocus as a new ship is coming in tomorrow night with lots of valuables.
Eyes on the prize.
Joss tells Sir Humphrey about Mary, and that he will remove her from the equation. Sir Humphrey disagrees, as he wants Mary to stay, that is until he’s had her.
Meanwhile, Jem has been knocked out and tied up. The crew are looking for the right beam to hang him, unknowingly choosing the exact one that lies under Mary’s room.
She overhears them talking about killing Jem, and watches them through a knothole, as they tie him up to the beam. One of the men, Dandy, really likes Jem’s buckles. Instead of waiting to play dice for them, Dandy grabs them and runs off, causing the others to chase him.
With them out of the way, Mary takes her knife and starts sawing through the rope, trying to free Jem. After he drops to the ground, she sneaks out of her room and completes untying him. She wakes him up, and he tries to get her to come with him, but she has to stay for her aunt.
However, they quickly discover Jem is gone. Patience figures out that it is Mary.
and tells her to run. She takes off but soon finds herself about to be caught, when Jem pulls her onto the roof.
How romantic
How sweet, he couldn’t leave her behind to face everything on her own.
The two take off for the shore, Jem saying he knows a place they’ll be able to hide for a while.
Joss figures out who let Jem out, and sends everyone in teams to find them and kill them. He then goes to see the Squire to warn him.
Back at the squire’s home, we discover that he isn’t as rich as he’s been pretending to be.
I also suspect that he suffers from being bipolar or some other disease. They way he switches so quickly from anger to joyful, there’s something disconnected up there.
It turns out that his Butler is also starting to question what’s going on with the squire, as madness runs in his family.
Joss goes to him worried about what might happen with Jem and Mary, who they will tell. Sir Humphrey tells him to calm down as he is the only justice of the peace in the area. He kicks Joss out and tells him to focus on the ship wrecking.
Eyes on the prize
He continues to yell at Joss, and also tells him to leave Mary alone. That girl is his.
The next day, Mary wakes up in the arms of Jem.
She is suddenly freaked out as the realization of her choices hits her. She betrayed her family to save a man she doesn’t even know, a thief and pirate. She can never return to her Aunt’s home, all family is lost to her, and all she has is a pirate who could be cruel to her or hurt her.
She tries to sneak away, and steal the boat, but wakes Jem up, who is hurt at her not trusting him. I mean after all that you think they would have a bond.
Jem Trehearne: That’s women for you – save your life one minute, frightened of you the next. I guess I’m not a very pretty sight at the moment, but I don’t bite, you know.
While the two are arguing, the boat slips away and they are now stuck in a cave, and high tide will be upon them soon enough.
So now they are stuck. And in this scene we have some of the best banter. Jem is totally trying to make light of the situation. Mary, on the other hand, is angry at herself and the fact that everything is going wrong.
Jem Trehearne: Trust me to land myself with a woman. ‘Course, you did save my life.
Mary Yellen: I hope you make better use of it in the future.
Jem Trehearne: That’s a tall order for a desperate character like me.
Mary Yellen: No doubt.
Jem Trehearne: Smuggler and a cutthroat; that gives it.
Mary Yellen: Very likely.
Jem Trehearne: Do you think there’s any hope for me? Tell me, what all am I to do?
Mary Yellen: Anything you please.
Jem Trehearne: Well, I used to be a sailor. I can go back to sea.
Mary Yellen: I’m not in the least interested.
Jem Trehearne: You must be. Don’t forget you’re responsible for me.
Mary Yellen: I am not.
Jem Trehearne: Oh, yes. If weren’t for you I shouldn’t be here at all. You can’t deny that. When we’re safe in Trulo I’ll place myself entirely in your hands.
Mary Yellen: Oh, please be quiet.
I like Jem. I think he is sweet, funny, and pretty adorable while at the same time being a man of action, and having some honor. I wonder how he got mixed up with thieves?
So while they are talking, they fail to realize that their lost boat has just given away their position. Harry and two other crew members, realize they are in the cave and throw down a rope, inviting them up. They’re trapped. Either they wait in the cave and drown when the high tide comes in. Or they are saved and killed by the pirates.
Noooooooooo!!!!!!!
But Jem won’t give up. He decides to instead have him and Mary swim to shore. They have a better chance of surviving the stormy sea, then staying in the cave where the men will let them drown or hang them.
They make it to shore, and Jem wants to go to town. Mary changes his mind, by pointing out the Squire’s mansion is so much closer.
When they get to the house, they interrupt a dinner with a captain.
The two come in soaked and telling the squire about what’s going on. Mary is sent upstairs to change into dry things, stopping to ask the squire for clemency for Jem, while Jem is regulated in front of the fire as he is not important. Go ahead and freeze to death or catch the flu and die, you’re not important.
But Jem will not be regulated to the side. He insists on speaking to the squire NOW. In fact he has something very important to show Sir Humphrey.
His badge.
Yep Jem is not really a thief, he’s actual a cop and was just undercover trying to bust a ship wrecking ring. Before Sir Humphrey was just going to get rid of him or lock him up, but know that he is a cop with real officers knowing who he is and where he went. It’s time to change the game.
New plan
Mary overhears and runs over to the Inn to warn Patience, and try and get her to leave, but she won’t go. Soon Jem and Sir Humphrey arrive, Sir Humphrey playing along with Jem; as Jem deduces the how, where, and why of the whole situation. He just needs to figure out who the head man is.
He tries to persuade Joss to tell. This man is a tyrant that must be brought to justice!
Jem Trehearne: He [the head of the operation] remains aloof content to hire the scum of the coast to do his murderous work for him, thinking there’s no blood on his hands, but there is.
Jem leaves Joss with Sir Humphrey, as he goes to move the women upstairs. While he is gone Sir Humphrey warns Joss that tonight will have to be the last one, it would be best for both to take a little vacation. Then he hands over his gun.
Now think how much more awesome this scene would have been if this was the first time we realized that the Squire was the man they were working for. Hitchcock relly got gypped there. Oh, well.
So the men have heard Jem, and without Sir Humphrey as back up, the two are quickly captured and tied up.
Joss puts Patience on guard with a gun, while asking Mary along, just in case she had the urge to free Jem again.
Jem puts on a brave face and tries to convince Patience that if she gives up the location of her husband, then it will help him serve less time. Patiene refuses.
Sir Humphrey doesn’t even bother talking, getting out of the unknotted knots Joss tied on him and walking right out. After all, he has a ship to catch.
Jem is embarrassed and angry he could be tricked so easily, but continues to try to get Patience to set him free. But Patience says no, she loves Jem.
Eventually something must have worked on her, as the next scene we see Jem free and out to get help.
Meanwhile Mary is out with the crewman. They put the beacon out and wait, but while all are preoccupied, Mary runs out to fix the beacon. She gets in a fight with one of the men, accidentally breaking the beacon and setting her cape on fire. She hangs that up and saves the ship.
The salvagers are very angry!
Grab your torches and sharpen your pitchforks!
They grab her and start tearing at her clothes, making threats about what they will do. Joss comes into save her, but gets shot by Harry.
Noooooooooo!!!!!!!
Mary manages to get his body to the inn. There Patience is heartbroken and tries to warn Mary that Joss wasn’t the real leader, there is someone worse, when she is shot!
Noooooooooo!!!!!!!
Sir Humphrey shot her as he didn’t want her warning Mary about him. He then goes and ties her up, giving her a hooded cape to hide it, and takes her with him in his carriage.
So Sir Humprey has completely succumbed to the insanity that runs in his family.
Jem is not too far behind the two, being able to get the regimental captain that was dining with Sir Humphrey earlier to use his troops to stop the men. They round up the ship wreckers and find the bodies of Joss and Patience. They set out to follow Humphrey’s trail.
At the ship, Sir Humphrey throws Mary inside a cabin. Telling her that she may have wanted to marry some normal, man and have a litter of kids, but that’s not what she should have. She should have the finer things with him.
Sir Humphrey: Good thing you have a man of sensibility, who’d rather see you dead first.
Before Sir Humphrey can make good on his threats, the regiment arrives. He tries to take Mary as a hostage, but they are prepared to shoot any part of his body they can. In order to escape he climbs up the sails of the ship, choosing to jump off and commit suicide then be taken alive.
Mary is shaken over everything, with Jem taking her and comforting her.
So was it as amazing as his later work? No. Was it still a good movie? Yes. I thought it was interesting, fun, a tad campy, but still entertaining.
So welcome to another Screamin’ Saturday. Yep, every Saturday this month we are going to cover the Scream franchise. Go to What’s Your Favorite Scary Movie? to read about the first one.
**** Contains Spoliers ****
Now the first Scream film was a parody of horror films. Scream 2 is similar, but takes it one step further by making this a parody of horror sequels, and sequels in general. Kevin Williamson actually came up with the ideas for Scream 2 while writing the script for Scream. Scream 2 began principal photography just six months after the release of Scream, and it was released less than a year after its predecessor.
So Scream takes place two years since the last film, and Gale Weathers has not only written her book about the Woodsboro murders, but her book has been turned into a film, Stab. They are having a midnight showing for the film in which all those who attend receive a free ghostface mask + costume.
So we open with a boyfriend and girlfriend going to see the film. She’s not really into it, but her boyfriend is all over the slasher flick. The two start watching the film, when her boyfriend goes off to the bathroom. Just like in Friday the 13th, he meets his end.
Ghostface attacks!
Making it body #1
Victim #1
Back at the theater, his date is chilling, watching the film, when she too meets her end.
Victim #2
Everyone hears her screams, but does nothing as they think it was just a publicity stunt.
The next day we go to Windsor College, where the dead boy and girl attended school; and also the place that Randy and Sidney go to. Randy is in his film class where they are discussing whether or not violent films really encourages people to become killers. The reason this plays such a crucial role in the film, was because after the first film came out there were a ton of people trying to copy the murders and they way they killed people in the film. In fact many tried to blame it on scary movies and try to get directors like Wes Craven to be held responsible for it.
“Film Teacher: You could say that what happened in that theatre was a direct result of the movie itself.
Cici: That is so Moral Majority. You can’t blame real life violence on entertainment.
Film Class Guy #1: Yes you can. Don’t you ever watch the news?
Film Class Guy #2: Hello? The murderer was wearing a ghost mask just like in the movie. It’s directly responsible.
Cici: No, it’s not. Movies are not responsible for our actions.
Mickey: Its a classic case of life, imitating art, imitating life.
Film Class Mopey Girl: Its not hypothetical, it’s not about art. I had biology with that girl. This is reality.
Randy: Thank you. I agree with you. Let me tell you about reality, Mickey. I lived through this, okay? Life is life. It doesn’t imitate anything.
Mickey: Oh come on Randy, with all due respect, the killer obviously patterned himself after two serial killers who were immortalized on film.
Film Class Guy #2: Thank you!
Film Teacher: So, you’re suggesting that someone is trying to make a real life sequel?
Randy: Stab 2? Who would wanna do that? Sequels suck! Oh please, please! By definition alone, sequels are inferior films!
Thank you Randy!
And this spurns a debate on whether or not sequels are horrible films. I have to say that I usually hate sequels, but there are some that are better than the original, such as Aliens, or just as good, like Terminator 2. Anyways, as they are debating, one student, Mickey, says that Godfather II is so much better than the original. Mickey you are stupid. Godfather II is no where near as awesome as the original Godfather. The Godfather was an amazing film about this family and one man’s struggle to get free, but getting trapped in something he does not want. It is AWESOME! The second one isn’t bad, but the plot is a little scattered with the juxtaposition between Vito’s start in America, and Michael’s life. I don’t think it’s awful, but it just doesn’t hold a candle to the original. Mickey, I only have one thing to say to you:
Don’t mess with me!
Sorry! Back to the film…
So Randy still is in love with Sidney, and I personally hate how the directors never put them together. I wanted Randy to win the girl. But sadly, that’s not in his future.
He checks up on Sidney who is scared about everything happening again.
We are then introduced to the rest of the crew. Sidney’s new boyfriend Derek (Jerry O’Connell), his best friend Mickey (Timothy Olyphant) and…wait a sec. Timothy Olyphant? the sexy guy from Deadwood and Justified? He’s in this film???? Woaaaaaah!! This dude is one incredible actor. He goes from yucky creep:
Uber Creep!!!
to:
Excuse me again. Sorry! And Sydney’s best friend Hallie (Elise Neal). (Funny it mimics the old crew. In Scream: Sidney, Randy, Billy, Stu, & Tatum. Scream 2: Sidney, Randy, Derek, Mickey, & Hallie. 3 boys and 2 girls). Soon to join them is Deputy Dewey, as he wants to watch over Sidney and make sure she is okay. He does suffer from a limp and other ailments, as his stabbing almost killed him. Following after him is Gale, who is once again, not received well.
Meanwhile Sidney continues to get harassed on the phone:
“Sydney: Hello? Hello?
Phone Voice: Hello Sidney.
Sydney: Yes?
Phone Voice: What’s your favorite scary movie?
Sydney: Who is this?
Phone Voice: You tell me.
Sydney: [picks up caller ID] Cory Gillis, 555-0176.
Phone Voice: S***!
Sydney: Hot flash Cory…
Phone Voice: S***!
Sydney: …prank calls are a criminal offense prosecuted under penal code 653M.
[caller hangs up]
Sydney: Hope you enjoyed the movie.”
Meanwhile, that night in a sorority house, Cici, the girl from the film class (and played by Sarah Michelle Geller) recieves a lot of phone calls and is attacked that night.
Ghostface attacks!
Making her
Victim #3
That night Sidney gets attacked by ghostface, and just manages to get out okay with Derek’s help. He saves her but gets a flesh wound in the process. She is then is given two policemen bodyguards to protect her.
The next day, Sidney is totally freaking out, as she herself also gets attacked. Derek tries to make her feel better by singing her a Partridge Family song, I Think I Love You:
This is one of my all time favorite songs! I find it so incredibly romantic!
So romantic!
And gives her his Greek letters for protection.
No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, Derek NO!
Noooooooooo!!!!!!!
Have you not seen any horror films?!!!!
This is why Randy is awesome, he would know about this and he would not make this stupid mistake. OMG movie heroes make this mistake all the freakin’ time. The Wolf Man, The Mummy, Dracula, etc. If you have been given a necklace just for you DO NOT and I repeat DO NOT GIVE IT AWAY! IF YOU DO YOU WILL DIE!!!!!!!!!!!!!!!! Every single time! I mean it is true that this is just Greek letters and not something given by Van Helsing, or a Gypsy ,or whatever, but still. If you hadn’t given it away you wouldn’t have marked yourself as a dead man. Just saying.
Ouch
Randy and Dewey meet up to try and figure out who the killer might be. While they are discussing it, they see clips from the film Stab. Now I do have to say I love the movie within the movie as they show scenes from the film. And good job Wes on continuity. In Scream, Sidney mentions how she wouldn’t be lucky to have a great actress play her, she’d probably end up with Tori Spelling.
Randy also goes over the rules for sequels.
And also discusses our potential killers. Is it Derek, the boyfriend? Could Sydney have made the same mistake twice? How about creepy Mickey? Or the supposedly sweet Hallie?
Everyone’s a suspect!
Sidney, meanwhile is suffering from PTSD. She is supposed to be the star of the school play, but has a complete breakdown in rehearsal.
And this is something that makes absolutely no sense to me whatsoever. I know Wes did it this way so that when Ghostface is attacking her she can go all loca, but still who would ever be in a play where people in freakin’ masks are attacking you? There is no way whatsoever that someone with that much trauma would dare even do that. I’m sorry, but I just don’t believe it.
Now I want to take a brief sidebar from the film (I know again…sorry!) But let me just say that I love how this film is such a great representation of the ’90s. You have that one side of the culture with the dark clothing very goth (Sidney and Gale). And on the other hand you have the prep look with floral and pastels (Derek and Hallie). You have everyone running around in denim, stonewash of course. Ah, it’s such a throwback. They even give a Saved By the Bell reference, and call each other bonehead. Oh ’90s.
Anyways back to the film. So Randy, Dewey, and Gale have now teamed up to try and find the killer. Poor Randy. He loves Sidney so much, but she won’t give him the time of day. Now I cannot understand why Sidney won’t date Randy. Randy is awesome. He has great taste in film. He is tall and buff. He does a great British accent. Why Sid? Why? He’s perfect.
So they get a call, and while Randy talks to ghostface, Dewey and Gale hunt around the area trying to find the murderer.
Victim #4
RANDY NOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO!
Noooooooooo!!!!!!!
Why, why why!!!!!! Why did Randy have to die? Why?????????!!!!!!!!! Just like the garage scene was the biggest mistake of Scream, killing Randy was the biggest mistake you could make for the sequel. Randy was awesome. Randy was hot. Randy was the only one who had seen horror films. Whyyyyyyyyyyyyy???????!!!!!!!!!!!!!!!
So Sidney, even though her life is threatened, has schoolwork to do. She goes to the library and her guards go to the other side of the building.
WHY AREN’T THEY NEXT TO HER?
Then Sidney gets threatened and her bodyguards take off to investigate.
So what is up with Sidney’s bodyguards? Do they want her to die? She gets threatened and they live her alone to investigate. SHE WAS JUST THREATENED!!!!! DO YOU WANT HER TO DIE??????? Ugh! One of you should have stayed while the other went out looking.
While they are gone Cotton Weary comes onto Sidney. I’m sure you guys remember Cotton. He was played by Liev Schreiber, and was the man that Sidney thought had murdered her mother. He had been released after the whole Stu & Billy issue. He’s been trying to reach Sidney to have her go on TV with him and discuss the past, but she has been ignoring him.
Okay Cotton is a real creep. The way he just pops out of nowhere and how he is obsessed with Sidney, I’m having Phantoms flashbacks. Let me just say that I don’t like Liev Schieber. I think he is creepy in everything! (Well except Kate & Leopold).
So after that they decide to take Sydney and Hallie to a safe house. She stops to say good-bye to Derek, but it turns out he gets kidnapped by his frat brothers as he is going to get a beat down for giving away his letters.
Okay this is a weird scene. Seriously what is with all the Troy references? They are doing a Greek tragedy about Troy as their school play. The Greek frat/Sorority yells about how this is for Troy and call themselves gods. Who talks like that? What is their obsession with Troy in this film?
Anyways, so the four of them are on their way to a safe house, when Sydney asks the cops where they are going. They tell her that they can’t, because if they tell her, then they’ll have to kill her.
Sydney is being threatened BY A KILLER AND YOU THINK MAKING A JOKE ABOUT KILLING HER IS FUNNY?
Like dude really? Bad form, bad form
I mean like
Anyways, back to the film.
So as they are driving they get attacked by Ghostface.
Ghostface attacks!
Now this makes no sense to me. How did Ghostface know where they were going? I mean they were taking her to a secure location, a safe house, yet he reaches the intersection way before them. I mean he could have guessed they would exit and go down that way, but every campus has at least four exits, how did he know they weren’t going to double back? And how did he make it there on foot? And what was his plan if they didn’t happen to get a red light? I mean he is on foot, and they will be driving at least 35m/hr, maybe faster.
Shame on you!
So the two take a really long time, trying to get out of the car without disturbing ghostface. They make it out and start running away. When Sidney decides to go back and take a look at who the killer is.
This isn’t the time to stay there, this is the time to RUN AWAY!!!!!!!!!!!
She goes back, but the killer has magically disappeared and kills Hallie. Bringing our total to:
Victim #5, 6, & 7
The body count is racking up!
Sidney, finally takes the right advice and runs away, toward the theater/film department/building.
Meanwhile, Gale and Dewey go are in the theater to check out the film department and look at some tapes.
While their things get a little heated. Now Dewey and Gale, tsk. tsk. What is this Twin Peaks? You are going to sex while there is a killer loose?
But they get interrupted by a tape that shows images from Cici’s murder, Randy’s, and then the two of them. Ghostface then chases them around stabbing Dewey in the process. Now Gale manages to outrun him for quite a while and it is pretty B.A. how Gale is attacking and trying to take Ghostface down. The whole chase scene with Gale and the killer is very reminiscent of Jurassic Park. The raptors and Ghostface could be best buds.
Sidney has reached the stage, where she sees Derek tied up. She goes to help him when ghostface comes upon her and reveals himself to be……….
Uber Creep!!!
Mickey
Yep, Mickey is crazy and the killer. He tells Sidney that he isn’t working alone, but has a partner.
“Mickey: Don’t you know, history repeats itself? Hmm, Sid? [removes mask to reveal Mickey; uses voice-changer] Surprise, Sidney.
Derek: What the f***?
Mickey: Since Derek here disappeared on my a**, I’ve been on my own, all f****** night. Thanks a lot, partner.
Derek: You motherf*****! Sid, you know me better than that. Untie me.
Sydney: Oh my god, Derek!
Derek: No, no, no… Sid.
Mickey: It’s okay, Derek. We got her.
Derek: No, no, Sid, listen to me. You know me better than that. He’s lying.
Mickey: What do you think, Derek? Sidney’s experiencing a little deja vu?
Derek: Sid, he’s lying! The man is lying! Sid, untie me! Untie me!”
So now Sidney is caught between the two. Could she have made the same mistake?
What to do
Before Sidney can make a decision Mickey shoots Derek in the chest. Bringing us to:
Victim #8
“Mickey: You should really deal with your trust issues Sid: I mean, poor Derek. He’s completely innocent and such a nice boy too. He’s bright and funny and handsome. Decent singing voice. And he was going to be a doctor. This is just the kinda boy you’d like to take home to mom. If you had a mom.”
Mickey tells Sidney to look behind her and she his partner. She does and it is Gale
But behind Gale is another reporter who had been around earlier, Debbie Salt. The women who Sidney recognizes as Mrs. Loomis, Billy’s mom.
Now what’s really interesting about Scream 2 is that the cast didn’t know who the killer was until the last day. They had kept it a big secret and had actually gone through multiple endings with different killers. Everyone from Derek, Hallie, Mrs. Loomis, and Cotton; before settling on the deadly duo of Mickey and Mrs. Loomis.
Anyways, so Billy’s mom and Mickey have been working together. Mickey wanted to kill because he wanted to get caught and use horror films as his defense at trial. Mrs. Loomis, shoots Mickey who shoots Gale and knocks her off the stage. She then turns to Sidney and explains her real reasons behind it all. Pulling a Mrs. Voorhees, she wants to get back at the person who killed her son.
Pamela Voorhees: [high voice] Kill her, Mommy! Kill her! Don’t let her get away, Mommy! Don’t let her live! [normal voice] I won’t, Jason. I won’t!
After Mrs. Voor…Loomis is about to slit Sidney’s throat, when Cotton comes on the scene.
I love this ending. Even though Cotton is a total creep and this is the meanest thing ever, I just love that he blackmails her into giving him the interview.
Gale is alive and after she joins the group. Mickey seems to wake up, but Sidney shoots both Mickey and Mrs. Precott.
Dewey is alive and gets taken to the hospital and Cotton gets his interview as the hero of the night.
So tell me Wes Craven, how does Dewey survive another extreme stabbing and live? How does he live and not Randy? Randy is awesome, why’d he have to die? Why. I’m still not over that. Wes Craven you break my heart.
Yep this is me. Every time there is a song I love, I sing EVERYTHING. This is especially true in
Yep, another My Chemical Romance post!
So this song is off their album Danger Days: The True Lives of the Fabulous Killjoys, and like all MCR albums, follows a story rather than just being individual songs. It took over a year to create the album, and the band wrote over 36 songs, not of all they kept. This story is set in the year 2019, a post-apocalypticCalifornia. There are a few willing to stand up to the tyrants, these rebel forces called Killjoys, of which MCR is a part of. The music videos and songs reference a lot of films, such as Blade Runner, Terminator 2: Judgement Day, Mad Max, The Karate Kid, Dredd/Judge Dredd etc.
Each band member has an alter-ego Gerard Way being Party Poison”, Ray Toro is Jet Star, Frank Iero is Fun Ghoul, and Mikey Way is Kobra Kid. All of which look really hot in their rebel wear/masks. There is just something to be said for vigilantes who wear masks. 🙂
The guide for the Killjoys is a pirate radio DJ named Dr. Death Defying who is voiced by Steve Montano. The music video of ‘”Na Na Na” shows the Killjoys’ daily lives until Korse (the evil corporation) defeats them and captures The Girl, in which a later song they have to go rescue her back.
Now the lyrics and video are just AMAZING! The music just gets you pumped!
I think it is one of their best works yet.
The future is bulletproof
The aftermath is secondary
It’s time to do it now and do it loud
Killjoys, make some noise
Drugs, gimme drugs, gimme drugs
I don’t need it but I’ll sell what you got
Take the cash and I’ll keep it
Eight legs to the wall, hit the gas, kill ’em all
And we crawl, and we crawl, and we crawl
You be my detonator
Love, gimme love, gimme love
I don’t need it but I’ll take what I want from your heart
And I’ll keep it in a bag, in a box
Put an X on the floor
Gimme more, gimme more, gimme more
Shut up and sing it with me
From mall security
To every enemy
We’re on your property
Standing in V-formation
Let’s blow an artery
Eat plastic surgery
Keep your apology
Give us more detonation
(More, gimme more, gimme more)
Oh, let me tell you ’bout the sad man
Shut up and let me see your jazz hands
Remember when you were a madman
Thought you was Batman
And hit the party with a gas can
Kiss me you animal
You run the company
F*** like a Kennedy
I think we’d rather be
Burning your information
Let’s blow an artery
Eat plastic surgery
Keep your apology
Give us more detonation
And right here, right now
All the way in Battery City
The little children raised their open filthy palms
Like tiny daggers up to heaven
And all the juvie halls
And the Ritalin rats ask angels
Made from neon and fucking garbage
Scream out “What will save us?”
And the sky opened up
Everybody wants to change the world
Everybody wants to change the world
But no one, no one wants to die
Wanna try, wanna try, wanna try, wanna try, wanna try now
I’ll be your detonator
Make no apology
It’s death or victory
On my authority
Crash and burn
Young and loaded
Drop like a bulletshell
Dress like a sleeper cell
I’d rather go to hell
Than be in purgatory
Cut my hair
Gag and bore me
Pull this pin
Let this world explode
![Pamela Voorhees: [high voice] Kill her, Mommy! Kill her! Don't let her get away, Mommy! Don't let her live! [normal voice] Pamela Voorhees: I won't, Jason. I won't!](https://janeaustenrunsmylife.files.wordpress.com/2012/10/images-111.jpeg)
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