An Insane Doctor, A Hysterical Herbalist, and Murder in a Magician’s Mansion + A Possible Persuasion Reference?

Ready for any case

So this year’s theme is “mysteries” in honor of Agatha Christie’s novel The Mysterious Affair at Styles turning 100 years old. To really have this theme be present I decided to review a mystery every month…somehow and ideally connecting it to Jane Austen.

Mystery, you say?

In January, I wasn’t sure what to do when I received a goblin in my mailbox.

It turned out to be a a mysterious package from The Mysterious Package Company. 

Ah, mysterious

So the last package seemed to be saying that there is something wrong with 27 East Heath Road

Haunted house!

The architect, Henry Griggs, had been going crazy trying to finish building the house, after his wife died-using all his money. He even felt as if something was there making him continue, something altering his plans, something controlling him.

The house was almost complete, but Griggs has descended into some kind of madness.

“The madness in the walls must not escape…I fear I shall be gone altogether…I fear harm may come to her [Lizzy]  if she is not sent to safety.”

He ends up putting his daughter in an orphanage and Griggs disappears, presumed dead.

Or is it?!

This package contained a lot of items and goes on a bit:

• 1 Deed
• 1 Letter from Dr. Jack S. Aigner
• 4 Small Memorandum/ Doctor’s notes from Dr. William Elliot
• Arsenic Druggist Note
• A Page from Baldwin’s Physician’s Guide
• 1 Large Memorandum/ Doctor’s notes from Dr. William Elliot
• Dr. Elliott’s Tincture Receipt
• 1 Poster for The Great Goodyear
• 1 Great Goodyear flip book that showcases two of his illusions
• Garden Diary of Héléne Ashworth
• Elise Face Cosmetiques Label
• Newspaper Clipping
• A page from Charles Dickens’ The Chimes

So first of all, I saw Dr. Walter Elliott on the letters:

And as a Jane Austen fan my mind went:

This is 1888, I am going to believe this is Mr. Elliot’s great or great-great grandson, named after Sir Walter. I mean I don’t know if he married Mrs. Clay, but I do know that eventually he would have to secure his family line and inheritance.

So Dr. Walter Elliot, descendent of Mr. Elliot, has purchased 27 East Heath Road and everything inside the building for £420 sterling. I think he will regret this…

So Dr. Elliot has a conservatory and grows herbs but according to his former instructor Dr. Jack S. Aigner, Dr. Elliot is sensitive, insecure of whether or not he is a good doctor, creates different tonics and medicines; AND medicates/tests himself. Uh, oh. Oh no, that does not sound good.

Dr. Aiger mentions the room he is using to treat patients and that it holds a mirror, but it is placed strange on the wrong wall. It should be behind the patient, not in front, but it will be good if he wants to try self-hypnosis. There is a young girl he is trying to help that is an interesting case. Hmm…could it be Elizabeth Griggs?

Then we have Dr. Elliot’s notes on the patient, although not all of them. He mysteriously chose to remove the notes in his patient from September 1889-October 1891, us picking it up in October 1891.

His patient is interesting…she wants to be in the room alone and when he stepped out as she said she heard footfalls in hallway, she moved the flowers in the office, why?

She likes the tincture he gave her, which pleases him as he is really getting the use out of his conservatory.

The next notes are from February 1889, and we are given that the name is on Beth Siggers 15 years old. The DOB is inked out, but we know it is 1874. Could this be Elizabeth Griggs? Just her name changed so the Doctor doesn’t connect it to the architect if the house?

Hmm…

Beth comes to see Dr. Elliot because she is suffering headaches and shortness of breath, but when she came in she would not sit, instead touching and knocking into everything-walls, tables, the mirror, etc. Searching…but for what? He thinks she faked the illness but why? He gives her some tincture and she leaves.

Weird…

March 1889

Beth continues to return to the Doctor’s office, but every time she has a different ailment. Obviously she is suffering from a mental issue rather than a physical ones, but what and why?

She returns another time and says she left her bag behind, but when he finds her he sees she isn’t in the reception area but on the main staircase as she got “turned around”. Strange behavior, the doctor prescribes tonic.

Hmmm…

April 1889

She seems much better, although she is fixated on the mirror. The doctor looked at it and thought he saw a face in it, but that is just nonsense. He gives her 1/2 bottle of tonic.

She returns later complaining the tonic is too strong, and Dr. Elliot watered it down and 1/2 the dose-1/4 tonic. It’s strange, he notices the hallway door is ajar. That keeps happening every time Beth comes to his office.

Spooky…

May 1889

Beth returns, upset and acting strange: pulse elevated and pupils dilated. Dr. Elliot thinks it is just “spring fever” and gives previous mixture and dosage.

Hmm…strange

June 1889

Beth has been by again and Dr. Eliot thinks he saw a figure in the mirror, again. He has always hated the way the mirror was fixed in the wall. He searches, but there is nothing there. Dr. Elliot begins to worry that maybe the tincture he took and tested on himself might be giving him hallucinations.

July 1889

Dr. Elliot has decided to no longer see Beth. He tells her and later that evening he discovers she has hid in the parlour…weird why? She begs him to let her come back and he agrees for one more time.

NO, NO, NO, NO, NO!!! Something is wrong with this girl-you need to get way from her.

January 1892

Dr. Elliot feels watched and puzzles over the patient. Maybe he should stop seeing her, nothing seems to be changing.

YES!!! STOP SEEING HER SOMETHING ISN’T RIGHT!! But of course he won’t listen. He will continue and things are going to go wrong.

February 1892

Things are getting worse. After Beth comes poking on walls, knocking here and there, looking in corners, seeing things that aren’t there, Dr. Elliot too starts to feel as if there are spirits, ghosts, or something in the house. He tries to talk himself out of it but wonders.

He continues his experiments and taking the tincture. Oh no Dr. Elliot, don’t test on yourself!

In another set of letters from February 1892 to Jack, Dr. Elliot mentions a page with ciphers from Baldwin’s Physcian’s Guide. The page is included with these lines underlined:

“…what can be gained from inclusive speculation on the subject?”

“…physiognomy is mere judgement, assumption, and, in some cases, coincidence.”

On the back is an image that looks out of the Grimm texts and has some strange ciphers on it.

In his letter he has figured out what two of the symbols mean, an E & R.

Meanwhile, Griggs’ daughter, Beth, continues to see the doctor and every visit something odd happens. The flowers espechially always seem to be moved.

Beth keeps talking about something she sees under hypnosis so Dr. Elliot decides to test it and takes extra tincture.

Don’t Do it!!! Stop!!!! NOOOOOOOOO!!!!

There is a receipt for his tincture and on the back it says:

“You’ve got the right bottle, doctor.” With a bunch of symbols.

DON’T DO IT!!!!!

Dr. Elliot gets some cramps but about 30 mins in, he sees a figure in the mirror, or looking to come out of the mirror…

He leans toward the mirror and the figure was gone. He searched the house for it and found the dispensary unlocked, even though he always locks it.

He decides to increase the dose and do it again, adding to his letter later-he does and it says:

“I see it! It comes…”

And that is the end of Dr. Elliot. I’m assuming he died. Poor guy, you shouldn’t have tested on yourself-you shouldn’t have delved into the unknown, espechially on your own.

You’re crazy!
Crazy, am I? We’ll see whether I’m crazy or not.

There is no more correspondence, we then switch to the second half of the package.

Time to get on the case!

The next item in the package is the garden diary of Héléne Ashworth.

June 1892

The house has been sold to the Great Goodyear, Claude Goodyear, and his muse, assistant, and wife Héléne Ashworth. The name sounds familiar, but I’m not sure why.

Where have I read or seen that name before?

Their friend, Lilibeth, let them know about 27 East Heath Road becoming available after the doctor died. It seems he accidentally took too much of his medicine, although some whisper it was a suicide.

Claude loves the room with the mirror in it, as it can help him to practice his tricks and Héléne loves having the conservatory as she is a gardener. She has taken inventory about the plants and discovered hemlock. Hemlock? Why would a doctor need that?

Strange…

Claude jokes about ghosts in the walls as the house does make noise, but Héléne is not afraid. She loves her new house.

Ghosts?

July 1893

Héléne’s garden is doing well except for the calla lilies and forget-me-nots she planted. Instead the hyacinth, lavender, and dragonwort are doing extremely well-even though she did not plant them. There is no way Claude did so where did they come from?

At 27 East Heath Road.

Héléne believes in the language of flowers and these ones that mysteriously appeared mean constancy, devotion, and twice twisted. Hmm…maybe it means something twice twisted in the house? Devoted to it?

Hmm…

Let’s see-hemlock was poisonous, are these too? Let me look…yes, hyacinth bulbs are poisonous and touching them causes skin irritation. So lavender is used in food and perfumes so it is okay to take, but it can cause constipation, headache, and skin irritation in some people. Dragonwort is used to stop bleeding. So again, doesn’t seem too bad.

Hmmm…

There are a lot of strange herbs Héléne doesn’t know growing as well. She also discovers two more letters of the cipher-M & Y.

Another entry:

Claude is doing extremely well and even gets to perform at the famous Egyptian Hall. Héléne is so excited to perform, but Claude wants her to quit now that they are married. Hmmm…

Meanwhile, Héléne feels watched in the house. She wants to mention it to her husband, but decides not to worry him before a big show. On a sad note all the Calla lilies died, just like their hopes for a baby.

May 1895

Héléne is no longer allowed to perform, Claude thinking that is what caused them to have a miscarriage. Try as she might the yellow hyacinth (jealousy) keeps growing, and Héléne is convinced there is a curse on this house-a curse keeping a cild from being born, her nice and kind flowers from growing, and the hyacinth strong.

Later entry:

Héléne finds more and more deadly plants-nightshade and monkshood. She also sees the gruesome figure from her nightmares. She tries to tell her husband but he doesn’t listen, saying the illusions have turned her head.

June 1895

Claude has refused two engagements and is very upset. He is convinced spies are coming into the halls and watching/copying his ideas. He continues to practice in the room with the mirror and won’t let anyone into it, not even Héléne.

Héléne is very hurt and upset as she and Claude grow farther and farther apart. Sometimes Héléne pus on the old costumes and performs in front of the plants-wishing she could still be on the stage.

Lilibet has grown worried about Héléne and has taken up spiritualism and becoming a very famous medium. Lilibet and Héléne have known each other since girlhood and Héléne decides to throw a get together and help Lilibet. I’m starting to think Lilibet is Elizabeth “Beth” Griggs. Maybe Héléne was in the orphanage? I’ll check. The records say she is, ah “…the scarlet thread of murder running through the colourless skein of life” (A Study in Scarlet by Sir Arthur Conan Doyle) is Elizabeth Griggs.

And it is “…our duty is to unravel it, and isolate it, and expose every inch of it.” (A Study in Scarlet by Sir Arthur Conan Doyle)

Mystery, you say?

September 1895

Liliibet otherwise known as Mrs. Alizbeta Divak has asked Hélene to join in. Helene has created the character Madame Solandra, wears black bombazine, and pale makeup that comes from the Elise makeup company. There is a label from Elise Cosmetiques and it has a message on the back:

“YOU THINK TO HIDE YOURSELF FROM ME?”

Followed by the ciphers.

Claude does not approve of spiritualism, Helene has to hide it from him.

November 1896

They held the seance but things did not go as planned, A real spirit came from the mirror shouting at them “interlopers! Be gone!”

NOOOOOOOOOOOOOOOOO!!!!

When Héléne did the automatic writing it was if someone else was controlling her. Helene faints and when she awakens, it is Lilibet giving her smelling salts.

Oh no, the smelling salts were poisoned with the Doctor’s medicine.

Nooo

Lilibet preetends it didn’t happen, but Héléne knows it was real. She however feels very sick.

December 1896

Helene is still sick and supposed to be in bed, but has found a strange hidden doorway and secret hidden rooms in the house  But is it real? She is fading in and out and unsure.

But no! She found it! She has found a secret door in the conservatory, as soon as she is stronger she will investigate it!

Time to get on the case!

January 1897

Helene’s passage is a strange one. She believes the phantom is walking the house and Claude has all but disappeared. Is there a spirit in her home? A man? Or is her husband gaslighting her?

Gaslight (1944)

And all her flowers were ripped up? Why would the phantom want to do that?Why put dirt on her hands after?

Claude is yelling and locking Helene in her room refusing Lilibet to come in. But she has found a way out. She will follow the wallpaper and escape that way…

That is the last entry in the journal.

This felt a lot like The Yellow Wallpaper, the short story where the lady goes mad and her husband locks her up (or did her husband lock her up and then she went mad?)

Hmmm…is there a phantom or just an evil husband?

Gaslight (1944)

Next we have a newspaper clipping “Murder at the Mad Magician’s Mansion”. 

The wife of The Great Goodyear, Claude Goodyear, has been found dead in her home, found by her husband when he returned from performing.

Héléne’s face was frozen in terror and the inquest found that she had been poisoned-even though she was alone in the house and it was locked up tight. But by who? And how?

Of course authorities looked at the husband first, but it was impossible for him to slip away as he was performing and his every moment had witnesses.

Hmmm…

Her body was strangely found, it looked as if she was trying to crawl out of a small under-stairs cupboard with her face frozen, and hair turned white.

It appears Claude has lost his mind at his wife’s death. He warns people of a gruesome phantom moving in his house, warning people to stay far away.

After two incidents, one of him claiming a police constable to be a monster, he was relocated to the Broadmoor Asylum for the Criminally Insane.

Aw, that’s sad.

And last a page ripped out of Charles Dicken’s The Chimes with the following words underlined:

“Monsters uncouth and wild, arise in premature, imperfect resurrection; the several parts and shapes of different things are joined and mixed by chance..”

“Haunt and hunt him…”

“Bleak his slumbers…”

“he saw this WITH Goblin sight…”

“…saw these creatures, not only among sleeping men but waking also…”

There are more marks of the secret language written in the margin.

Hmmm…

I have been working on decoding it, and I think I’ve figures out a few letters based on what they gave me and just common sense of filling in the blanks, but there are some I am just not sure of.

Hmm…

So I am getting a Phantom of the Opera vibe from this (I love The Phantom of the Opera)

So in the original story of The Phantom of the Opera, one of Erik’s (the phantom’s) many talents was architecture and he builds the opera house-creating his secret home and all the passages, using the mirror as a door to bring Christine to his lair.

I think Henry Griggs is alive! And living in the house he built, probably a secret passage in the mirror. I’m just not sure if he is killing people because he us possessed by something or because he thinks if he does he will have his house back. I’ll have to wait and see.

Hmmm…

A lot of stuff came in this package and I did my best to try and put it all in one picture:

For more from The Mysterious Package Company, go to A Goblin in My Mailbox

For more insane doctors, go to Mr. Hyde Versus the Werewolf: Dr. Jekyll Versus the Werewolf (1972)

For more Persuasion, go to The Jane Austen Book Club (2007)

For more mysteries, go to I Won the Cederberg Tea Giveaway + Book Club Picks: The Insanity of God

For more ghosts, go to North by Northanger (Or, the Shades of Pemberley)

President of the “I Don’t Like Raoul Fanclub”

So I really don’t like Raoul from The Phantom of the Opera.

I love the book The Phantom of the Opera.

But for me it is all about the Phantom, Erik

And one character I really do not like is Raoul.

Hate him

Now I’m going off the Raul in the book, I know they changed his character for the play, but I don’t really give a care about that. I like to stick with the original source material.

Raul is a pansy. I’m totally throwing that out there. He is a little wimp. He was raised by his aunts and older brother who catered to his every whim and never made him have to work for anything. Therefore he comes off a lot of time as sounding like a naive and silly little boy.

NO You Don’t

He and Christine knew each other as children, which I don’t think is a good idea to try and base a relationship on. I mean people change, they become different people. You can’t just walk into someone’s life and be like “I love you” outta nowhere like that.

Plus for a Mr. I love you so much, he sure doesn’t trust Christine Daaé. After she is spirited away by the Phantom (her own choice), Raul goes searching for her trying to find her. He goes to her old music teacher and companion Madame Valérius. She tells him that Christine has gone off with her music teacher, to study. At least that’s what she assumes, as she doesn’t even know where Christine is. And instead of Raul waiting to hear her side of the story or trusting her, he immediately thinks that she’s a slut.

“Oh what a miserable, little, insignificant, silly young man was M. le Vicomte de Chagny! thought Raoul furiously. And she, what a bold and d***able sly creature!” (pg. 87)

He’s just as bad as Christian in Moulin Rouge. I mean, yeah it doesn’t look good for her, but still when you truly love someone you trust and give them the benefit of the doubt. Especially someone who has never given you a reason to doubt. Jeez! Jerk!

He then decides he is going to go out on the town and prove that he doesn’t need her and can do better. What a loser. Why would anyone want this guy?

I mean he is sooooo full of himself. Christine asks him to meet her at the ball and he does. She tries to tell him what is up, but he keeps interrupting her and going on about her infidelities. She decides to leave as he is being a blockhead.

Raul follows her and overhears her pitying Erik, the Phantom. She keeps saying poor Erik over and over. And you know what Raul does? He keeps going on about himself and how he’s the victim.

“Why was she pitying Erik when Raoul was so unhappy?” (pg. 97)

I don’t think the two are in actual “Love”, I always believed that they were playing at it. Mostly because they are so young and that Raul doesn’t really know what romantic love consists of.

“They kissed like a despairing brother and sister who has been smitten with a common loss and who meet to mourn a dead parent.” (pg. 108)

That does not sound like love to me.

This is how it ends in my mind.

For more on The Phantom of the Opera, go to Le Fantôme de l’Opéra

For more book-filled posts, go to Book Club Picks: The Secret Of Chimneys

Le Fantôme de l’Opéra

Day 20) T is for Translated: Choose a book that was Translated from one language to English

The Phantom of the Opera by Gaston Leroux

Yes, I know I said I wouldn’t talk about this book. However, as I was trying to think of books I like that were originally in another language, I couldn’t think of anything but this book and Jules Verne’s novels.

I already reviewed two Verne books, so with nothing else coming to mind, I decided to review The Phantom of the Opera.

Gaston Leroux studied to be a lawyer, but when his father died, he found himself a millionaire. He immediately quit school and went on a big spending/gambling spree losing everything.

Afterwards, he began to work for a newspaper, doubling as a court reporter and a drama critic. As he toured the opera, ballets, plays, etc.; and heard different stories about what went on in the theaters, it gave him an idea.

With that he published The Phantom of the Opera as a serial from 1909-1910, being translated and published in English in 1911. The story is told from the viewpoint of an interviewer as he researches his subject and tries to tell the history of this Phantom.

Growing up I just loved this book so much. I used to check out the children’s version again and again; graduating to the unabridged when I grew older.

So here I am going to do a slightly different post, I am going to focus on one character: the Phantom.

I just love him:

Erik is a wanderer. After being hurt by so many he no longer considers him as having an nationality or family.

His pain originates from when he was a child and his own parents were too disgusted to see his “true form.”

“When my own father never saw me and when my mother, so as not to see me, made me a present of my first mask.” (pg. 130)

Aw, man.

He is so often used to being considered as death, that he has even prepared him room as such. All in black and even sleeps in a coffin. How sad is that? Poor guy!

But even in that ugliness and sadness there is beauty. He is a musical genius with a voice like no other.

“He heard a very captivating voice…Raoul had never heard anything more absolutely and heroically sweet, more gloriously insidious, more delicate, more powerful, in short, more irresistibly triumphant…nothing could describe the passion with which the voice sang…” (pg. 98)

Erik is very intelligent and has done many things before coming to the opera house and meeting Christine.

“You must not think, Raoul, that he [Erik] is simply a man who amuses himself by living underground. He does things that no man could do; he knows things which nobody in the world knows.” (pg. 135)

I mean he built THAT opera house and created numerous trap doors, spring sets, his own secret underground home. And that’s not the only thing he has created. He built palaces for Sultans and Kings; but always being betrayed by them as they want him dead so that they alone can posses his genius.

One day the Phantom comes upon Christine and decides to help assist her to become a fantastic singer.

“From that time onward, the voice and I became great friends.” (pg. 116)

They spend years together as the Phantom puts his all into teaching her and helping her. Then one day Christine spots Raoul and tells the phantom all about seeing him. And the voice disappears. Christine is anxious and scared. She knows she is nothing without him, she will shrivel up into a has-been.

The next day the Phantom comes and tells her he has to leave her.

“The voice was there, spoke to me with great sadness and told me plainly that, if I must bestow my heart on earth, there was nothing for the voice to do but go back to heaven.” (pg. 117)

You see, no threats. No harsh words. The Phantom would have simply backed off if she loved another. He would be heartbroken, but that would be the end of it. Except…

“I swore to the voice that you were no more than a brother to me nor ever would be and that my heart was incapable of any earthly love.” (pg. 117)

You see that!!!! You see that!!! She purposely leads on the Phantom because she just wants to use him. She doesn’t love him, she doesn’t care for him, as she has stated before:

“[to Raoul] And that, dear, first revealed to me that I loved you.” (pg. 117)

She knew, but she had a good thing and didn’t want to see it disappear. Now she tells Raoul that she “lied only because she thought she had no chance with Raoul.” But is that even the truth? She already admitted to playing the Phantom, she’s probably playing Raoul too. He’s rich and interested, and now she’s going to play the little helpless victim to catch him.

So you know what, I never feel sorry for her. She created this whole mess as she only cared about herself and not what her false declarations did to people. She almost kills hundreds because of her selfishness. I feel bad for the Phantom. Poor guy, who is completely crushed by her. He picked the wrong woman.

Then the Phantom carries her off underground into his home.

Now I admit, his carrying her off wasn’t the right thing to do. He should have asked her instead of just carrying her like that. But what does he do next? He confesses that he isn’t an angel or teacher but that he is the Phantom of the Opera, its architect, etc.

“He [Erik] feels me with horror and I do not hate him. How can I hate him Raoul? Think of Erik at my feet…he accuses himself, he curses himself, he implores my forgiveness!…He loves me! He lays at my feet an immense and tragic love…He has carried me off for love!” (pg. 125)

He treats her wonderfully. He respects her as a thing of beauty and doesn’t harm her or touch her. And when she is upset and wants to leave?

“And, when I stood up, Raoul, and told him that I could only despise him if he did not, then and there, give me my liberty…he offered it…” (pg. 125)

See he isn’t a crazy killer or psychotic (yet). He loves her and respects her wishes. She’s the viper, she’s evil as she chooses to stay there even though she doesn’t love him, she just wants to use him.

“For he sang. And I listened…and stayed!” (pg. 125)

She falls asleep and then wakes up in a whole different room, properly freaked. BUT then spots a note left to her by the Phantom.

“My dear Christine, you need have no concern as to your fate. You have no better nor more respectful friend in the world than myself.” (pg. 126)

He just let her alone, as he sees her as the kindest and most divine woman; respecting her. He also purchases tons of things for her in order to make the place truly home.

How sweet!

But Christine is not happy. She wants out. She is angry with the Phantom, even though he has given her everything! All she wants is to see his face as “no honest man would wear a mask.” But that is the one place Erik won’t give.

Then Erik mentions how most of her time with him will be musical practice. She is angry as he wants her to stay five days, then he will let her go again as she will either love him (hope) or pity him. But Christine is now upset that he won’t let her go now, but hey he offered you before.

She cannot make up her mind.

The real issue Christine has with the Phantom is his skull-like face. This is what breaks her and makes her horrified and disgusted. She can’t leave well enough alone, and asks him to play for her, plotting her deception. When he is too worked up in the music she snatches the mask off.

Now she thinks he is disgusting, and here is where he makes his first incredibly bad decision.

He tells Christine that he can’t let her go. He knows that she sees him only as a monster, and if returned to the surface would tell others of the “monster”, causing them to be riled up, create a mob, and set out to kill him.

Grab your torches and sharpen your pitchforks!

Christine, the little actress she is, starts playing to the areas he has been insecure. She tells him that he is genius, his music causes her to forget his looks. She even burns his mask to symbolize that she is “above” such things. In reality she is playing him  from every angle, earning his trust so that he is willing to believe she actually loves him and won’t harm him. Letting her go.

Christine acts as if he is a true monster, but the Phantom has a compassionate heart. She asks if she can pretend to “be engaged”, playacting, with Raoul and the Phantom agrees.

“He said, ‘I trust you, Christine. M. de Chagny [Raoul] is in love with you and going abroad. Before he goes, I want him to be as happy as I am.” (pg. 134)

How can someone be unfeeling when they consider what their arch rival’s feelings?

How sweet!

Eventually, the Phantom figures out the truth, that this was all a set up and steals Christine away; that final act of betrayal being the straw that broke the camels back.

I mean he really believed that someone had fallen in love with him.

“It is my wish…my wish to let her go; and she will come again…for she loves me!…All this will end in marriage…” (pg. 206)

He thinks his dream and true love is in his grasp!

“…Now I want to live like everybody else. I want a wife like everybody else and to take her out on Sundays. I have invented a mask that makes me look like anybody…All I have ever wanted was to be loved for myself…” (214)

The thing I really hate about the Andrew Lloyd Webber musical is how the changed the relationship between Christine and the Phantom with her thinking if him as her father and making Raoul less of the pansy he was. But most of all they make the Phantom a total psychi and murderer. He doesn’t really kill people in the book, unless it is for self-preservation. We only witness three: two were out trying to get him, and the third he accidentally kills Raoul’s brother, who when searching for him falls into a trap. The Phantom really regrets having killed him. And he also does bring the chandelier down, which injures and kills. How many, we don’t know.

He then gives Christina an option. She can choose Raoul and the Opera house will be blown up (as Erik has hidden dynamite under the floor when he built it) or she can choose him and save everyone. I have to admit that forcing her to choose marrying him was not right or what she should do, but people who have been betrayed often do not think logically but just want to heart the person who hurt them.

But in the end he let’s Christine go, because she finally gave him the one thing he has most wanted: companionship and love:

“I tell you I kissed her just like that, on her forehead…and she did not draw back her forehead from my lips! (pg. 247)

Poor Erik!

“Poor, unhappy Erik! Shall we pity him? Shall we curse him? He asked only to be “some one,” like everybody else. But he was too ugly! And he had to hide his genius or use it to play tricks with, when, with an ordinary face, he would have been one of the most distinguished of mankind! He had a heart that could have held the empire of the world; and, in the end, he had to content himself with a cellar. Ah, yes, we must pity the opera ghost.” (pg. 259)

 I think what resonates the most with this story is how relatable the Phantom was. Who of us hasn’t at one time hated how we looked?

Had our heart broken:

Been betrayed by someone we thought cared about us?

Or felt we hadn’t received the recognition we deserved?

What else can I say?

Why yes I do!

Starting in 2015, I decided to dress up “Jane Austen” in Halloween costumes. Check her out as the Bride of Frankenstein.

To start the 30 Day Challenge from the beginning, go to It Was a Pleasure to Burn: Fahrenheit 451

For the previous post, go to Each Illustration is a Little Story. If You Watch Them, In a Few Minutes They Tell You a Tale: The Illustrated Man

For more on The Phantom of the Opera, go to How to Meet the Perfect Guy

For more on Gaston Leroux, go to Fantom of the Opera

For more Jane Austen quotes, go to Midnight in Austenland

For more Silverstein, go to The End by Silverstein

Today’s carol is The First White Christmas from the claymation, The First Christmas:The Story of the First Christmas Snow.

I couldn’t find any info on the song, but they play it in the opening and ending credits. I always thought it was cute, and it tends to get stuck in my head.

I couldn’t find a video unfortunately, or a good link to watch the film (as they took down the best one).

For more on The First Christmas:The Story of the First Christmas Snow, go to 25 More Films of Christmas

For more Christmas Carols, go to She Struck Him as a Fixer-Upper, a Block of Clay Ready for Pygmalion’s Chisel: The Overnight Socialite

A Haunting We Will Go: The Hardy Boys and Nancy Drew Mysteries (1977)

Why would they all come back?

So this year I am doing something a bit different. I decided that every Friday this year I will review a TV episode instead of a film. I know it kind of goes against the grain, but I just feel bad for those awesome shows that try to make really creepy Halloween episodes or just have great episodes that fit for this. Their still horror, so they count.

So this episode is from the TV series, The Hardy Boys and Nancy Drew Mysteries. This show came out in the 1970s, the first season alternating every week between the Hardy Boys and Nancy Drew. The second season saw four crossover episodes, and only three Nancy Drew as the actresses playing her, left the series. Season three was reworked to be just the Hardy Boys. It was a good series while it lasted, I just wish there had been more. If you are interested in watching, all these episodes are currently on youtube, here’s the link if you want to watch this one.

So on to the review:

At the beginning of every episode we see the Universal logo. I’ve always wondered why they haven’t remade it, I would watch it. But then again they would probably mess it up like they did with Nancy Drew (2007) film.

So then we have the awesome intro and amazing intro music.

I love the setup, the book covers in the background, and that music. Ooh! It sends shivers up an down my spine and gets me in the mood for a mystery.

So the first thing we see is a woman, yelling at Nancy Drew (Pamela Sue Martin) about knowing who she is and pulling a knife on her!

But it turns out that it is just a rehearsal for a play they are doing. Yep, they are tearing down the old theater in River Heights, and using the property to build a youth center. It was Nancy’s idea to put on a play Murder in the 4th Act. 

Unlike the book series, Ned and Nancy’s relationship isn’t clearly defined. Are they going out? Or just good friends? He seems more into her than she into him. As much as I like book Ned, I have to be honest and admit I love the idea of Nancy Drew and Frank Hardy, especially in this series. OTP of the TV series.

Anyways, so Ned is a bit of an egotistical jerk in the TV series than the book, and this episode is no different. He sent some telegrams to some famous actors: Thelma March, Hollywood actress; Alex Richmond, game show host; Danny Day, TV actor, and Seth Taylor, news anchor- and they all agreed to come. Ned thinks it is because of his brilliance, Nancy thinks it is a bit odd. Why would these famous people be willing to give up their time for free to help a youth center?

The woman Nancy was rehearsing with, Janet Mustane (Pippa Scott), used to perform with these people, choosing to remain in River Heights instead of going off to “bigger things”. She does not seem happy about all those people coming back. Wonder why?

Nancy decides to clean up the stage area and make sure that everything is nice for the “famous” people. As she looks around stage, their is a shadowy figure above her on the catwalk.

No it’s not him, :(. However there is a story that the theater is haunted by “The Phantom”.

Well, whoever or whatever this is, they decide to take down the chandelier and almost get Nancy with it.

AAAAAAAAHHH!!!!!!!!!!!!!!!

Nancy was able to get out of the way in time, but starts thinking that something inky is going on. She checks the cord and sees that it isn’t frayed or old, but was cut.

No one believes her though. So its up to Nancy to figure it out.

The team split up to check over the theater more thoroughly.

Nancy heads down into the prop room to see if she can figure out what is bringing everyone back. As she is looking, she finds an old playbill from the orginal opening of the play. And it turns out, all of those who are coming back, including Janet, were in the original performance.

Weird

So they all show up, but no one can pay the cab, leaving Ned to foot the bill. How odd. How can such huge entertainment giants have no money? Hmmm….

Something else strange is that they all seem to hate each other.

If they dislike each other, why would they come back to perform with each others? And stay in the hotel across the alley (Janet’s place) rooming with each other?

So they start practicing, when Seth decides that he can’t do the scene without a pipe. He heads down to the prop room, but the lights won’t work.

You know what that means. Someone’s coming after you.

But instead of looking for a prop he tries to open the window. While he is doing that, our mystery person or ghost knocks a statue over, trying to hurt him.

AAAAAAAAHHH!!!!!!!!!!!!!!!

He’s fine, but Nancy wonders if there is more going on. Janet is convinced that the Phantom did it, and everyone else thinks it was just an accident; but Nancy knows that something is not adding up.

She notices the light was unscrewed so it wouldn’t work, and that the window is opened. The window shouldn’t be unlocked as Ned checked it earlier, so Nancy is convinced someone came through there. Seth tells her it is stuck, so no one could get through it.

Wait a second!

Now how would he know that? He was looking for a prop. He must have tried to open the window, but why?

Later that night Nancy tries to get Ned, her friend George Fayne, and her Dad, Carson Drew to investigate with her to find out what is going on, but no wants to help. None are convinced that there is anything more to it then an old building that is falling apart. In fact Mr. Drew thinks they should move the play somewhere else, as that building is probably too old.

But Nancy is convinced there is far more to the tale and won’t give up. She notices how all the actors are completely hostile to each other, and there has to be another reason why they would all come that isn’t nostalgia. But what?

The plot thickens

That night the four visiting actors sneak out of their rooms and head over to the theater. They head down into the prop room and start taking it apart.

That night, unbeknownst to them, Ned decides to head over and check the place out. You see Ned is very full of himself (I cannot repeat this enough, he is not like that in the book series) and decides that he needs to recheck the light plan as his genius must reflect well on the actors. When he gets there he runs into Julia and Alex disposing of the bricks from the prop room wall.

This is one of the funniest scenes in the whole episode. Ned asks them what they are doing, and Alex tells him he needs the bricks to make a bed for his back, it is the only thing that can help him sleep. Ned finds it weird, but who is he to question it? He tries to head into the theater, but Julia stops him telling him he needs to go to bed and be well-rested. He says he doesn’t need to because he is young, and then Julia gets offended.

She yells at him, are you calling me old?

And Ned, like a typical male, knows that it is no time to argue but vamoose.

The next day, Nancy discovers the actors all asleep in the dressing room. They wonder what the heck is going on? Ned wakes them up and as they head upstairs to the stage, Ned tells Nancy about everything that happened the night before. Now Nancy is 100%s sure something is up, but what?

So while they are talking the actors are having their own discussion. They are a bit worried about Nancy as she is always watching them.

The other thing that is making them act crazy is they are all completely broke. Everyone has been paying a blackmailer for something they haven’t discussed, just yet. They know one of them must be the blackmailer, but which one is doing it?

So they rehearse, and just as they are about to break up for lunch, a light comes crashing down, nearly hitting some people.

Everyone thinks that it is just another accident in an old theater, but Nancy feels that these accidents are too deliberate. As if someone was purposely attacking the people performing. But which one is doing it?

So Nancy tries to get Ned and Mr. Carson to back her again, but they still just think all the mishaps are from an old building falling apart, not a saboteur. Ned says that he heard a door shut and he thinks someone might have been there, but wasn’t sure. George disagrees as she thinks it is the Phantom!

Nancy decides to put together a plan. She gets some phosphoric paint, and starts painting the areas in the prop room to discover who might be this “Phantom” messing with things.

Afterwards, the actors return and she puts her plan into motion. She turns off the lights and has George turn on the blacklight….and it shows that EVERYONE has the paint on them.

THEY ALL ARE A PART OF IT!!!

So Nancy overhears them talking and decides there is much more to this story. Time to head to the library and do some research.

They find the newspaper article and get some answers.

So Jason Hall went from town to town raising money and investors for the show, promising it would be an amazing thing. In fact he really took River Heights, Nancy’s hometown, for a ride. The play closed before it opened, and it turned out that Jason took off with it all!!!! Or at least that’s what people think because he just disappeared. It turned out that he never had New York critics coming, that he intended to take everyone for a ride. But is that it, or is there more to the story?

She starts thinking about it and everything starts coming together: the disappearance of Jason Hall, they all hate each other, they all are poor, etc. They must have done something to Jason. Someone is blackmailing them and they have no more money left. When they heard that the theater was going to be destroyed they must have decided to come back and clear up whatever evidence  they have before it comes to light with the destruction.

Nancy thinks she has it figured out, now all she needs is to find the hard evidence to prove her theory.

While they are looking, the actors have been trying very hard to finish what they started. At last they have opened up the wall, and pulled out a sarcophagus. It turns out that Nancy was right. They did kill Jason, they hid the body in the sarcophagus, and sealed up the wall. They have been digging to get it out, so that their crime would not be discovered. And they have finally accomplished it.

When Ned spots them carrying it out, they tell him that Mr. Drew said they could have whatever props they wanted, and Seth wanted this one.

Nancy sees Ned who tells her about the sarcophagus and Nancy knows instantly, that must be where they put body. She tells her dad, who decides to call in the Sheriff.

As the group is gathered to open it, in walks the Sheriff. He demands to open it and when they do, they discover………………..

Bricks.

Yes everyone is shocked! What happened? Where is the body?

Everyone but the actors are sent on home, and they talk amongst themselves. Danny thinks that one of them came back and moved the body, only pretending to help dig it out, but which one did it?

That night is the performance and the mystery is bothering Nancy. Who is the blackmailer? What happened to Jason? Who has been sabotaging the theater?

She finally comes to the conclusion that the only solution that fits, is if Jason IS the blackmailer. Think about it: he somehow recovered from whatever they did to think they killed him and has been blackmailing them since. He must also be the person who has been sabotaging the theater. Yes that has to be it! Before she can tell Ned and everyone her cue comes, and she has to go onstage.

She goes onstage, and has to give everyone champagne, as she plays a maid. As she is giving out the glasses, she smells something odd.

Poison!

Nancy stops the play, crushing the glasses and keeping everyone from drinking them. She then yells at George to put on the blacklight. As they scan the audience, they spot one man covered in phosphorus paint. They get him.

They pull off wig, fake glasses, and pretend nose. And discover that it is Jason. He has been alive the whole time.

Afterwards the crew met up so Nancy can get the whole story.

It turned out that Jason was a hustler and conman. He took the money for investing in the play and sent it to a private account in the Cayman Islands. He was planning in leaving the actors holding the bag, and having to pay for his crimes. They discovered this and argued with him, Jason fell and hit his head. They thought they killed him, so they buried the body in the wall, like in Edgar Allen Poe’s story The Black Cat. He escaped at one point and began blackmailing them, while the whole time they thought it was one of the five.

With everything done, the actors decide to finally stop bickering and continue in the play until enough money is raised for the youth center. Another case solved by Nancy Drew!

To start Horrorfest IV from the beginning, go to You Cannot Conquer It. It Has Conquered You!: Dr. Jekyll and Mr. Hyde (1931)

For more Nancy Drew, go to I’m So FANcy!

For more mysteries, go to Murder is My Favorite Crime: Laura (1944)

For more TV series based on books, go to Happily Ever Aftermath: Grimm (2012)

How to Meet the Perfect Guy

It’s actually much easier than you thought. Here’s all you have to do.

Because if this happens, you know he is perfect.

Think of all the phan-tastical fun we would have!

For more Phantom of the Opera, go to Fantom of the Opera

For more on looking for the perfect guy, go to It Doesn’t Exist