Happy Friday the 13th! I don’t know if you have any plans, but as for me I’m going to spend my evening with pizza and horror films.
Speaking of Horror films I have been getting ready trying to pick out which ones I’ll use for Horrorfest X, my yearly Halloween countdown, but I’ve also been going through old posts and looking at the ones from the original Horrorfest, and thinking some of these movies Catherine Morland would love as they are full of gothic-y goodness.
Unfortunately, while they occasionally have Austen tendencies and can go on my Non-Austen Films for Austen Fans list, like Rebecca, the ones I’m thinking of are more like Catherine Morland’s Reading List–they don’t have anything to do with Jane Austen but are gothic stories Catherine would love.
Hmm…
Then I thought, why not start a new series, a list of only the good Gothic like horror films for the other Catherine Morland/Henry Tilney spooky people out there? It will only contain movies that I strongly recommend-none of the films that are poorly written or have a lot of issues. And unlike my other lists, this will be a one stop list for people looking for recommendations, while the original posts will only be done during Horrorfest.
So films on this list are going to be Gothic films or films with Gothic components. For those who are wondering what classifies something as a Gothic, here is the definition.
Gothic fiction, which is largely known by the subgenre of Gothic horror, is a genre or mode of literature and film that combines fiction and horror, death, and at times romance.
Any films I have already reviewed that fit for this list I will just list and link here, while any future film I review I will add a little specifically why it belongs on this list. I have 9 years of films I have watched/reviewed for Horrorfest, but I’m not sure how many of those will be on her. For now I’m going to put on the ones I have recently re-edited, and then will be adding more constantly. If you are looking for recommendations, be sure to check back for more:
“Time for you to awaken, Master. Time for you to go out.”
So last year I was lamenting that I couldn’t think of any films I wanted to open Horrofest with from the 1950s as that was the year I was going to start with. I mentioned some films I really wanted to do, but both came out in the 1940s.
So as this year it is time to start off with a 1940s film, I was like why not do one of the ones I mentioned in last year’s post? I already reviewed Rebecca last year, so I chose The Return of the Vampire.
I loooove this movie!
I saw it year ago on TCM and it has stayed with me my whole life. You know a movie is good when it hooks you years ago and you stay hooked.
The film was just so engaging and has beautiful cinematography. Plus it also has Bela Lugosi! You cannot go wrong with him in anything, let alone in a Vampire flick. I just love him.
So this film was actually supposed to be a Dracula sequel, but Universal threatened to sue Columbia Studios so they changed it to The Return of the Vampire and instead of Count Dracula, we have Armand Tesla.
We start this film during WWI with a vampire Armand Tesla (Bela Lugosi) stalking the streets of London and using the war as a cover-who cares about people suffering from anemia and a few deaths when there is a war on?!
But someone does, Lady Jane Ainsley (Frieda Inescort) and her colleague Professor Walter Saunders (Gilbert Emery) run a clinic and are baffled by the anemia.
Hmm…
Tesla is furious and uses his slave, a werewolf formally known as Andreas Obry, and the two break into the clinic. When he can’t finish his off his former victim he decides to make Saunders pay and goes after his granddaughter.
Professor Saunders, meanwhile, has concluded that the victim was attacked by a vampire. The victim dies and when Saunders goes home he sees a man feasting on his granddaughter. The vampire flees and Saunders saves his granddaughter Nikki (Nina Foch) by giving her a blood transfusion. While her life is saved for now, she will always be in danger. The vampire will continue to search for her to finish the job, and he will also be able to control her.
Professor Saunders and Lady Jane search for the Vampire in order to stake it and kill it.
They search out the local cemetery in order to search out the Vampire. They are both attacked by a werewolf who is being controlled by the Vampire-but once they stake the vampire the werewolf returns to his normal form of Andreas Obry.
Wow!
Professor Saunders and Lady Jane know that the only way to keep a vampire dead is make sure the stake isn’t removed from the heart-remove the stake revive the vampire. They bury the coffin and make sure it is well hidden.
Time moves forward and the year is now 1942. Nikki has fully recovered from her experience, having no knowledge of the attack and is engaged to Lady Jane’s son John (Roland Varno). Andreas Obry has recovered from his experience and has become an assistant to Lady Jane.
You know thinking about this movie in 2020 it is really cool that the Vampire hunter/Doctor is a woman. I mean you wouldn’t expect it in the 1940s, and you certainly don’t see it in modern vampire stories (except Buffy the Vampire Slayer), but she basically is Van Helsing. Not the Hugh Jackman version, but the original one from the 1930s.
Of course what comes to mind is Jane the Vampire Hunter:
So Professor Saunders has passed way and Lady Jane decides to share about the vampire with Scotland Yard detective Sir Fredrick Fleet (Miles Mander) . He doesn’t take her seriously, but he does take the murder of a man seriously. He wanted to arrest Lady Jane, but she convinces him to check the body. If it is a regular man, he will be decomposed. If a vampire-his body will not have aged a day.
Stay the same age forever…
Lady Jane is going to show Sir Fleet but then a bombing raid occurs. One of the bombs hits the cemetery and a lot of bodies are dug up and two gravediggers are set to put all to right. When they come across Tesla’s body they find the stake in the heart and feel bad for the man. They pull it out and the Vampire returns!
The first thing Tesla does is contact his slave telepathically as he will need his help in moving the coffin and such. He calls to his former slave and werewolf Andreas.
Armand Tesla: [Offscreen, as Andreas walks in the woods] Andreas! [Andreas can’t locate the source] Andreas!
Andreas Obry: [Suddenly seeing Tesla] You! You have no power over me! That was ended many years ago! I’m no longer your slave! Dr. Ainsley has cleansed me of all the evil you forced upon me! You can’t bring it back! You can’t! I won’t let you! I won’t!
Armand Tesla: You’re a fool, Andreas! A complete, utter fool! Your fate is to be what you are – as mine is to be what I am… your Master! [In a commanding tone] Come here!
Andreas Obry: I won’t! [He moans]
Armand Tesla: [Commandingly] Look at me, Andreas! [There is a closeup of Tesla’s eyes] Look at me!
Andreas Obry: [after Andreas undergoes a metamorphosis into a werewolf] Andreas, come here! [Subserviently] Master, you have returned.
This is a fantastic scene, as you see Andreas really trying! He really, really wants to believe it is true that has overcome this. Looking at this as an adult it resonates so well as you have met people trying to overcome things, thinking they have, but then something happens and they are right back at the bottom again-addiction, toxic relationships, etc. It is extremely well done and poor, poor Andreas.
Now that Andreas is controlled by Tesla he sets him out for his first mission protect the coffin and find him a new identity. Andreas comes across a scientist recently escaped from a concentration camp, Hugo Bruckner. Dr. Hugo Bruckner was freed by help of the Resistance, something Lady Jane is a part of, and will be working with her. Man this vampire is extremely evil to murder a concentration camp survivor.
Tesla takes on the identity and slips into the Ainsleys’ and Nikki’s life. Some of you might wonder why Lady Jane doesn’t recognize him, but she only fought him that one time over twenty years ago, and at night in a foggy cemetery.
Lady Jane is throwing Nikki and her son an engagement party. Sir Fleet shows up and Lady Jane takes the Professor Saunder’s manuscript and locks it up, not wanting Nikki to ever find out about what happened. Tesla/Bruckner shows up, is introduced, and given free reign of Lady Jane’s office and laboratory. He uses this time to steal Saunders’ manuscript, the one Sir Fleet read. All are charmed by him except Sir Fleet, as he feels something is not quite right.
The next night the manuscript is somehow left in Nikki’s room and she reads it and finds out the truth. The Tesla calls to her…and the next day she has been drained of blood! Oh no!
Then they… then my mom made me stop watching it.
I know I was soooooo invested. What happens next? Will Nikki be alright? How will they defeat Tesla? I don’t recall exactly how old I was but this was well before google and we didn’t have TiVo or any blank tapes I could use to record, although my mother wouldn’t have let me as we were leaving the house and they weren’t going to leave the TV on with no one home. So I had to scan the newspaper and TV guide until it was on TV again.
So after she was drained of blood they transfused her. She survives but as we saw in The Horror of Dracula last year, that can only last so long. They need to find this vampire and kill it!
Stake through the heart.
Lady Jane starts to investigate and questions the grave robbers when the body cannot be found. She and Fleet also search Bruckner’s room and discovers the mirrors are all set down and a ring that she recalls from Tesla.
Fleet had had Andreas followed ad he was seen trying to change into a werewolf and found with Bruckner’s effects, his real effects.
Meanwhile, Nikki and John are attacked and Nikki starts to believe she has been transformed into a vampire. She pleads with John to stay away as she doesn’t want to hurt him. But you know these men in this old classic horror films-it doesn’t matter they are staying in this relationship and with the girl. How guys aren’t like that now? Most guys I know would be out in no time at all.
In reality, Tesla has been feeding. Tesla attacks Lady Jane, but she carries a cross and uses it to deflect him.
Wow!
So there are two amazing things I noticed about this scene. First can we just stop and appreciate that Lady Jane has a giant organ. Man, you are a girl after my own heart. I can’t play the organ but if I had money I would want a giant one and learn how to play it. Then I could be my own version of The Phantom of the Opera.
Second-I love how in this scene she seems so meek and mild-and then bam-she’s got the cross and she flings it out at him. Lady Jane is awesome!
That’s awesome
Later that night Tesla calls Nikki to him again and she and Andreas answer the call. Meanwhile, Lady Jane ad Sir Fleet have decided to follow them. They come upon them in the cemetery but a raid interrupts their pursuit, although Fleet shoots Andreas, mortally wounding him. Andreas begs his master to save him, but Tesla coldly refuses.
Andreas Obry: Heal me, Master. I am hurt!
Armand Tesla: What is that to me?
This was so exciting when I watched it. First of all I really wanted to know what happened after waiting so long. Secondly this scene has the vampire, the damsel, bombs, a gun-you just didn’t know what would happen next!
Tesla leaving Andreas to die is the wake to reality he needs. He grabs a nearby cross and thrusts it at Tesla, coming between him and his victim-Nikki. A bomb hits and the sun comes up, melting Tesla to nothing.
Wow!
This is one of the first films to show a vampire disintegrating like this. It was actually censored in England for being too graphic. Oh, 1940s-if you saw the stuff we have today, although I have to say it was pretty yuck.
Of course Nikki and John get their happy ending, and Lady Jane stays awesome.
It was fantastic! I just loved it and you know who else would have if she existed-Catherine Morland.
You know it.
Please note that this is being said sarcastically.
So that’s our start with Horrorfest IX what else will it bring? Who knows! I start every year off with a plan but you know how that goes-anything can happen! Stay Spooky people!
Since the death of Jonathan Harker Count Dracula the propagator of this unspeakable evil has disappeared. He must be found and destroyed!
So typically when I begin Horrorfest I always start and end with a movie I love. As my drama teacher always said “you want to start and end hot. The middle can be a failure but you want them going in to love it, and exiting to love it.”
This year I had a really hard time choosing a film to start with. I really wanted to do something from the 1940s, like Rebecca, The Phantom of the Opera (starring Claude Raines), or The Return of the Vampire, etc- but this year the pick needs to be from the 1950s. I also really wanted to start off with a Gothic film to honor Catherine Morland.
Eventually I decided on Horror of Dracula, as the Christopher Lee & Peter Cushing films are iconic, gothic, and not the classic classic monster films-but are Classic monster films.
This was called Dracula in England, but in the US it had to be changed to the Horror of Dracula as they still showed Dracula (1931) in theaters.
The only thing it, I have ever seen it before.
In fact don’t think I’ve reviewed any Hammer films yet, I didn’t grow up watching them but the classic universal films instead. I hope this goes well!
So as the film begins the credits rolls, and as I look at them I notice in the credits Michael Gough. I feel like I saw that name recently in something I watched…
Hmm…
I know he played Mr. Bennet in version of Pride and Prejudice, but that’s not what I’m thinking of. Then it hits me! He’s Alfred in Batman, Batman Returns, Batman Forever, and Batman and Robin.
Anyways, we see a crypt! As we zoom into the tomb we spot a tomb and the coffin of Dracula!
But then blood squirts on it-weird.
We then move to the diary of Jonathan Harker. It is May 3, 1885. A carriage brings Jonathan to Castle Dracula as Jonathan narrates. He is going to see Dracula as he wants to make good money to marry his fiance.
Majorly
Yes, it turns out that this is not like the original novel, but that Jonathan has come to the Castle under false pretenses. He’s there for another plan-to hunt slay Dracula.
You could say he is Harker the Vampire Slayer!
The castle seemed fine in the warm afternoon sun, normal except no birds. Now I’m not a fan of birds, you know-but even I know thats not good.
That is not good,
The house is nice but I wish it was in black and white. It’s not so creepy when you see it in color, especially all the bright red. I mean look how creepy this is:
And then Dracula is not even there to greet him! What, no awesome scene?!?
So if you have been following me for a while, you know how I feel about remakes and sequels:
And so far I’m not liking the changes.
I’m not happy
Jonathan does find a note from Dracula, after all he is a gentleman:
My Dear Harker,
I am sorry I was unable to meet you. Eat well, make yourself comfortable.
Dracula
Jonathan eats and it actually reminds me of Beauty and the Beast, the original fairytale when he is left a note by the castle owner.
As he looks around the castle he meets a beautiful woman who begs him to take her awry from here. Jonathan introduces himself as the librarian come to catalog Dracula’s books. In this Jonathan is a librarian and not solicitor/real estate agent? I know I should be upset at the change but all I can think is that I’ll be able to add another library to my list.
So the woman runs off when Dracula (Christopher Lee) comes. This portrayal of Dracula is very interesting-he seems normal, and a regular guy. He is helpful by picking up his luggage and shows him to his room, him a count! I have to admit I like his portrayal. It’s not Lugosi, but its not bad.
I mean when Lugosi entered the room, you were instantly freaked out as something was not quite right in the castle. With Lee, nothing seems off about him. He is polite, kind-the perfect employer. It is a nice way to lull you in (I mean it is Dracula, I know he’s bad).
Dracula shows Harker to his room and leaves, as he has to go out of town. Harker starts unpacking and the first thing he puts out is a picture of Mina, aw!
Dracula return to give him a key to the library, when he spots a picture of Harker’s fiancé, Lucy?? LUCY!!!
What’s the heck?
It’s supposed to be MINA!!! Ugh
Ugh! You can’t even get the names right.
After Dracula leaves, Harker sees his room is locked and he cant get out!!!
Harker starts to write in his journal-it’s weird because obviously something is not right in this home, but you still trust Dracula as Christopher Lee plays him so open.
Hmm…
That night Harker is drowsing when something is at his door. He can see the handle twisting! When he checks it he sees that it is unlocked so he walks out and downstairs to the library. There he finds the woman who begs him to help her!
Jonathan Harker: You make it very difficult for me. After all, I’m a guest here. If I’m to help you, I must have a reason.
Woman: A reason! You ask for a reason? Is it not reason enough that he locks me up in this house, holds me against my will? You can have no idea what an evil man he is… or of the terrible things he does!
He questions her more, but she can tell him nothing. Now this is very well done. I mean, like I said in the 1931 version Dracula is creepy from the beginning. In this, Dracula has bee so open and kind so when she says he’s evil you kind of feel unsure what to believe, as what she said and what we have seem of him don’t match up. (Except for you know, he’s Dracula)
Harker promises to help her and hugs her to comfort her, when she then goes right for his neck. She bites him, but Harker is saved when Dracula storms into the room.
That is not good,
Dracula and his Vampire bride fight with each other, as she wants Jonathan and Dracula wants him to be let alone. Harker tries to help her, while Dracula throws him off choking him until he is knocked out.
Ouch
He then carries his bride off through a secret door in the library bookshelves.
The next morning Harker wakes up in his room The door is locked from the utside and he cant get out. Was it all a dream?
Hmmm
No, he has the bite marks with bright red blood on his neck. Yeah the blood doesn’t look right. I think this would have been better in black and white.
He pulls his journal out of the chest of draws (which is pretty cool, it has all these different sizes on it.) He writes that he has become a victim of Dracula and prays that he will not become one of them and that if he fails, someone with the knowledge to do what is necessary will release his soul.
He decides to do what he has set out to do. He’s on a search to find the resting place of Dracula and destroy him!
He hides his journal in a hedge and then goes looking for Dracula’s tomb. As he walks around the set, it reminds me of the Dr. Jekyll and the Werewolf film I watched last year.
Harker finds the tomb, the girl is there as well. He unrolls his package which holds a stake and mallet to put the girl out of her misery. He should have done Dracula first instead of the girl so she wouldn’t wake him up. Dumb.
Night falls and the woman’s screams awaken Dracula. The girl turns into an old lady as she is now dead. Harker turns to stake Dracula, but he is GONE!!!
Bad things happen when you don’t listen
Always do the Prince of Darkness first boy. Who mentored you??
Seriously
Wait a sec…they aren’t going to kill Harker are they? The scene fades out so I am not sure if they locked him up in the tomb, or if Dracula killed him.
Hmm…
Back in the village pub a man walks in with aristocratic features and fancy gentlemen clothes who asks about Mr. Harker. It is Dr. Van Helsing (Peter Cushing) who questions the pub owners but they claim to know nothing.
The pub owner warns Van Helsing to get out of these strange parts, but Van Helsing won’t give up. The waitress, however, takes pity on him and Harker and gives Van Helsing the Harker’s diary that was found.
Van Helsing goes up to Dracula’s castle and sees a black hearse carriage carrying off a white coffin. This is obviously Dracula taking off.
Van Helsing goes into the castle searching for Harker, but finds him nowhere. He does find his room which has ben horribly disturbed. And the picture of Lucy (it should be MINA), is gone! Oh no-Dracula took it! That means he has some nefarious purposes!
Oh no!
Van Helsing finds the tomb and steps inside. The dead female vampire is there, and Harker!???!! He’s a vapmire?!!!!!! vampire???!!!!!! (sorry I was in such shock I couldn’t spell)
WHATTTTTTTTT!!!!!!!!!!!!!
But, but, but the story! What’s going to happen?
What’s going on?
Aww, Van Helsing picks up the stake and mallet and has to take care of his friend. That’s heartbreaking.
Van Helsing returns to tell Lucy that Harker died, but she is ill so he meets with her brother Arthur Holmwood (Michael Gough) and Mina (Melissa Stribling). Arthur doesn’t believe him-he finds everything suspicious. He is angry as they should have been told sooner.
Now this seems odd to me. Grief makes you angry, I know, but he seems to extra hate him. Van Helsing gives them the death certificate and is sent out.
Arthur’s wife tries to calm him down and they go to see Lucy. Poor Lucy! She has been ill and can’t wait for Jonathan to return. But he won’t be.
So when I was watching this I began counting off all the things they changed in this film. But I guess if they were competing with Dracula (1931) and Return of Dracula (1958), you want to do something new.
After Mina and Arthur leave, Lucy gets up. Is she faking being ill?
Nope!
Lucy goes to her window and opens the door, allowing the wind and leaves in. She then takes off her cross necklace, NOOOO don’t do that! And then waits in bed for her vampire lover.
Van Helsing is going through Harker’s diary while listening to his notes on killing vampires.This listening to his list is mostly for us-1) They can’t handle light, they can’t go out, 2) Garlic, they can’t stand it, and 3) The crucifix, the crucifix protects the human being but reveals the vampire or the vampire victim.
Van Helsing is determined to go and find & destroy Dracula!
Meanwhile, Dracul at this moment is with Lucy in her bed. He pulls up his cape and fade out.
That is not good,
Dr. Seward has been trying to help but is puzzled by why she is getting sicker. They think it is just anemia, and all I can think is too bad women wore such high collars or else they would spot the fang marks.
Mina Holmwood goes to see Van Helsing and confides her worries about Lucy. She was afflicted 10 days ago, the same time when Jonathan died…
Van Helsing goes to see Lucy, and spots the wounds on her neck right away. Mina noticed the wounds on the neck too, but thought she was stung by something.
Van Helsing tells Mina to leave the windows shut at night and to put Garlic flowers at the window and by her bed. He warns Mina to do what he says or else Lucy will die.
Lucy, however, doesn’t want them and begs the housekeepr Gerta to remove the flowers and to open the windows, and of course Gerta listens, NOOOOOO!!!
The next day Lucy is dead. Gerta admits she opened the widow and took the plants away. Arthur, however, doesn’t blame her. Instead he blames Van Helsing as he can’t stand him. But why blame Van Helsing? If anything, why not blame the doctor who was supposed to be treating them?
Van Helsing gives Arthur the diary to read so he can know the truth, and walks out.
That night the couple is grieving when a policeman comes with Tonya, Gerda’s daughter. Tonya tell Mina that Lucy was walking with her and then someone came and she took off.
That night arthur goes to the crypt and Lucy is GONE!!!!!!!!!!!!!!!!!
Gasp!
So this movie has strayed heavily from the book and I have no clue what will happen next, beside of course Dracula and Van Helsing will eventually fight.
That night Tonya goes off with Lucy, who called to her. Lucy has giant fangs, but Tonya doesn’t see them. Arthur goes looking around, confused Then spots Lucy with Tonya. I like how she glides-unearthly walking.
Lucy tries to get Arthur, but Van Helsing is there! He puts the cross on Lucy’s forehead and it burns her. She runs into the crypt, with Arthur following. Van Helsing gives Tonya his coat and the crucifix as he goes after Arthur.
Van Helsing wants to let Lucy roam free to find Dracula, but Arthur won’t have that. So Van Helsing sends Tonya home with Arthur and then when he returns Van Helsing prepares to make sure she will not walk again but rest.
Arthur: [Van Helsing prepares to stake Lucy] Is there no other way? It’s horrible.
Doctor Van Helsing: Please try and understand this is not Lucy the sister you loved. It’s only a shell possessed and corrupted by the evil of Dracula. To liberate her soul and give her peace we must destroy that shell for all time. Believe me there is no other way.
So vampires are supposed to be staled through the heart, but here he does it under her left breast.
Poor Arthur hes traumatized by the screams of his sister.
So now that he does not have a bride, Dracula will be on the hunt for another.
Arthur reads Harker’s diary and decides to join Van Helsing to stop the evil. The first thing they need to do is find Dracula. The vampire must rest in his own soil during the day. They must travel to the border to discover where the coffin was going.
Hmm…
They leave Mina alone as they travel off. Poor Mina. I hope Dracula doesn’t come after her.
Later that evening, long after the men have left a boy comes to the l door with a message-Arthur says to go to 49 Fredricks Street. Okay I actually am not sure what street he said and I couldn’t find it online, but that’s what it sounded to me. Uh, oh. We know it not the guys, that means it must be:
So over at Customs on the border, Van Helsing is arguing with the clerk, but Arthur has had enough of that and just bribes him.
49 Fredricks Street! Oh no, the same address given to Mina! The mortician’s address! The perfect place to hide a coffin.
Oh no!
Mina searches for Arthur, which really shouldn’t she be more suspicious? Why would her husband send her to a mortuary? Especially one that is closed? She searches the mortuary and finds the coffin, Dracula poking out.
Arthur and Van Helsing return home but Mina isn’t there. They find her, but she’s pale, not herself, and covering her neck! She must have been bitten too.
The two go to the morticians but the coffin is GONE!!!!!!!!!!!
They return to the house unsure where he went. He could be anywhere.
Mina questions them but they tell her nothing! Jerks, maybe if you gave her the whle story she wouldn’t have been running to mortuaries and getting bit.
Arthur is worried and gives her a cross to wear, but when she touches it she faints! It leaves a burn mark in her hand-she has been bit.
Arhthur is angry, but this time at himself. He knows he should have listened to Van Helsing. They decide to leave her alone and watch for Dracula. That night they wait and watch.
That night all is quiet, so when they head indoors to check on Mina they are shocked to find her dead!
What they be killing everybody! I am super into this movie and have no clue where it is going next!
Oh no, she’s still okay, they give her a blood transfusion.
You know for a Dracula movie, we don’t sped a lot of time with Dracula. It’s very different, but not in a bad way, as we focus on Ven Helsing and Dracula becomes more shadowy and unknown. He only talks to Jonathan Harker in this making it only a few lines of dialogue. Although I definitely prefer that over Dracula 2000.
I hate that movie.
After the transfusion Van Helsing makes Arthur go downstairs to get something to drink. Didn’t he just HAVE a transfusion-have Gerda fetch him some, or you go get him something. He should not be walking.
Both the men are shocked how Dracula could have gotten in, they were watching all the entrances and never spotted him. Arthur is convinced he can shape-shift, but Van Helsing assures him that is not the answer. Then what is?
Hmmm
They ask Gerda to fetch another bottle of wine, but she refuses as she doesn’t want to go down the the cellar, Mina told her not to. The answer hits Van Helsing and he goes running down there and finds the coffin, BUT ITS EMPTY!!!! Dracla has outsmarted them, he’s awake and he’s trapped Van Helsing in!
Arthur gets Van Helsing out but they are too late as Dracula has carried Mina off!
Vn Helsing knows they have him on the run and with them having his coffin, the only Dracula can go is home to his castle they are off!
Back at the castle, Dracula digs a grave for Mina and throws her in, like she’s a doll, even though she’s still alive, Arthur and Helsing get there just in time.
This film really gets you going!
Dracula goes running up the stair followed by Helsing. But the house is vast with many nooks and crannies and secret passage ways. Sidenote: Except for the vampire trying to make you undead, this would be an awesome place to live!
Anyways, Helsing finds him and Dracula starts choking him. Helsing passes out!
And Dracula is going to bit him but, oh no Helsing faked it. The music is pumping along to bring the excitement as Helsing runs for the curtains and pulls them aside-causing the sun to come in and Dracula to turn to dust! Dracula tries to stop him, but Van Helsing makes a crucifix out of candlesticks and stops him.
Ew, thisscene is great and crazy, like Indiana Jones.
With the vampire that turned her dead, Mina is back to normal. And the evil is dead.
…or is it? I know the DVD I rented from the library has four Dracula films so he must come back. You can’t kill evil after all…
So what’d I think? I really liked it! You know me, I’m not one for you know remakes, but I enjoyed this a lot.
It strayedheavily from the book. But I guess with something that has been around a while and remade constantly you have to do something to make it surprising. I actually liked how we focused so much on Van Helsing, and I liked Michael Gough assisting as Arthur.
I’m interested in watching the other films but I won’t be reviewing them this Horrorfest, I already have the whole month planned out.
It wouldn’t be Horrorfest without our facebook banner:
So this kicks off the beginning of Horrorfest ViII. I hope you enjoy it and the spooks, thrills, and chills that are to come.
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