An invisible man can rule the world. Nobody will see him come, nobody will see him go. He can hear every secret. He can rob, and wreck, and kill!
Choosing a movie to open and close is hard-very, very hard. My drama teacher always told us the opening, before intermission, after intermission, and the closing are the most important-basically the opening and closing are what people remember. If you goof, make a mistake, or something doesn’t quite go right-they will forgive. As long as the begining is good and the end is powerful. That’s a lot of pressure.
Hmmm…
I was very unsure what to do-
Hmmm….
But then I had an idea. I read the book The Invisible Man and did not like it. I had never seen the film-in fact it is the only classic Universal Film I have yet to review.
Idea!
That being the case, it is the perfect one to end on. Will it be as good as the other classic films? Will it be better than the book? Will it be worse? Hmmm…?
On with the review!
When screenwriter R.C. Sherriff came to Hollywood to write this film, he asked the staff at Universal for a copy of the H.G. Wells novel he was supposed to be adapting. They didn’t have one; all they had were 14 “treatments” done by previous writers on the project, including one set in Czarist Russia and another set on Mars. Sherriff eventually found a copy of the novel in a secondhand bookstore, read it, thought it would make an excellent picture as it stood, and wrote a script that was a closer adaptation of the book.
What?
But there is one thing they did to help-they gave him a girlfriend. Having a girlfriend is very important to this character who otherwise is crazy, cruel, maniacal, evil, etc. The girlfriend humanizes him-when they are together we see there is more to him-another softer side, he isn’t just a monster.
So everyone wanted Boris Karloff to play the lead-but he turned it down as the character isn’t really on screen. The director overheard Claude Rains auditioning for another part and thought he was perfect. Rains had never been in a film before this, only stage acting, and did it perfectly as his voice was clear-even in all the costuming.
So let’s do the review:
A stranger arrives in the snow to the small village of Iping. All stop when they see how strange he looks-dressed in much heavier clothing than one would even in the cold. He wants a room.
They are more of a summer place, but agree to give him a room to sleep and an extra room-for his experiments.
The townspeople are wary of him-after all what innocent person covers themselves and tries to obscure thier identity. When the owner’s wife brings Griffin his dinner she sees that half of Griffin’s face is GONE!!
They didn’t have the technology we have today, so in order to make Rains invisible they dressed him in a full black bodysuit and placed him in front of a black screen.
Elsewhere, Dr. Cranley (Henry Travers) is woking in his laboratory. Dr. Cranely is Griffin’s mentor and his daughter Flora (Gloria Stuart) was engaged to him. Both are puzzled by his disappearance, and Flora is extremely worried about him, as she hasn’t heard from him in over a month. Dr. Arthur Kemp-Griffin’s friend and the other worker in Dr. Cranely’s lab, has also had zero word. And because Griffin was always working in secret, none know even what he was doing, so no clues where to find him.
A week later, Griffin is still at the inn working trying to find his way “back”. The only one who goes into the rooms is Jenny, the innkeeper’s wife. She doesn’t want Grifffin here-she wants him gone as his rooms are a mess, he is incredibly mean, and just creepy.
When they try to get him out, Griffin refuses and tosses the innkeeper down the stairs. They call the police. Constable Jaffers (E.E. Clive) comes to arrest him, but then Griffin does what no one expected.
Griffin attacks the men guarding the door and then takes off.
So this where I have a problem in the book. All the other classic monsters had something that made you feel for them. The Phantom? Thrown out because disfigured, abused, mistreated, used, and people have tried to kill him because he is ugly. Finds a girl who he thinks loves him but doesn’t care a fig about him-you understand why he goes all crazy. Dr. Frankenstein wants to help humanity, believes he knows better than God, but learns his harsh lesson. His monster is just trying t make it but people are afraid and trying to kill him. In Bride of Frankenstein? Frankenstein wants to live his life but blackmailed into creating another monster. Frankenstein’s monster just wants love. The Mummy is crazy and bad, but his main goal is to bring his love back to life. Dracula is an evil monster, but very charming. The Wolf man, poor guy just trying to reconnect with his dad, grieve his brother, and take over family business-wrong place wrong time. The Creature from the Black Lagoon? Just wants love.
Griffin is not charming, he’s not trying to help people, he’s not looking for love. He’s a wackadoo murderer-evil, insane, cold, etc.
Dr. Cranely and Kemp go through Griffin’s stuff to try and find clues to where he is. They do find a list of drugs, one being monocaine, which destroys everything and turns whatever creature that gets into it-insane.
You’re crazy! Crazy, am I? We’ll see whether I’m crazy or not.
Griffin goes to Kemp as he needs help. He threatens him and blackmails him into being his errand boy. Griffin and Kemp discuss what happened and Griffin tells him he started working his experiments five years ago. He threatens Kemp to get his notes for him so that he can create the antidote.
The Chief Detective starts investigating and questioning people. Meanwhile, Kemp and Griffin head to the inn to get the notes. Griffin gets his stuff and attacks the Detective, killing him. This causes more panic and hysteria.
The police murder has lit a fire under them and they begin searching for Griffin. They start looking 20 miles in all directions and more and more volunteers join in. At 10:30pm radio broadcast goes out and warns everyone that it isn’t a hoax. A reward for £1000.00 is offered.
Dr. Kemp is worried and calls Dr. Cranely to tell him about Griffin and warns him that Griffin has gone crazy. Dr. Cranely tells Kemp to take care to keep him there and that he will be there the next day. Kemp calls the police to tell them Griffin is in his house. Griffin becomes enraged at him for telling in him.
Flora goes to see Griffin and here we have a shred of humanity as he softens toward her and we see a sliver of the man he was-the one Flora fell in love with. But then he is gone and only the crazed killer remains.
One who has created this invisibility and wants to auction it off to the highest bidder.
While they are talking the police arrive. Griffin escapes and flees, but not before he tells Kemp he will murder him at 10:00 pm. The police come up with a plan as to how they will catch him. They will use Kemp as bait, but Kemp doesn’t like that idea. He takes off in his car but Griffin is already waiting there. He ties him up and pushes Kemp and the car off the cliff.
Griffin stays in a barn that night and a farmer spots the hay moving and calls the police. They decide to burn down the barn and follow the Invisible Man’s footprints on the snow to take aim. He’s hit and as he does his body is revealed slowly.
I thought it was pretty good, but let’s be honest it wouldn’t be nearly as good if it wasn’t for Claude Rains.
The thing that is mindblowing is the special effects. Really good for 1933. So there we go I have reviewed all of the Universal Classic Monster Films!
There we go. All 31 posts finished! Yay!
I hope you all have a fantastic and safe Halloween!
The ghosts are moving tonight, restless… hungry…In just a moment I’ll show you the only really haunted house in the world.
I have been trying to review this film since the first Horrorfest, but something always seems to gum up the works. This is one of my all time favorite horror films and my favorite Vincent Price film.
I had never heard of this film, but if it has Vincent Price you know I’m all over it.
Then I watched it and saw it is one of the best horror films ever made, with everything you could want:
So do you dare continue on?
So the film starts off with the scariest opening I have ever seen. All we have is a black screen and screaming from men and women.
Can you imagine hearing that full volume in a darken theater?
I can imagine people were freaking out.
We then are met by Watson Pritchard (Elisha Cook Jr.) who warns us about the house and how we should stay away:
Watson Pritchard:The ghosts are moving tonight, restless… hungry. May I introduce myself? I’m Watson Pritchard. In just a moment I’ll show you the only really haunted house in the world. Since it was built a century ago, seven people, including my brother, have been murdered in it. Since then, I’ve owned the house. I only spent one night then and when they found me in the morning, I… I was almost dead.
AAAAAAAAHHH!!!!!!!!!!!!!!!
We then cut to wealthy businessman Fredrick Loren (Vincent Price). He has rented the House on Haunted Hill for a party,
inviting five people to attend and promising them each $10,000 if they stay the whole night.
As soon as they pull up to the house, strange things begin happening. A chandelier almost kills a guest when it falls,
And another guest gets knocked unconscious,
And it doesn’t stop there. It turns out that all is not happy with the Loren life. Fredrick is angry with his wife as he believes her to be a gold digger and trying to murder him.
Frederick Loren: Do you remember the fun we had when you poisoned me?
Annabelle Loren: [laughs] Something you ate, the doctor said.
Frederick Loren: Yes, arsenic on the rocks…[grabs Annabelle] Annabelle, you’d do it again if you thought you’d get away with it, wouldn’t you?
But Annabelle (Carole Ohmart) says that he is a jealous, crazy psychopath who has already killed three wives and is going to add her to his dead list.
Annabelle Loren: My husband is sometimes insane with jealousy. Nothing matters to him!
Lance Schroeder: Would he hurt you?
Annabelle Loren: He would kill me if he could…You know, of course, that I’m his fourth wife. The first simply disappeared; the other two died…All his doctors said heart attacks. Two girls in their 20s. Lance… I don’t want to join them.
Who is telling the truth? Who is lying? And which is a killer?
We are given the history of the house with its gruesome murders, from beheadings to being thrown in acid.
Ahhh!
They are locked in with no way out, one guest is nearly strangled to death, one having a nervous breakdown, and one murdered!
AAAAAAAAHHH!!!!!!!!!!!!!!!
Which one is the killer? Or is it a ghost?
Watch it yourself to find out. I will not ruin the ending of this masterpiece.
By the time this posts, I know Horrorfest won’t be finished, so you know what I’ll be doing tonight; but whatever you do I hope you have fun, get candy, and stay safe!
With Halloween approaching and the number of Horror films increasing, I thought it would be a good time to write a post on how to survive a horror film, just in case you happen upon this situation 😉 . Most of us have heard of the “Randy Rules” in Scream (1996), but in this we are going to look a bit more in depth in how to successfully survive a horror film.
1) Do Not Try Out Witchcraft, Ouija Boards, or any of the Occult for “Fun.” You Will Be Messing with Forces You Have No Control Over
It is never good to mess with the occult, play around with witchcraft, or use the ouija board. When you do such things you are opening a door to a lot of stuff you don’t want to mess with. Often you open yourself or others to demon possession or evil spirits. It is best to just stay far away from such things.
2) Do Not Make Deals With the Devil, Demons, or Other Supernatural Beings
Never, ever make a deal with the devil. It is like trying to mess with the occult or witchcraft, you are opening yourself up to serious trouble, and the devil will not like to loose his quarry. Besides, the deals/wishes you make never turn out exactly as you hope.
One of the things that bothers me the most is when people are surrounded by potential weapons and don’t use them. I mean look at Scream (1996), when Tatum is in the garage and attacked by Ghostface, she tries to squeeze herself through a tiny hole to escape rather then use something, anything in the garage. I mean she is in a GARAGE!!! There are hundreds of potential weapons! USE THEM!!! That is one example, but seriously, use anything and everything.
4) Don’t Stop Assaulting Your Attacker Until You are Sure They Are Not Going to Get Up
Now this is huge. In horror movies, if the person is able to outwit the killer and knock them out, they usually just leave it at that and take off. DON’T! You knock that sucker out until you are sure they are no longer going to try to injure you. Break their legs if necessary. Because if you don’t, they are just going to recover and come after you.
5) If Someone Gives You a Protective Charm Do Not Give It Away
I have mentioned this in Dracula (1931), The Mummy (1932), The Wolf Man (1941), Scream 2 (1997), and many more. If someone gives you some kind of charm that is supposed to help you and only work for you, DO NOT GIVE IT AWAY!!!! It will only work FOR YOU!!!! That is why it was given TO YOU!! And if you give it away you are just going to get yourself and the person you were trying to help in serious trouble. Keep it and protect yourself so that you can actually help others, instead of accidentally killing them.
6) Sex = Death
As Randy says in Scream, Sex = Death. Never overlook the purity angle, it is like a protective charm. If you don’t do it, you are less likely to die.
Sometimes Doctors can be good people, but if you are in a horror film, forget it; they are usually evil. Such as Dr. Hartz from The Lady Vanishes (1938), he seems kindly and trying to help, but in reality just wants the main character to think they are going crazy! Same thing in Dr. Hollingshead from The Secret Life of Walter Mitty (1947). Then you have doctors who commit horrible things in the name of science; like We have Dr. Frankenstein (from any Frankenstein film) who tries to create life and can’t control his monster. Or there is Dr. Arthur Carrington from The Thing From Another World (1951), who almost kills everyone as he doesn’t care about human life but scientific discovery is what matters. Not to mention Dr. Alfred Brandon from I Was a Teenage Werewolf (1957), who experiments on teenage boy. And lets not forget Dr. Hannibal Lecter, who eats people. I could go on, but there are too many examples to choose from.
8) Do Not Spend the Night in an Abandoned or Haunted House, Psychiatric Hospital, or Carnival
I mean seriously. Just do not go there. Nothing good will ever, ever, ever come of it! I mean look at The Uninvited (1944), House on Haunted Hill (1959), House on Haunted Hill (1999), The Hunting (1963), The Haunting (1999), etc. I could go on and on, but let’s continue with our list.
9) If There is a Curse on Something Do Not Touch It
I know curses, many laugh at them; but of you are in a horror film and you see something that says it is cursed DON’T TOUCH IT! It is better to live another day then to have yourself face all kinds of horrors.
10) Do Not Drink Any Potions or Test An Experiment On Yourself
NEVER, EVER, EVER, EVER, EVER test a potion or try an experiment on yourself. It always ends badly! I mean you have Dr. Jekyll & Mr. Hyde, The Fly, Batman’s Man-Bat he had to fight, even Goosebumps did an episode where the dad ended up creating a plant clone of himself. I know many don’t like animal testing or get under the stress of trying to accomplish something; but just stop! Don’t test yourself or else something bad will be created.
11) If There is a Murderer Running Around, Do Not Go Out and Party
This drives me crazy! A murderer is running around killing people and people decide to: 1) not take any precautions; 2) go about their lives like nothing is different; and 3) party. If there is a murderer running around, yes it is good to be in a group (rule 12 & 17) but you shouldn’t be out partying, drinking (rule 13) or putting yourself in a dangerous situation.
12) Never Split Up
NEVER, EVER, EVER go anywhere by yourself. There is power in numbers! As a group you could take a killer down, versus as a couple or single. When you split up, all you do us make it easier for someone to kill you.
While some of you might enjoy that type of thing it is never a good idea in a horror film. Anytime you try something that will keep you from thinking clearly, you are in serious trouble as you are likely to make bad decisions that will lead to your death. It is better to just say no.
If you are being attacked, threatened, harassed, etc.; call the police. Don’t try and take care of it yourself, don’t try to investigate, call FOR BACKUP! That’s their job!!! They have guns and can make an arrest!
Unlike the Terminator here, you won’t be back. Uttering these words is signing a death warrant, as soon as they leave your lips you become next on the killer/creature’s hit list.
16) Never Say “Who’s There?”
Never say “who’s there”. If the person was a friend, they wouldn’t be skulking around your house in the first place, trying to scare you. Instead they would knock, ring the doorbell, or call out to you. The only type of person who would be creeping in your house is one who intends on harming you. And if you call out “who’s there”, you’re just helping them find and kill you faster.
When you hear something strange outside, do not go out and look into it. You should wait for assistance or call in the police. If you try looking yourself, you are going to end up in a trap set by a monster, psychopath, murderer, etc. Besides, why unlock the door or turn off the alarm; allowing whatever is watching you the opportunity to come in and attack? Just stay inside snug like a bug.
Have you ever though of how vulnerable you are in the bathroom? Most have no windows to flee from or they aren’t the most accessible. Some do, but for most the only easy way out is the door, which is where most attackers will come through. Plus the reason you would be in the bathroom; shower or toilet, you won’t have any weapons to help you and it would be extremely easy to kill you. If you are in a horror film, just hold it or stay stinky. You are more likely to live that way.
Like I said before, the less people around you, the easier you are to kill. If you go off on your own to investigate, look around, run away; you are just putting a giant target on your back. Stay together, it is safer.
In horror movies, there are lots of people who have been bullied so much and hurt by others they end up becoming homicidal maniacs. And who do they tend to attack first? The last person to hurt them. Look at The Phantom of the Opera (any version), Carrie (1976), Hangman’s Curse (2003), Heathers (1985), etc. So if you don’t want to end up being first on the hit list be kind to those you meet.
22) If You Are a Girl Or Not White, Be Extra Cautious
Psychopaths and monsters love to kill/eat women and minorities. Because of this if you are either, or both; take extra steps to protect yourself. Be like Ben in Night of the Living Dead.
People can tell you all kinds of things, but that doesn’t mean they are telling the truth. If you find yourself in a horror film, don’t trust anyone. And I mean ANYONE!
Never judge a book by its cover. Someone who seems sweet, innocent, impossible to commit cruel acts, etc; could secretly have evil intentions lurking under the adorable facade. Always be watchful and once again, trust NO ONE!
When trying to figure out who the murderer is, never overlook kids. I mean sure some will be obvious in their creepiness, such as the one pictured above, but there are many who look innocent and sweet but are actually evil. Don’t be fooled!
NEVER, EVER, EVER, EVER try to create Life. It just does not go the way you plan. You can’t control the beasts you create and they just run amuck everywhere. I mean look at Frankenstein, Bride of Frankenstein, Jurassic Park, Jurassic World, Alien: Resurrection, the list goes on but I’ll stop here.
In any horror film, whenever they create life they always think they have complete control over it. Well, that never works out. You see, just because you made it doesn’t mean it will listen to you; every parent knows that. And more often than not, those creations will try and kill you.
28) If Someone Tries to Make a Deal with You to Kill Someone, Do Not Think it is a Joke
Joking around with the idea of murder might be something you would do with a friend, but be careful, you never know how far they might take it.
We all like to hear scary stories around a campfire and about areas. But if you are in a horror film, play very close attention as more often than not, the myths and legends turn out to be true or someone is copying them and making them true. It is always good to pay attention and know the details, it just might save your life.
30) Never Think You Have Destroyed a Monster, They Always Find a Way to Come Back
I won’t be here when you get back, don’t you see? It’s going to happen before then. Don’t ask me to explain it, I just know. There’ll be somebody with my name, and she’ll cook and clean like crazy, but she won’t take pictures, and she won’t be me! She’ll – she’ll, she’ll be like one of those the robots in Disneyland.
So first, happy 40th anniversary! February 12, 1975 brought this great film to us.
So one day I was spending the night at my friend’s house, and her grandmother had a massive movie collection, although nothing made past the ’90s. We were trying to figure out what to watch, when she chose The Stepford Wives (2005). I thought it was funny, and even bought it for myself when it was on sale for $5 at Wal-Mart.
Then I was at a yard sale, where a friend who has a monster horror/mystery film collection was selling all the VHS he had just bought DVDs of. I saw The Stepford Wives (2004) and was shocked. There was another version of the film?
Then one day, I decided to watch The Stepford Wives (1975). And I LOVED it! I thought it was sooooo much better than the remake, in fact I never even watch the 2005 version anymore. I really should just donate it to the library or thrift store.
So this film was based on a novel, in fact written by the same man who wrote Rosemary’s Baby, Ira Levin. Funny that I should review both films the same year. I didn’t even realize they were by the same person until right now.
Anyways, on with the review.
The film starts out with Janna Eberheart (Katherine Ross) saying good-bye to her apartment they have been living in in the city.
She doesn’t want to leave, but moving to the suburbs will be better for her two young kids.
Now Katherine Ross is extremely beautiful, and her husband is only so-so. How did he score such a ringer? Not to be mean, but he looks old and is balding, and looks like the type to get a beer gut.
They are unpacking their stuff when a beautifully coiffed woman comes over with a casserole, Carol Van Sant. She walks and talks a bit weird, almost unearthly in grace.
Later Walter is walking the dog and tells his neighbor, she cooks as good as looks.
Men
So it turns out that Joanna definitely did not want to move. It was all her husband’s idea. He thinks it is safe, secure, and there is more room for the kids and Joanna to have dark room for her photography. Joanna is still not pleased.
The next day Joanna’s kids take the bus to school. All the other kids are too perfect and not rowdy at all. Weird.
Now that the kids are gone, what is the city girl gonna do? She has tea, clearly bored.
She does get interviewed by neighborhood lady, who writes the women’s magazine. We found out that Walter Eberheart, her husband, is a lawyer; while is an inspiring photgrapher. The thing she misses most about New York? The noise.
The next day she goes to return the casserole dish to neighbor, when she sees a guy come up from behind and start feeling her up and kissing her. It is mid morning! Is that her husband? And what is he doing here instead of at work? Weird.
That night Walter tells Joanna how he has met the other Stepford commuters. They invite him to Men’s Association. It has only one rule, men only. Joanna is not pleased.
Men
We see that their relationships actually are having some problems that have been happening for a while.
Joanna Eberheart: You pretend we decide on things, but you have already decided on everything. You ask me if I want to move out of city, and I find you have already been looking. You ask me if I like this house place and I find that you have already made a down payment. You ask me about the men’s association and you have already joined. Why even bother to ask me at all.
When they go out grocery shopping, it seeems as if all the other women are more in control of their kids, have planned out their list better, being perfect; while JOanna harried and forgetful.
Carol coming out of market, and gets into a car crash. She is taken by the ambulance, and keeps repeating herself over and over as if stuck on something.
Joanna Eberhart: [ambulance drives off] We may be new here, but isn’t Stepford Hospital that way?
Walter Eberhart: Oh, no, no, no, you’re wrong… No, no, you’re *not* wrong, the ambulance went *that* way, didn’t it?
That night Joanna wakes up in bed alone, and hears something downstairs. It is Walter in front of the fire, as he just got back from mens association. He is upset and drinking. What’s going on? Why is he so sad and upset? What did the men do?
The next day Bobbie Markowe (Paula Prentiss) comes to see her after reading about her in the lady’s paper. You notice she is the only other woman wearing pants as well.
Bobbie is like Joanna. She moved her from New York, not her decision but her husbands. She isn’t perfectly coiffed and doesn’t have a spic and span house. She is normal and the two quickly become friends.
That night Joanna is working in her dark room developing pictures. Walter calls and tells her the meeting will be at their house, in 20 mins. That’s really short notice to be given, what if the house was a mess? But i suppose those guys think a house should always be perfect.
After Walter gets off the phone, Dale, leader of the men;s association tells him he recognizes that Walter is not altogether sure, telling him not to worry the change is for the better.
So while Joanna is pouring teas and coffees, Dale is watching her, he likes seeing women in domestic settings.
Joanna Eberhart: Why do they call you Diz?
Dale Coba: Because I used to work at Disneyland.
Joanna Eberhart: No, really.
Dale Coba: That’s really. Don’t you believe me?
Joanna Eberhart: No.
Dale Coba: Why not?
Joanna Eberhart: You don’t look like someone who enjoys making other people happy.
Joanna sit in on the meeting, One guy draws Joanna, as the rest of the men talk about charity events they could do. The men are absolutely boring and horrible at planning and deciding on something. She goes to check on the kids to get out of there.
They all stop talking as soon as she leaves. Hmm…interesting.
When she comes back, the meeting breaks up and the guy gives her the drawing of her.
Ike Mazzard: [Handing drawing to Joanna] In case you’re wondering what I’ve been doing.
Joanna Eberhart: You’re not the Ike Mazzard are you?
Ike Mazzard: I’m afraid so.
Joanna Eberhart: Walter tell him, I’m just awful on names. You’ll have to forgive me. I used to gawk at all those girls in those magazines. You blighted my adolescence, you know that?
Walter Eberhart: [Grinning] I thought I benighted your adolescence.
Joanna doesn’t like the men, as she thinks they are boring. The women, besides Bobbie, are not friendly and also don’t seem to think that much beyond how they look or how to cook. She thinks her husband is acting weird by hanging with these people.
Dale give a barbecue, and Joanna and Bobbie dress casual; Joanna in a nice sundress and Bobbie in pants. However, all the other women are dressed SUPER fancy in long dresses. Joanna and Bobbie feel really out of place, but can’t quite put their finger on why exactly.
Joanna Eberheart: It’s all so dazzling, so why don’t I like it. I like it but I don’t like it. Does that make sense?
Carol starts talking to them, but keeps repeating herself. Something is not right with her. Is she drunk? Or is it something else?
The next day Carol comes and apologizes to Joanna and Bobbie. She explains that she used to be an alcoholic, one of the reasons why they moved out of the city, and the reason why I was acting weird last night. I had started drinking again. Her husband made her come apologize to the newcomers, didn’t want to frighten them off.
So strange to Bobbie and Joanna. Both ladies did women’s liberation in New York and decide they need to start something here in Stepford. They start inviting women, but they don’t really care and don’t want to. One too busy ironing, one too busy baking, another shopping, etc.
The last person they see is Charmaine. She is relatively new, only been here a little bit longer than Bobbie. She heard that the girls wanted to start meeting, and wants to join as she has had a hard time connecting. She used to play tennis with one girl, but now she is far too busy cooking and cleaning.
One of the men wants to do a speech experiment with her. Needs to know every place you have ever lived, and you have to read off a vocab list he made up. Joanna won’t do it, unless the wives come to her meeting.
Joanna Eberhart: I’m very busy…just like your wife. Bobby and I tried to involve her in one of our projects, but she had too much ironing. Maybe you could convince her. Kit Sundersen, too. If they could find the time for me… I could find it for you.
Claude Axhelm: Isn’t this uh… kind of blackmail, Joanna?
Joanna Eberhart: It’s what made this country great, Claude.
They have the Women’s Liberation meeting, but the other wives don’t seem really into it. Joanna starts by saying she thinks walter cares more about law than her. Charmaine says that she doesn’t think her husband ever loved her, but only married her because she looked right. After that emotional piece, one of the wives says she didn’t bake any thing yesteday because she didn’t finish cleaning. Then all the “other wives” start talking about products they use, sounding like a commercial.
So weird.
Joanna goes out for a walk with her dog, when she is gone men come over and looking at room and all her stuff. They leave after their observations.
The next day, Bobbie and Joanna run into an older woman who tells them about a new family coming to Stepford, a black family. She says it doesn’t surprise her as Stepford is the most liberal place. Bobbie and Joanna are surprised and find out they used to have a ton of women’s groups, including a huge Women’s Liberation. What happened?
They go see Carol, who they discovered was the leader of the Women’s Liberation in Stepford. She tells them it died out because the women got bored.
Joanna Eberheart: Is it enough?
Carol Van Sant: It is enough for me, maybe not for you.
Joanna goes to New York to show some photographs to a gallery, but the owner turns her down. When she returns, she discovers that her dog is gone. She and Bobbie start driving around looking for him when they see Charmaine’s Tennis courts being destroyed!
They go see her and she is dressed like other wives and acting like them. She only cares about making her husband happy. Fired the maid and wants to do all the cooking and cleaning herself. She’s letting her husband get the heated swimming pool that he always wanted.
Both are freaking out about this. Bobbie is convinced that they must be poisoning the water or something. She wants to take a sample and give it to a trustworthy chemist, but doesn’t now any. Joanna does, and when they give it to him; there is nothing in the water.
Bobbie is scared.
She wants to leave, and is planning on asking Dave tonight to move. She doesn’t want to become one of those women.
Creepy!
Joanna wants to leave, but Walter doesn’t. After a bit of pleading, he gives in. But is it too late to move?
They start looking in different areas together. Dave, Bobbie’s husband is mad about house hunting. He was so upset that he almost canceled their annual trip to plaza. Bobbie has Joanna take care of her kids.
The kids are crazy and loud, and Walter hates it. Joanna takes tons of photos while kids are playing. Joanna is working in the dark room making Walter have to care for the kids. He wants Joanna to take over as he is tired and can’t think of anything else to do. Joanna tells him too bad, she deals with it every day.
Joanna goes to New York to get a gallery owner to look at them, thinks they are amazing.
Joanna goes to tell Bobbie about gallery accepting her work, but Bobbie doesn’t even care. She just wants to discuss clothes, looks, cleaning, all about taking care of Dave.
Noooooooooo!!!!!!!
They’ve gotten to her, and she is no longer the same.
Joanna tries to tell Walter what is going on, but he doesn’t understand and won’t listen. He just keeps telling her that she is crazy!
Noooooooooo!!!!!!!
Joanna is going to leave, and planning on it today. Walter stops her, telling her they will move, but only if she sees someone. He tries to get her to see one in town, but she refuses. She wants to find her own person and someone far from Stepford.
Getting out of here
Joanna visits a doctor far way, but is afraid to tell doctor the real reason why she wants to leave Stepford. Ater four months Charmain changed. After four months Bobbie chnged. And four months is how long Joanna has been in Stepford. She’s afraid that whatever changed them will change her as well.
Joanna Eberhart: I won’t be here when you get back, don’t you see? It’s going to happen before then. Don’t ask me to explain it, I just know. There’ll be somebody with my name, and she’ll cook and clean like crazy, but she won’t take pictures, and she won’t be me! She’ll – she’ll, she’ll be like one of those the robots in Disneyland.
Dr. Fancher: Alright, now listen. I’ll give you a prescription which you have filled, then you gather up your children and you GET THE HELL AWAY! Don’t tell your husband, don’t tell anyone, just go, wherever you feel safe. Now, do you have family?
Joanna Eberhart: They’re dead.
Dr. Fancher: Well, just drive, and stop some place. Then in a few days – I’ll be back on the 10th – you ring me, I’ll come to you, and we’ll sort this thing out. Now how does that sound?
Joanna comes home and plans to do just that. She goes upstairs looking for kids, but they are not here.
Joanna wants to know where they are, but Walter won’t tell her. He tries to get her to go upstairs and lie down, grabbing her.
They fight and Joanna breaks away, going upstairs and locking herself in. Oh no, just like in Rosemary’s Baby! But it didn’t save her!
The phone starts blinking, and Joanna can see that he is talking to someone. While he is on it, she sneaks out of the house and heads off to Bobbies to look for her kids. But when she gets there, they aren’t there.
After she short circuts Bobbie, she heads back home. When she gets there, she smacks him in the head with a fireplace poker, demanding to know where her children are.
He mutters “association” and Joanna decides to head out there. When she gets there she hears her children’s voices calling, follows the sound and it turns out to just be a recording. It was all a ploy to get Joanna there.
Noooooooooo!!!!!!!
Joanna Eberheart: Why change the women?
Dale Coba: Because we can we make them perfect.
But Joanna won’t just go down, she still has a lot of fight in her and takes off running. She gets lost in the hallways and opens a door to her bedroom.
Camera slowly pans…………..tension building…………dun dun dun dun dun….and we see:
Her!!!! Brushing her hair with her black demon eyes. Robot Joanna. Body even more perfect. Probably one of the creepiest moments in any horror film, of all time there.
AAAAAAAAHHH!!!!!!!!!!!!!!!
Next day all in supermarket, talking to each other.
And we end seeing that new family in town, fighting the same way everyone else did previously. They are next on list.
Noooooooooo!!!!!!!
So after watching this a second time, there are a few things I have noticed and wanted to bring light to now that the “real” review is over.
1)The Husband was the one who wanted to move. So I wonder, did Walter know ahead of time that the town was like that? Is that why he choose Stepford out of any other suburb?
2) The clothes are great with the differences. Joanna and Bobbie are the only ones “in” with current fashion. They wear jeans, crop tops, no bras, and show lots of skin with their mini skirts and shorts. Originally the directors wanted the robot women to be “playboy bunnies”, but I think it was better having them in nice, lacy dresses. It definitely shows an extreme difference between the “fixed” women and those “still in need of alterations”. Plus the women in those dresses, defintely is a throwback to not the ’50s, like most assume: but the turn of the century. I mean look at those clothes, throwback to a time when women really had no rights. Or at least that is my views on the whole thing.
“You became that monster tonight not of your own accord. It will happen again.
It never will. I’m sure of it. I’ll conquer it!
Too late. You cannot conquer it. It has conquered you!”
So Horrorfest this year got off to a rough start. It’s not that I wasn’t excited for it or not eager to review horror films, I was just floundering. I wasn’t sure what to do for it, I mean after all last year was the best Horrorfest I have ever done. It was planned out way in advance, was half done by the time October rolled around, had a werewolf theme, etc. How could I top that? What could I do? Should I do another theme? I was just so unsure.
So I thought and thought and begin reviewing and planning a few things. I don’t know if this year will be as good as last years, but here we go!!!
After a looooooooong deliberation, I finally chose my final post. That left the first post which created an even looooooooooooooonger debate. But I finally picked, Dr. Jekyll & Mr. Hyde.
So before we start the review, let me give you a little background information. This film is based on the novel, The Strange Case of Dr. Jekyll and Mr. Hyde, and is set in Victorian England. It was turned into a play, in which the writer added in two love interests; and then adapted into a silent film in the 1920s. This version is the first with sound, and while similar to the book has made quite a few changes. This film came out in 1931, and is a Pre-Code film. That means this film came out before the Motion Picture Association of America (MPAA) was created and started rating things. So this film has a lot of things that wouldn’t be acceptable later to show on the big screen, in fact when they rereleased it in theaters they had to cut part of the film (added back in on VHS & DVD).
This film also had some different ways of filming (more on that later) and landed Fredric March an Oscar for his performance. This was back when the Academy wasn’t so hoity-toity, today they wouldn’t nominate anyone in a horror film unless it was for makeup, sound, or film editing.
The Academy SUCKS!
While in the book the story is told not through Dr. Jekykll, but his friend who discovers the whole story, they changed it so that all is through his point of view.
Anyways, lets begin the review.
So our film starts out with the credits and creepy organ music that sets the mood, and shivers down your spine!
We then are shown a pair of hands playing organ music. Oh early horror movies, you almost always had an organ in there somewhere.
Dr. Jekyll (Fredric March) continues to play when his butler tells him that he must leave soon if he is to reach his lecture hall in time and teach his lesson. Dr. Jekyll doesn’t want to quit his playing, but gets up to go.
Now here is one of the things that director Rouben Mamoulian did much, much differently. The camera angles for the first three minutes of the film are shot from Dr. Jekyll’s point of view, we don’t see his face.
I know. Very unusual but the effect works. We see him doing the mundane things and talking to his butler, but all I can think is what he looks like. I mean I know what Fredrich March looks like, but will he look the same here? Will they make him older like in the book? Will he be handsome? I just have got to see his face!!!!
And when we are finally shown it in the mirror:
Wow, what a hunk.
So after we are shown his face we go back to seeing through his eyes. Throughout the film while they switch back and forth between first person and observer point of view, the film is a majority from an observer/third point of view like most films.
So Dr. Jekyll heads to the University in his horse-drawn carriage. And one thing you notice right away, everyone likes or admires him. His butler, the carriage driver, the students think he’s spectacular, and even the older scholars enjoy his lectures and ideas.
So Dr. Jekyll begins his lecture and it is not what anyone has expected. Instead of discussing a part of the physical body, he chooses to discuss the Soul of Man. Dr. Jekyll defines that every person has two pieces to them. One side is constantly striving for the nobility of life, morals, i.e. the “Good side”. The other only cares for satisfying their desires and giving in to temptation, i.e. the “Bad side”.
Both are in an eternal struggle:
The Good side wants to be good all the time, but is constantly tempted to do evil. The Bad wants to do whatever it wants, but feels remorse at the things it does. Both are chained together, with one taking more control than the other, be it bad or good. What Dr. Jekyll proposes is to seperate the two, so that the bad can be destroyed and the good be the only left.
Everyone is appalled!What could he be thinking? Why would he even consider it?
In fact, Dr Jekyll has already started his experiment and research looks as if it could be possible.
After the lecture ends, people are split in how they feel about it. The young students laugh it off as a joke, split the soul in two, not even possible. The older attendees are in complete shock! How dare he blaspheme and cross into God’s territory!!!
Dr. Jekyll’s friend, Dr. Layon, warns him to give the whole thing up. That this will not end well at all for him. But Dr. Jekyll won’t listen, as he believes that science must push boundaries. There is no lines to consider, all is fair game.
Dr. Layon reminds Dr. Jekyll of the appointment they have with the Countess, but Dr. Jekyll tells him he’s not going, but heading to the poor’s hospital. Dr. Layon tells him that he must, certain things are expected of his caliber of gentlemen, but Dr. Jekyll refuses,
Dr. Jekyll: The things one can’t do are the things I want to.
So he goes to the hospital and helps a poor girl, put down her crutches and overcome her fear of walking. Dr. Jekyll would rather help someone who truly needs it, than a hypochondriac that just wants attention.
He is planning on operating on a woman, when Dr. Lanyon comes to bring him to dinner at General Carew’s house, with Jekyll’s fiancé Muriel. But Jekyll refuses dinner, saying he must operate now. So Dr. Lanyon leaves.
After dinner there is dancing and Muriel has had to do with other men, as Dr. Jekyll is still not there. He finally arrives, but Muriel is justifiably upset.
She quickly forgives him and they go off to the garden to talk. Here we see another side of Dr. Jekyll. He’s no longer the cool, collected, serious doctor; but giddy, adorable, and in love. In fact he wants to get married now.
It must be so strange for a genius who has been solely concentrated on science, logic, cold hard facts; to find himself with this sudden rush of emotion and desire. It’d be like if Sherlock Holmes met a woman he wanted to marry and have babies. So sudden, strange, and hard to control.
The General won’t let them marry immediately as he feels that such a short engagement would be indecent (hint: mean that his daughter is not a virgin, is pregnant, or has done other promiscuous/indecent things.) In his defense, he is trying to protect his daughter’s reputation, but this has disastrous results.
Dr. Jekyll is a man that once he gets an idea, strives constantly until he come to a conclusion or figured a solution to his problem. He isn’t used to “waiting”.
To make this even worse, this is a man who has denied himself any kind of passionate emotions. He has always strived to be a good person, but even more so, he has denied himself all emotions for logic, science, etc. Now Muriel has awakened a side of him that he had locked up and all these emotions are coming out.
It is something that Dr. Jekyll has no way of gageing or keeping in check. And instead of having the ability to wait or hold on, he wants it NOW!
Now as I mentioned before, in the book Dr. Jekyll isn’t engaged, his only love was knowledge, science, etc.: so this question only applies to the film. But if the General allowed them to get married now, would Dr. Jekyll have continued his quest for splitting the soul? Or would he have been too preoccupied with married life?
After Dr. Jekyll is shot down by the General, he and Dr. Layon leave. Dr. Jekyll is so angry and incensed that he is being denied. Why must we be unable to have the things we want?
He is so angry he thinks about strangling him.
While he and his friend are discussing this, he witnesses an altercation with a low-class woman and a low-class man. It might seem a little odd to us now to see such opulence next to such depravity, but a lot of cities were like that for a while, think of 42nd Street in New York, “where the underworld can meet the elite” [from musical 42nd Street].
The good doctor picks her up and carries her into her room. While the film never addresses it, or says exactly what she is, this woman, Ivy, is; but based on the way she acts (and the amount of men she is with) it is safe to say she is a prostitute. In later films and musicals, they make it more definite.
Anyways, when he gets her in bed, she shows him where the man hurt her, bruising her leg, and not just her leg but upper thigh. Yep, this where the liberties of the pre-code begin.
He tells her all she needs is rest, and Ivy insinuates she’d like him in bed with her.
He of course moves away from the bed, but Ivy hasn’t given up yet. She likes that he is a gentleman and gives him a strip tease before she gets into bed.
She sticks out her bare leg, BARE LEG, for Dr. Jekyll to examine as her knee is “broken”. When he comes over, she kisses him, and Dr. Jekyll doesn’t stop the kiss.
As they are kissing, his friend walks in. They leave, with Ivey swinging her leg back and forth and inviting Jekyll to come back anytime.
In fact as the two leave, her leg continues to swing back and forth over them slowly dissolving and showing how both men are still focused on it.
So the film presents these two women show the duality that Dr. Jekyll will become.
On one hand we have brunette Muriel, demure, sweet, kind, innocence, a lady: that has awoken feelings of love that he has never been aware of before. On the other hand we have the low class, brassy, blonde, who is highly sexual. She has awakened a lust in him and he wants her to satisfy his longing, but doesn’t want anymore than that.
So he and his friend leave, with his friend appalled at his actions.
Dr. Lanyon: Perhaps you’re forgetting, you’re engaged to Muriel.
Dr. Jekyll: Forgotten it? Can a man dying of thirst forget water? And do you know what would happen to that thirst if it were to be denied water?
Dr. Lanyon: If I understand you correctly, you sound almost indecent.
Now the problem in Dr. Jekyll’s case is not the Puritan viewpoints of the Victorian Era, a lot of people fall into that misconception. You see a man releasing his sexual drive with prostitutes was actually expected. Sex with a wife was viewed more for children, not “fun”. Dr. Jekyll’s problem is that he does not want to be a regular person who suffers from temptation and desire, he wants to be rid of it completely. He wants so badly to be perfectly good, hence all his charity work, and he wants to remove the ability to even “fall into sin”. Instead of having to make a choice, he wants to remove all need for morality as all would be good and make “good decisions.” He wants to be more than a mere, average, man.
The problem is that what he strives for is impossible, he is only setting himself up for failure and going to cause an extreme downfall.
Dr. Jekyll returns to his lab working day and night, not sleeping or eating, all in his quest to split the soul. He makes the potion and decides to test it on himself.
But in his defense, he does pen a letter telling Muriel he loves her and that he died in the pursuit of science.
If my love went this way, it wouldn’t make me happy but at least you know he was thinking of you.
So then he looks into the mirror and drinks the potion down.
As he is doing that, he goes through all those emotions he has been trying to ignore: wrath, lust, greed-they all swarm around him.
He looks in the mirror and we see this ugly thing. Now Dr. Jekyll was a tall, strong, good-looking man . This side hasn’t been used as much so he’s hunched, shorter, also doesn’t look as strong as Jekyll does. He’s more animalistic, apelike, covered in hair, large giant teeth.
Now something you might have noticed is the large amount of mirrors in this movie. There are so many to symbolize the duality of man. The mirror only shows the outside of a person, not their true inner self. The mirror is supposed to show our reflection, but sometimes people see only what they wish to see, not what is really there. The mirror is the only way we are able to see what everyone else sees, and a way in which we can construct what we want people to see in us.
I could go on longer, but let’s get back to the film.
So the first thing that his darker self, Mr. Hyde, does is cheer about how happy he is to be free. So long has Jekyll kept him crippled, living a good life, and denying the dark side. But now that he las let him out, will he be able to contain him again?
So Hyde is excited to be out and plans to roam the streets, when his butler knocks on the door. Hyde talks to him, but even though he is Dr. Jekyll, he doesn’t sound like him anymore. The butler is afraid and about to come in, so Dr. Jekyll changes back into his true self.
Dr. Jekyll has done it, he has actually done it.
But while he is pleased his experiment worked, at the same time he is afraid to let the dark side out. But it starts haunting him, tempting him.
He goes to Muriel to plead with her to marry him now. He is afraid that without her, he might make some very bad decisions. But Muriel and her father are leaving for a trip to Bath for a week.
Noooooooooo!!!!!!!
Muriel asks him to wait for her, and he agrees, but you can see in his face he doesn’t really want to wait. What he really wants is to be satisfied NOW!
Dr. Jekyll is in a tizzy. That swinging leg is still in his mind, along with his potion and he is worried that without Muriel to remind him of what he truly wants, he may give into the temptation.
He then receives a letter from Muriel stating that their week trip, is turning into a month.
Noooooooooo!!!!!!!
Dr. Jekyll has been sitting in his lab, moping and withdrawn from society and his patients. His butler is worried for him and tells him he should go out.
Butler Poole: You should go out, sir. London offers many amusements for a gentlemen like you, sir.
Dr. Jekyll: Yes, but gentlemen like me daren’t take advantage of them, Poole. Gentlemen like me have to be very careful of what we do or say.
Now Poole, the Butler, is trying to get Jekyll to go to the opera, museum, see a play, visit with friends, etc.: something not in the house. But Dr. Jekyll think of those things? No. Immediately his mind goes straight to sex. He cannot control this emotions, and I think that if he could just admit to himself that he is a man and has faults, instead of trying to make himself be perfect being he wouldn’t struggle as hard. Yes Dr. Jekyll, you are good, but just because you are good doesn’t mean that you don’t have flaws, you need to accept that.
And you know Dr. Jekyll could choose something else to do with his time, but that’s not what he wants. He wants to be with a woman. But he as Jekyll does not want to ruin his reputation, his good name, so instead he looks to another avenue.
Man this transformation looks so painful, I wouldn’t want to do it. This time he looks even uglier, more monstrous, brutish.
He goes after Ivy, the girl who has awakened his lust. She’s not home but out at the nearby tavern, so Hyde heads there. Even the way that he moves is brutish and apelike.
He meets up with Ivy:
So he tries to be a “gentlemen” as that is what Ivy wants, but can’t pull it off as Hyde as he is too dark in his actions.
He wants her to be his mistress and while Ivy refuses initially, Hyde makes it clear he gets what he wants.
He grabs her acting like an animal, and threatens her. Tells her he loves her but all he wants is sex. In reality he doesn’t love her, he’s attracted to her but wants a placeholder for Muriel.
In the next scene we see Ivy has agreed to being a kept woman, but not because she wants a nice home or things, but because she is scared out of her mind that Hyde will kill her.
Hyde comes to visit her, and we see that he is taller, standing upright, and much stronger looking then before. He is also uglier. It seems that Jekyll has been living Hyde more and more making him much stronger than the good Jekyll side.
As soon as Hyde enters the room, he heads straight to the bed, reading the paper. In there he notices that Muriel will be returning.
He forgot about that pesky fiancé of Jekyll, this means bad news for Hyde. Here we see that Dr. Jekyll has actually failed. He wanted to separate the two so that one can be destroyed and the good can only endure. But in fact that is not what has happened. Jekyll, when present is always conscious of his desires the Hyde. Hyde while bad and does what he wants, he too is conscious of the good Jekyll, not always choosing to follow. So he never split them, they still are in struggle, he just gave more of himself and power over to his dark side.
In fact the only real difference is that he feels okay being bad as he is not “Dr. Jekyll”. No one knows who he is, so he can do whatever he wants. Kind of like those people who get on the internet and feel free to do whatever as no one knows who they are.
Anyways, so Hyde makes sure Ivy doesn’t think about leaving him, being emotionally, verbally, and physically abusive to her.
Then he heads home as Dr. Jekyll wants out. Muriel is coming home, so he takes the potion and returns.
But we see all is not well, as his eyes are CRAZED. Dr. Jekyll is losing the war and Hyde is taking over.
He goes to Muriel who is upset that he hasn’t answered any of her letters. He apologizes and tells her he has been sick in mind. He begs her to marry him now instead of later as he NEEDS her. She agrees and the beg her father, who finally gives in. They invite him for dinner the next night, when they will announce to everyone that the two are to be married the next month.
Finally something GOOD!
Meanwhile, back in Ivy’s house, her landlady is helping tend to her wounds done by Hyde. Dr. Jekyll, feeling remorse for what has happened has sent over £60. Ivy isn’t sure who Dr. Jekyll is, as she didn’t now the name of the doctor who saved her earlier, but decides to see this man in the hopes he can stop Hyde.
Dr. Jekyll goes home, happy and plays the organ. And this time it isn’t light and airy, but dark and creepy. Hyde is still lurking, strong.
He is interrupted by Ivy who has come to see him. She begs him for help, ripping her top off to show him the whipping that Hyde gave her.
Heere Dr. Jekyll is forced to look at the consequences of his actions. He thought it would be okay to have the Hyde do what he wants, and Jekyll what he wants. But no, as both are a part of him, both are connected and cannot be separated.It was all an illusion to think so.
Jekyll promises Ivy that Hyde is gone forever, he will never bother her again. And Dr. Jekyll intends to keep it that way as he is to wed Muriel, he no longer needs Hyde.
He’s gone for good
But that’s where you are wrong Jekyll. You have given Hyde too much power, and now you will be unable to control him.
Dr. Jekyll walks to the General’s house for dinner when he spots a pretty robin singing. As he looks at him a cat eats him, which upsets Jekyll. And as that happens, Jekyll starts to become Hyde.
Noooooooooo!!!!!!!
You see Hyde cannot easily be kept down and he does not want to be. Jekyll has given him too much power and liberties. All he needs is for Jekyll to feel dark things: anger, greed, lust, violence, etc and Hyde will come out.
I know some of you might be tired of all the Star Wars memes and quotes and think I need to cool my obsession, but in a way Star Wars is similar to Dr. Jekyll & Mr. Hyde, particularly Anakin Skywalker. Dr. Jekyll is a man that doesn’t quite follow the rules. There is a moral code to science he should follow, but chooses to ignore it and continue in his experiment, one that ends up having him release his dark side and live out all those emotions and desires with no thought on how this will affect others. With Anakin, he too follows his own code as he doesn’t agree with all the Jedi rules. One of which is not to marry as the powers you have, when tied to emotions, can do some pretty bad things. Both people give into those darker sides, ultimately completely going over to the dark side.
Anyways, so now with Hyde out, he heads over to see Ivy. Hyde hates Dr. Jekyll, as Dr. Jekyll has kept him contained for so long, and still tries to imprison him. Ivy going to him is the ultimate betrayal, and for that she must die.
So as he is heading over there we get a great camera view. They split the screen so that in the upper left Hyde is heading off to get Ivy, and in the lower right, Muriel is waiting for Jekyll. As the camera pans in Muriel, we see that she not happy at all. Then Murial is in the lower left and Ivy is in the upper right, celebrating the end of Hyde.
Except Hyde is not quite finished:
Hyde kills her, but as he is escaping, the others in the building have heard what he has done and follow him.
Grab your torches and sharpen your pitchforks!
He sneaks to Dr. Jekyll’s house, but the butler won’t let him in. So he runs to the tavern and writes a note (as his handwriting is the same), asking his friend for chemicals and saying Hyde will pick up the package.
His friend follows the instructions, but when Hyde comes, he won’t let him leave, unless he promises to take him to see Dr. Jekyll. As Hyde can’t, although let’s be honest Dr. Jekyll is coming through in this moment as he wants to be changed back, and takes the potion, warning his friend about what he will see.
Mr. Hyde: Think before you decide, I tell you! Do you want to be left as you are, or do you want your eyes and your soul to be blasted by a sight that would stagger the devil himself?
When the Dr. Lanyon sees the transformation, he is in utter shock.
He tells him that he warned him not to do it, that he should have listened to him. Dr. Jekyll agrees, but says that he can control it now. That he will never, ever again become Hyde. Dr. Lanyon warns him that is not true. It is over, he is no longer in control.
Dr. Lanyon: You’re a rebel, and see what it has done for you. You’re in the power of this monster that you have created.
Dr. Jekyll: I’ll never take that drug again!
Dr. Lanyon: Yes, but you told me you became that monster tonight not of your own accord. It will happen again.
Dr. Jekyll: It never will. I’m sure of it. I’ll conquer it!
Dr. Lanyon: Too late. You cannot conquer it. It has conquered you!
They both agree that he must give Muriel up as he might kill her like he did Ivy. The next night he goes to Muriel and tells her that it is over.
But Muriel doesn’t want to end the relationship, she loves him. But Dr. Jekyll knows it is best to set her free. She tries to hug, him and he doesn’t want her too, as he is afraid it will release Hyde, He is completely broken in this scene as he loves her so much, but knows that any further involvement means death for her.
Dr. Jekyll: I have no soul. I’m beyond the pale. I’m one of the living dead!
She grabs him and they both sob, but then he leaves, and she continues to cry.
As she is indoors crying, Jekyll changes into Hyde, and Hyde sneaks into the house attacking her. When she screams her father and butler came after Hyde, who attacks both of them, beating the father.
He runs home to change back into Jekyll, but it is too late. Dr. Lanyon looks after the General and sees the broken cane Hyde dropped, recognizing it as Dr. Jekyll’s.
They return to his house accusing him of being the murderer. When Dr. Jekyll becomes scared and angry, he turns back into Hyde.
You can’t help but feel bad for Dr. Jekyll. He was a good man that wanted to do something for the good of all, but as they say: “The Road to Hell is paved with Good Intentions.”
So marks the first post of Horrorfest and there are many good movies coming along. Stay tuned!
As it has become a yearly tradition, my facebookcover/mini poster.
janeaustenrunsmylife 