A Carefree Holiday Suddenly Plunged Into Danger: The Moon-Spinners (1964)

It’s time for our Disney film!

My mom has always been a huge Hayley Mills fan and I grew up watching all her films. I love all of them, but my second favorite has always been The Moon-Spinners (That Darn Cat is first).

So my mother recorded it off TV years ago and I watched the film with her. Years passed and I wanted to watch it again but our tape had worn out and the end was missing. I tried hunting for it as I just had to know, what happened in the end.

Tell ME!!!!!

The copy I borrowed from the library was also no good as right when it came to the part I wanted to see, the white lines of boredom.

{Picture from Ringu)

Eventually I decided that  I needed to just buy a copy, but had real trouble finding one-this was back when ebay was entering the everyday vernacular and amazon was just barely making name for itself). Then we also had  Disney putting things in “the vault” so super hard to get the older movies. Years passed but whenever I would look for the film it was either sold out, “soon to be added”, too expensive, VHS, or USED. I finally found a copy this year and bought it for my mom for Mother’s Day this year.

Looking at this film now as an adult, I can clearly see why I was into it. This film is very similar to the style of Alfred Hitchcock. The thriller starts with an average ordinary person who gets caught up in this web of intrigue accidentally.

There are quite a few scenes and story points that are also reminiscent of Alfred Hitchcock, all being things I love. I later looked up some trivia and read that that Walt Disney purposely wanted this to be like a Hitchcock movie and had the writers borrow some motifs, but still give it a Disney ending.

So without further ado…

Nikky Ferris (Hayley Mills) and her Aunt Frances are traveling through Greece collecting folk songs as she is a musicologist for the BBC. They rented a room at The Moon-Spinners Inn, but unfortunately for them the owner, Sophia’s (Irene Papas) brother is causing some issues. Stratos (Eli Wallach) has returned after 15 years living in England and has been in such a bad mood since his return. He doesn’t want anyone in the hotel (and unknown to his sister has been throwing away reservations). He causes a scene with her, but Sophia ends up renting the rooms to the two ladies after they arrive hot, bedraggled, and tired from their trip on the bus.

From The Iron Giant

There is only one other guest at the hotel, Mark Camford (Peter McEnery). When Nikky and Frances arrive, Nikky has not been having the best holiday. But as soon as she sees dashing Mark, she perks up.

The three eat together that night and enjoy Mark’s company, but while he is charming and cheerful, something seems off. He keeps looking and watching-something is between him and Stratos.

Hmm…?

So Nikki is really into Mark and tries to flirt with him and he is nice, but he’s totally drunk and kind of all over the place. I never noticed that as a kid, I always thought he was just having fun.

Huhhhhhhh

Nikky had spoken to Sophia’s son Alexis (Michael Davis) and heard about different beautiful places to swim. She talks about it and she and Mark make plans to go out in the morning together to swim and have a picnic. Nikky is excited.

After the ladies go to bed, Stratos goes out to the Bay of Dolphins with Mark following him. Ah ha! He either got sober real quick or he was just pretending to be-trying to throw Stravos off the scentMark is seen and a fight ensues with Mark being shot. He falls in the water.

Stratos returns the hotel and cleans out Mark’s room, him having “checked out”.

That’s not good.

The next day Nikki is happy and excited for her date and when she gets to the Bay, there is no Mark.

From The Wolf Man (1941)

She waits around for a bit and checks back at the hotel with Stratos telling her that Mark checked out. Nikki doesn’t feel like that’s right, I mean she only met and spoke to him last night but they seemed to have a connection. Or at least he seemed nice enough to tell her instead of standing her up. She starts looking/wandering and finds what looks like his shoe, but just one.

She goes to an old historic church and notices some blood and finds Mark wounded in the church. Wanting to help him, she leaves her sweater over him and takes off back to the hotel. She searches Mark’s room, but can’t find a single thing that belongs to him. Instead she steals her Aunt’s first aid kit and blanket, smuggling some brandy out of the hotel-just barely avoiding being spotted by her Aunt.

That scene is stressful as you know Mark is heavily in need of assistance and if he doesn’t get it he’ll die!

She manages to make it and goes to Mark giving him all the supplies. Mark won’t tell her why he was shot, who shot him, what this is all about etc. Instead he sends her home, trying as hard as he can to not  involve her .

She leaves after much protest and returns to the Inn. There Frances complains about her missing items, Stratos hears them and immediately knows that his problem hasn’t been destroyed.

That’s not good.

Nicky tries to get sway as soon as she can so as to warn him, but ends up being captured by Stratos. Startoes sees the blood trail and follows it but doesn’t find mark. He takes Nikky with him.

Aunt Frances begins to grow worried when Nikky doesn’t return. Stratos leaves and goes “looking” for her. The next day Frances leaves for the police, located in the next village.  Sophia begins to think that her brother did something, but when she questions her brother he threatens her son, Alexis. After that, Sophia stays quiet.

What a horrible man, I do like that we don’t see anything horrible happen (it is still a Disney film). But what is inferred is truly, truly horrible. I mean this is his nephew! And he is threatening to kill, maim, hurt, destroy his own nephew!

Alexis is out with his donkeys and finds Nikky in the windmill trapped.

He goes for help and finds Mark who tries his best to help with a wounded arm. This is like the best scene in the whole movie. I tried to find a clip, but unfortunately I couldn’t. So they climb on the windmill and use the sails to get in to help Nikky, and then to get out. This scene was so scary as if you fell when the sail was at the very top, ouch dead or injured.

This is always where my copy ended, after the windmill scene. I have to say this really is the most thrilling part of the film, so no wonder it hooked me good.

After that they try to go to the next town to reach the police, but Stratos friend comes after them.  They have to stop as Mark needs rest, his injury is really giving him trouble. They wait in some temple ruins filled with cats, that’s how you know it is safe

And Mark finally tells her his story. So Mark was a London bank messenger and supposed to be taking these famous jewels to the Countess Fleet. He was distracted, as there was a girl involved, and after the robbery he wasn’t prosecuted as there wasn’t enough proof, but he did lose his job and has a dark cloud over him. He remembers Stratos and followed him Greece to try and get proof of his innocence. I love how when he tells the story Nikky clicks on to one thing.

Mark Camford: You believe me don’t you?

Nikky Ferris: About the girl?

Mark Camford: No, about ME.

The next day they are awaken by John Gamble, of the British counsel. He offers them to come to his place for food, baths, medical attention. As Mark is in serious need and he’s from their country-Nikky convinces Mark to go with him, and they leave the shot gun behind. They go to his extremely nice house and get all they were promised. The weird thing is that his wife Cynthia really likes Nikky and finds her a sweet girl but always is sad around her. Nikky wanders about the house and uses a telescope on the balcony to look at a yacht in the water, it is a famous one owned by the infamous Madame Habib and her world famous jewel collection.

Now I have seen almost every Alfred Hitchcock movie and episode of his TV show-so I know this man is evil. This is just like in The 39 Steps or Saboteur when they go to the rich influential man in power, only to see that he is in fact working for the other side and going to betray them.

Nikky goes to see Mark and he shares that the jewels are too famous to be sold on the open market so Stratos must have a certain buyer in mind. Nikky mentions Madam Habib and Mark is convinced it must be her, wanting to add another famed piece. Nikky thinks they should get help from the Gambles, but Mark doesn’t trust the Gambles. He They are…something is very, very off about them. Later Mark tries to leave and can’t even stand-drugged. Aunt Frances comes and Gamble arranged for them to go to the airport while Mark will be dropped off at the hospital, yeah right they are probably going to kill him.

Mark ends up escaping, as he needs to get those jewels and the proof, and it turns out Gramble and Stratos are working together.

There is a giant Carnival/festival happening, making stop and go traffic as they have to wait for people and such to past. After Mark takes off, Nikky follows but loses him. She instead steals a boat and heads out to the yacht. Jeez, this boy has really been a bad influence on her.

He’s a bad boy

All comes to a head on Madame Habib’s yacht as Nikky tells her the story, Stratos arrives to sell the jewels and fights with Nikky, Mark arrives to get his proof, Aunt Frances comes with the police, etc. Mark is cleared, Frances told the story, Stratos jailed, Nikky and Frances can enjoy the rest of their holiday and poor Madam Habib gets nothing.

Madame Habib: Well, since this seems to have turned into a family reunion, we might as well make the best of it. I will have dinner served on the rear deck. I’m so upset… I shall have mine in bed.

So this was a cute but thrilling movie and a lot of fun to watch. It also will be enjoyable for any Alfred Hitchcock fan out there.

For more Disney films, go to Basil of Baker Street: The Great Mouse Detective (1986)

For more Hayley Mills, go to That Darn Cat

 

Let That Catherine Morland Flag Fly Free

So Horrorfest started I couldn’t tell you exactly when. I’ve always been a fan of horror, thriller, suspense, mystery, film-noir, etc. I would watch them all the time, but every day in October.

When I went to college, I continued and my roommates were thrown into my 31 Days of Horror films celebration.

Who knows?!

So when I started blogging in 2012 I decided to include it and officially create “Horrorfest”-blogging about a film every day. That way it would save my friends/roommates from something they weren’t as interested in.

Yay!!!

Over the years I have established a set of rules and annual films categories. Every year I have enjoyed doing it although sometimes I have fallen behind because of life getting in the way. Usually I have the posts written, like this year I had all 31 done extremely early-the best I have ever been, it is just the editing that slowed me down. If you have someone willing to edit your work-give them a lot of love, because it takes a LOT of time to do.

So last year I received quite a few comments questioning Horrorfest as it has nothing to do with Jane Austen. They felt that there was no reason to do it and didn’t want me to continue.

Hmmm

Well, they are right it does have nothing to do with Jane Austen.

Even though Horrorfest doesn’t really have anything to do with Jane Austen, I have tried to input anything Jane Austen related-I’ve reviewed Death Comes to PemberleyDeath by Persuasion-or things with Austen actors in it like Ruby in the Smoke and Dead Again. I’ve even reviewed some films that while not Jane Austen-are films that Austen fans will love.

But even if I don’t review something Jane Austen, I think its okay to include Horrorfest as there is one character who would love this:

Yep the Regency spooky girl:

So for this year’s review: how I do Horrorfest VIII is that I watch whatever, and review it. I mean I usually plan the first and last film-and of course I planned The Planet of the Apes series review after someone donated the set to the library-yet it always amazes me how many match up themewise.

This year we had gothic films with the Horror of Dracula and Rebecca.

We also had a multicultural Horrorfest VIII as my Jane Austen profile pic was inspired from my Mexican culture, we had Horror of Dracula from England, High Seas AKA Alta Mar from Spain, Spirited Away from Japan, and Strong Woman Bong Soon from Korea.

We had dystopian futures with Planet of the Apes, Beneath the Planet of the Apes, Escape from Planet of the Apes, Conquest of the Planet of the Apes, Battle for Planet of the Apes, Logan’s Run, and The Running Man.

We had Non-Austen Films for Austen Fans with Alta Mar AKA High Seas,Death By Persuasion” from Midsomer Murders, Rebecca, and Strong Woman Bong Soon.

We had superheroes with Batman, Strong Woman Bong Soon, and Unbreakable. 

Ghosts with The Fog, R.I.P.D., Spirited Away, and 13 Ghosts of Scooby-Doo.

And apes with the Planet of the Apes series and King Kong.

And of course our Annual films:

  • A movie or TV episode from every decade of 1930s-2010s
  • Doubledose of Alfred Hitchcock with Alfred Hitchcock Presents and Rebecca
  • Animated Film with Spirited Away, 
  • Disney with Spirited Away, 
  • Doubledose of Lifetime with Death of a Cheerleader and Psycho Mother-in-Law,
  • Stephen King with The Running Man
  • Tim Burton with Batman
  • Vincent Price with 13 Ghosts of Scooby-Doo

The full list of films, TV episodes, and video game reviewed for Horrorfest VIII:

The Cabinet of Dr. Caligari (1920)

King Kong (1933)

Rebecca (1940)

Lamb to the Slaughter” from Alfred Hitchcock Presents (1958)

Horror of Dracula (1958)

The Notorious Landlady (1962)

Planet of the Apes (1968)

Beneath the Planet of the Apes (1970)

Escape from Planet of the Apes (1971)

Conquest of the Planet of the Apes (1972)

Battle for Planet of the Apes (1973)

Logan’s Run (1976)

The Fog (1980)

Dark Crystal (1982)

To All the Ghouls I’ve Loved Before” from 13 Ghosts of Scooby-Doo (1985)

The Running Man (1987)

Batman (1989)

Dead Again (1991)

Leprechaun (1993)

Death of a Cheerleader (1994)

“The Puppet Show” from Buffy the Vampire Slayer (1997)

Unbreakable (2000)

Spirited Away (2001)

The Stepfather (2009)

The Last Christmas: Shadow Island Mysteries (2010)

R.I.P.D. (2013)

Death By Persuasion” from Midsomer Murders (2017)

Strong Woman Bong Soon (2017)

Veil of Secrets (2018)

High Seas (2019)

Psycho Mother-in-Law (2019)

Will We Survive the Night?: Rawhide (1951)

So a while back during my 30 Day Challenge one year, I talked about something I had accomplished-my intense thesis paper. The professor had noticed my love of film, and recommended that I choose that for my project and I did. I choose to talk about the Civil Rights era and Western film.

SayWhat?BuffyVampireSlayernosense

I know, it sounds weird, but it there were actually a lot of Western films that correlated with the changes occurring due to the Civil Rights Movement. It was different, it was ambitious, it would be a perfect change from anything anyone else had done. And it was-all those things but after a lot of serious work and time, and sleepless nights-I did it and it was good. And I won an award.

Afterwards, for another class I decided to stick with the idea-but this time with women in Post WWII Westerns. WWII allowed women more freedoms, as they had to take on previously masculine roles and duties. Westerns became the perfect avenue for this as historically women played a major part in “settling the West,” for example, thousands of women journeyed West under the Homestead Act. I discussed five influential western films that presented strong cowgirl characters and broke away from previous molds: Ramrod (1947), Red River (1948), Montana (1950), Rawhide (1951), and Calamity Jane (1953).

They were all fantastic films, but only two could work for Horrorfest VII: film-noir Ramrod and suspense-thriller Rawhide.

I was having a hard time trying to decide which one to review as I thought two Westerns during Horrorfest VII was a little much. I finally decided on Rawhide as thus far, I have only reviewed one 1950s film while four 1940s film.

Hmm…

Well enough background-let’s move forward. So this film is a remake of a 1930s film Show Them No Mercy. This black and white film stars Tyrone Power as Tom Owens, the son of a stagecoach tycoon, having been not living up to his father’s expectations he sent Tom out West at a stopover station, Rawhide Pass.

A coach comes through with a group of passengers, one being Vinnie Holt (Susan Hayward) and her niece Callie. Vinnie is a singer turned cowgirl, who is taking her niece to be raised by her maternal grandparents as her sister and brother-in-law died in a brawl.

They are going to head out but the calvary arrives with the news that there are escaped convicts after a gold shipment. They are there to escort the stagecoach, but they cannot take Callie as children are not allowed in such dangerous situations. Vinnie stays behind with her niece and upsets Tom’s life.

“Tom Owens: What are you doing?

Vinnie Holt: I’m taking this room.

Tom Owens: I’m sorry, this is mine.

Vinnie Holt: [Authoritatively] Not tonight, it’s not!”

That night Vinnie wants a bath for her and Callie. He’s angry and points out the trough, but Vinnie is harsh and won’t be cowed-getting him to admit where the hot springs are in the area. She doesn’t trust anyone-she’s a woman living in the West, and takes Tom’s gun with her just in case.

Meanwhile, a man comes over on a horse. Tom waits behind, while the other Rawhide worker Sam Todd (Edgar Buchanan) goes to check it out. The man shows a Sheriff badge, but it turns out he is the convict, Rafe Zimmerman (Hugh Marlowe) who was supposed to hang for the murder of his girlfriend and lover. He and his crew of three, all being guys from cells around him, take over the place. They kill Todd, and imprison Tom in his room.

Vinnie and Callie come back, and Vinnie quickly grapples the situation. She tries to hide, but is discovered when Callie cries out, but does manage to hide Tom’s gun before they imprison her too.

They think Vinnie and Callie are Tom’s wife and daughter. They keep them alive to use as collateral in order to ensure that Tom does what they ask. This soon turns into a game of cat and mouse as Tom and Vinnie try to figure a way out of the situation without revealing their plans to the outlaws.

Another coach comes by and Zimmerman pretends to be a sheriff assisting Tom with those convicts on the loose. Tom tries to find a way to slip a note, steal their gun, or get the one hidden under the trough. He and Vinnie also try digging out a hole in the wall of their room in hopes that they can all escape these madmen. But will they be able to make it through the night?

This is a great film you should see for yourself. Susan Hayward is a powerful character.  While Hayward’s role of Vinnie is similar to the 1930s Western films as she provides a love interest, and creates a way in which to distinguish which of the outlaws is the true villain; however, she doesn’t allow her gender or temporary motherly duties keep her from her true character; a strong, brave, cowgirl–equal to any man. Throughout the film, Vinnie is also shown to be equal to her male counterpart. Not only does she instruct and command Tom, but will not tolerate anyone trying to take advantage of her as she knows how to survive the West and does not allow anyone to push her around because of her sex.

The film also reverses the damsel in distress cliché that one would expect in a love triangle-themed film. Throughout the movie, Vinnie is constantly harassed and attacked by the convicts, but never saved by anyone. Instead, Vinnie uses her strength, cunning, and resoluteness she needed to survive living in the West to disarm and dress down her opponents, even going as far as physically harming one in order to stop him.

Digging a way out

***Spoiler Alert***

And the end of the film is great. Instead of Vinnie being the damsel in distress in need of a savior, she saves Tom. One of the convicts, Tevis, had disarmed Tom and forced him to lay down on the ground, but before Tevis has a chance to shoot him, Vinnie steps in.

To start Horrorfest VII from the beginning, go to It’s the End of the World: The Birds (1963)

For the previous post, go to Once, There Was Even a Man Who Had Scissors for Hands: Edward Scissorhands (1990)

For more Susan Hayward, go to The Misery That Walks Around On This Pretty, Quiet Night: Deadline at Dawn (1946)

For more Westerns, go to Book Club Picks: Until the Day Breaks

What Do They Want You For? Murder: Silver Streak (1976)

What do they want you for?

Murder.

Drop me off anywhere along here okay? I don’t mess with the Big M.

So I don’t know about you all but one of my favorite actors is Gene Wilder:

It is a spoof of the thriller, disaster, and mystery films. In fact it reminds me of the Alfred Hitchcock film The Lady Vanishes, but definitely more ’70s flavor.

George Caldwell (Gene Wilder) is a quiet book editor that is traveling from Los Angeles, CA to Chicago for his sister’s wedding. He is hoping for a quiet time alone on the train, but life is not planning that.

He meets Hilly Burns (Jill Clayburgh), secretary for Professor Schreiner, who has a new book coming out on Rembrandt. She comes on to him and the two get close in a few short minutes. 

But then things start going a little strange. He sees a dead body hanging outside his window.

I know, right?

George wants to investigate it, but Hilly says he is drunk and should just come to bed with her. Of course George ignores the body and goes with Hilly.

The next day, George looks at the book Hilly gave him about Rembrandt and sees a picture of the author-who turns out to be the dead body he saw last night.

George gets thrown off the train by the minions that took Professor Schreiner out and finds himself meeting up with a fun farmlady who helps him make it back to the train. 

Finally

Afterwards, George confides in a vitamin salesman, Bob Sweets, who spoke to him earlier, and it is revealed that the guy is actually an FBI agent, named Steven, who is investigating an important art ring. While they go to make an arrest-Steven gets shot. Now George finds himself branded a murderer in the press, on the run as a fugitive, thrown off the train, and it looks like Hilly has moved on to the super rich Roger Devereau.

But George won’t give up. He needs to get the truth, get is girl, and get back on that train. He ends up teaming up with thief Grover T. Muldoon (Richard Pryor). The rest of the film is full of hijinks, hilarity, and thrills.

Now there is one thing that people won’t like. There is a scene in which Grover tries to help George hide from he police by painting him black and teaching him “to be black” with George failing of course. It is funny, but there is quite a few out there who might find it offensive.

If you like thrills, mystery, parodies, etc-you should check this out on Netflix.

To start Horrorfest VI from the beginning, go to One of Our Guests is a Werewolf, I Know It.: The Beast Must Die (1974)

For the previous post, go to It Feels So Good to See the Bad Guys Scared for a Change: Hangman’s Curse (2003)

For more Gene Wilder, go to A Trip to the Mall Turns into the Twilight Zone

For more train centered films, go to Have You Seen Megan Hipwell?: The Girl On the Train (2016)

For more horror-comedies, go to Is She Mrs. X?: So I Married an Axe Murderer (1993)

You Can’t Kill It, It Always Comes Back

So Horrorfest V is over.

The_Wolf_Man_4Crying sad

I know. It is hard to let go of October.

EverydayHalloweenHorrorfanOctober

But while Horrorfest is over for now, you can never truly kill it. It always comes back. Specifically next October with Horrorfest VI. 

Horror Films

It never ceases to amaze me how every October I plan out 26 film reviews, 4 TV reviews, and one post on my personal thoughts; yet what I start off with never matches up with the end result.

The-best-laid-schemes-of-mice-and-men-often-go-awry-erobertFrost

So let’s go over what this Horrorfest V was all about.

HorrorfilmCan'tlookaway

So I started planning my Horrorfest with lots of ’40s films, but it ended up being all about the ’80s. What can I say? You know I love it.

I LOVE the '80s

I LOVE the ’80s

We had Ghostbusters, Thriller, Cat’s Eye, Once Bitten, Teen Wolf, and Clue

And you all remember how I said I wanted to do something different this year? Well I did. This was the most I have ever reviewed Horror-Comedies.

It is horror and funny at the same time!

It is horrorfying and funny at the same time!

We had Ghostbusters, Abbott and Costello Meet Frankenstein, Once Bitten, Clue, and Teen Wolf.

clueshoutingshouting

My free post, on whatever horror thing I wished to write about, was 31 tips on How to Survive a Horror Film. I got the idea last year, but couldn’t put it into play until this year. I hope it was helpful. 🙂

So Alfred Hitchcock,

trainblackmail2alfredhitchcocktrainread

we only covered one of his films, and it was one of the oldest ones he created. I strayed from what had become a tradition of three as I felt I didn’t want to use his works too quickly. Which film will I review next year? I’m not sure. I was toying with maybe doing one of his last films like Frenzy or Family Plot. Then again, The Birds have been on my list from the beginning and I still haven’t reviewed it. I guess we will see what happens next year.

Ringu Watch TV

So we reviewed a TV episode every Friday in October. This year we had a serial killer Wallace & Gromit episode, a cannibalistic killer in Bones, a murderer in Death Comes to Pemberley, and a teenage boy with incredible powers in Star Trek.

We also had our Turtle Saturdays

TMNTpizza

Starting with the 2014 version, to 2007, and then going over the original 1990 version and its sequel in 1991. It might not be what most consider horror, but I think it works as each film involves mutation, two have monsters, and one a whole lot of scientific experiments.

So we saw a group of monsters I haven’t really spent a whole lot of posts reviewing, and that is:

Zombies!

Zombies!

We started with the Corpse Bride; then went on to the first zombie film, White Zombie; and ended on Michael Jackson’s Thriller. I had thought about doing Pride & Prejudice & Zombies, but as I haven’t reviewed the book I decided to wait on the film.

Then we had our usual Stephen King film, with Cat’s Eye. Not one I’d planned on reviewing, but happened to see and add to the lineup.

Who knew?

Who knew?

I finally got around to taking on a Tim Burton film, and actually reviewed two, not one. We had the Corpse Bride and Sleepy Hollow. Still haven’t done Edward Scissorhands. Maybe next year.

We also did a lot of teen monster films. There was Teenage Mutant Ninja Turtles with teen turtles; Thriller with teen zombies; Once Bitten with teen vampires; and a teen werewolf in Teen Wolf.

3-thriller-michael-jackson

We also had vampires and Dracula coming back with Once Bitten, Abbott and Costello Meet Frankenstein, and Dracula 2000.

This Horrorfest was very different than the ones prior as I reviewed a lot of films and TV shows I had never seen before such as: Wallace & Gromit: A Matter of Loaf and Death, When a Stranger Calls (1979), Jeepers Creepers, Jesse James Meets Frankenstein’s Daughter, Cat’s Eye, Death Comes to Pemberley, Abbott and Costello Meet Frankenstein, Backfire, Dial 1119, Let Me Call You Sweetheart, Corpse Bride, The Cheerleader Murders, & The Girl on the Train; along with films and TV shows I hadn’t seen in years, such as: Fantasia: Night on Bald Mountain and Sleepy Hollow. That was about half the reviews!

AMAZING!

AMAZING!

This also was the first time I could really include Jane Austen in my Horrorfest, not with a made up post but actually review an Austen item.

becoming_jane302

I was planning on reviewing Pride & Prejudice & Zombies along with Death Comes to Pemberley, but as I said before, I decided to push it back.

And then there is Vincent Price

VincentPrice

I reviewed two films with him: Thriller and the film I have been talking about reviewing since the first HorrorfestHouse on Haunted Hill. 

Double double yay

So if you missed a day, or are interested in every item I covered; here is the complete list:

How To Survive A Horror Film

You’re a Detective, Let Me Give You a Tip. Don’t Wave Important Evidence in a Telephone Booth. They Have Glass Windows: Blackmail (1929)

Those Aren’t Men They Are the Living Dead: White Zombie (1932)

Night on Bald Mountain: Fantasia (1940)

We’ve Seen Dracula, the Wolf Man, and Frankenstein’s Monster: Abbott and Costello Meet Frankenstein (1948)

It’s A Hard World: Backfire (1950)

The Mad Killer: Dial 1119 (1950)

They’re Coming for Me Now…And Then They’ll Come for You: House on Haunted Hill (1959)

What I Think You Will Think…You are Fully Under My Control: Jesse James Meets Frankenstein’s Daughter (1966)

 I Can Make You all Go Away! Any Time I Want To!: Charlie X, Star Trek (1966)

Have You Checked the Children: When a Stranger Calls (1979)

No Mere Mortal Can Resist the Evil of the Thriller: Thriller (1983)

Who You Gonna Call?: Ghostbusters (1984)

That’s What We’re Trying to Find out! We’re Trying to Find Out Who Killed Him, and Where, and With What!: Clue (1985)

I Don’t Want to Be a Vampire. I’m a Day Person: Once Bitten (1985)

I’m…a Werewolf: Teen Wolf (1985)

I’ll Be Watching You: Cat’s Eye (1987)

I Came Upon a Shattered Glass Jar and Four Baby Turtles Crawling into a Strange Glowing Ooze: Teenage Mutant Ninja Turtles (1990)

But If Any of It Fell Into the Wrong Hands…:Teenage Mutant Ninja Turtles II, Secret of the Ooze (1991)

That Face-I’ve Seen Her Before…: Let Me Call You Sweetheart (1997)

It was a Horseman, a Dead One. Headless: Sleepy Hollow (1999)

Dracula. Not Myth, Nor Ravings of a Mad Irish Novelist, Oh No, He’s Real: Dracula 2000 (2000)

Every Twenty-Third Spring for Twenty Three Days, it Gets to Eat: Jeepers Creepers (2001)

He’s Married to a Corpse. He Has A Corpse Bride!: Corpse Bride (2005)

Every Three Thousand Years, the Stars Align. Unleashing an Army of Monsters: TMNT (2007)

A Matter of Loaf and Death: Wallace and Gromit (2008)

The Butcher of Burtonsville High: The Death of the Queen Bee, Bones (2010)

A Murder Has Been Committed on Your Property: Death Comes to Pemberley, Episode One (2013)

Heroes are Not Born, They’re Created: Teenage Mutant Ninja Turtles (2014)

It Was the Curse. My Curse: The Cheerleader Murders (2016)

Have You Seen Megan Hipwell?: The Girl On the Train (2016)