Will We Survive the Night?: Rawhide (1951)

So a while back during my 30 Day Challenge one year, I talked about something I had accomplished-my intense thesis paper. The professor had noticed my love of film, and recommended that I choose that for my project and I did. I choose to talk about the Civil Rights era and Western film.

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I know, it sounds weird, but it there were actually a lot of Western films that correlated with the changes occurring due to the Civil Rights Movement. It was different, it was ambitious, it would be a perfect change from anything anyone else had done. And it was-all those things but after a lot of serious work and time, and sleepless nights-I did it and it was good. And I won an award.

Afterwards, for another class I decided to stick with the idea-but this time with women in Post WWII Westerns. WWII allowed women more freedoms, as they had to take on previously masculine roles and duties. Westerns became the perfect avenue for this as historically women played a major part in “settling the West,” for example, thousands of women journeyed West under the Homestead Act. I discussed five influential western films that presented strong cowgirl characters and broke away from previous molds: Ramrod (1947), Red River (1948), Montana (1950), Rawhide (1951), and Calamity Jane (1953).

They were all fantastic films, but only two could work for Horrorfest VII: film-noir Ramrod and suspense-thriller Rawhide.

I was having a hard time trying to decide which one to review as I thought two Westerns during Horrorfest VII was a little much. I finally decided on Rawhide as thus far, I have only reviewed one 1950s film while four 1940s film.

Hmm…

Well enough background-let’s move forward. So this film is a remake of a 1930s film Show Them No Mercy. This black and white film stars Tyrone Power as Tom Owens, the son of a stagecoach tycoon, having been not living up to his father’s expectations he sent Tom out West at a stopover station, Rawhide Pass.

A coach comes through with a group of passengers, one being Vinnie Holt (Susan Hayward) and her niece Callie. Vinnie is a singer turned cowgirl, who is taking her niece to be raised by her maternal grandparents as her sister and brother-in-law died in a brawl.

They are going to head out but the calvary arrives with the news that there are escaped convicts after a gold shipment. They are there to escort the stagecoach, but they cannot take Callie as children are not allowed in such dangerous situations. Vinnie stays behind with her niece and upsets Tom’s life.

“Tom Owens: What are you doing?

Vinnie Holt: I’m taking this room.

Tom Owens: I’m sorry, this is mine.

Vinnie Holt: [Authoritatively] Not tonight, it’s not!”

That night Vinnie wants a bath for her and Callie. He’s angry and points out the trough, but Vinnie is harsh and won’t be cowed-getting him to admit where the hot springs are in the area. She doesn’t trust anyone-she’s a woman living in the West, and takes Tom’s gun with her just in case.

Meanwhile, a man comes over on a horse. Tom waits behind, while the other Rawhide worker Sam Todd (Edgar Buchanan) goes to check it out. The man shows a Sheriff badge, but it turns out he is the convict, Rafe Zimmerman (Hugh Marlowe) who was supposed to hang for the murder of his girlfriend and lover. He and his crew of three, all being guys from cells around him, take over the place. They kill Todd, and imprison Tom in his room.

Vinnie and Callie come back, and Vinnie quickly grapples the situation. She tries to hide, but is discovered when Callie cries out, but does manage to hide Tom’s gun before they imprison her too.

They think Vinnie and Callie are Tom’s wife and daughter. They keep them alive to use as collateral in order to ensure that Tom does what they ask. This soon turns into a game of cat and mouse as Tom and Vinnie try to figure a way out of the situation without revealing their plans to the outlaws.

Another coach comes by and Zimmerman pretends to be a sheriff assisting Tom with those convicts on the loose. Tom tries to find a way to slip a note, steal their gun, or get the one hidden under the trough. He and Vinnie also try digging out a hole in the wall of their room in hopes that they can all escape these madmen. But will they be able to make it through the night?

This is a great film you should see for yourself. Susan Hayward is a powerful character.  While Hayward’s role of Vinnie is similar to the 1930s Western films as she provides a love interest, and creates a way in which to distinguish which of the outlaws is the true villain; however, she doesn’t allow her gender or temporary motherly duties keep her from her true character; a strong, brave, cowgirl–equal to any man. Throughout the film, Vinnie is also shown to be equal to her male counterpart. Not only does she instruct and command Tom, but will not tolerate anyone trying to take advantage of her as she knows how to survive the West and does not allow anyone to push her around because of her sex.

The film also reverses the damsel in distress cliché that one would expect in a love triangle-themed film. Throughout the movie, Vinnie is constantly harassed and attacked by the convicts, but never saved by anyone. Instead, Vinnie uses her strength, cunning, and resoluteness she needed to survive living in the West to disarm and dress down her opponents, even going as far as physically harming one in order to stop him.

Digging a way out

***Spoiler Alert***

And the end of the film is great. Instead of Vinnie being the damsel in distress in need of a savior, she saves Tom. One of the convicts, Tevis, had disarmed Tom and forced him to lay down on the ground, but before Tevis has a chance to shoot him, Vinnie steps in.

To start Horrorfest VII from the beginning, go to It’s the End of the World: The Birds (1963)

For the previous post, go to Once, There Was Even a Man Who Had Scissors for Hands: Edward Scissorhands (1990)

For more Susan Hayward, go to The Misery That Walks Around On This Pretty, Quiet Night: Deadline at Dawn (1946)

For more Westerns, go to Book Club Picks: Until the Day Breaks

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What Do They Want You For? Murder: Silver Streak (1976)

What do they want you for?

Murder.

Drop me off anywhere along here okay? I don’t mess with the Big M.

So I don’t know about you all but one of my favorite actors is Gene Wilder:

It is a spoof of the thriller, disaster, and mystery films. In fact it reminds me of the Alfred Hitchcock film The Lady Vanishes, but definitely more ’70s flavor.

George Caldwell (Gene Wilder) is a quiet book editor that is traveling from Los Angeles, CA to Chicago for his sister’s wedding. He is hoping for a quiet time alone on the train, but life is not planning that.

He meets Hilly Burns (Jill Clayburgh), secretary for Professor Schreiner, who has a new book coming out on Rembrandt. She comes on to him and the two get close in a few short minutes. 

But then things start going a little strange. He sees a dead body hanging outside his window.

I know, right?

George wants to investigate it, but Hilly says he is drunk and should just come to bed with her. Of course George ignores the body and goes with Hilly.

The next day, George looks at the book Hilly gave him about Rembrandt and sees a picture of the author-who turns out to be the dead body he saw last night.

George gets thrown off the train by the minions that took Professor Schreiner out and finds himself meeting up with a fun farmlady who helps him make it back to the train. 

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Afterwards, George confides in a vitamin salesman, Bob Sweets, who spoke to him earlier, and it is revealed that the guy is actually an FBI agent, named Steven, who is investigating an important art ring. While they go to make an arrest-Steven gets shot. Now George finds himself branded a murderer in the press, on the run as a fugitive, thrown off the train, and it looks like Hilly has moved on to the super rich Roger Devereau.

But George won’t give up. He needs to get the truth, get is girl, and get back on that train. He ends up teaming up with thief Grover T. Muldoon (Richard Pryor). The rest of the film is full of hijinks, hilarity, and thrills.

Now there is one thing that people won’t like. There is a scene in which Grover tries to help George hide from he police by painting him black and teaching him “to be black” with George failing of course. It is funny, but there is quite a few out there who might find it offensive.

If you like thrills, mystery, parodies, etc-you should check this out on Netflix.

To start Horrorfest VI from the beginning, go to One of Our Guests is a Werewolf, I Know It.: The Beast Must Die (1974)

For the previous post, go to It Feels So Good to See the Bad Guys Scared for a Change: Hangman’s Curse (2003)

For more Gene Wilder, go to A Trip to the Mall Turns into the Twilight Zone

For more train centered films, go to Have You Seen Megan Hipwell?: The Girl On the Train (2016)

For more horror-comedies, go to Is She Mrs. X?: So I Married an Axe Murderer (1993)

You Can’t Kill It, It Always Comes Back

So Horrorfest V is over.

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I know. It is hard to let go of October.

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But while Horrorfest is over for now, you can never truly kill it. It always comes back. Specifically next October with Horrorfest VI. 

Horror Films

It never ceases to amaze me how every October I plan out 26 film reviews, 4 TV reviews, and one post on my personal thoughts; yet what I start off with never matches up with the end result.

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So let’s go over what this Horrorfest V was all about.

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So I started planning my Horrorfest with lots of ’40s films, but it ended up being all about the ’80s. What can I say? You know I love it.

I LOVE the '80s

I LOVE the ’80s

We had Ghostbusters, Thriller, Cat’s Eye, Once Bitten, Teen Wolf, and Clue

And you all remember how I said I wanted to do something different this year? Well I did. This was the most I have ever reviewed Horror-Comedies.

It is horror and funny at the same time!

It is horrorfying and funny at the same time!

We had Ghostbusters, Abbott and Costello Meet Frankenstein, Once Bitten, Clue, and Teen Wolf.

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My free post, on whatever horror thing I wished to write about, was 31 tips on How to Survive a Horror Film. I got the idea last year, but couldn’t put it into play until this year. I hope it was helpful. 🙂

So Alfred Hitchcock,

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we only covered one of his films, and it was one of the oldest ones he created. I strayed from what had become a tradition of three as I felt I didn’t want to use his works too quickly. Which film will I review next year? I’m not sure. I was toying with maybe doing one of his last films like Frenzy or Family Plot. Then again, The Birds have been on my list from the beginning and I still haven’t reviewed it. I guess we will see what happens next year.

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So we reviewed a TV episode every Friday in October. This year we had a serial killer Wallace & Gromit episode, a cannibalistic killer in Bones, a murderer in Death Comes to Pemberley, and a teenage boy with incredible powers in Star Trek.

We also had our Turtle Saturdays

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Starting with the 2014 version, to 2007, and then going over the original 1990 version and its sequel in 1991. It might not be what most consider horror, but I think it works as each film involves mutation, two have monsters, and one a whole lot of scientific experiments.

So we saw a group of monsters I haven’t really spent a whole lot of posts reviewing, and that is:

Zombies!

Zombies!

We started with the Corpse Bride; then went on to the first zombie film, White Zombie; and ended on Michael Jackson’s Thriller. I had thought about doing Pride & Prejudice & Zombies, but as I haven’t reviewed the book I decided to wait on the film.

Then we had our usual Stephen King film, with Cat’s Eye. Not one I’d planned on reviewing, but happened to see and add to the lineup.

Who knew?

Who knew?

I finally got around to taking on a Tim Burton film, and actually reviewed two, not one. We had the Corpse Bride and Sleepy Hollow. Still haven’t done Edward Scissorhands. Maybe next year.

We also did a lot of teen monster films. There was Teenage Mutant Ninja Turtles with teen turtles; Thriller with teen zombies; Once Bitten with teen vampires; and a teen werewolf in Teen Wolf.

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We also had vampires and Dracula coming back with Once Bitten, Abbott and Costello Meet Frankenstein, and Dracula 2000.

This Horrorfest was very different than the ones prior as I reviewed a lot of films and TV shows I had never seen before such as: Wallace & Gromit: A Matter of Loaf and Death, When a Stranger Calls (1979), Jeepers Creepers, Jesse James Meets Frankenstein’s Daughter, Cat’s Eye, Death Comes to Pemberley, Abbott and Costello Meet Frankenstein, Backfire, Dial 1119, Let Me Call You Sweetheart, Corpse Bride, The Cheerleader Murders, & The Girl on the Train; along with films and TV shows I hadn’t seen in years, such as: Fantasia: Night on Bald Mountain and Sleepy Hollow. That was about half the reviews!

AMAZING!

AMAZING!

This also was the first time I could really include Jane Austen in my Horrorfest, not with a made up post but actually review an Austen item.

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I was planning on reviewing Pride & Prejudice & Zombies along with Death Comes to Pemberley, but as I said before, I decided to push it back.

And then there is Vincent Price

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I reviewed two films with him: Thriller and the film I have been talking about reviewing since the first HorrorfestHouse on Haunted Hill. 

Double double yay

So if you missed a day, or are interested in every item I covered; here is the complete list:

How To Survive A Horror Film

You’re a Detective, Let Me Give You a Tip. Don’t Wave Important Evidence in a Telephone Booth. They Have Glass Windows: Blackmail (1929)

Those Aren’t Men They Are the Living Dead: White Zombie (1932)

Night on Bald Mountain: Fantasia (1940)

We’ve Seen Dracula, the Wolf Man, and Frankenstein’s Monster: Abbott and Costello Meet Frankenstein (1948)

It’s A Hard World: Backfire (1950)

The Mad Killer: Dial 1119 (1950)

They’re Coming for Me Now…And Then They’ll Come for You: House on Haunted Hill (1959)

What I Think You Will Think…You are Fully Under My Control: Jesse James Meets Frankenstein’s Daughter (1966)

 I Can Make You all Go Away! Any Time I Want To!: Charlie X, Star Trek (1966)

Have You Checked the Children: When a Stranger Calls (1979)

No Mere Mortal Can Resist the Evil of the Thriller: Thriller (1983)

Who You Gonna Call?: Ghostbusters (1984)

That’s What We’re Trying to Find out! We’re Trying to Find Out Who Killed Him, and Where, and With What!: Clue (1985)

I Don’t Want to Be a Vampire. I’m a Day Person: Once Bitten (1985)

I’m…a Werewolf: Teen Wolf (1985)

I’ll Be Watching You: Cat’s Eye (1987)

I Came Upon a Shattered Glass Jar and Four Baby Turtles Crawling into a Strange Glowing Ooze: Teenage Mutant Ninja Turtles (1990)

But If Any of It Fell Into the Wrong Hands…:Teenage Mutant Ninja Turtles II, Secret of the Ooze (1991)

That Face-I’ve Seen Her Before…: Let Me Call You Sweetheart (1997)

It was a Horseman, a Dead One. Headless: Sleepy Hollow (1999)

Dracula. Not Myth, Nor Ravings of a Mad Irish Novelist, Oh No, He’s Real: Dracula 2000 (2000)

Every Twenty-Third Spring for Twenty Three Days, it Gets to Eat: Jeepers Creepers (2001)

He’s Married to a Corpse. He Has A Corpse Bride!: Corpse Bride (2005)

Every Three Thousand Years, the Stars Align. Unleashing an Army of Monsters: TMNT (2007)

A Matter of Loaf and Death: Wallace and Gromit (2008)

The Butcher of Burtonsville High: The Death of the Queen Bee, Bones (2010)

A Murder Has Been Committed on Your Property: Death Comes to Pemberley, Episode One (2013)

Heroes are Not Born, They’re Created: Teenage Mutant Ninja Turtles (2014)

It Was the Curse. My Curse: The Cheerleader Murders (2016)

Have You Seen Megan Hipwell?: The Girl On the Train (2016)

No Mere Mortal Can Resist the Evil of the Thriller: Thriller (1983)

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And though you fight to stay alive, your body starts to shiver. For no mere mortal can resist the evil of the thriller.

So I know you are probably thinking, a music video? That’s not a horror film.

Majorly

This music video is almost 14 mins and a recommended length for a short film, by the New York Film Academy, is 10-15 mins. That makes this “music video” a short film, and perfect for our countdown.

It was directed by John Landis, most known for his film An American Werewolf in London, and he made the film because he wanted to bring back the theatrical short, you know the short film before the movie. Like Pixar and Disney used to do.

“I saw it as a chance to resurrect a genre that had once been a Hollywood staple. Music videos were new in 1983, and MTV was just two years old.”

They even tried to get an Academy Award nomination for Best Short Live Action, but the Academy didn’t have the same love for it as the rest of the world did. However in 2009 it was selected for the National Film Registry by the Library of Congress, being the first music video in history to receive that honor.

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It takes place in the 1950s and starts off with Michael and his date (Ola Ray) are driving and the car runs out of gas. They get out to walk through the creepy forest:

Stay out of the forest!

Stay out of the forest!

Michael wears a red letterman that looks a lot like a certain jacket from a certain horror film:

He asks his date to be his girlfriend, and she agrees him giving her a ring to symbolize it.

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How sweet.

But then he warns her:

Michael: There’s something I’ve got to tell you.

Michael’s Girl: Yes, Michael?

Michael: I’m not like other guys.

Michael’s Girl: Of course you’re not. That’s why I love you.

Michael: No, I mean I’m different.

Michael’s Girl: What are you talking about?

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Nothing good is going to come of this.

And then the moon comes out:

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And he changes into a Werecat!

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And the makeup is pretty creepy. You can thank Rick Baker for that. Even though CGI is probably cheaper, I love seeing what people were able to make with such limited supplies and technology. It is unbelievable.

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Back to the video. So Michael the werecat os chasing his date through the forest. Run girl, run!

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Just as the werecat is about to grab her, we cut to a movie theater. Yes this is a film that Michael and his girlfriend are watching.

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Michael loves the film but his date (Ola Ray) is not into horror films. Such a pity.

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She walks out and Michael, being a good date, follows. As they are outside the music starts up and we get those perfect lyrics that are impossible to hate.

It’s close to midnight and something evil’s lurking
In the dark
Under the moonlight you see a sight that almost stops
Your heart
You try to scream, but terror takes the sound before
You make it
You start to freeze as horror looks you right between
The eyes
You’re paralyzed

Now at first this is Michael just joking around with his girlfriend, teasing her. But it will soon change.

You hear the door slam and realize there’s nowhere left to run
You feel the cold hand and wonder if you’ll ever see the sun
You close your eyes and hope that this is just imagination
But all the while you hear the creature creepin’up behind
You’re out of time

I like how in his dance Michael Jackson throws in a Frankenstein monster move and hints at famous “thrillers”.

Frankenstein

Night creatures call
And the dead start to walk in their masquerade
There’s no escapin’ the jaws of the alien this time (they’re open wide)
This is the end of your life

They’re out to get you, there’s demons closing in on every side
They will possess you unless you change the number on your dial
Now is the time for you and I to cuddle close together
All thru the night I’ll save you from the terrors on the screen,
I’ll make you see

Now in this scene it is very apparent that they are taking there time walking home in not the best conditions. There are no streetlights and a ton of fog. You know what’s coming, something bad.

I'm getting shivers

I’m getting shivers

And then we have the best thing in the world. Just as Michael and his girlfriend go by the cemetery, we hear Vincent Price’s voice. Bringing us:

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And then things begin to rise in the graveyard.

Night of the living dead zombie

Darkness falls across the land
The midnite hour is close at hand
Creatures crawl in search of blood
To terrorize y’awl’s neighbourhood
And whosoever shall be found
Without the soul for getting down
Must stand and face the hounds of hell
And rot inside a corpse’s shell

It’s funny to think that this music video never would have had such an amazing voice in it, I mean aside from Michael Jackson, if it wasn’t for writer Rod Temperton’s wife, Peggy Lipton. Temperton had wanted talking at one part and needed a classic horror actor to give the music the edge he desired. Lipton was a good friend of Price, asked him and he agreed.

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So the rest of the dead are waking up; out of every grave, tomb, and casket.

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The foulest stench is in the air
The funk of forty thousand years
And grizzly ghouls from every tomb
Are closing in to seal your doom
And though you fight to stay alive
Your body starts to shiver
For no mere mortal can resist
The evil of the thriller
Can you dig it?!

And of course, they head after Michael.

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They are surrounded! Oh no! Michael’s girlfriend looks to Michael for help, but it is too late:

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AAAAAAAAHHH!!!!!!!!!!!!!!!

AAAAAAAAHHH!!!!!!!!!!!!!!!

And then we have one of the most engaging dances ever to be created/performed.

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They actually had to think long and hard how to create the scene where they dance that wasn’t childish or silly, but kept to the mood of the previous scenes; and I have to say they accomplished it. In fact, before Landis agreed to direct, he made it mandatory that all extras spend two weeks in rehearsals with the choreographer; something that had never been done before. This dance has been such a big part of our culture from Thrill Around the World to being referenced in numerous films and TV shows.

‘Cause this is thriller, thriller night
And no one’s gonna save you from the beast about to strike
You know it’s thriller, thriller night
You’re fighting for your life inside a killer, thriller tonight

That it’s a thriller, thriller night
‘Cause I can thrill you more than any ghost would dare to try
Girl, this is thriller, thriller night
So let me hold you tight and share a killer, diller, chiller
Thriller here tonight

Michael’s date is horrified and runs into a creepy old house, with the zombies surrounding her on every side. Very Night of the Living Dead.

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Too bad she doesn’t have a Ben to save her as they start destroying the house to get her.

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Michael grabs her and bam. It turns out they are just in a home, Michael isn’t a zombie….Or is he? We close on Vincent Price’s amazing laugh with  frozen still of Michael’s yellow werecat eyes.

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That was Michael Jackson’s Thriller and it is amazing. From the song, to Jackson, to Price, to Ray, to the dancing, the makeup- I could go on and on but it is just perfect. I mean it gives you everything you want

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Plus a fun dance to do. Check it out for yourself!

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To start Horrorfest V from the beginning, go to Who You Gonna Call?: Ghostbusters (1984)

For the previous post, go to Every Three Thousand Years, the Stars Align. Unleashing an Army of Monsters: TMNT (2007)

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For more on Michael Jackson, go to Haunted Harmonies of Halloween: Top 5 Songs to Play on Halloween

For more Vincent Price, go to A Man Without a Face: The Bat (1959)

For more zombies, go to Those Aren’t Men They Are the Living Dead: White Zombie (1932)

For more music reviews, go to Shook Me All Night Long

For more ’80s music, go to Back in Black

For more ’80s films, go to I’ll Be Back: The Terminator (1984)

Someone Has Erased His Memory: Total Recall (1990)

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 I’ve been trying to tell you, someone has erased his memory.

Your mind is the center of your being. It not only houses all the functional elements to keep your body going, but your memories. Inside your mind is the essence of yourself, the one place where you wear no mask, where you think your darkest thoughts, your happiest views, etc.

But what if you were to lose that all one day. What if everything you thought about yourself didn’t exist? What if you weren’t really you, but someone else?

OMG gasp

That my friends is Total Recall.

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So yes, I’ve decided to review on of the most known, discussed, and debated films in history. This film has a little of everything action-adventure, horror, spy thriller, and science-fiction.

The film is based on the short story by Philip K. Dick, We Can Remember It for You Wholesale. The script was purchased in 1974, but then tabled as they felt they didn’t have effects needed to make the film. Ten years later, the team was once again discussing the possibility of the film.

What?

Of course it took a little while longer to get everything moving, but in the late 1980s they were ready to roll. One person who was all for moving it forward was Arnold Schwarzenegger. He had loved the idea and wanted to star in it, but unfortunately they didn’t want him.

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Weird right? By know Arnold was a big star; having Conan the Barbarian, Conan the Destroyer, The Terminator, Red Sonja, Commando, Predator, and The Running Man all under his belt. Often times if he wanted something, he got it.

But strangely, the company preferred Patrick Swayze.

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They started filming in Australia, but before they got too far, the company went bankrupt. Arnold convinced Mario Kassar to purchase the script, it undergoing some changes; and before you know it Arnold is given the main role. And it wouldn’t have been nearly as good without him.

So let’s move onto the film.

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The film start out with two people climbing the Martian landscape; a brunette and Arnold’s character. As the two are walking, he trips and falls, cracking open his face mask.

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AAAAAAAAHHH!!!!!!!!!!!!!!!

AAAAAAAAHHH!!!!!!!!!!!!!!!

But then he wakes up. It was all a dream.

Yes this is Douglas Quaid (played by Arnold Schwarzenegger), a construction worker living in the world 2084. And this isn’t the first time he’s dreamed of Mars or had such nightmares. No this internal horror has been going on for a while.

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His wife Lori, (played by Sharon Stone), tries to get him to spill about what happened and who he was with, but Quaid doesn’t want to talk about it.

They move on with their daily routine; Quaid tuning on the TV and hearing about the rebellion happening on Mars. The mayor Vilos Cohaagen, owns the mines on Mars that house the mineral needed to run everything.

Dunecat

No, but the thought did cross my mind. People on Mars pay for their air, and lately the rebels have been lead by a psychic mutant, Kuato, to try and win more freedom, air, etc.

Even though things aren’t very nice and downright dangerous on Mars, Quaid really wants to visit. He’s tired of his boring life and yearns for excitement or adventure. Lori doesn’t want to go to Mars and nixes that idea. Instead of arguing, Quaid heads out to work.

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While on the subway commuting to work, he sees an ad for the agency Rekall. They implant memories of trips in your mind, it’s like going but for a fraction of the price.

The idea starts growing in Quaid’s mind. Maybe he should do it. He asks his friend Harry about what he thinks, but Harry tries to dissuade him from going.

Douglas Quaid: Ever heard of Rekall? They sell those fake memories.

Harry: Oh, “Rekall, Rekall, Rekall.” You thinking of going there?

Douglas Quaid: I don’t know, maybe.

Harry: Well, don’t. A friend of mine tried one their “special offers,” nearly got himself lobotomized.

Douglas Quaid: No s***?

Harry: Don’t f*** with your brain, pal. It ain’t worth it.

Douglas Quaid: I guess not. [Continues jackhammering, Harry watches in disbelief]

But Quaid can’t stop thinking about it. And he decides to go to Rekall. When he gets there he is at first hesitant about the trip, but the salesman McClane reassures him that the implants will be so real he won’t know the difference. Guaranteed fantastic experience or your money back.

Really?

Really?

Quaid decides to risk it and starts filling out the forms for his trip to Mars, but the salesman isn’t finished with the deal. For a bit extra they can improve the experience by altering his identity.

So here we go, one secret agent coming up. As they start the process, things don’t go quite as well as expected.

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Quiad freaks out insisting that they blew his cover as a spy. McClane believes that it was an implantation gone wrong, but the doctor insists that it can’t be.

Dr. Lull: [after Quaid goes crazy at Rekall] Listen to me, he’s been going on and on about Mars. He’s really been there.

Bob McClane: Use your head, you dumb b****! He’s just acting out the secret agent portion of his Ego Trip.

Dr. Lull: I’m afraid that’s not possible.

Bob McClane: Why not?

Dr. Lull: Because we haven’t implanted it yet!

They fear for their lives as messing something up that “The Agency” set up could be bad for them all. They scrub his mind clean and dump him in a cab.

When Quaid wakes up he doesn’t remember anything, but that doesn’t mean people aren’t after him. From his best friend Harry:

[Harry pulls gun on Quaid]

Douglas Quaid: What the hell is going on? What the f*** did I do wrong? Tell me!

Harry: You blabbed, Quaid! You blabbed about Mars!

Douglas Quaid: Are you crazy? I don’t even know anything about Mars!

Harry: You should have listened to me, Quaid. I was there to keep you out of trouble.

Douglas Quaid: Harry, you’re making a big mistake. You got me mixed up with somebody else.

Harry: Uh-uh pal, you got yourself mixed up with…

[Quaid kicks him in the chest, commencing the fight]

To his wife Lori:

Quaid doesn’t quite know what is going on, but is out to find out. He ends up fleeing and being contacted by a “friend” who gives him a suitcase of tools to help him. But he has to hurry as the Agency are following him by GPS.

Getting out of here

Getting out of here

He exchanges gunfire but manages to get away. This scene with the taxi driver, the Johnnycab, is my favorite scene. It expresses my feelings for most machines.

[Quaid enters a Johnnycab to escape from killers]

Johnnycab: Please state the street and number.

Douglas Quaid: Drive! drive!

Johnnycab: I’m not familiar with that address. Would you please repeat the destination?

Douglas Quaid: Anywhere just go! Go!

Johnnycab: I’m not familiar with that address. Would you please repeat the destination?

Douglas Quaid: S***! S***!

Johnnycab: Would you please repeat the destination?

Douglas Quaid: [Quaid rips the Johnnycab out and starts to drive himself] Aaahhh!

totalrecallmachinedestroy

When he manages to get away, he opens the suitcase given to him and finds a message from HIMSELF!

Hauser: Howdy, stranger! This is Hauser. If things have gone wrong, I’m talking to myself and you have a wet towel around your head. Now, whatever your name is, get ready for the big surprise. You are not you, you’re me.

Douglas Quaid: [to himself] No s***.

Hauser: All my life, I worked for Mars Intelligence, I did Cohaagen’s dirty work. But then I met someone, a woman. She taught me a few things, like I was playing for the wrong team. All I can do now is make up for it. You see…[Points to his head]…there’s enough s*** in here to f***Cohaagen good. But if you’re hearing this, it means is that he’s got to me first. Now, here comes the hard part, old buddy. Now it is all up to you.

Douglas Quaid: [displeased] Great…

Hauser: Now, let’s start by getting that bug out of your head. [Shows the nose deviceTake this out of the case, and stick it up your nose. Don’t worry, it’s self-guiding. Just shove real hard.

[Quaid takes a deep breath, and sticks the nose device up his nose.]

Hauser: When you hear a crunch, you’re there. Now, pull it out. Be careful! That’s my head, too.

[Quaid screams in pain while Hauser grins, then Quaid pulls out the bug]

Hauser: This is the plan. Get your a** to Mars, and go to the Hilton Hotel and flash the fake Brubaker I.D. at the front desk, that’s all there is to it. Just do as I tell you. You can nail that son of a b**** that f***** you and me. I’m counting on you, old buddy. Don’t let me down!

So Quaid finds himself in disguse headed for the red planet.

Once he gets there he finds himself caught up in figuring out what he knew and was trying to do, and to who’s side is he really on.

But as you watch this their is one question. Is this real? Or just the trip he paid for? He he really a secret agent? Or did his implants go malfunction?

Hmm...

Hmm…

I won’t reveal anymore as this is a film you need to check out for yourself.

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Of course our facebook cover/mini poster.

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To start Horrorfest IV from the beginning, go to You Cannot Conquer It. It Has Conquered You!: Dr. Jekyll and Mr. Hyde (1931)

For the previous post, go to Haunted Harmonies of Halloween: Top 5 Songs to Play on Halloween

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For more on Arnold Schwarzenegger, go to I’ll Be Back: The Terminator (1984)

For more Horror-Scifi films, go to They’re Here Already! You’re Next!: Invasion of the Body Snatchers (1956)

For more films based on a book, go to What Are the 39 Steps?:The 39 Steps (1935)

A Man Without a Face: The Bat (1959)

thebat-final

“One of his victims who lived for a moment after she was found described the Bat as a man without a face.”

So every year I talk about how great Vincent Price is and how he has made truly amazing films in which he plays a terrifying, horrifying, and thrilling person.

VincentPrice

The past three years I just haven’t gotten around to reviewing any of his famous works (although I did review Laura last year.) So this year I decided it was time to finally review one of his horror-suspense films. So prepare yourself for:

sensationhorrorshock_VincentPrice

As I present to you The Bat!

So this is another film off the 50 Greatest Horror Classics Collection, like The Screaming Skull, Night of the Living Dead, etc. This film is based on a play written by Mary Roberts Rineheart. Now I’m not a huge fan of this author, I find her boring, but if Vincent Price is in it, it must be good.

VincentPrice

So we  begin our story looking at a beautiful mansion, The Oaks.

rebeccamansionmanderley

Here mystery writer Cornelia van Gorder is staying while she works on her newest novel. But the events that occur here are more mysterious and terrible than anything Cornelia has ever written.

Cornelia van Gorder: As an author I write tales of mystery and murder, but the things that have happened in this house are far more fantastic than any book I’ve ever had published.

Right away we are sucked in. What happened?

Suspense have to know

So Cornelia is having a hard time keeping her servants. There was a killer called “The Bat”, who was murdering people. There is a rumor that he is back and on the prowl.

Cornelia van Gorder: Why? What does it say about the Bat?

Lizzie Allen: His specialty seems to be killing women, my goodness, two of them in one night, all his victims died the same way, like their throats had been ripped open with steel claws.

Cornelia van Gorder: That’s charming, I’ll have to try it some time. [Lizzie stares at her weird]  In a book.

I guess he’s the pre-Freddy Kruegar.

Freddy Kruger

To make things even worse, he has been releasing rabid bats into the community.

a7x_deathbat_animation_by_xxdarksoraxx-d3eogbz

Now Cornelia doesn’t care if the servants are too scared to work there as she thinks the whole thing is silly. If everyone leaves, she’ll just replace them. She and her assistant Lizzie leave to run some errands.

When they reach the bank they meet a very surprised Victor Bailey, vice president to the bank. John Fleming, the bank president and owner of The Oaks, said he would never let the place.

never-say-never-in-front-of-fantasy_1279

Cornelia tells them that Mark was the one who actually rented it to them. They then meet Victor’s wife, Dale, who used to be his secretary. Lt. Andy Anderson also comes in and is introduced to Cornelia. Lt. Andy is on the bank board. Interesting…I didn’t think cops that much money.

paris-whenitsizzlesaudreyhmmHepburn

So Cornelia and Lizzie go off to do what they came to do. Suddenly Victor comes back extremely upset and takes aside Lt. Andy and Dale. It turns out the bank been looted over $1 million worth of securities!

AAAAAAAAHHH!!!!!!!!!!!!!!!

AAAAAAAAHHH!!!!!!!!!!!!!!!

But who could do this? Only Victor and Mr. Flemming have the keys!

suspicious Hmm

Victor wants to call him, but can’t as he is on vacation with his best friend, Dr. Malcolm Wells, on a huting trip on the deep woods with no phone.

OhNOthisisgonnabebad

So then we switch to another scene of two men in a cabin. They are John Flemming and Dr. Malcolm (Vincent  Price).

John asks the doctor:

John Fleming: Doctor.

Dr. Malcolm Wells: Yes, John?

John Fleming: What would you do for half a million dollars?

Dr. Malcolm Wells: Anything short of murder.

John Fleming: Why not murder?

Dr. Malcolm Wells: Too messy.

John Fleming: Too great a risk?

Dr. Malcolm Wells: For half a million, yes.

John Fleming: I pinched a million from the bank.

JamaicaInnItwasYou

Yes John is the culprit. He embezzled $1 million dollars from the bank, framed Victor, and know is in the stage of how to disappear without anyone realizing he was the thief and hid all the money in his house. And that’s where the Doctor comes in.

John Flemming: I have a weak heart. What if you called and said I died, and then ship my body back. We don’t need an open casket.

Dr. Malcolm Wells: Where do we get a body?

John Flemming: We’ll provide one. We could kill Sam our guide. He’s a hermit and no one would care.

Dr. Malcolm Flemming: The local undertaker would know.

John Flemming: Not if we mess up his face.

Dr. Malcolm Flemming: Why do all this if you set up Bailey?

John Flemming: The jury might acquit. I am a logical suspect, and could try to disappear, but it is safer if I am dead.

Dr. Malcolm isn’t really feeling it, but John threatens he will kill him if he says no. Better for him to say yes and get a part of the money. While the two are talking, the woods catch on fire. John goes to investigate and when he turns around he sees Dr. Malcolm with a gun.

John Flemming: Doctor, we need to get out the back way. 

[Turns around and sees Dr. Malcolm pointing a gun at him]

Dr. Malcolm Wells: We will, as soon as I provide that body we’ve been talking about.

So back at the Oaks, Cornelia is trying to play solitaire but the lights keep flickering.

Never a good sign.

Never a good sign.

Lizzie comes in with the newspaper. Victor Bailey arrested for embezzlement, John Fleming is  dead, and Dr. Malcolm brings the body back to put in tomb this Friday.

Meanwhile, creepy things have been going on at the Oaks.

Lizzie Allen: This is his house, and ever since he [John Flemming] died, some funny things have happened here.

Cornelia van Gorder: For instance?

Lizzie Allen: The housekeeper, the cook and the butler said that they heard strange noises at night, and the upstairs maid swore she met a man without a face coming up the back stairs.

Cornelia van Gorder: Oh so that’s why they quit and left me to run this place without a staff.

Lizzie Allen: They didn’t tell you, Miss Gordy, but the truth is they were scared to stay.

Cornelia van Gorder: Why? What does it say about the Bat?

Lizzie Allen: His specialty seems to be killing women, my goodness, two of them in one night, all his victims died the same way, like their throats had been ripped open with steel claws.

Creepy!

Creepy!

So the two ladies are the only ones at home. They have a chauffeur, but he is gone for the night. To make matters worse, it is super windy and in an old house everything seems to rustle, move, and go bump in the night.

Lizzie Allen: [The wind is banging a shutter against the house] That ain’t nothing, just something bumping against the house. [Wind blows a door open and closedThat’s just the wind banging the door, pay no attention to it. Listen to this, One of his victims who lived for a moment after she was found described the Bat as a man without a face’. Honestly, Miss Gordy, I think that woman was exaggerating. [A tapestry blows against an open windowThat’s just the taphestry at the top of the stairs.

Cornelia van Gorder: I know, I know, I’ve heard it before on a windy night [Tapestry clinks a shaking suit of armorThat sounds as if someone were on the stairs, I know there isn’t, at least there shouldn’t be.

Lizzie Allen: Them’s just the noises you hear in any old house on a windy night.

Even though it’s probably nothing:

Gilmore girls creep

So while the two go upstairs and continue talking, we see a man at the front door, opening it and sticking his clawed hand in.

I guess a backwards wolfman?

They see it, lock the door and run upstairs calling the police. They think they are safe, but little do they know the Bat has cut a hole in the glass on the door and has come inside.

Scream-Casey-Becker-drew-barrymore-31896958-2560-1088

The officers are on there way, but Cornelia and Lizzie take extra measure. They not only lock the doors, but push all the furniture against the door. They think they are safe, but the transom over the door has no lock, or way for them to keep it closed. Cornelia decides to put something in front of it, that way if someone tries to come through there, they will set off her booby trap.

The two women are scared and decide to share the room that night. Lizzie goes to get her night items, but doesn’t know that the Bat is creeping outside her door.

OhNOthisisgonnabebad

Luckily lightening flashes and shows the shadow:

thebat1959shadowclaw

Causing Lizzie to run back inside the room.

The police finally call back, saying they see nothing outside her house. She tells them he is inside now and shouts that she has a gun and is not afraid to use (she doesn’t really. Just trying to scare the Bat.)

The police search everywhere, but find nothing.

Whattheheck

Where did he go?

They go on guard outside, and the women try to sleep, but are having an extremely hard time.

i'mscared

Meanwhile, the Bat has opened the transom and released a bat into the room. It lands on Lizzie biting her, and then flying into the closet.

Lizzie is freaked!

AAAAAAAAHHH!!!!!!!!!!!!!!!

AAAAAAAAHHH!!!!!!!!!!!!!!!

So just knows she is going to get rabies and die.

Noooooooooo!!!!!!!

Noooooooooo!!!!!!!

They call Dr. Malcolm, but the answering service can’t get a hold of him. They promise to keep trying and if still can’t will send another doctor.

Meanwhile, Dr. Malcolm is home. He is in his lab working on some experiments. He is studying and testing bats.

thebat1959labsciencelair

But is he trying to study the bats to find a cure? Or is he trying to find a way to kill the women and get the million dollars John stole?

suspicious Hmm

Unbeknownst to the doctor, Lt. Andy is creeping around his house. He touches his car to see if it is hot from a recent drive, looks through the windows, etc.

He's creepin' in your windows. He's starin' at your people.

He’s creepin’ in your windows. He’s starin’ at your people.

While he is watching him, the service finally gets through and reaches the doctor. He puts the bat away and heads out to help.

While he is gone the Detective breaks into office, and looks around. He opens the window shades sees a bat. Does this mean he is the Bat?

a7x_deathbat_animation_by_xxdarksoraxx-d3eogbz

So it looks like they are trying to say that Dr. Malcolm is the Bat, but I don’t think he is the one as it is too obvious.

So the doctor goes to the house and examines Lizzy, asking for the bat to examine and see if it is rabid.

Dr. Malcolm Wells: Pity you are in this house. I don’t want to alarm you, but so many unexplainable things happen here. It has an apprehension of disaster.

He looks at the bat, but it is not rabid. He places him in his doctor bag and makes plans to return the next day. He starts to leave but sees someone, who’s there?

thebat1959shadowclaw

But it is just Lt. Andy. Should we sigh in relief or be afraid? Could he be the Bat?

suspicious Hmm

Lt. Andy asks a lots of questions.

Lt. Andy Anderson: How did a Bat get in?

Dr. Malcolm Wells: There are lots of ways for bats to get in a house

Lt. Andy Anderson: Well you should know.

What is he implying? A Bat lover? Or The Bat?!!!

paris-whenitsizzlesaudreyhmmHepburn

The Detective notices the cut glass on the door and figures that must be how the bat got in.

Dr. Malcolm Wells: I phoned twice, weren’t you there Andy?

Lt. Andy Anderson: No, but they called me. I have a man patrolling outside.

Dr. Malcolm Wells: No one inside, Andy?

Lt. Andy Anderson: Why should there be?

That is a weird answer. There is a crazy man who tried to get in the house twice!!! There should be more policeman, not less.

So I definitely think it is not Vincent Price, as it is too obvious. From what little I have read of Mary Roberts Rineheart is she tells you a mystery, giving you limited knowledge so she can do some big reveal at the end.

Really?

Really?

In my personal expertise in film watching, Vincent Price is far too perfect to be the Bat. My money is on Lt. Andy or the nephew we have heard so much about, but have yet to see.

Hmm...

Hmm…

So the Lt. is quite sure that the Bat is not in the house as he suspects it is Dr. Malcolm, but decides to put someone in the house anyway.

The next day the Lt. goes to see Mark Flemming, John’s nephew. He has just bought all new office furniture. Is he squandering his inheritance? Nope he hasn’t received it yet. The Lt. finds that strange as he left the whole fortune to Mark? But it turns out that the whole fortune is missing. What happened to it?

paris-whenitsizzlesaudreyhmmHepburn

Lt. Andy needs to find the missing million dollars.  All his money was in the securities stolen, if he can’t find the money, he’s out everything. He suspects John Flemming, even though the only fingerprints on it was Victors Bailey’s. To the Lt., he knows John is wily enough to plant everything. Besides the secretary has some new evidence she will give at trial.

paris-whenitsizzlesaudreyhmmHepburn

At the Oaks the next day, there is quite a party. The secretary is there, getting a book from Cornelia. Dale Bailey is also there, hoping they might figure out a way to save him. The Dr. also comes to check on Lizzie.

batparty

Cornelia has her chauffeur back and has a new employee, John’s old housekeeper Mrs. Patterson.

They start discussing who took the money, and Cornelia believes it was John who did it. Judy agrees as she saw something that made her suspect him. Cornelia suspects that if John were the one to do it, he would hide all the money in the house. There must be some secret room or safe.

Hmm...

Hmm…

They need the blueprints to look it up. Dale decides to call Mark and ask if he has any blueprints. Mark was speaking with Lt. Andy, and when he hears Dale ask for the blueprints, he knows she is after the loot. Mark promises to come over that night and look for the blueprints in the house, also promising to call the Lt. if he does find them.

That night the women  are having dinner when Mark comes over and lets himself in.

What! Mark Wahlberg that's weird

Weird. He was invited to the house so why is he sneaking around like a criminal. That means, he doesn’t want the girls to know he is there. He doesn’t want to share the blueprints, he wants them all to himself. But as he heads straight to the secret wall/compartment that holds them, the Bat starts creeping behind him.

61MtDLRTAqL._SL1417_

Mark finds blueprint, but the Bat kills him before he can ever make a sound. The Bat has the blueprints, but hears the women coming, and moves the clock in front of the compartment. He then takes off before the women spot him.

The women go to the room, where they hear the clock working, even though it hasn’t in ten years. Dale looks at it and notices that there os a door behind the clock. They move the clock and open the door to find…

Victim #14 &15

They call police, the Lt. isn’t there. They call him in his car and he goes on his way. The Doctor also heads out there, and finds that the body has been dead for half an hour. The bell rings, and it is Warner the Chauffeur/Butler. He had to use the front door as he lost his keys.

The Lt. question all the staff  and doesn’t trust Warner, as they have met before. Where or when cannot remember, but will eventually.

So who knew Mark was coming  the Lt. Andy, Warner, Judy, Dale, Lizzie, & Dr. Malcolm Hmm…

paris-whenitsizzlesaudreyhmmHepburn

So that night all the women go to their rooms. Lt Andy promises to stay and protect them. But what if he is the Bat?

AAAAAAAAHHH!!!!!!!!!!!!!!!

AAAAAAAAHHH!!!!!!!!!!!!!!!

The Lt. promises they will be safe with him. Yeah right! No one is safe from the Bat!!

batclawcomingafter

Warner is watching the police and doctor as they head to the door. Could it be because he is the Bat?

hmm...

hmm…

The Dr. leaves, with the Lt. staying until the windows and doors are good, then promising to return in the morning.

WHY???? WHY???? If he knows the Bat has been coming around, why would he do that.

That night the Bat goes into the house. He cuts all the wires for the phones, making sure no calls will be made. He goes into a room being used for storage, the women have all their suitcases and trunks in there. He starts banging on the walls, hammering them to find the opening.

Meanwhile, the women all hear the noises which freaks them out. Cornelia tries to call the police but the phone won’t work.

dangerous crossingphoneringsscared

Meanwhile, Dale has decided she is going to investigate what that noise is. Her roommate Judy is trying to stop her, but Dale wants to save her husband, so she goes upstairs to look.

She goes to the room and tries to look inside, the Bat hiding behind the door. He pulls and tosses her in, running downstairs were Judy is, knocking her out of the way and down the stairs. Cornelia tosses something at his head, beaning him on the way out.

Shadow of a doubt stairs creepy look

Judy is dead.

The Lt. comes back and heads straight for Judy.

Noooooooooo!!!!!!!

Noooooooooo!!!!!!!

They ask him where he went as he was, and he said he was following someone out the back.

suspicious Hmm

They go looking for everyone, and can’t find Warner. He comes inside and says he was following the Lt. to help him, getting brained and knocked out. Was he?

suspicious Hmm

It turns out that the Lt. finally remembers where he saw him before. On a circular for wanted men. Warner claims he was tried and found innocent. Just as they are talking, the Dr. shows up.  All three suspects in one area. But which one?

paris-whenitsizzlesaudreyhmmHepburn

They ask the doctor what he is doing back here, and he tells them he was in a car accident, and his wheel fell off in the ditch. He came to get help, as his head is bleeding. Hmm…?

suspicious Hmm

We go back to Cornelia dictating the story. The next night she decided she was going to pursue this mystery alone. She saw the police downstairs asleep, and heads up to the room where the Bat was w0rking on the walls. All I can think is why didn’t they try open it up in the daytime?

While she goes up, we spot Warner walking around downstairs.

Meanwhile, The Bat is in the Doctor’s lab. He is leaving suicide note, planning on killing the Doc and lying all the blame on him. But just as he finishes, who should show up but the Doctor, who doesn’t take kindly to this plan. He threatens the Bat. It looks like the Doctor will be murdering him like he did John. The Bat races toward him and the two begin fighting. The Doctor is shot accidentally, Bat leaves having completed mission. I knew it wasn’t him.

Screen shot 2015-10-03 at 12.20.02 AM

Aw that’s sad, I liked the doctor, because I love Vincent Price. Too bad. 😦

Noooooooooo!!!!!!!

Noooooooooo!!!!!!!

That night, Lizzie wakes up looking for Corelia but can’t find her anywhere. She rushes downstairs and wakes the police officer up, looks like he’d been slipped a mickey tp be knocked out. She wakes up the housekeeper and asks her to fetch Warner.

WE NEED TO FIND CORNELIA!!!

WE NEED TO FIND CORNELIA!!!

So Cornelia is locked up in a secret room. The officer calls Lt. Andy but they are looking for him to investigate the murder of the Doctor. And it turns out that Warner is missing! Down to two! Who could it be???

They finally find Cornelia who is currently fainting from lack of air. When they get inside the Cop finds the control panel on wall and  a safe. But just then the garage catches on fire!

AAAAAAAAHHH!!!!!!!!!!!!!!!

AAAAAAAAHHH!!!!!!!!!!!!!!!

The detective wants to put it out, but Cornelia says to let it burn.

Cornelia van Gorder: Can’t you see that fire was set to get us out of the house?

Detective Davenport: Out of the hou… are you talking about the…

Cornelia van Gorder: Yes, yes, I’m talking about the Bat! Now that the lights are out, he’ll think his trick has worked, and we’ve gone, here’ll be here in a minute.

Detective Davenport: So will Lieutenant Anderson.

Cornelia van Gorder: I hope so but the Bat will be here first, and he’ll KILL AGAIN if we get in his way… we’ve got to be as clever as he is!

They wait in room, when the Bat comes creeping in door. The officer gets knocked out and the Bat is about to shoot the women, when he is shot in the back by someone…who?

What! Mark Wahlberg that's weird

It is Warner!!! He saved them!!! Yay, I liked him.

And we see the Bat was the Lt. after all. He did it so he could get his money back. The only question I have, was he the orginal murdering Bat? Or was that a persona he choose to throw suspicion off himself? I guess we won’t ever know.

TheEnd_Title_2

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Whoops! Almost forgot the banner/facebook cover/mini poster:

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To start Horrorfest IV from the beginning, go to You Cannot Conquer It. It Has Conquered You!: Dr. Jekyll and Mr. Hyde (1931)

For the previous post, go to We’re Mad Scientists. We’re Monsters: Avengers, Age of Ultron (2015)

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For more on Vincent Price, go to Murder is My Favorite Crime: Laura (1944)

For more on the 50 Greatest Horror Classics Collection, go to She Cries in the Night: The Screaming Skull (1958)

For more films based on plays, go to I Do Think You Are Confused, Mrs. Bowman: Dangerous Crossing (1953)