I Survived!

HorrorFilm

 

I survived, did you?

So this year’s Horrorfest was very, very different. After last year’s issues, I started writing this in May. This was the first time I have ever fully planned out a Horrorfest, as I had all the films picked and almost all finished by September.

So for the past two years, you have heard me say how I haven’t been able to complete all of Universal’s Classic Monster Films. Well I finally did it.  Wooot!!!

the wolf man

Once I wrote that post, I was so excited. You see, I felt I really couldn’t do a post on any werewolf films until I had covered the first one. I thought it was only right to start with the original. With that done, I could move onto any other werewolf film I desired. And I did. I decided to end Horrorfest with The Wolfman (2010). But then I decided to take it one step further. About every five episodes has a werewolf in it. It was a howling good time.

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I also decided to do When a Stranger Calls, because of the phone harassment I had experienced. I took this one step further by doing  all four of the Scream films, along with the Alfred Hitchcock film Dial “M” for Murder.

when-a-stranger-calls

Speaking of Alfred Hitchcock, after hearing me complain for two years about trying to review one of his films, I have reviewed not one, not two, but three Alfred Hitchcock films. I was only planning on doing Under Capricorn, because I was planning on talking about Samson Flunky for St. Patrick’s Day 2015. I ended up doing Shadow of a Doubt as it just entered my mind and Dial “M” for Murder. Still haven’t gotten around to Psycho. Well, there’s always next year.

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So every year I mention wanting to do  Vincent Price films; like House on Haunted Hill. The Tomb of Ligeia, The Pit and the Pendulum, etc. I didn’t get around to any of those famous Vincent Price films, but I did do a film with him in it. I went over Laura (1944), which is when he is really young.

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So I hope you all enjoyed it! I did. But then everyday to me is October.

EverydayHalloweenHorrorfanOctober

 

So I usually put in a poll to see what you all you like, but I decided that I don’t care. I liked them all. Instead I’m just going to list them below for some of you who might have missed them.

Even a Man Pure of Heart: The Wolf Man (1941)

It’s Coming From Inside the House: When A Stranger Calls (2006)

In Their Proper Place: Metropolis (1927)

What’s Your Favorite Scary Movie?: Scream (1996)

I’ll Be Back: The Terminator (1984)

Let Them Fight: Godzilla (2014)

Unleash the Savage Instincts that Lie Hidden Within: I Was A Teenage Werewolf (1957)

What is This Thing?: Phantoms (1998)

Only A Woman: Queen of Outer Space (1958)

Happily Ever Aftermath: Grimm (2012)

It’s Happening Again, Isn’t It?: Scream 2 (1997)

You Think You Know Something, Don’t You?: Shadow of a Doubt (1943)

You Will Die in Seven Days: The Ring (2002)

Keep Clear Of the Moor. Beware the Moon: An American Werewolf in London (1981)

I Was Here For A Moment. And Then I Was Gone: The Lovely Bones (2009)

Part X: The Movie List That Would Not Die

Tuesday the 17th: Psych (2009)

All I Know About Trilogies is That in the Third One, All Bets are Off: Scream 3 (2000)

Who’s Afraid of Cory Wolf: Boy Meets World (1994)

But the Book, It Will Never Close…: Along Came a Spider (2001)

Every Time I Bring a Girl Over, You Try to Eat Her!: Vampires Suck (2010)

Murder is My Favorite Crime: Laura (1944)

Monster Movie: Supernatural (2008)

You’re Gonna Need a Bigger Boat: Jaws (1975)

Don’t F*** With the Original: Scre4m (2011)

Werewolves Roam Among Us: Alvin and the Chipmunks Meet the Wolfman (2000)

The Past of a Man: Under Capricorn (1949)

There’s Nothing Out There. Nothing in the Mist: The Mist (2007)

What Have We Done to Each Other?: Gone Girl (2014)

The Perfect Murder: Dial “M” for Murder (1954)

Beast or Man: The Wolfman (2010)

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Monster Movie: Supernatural (2008)

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“All three monsters – the Dracula, Wolf Man, and the Mummy – all the same critter, which means we need to catch this freak before he “Creature from the Black Lagoon’s” somebody.”

So I know that I have had quite a few TV episodes this October. I know that I went a little overboard, but I wanted to include this anyway. You see I have been wanting to review this episode for a while, but felt that I couldn’t do it until I had reviewed the original The Wolf Man film. As I finally did it this October, it allowed me to finally be able to talk about this episode. This is my all-time favorite episode because it has what I love! Monster Movies!!

Universal Monster Movie Horror

Yep it parodies a series of Classic Horror Films: Dracula (1931)The Mummy (1932), Wolf Man (1941)In fact to further the homage to classic horror film, they even filmed the whole thing in black and white!

love it

So Supernatural is a show that like Grimm, every episode could be done for Horrorfest. The show consists of two hunter brothers, Dean and Sam Winchester, who travel all over the U.S. hunting ghosts, demons, vampires, werewolves, etc. As the seasons progress they get more focused on the battle between angels and demons and stopping the end of the world. It’s an awesome show.

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So this episode takes place in season 4. There have been a lot of angst and sadness

Supernatural

(I won’t go into detail in case you haven’t watched it and want to) and the two brothers have finally been reunited.

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So Dean and San are driving into Pennsylvania on the trail of vampires. Sam is worried about the apocalypse, but Dean convinces him to stop off at an Oktoberfest to relax a bit. They find the Sheriff and introduce themselves as Agent Angus and Agent Young (homage to Angus Young of AC/DC).

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There they are told to speak to the witness Ed Brewer, but the Sheriff doesn’t put much stock in his testimony. They run into the very beautiful waitress Jaimie, who points them toward Ed. There Ed describes the Vampire as being the one out of the 1931 Dracula film.

SayWhat?

Yep, Dean and Sam are shocked, but Ed insists that it is true. The guy looked just like Bela Lugosi’s Dracula.

Dracula

In fact the vampire even uses the Transylvanian accent.

Sam and Dean confer and determine that it is probably a twilight-esque fan and that it isn’t really strange enough for them to stick around.

The night however, things change.

dun-dun-duuuun

A couple is making out in a car when a werewolf comes upon them and attacks.

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The next day, Sam and Dean talk to the girl who survived the attack, Anne-Marie, and discover that the killer looked just like Lon Chaney Jr. in the 1941 Wolf Man film.

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The sheriff also finds wolf hair on the dead body. Sam and Dean are confused as real werewolves don’t have wolf hair.

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That night a guard discovered an Egyptian sarcophagus at the docks. As the guard is about to call to figure out what is going on, the mummy rises from its grave.

Monster Movie Supernatural Mummy

The Mummy attacks the guard, strangling him.

The Winchesters go down to investigate and try and figure out what is going on. There they discover the sarcophagus is actually a movie prop that has been laced with dry ice. Dean leaves Sam to figure out a theory, while he heads down to meet up with Jamie for their date.

Meanwhile, Jamie has been waiting for a while and decides that Dean is most likely standing her up. She starts to walk home, when she runs into Dracula.

Blood!

Blood!

He calls her his reincarted love, and tries to kidnap her, but Jamie sprays him with pepper spray and then runs away…right into Dean. Dean gets a punch into Dracula

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But then finds himself overpowered by the vampire

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The vampire calls him “Harker” (reference to Jonathan Harker the fiancé of Mina [the woman Dracula tries to take]). Dracula tries to bite Dean, but he rips his ear off and a medallion. With his ear gone, Dracula runs away and jumps on his scooter.

Say What

Nope you heard my correctly

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Back at the bar, Dean shows Sam the ear and medallion.

“Dean Winchester: I, uh, pulled it off during the fight. Look at the label on the ribbon.

Sam Winchester: It’s a costume rental.

Dean Winchester: All three monsters – the Dracula, Wolf Man, and the Mummy – all the same critter, which means we need to catch this freak before he “Creature from the Black Lagoon‘s” somebody.”

They determine that they are dealing with a shapeshifter obsessed with classic film. Now if you have been reading my posts posts, such as Phantom of the MegaplexScream, and An American Werewolf in London, you know probably realize another reason why I love this episode. Yep, I can relate to the shapeshifter. I love classic film (especially horror) and I can completely understand him.

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Anyways, so Sam, being the scholar, recognizes the name Harker and figures that the shapeshifter is trying to recreate the 1931 film, Dean being Jonathan and Jamie being Mina. I guess that makes Sam, Van Helsing.

Count Dracula: Van Helsing.  [Van Helsing turns to face Count Dracula]  Count Dracula: Now that you have learned what you have learned, it would be well for you to return to your own country.  Van Helsing: I prefer to remain and protect those whom you would destroy.  Count Dracula: You are too late. My blood now flows through her veins. She will live through the centuries to come, as I have lived.  Van Helsing: Should you escape us, Dracula. We know how to save Miss Mina's soul if not her life.  Count Dracula: If she dies by day. But I shall see that she dies by night.  Van Helsing: And I will have Carfax Abbey torn down, stone by stone, excavated a mile around. I will find your earth-box and drive that stake through your heart.  Count Dracula: Come here.  [Dracula raises his hand to hypnotise Van Helsing]  Count Dracula: Come here...Your will is strong, Van Helsing.  [Van Helsing reaches out for his crucifix as Dracula looms toward him]  Count Dracula: More wolfbane?  Van Helsing: More effective than wolfbane, Count.  Count Dracula: Indeed.  [Dracula lunges towards Van Helsing. Van Helsing holds up the crucifix. Dracula snarls and turns away. Van Helsing, in triumph, puts away the crucifix]

The two figure that it must be someone who knows Jamie and is obsessed with her. When they question her, Jamie can’t think of a person who is strange or crazy. Lucy, her best friend and coworker, mentions that Ed recentlly moved to town and is the projectionist for the old theater. Plus he has a crush on Jamie.

suspicious

HIghly suspicious

Sam goes to investigate while Dean stays with Jamie. The two are drinking beer and having a deep conversation, when Lucy interrupts. She is on her way out the door, but Jamie invites her to stay and have a drink with them.

Back on the case, Sam has gone into the old theater and discovers Ed playing the pipe organ.

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He pulls on Ed’s ear, but find it fast in place.

“Sam Winchester: [tries to tear out Ed’s ear] It’s supposed to come off.

Ed Brewer: No, it’s not!”

OMG

This means Ed is not the shapeshifter!!! But if he isn’t…who is?

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Back at the bar, Dean and Jaimie are getting groggy and falling asleep. Dean punches Lucy in the face, and discovers that Lucy is not “Lucy” but the shapeshifter.

AAAAAAAAHHH!!!!!!!!!!!!!!!

AAAAAAAAHHH!!!!!!!!!!!!!!!

And she has drugged the two of them. Dean tries to hold on, but faints.

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Dean wakes up and finds himself in lederhosen.

Noooooooooo!!!!!!!

Noooooooooo!!!!!!!

In a Frankenstein-esque dungeon.

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Now I really like what Dracula has to say here. It’s so poetic. “Life is small, meager, messy. The movies are grand, simple, elegant. I have chosen elegance.”, it’s very Movie Mason from The Phantom of the Megaplex.

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Anyways, Dracula is about to electrocute Dean and have a “movie” where the monster wins, when something interrupts him. The doorbell rings and the pizza delivery guy is there.

Pizza Delivery Guy: Uh, pizza delivery?

Dracula: Ah, you have brought a repast. Excellent. Continue to be of such service, and your life will be spared.

Pizza Delivery Guy: Uh-huh. That’ll be $15.50.

Dracula: Tell me…

Pizza Delivery Guy: Yeah?

Dracula: Is there garlic on this pizza?

Pizza Delivery Guy: I don’t know. Did you order garlic?

Dracula: No!

Pizza Delivery Guy: Then no. Look, mister, I’ve got four other deliveries to make. You want to just pay me the money so I can go?

Dracula: Of course. Yes. But I have a coupon.

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And why not take a pizza break? Pizza is awesome.

I love Pizza

I love Pizza

So now that Dracula has food for later, he prepares to finish Harker/Dean, but is interrupted by Jamie waking up.

Meanwhile back at the bar, Sam has figured out that with Jamie and Dean missing it must be Lucy. He sets out for her house.

Back in the dungeon, Dracula wants Jamie to dress in the gown he bought her and eat pizza with him.

Just like the Mummy, trying to dress his "reincarnated bride" in his old love's clothes.

Just like the Mummy, trying to dress his “reincarnated bride” in his old love’s clothes.

Jamie is really freaked out as she has been drugged, was betryed by her best friend (as Dracula was pretending to be “Lucy”) and is stuck with a killer. Dracula tries to apologize and tells Jamie his backstory. He was called a monster from the beginning of his life and beat by his father. He found solace in monster movies, and achieves strength and confidence when taking their form.

This part actually reminded me a lot of The Phantom of the Opera. Here is a man who is disfigured and mistreated because of it. He knows only how to hate as he has been so mistreated. It makes you wonder how things might have been different if one person had loved him.

one word kind change day

While Dracula is reminiscing, unbeknownst to him Sam has slipped into the house and is skulking around the dungeon. Dracula knocks Jamie out and turns his attention to Sam and the freed Dean. They start fighting, with Sam being thrown through a fake door. Dean and Dracula are struggling to get the gun with silver bullets along with trying to knock the other out. Dean tries a groin attack and move for the gun, but Dracula throws him back. Before he can do anything else, Jamie, who has just woken up, grabs the gun and shoots him.

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With Dracula conceding, that maybe this is how the “film” should end.

The next day Dean says good-bye to Jamie. The two brothers agree that’s it was nice doing some old-fashioned monster hunting, rather than the angels & demons stuff. They discuss what film they would want to live in as the episode ends.

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To start Horrorfest III from the beginning, go to Even a Man Pure of Heart

For the previous post, go to Murder is My Favorite Crime

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For more on Supernatural, go to Keep Clear of the Moor. Beware the Moon

For more on Dean Winchester, go to I’m Batman!

For more on Sam Winchester, go to You Can’t Have Just One!

For more horror parody, go to Who’s Afraid of Cory Wolf?

For more on Dracula, go to I Bid You Welcome

For more on The Mummy, go to Part X: The Movie List That Would Not Die

For more on The Wolf Man, go to Unleash the Savage Instincts that Lie Hidden Within

For more monster movies, go to What Is This Thing?

For more on Phantom of the Megaplex, go to Friday Night Fun

For more on recreating a scene, go to Carried Away

For more on pizza, go to Food, Food, Food

Even a Man Pure of Heart: The Wolf Man (1941)

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“Even a man who is pure in heart and says his prayers by night, may become a wolf when the wolfbane blooms and the autumn moon is bright.” 

This is such an amazing film as the story is excellent, the acting superb (Lon Chaney Jr. + Claude Rains). It is also a member of Universal’s Classic Monster Movie Collection, its buddies being The Phantom of the OperaFrankenstein,  The Bride of FrankensteinThe MummyDracula, The Creature from the Black Lagoon, etc. And this post means that I have finally, finally finished the list I set out to complete two years ago.

But what really makes this a spectacular film is that many of the modern myths of werewolves were originated in this film: such as a person becoming a werewolf through a bite; the only way to kill a werewolf is with a silver bullet; and changing into one during a full moon. These are all original concepts created by writer Curt Siodmak. Isn’t that amazing! Like The Mummy and The Creature from the Black Lagoon this film isn’t based on a book or any specific resource, which allowed the writers a lot of leeway in their work and creations.

So this isn’t the first werewolf film, as that was The Werewolf of London, which actually did rather poorly in theaters. This was the second werewolf horror film to be made and become the most famous. All the later depictions such as: The Howling, An American Werewolf in London, I Was a Teenage Werewolf, Van Helsing, The Wolfman (2010), etc.looked to it in creating their stories.

So the film was originally written for Boris Karloff, but he turned it down. And although I love that man [read my The Mummy (1932), Frankensteinor The Bride of Frankenstein post] I can’t imagine this film being as amazing with him as the title role. Lon Chaney Jr. was just superb. Lon Chaney Jr, was the son of the famous Lon Chaney (who I talk about in my Phantom of the Opera post) and interestingly the set that was used to film this movie was the same used for The Hunchback of Notre Dame (1923) which starred Lon Chaney Jr.’s  father, Lon Chaney.

Unlike other films, The Wolf Man is the only Universal monster to be played by the same actor in all his 1940s film appearances; Frankenstein Meets the Wolf Man (1943), House of Frankenstein (1944), House of Dracula (1945), and  Abbott and Costello Meet Frankenstein (1948).

Now I love this movie and story but it is soooo sad as well. Here is a wonderful man pure of heart, who has the unfortunate luck of being bitten by a werewolf and can’t do anything to stop it. Unlike modern movies where the person can control it, change at will, etc; in the original when the man transformed into a wolf he literally transformed into becoming a beast and losing all his humanistic thought, reasoning, etc.

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So the film starts out with Lon Chaney Jr. as Lawrence Talbot returning home.

Look at this sweetheart

Look at this sweetheart

His older brother has died, and as he is the second son he will now inherit everything–money, title, family home, etc. More importantly, after the realization that his brother is no longer, Lawrence AKA Larry, is eager to rebuild his relationship with his father. They had previously parted on not the best terms (he wanted to be an engineer his father wanted him to be something else. He decided to run away to California, against his father’s wishes).

Larry reacquaints himself with the village, taking a deep interest in a particular shopkeeper, Gwen Conliffe, who is unfortunately engaged. However, she is equally interested and as Larry buys a silver-wolf handled cane the two make a date to meet up later that night and visit the gypsies that are camping nearby.

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  That night Larry meets up with Gwen and her friend Jenny. The three make off to the gypsies passing some wolfsbane along the way. Both girls repeat the old gypsy folklore about wolfsbane:

Even a man who is pure in heart

and says his prayers by night

may become a wolf when the wolfsbane blooms

and the autumn moon is bright

Now what is really interesting about this old piece of folklore is that it isn’t that old. This quote has been thought to be an Eastern European folk saying, but Siodmak admits that he was the one who made it up. Even though that might be true, it went  down in film history becoming a part of almost every future Werewolf film and recited in every future Universal film appearance of the Wolf Man. [It is quoted by Van Helsing, but one of the lines was changed to “The moon is shining bright” instead of “The autumn moon is bright“]

Meanwhile, in the gypsy camp one of them has a terrible secret. Bela, played by Bela Lugosi, is actually a werewolf and hiding it from everyone.

Mal_huh Whoa Wow

When the group gets to the gypsy camp and have their fortunes read, Bela sees the pentagram on Jenny’s hand and knows that she’s next for death.

Ahhh!

Ahhh!

 

Bela runs off and the trio start walking home. Soon Jenny is attacked by a wolf and Larry tries to save her. He wrestles with the wolf and kills it by braining it with his cane. (It being silver can kill it) Unfortunately, he couldn’t save Jenny and during the battle, he ended up getting bit…

dun-dun-duuuun

Making him the next werewolf.

AAAAAAAAHHH!!!!!!!!!!!!!!!

AAAAAAAAHHH!!!!!!!!!!!!!!!

The next day the constable comes to visit, causing Larry to second guess himself as they found a dead Bela instead of a wolf!

Say What

They found Bela beat in the head, and Larry’s silver cane matches perfectly as the weapon.

Col. Paul Montford, chief constable: [showing Larry’s stick to him] Is this your walking stick?

Larry Talbot: Why, yes. That’s the stick I killed the wolf with.

[Sir John Talbot and Col. Montford look at Larry with great concern]

Sir John Talbot: Larry, Bela the gypsy was killed last night. Your walking stick was found next to the body.

Larry Talbot: You mean, Bela the fortune teller? But… I only saw a wolf.

Larry is completely confused as he knows that it was a wolf. And how does that explain the murder of Jenny? Which was done by a wolf? The constable tells him he is still investigating as he really doesn’t want to arrest the Lord’s son, especially since there are so many questions. He ultimately deems the incident an accident.

Larry on the other hand is extremely puzzled. Could he have killed Bela? But he saw a wolf he was bit by one. Except the mark can not be found!

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Larry needs answers and decides he will go see the Gypsy woman and not only apologize for her son’s death but ask her what is going on! Gwen and her fiancé Frank go with him.

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The gypsy woman, Maleva reveals that he did kill a wolf–a werewolf. Her son Bela was a werewolf and the only thing that could kill him was silver, silver like the silver on his cane.

Maleva: You killed the wolf.

Larry Talbot: Well, there’s no crime in that is there?

Maleva: The wolf was Bela.

Larry Talbot: You think I don’t know the difference between a wolf and a man?

Maleva: Bela turned into a wolf and you killed him. A werewolf can only be killed by a silver bullet, or a silver knife…[looks down at Larry’s walking stick]…or a stick with a silver handle.

Larry Talbot: You’re insane! I tell you, I killed a wolf! A PLAIN, ORDINARY WOLF!!!

Maleva: Whoever is bitten by a werewolf and lives becomes a werewolf himself.

Larry Talbot: Ah, don’t hand me that. You’re just wasting your time.

Maleva: The wolf bit you, didn’t he?

Larry Talbot: Yeah. Yeah he did!

Maleva: [Larry shows Maleva his chest wound concealed under his shirt] Go now – and heaven help you!”

 

Larry of course doesn’t believe her and leaves. That night he transforms into the WEREWOLF!!!!!!!!!!!!!!!!

Now the transformation was laborious. The makeup took six hours and was the design by  Jack Pierce  for Henry Hull in Werewolf of London Hull had rejected it as he didn’t like how long the process would be to apply it. Chaney Jr. claimed he had to sit motionless for hours as the scenes were shot frame by frame. Pierce used grease paint, a rubber snout, wigs, and glued layers of yak hair to Chaney Jr.’s face. Larry’s dissolve transformation on screen only took seconds, while in actuality it took almost ten hours as they had to keep reapplying layers for the changing fur.

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That night the Wolf Man attacks a grave-digger, Richardson.

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The constable and the Doctor finds his ravaged body and wolf tracks.

Meanwhile, Larry finds himself in bed with wolf tracks all around and has finally decided that the gypsy women must be telling him the truth. He talks to his father who just thinks that he is in shock and doesn’t take any of the “werewolf nonsense” seriously. He even calls the doctor who deems it just a mild form of hysteria.

The Constable and doctor prepare the woods to catch the wolf so that it doesn’t kill another person. The nigh as Larry as the Wolf Man  steps in one of the traps and gets caught. Luckily the Gypsy woman frees him, as she had  felt sorry for his predicament.

Larry transforms back into a human and asks the Gypsy woman and for help. She gives him a charm that will protect him from turning into a werewolf and warns him not to give the charm to ANYONE ELSE AS IT WON’T WORK FOR ANYONE ELSE!

the_wolf_man_1941_larry_is_talking_to_gwen

He then runs off to see Gwen to tell her that he is leaving. He knows he has killed the others and doesn’t want to hurt anyone else.

“Larry Talbot: You wouldn’t wanna run away with a murderer wouldja?

Gwen Conliffe: Oh Larry, you’re not. You know you’re not.

Larry Talbot: I killed Bela. I killed Richardson. If I stay here any longer, you can’t tell who’ll be next.”

Gwen tries to get him to take her with him as she loves him, but Larry sees the mark of the pentagram on her hand and tells her he can’t. Instead he gives her the charm. YES THE CHARM  THAT IS ONLY SUPPOSED TO PROTECT HIM! Really Larry? REALLY??????!!!!!!

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YOU ARE MAKING THE  SAME FREAKIN’ MISTAKE THAT EVERY OTHER MONSTER FILM HERO DOES!

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DID YOU NOT HEAR THE WOMAN EARLIER? SHE SAID IT WILL WORK ONLY FOR YOU! ONLY FOR YOU!! ONLY YOU!!! YOU KEEP IT! What’s the point of going to a gypsy for help if you ARE NOT GOING TO LISTEN????!!!!!!! I mean this is such a classic mistake made by these men in these horror films. In Dracula, he gives the girl the cross charm that is supposed to protect only him, and then gets knocked out and is unable to keep her from being kidnapped. In The Mummy, he gives the girl the charm that is only supposed to protect him, and it doesn’t work for her. Instead Imohtep knocks him out and takes the girl anyway. MORAL OF THESE STORIES, KEEP THE DANG CHARM!!! DON’T GIVE IT AWAY!!! Alright! So if any of you are given a protective charm you freakin’ keep it!!! YOU HEAR ME????!!!!

And now that I got that little rant out of my system, let’s get back to the story.

So Larry goes to see his father and asks him to lock him up; tie him up in a chair, lock the door, etc and to go far, far, away as he doesn’t want him to be hurt. He also gives his father his silver cane as he knows that it will protect him.

Now this is why I hate modern interpretations of werewolves, except for The Wolfman (2010), as they never capture this aspect of the story. Here is a good man who has become evil, but he doesn’t want to be evil. It wasn’t like Dr. Jekyll and Mr. Hyde in which Dr. Jekyll made a choice, or even The Phantom of the Opera where he suffered such horrible things and had a complete snap and broke down. This was a good man who wanted to fix bad things in his life but the timing was off and he too is caught up in the evil. Modern interpretations also never cover the heartbreaking scene as this with his dad. He knows he can’t control the evil and the last thing he does is try to protect the ones he loves, first Gwen and then his father. The most emotional is the scene with his father, as here is a man he has been fighting with, had a horrible relationship, but you see in this moment how much love he has for his father. He gives him the cane as he wants his father to be safe, no matter what. And you see how much his father loves him by taking the cane, even though he thinks Larry is delusional.

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Gwen is worried about Larry and goes looking for him, running into the woods even though the Gypsy warns her not to. I mean seriously, why don’t we listen to the Gypsies? They are gypsies, they know stuff.

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So Gwen runs out and into Larry, who has escaped from his room. But instead of the sweet, adorable, loving Larry we are confronted by the horrible beast.

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But before the werewolf can do anything, Sir John comes and hits him with the cane, killing him.

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The constable and doctor presume that Larry was killed trying to save Gwen, but Sir John knows the truth and now is left alone and has to bury his other son.

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Maleva: The way you walked was thorny though no fault of your own, but as the rain enters the soil, the river enters the sea, so tears run to a predestined end. Now you will have peace for eternity.”

right in the feels broken heart

Yep. I have to say that this is one of my all-time favorite horror films. Although it makes me want to cry every time. 

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So that was our kick-off piece. Stay tuned for many more wonderful pieces to come!

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For more on The Wolf Man (1941), go to Pink Elephants

For more on werewolves, go to A Halloween Hello from the Austen Men

For more monster movies, go to They’re Coming to Get You Barbara

For more on Claude Rains, go to Universal’s Classic Monster Movies

For more on Bela Lugosi, go to I Bid You Welcome

For more films that spanned countless sequels and remakes, go to Everyones Entitled to One Good Scare

Candy, Candy, Candy!

CANDY!

CANDY!

So this year we went Trick or Treating and then to a haunted house. We didn’t spend as much time getting candy but we still had a pretty good haul.

3 Double Bubble Gum, 2 Packets of Swedish Fish, 2 Whopper packs, 2 Three Musketeer Bars, 2 Boxes of Nerds, 2 Crunch Bars, 3 Butterfingers, 2 Packs of Gobstoppers, 9 Sweettarts Packs, 6 Snickers, 1 Snicker Almond Bar, 4 Milky Way Bars, 1 Pack of Bottle Caps, 2 Baby Ruth Bars, 2 Jolly Rancher Pops, 7 Hershey Kisses, 7 Tootsie Roll Pops, 4 Kit Kat Bars, 5 Reese’s Cups, 1 Tiger Pop, 1 Blow Pop, 1 Dum Dum, 6 Packs of Chocolate M&Ms, 2 Packs of Peanut M&Ms, 1 Pack of Peanut Butter M&Ms, 1 Twizzler, 5 Laffy Taffys, 1 Box of Milk Duds, and 1 Pack of Fruit Snacks.

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So like last time, I just want to do a little poll and see what posts you all enjoyed this year so I can make it even better next year. Sadly, I didn’t get to finish everything I wanted to complete from last year. I planned to finish the posts for all the Universal Monster Movies ;  but only got to The Mummy and The Creature from the Black Lagoon, The Wolfman will have to wait ’till next year. I also really wanted to do posts on Alfred Hitchcock’s movies, like The Birds, Psycho, Rebecca, and Strangers on a Train; but also wasn’t able to get to them. I really, really, really wanted to do Vincent Price films; like House on Haunted Hill. The Tomb of Ligeia, The Pit and the Pendulum, but those didn’t get a chance either. 😦

I’d like to know which were your faves are so vote, vote, vote! If you are unsure which to pick then why don’t you pop over and start at the beginning. Also I’d like to know what you wish I had posted on. Just leave a comment at the bottom of the page! :D

Eternal Punishment for Anyone Who Opens This Casket: The Mummy (1932)

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“Eternal punishment… for… anyone… who… opens… this… casket. In the name… of Amon-Ra… the king of the gods.”

I LOVE this film!!!! It is a classic horror/B film that stars the amazing, wonderful, absolutely fabulous Boris Karloff! That man was a genius and can do creepy so well. Just check out FrankensteinAnyway The Mummy is a member of Universal’s Classic Horror collection; a collection that also houses The Phantom of the Opera, Frankenstein,  The Bride of FrankensteinDracula, The Creature from the Black Lagoon, The Wolf Man, etc.

I love this movie so much that last year I made my own poster for my cover page on facebook. Here it is, hope you like it.

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So The Mummy has become such a huge part of our culture. It has been in so many other films and TV series; such as Scooby-Doo and the Ghoul SchoolScooby-Doo and the Reluctant WerewolfGet Smart: The MummyLaverne & Shirley: The Mummy’s BrideTransylvania 6-5000DuckTales: Ducky Horror Picture ShowSupernatural: Monster Movie, Frankenweenie, etc

It also has had countless remakes such as The Mummy’s Hand (1940), The Mummy’s Tomb (1942), The Mummy’s Ghost(1944),  The Mummy’s Curse (1944),  Abbott and Costello Meet the Mummy, The Mummy (1959), The Curse of the Mummy’s Tomb (1964), The Mummy’s Shroud (1966),  Blood from the Mummy’s Tomb (1971), The Mummy’s Revenge (1973), The Mummy Lives (1993),  The Mummy (1999), The Mummy Returns (2001)The Mummy: Tomb of the Dragon Emperor (2008), and the animated series The Mummy

What’s funny is that The Mummy started out as something completely different. It was originally going to be called “Cagliostro“, based on a “prophet”/charlatan who claimed that he had lived for several centuries. It was changed with the discovery of King Tut‘s tomb and the controversy over “his curse”.  It is the only one of the Universal Classic Horror Collection that is not based off of legend, myth, or classical fiction; but was created all on its own. Interestingly enough, this film is very similar to Dracula, as the writers and directors who worked on that worked on this as well.

Previous to Frankenstein Karloff was unknown, but by this time Karloff was such a huge name that all they had to do was advertise “KARLOFF is THE MUMMY!”

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So the film begins with Sir Joseph Wemple leading an archeological expedition in Egypt. He and his crew strike it rich finding a mummy and all his belongings.

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However, this mummy, has a curse placed upon him.

“Sir Joseph Whemple: [translating inscription on box] “Death… eternal punishment… for… anyone… who… opens… this… casket. In the name… of Amon-Ra… the king of the gods.” Good heavens, what a terrible curse!”

Not only that but

“Doctor Muller: Look – the sacred spells which protect the soul in its journey to the underworld have been chipped off the coffin. So Imhotep was sentenced to death not only in this world, but in the next.”

Sir Joseph’s best friend, Doctor Muller, warns him to stay away from the mummy, that only bad things will come of it, but Sir Joseph can’t, he just has to continue to examine the body all in the name of science. Doctor Muller is very much a Van Helsing type character, expressed more so as the film continues.

Sir Joseph manages to find the scroll of Thoth that brings the dead back to life, and his assistant, Ralph Norton, can’t help but read it.

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He reads it in front of the Mummy and brings him to life!!!!!

AAAAAAAAAAAAAAAAAAAAAAAHHHHH!!!!!!!!!!!!!!!

AAAAAAAAAAAAAAAAAAAAAAAHHHHH!!!!!!!!!!!!!!!

Isn’t Karloff gruesome? What a great costume!

I can’t really blame Norton, as I would do the same thing if I could see Boris Karloff. 😀

This is so me.

This is so me.

We are then fast-forwarded ten years to the present, 1932. Sir Joseph’s son is also an archeologist, but unfortunately his digging crew has come up with nothing so far. Frank Whemple, Sir Joseph’s son, is the only Whemple left in Egypt, as after his father discovered his crazed assistant, Sir Joseph packed up and returned to England, determined to never come to Egypt again. Frank is about to follow his father when he is approached by a modern Egyptian Aderth Bay [they used this name for the leader of the Maji in The Mummy (1999)]. 

Look familiar?

Look familiar?

Yep Ardeth Bay is really the Mummy. He gives Frank a map to finding a site “greater than Tutankhamun’s”, his reasons for sharing being that Egyptians are not allowed to dig up their own land but can only do it through foriegners.

Karloff’s makeup was based on the appearance of Ramses III; and had to go through eight hours of makeup application. Karloff speaks in a stilted voice that only adds to his mummy persona, but this was due to the fact that so many layers of cotton were glued to his face to create the wrinkled skin that Karloff was unable to move his facial muscles enough even to speak.

Even though I am referring him to as the Mummy, his real name is Imhotep. Imhotep is the high priest and they named him after the orginal high priest who designed the stepped pryamid of Djoser in 2630–2611 BCE, the first pryamid ever created in ancient times. That Imhotep wasn’t sentenced cruely but actually so honored he was declared a god.

Anyways, back to the film. They dig and find the remains of Ankh-es-en-Amon, the princess.

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Later Frank attends a ball in which he spots the beautiful Helen Grosvenor, played by Zita Johann.

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Helen is biracial, her mother was Egyptian while her father was British (the Evie character in the 1999 version). Her father is in charge of the Sudan, but Helen didn’t want to go and is staying with Dr. Muller. She is very nostalgic and easily lost in  the mystery and mysticism of ancient Egypt.

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Imhotep prepare a ceremony t0 help him discover who his beloved Ankh-es-en-Amon’s reincarnated body is. You see back in the day, Imhotep was mummified after trying to resurrect his forbidden lover, the princess Ankh-es-en-Amon. Ever since he was revived he has been trying to find ways to bring her back. But first he needs her reincarnated form as they are “linked” to put Ankh-es-en-Amon’s full spirit in.

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This reincarnated body is Helen Grosvenor who looks just like Ankh-es-en-Amon.

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Imhotep calls to her, and she answers. In a zombie like trance she gets a cab and goes to the museum. She tries to get in, but it is locked for the night. Frank finds her and tries to figure out how to help her when she faints. Frank picks her up and takes her to Dr. Muller’s.

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Helen wakes up and her and Frank form an Insta-connection. While they are busy oogling each other, Sir Joseph and Dr. Muller are trying to figure out how Ardeth Bay, Imhotep, and Helen are all connected. They also hear of a murder at the museum (Ardeth Bay killed a guard who discovered him) and find the remains of his ceremony.

Hmm...

Hmm…

Sir Joseph and Dr. Muller return and have connected all the dots. They try to bring Frank up to speed but he just thinks they are talking crazy.  Imhotep shows up as he knows that they hold his scroll needed for the ritual. When he arrives he finds Helen. He tries to remind her “who she is”, but she doesn’t remember. She does however have a bond with him, one she cannot explain. Dr. Muller tries to get her out of there, but she doesn’t want to go. However, Frank is able to convince her.

They too hold a bond

They too hold a bond

Dr. Muller, Sir Joseph, and Imhotep all have a confrontation, everyone letting each other know that they know who each is. They tell Imhotep that they are going to burn the scroll of Thoth that brings people back from the dead. Imhotep warns them to return the scroll to him or die.

Gilmore girls creep

That night Imhotep uses his magical pool to see Sir Joseph trying to burn the scroll.

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He doesn’t like that one bit and sends Sir Joe a heart attack. He then commands the servant, as he has the power to command all those with Egyptian blood, to burn some other paper and bring him the scroll.

The next day Dr. Miller gives Frank an Isis charm that will protect him. But he warns him not to give the charm to ANYONE ELSE IT WON’T WORK FOR ANYONE ELSE!

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That day Imhotep calls to Helen and she goes to him. He shows her the past in his wishing pool.

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He was punished for messing with fate that wasn’t his to mess with.

When Helen goes home, Frank is there waiting having been extremely worried about her. Helen goes through a range of emotions as her two sides are fighting with each other. Dr. Muller puts her under house arrest/house care. She acts very much like Mina after Dracula has bit her.

They keep looking for Imhotep but can’t find him. They ask Helen to answer the next time he calls so they can find him and kill him.

Frank waits outside Helen’s door and decides to help her by placing his Isis charm around the doorknob to keep Imhotep out.

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DID YOU NOT HEAR THE MAN EARLIER?

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HE SAID IT WILL WORK ONLY FOR YOU! YOU KEEP IT! I mean this is such a classic mistake made by these men in these horror films. In Dracula, he just has to give the girl the cross charm that is supposed to protect only him, and then gets knocked out and is unable to keep her from being kidnapped. In The Wolf Man, he gives the girl the charm to protect him, and it doesn’t work for her. Instead he manifests into being a werewolf and almost kills her. MORAL OF THESE STORIES, KEEP THE DANG CHARM!!! DON’T GIVE IT AWAY!!!

Imhotep knocks out Frank and kidnaps Helen, taking her away to the museum to complete the ritual.

Boris Karloff and Zita Johann in 'The Mummy'

However, Ankh-es-en-Amon doesn’t want to die and be transformed, she likes being alive. She also knows that she is someone else and wants to live that life as well.

Just as Frank and Dr. Miller storm in, Ankh-es-en-Amon calls upon Isis for help and protection.

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Isis comes to life and turns Imhotep into a pile of dust. Frank calls Helen back from the spirit world and the two live happily ever after.

I guess that's all

Click here to watch the full movie.

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So I took this quiz to see what classic monster I am. I totally thought I would get The Phantom of the Opera, but instead I got the Mummy.

Go here to see who you are.

Go here to see who you are.

I have to say that some of that I agree with. The classic things are spot on as I’m sure any of you who have read my posts have realized that.

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To start Horrorfest II from the beginning, go to There Are Many Strange Legends in the Amazon: The Creature From The Black Lagoon (1954)

For the previous post, go to Say Something Human: Warm Bodies (2013)

 halloween bannerFor more Boris Karloff, go to It’s Alive, it’s ALIVE!: Frankenstein (1931)

For more Classic Horror Films, go to Feast Your Eyes On My Accursed Ugliness: The Phantom of the Opera (1925)

For more mummies, go to Grimwood Ghouls’ Gym Teacher: Scooby-Doo and the Ghoul School (1988)

There Are Many Strange Legends in the Amazon: The Creature From The Black Lagoon (1954)

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There are many strange legends in the Amazon. Even I, Lucas, have heard the legend of a man-fish

I LOVE this movie! ❤ It is one of my favorite B Horror films and Monster movies. It is a member of Universal’s Classic Monster Movie Collection, its buddies being The Phantom of the OperaFrankenstein,  The Bride of Frankenstein, The MummyDracula, The Wolfman, etc.

The producer of this film got the idea for the story from a  myth he was told about a half-fish and half-human race in the Amazon River. He wanted to go with a Beauty and the Beast type vibe, but having an ending that was more reminiscent of King Kong

Last October I created my own “poster” and changed my cover photo on facebook every day in honor of Halloween. This is it.

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Love it! ❤

So the film begins when a fossil of a skeletal hand with webbed fingers is found in the Amazon.

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Thinking this is the link between human evolution from sea to land Dr. Carl Maia goes to his former student Dr. David Reed to have him look into it.

From left to right Dr. David Reed (Richard Carlson), David's girfriend and collegue Kay Lawrence (Julie Adams), Dr. Mark Williams (Richard Denning), & Dr. Edwin Thompson (Whit Bissell)Moreno)

From left to right Dr. David Reed (Richard Carlson), David’s girfriend and collegue Kay Lawrence (Julie Adams), Dr. Mark Williams (Richard Denning), & Dr. Edwin Thompson (Whit Bissell)

David persuades his boss Dr. Mark Williams that they should look into it. It could mean fame, fortune, etc, the possibilities are endless for the ones who find out more.

That night we the viewer see a clawed, webbed, hand emerge from the inky black lagoon

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Followed by screams of terror. We know what that means. The diggers es muerte.

Meanwhile the scientists are blissfully unaware of what lies before them, they all go aboard the ship the Rita with a silly (comical relief) Captain Lucas.

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Now when I went to Universal Studios in May 2012, in the special effects show they had the boat Rita and picked a family to go on it and show how they would make it look as if the ship was moving down a river when it actually wasn’t. I wanted them to pick my family, but they said only families of four and there were only three of us there. 😥

Anyways, so as the group travels down the Amazon, problems arise. It turns out that David isn’t the only one who likes Kay. Mark has a thing for her as well, but Kay only has eyes for David.

Love Triangle!

Love Triangle!

When they arrive at the camp, they find the rest of Dr. Carl’s team dead, having been utterly clawed up. Everyone assumes that a jaguar did it, but Captain Lucas is pretty sure that something more sinister is afoot.

Meanwhile, Kay is off by herself roaming about. Seriously, in practically every horror film there is always that one character that decides they are going to be stupid and go off somwhere on their own and almost gets or does get killed. In Kay’s case she is pretty lucky. The creature notices her and we see his clawed hand come for her foot when she is called back by the others.

I really love how they don't show his face right away. That always adds to the effect of the horror film.

I really love how they don’t show his face right away. That always adds to the effect of the horror film.

The team isn’t able to find any remains that they thought they would, and Mark is very upset that they have nothing. He threatens to cut all funding, but David is able to convince him that they should go downriver and check the Black Lagoon where the river ends. David figures that cliffside where the hand was found probably eroded and went downstream. Lucas doesn’t like the idea of going  down into the Black Lagoon and neither does his crew. They have heard many, many, many stories about that place.

“Lucas: I can tell you something about this place. The boys around here call it ‘The Black Lagoon’; a paradise. Only they say nobody has ever come back to prove it.”

This part of the film always reminds me of King Kong. How all the crew members care for Kay, very similar to how they care for Ann.

Mark and David go diving and collect rocks. There we see that the tension between the two is more than just Kay. Mark is VERY ambitious and tends to take credit for others work. Kay talks David down and decides to go for a swim. Dun-Dun! Dun-Dun! Dun-dun-da-da! Dun-dun-dun-dun-dun-dun-dun, da-na-na!

THE CREATURE TRIES TO GRAB HER!

AAAAAAAAAAAAAAAAAAAAAAAHHHHH!!!!!!!!!!!!!!!

AAAAAAAAAAAAAAAAAAAAAAAHHHHH!!!!!!!!!!!!!!!

This is also the part where we are finally able to see what the creature looks like. He’s pretty creepy. The person who played him, Ricou Browning, was a professional diver and swimmer and played the Creature whenever he was underwater. The director said that since the Creature had gills, air bubbles couldn’t come out from his mouth or nose. Browning was required to hold his breath for up to 4 mins and his costume was designed without an air tank. Eeep! that’s pretty crazy! They things they did back in the day.

The Creature’s design was based on old 17th C woodcuts, the Sea Monk and the Sea Bishop.

That scene when Kay is swimming always makes me think of Jaws as well. I bet Steven Spielberg was influenced by it.

Kay gets called back before the creature can do anything, and everyone prepares to go out, but they are stopped by the monster. In a Finding Nemo-esque way, where he pulls on a net and messes with the ship. When they pull up the net they see a ginormous hole in it, and a claw.

David and Mark decide to go after it, Mark carrying a harpoon gun. David is against this as he wants to capture the monster alive so that they can study it. Mark thinks it is better to just destroy it and live.

Look at these Hunky men! :)

Look at these Hunky men! 🙂

The go swimming and see the creature. Mark tries to hit it with his gun, which angers David. When they return to the boat, they can hardly believe what they saw and ran into, trying to describe it to the others. Kay doesn’t find it too far fetched, reminding everyone that some fish can breathe air. Mark goes to print the pics David took with his underwater camera. To their disappointment, nothing can be seen at all. However, they don’t have to be disappointed long as the creature has come on board the ship!

IT'S BEHIND!!!!!

IT’S BEHIND!!!!!

They manage to fight him off, but they know they have to capture him or else he will kill them all. They try and drug the water and fish in hopes that he will eat them and knockout. That day and night they wait for him.

The creature manages to sneak on the ship.

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Kay’s screams alert the rest of the crew and they scare the creature away by using light. He is having trouble as the drugs are stating to affect him. David and Mark chase after him and discover his underground grotto. The creature manages to kill one more person before he passes out. They tie him up in a net and take him onto the boat. They lock him up in a cage, but that doesn’t hold him for long. Dr. Edwin tries to save Kay by thrusting himself in front of her as a shield, but the Creature attempts to strangle him. Kay throws a lantern on the creature and sets him on fire. Scaring the monster off.

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See fire is the way to go. It scares off Zombies, Frankenstein, the Wolfman, etc.

After this, David convinces everyone that they need to leave. They try, but as they are attempting to exit the lagoon, they discover a ton of felled trees block their way. Mark, being the guy he is, decides to go after the Creature and capture him. Of course now the Creature takes him down.

The Creature then jumps onto the boat and carries Kay away.

David goes after his lady love, taking Mark’s harpoon gun with him.

David and Kay get out, but the creature manages to follow them. They shoot him and he retreats floating in the water, but is he really dead? Or just recuperating?

NEVER SAY DIE!

NEVER SAY DIE!

Actually before the script was finished, plans had already been made to leave the Creature’s fate uncertain at the end of the picture, in order to leave an opening for a sequel. Which it had. Two of them, but neither was as good as the original deal.

The Creature has been such a huge thing in our culture. There was the parody Creature from the Haunted Sea (1961), has a part in The Munsters, makes an apperance in Scooby-Doo & the Ghoul School, makes an apperance in The Nightmare Before Christmas song “Town Meeting”, Lagoona Blue from Monster High is the daughter of the Creature, Gary Larson did a hilarious comic,  and Jenny Clack, from the University of Cambridge, discovered a fossil amphibian named it Eucritta melanolimnetes,  which means (literally) “the creature from the black lagoon”.

Click here to watch it free online.

Hope you enjoyed the first post of Horrorfest. 😀

I just found this pic online and thought you all would love it.

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So this artist José Rodolfo Loaiza Ontiveros did a series of disney mash-ups, my favs being the horror films. To see more go to Disnified Horror.

Finally a mate that can live with me in my lagoon.

Finally a mate that can live with me in my lagoon.

Horrorfest Hangover


Horrorfest has ended. 😦 I am actually very sad that it is over. I thought I’d be a bit relieved to have the pressure of posting everyday be over, but I actually kind of miss it. I toyed with the idea of doing a Thank-o-Rama: the 4 Thursdays of Thanksgiving and posting a fav TV episode or movie that revolves/has Thanksgiving in it (I had to include TV Shows as I can only think of three movies with Thanksgiving; Holiday Inn, A Charlie Brown Thanksgiving, and Miracle on 34th Street. Holiday Inn and Miracle on 34th Street don’t even really count since they are Christmas movies.) Then I thought of doing War Writings: 11 Days to Honor Armed Forces for Veteran’s Day, but I thought it would be far too soon to commit myself to another everyday project. I need to take a momentary breather.

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I am considering doing something like The 12 Posts of Christmas and something like Lovetales: 14 Fun-filled Romances for Valentines Day. Also Viva Mexico: Cinco dias de los Chicanos for Cinco de Mayo. I’m still working on the actual titles for these. I thought about doing Pot o’ Gold: Seven Irish Tales for St. Patrick’s Day because I don’t think I can think of 17. The only films I could think of that I have seen that revolve around Irish people/Irish flavor are Rudy (Notre Dame, the Fighting Irish), Luck of the Irish, Gangs of New York, Far and Away, A Leprechaun’s Christmas (doesn’t really count as it is a Christmas movie), The Fighter, and Under the Waterfall. That’s exactly seven.

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Doing this whole project was completely different than I expected. I planned to do posts for all the Universal Monster Movies ; like The Mummy, The Wolf Man, Creature from the Black Lagoon, Dracula, Frankenstein, The Bride of Frankenstein and Phantom of the Opera; along with all their remakes, to you know compare and contrast, but I just ran out of posts to finish them all. I also really wanted to do posts on Alfred Hitchcock’s movies, like The Birds, Psycho, Rebecca, and Strangers on a Train; but also wasn’t able to get to them. I really, really, really wanted to do Vincent Price films; like House on Haunted Hill, The Tomb of Ligeia, The Pit and the Pendulem, etc.

what-not-to-say-to-broken-hearted-girl-3what went wrong holiday

I noticed that a lot of posts I chose to do really depended on how much time I was able to devote a day to a post; along with what I was in the mood for to write about. Sometimes I started a post, but never finished it as I wasn’t in the right mood.

I also wrote posts on films I just happened to watch at the time like Perfect Stranger, Aliens in the Attic, Hallowe’en Party, The Black Cauldronand The Cabinet of Dr. Caligarithose were not films I had seen before or planned to write a post on. They just kind of happened along the way. Well I hope you enjoyed them as much as I did making them.

I’d like to know which were your faves are so vote, vote, vote! If you are unsure which to pick then why don’t you pop over and start at the beginning. Also I’d like to know what you wish I had posted on. Just leave a comment at the bottom of the page! 😀

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To start Horrorfest from the beginning, go to I Don’t Belong in the World

For more on Horrorfest, go to Horrorfest II: The Oddities of October

Or check out my leatest Horrorfest postings, Horrorfest III: The Revenge

Feast Your Eyes On My Accursed Ugliness: The Phantom of the Opera (1925)

Feast your eyes! Glut your soul on my accursed ugliness

I love this movie so much that words fail to express how I feel. This movie was the one that not only was my gateway into horror films, but also caused a life-long love affair with classic cinema.

It all started one day at the library. I was about six years old and complaining to my mother that I couldn’t find any books to read. Nothing just felt right. You know what I mean, when a book synopsis just connects to you, and you know you need to take it home to read?

So my mother eager to get home, pulls a book off the shelf and suggests that I read it. Instead of paying attention to whatever novel she had in her hand, I saw the one behind it. It was The Phantom of the Opera; a slender, abriged, children’s version.

It became my new favorite book and I would check it out all the time, completely annoying my mother.

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Later on I read the original, whole  version; which I also love. It is written so well, if you haven’t read it yet I highly recommend it.

I just connected with this poor man. He was bullied and betrayed because he was disfigured. No one paid attention to his genius in building and composing. He was living a life alone in isolation. I wanted to go underground with him.

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I would have gone off with him and loved him unlike Christine Daaé, she’s a total jerk and loser.

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Anyways, not long after I was flipping the channels and stopped on TCM. I love TCM (Turner Classic Movies) with a passion. I wish I could watch it 24/7 as they show the most amazing films ever.

Anyways, so that day they were doing a biography on Lon Chaney, and mentioned that he played the Phantom. I was now sucked in and had to watch. The film was the biopic Man of a Thousand FacesLon Chaney quickly became my favorite actor as I just fell in love with what a genius he was. He used to wait outside the movie studio, using his make-up to change his apperance to better fit roles. His most famous one being of course, the Phantom.

Phantom of the Opera

Afterwards, they held a marathon of his films, but I stopped watching as they didn’t show the one I wanted to see. I now had to watch the 1925 film! I did more research and found out that it is one of the first films to use color, only being able to for the Masque of Red Death scene. It was supposesed to be one of the most dramatic scenes in the film.

I now absolutely HAD to see that film. I went and rented it, hoping that it would be as good as it sounded. It was better than that! The film was not only horrtastic, but simply, and honestly amazing! It also stayed very close to the book, making only a few changes, and doing a much better job than some other versions (the 1943 one, so bad 😦 ).

Phantom of the Opera

Now I know that silent film isn’t for everyone, but I suggest that you check it out.

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So we start off the film with someone lurking in the catacombs of the opera house. We don’t know who he is or what he is after. Then we switch to the opera house, and the creme de la creme of the elite milling about. Everyone is settling down as the show is about to start.

We see the ballerinas on stage dancing away.

Reminds me of Degas

Meanwhile in an office upstairs, the opera house is being turned over to new owners. Owners who know nothing of what lurks in the belly of the building.

For there lies the Phantom and a friend. A Persian man that had traveled with him since the Phantom has been abroad, but no one knows more than that.

So the new opera owners have gained a lot of problems with their purchase. Besides having to pay the phantom money, give him box 5, and a few other amenities; he is also demanding that they replace Carlotta with Christine, the girl he has been coaching. Needless to say, this is very upsetting for Carlotta.

I refuse to be treated in such a manner

In fact the Phantom has threatened Carlotta if she does not stay away. Carlotta is most unhappy; and leaves declaring she will not sing that night.

Instead Christine Daaé sings beautifully. She is also noticed by the stupid Vicomte de Chagny. I really dislike Raoul, Team Phantom all the way!

phantom of the opera

In the book Raoul struck me as a real annoying guy. Like one who is always trying to do different things; but only does them halfheartedly, always expecting someone to bail them out of a jam. Then again I could be biased.

Anyways Stupid Raoul notices Christine and tries to get with her. But she is not as receptive, in fact telling him kindly to get lost as she has her career to think about.

Stupid Raoul goes to leave, but actually, is secretly waiting outside her door to spy on her.

Now for anyone out there; if you tell a person you want a relationship to end and they don’t listen and spy on you, you need to call the police and get rid of them. I can’t believe him. Raoul just went from stupid to stalker. I mean who listens outside their ex’s door like that? Who does that?

How rude

So Carlotta decides to sing anyway, even though she has been warned that bad things will happen. The Phantom makes sure that she will never want to sing again.

“Erik: Behold! She is singing to bring down the chandelier!”

So Christine goes to her room and Raoul being the creep he is  follows her. Erik, the Phantom, calls to her and tells her to go through her mirror; which is really a trapdoor. The Phantom built the Opera House, so built himself a home underneath the Opera House along with tons of secret passage ways and hideouts.

The Phantom takes her to his subterranean home, across a hidden lake.

Christine is amazed and kind of freaked out being there with him. All she can focus on is the fact that he is wearing a mask. Erik starts telling Christine his life story, and the sadness it has brought him. She ends up fainting, and he carries her to his guest room; beautiful and full of things she will love. It has a whole wall of shoes!

The next day everyone is in an uproar as Christine is missing! She wakes up to hearing the organ being played by the Phantom. He has been working on an opera for a long time.

Erik: Since I first saw your face, this music has been singing to me  of you and of –love triumphant!”

While he is romantically sharing his feelings, Christine is determined to rip off his mask.

Phantomoftheopera1925unmasked

Lon Chaney is truly amazing! I mean look at him! He is so awesome looking! So creepy! He is such a genius, devising his own make-up. The Phantom’s makeup was designed to resemble a skull. Lon Chaney attached a strip of fish skin (a thin, translucent material) to his nostrils with spirit gum, pulled it back until he got the tilt he wanted, then attached the other end of the fish skin under his bald cap. For some shots, a wire-and-rubber device was used, and it cut into Chaney’s nose and caused a good deal of bleeding. Cheeks were built up using a combination of cotton and collodion. Ears were glued back and the rest was greasepaint shaded in the proper areas of the face. The sight was said to have caused some patrons at the premiere to faint.

Christine is completely shocked at his apperance. Mary Philbin, the actress who played Christine, reaction to the unmasked Phantom was real – she had no idea what he would look like until that exact moment.

Phantom of the Opera

So the Phantom is upset, but Christine has to stay with him. He is not about to let her go. Now I know that is not appropriate behavior, but I feel so bad for him. She loved him until she saw his face, Now he has nobody. 😦

Then they have the most amazing scene ever! This was one of the first films to have color! They do this huge masquerade scene in color and he comes as the Red Death! It is too fantastic for words. I cannot describe it, you will have to watch it. His entrance, his outfit, etc.

Erik: Beneath your dancing feet are the tombs of tortured men! Thus does The Red Death rebuke your merriment!

Christine escapes from the Phantom and sneaks off with Raoul. They make plans to run away together, but little do they know that the Phantom has overheard everything.

Christine prepares to do her last performance, and as she is doing so, the Phantom comes and spirits her away. His only friend, a Persian courtier who has been with him through everything, goes to Raoul to lead him to Christine.

They go through the secret passage, but end up accidentally in the Phantom’s torture chamber.

The Phantom gives Christine two choices; she can choose to hit this ceramic scorpion,which means that she has chosen to marry the Phantom and be his forever, or the grasshopper which means death to Raoul and the opera house. The grasshopper if pressed will light a fuse of the gunpowder that is packed throughout the opera house and interconnected. Everything will blow! The scorpion is connected to a switch that will pump water into the bottom of the opera house and soak all the gunpowder and keep the opera house from blowing up.

phantomoftheOpera

She chooses the scorpion, but as the water starts to come up and drown Raoul. Christine asks the Phantom to save his life, that she will do anything for him if he does. He pulls Raoul out and then takes off with Christine, as the Parisians are hunting him down.

Grab your torches and sharpen your pitchforks!

The villagers follow in pursuit. As they are running, Christine throws herself out of the carriage. The Phantom goes to her, but the villagers are too close and he takes off. Raoul goes to Christine, and the Phantom is “killed” by the people.

I’ve never been a fan of that idea, you can’t kill the phantom, he’s unbeatable!

phantom-of-the-opera

I love him! Is that sad and pathetic?

That’s the post for today. More to come! 4 days ’till Halloween!

Here’s poster I made for my cover page on facebook in honor or Halloween. Hope ya love it.

phantomoftheOpera1925

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To start Horrorfest from the beginning, go to I Don’t Belong in the World

For the previous post, go to They’re Coming to Get You Barbara 

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For more on The Phantom of the Opera, go to My Favorite Movie Lines

For more on classic horror films, go to I Want Friend Like Me

For more films based on books, go to Quite a Horror Story

For more films that spanned countless remakes, go to I Bid You Welcome

For more of my favorite quotes, go to I’m No Warrior, I’m an Assistant Pig-Keeper

I Want Friend Like Me: The Bride of Frankenstein (1935)

“You, make man… like me? No. Woman… friend for you.  Woman… Friend… Wife.”

So this is the sequel to Frankenstein  and I think a much better film.

Yes Mickey you were right

Yes Mickey you were right

I know I say I don’t like sequels as much as the original, but there are always a few that I think are better.

So this movie almost wasn’t created as director James Whale originally did not want to do a sequel to Frankenstein. Universal considered producing a sequel without Whale’s involvement, but after 4 years of constant badgering, Whale agreed to do the film. And I’m so happy he did, or else we would be without this wonderful masterpiece.

The-Bride-of-Frankenstein-006

To be honest, this isn’t a true “sequel.” It actually is the second half of the the book Frankenstein, instead of an individual and separate story.

The reason I like this better than the first one is that Frankenstein is creepier, as he is demanding and using his strength and stature to frighten others.

Frankenstein

You also have a creepier Henry, as he is fighting with himself on whether or not to create more monsters. We see that he doesn’t wish to populate the world with these creatures-but at the same time he is lured by the thrill of creating more, and showing off his genius.

Victor Moritz: You're crazy!  Henry Frankenstein: Crazy, am I? We'll see whether I'm crazy or not.

Henry Frankenstein: Crazy, am I? We’ll see whether I’m crazy or not.

But I’m getting ahead of myself.

So the film starts off  a little different from the other one. Here we have Elsa Lanchester portraying Mary Shelley and telling the next chapter of the story at a party.

Let me tell you a story

Let me tell you a story

The next chapter picks up exactly where the other film ended.

Grab your torches and sharpen your pitchforks!

The villagers had driven the monster to the windmill and believed they killed him. They take Henry back home where he is nursed to health by his fiancé Elizabeth.

Castle

However, we see that the creature has not been killed. He escaped the fire by getting into the water under the mill. He kills some people as he escapes into the wilderness.

Meanwhile, Henry’s old mentor,  Doctor Septimus Pretorius, comes to visit him. He brings along his creations to show Henry. Dr. Pretorius had created miniature people: a miniature queen, king, archbishop, devil, ballerina and mermaid. While Henry had vowed to never create another monster again, seeing these creatures spikes his interest.

Meanwhile, the monster has run off into the woods and has tried to find a place to belong. He attempts to befriend a shepherdess and a group of gypsies, but both reject him.

He finally runs into a hermit and has a tender scene with the two becoming “fast friends”.

I love this scene and sometimes say things like “Friend good, such and such bad”, etc in my daily life! 😀 It’s a pretty touching scene. After all:

friends

But even this does not last forever as searchers looking for the monster, come upon the two and chase the creature away. He eventually comes upon Dr. Pretorius who promises him “friendship” and that he will create a mate for him.

“The Monster: You, make man… like me?
Dr. Pretorius: No. Woman… friend for you
The Monster: Woman… Friend… Wife…”

Dr. Pretorius approaches the newly married Frankensteins and tries to get Henry to help him create a mate for the monster. Henry, having once again realized the horror of his past creation, in no way will ever create another creature. That’s all fine and good, but Dr. Pretorius doesn’t agree. He wants a mate and is determined to force Henry to create one. He gets the creature to kidnap Elizabeth, her being the exact leverage to force Henry to create another monster.

The Monster: I *love* dead… hate living.

Henry seeing that he has no alternative, prepares to create a women from the dead. We see as Henry struggles with his morals, creating a better tension than in the first film. As I stated earlier, he doesn’t want to create another creature as he knows the horrors the other committed along with the fact that the two might mate and reproduce, populating the world with living dead.

Clive, Colin (Frankenstein)_02

But Henry is excited at the same time. Once again he can use his theories and science to create. He will be able to say he “created” life, not once but twice! This is hard for him to turn away from.

Of course nothing goes perfectly according to plan. Henry creates the woman, but can he control it?

Elsa Lanchaster is amazing! I love the way she turns about, almost birdlike. She actually based her performance on swans; saying that, “they’re really very nasty creatures”. She was only 5’4″ but for the role they placed her on stilts so she was  7′ tall. The bandages were placed so tightly on her that she was unable to move and had to be carried about the studio, much like Olivia Newton-John in Grease. Her hair and outfit are amazing, and now such a classic figure in horror film history, just like her predecessor the Monster. Her amazing ‘do was held in place by a wired horsehair cage.

They introduce her to her “mate”, but when has any woman liked it when people pick out their mates?

The monster is furious at this rejection and destroys the lab killing all who are in it. The only people who escape are Elizabeth and Henry. Frankenstein realized what they had and allowed them to leave unharmed.

“The Monster: [Speaking to Frankenstein and Elizabeth] Go you live… [turning to Dr.Pretorius] You stay we belong dead.”

It’s a great movie. I highly recommend it to anyone into the classic horror films.

That’s todays fearsome post! More to come! Only 7 days left ’till Halloween! Who’s excited?

Here’s poster I made for my cover page on facebook in honor of Halloween. Hope ya love it.

114bc89ef11bd61e74b89f7a6b7f6efe

halloween banner

To start Horrorfest from the beginning, go to I Don’t Belong in the World

For the previous post, go to Someone Very Special

halloween banner

For more on the Bride of Frankenstein, go to A Monster Race

For more on Frankenstein, go to It’s Alive, It’s ALIVE!

For more classic horror films, go to I Bid You Welcome

For more monster movies, go to Grimwood Ghouls’ Gym Teacher

For more films based on books, go to Quite a Horror Story

For more sequels, go to Just Follow the Screams

For more on Frank Peretti, go to Part IX: Adventures in Movie Lines

For more of my fav quotes, go to I’m No Warrior, I’m an Assistant Pig-Keeper

Universal’s Classic Monster Movies

I love all these films so much! I wish I owned every one.

There is nothing better than The Phantom of the Opera, Frankenstein,  The Bride of Frankenstein, The Mummy, Dracula, The Creature from the Black Lagoon, The Wolfman, etc.

I love these classic monster movie films! and here’s my fav commercial.

Check out this really interesting article to learn cool facts about these amazing films.

Have a Feartastic Friday! More fearsome posts are on their way.

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To go to the beginning of Horrorfest, go to I Don’t Belong in the World

For the previous post, go to Some People Are Just Born Evil

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For more on Boris Karloff, go to 25 Films of Christmas

For more on Dracula, go to Grimwood Ghoul’s Gym Teacher

For more on Frankenstein,  A Halloween Hello from the Austen Men

For more on Phantom of the Opera, go to My Favorite Movie Lines