The Perfect Murder: Dial “M” for Murder (1954)

Dial M For Murder

Do you really believe in the perfect murder? Mmm, yes, absolutely.

So after years of his absence from my Horrorfest countdowns, I have finally included Alfred Hitchcock in not one, not two, but three posts.

Double double yay

Alfred Hitchcock is my favorite director. He was influential in creating new ways of filming psychological thrillers, he is often credited for creating the true horror genre/slasher film with Psycho (1960), and was just a pure cinematic genius. He is just amazing.

Awesome

Dial “M” For Murder is one of his highly known films (although not as known as Vertigo or Psycho). It has been referenced or parodied in countless films and TV shows. In the ’90s they even remade the film under the title A Perfect Murder. It starred Michael Douglas, Gwyneth Paltrow, and Viggo Mortenson; but it wasn’t nearly as good.

MeanGirls I know right!

This film also started Hitchcock’s filming relationship with Grace Kelly. This film was crucial in her career as it made her stand out not only to Alfred Hitchcock but other directors as well, a huge step to becoming a permanent leading lady. After this film she starred in Hitchcock’s Rear Window and To Catch a Thief. Hitchcock was impressed with her ideas and thoughts on the script in how a woman would act (especially regarding clothing), that after this film he allowed her to make all her own wardrobe decisions. She, like Audrey Hepburn,  quickly became known for her style and class. But that wasn’t the only thing that Hitchcock found attractive, he really liked her and fell for her; but she wouldn’t give him the time of day, (romantically that is). (For more information on Hitchcock and his leading ladies, I strongly suggest the book Spellbound by Beauty by Donald Spoto. It’s an amazing read!) And sadly she had to retire from acting at an early age as she married the Prince of Monaco. However short a career, it was an amazing one.

Mal_huh Whoa Wow

This film also reunited Hitchcock and Robert Cummings, who had starred in an earlier film, Saboteur (1942).  In this film Cummings plays an important role, but a smaller one than his earlier collaboration.

This film is also the only Hitchcock film to ever be shot in 3-D. In the 1950s, 3-D was super popular, so popular that some people came up with the idea of Smell-O-Vision to beat it (I’m serious!). Hitchcock didn’t want to shoot in 3-D, but until the late 1960s, studios had a lot more pull and Warner Bros. wanted it. Hitchcock obliged, although it did cause a few issues for him as he had to rework his known style to incorporate what 3-D was able to accomplish at the time.

So the film is based on the play of the same name Frederick Knott, and he also helped write the screenplay. It is set in England and as  you can guess from the poster, the phone plays a huge role in this film as well. That really seems to be a theme this month. I swear that wasn’t planned.

Oops!

Oops!

Well here we go!

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So before I start the film, let me give you the background on the characters. Now as you watch the film things are revealed to you, but it’s easier for me to give them at the start.

So we have a couple, Tony Wendice (Ray Milland) and his wife Margot (Grace Kelly). Tony was a huge tennis star and met Margot when he was competing. She comes from a very wealthy family. The two were married and Margot convinced him to give up competing as she didn’t like him being away. He complied and now sells sports equipment. However, as he no longer is the dashing tennis star, she lost interest in him and had an affair with Mark Halliday (Robert Cummings) an American Crime writer.

keanu Whoa

As the film starts out we have Margot and Mark in a very cozy embrace.

BMW Kiss

“Margot Mary Wendice: Let me get you another drink. Mark, before Tony comes I ought to explain something.

Mark Halliday: Yes, I’ve been waiting for that.

Margot Mary Wendice: I haven’t told him anything about us.”

Margot tells Mark that she burned all his letters, except one. That one was stolen by a blackmailer who demanded payment, but he never picked up the money or returned the letter. She is worried that her husband will find out.

Mark has a completely different reaction to the news.

whoCares

He wants them to tell Tony all about the affair so that Margot can get a divorce and the two can marry. Margot doesn’t want to as “she feels bad” about hurting “Tony’s feelings”.

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Now I’m no expert, but if the person doesn’t want to break up the relationship, it seems to me that they want, to quote an old cliché, “have their cake and eat it too.” I think Margot likes the respectability of her marriage and doesn’t want the divorce scandel, but at the same time is heavily intrigued by Mark. And who can blame her? Robert Cummings is a looker.

Saboteur

Photo from Saboteur

That night Tony is introduced to Mark, him being Margot’s “friend”. The two discuss Mark’s profession.

Tony Wendice: How do you go about writing a detective story?

Mark Halliday: Well, you forget detection and concentrate on crime. Crime’s the thing. And then you imagine you’re going to steal something or murder somebody.

Tony Wendice: Oh, is that how you do it? It’s interesting.

Mark Halliday: Yes, I usually put myself in the criminal’s shoes and then I keep asking myself, uh, what do I do next?

Margot Mary Wendice: Do you really believe in the perfect murder?

Mark Halliday: Mmm, yes, absolutely. On paper, that is. And I think I could, uh, plan one better than most people; but I doubt if I could carry it out.

Tony Wendice: Oh? Why not?

Mark Halliday: Well, because in stories things usually turn out the way the author wants them to; and in real life they don’t… always.

Tony Wendice: Hmm.

Mark Halliday: No, I’m afraid my murders would be something like my bridge: I’d make some stupid mistake and never realize it until I found everybody was looking at me.”

Tony invites Mark to join him for a tennis party, and Mark agrees. Its all men, so Margot will be staying home. After a bit more pleasantries Margot and Mark leave to go out “as friends” to a theatre show that Tony didn’t want to see, while Tony stays home to “work” on some stuff.

dial m for murder

After they leave, he calls up an old friend. Swann (going by the name Captain Lesgate) from his old Cambridge days. He brings him there under false pretenses of wanting to purchase a vehicle from him. He then tells Swann that he wants him to murder his wife.

Say What

“Tony Wendice: One thousand pounds in cash.

C.A. Swann: For a murder?

Tony Wendice: For a few minutes work, that’s all it is. And no risk, I guarantee.”

Tony then goes on to tell Swann a story.

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Tony only married Margot for her money, and it really injures his pride to see her cheating on him and tossing him over like an old shoe. He followed her one day and discovered the affair.

800__shadow_of_a_doubt_blu-ray_04_intense stare angry upset mad creep

He wanted to kill Mark.

dialMforMurder Killer Hate

He then moved to the idea of murdering his wife. But things changed…

“Tony Wendice: It’s funny to think that just a year ago, I sat in that Knightsbridge Pub actually planning to murder her. And I might have done it, if I hadn’t seen something that changed my mind.

C.A. Swann: Well? What did you see?

Tony Wendice: I saw you.”

Back in the day, Swann was always getting into trouble for all kinds of stuff, and it struck Tony that he could commit the perfect murder. He then began extensive planning. He has been collecting £1000 over the year, under the guise of racetrack betting, etc.; compiling the money for such a purpose.

He even went to great lengths to get one of the letters from Mark and pretended to blackmail her. With Mark back in town he has set up the whole scenario on how to murder her even planning to use Mark as an alibi, as being the husband he will be the first suspect. All he needs is someone to do it for him. He has a lot of information on Swann’s background (as he has been tracking him) and uses it to blackmail him into completing his murderous plot. And he has to do it tomorrow.

He reveals his perfect plan.

“Tony Wendice: At exactly three minutes to eleven, you’ll enter the house through the street door. You’ll find the key to this door under the stair carpet here.

C.A. Swann: The fifth step?

Tony Wendice: That’s the one. Go straight to the window, and hide behind the curtains. At exactly eleven o’clock, I shall go to the telephone in the hotel to call my boss. I shall dial the wrong number. This number. That’s all I shall do.”

His wife will answer the phone, and then Swann can strangle her and leave through the french windows.

perfect plan

Swann agrees to the plot as he feels he has no other choice in the matter. Tony is estatic as everything seems to be going along perfectly.

thats-how-its-done

But then things start falling apart. Margot doesn’t want to stay home. She is thinking of going out to dinner and seeing a movie. Mark thinks it’s a great idea but Tony convinces her to stay home.

“Margot Mary Wendice: Don’t make me stay home. You know how I hate doing nothing.

Tony Wendice: Doing nothing? Why there are hundreds of things you can do. Have you written to Peggy, thanking her for the weekend? And what about those clippings? It’s an ideal opportunity.

Margot Mary Wendice: Well I like that. You two go gallivanting while I stay home and do those boring clippings.”

dial M for murder

Before Tony leaves, he stills Margot’s key from her bag and puts it in the marked hiding place. Keeping his key in his pocket, he and Mark leave for the party.

Back at the home, Margot has been working hard on her scrapbooking. She eventually goes to bed, putting everything away…at least almost everything. She actually forgets the scissors and leaves them by the phone.

That night everything starts being put into motion. Swann enters the place the same way that Tony planned it out. He leaves the key under the stair and hides behind the curtains waiting for the phone.

However, back at the party, things aren’t quite going as planned.

Stupid, stupid

Stupid, stupid

Tony’s watch stops and he has to ask for the time, finding out that it is actually past 11:00.

What!

He hurries to the pay phone and makes the call, hoping that everything else goes accordingly. Margot gets up to answer the phone. As she is talking, Swann reaches out to strangle her.

dial-m for murder strangle grace kelly

But instead of overpowering her like he’s supposed to, Margot ends up getting him. As the two are struggling, she reaches for something…anything to stop him. She ends up grabbing the scissors and stabbing him with them, completely killing him.

Mal_huh Whoa Wow

Margot is a mess and is freakin’ out. I can’t blame her, someone is trying to murder you and you kill them.

I don't know what to do

Tony tells her to touch nothing and wait for him. He’s on his way over.

As he heads over Tony freaks out. His plans have failed. But then something comes to him. A new plan, a way to fix things.

Its-so-crazy it just mightwork

He decides to make it look like Swann was blackmailing Margot and that she murdered him rather than self-defense. He calls the police and sends Margot to bed. He then plants Mark’s letter in Swann’s coat, takes the key and puts it back in Margot’s handbag, and burns the scarf that Swann was going to use, replacing it with Margot’s stocking. He then tells Margot to make sure she doesn’t tell the police that he told her not to call the police. He’s worried how it might make her look. However, Tony is plotting very well, and the police begin to strongly suspect her.

Everyone's a suspect!

Hmm…

The police figure out that Swann did not come through the French Windows. He must have come through the hall, as it rained the night before. If he had come through the garden there would be muddy footprints. Inspector Hubbard (John Williams) strongly suspects Margot and believes her to be the killer. We cut to a scene showing Margot on trial amd sentenced to be hanged.

perfect plan

Except thing are not quite perfect.  There are quite a few things Tony didn’t plan. One of which was getting rid of the money. As Tony mentioned, he’s been drawing a lot of money out of his bank every week, pretending to spend it on racehorses. He had planned to give it to Swann, but now is at a loss. He can’t put it back in the bank as there would be too many questions. He can’t keep it, if the police find it, it’s all over for him.

I don't know what to do

So he tries to spend it all. Unbeknowest to him, the police are watching him very carefully. And they notice this.

Months later, on the night before Margot’s execution,  Mark comes to speak to Tony. He tells him that instead of letting Margot die, he should say that he tried to murder her. That he hired Swann. This will give him some jail time but save Margot’s life. Tony does not want to do that.

Dial M for murder mark, tony, inspector hubble

Inspector Hubbard comes back to the flat to question Tony some more about the money he’s been spending. Mark hears this and starts searching, finding the briefcase full of money.

What!

Tony thinks of a lie quickly and says that this was the money Margot had to give to Swann, but then changed her mind and killed him. The Inspector listens and takes his comment as fact…or does he?

Everyone's a suspect!

Hmm…

Now, if Tony was really smart he would have made up a different lie. I would have said that I realized there was nothing between me and Margot and was planning on leaving her. However, I knew that I wouldn’t get much money in the divorce (he signed a prenup), so I’ve been taking some money out, bit by bit. When the murder happened, I knew it would come to light and was afraid that it might put me in a bad light or under suspicion. I mean its not the perfect excuse, but at least it shows he wasn’t going to kill her as why remove money when he was planning on getting it all. But he doesn’t think that way.

princess Bride Victim to classic blunder Vizzini

This makes the inspector highly suspicious of Tony and he steals the key from Margot’s purse, intent on sneaking in and investigating.

hold-up-wait-a-minute-let-me-put-some-pimpin-in-it

Hold on, that is illegal. He doesn’t have a search warrant or permission to be searching the house. Anything he finds will be immaterial and thrown out of court. I looked it up and  this is what it said:

By the laws of England, every invasion of private property, be it ever so minute, is a trespass.No man can set his foot upon my ground without my license, but he is liable to an action, though the damage be nothing; which is proved by every declaration in trespass, where the defendant is called upon to answer for bruising the grass and even treading upon the soil. If he admits the fact, he is bound to show by way of justification, that some positive law has empowered or excused him. The justification is submitted to the judges, who are to look into the books; and if such a justification can be maintained by the text of the statute law, or by the principles of common law. If no excuse can be found or produced, the silence of the books is an authority against the defendant, and the plaintiff must have judgment.

So technically, anything he finds can not be used in a court of law. That’s it, Tony is allowed to go free.

TheEnd_Title_2

But of course this is a movie, and things go differently. Inspector Hubble discovers that the key in the purse does not work on the front door. He instead finds it under the stair carpet. This gives him the great idea of creating a little trick to discover if Tony is the true killer.

John Williams (Chief Inspector Hubbard) Dial M for Murder (1954)

The Inspector visits Tony and steals his raincoat, leaving his own, therefore taking Tony’s key. He calls the station and asks them to release Margot. She immediately returns home, but finds out that her key won’t work. Hubbard watches her and discovers that she does not know the key is under the stairs. The Inspector let’s her in and gets a policeman to take the bag back to the station. They then begin to wait for Tony.

perfect plan

Tony comes home from his errands and finds that he can’t get inside. His coat belongs to Inspector Hubble and he has the wrong key. When Tony discovers his key doesn’t fit, he goes down to the station to get Margot’s bag. When that key doesn’t fit, he looks under under the stairs and finds the key, giving himself away.

dun-dun-duuuun

Tony enters and figures out they caught him. Being the gentleman he is, he doesn’t fight them. He knows when he has been defeated.

Tony Wendice: [pouring a drink] As you said Mark, it might work out on paper, but congratulations, Inspector. Oh, by the way… How about you, Margot?

Margot Mary Wendice: Yes, I could do with something.

Tony Wendice: Mark?

Mark Halliday: So could I.

Tony Wendice: I suppose you’re still on duty, Inspector.

TheEnd_Title_2

It;s a great movie, despite the small legality issue, but otherwise an amazing film. I definitely recommend it.

1954dialmformurder

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To start Horrorfest III from the beginning, go to Even a Man Pure of Heart

For the previous post, go to What Have We Done to Each Other?

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For more on Dial “M” for Murder, go to Part X: The Movie List That Would Not Die

For more on Alfred Hitchcock, go to The Past of a Man

For more on blackmail, go to Secrets are Great, Unless You Get Caught

For more films based on a play, go to Murder is My Favorite Crime

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Monster Movie: Supernatural (2008)

SupernaturalTitles405MonsterMoviecopy

“All three monsters – the Dracula, Wolf Man, and the Mummy – all the same critter, which means we need to catch this freak before he “Creature from the Black Lagoon’s” somebody.”

So I know that I have had quite a few TV episodes this October. I know that I went a little overboard, but I wanted to include this anyway. You see I have been wanting to review this episode for a while, but felt that I couldn’t do it until I had reviewed the original The Wolf Man film. As I finally did it this October, it allowed me to finally be able to talk about this episode. This is my all-time favorite episode because it has what I love! Monster Movies!!

Universal Monster Movie Horror

Yep it parodies a series of Classic Horror Films: Dracula (1931)The Mummy (1932), Wolf Man (1941)In fact to further the homage to classic horror film, they even filmed the whole thing in black and white!

love it

So Supernatural is a show that like Grimm, every episode could be done for Horrorfest. The show consists of two hunter brothers, Dean and Sam Winchester, who travel all over the U.S. hunting ghosts, demons, vampires, werewolves, etc. As the seasons progress they get more focused on the battle between angels and demons and stopping the end of the world. It’s an awesome show.

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So this episode takes place in season 4. There have been a lot of angst and sadness

Supernatural

(I won’t go into detail in case you haven’t watched it and want to) and the two brothers have finally been reunited.

COMWSsamanddeanwinchesterKansas

So Dean and San are driving into Pennsylvania on the trail of vampires. Sam is worried about the apocalypse, but Dean convinces him to stop off at an Oktoberfest to relax a bit. They find the Sheriff and introduce themselves as Agent Angus and Agent Young (homage to Angus Young of AC/DC).

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There they are told to speak to the witness Ed Brewer, but the Sheriff doesn’t put much stock in his testimony. They run into the very beautiful waitress Jaimie, who points them toward Ed. There Ed describes the Vampire as being the one out of the 1931 Dracula film.

SayWhat?

Yep, Dean and Sam are shocked, but Ed insists that it is true. The guy looked just like Bela Lugosi’s Dracula.

Dracula

In fact the vampire even uses the Transylvanian accent.

Sam and Dean confer and determine that it is probably a twilight-esque fan and that it isn’t really strange enough for them to stick around.

The night however, things change.

dun-dun-duuuun

A couple is making out in a car when a werewolf comes upon them and attacks.

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The next day, Sam and Dean talk to the girl who survived the attack, Anne-Marie, and discover that the killer looked just like Lon Chaney Jr. in the 1941 Wolf Man film.

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The sheriff also finds wolf hair on the dead body. Sam and Dean are confused as real werewolves don’t have wolf hair.

confused

That night a guard discovered an Egyptian sarcophagus at the docks. As the guard is about to call to figure out what is going on, the mummy rises from its grave.

Monster Movie Supernatural Mummy

The Mummy attacks the guard, strangling him.

The Winchesters go down to investigate and try and figure out what is going on. There they discover the sarcophagus is actually a movie prop that has been laced with dry ice. Dean leaves Sam to figure out a theory, while he heads down to meet up with Jamie for their date.

Meanwhile, Jamie has been waiting for a while and decides that Dean is most likely standing her up. She starts to walk home, when she runs into Dracula.

Blood!

Blood!

He calls her his reincarted love, and tries to kidnap her, but Jamie sprays him with pepper spray and then runs away…right into Dean. Dean gets a punch into Dracula

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But then finds himself overpowered by the vampire

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The vampire calls him “Harker” (reference to Jonathan Harker the fiancé of Mina [the woman Dracula tries to take]). Dracula tries to bite Dean, but he rips his ear off and a medallion. With his ear gone, Dracula runs away and jumps on his scooter.

Say What

Nope you heard my correctly

DraculaMototrbikeSupernaturalMonstermovie

Back at the bar, Dean shows Sam the ear and medallion.

“Dean Winchester: I, uh, pulled it off during the fight. Look at the label on the ribbon.

Sam Winchester: It’s a costume rental.

Dean Winchester: All three monsters – the Dracula, Wolf Man, and the Mummy – all the same critter, which means we need to catch this freak before he “Creature from the Black Lagoon‘s” somebody.”

They determine that they are dealing with a shapeshifter obsessed with classic film. Now if you have been reading my posts posts, such as Phantom of the MegaplexScream, and An American Werewolf in London, you know probably realize another reason why I love this episode. Yep, I can relate to the shapeshifter. I love classic film (especially horror) and I can completely understand him.

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Anyways, so Sam, being the scholar, recognizes the name Harker and figures that the shapeshifter is trying to recreate the 1931 film, Dean being Jonathan and Jamie being Mina. I guess that makes Sam, Van Helsing.

Count Dracula: Van Helsing.  [Van Helsing turns to face Count Dracula]  Count Dracula: Now that you have learned what you have learned, it would be well for you to return to your own country.  Van Helsing: I prefer to remain and protect those whom you would destroy.  Count Dracula: You are too late. My blood now flows through her veins. She will live through the centuries to come, as I have lived.  Van Helsing: Should you escape us, Dracula. We know how to save Miss Mina's soul if not her life.  Count Dracula: If she dies by day. But I shall see that she dies by night.  Van Helsing: And I will have Carfax Abbey torn down, stone by stone, excavated a mile around. I will find your earth-box and drive that stake through your heart.  Count Dracula: Come here.  [Dracula raises his hand to hypnotise Van Helsing]  Count Dracula: Come here...Your will is strong, Van Helsing.  [Van Helsing reaches out for his crucifix as Dracula looms toward him]  Count Dracula: More wolfbane?  Van Helsing: More effective than wolfbane, Count.  Count Dracula: Indeed.  [Dracula lunges towards Van Helsing. Van Helsing holds up the crucifix. Dracula snarls and turns away. Van Helsing, in triumph, puts away the crucifix]

The two figure that it must be someone who knows Jamie and is obsessed with her. When they question her, Jamie can’t think of a person who is strange or crazy. Lucy, her best friend and coworker, mentions that Ed recentlly moved to town and is the projectionist for the old theater. Plus he has a crush on Jamie.

suspicious

HIghly suspicious

Sam goes to investigate while Dean stays with Jamie. The two are drinking beer and having a deep conversation, when Lucy interrupts. She is on her way out the door, but Jamie invites her to stay and have a drink with them.

Back on the case, Sam has gone into the old theater and discovers Ed playing the pipe organ.

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He pulls on Ed’s ear, but find it fast in place.

“Sam Winchester: [tries to tear out Ed’s ear] It’s supposed to come off.

Ed Brewer: No, it’s not!”

OMG

This means Ed is not the shapeshifter!!! But if he isn’t…who is?

Teenage_werewolf

Back at the bar, Dean and Jaimie are getting groggy and falling asleep. Dean punches Lucy in the face, and discovers that Lucy is not “Lucy” but the shapeshifter.

AAAAAAAAHHH!!!!!!!!!!!!!!!

AAAAAAAAHHH!!!!!!!!!!!!!!!

And she has drugged the two of them. Dean tries to hold on, but faints.

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Dean wakes up and finds himself in lederhosen.

Noooooooooo!!!!!!!

Noooooooooo!!!!!!!

In a Frankenstein-esque dungeon.

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Now I really like what Dracula has to say here. It’s so poetic. “Life is small, meager, messy. The movies are grand, simple, elegant. I have chosen elegance.”, it’s very Movie Mason from The Phantom of the Megaplex.

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Anyways, Dracula is about to electrocute Dean and have a “movie” where the monster wins, when something interrupts him. The doorbell rings and the pizza delivery guy is there.

Pizza Delivery Guy: Uh, pizza delivery?

Dracula: Ah, you have brought a repast. Excellent. Continue to be of such service, and your life will be spared.

Pizza Delivery Guy: Uh-huh. That’ll be $15.50.

Dracula: Tell me…

Pizza Delivery Guy: Yeah?

Dracula: Is there garlic on this pizza?

Pizza Delivery Guy: I don’t know. Did you order garlic?

Dracula: No!

Pizza Delivery Guy: Then no. Look, mister, I’ve got four other deliveries to make. You want to just pay me the money so I can go?

Dracula: Of course. Yes. But I have a coupon.

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And why not take a pizza break? Pizza is awesome.

I love Pizza

I love Pizza

So now that Dracula has food for later, he prepares to finish Harker/Dean, but is interrupted by Jamie waking up.

Meanwhile back at the bar, Sam has figured out that with Jamie and Dean missing it must be Lucy. He sets out for her house.

Back in the dungeon, Dracula wants Jamie to dress in the gown he bought her and eat pizza with him.

Just like the Mummy, trying to dress his "reincarnated bride" in his old love's clothes.

Just like the Mummy, trying to dress his “reincarnated bride” in his old love’s clothes.

Jamie is really freaked out as she has been drugged, was betryed by her best friend (as Dracula was pretending to be “Lucy”) and is stuck with a killer. Dracula tries to apologize and tells Jamie his backstory. He was called a monster from the beginning of his life and beat by his father. He found solace in monster movies, and achieves strength and confidence when taking their form.

This part actually reminded me a lot of The Phantom of the Opera. Here is a man who is disfigured and mistreated because of it. He knows only how to hate as he has been so mistreated. It makes you wonder how things might have been different if one person had loved him.

one word kind change day

While Dracula is reminiscing, unbeknownst to him Sam has slipped into the house and is skulking around the dungeon. Dracula knocks Jamie out and turns his attention to Sam and the freed Dean. They start fighting, with Sam being thrown through a fake door. Dean and Dracula are struggling to get the gun with silver bullets along with trying to knock the other out. Dean tries a groin attack and move for the gun, but Dracula throws him back. Before he can do anything else, Jamie, who has just woken up, grabs the gun and shoots him.

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With Dracula conceding, that maybe this is how the “film” should end.

The next day Dean says good-bye to Jamie. The two brothers agree that’s it was nice doing some old-fashioned monster hunting, rather than the angels & demons stuff. They discuss what film they would want to live in as the episode ends.

TheEnd_Title_2

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To start Horrorfest III from the beginning, go to Even a Man Pure of Heart

For the previous post, go to Murder is My Favorite Crime

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For more on Supernatural, go to Keep Clear of the Moor. Beware the Moon

For more on Dean Winchester, go to I’m Batman!

For more on Sam Winchester, go to You Can’t Have Just One!

For more horror parody, go to Who’s Afraid of Cory Wolf?

For more on Dracula, go to I Bid You Welcome

For more on The Mummy, go to Part X: The Movie List That Would Not Die

For more on The Wolf Man, go to Unleash the Savage Instincts that Lie Hidden Within

For more monster movies, go to What Is This Thing?

For more on Phantom of the Megaplex, go to Friday Night Fun

For more on recreating a scene, go to Carried Away

For more on pizza, go to Food, Food, Food