But This is Your Hour—When Darkness Reigns

“The Arrest in the Garden” from The Passion Altarpiece by Hans Holbein the younger

I had never really studied Hans Holbein the Younger’s artwork, other than the pieces he made when in the court of the Tudors, brought over by Henry VIII. I never knew that he made religious artwork, let alone being influenced by Albrecht Dürer (an artist I like and have reviewed in the past) and Matthias Grünewald (another artist I like and am reviewing tomorrow).

But as I was searching for am image to use to show the arrest of Christ in the Garden of Gethsemene, I found this one and  discovered Holbein’s Passion Altarpiece. 

When creating this piece, Holbein was influenced greatly by the Italian masters, such as Raphael and da Vinci, along with his father, Hans Holbein the Elder.

While he was still speaking a crowd came up, and the man who was called Judas, one of the Twelve, was leading them. He approached Jesus to kiss him, ⁴⁸ but Jesus asked him, “Judas, are you betraying the Son of Man with a kiss?”

⁴⁹ When Jesus’ followers saw what was going to happen, they said, “Lord, should we strike with our swords?” ⁵⁰ And one of them struck the servant of the high priest, cutting off his right ear.

⁵¹ But Jesus answered, “No more of this!” And he touched the man’s ear and healed him.

⁵² Then Jesus said to the chief priests, the officers of the temple guard, and the elders, who had come for him, “Am I leading a rebellion, that you have come with swords and clubs? ⁵³ Every day I was with you in the temple courts, and you did not lay a hand on me. But this is your hour—when darkness reigns.” Luke 22:47-53

So we see that Holbein carefully studied the text to present the image of Christ. Like Giotto, and Caravaggio who would come later, Holbein creates a small window onto the world of Christ and scene of the arrest.

We see that there is  great perspective in this, with all the figures in the scene overlapping in confusion and the attack as they surround Jesus and Judas.

The dark tones and chiaroscuro create dramatic flair and a supreme intensity, the flames of the mob and the central figures being highlighted and immediately capturing your eye.

There are two things that really struck me in this image. First, if you look at Jesus as Judas is giving him the kiss to signify his betrayal, a soldier has grasped him. This is one of the few that actually show an arrest in progress, instead of just confusion.

Also if you look at Peter, this is one the fiercest paintings of him. In this image he is not only cutting off a soldier’s ear, but he has knocked said soldier to the ground, slicing off his ear, and continues to pin him down threatening to do more if waved ahead by Christ. I think this perfectly captures Peter as a man of emotion and one who was always quick acting and intense in everything he does.

A powerful and intense painting.

For more on the arrest of Christ, go to The Arrest

For more images of Jesus, go to But That the Scripture May Be Fulfilled

In other news, this marks my 900th post!

It only took us six months to get here, that’s one less than last time.

For the 800th post, go to Every Three Thousand Years, the Stars Align. Unleashing an Army of Monsters: TMNT (2007)

For the 700th post, go to Fan-do or Fan-don’t. There is No Fan-try

The Arrest

So the next artwork we are going to look at is The Betrayal of Jesus by Albrecht Dürer, a woodcut.

Now Dürer was a painter from Germany, his work becoming a part of the German Renaissance. He also did a series of woodcuts, a media made popular after the Gutenberg Press was invented as it was easy and cheap to make.

This woodcut was a part of a series Dürer did, called the Little Passion. This was before he became a part of Martin Luther’s protestant movement; and changed to doing Reformation art.

So as we look upon Dürer’s work we see a lot of similarities to the Giotto and Duccio pieces I have reviewed in the past. We are given a window onto a world, with the background being about Christs’s arrest and the foreground on Peter’s attack.

But there are a few differences. If you look at the action in the background you see how intense the capture of Christ was. We have men with ropes, spears, and axes; reaching to pull Judas out of the way and capture Jesus. If you look clodsely at the interaction between Jesus, Judas, and the guard; you’ll notice that Caravaggio copied it for his own work almost 100 years later.

We also see a very intense scene with Peter. While most art depicts him cutting the ear off of a guard trying to attack Jesus, this one is more extreme. Not only is Peter about to slice of the man’s appendage, but he has knocked him to the ground, tossed the lantern in his face, and has completely overpowered him.

If you look at Jesus’ face, we can also see that his expression is not one of anger or sadness, but acceptance. He knows what is in store for him, willingly going ahead with the plan.

I choose this painting for the intensity along with the way it brings the text to life. I think this is a powerful woodcut, especially in its depiction of Peter.

“Judas, one of the Twelve, appeared. With him was a crowd armed with swords and clubs, sent from the chief priests, the teachers of the law, and the elders. Now the betrayer had arranged a signal with them: ‘The one I kiss is the man; arrest him and lead him away under guard.’ Going at once to Jesus, Judas said, ‘Rabbi!’ and kissed him. The men seized Jesus and arrested him.”–Mark 14:43-46

“Then Simon Peter, who had a sword, drew it and struck the high priest’s servant, cutting off his right ear…Jesus commanded Peter, ‘Put your sword away! Shall I not drink the cup the Father has given me?”– John 18: 10-11

“And he [Jesus] touched the man’s ear and healed him.” Luke 22: 51

“Put your sword back in its place,’ Jesus said to him, ‘for all who draw the sword will die by the sword. Do you think I cannot call on my Father, and he will at once put at my disposal more than twelve legions of angels? But how then would the Scriptures be fulfilled that say it must happen in this way?’ In that hour Jesus said to the crowd, ‘Am I leading a rebellion, that you have come out with swords and clubs to capture me? Every day I sat in the temple courts teaching, and you did not arrest me. But this has all taken place that the writings of the prophets might be fulfilled.”–Matthew 26: 52-56

For more paintings on the arrest of Christ, go to The Taking of Christ

For more paintings of Christ, go to What If God Was One of Us?

The Betrayer’s Kiss

So the next image is going to cover the betrayal of Christ in the garden of Gethsemene and his sentence before Pilate. Now last year I chose the revolutionary, and in my opinion better image, Giotto’s The Kiss of Judas. However, this year I have chosen the more widely accepted image (of the time) Duccio’s Betrayal of Christ.

This image is part of the Maestá Altarpiece created 1308-1311. This image is one of the many scenes of the life of Christ that are located on the back. Now contrary to Giotto’s work, this one is closer to flat Byzantine style, has no perspective, as in the spacing to create realistic distances, and is very staged. To the left we have the scene where Judas kisses Jesus on the cheek, to show the Pharisee’s which one is Jesus. Duccio put this scene in the middle to grab the viewers attention, but doesn’t try to create a world around him, instead only trying to make a beautiful image. All the characters in the back who are angry anf after Jesus are emotionless and unconnected to the scene. They also are arranged funny, as to not overlap.

To the far left is the scene of Peter cutting the ear of one who is attacking Jesus. What is written as an exciting tale, as Peter the impulsive hothead strikes at a guard to protect his teacher, only to be rebuked as Jesus’ heals the man. While Giotto made it more dramatic, in Duccio’s piece not only does it look extremely hard and impossible for Peter to cut of the ear from that angle, but he also doesn’t seem involved in the action, more of doing it half-heartedly. It reminds me of how Caravaggio did the Judith Slaying Holofernes story. In his image,  Judith is squemish and not really feeling it, unlike the story and Artemisia Gentileschi’s (in which Judith totally kicks butt).

To the far right we have the fleeing of the disciples, as they are scared at what might happen to them after Jesus is captured, well actually willingly taken.

All in all I do not like this particular image. It is flat, with a gold background that only adds to make one have no sense of perspective. The trees and mountains appear to be randomly placed there instead of having the purpose of adding to the image. None of the charaters seem involved in the story or with each other, as none seem to connect or react to the actions. This tranquil scene is a far cry from the Giotto masterpiece that completely evoked one’s emotion. But at the time this was highly popular as beauty won over technique, along with perspective and emotional connections not really being popular concepts with most artists.

“Judas, one of the Twelve, appeared. With him was a crowd armed with swords and clubs, sent from the chief priests, the teachers of the law, and the elders. Now the betrayer had arranged a signal with them: ‘The one I kiss is the man; arrest him and lead him away under guard.’ Going at once to Jesus, Judas said, ‘Rabbi!’ and kissed him. The men seized Jesus and arrested him.”–Mark 14:43-46

“Then Simon Peter, who had a sword, drew it and struck the high priest’s servant, cutting off his right ear…Jesus commanded Peter, ‘Put your sword away! Shall I not drink the cup the Father has given me?’     –John 18: 10-11

“And he [Jesus] touched the man’s ear and healed him.”–Luke 22: 51

“Put your sword back in its place,’ Jesus said to him, ‘for all who draw the sword will die by the sword. Do you think I cannot call on my Father, and he will at once put at my disposal more than twelve legions of angels? But how then would the Scriptures be fulfilled that say it must happen in this way?’ In that hour Jesus said to the crowd, ‘Am I leading a rebellion, that you have come out with swords and clubs to capture me? Every day I sat in the temple courts teaching, and you did not arrest me. But this has all taken place that the writings of the prophets might be fulfilled. Then all the disciples deserted him and fled.” –Matthew 26: 52-56

To go to the previous Easter posts click on Do This in Remembrance of Me

Do This in Remembrance of Me

As you all know Easter is approaching, so here is another post chronicling Jesus’ journey to the cross. I know not all of you believe in Christ, but as a mentioned earlier not only am I a Christian but I like to celebrate holidays. So to those of you who don’t mind reading this, enjoy!

This painting of the Last Supper (1590)  is by the spanish painter Juan de Juanes. This painting is similar to Leonardo in how all the disciples are gathered around Jesus, instead of having one (Judas), on the other side. All the disciples are reacting as well. They are focused on Jesus, their expressions connecting to what he is saying.  This painting is also grouped in threes, as Juanes sections the group into 1)the two to the far left at the table and one kneeling on the floor, 2)the three on the left of Jesus which includes white bearded Peter, 3)the three on the right of Jesus which has John the Beloved, and 4) the two standing to the far right and Judas sitting down. You can spot him from the way he clenches the money pouch and doesn’t have a halo.

This one has a lot of big differences from other Last Supper scenes. Unlike da Vinci’s Last Supper, which focus on the one scene of Christ announcing to the disciples that he will be betrayed, this image combines three different moments in one image, 1)Washing of the Feet, 2)The Betrayal Announcement, and 3)Communion. Before everyone sat down to eat, Jesus washed the feet of the disciples. The water bowl and jug in the foreground symbolize this, so you remember to be humble just as Jesus was. Everyone around the table are up in arms and upset over Jesus’ announcement, the only one not doing so is Judas, as he has already planned the betrayal. Then if you look at Jesus in the center he has the communion wine and bread, the Eucharist.

Now what is interesting about the Eucharist, is that instead of bread and wine like other paintings, it is the communion bread and glass that are served in modern times of Communion. Making the connection stronger between the original event and modern day.

 

“On the first day of the Festival of Unleavened Bread, when it was customary to sacrifice the Passover lamb, Jesus’ disciples asked him, ‘Where do you want us to go and make preparations for you to eat the Passover?’ So he sent two of his disciples, telling them, ‘Go into the city, and a man carrying a jar of water will meet you. Follow him. Say to the owner of the house he enters, ‘The Teacher asks: Where is my guest room, where I may eat the Passover with my disciples?’ He will show you a large room upstairs, furnished and ready. Make preparations for us there.’ The disciples left, went into the city and found things just as Jesus had told them. So they prepared the Passover. When evening came, Jesus arrived with the Twelve.”–Mark 14: 12-17

The evening meal was in progress, and the devil had already prompted Judas, the son of Simon Iscariot, to betray Jesus. ³ Jesus knew that the Father had put all things under his power, and that he had come from God and was returning to God; ⁴ so he got up from the meal, took off his outer clothing, and wrapped a towel around his waist. ⁵ After that, he poured water into a basin and began to wash his disciples’ feet, drying them with the towel that was wrapped around him. ⁶ He came to Simon Peter, who said to him, “Lord, are you going to wash my feet?” ⁷ Jesus replied, “You do not realize now what I am doing, but later you will understand.” ⁸ “No,” said Peter, “you shall never wash my feet.” Jesus answered, “Unless I wash you, you have no part with me.” ⁹ “Then, Lord,” Simon Peter replied, “not just my feet but my hands and my head as well!” ¹⁰ Jesus answered, “Those who have had a bath need only to wash their feet; their whole body is clean. And you are clean, though not every one of you.” ¹¹ For he knew who was going to betray him, and that was why he said not every one was clean…Do you understand what I have done for you?” he asked them. ¹³ “You call me ‘Teacher’ and ‘Lord,’ and rightly so, for that is what I am. ¹⁴ Now that I, your Lord and Teacher, have washed your feet, you also should wash one another’s feet. ¹⁵ I have set you an example that you should do as I have done for you. ¹⁶ Very truly I tell you, no servant is greater than his master, nor is a messenger greater than the one who sent him. ¹⁷ Now that you know these things, you will be blessed if you do them.

John 13: 2-17

“Jesus was troubled in spirit and testified, ‘Very truly I tell you, one of you is going to betray me.’ His disciples stared at one another, at a loss to know which of them he meant. One of them, the disciple whom Jesus loved, was reclining next to him. Simon Peter motioned to this disciple and said, ‘Ask him which one he means.’ Leaning back against Jesus, he asked him, ‘Lord, who is it?’ Jesus answered, ‘It is the one to whom I will give this piece of bread when I have dipped it in the dish.’ Then, dipping the piece of bread, he gave it to Judas, the son of Simon Iscariot. As soon as Judas took the bread, Satan entered into him. So Jesus told him, ‘What you are about to do, do quickly.’ But no one at the meal understood why Jesus said this to him.  Since Judas had charge of the money, some thought Jesus was telling him to buy what was needed for the festival, or to give something to the poor.  As soon as Judas had taken the bread, he went out.”–John 13: 21-30

“While they were eating, Jesus took bread, and when he had given thanks, he broke it and gave it to his disciples, saying, ‘Take and eat; this is my body.’ Then he took a cup, and when he had given thanks, he gave it to them, saying, “Drink from it, all of you. This is my blood of the covenant, which is poured out for many for the forgiveness of sins. I tell you, I will not drink from this fruit of the vine from now on until that day when I drink it new with you in my Father’s kingdom.”–Matt 26: 26-29

“Do this in remembrance of me.”–Luke 22:19

To go to the previous Easter post go to Path of Palms

 

Language of Love: Love Actually (2003)

Romantic Moment #1

Love Actually (2003)

So Love Actually is the first of those holiday inspired films that include a huge cast of stars who all have their own plotline, but are in actuality all connected to each other. You know films like Valentine’s Day & New Year’s Eve. Well this one takes place at Christmas, and even though this post is celebrating V-day, it is a perfect one to put on the list.

Now this film is even more complex in relationships than He’s Just Not That Into You. There is Billy Mack, aging rock star trying to get back in the limelight. Peter just married Juliet, but his best friend Mark  is secretly in love with Juliet but has said nothing to honor his friend. Jamie, (who is friends with Peter, Julie, & Mark), had his last girlfriend cheat on him with his brother. He goes to France where he gets a Portuguese housekeeper that he develops feelings for. Harry is the direcctor of a design studio and married to Karen. He gets a new assistant, Mia, and thinks about stepping out on his wife. (Mia is friends with Mark.) Karen’s brother, David, has just begun his time as Prime Minister and develops feelings for Natalie, a girl who works for him. Daniel, friend of Karen, has just lost his wife and is raising his stepson. His stepson develops feelings for a girl and Daniel tries to help him win her heart. Sarah, (friend of Jamie, Peter, Julie, & Mark and employee of Harry) has feelings for Karl but her mentally ill brother, Michael, seems to throw a wrench in her plans. Colin, who hit on Mia, is tired of striking out with English women and journeys to America. John and Judy are body doubles for actors who meet at work.

Still confused?

Anyways so the story line that got on this countdown is Jamie & Aurélia’s. Jamie is a writer and uttery heartbroken when he discovers that his girlfriend was cheating on him with his own brother. He decides to go away to a little cottage in France to work and get away from it all. While there his landlady hires a Portuguese housekeeper, Aurélia, for him. Despite the fact that Aurélia can not speak any English and Jamie knows no Portuguese, the two form a bond and a spark comes to light.

When Jamie goes back to the UK, he starts taking a Portuguese language class so that he might return and share his feelings with Aurélia. On Christmas Eve, he leaves to find her and let her know how he feels.

With the help of Aurélia’s dad, Jamie is able to locate her and proposes to her (in Portuguese). We find out that Aurélia has been learning English in hopes that Jamie would come back.

So romantic

Aww! Sooooo cute!