Persuasion (2022) or MadsenCreations and I Watched the New Persuasion So You Don’t Have To

I have to be honest, when I heard Netflix was making a new Persuasion I immediately had a bad feeling about it. I decided to reserve judgement and hope that it wouldn’t be terrible, but I didn’t really believe we would get a miracle.

Then I saw the trailer and I knew it was going to be bad. I could see in those few clips they has completely misunderstood the character of Anne and that this was going to be another Mansfield Park (1999).

It was worse.

MadsenCreations and I watched it together, she did Instagram live while I live tweeted. You can read my tweets but more terrible and horrible moments happened that I actually couldn’t tweet as fast as the film went. It was a hot mess.

But before I go into what I didn’t like, let’s start off with what I did like

Set & Costume Design

The set was beautiful and the director knew how to utilize the home, forest, seaside, country and city. Unlike some other Austen novels these characters do spend a fair amount of time indoors and outdoors, the weather and scenery tying into the story and the emotions of the characters. This was probably the best thing about the film was how well the director understood to use the set.

The costumes are also well done, as MadsenCreations pointed out there are no large glaring zippers (Netflix has learned since Bridgerton). Although, I am sad that there weren’t any ones from previous Austen adaptions, or if there were any I didn’t catch it. I really love seeing the same gown pop up in adaption after adaption.

Visually the film was good, it was the other choices that were terrible.

Diversity

As with Bridgerton they chose to do a rainbow cast (for those who have never heard the term before rainbow cast means that you cast people for characters regardless of the color of their skin, hence having a “rainbow” cast). While other productions that have done this have either made the character’s skin tone their only character trait (I hate when they do that), this production didn’t go that route. In fact it reminded me a lot of Cinderella (1997), the one that stars Brandy, where they had a family unit that contains a white father, African-American mother, and Filipino son; but nothing is made to explain it and being those races are not the characters only personality; instead they are just people. I really enjoyed it, and feel that of other films and TV shows want to that they should definitely go this route. Although I have noticed that like in Bridgerton, Persuasion has no one of Latin descent. As someone who is Latina. I do find that offensive that they promote how inclusive they are yet there is no one of Latino descent. And if someone wants to say that perhaps they couldn’t find a British-Latino person, while I find that to false. First of all Dakota Johnson isn’t even British and they gave her the main character, and secondly I googled it and found 24 right away. Netflix I’m expecting the next adaption to have someone!

Dialogue

The dialogue in this was horrendous. I’m not sure who was paid for this because it was beyond terrible. If I was Netflix, I’d demand that money back. First we have all these modern sayings, phrases, and slang that just do not fit right with the atmosphere. I think if that’s the route they wanted to take they should have just made a modern Persuasion. Or if they wanted to make this a cross between modern + Regency they should have done it Romeo + Juliet (1996) style with her in the Regency clothes and all modern language; or modern clothes and regency language. But this mishmash, some Regency and some Modern did not work out well at all.

There is a lot of truly terrible dialogue but the biggest offenders to be was when Henrietta tells Anne that to win a guy she should pretend she didn’t know how to use cutlery. Not only is that the dumbest thing I have ever heard, but now a whole generation are going to think that Jane Austen wrote that.

I asked a friend if that would be attractive to him and this was his response was “no” and that he would wonder about her mental capacities. The reason I find this particular scene so offensive is first of all Jane Austen wrote very strong and intelligent characters, there are silly ones but these women were not. And not only are we perpetuating this idea that women need to be dumb and have a man help them in order to be attractive, they are making it sound as if Jane Austen herself agrees with that and promoted it as well!

But that was just the beginning. So much of it is terrible that even the good dialogue is lost in the cesspool of words. And let’s not even begin on the octopus line.

The other truly terrible parts of this dialogue is that there is no subtlety or secrets. Everything is out in the open. In the book no one besides Lady Russell knew that Anne and Captain Wentworth had been engaged; in this everyone knows. In the book, no one is certain of Mr. Eliot’s intentions-he saying that he just wants to fix the rift; but Anne suspecting more. However, in this Mr. Eliot tells Anne right away he wants to keep her father from having a male heir. It’s like did anyone read this book?!!

Where are the Austen things and characters I love??!!

They completely destroyed my two favorite parts: 1) when they discuss the loyalty of women and Anne points out that all the “proof” of men loving more are written by men; 2) the letter scene. It really felt like someone took the bare, bare, almost nonexistent bones of the story to write this production.

Mary Musgrove (Mia McKenna-Bruce), Sir Walter Elliot (Richard E. Grant), Charles Musgrove (Ben Bailey Smith), Elizabeth Elliot (Yolanda Kettle), & the Musgrove Children (Jake Siame and Hardy Yusuf)

So some of the characters and the decisions made about the characters were not good, but I’ll save my complaints for a little later. The ones I did enjoy were the above few. Sir Walter and Elizabeth were so horrible and rude, just as they should be, although I think it would have been better to include a bit more of them as they are hardly in there, but they did good.

Charles Musgrove although he too wasn’t in the film that much. The little Musgrove boys were adorable and they stole the scene every time they were on screen.

The one they blew me away though was Mia McKenna-Bruce as Mary Musgrove. You liked her and hated her, she was extremely awful but at the same time she also said a lot of things I agreed with when it came to Anne. Anne was such a mess that Mary (yes Mary), seemed to be the only adjusted character. She was a narcissist, that didn’t change, but she was more together than Anne (which is not how it should be). Out of everyone, I think she did the best.

Henry Golding as Mr. Elliot

Henry Golding was charming but too charming. He’s supposed to be somewhat suspect from Anne’s pov as he hasn’t done anything outwardly wrong, but she is questioning his interest and sudden appearance with her family. When Anne’s friend warns her against him and tells her she spotted Mrs. Clay and Mr. Elliot together, Anne immediately believes her and thinks something is up (which of course we later discover later that he ran off with Mrs. Clay to keep Sir Walter from siring a male heir [although he should be more afraid that Sir Walter will lose all his inheritance]).

However, someone in their great wisdom (read that sarcastically please) decides to reveal Mr. Elliot’s intentions in the first meeting. That’s supposed to be a big plot point! That’d be like if in Great Expectations when Pip goes to school if Magwitch sent him a letter saying that hey I’m your benefactor! By the way I also have a little girl that was adopted named Estella, do you know anyone by that name?

In this adaption Mr. Elliot also asks Anne to marry him (something not in the book), is messing around with Mrs Clay (which Anne catches instead of everyone finding out later), and they also change his character when he marries Mrs. Clay instead of just putting her up as his mistress. They completely changed the character and while it fit for Henry Golding; I this role was not the right one for him. He would have been better as a Frank Churchill, Mr. Tilney, or as Captain Wentworth as as Golding and a lot more chemistry with Dakota Johnson/Anne than Cosmo Jarvis.

Captain Harville (Edward Bluemel) and Captain Benwick (Afolabi Alli)

These actors did well in their parts but the problem was that there wasn’t a lot of them in the film. Benwick and Anne are supposed to spend quite a bit of time together, that’s why when he is engaged to Louisa all are surprised. In this he and Anne have one conversation and didn’t even use the amazing dialogue that Jane Austen wrote. Harville was also just used as a piece of the scenery.

Louisa (Nia Towle) and Henrietta Musgrove (Izuka Hoyle)

Most adaptions hardly use Henrietta but this one does it the least, blink, and you’ll miss her.

Louisa was not very well done in this either. She is made to be so silly, such as that line about how to get a guy. She also doesn’t make sense as a character. In the original book, she and Anne are close but she doesn’t know about their previous engagement, so when she meets Captain Wentworth it makes sense that she goes after this nice, rich, single man. However, in this production they show Louisa and Anne as best friends; Louisa knowing about the engagement and encouraging Anne to go after him. However, after dinner she then reverses that and tells Anne she is making a play for him. Seriously, what a jerk move to do.

The other thing that didn’t make any sense was that there was hardly any flirting and time spent between her and Captain Wentworth for us to even believe they were interested in each othe. In the book the two flirt a lot as Louisa is interested and Captain Wentworth appreciates having her attention in front of the woman who rejected him. The two do several jump and catch me little scenes, that later caused the accident as Louisa does it in an unsafe area. In this they cut out the previous scenes so when she does the jump it doesn’t make any sense and looks like she just decided to yeet herself.

Cosmo Jarvis as Captain Wentworth

I really didn’t care for Cosmo Jarvis as Captain Wentworth. I felt this version of the character was pretty boring and seemed to have no substance or relation to what was going on in the scenes. He never seemed upset or at all like the book character. And of course a big chunk is off because there are no secrets in this adaption like in the book.

I also didn’t feel as if Jarvis really fit in the regnecy times. He seemed out of place to me, as if he was not really apart of his surroundings.

Dakota Johnson as Anne Elliot

I haven’t really seen Dakota Johnson in that many things so I can’t really attest to her acting but in this it was deplorable. A major portion of it has to do with her being the main character and pushing the film forward, but the script was terrible. Like Jarvis, I feel the bigger problem was that she never seemed to really inhabit the scenery as well.

Also her character is terrible. She’s trying so hard to be the “quirky” girl but it feels so out of place. They also made a majority of her character like little wine memes; basically this was her in a nutshell “It’s always wine o’clock”, “don’t give a carafe”, “wine not”, etc. She drank way too much, that is basically all she does-drink and fall down. She looks and acts like she needs to get help as she can barely function and cannot without alcohol.

In conclusion, I don’t care how much Netflix is trying to convince me this movie was “good”, I feel this is one of the worst Austen adaptations I have ever seen.

For more Austen adaptations, go to I Watched Austenland (2013) With My 14 Year Old Niece

For more on Persuasion, go to Recipe for Persuasion Audiobook Narrated by Soneela Nankani

For more Jane Austen retellings, go to Lean on Me: Austentatious (2015)

Non-Austen Reads for Austen Readers: Ella Enchanted

Happy Mother’s Day!

For those who are celebrating, I hope you have a wonderful Mother’s Day. To honor my mother, today’s book was a recommendation from my mother. I am always thankful for her patience toward my obstinacy.

Non-Austen Reads for Austen Readers is something I started a while back for fans of Jane Austen who are looking for something to read.

There are Jane Austen’s works and numerous variations, but while those adapts are fun, sometimes you don’t always want to read the same story. You want Austen-like works, but something different. But what can you read instead?

That’s why I started this series. I will be reviewing books that have the things we love about the Austen novels, but are not another retelling.

Ella Enchanted by Gail Carson Levine

A few years ago I reviewed Ella Enchanted as part of my 30 Day Challenge: Literature Loves (something I ended up running out of time to finish but will one day complete. I think I’m only short two books). And at the time it made me think of Pride and Prejudice, well at least Prince Char made me think of Mr. Darcy.

I always meant to write a post about how it reminded me of elements of Jane Austen, but I ended up forgetting all about it as I was sidetracked by other reviews and life. You know how it goes…

My life motto right there…

But now not only do I have this new series to put it under, Non-Austen Reads for Austen Readers but I also have reread it and decided it’s finally time to finish the post I drafted three years ago.

If you are interested in a full synopsis/review of this book and why I love it, then you should check out my post: At Midnight, Your Coach Will Become a Pumpkin Again, and the Animals Will Regain Their Original Shape Until Your Next Ball: Ella Enchanted.

But for those who do no want to go to a separate post, I’ll do a quick synopsis. Ella Enchanted is a retelling of Cinderella and one of my favorite retellings.

In Ella Enchanted, Ella is “blessed”, really cursed, with obedience. She must always do what someone tells her to do, it is physically impossible for her to deny an order. This has made life really hard for her, as she struggled to make the best of her situation. Ella has a sharp mind and tongue, her words sometimes being the only thing that can get her through some days.

Ella’s mother dies at a young age and Ella is raised by her father, who does not really care about her, but himself and status more. She is sent away to finishing school where she is controlled by two girls who discover her secret, Hattie and Olive.

Ella escapes finishing school and charms ogres, reunites with the Prince (who she earlier befriended), and discovers that her father has lost his fortune and plans to remarry. Not only is the horrible woman Mum Olga going to be her stepmother, but her stepsisters are going to be the terrible Hattie and Olga. When these ladies discover Sir Peter’s lack of finances, they poor their angry into ordering Ella about. Will Ella survive life with these horrible ladies? And will she ever discover a way to break the curse?

This book has action, adventure, romance, and more. I highly recommend it.

Or 10th, 50th, 100th….

But why do I recommend this book to Jane Austen fans? First of all Ella reminds me of Elizabeth Bennet and Emma Woodhouse. All three women are beautiful, witty, from a life of privilege, and brave enough to face on people head to head. But while they are all witty and intelligent, they all tend to act rashly and make decisions that make things difficult for them later on. All of these ladies: Ella, Elizabeth, and Emma; tend to make quick judgements, like to be right, and can have issues with humility.

Areida, Ella’s only friend from finishing school, is extremely sweet and caring, just like Jane Bennet. Areida is bullied at finishing school as her family isn’t wealthy and she has an accent as she is from Ayortha. However, when one of the mean girls who likes to humiliate Areida becomes ill, Areida stays up all night to take care of her. That is such a Jane Bennet thing to do.

Sir Stephen is one of Prince Char’s knights, and while he isn’t in the book long; the way he talks about his dogs reminds me of Sir John. Both men are kind, sweet, and absolutely love their hounds.

Sir Peter, Ella’s father, is extremely similar to General Tilney. He is not a kind man, and only cares about wealth and status. Both men will eagerly trade their children’s happiness to achieve what they want. Like General Tilney, Sir Peter can pretend to be kind and charming to woo a rich woman, in order to gain the wealth and status he desires.

General Tilney

The step family of Olga, Hattie, and Olive remind me of the Elliot’s from Persuasion: Sir Walter Elliot, Elizabeth Elliot, and Mary (Elliot) Musgrove. Like Sir Walter, Dame Olga only cares about status, looks, and having the right presence in society. Hattie and Olive both love to use Ella and have her take care of everything, slowly sucking the soul out of her; just like how Elizabeth and Mary treat Anne. Hattie and Elizabeth only care about themselves and are constantly putting down their sisters. Like Mary, Olive constantly wants attention and likes it whine about how she has the short end of the stick, compares her life to her sisters. When Anne is with her sisters she is often treated as a servant, the same stays that Hattie and Olive downgrade Ella to.

And last, but not least as he is the one that inspired this post: Char. Char reminds me of Mr. Darcy. While Char is full of responsibilities, having been taught at a young age how to be and how his actions reflect on the kingdom (just like Mr. Darcy and Pemberley), they also both share the same characteristic of “when their opinion is lost it is lost forever.”

However, this sentiment does not apply to the woman they care for.

And while Char can be open and fun, he tends to be closed off when he is with people he doesn’t know and only really shows his true self to a select full-like Darcy with Bingley, Elizabeth, Colonel Fitzwilliam, etc. Char also loves and cares for his younger sister, just like Darcy.

It’s one of my favorites and I strongly recommend it.

For more Non-Austen Reads for Austen Readers, go to Catherine Morland’s Reading List: Secrets of the Heart

For more Mother’s Day posts, go to Book Club Picks: Julie

For more on Ella Enchanted, go to At Midnight, Your Coach Will Become a Pumpkin Again, and the Animals Will Regain Their Original Shape Until Your Next Ball: Ella Enchanted

For more fairy tales, go to Once Upon a Time There Were Three Sisters…

For Darkness Shows the Stars

For Darkness Shows the Stars (For Darkness Shows the Stars #1) by Diana Peterfreund

So I picked this book up as you know I will review anything Austen. I thought it was going to be about Pride and Prejudice as most are, but it surprised me and was about Persuasion instead.

Persuasion was published in 1818 after Austen’s death, alongside Northanger Abbey. Out of all the Austen works, these two seem to have the least amount of fans and notice.

It is sad they don’t have more.

I have always found that strange as I love both of these novels.

Even though it isn’t as loved by people, Persuasion has had two films made of it and a lot of it is based on Austen’s feelings of her first love and a wish fulfillment of being reunited.

Anyways, just in case you’ve never heard of it (and as I have yet to work through it as I am still stuck on Emma) I think we need a quick review.

Anne Elliot and Fredrick Wentworth fall in love. He asks her for her hand in marriage, but Anne’s father refuses. Anne is unsure and goes to a family friend for advice; as her mother is dead, her father lives in his own world, and her sisters don’t care. This family friend persuades her to say no as Anne is above him in station, Fredrick has no options for promotion (as his family can’t procure it), the likelihood of him dying and living Anne a penniless widow (as her father will leave her nothing) is very high, and the two are so young.

Hmm…

Anne goes to Fredrick and refuses, him becoming angry as he thinks it is just because of his lack of money and station. (In Anne’s defense the real thing that made her unsure was the stressing of him most likely being killed and her being left alone.)

Years pass, Anne has never seen Fredrick again or stopped loving him. She had other men interested, but refused them as she didn’t love them.

What has changed is the Elliot family fortune, her father and older sister have blown through their money so fast that they are being forced to let out their home to a sea Admiral. A Captain Admiral Croft and his wife, Mrs. Croft. Mrs. Croft who turns out to be Fredrick Wentworth’s sister!

Anne goes to stay with her sister, Mary Musgrove, for a while, while her other sister and father are staying in Bath, with Anne to join them later.

When she is staying with Mary, Fredrick Wentworth returns to visit his sister and husband. Now a Captain, he has also become extremely wealthy; having taken so many risks in the war that he excelled monetarily and was promoted. Captain Wentworth is searching for a wife, and is funny and kind to all; but Anne.

It appears that old hangups remain so. Will Wentworth and Anne be reunited? Will Wentworth marry another?

You have to read the book!

So this science-fiction/Fantasy book takes place in the not too distant future…

Sorry, anyways…there were advancements in technology, so much that they were able to do DNA procedures to make your body excel in ways previously unimaginable, almost cyborg like.

These DNA procedures cause a war between people who believe this is not what God wants, and those who believe that the pursuit of science is the only answer. Unfortunately, they discover they did not know everything, as many of these experiments go wrong as people lose a majority of their faculties.

After wars, bombing, and a complete restructuring of the world they know, the people are divided into two groups: Luddites and the Reduced.

Like the class system in Metropolis.

Luddites are the royalty and own all the land, they care for the Reduced in a feudal system/slave system as the Reduced are tied to the land, but more extensively like slaves, yet not traded and sold as slaves are. Reduced are mutes, who aren’t in complete control of their faculties, need to be supervised, etc.

Recently, things have been shifting as there are “Reduced” who are born very intelligent, able to speak, often called “Children of the Reduced” or “CORs”, and “Post-Reduced” or “Posts” by themselves.

Our main character is Elliot North (Anne Elliot) a wealthy Luddite, one of the oldest Luddite families. She, her father, and sister have a farm; but it is going downhill as her father and sister don’t care about the people, the farm, long term care, but only themselves and what they want. For instance her father has cut down all their apple trees for a “better view” or destroyed Elliot’s planted field for a racetrack.

Elliot tries hard to keep things running, to take her mother’s place, but finds herself drowning in the debt her father and sister, Tatiana North, create. In fact, they have had to rent out her grandfather’s, Chancellor Boatwright, home and ship yard to a set of wealthy free Posts- Admiral Innovation, his wife Dr. Felicia Innovation and their crew: Captain Malakai Wentforth, Andromeda Phoenix, and Donovan Phoenix.

Not good

Elliot’s only solace is the barn, where she would work on her plans, and relive her memories with her old friend, the boy she loved, and Post; Kai. Since she has lost her field and all her months of hard work, nothing seems right. But there is plenty to do on a farm.

When the Innovations and their crew arrive, Elliot finds herself admiring and enjoying the company of the Innovations and the crewman Donovan. Andromeda doesn’t seem to like her one bit, although Elliot has no clue what she could have done to upset her. However, everything changes when she meets Captain Malakai Wentforth. It appears it is her old friend and love has returned-Kai (Captain Fredrick Wentworth).

Years ago the two forged a friendship, (despite her father’s constant striving to keep them apart), a friendship that turned into love. The two made plans to run away together, but in the end Elliot couldn’t do it. She knew she had to fulfill her promise to her mother and take care of the farm and the Posts. She wrote Kai a letter:

Dear Kai,

Please do not hate me. I couldn’t bear it if you hated me.

                      But I cannot go with you.

                      I thought I could. Last night, I thought everything was possible. I thought you were right, that there was nothing for me here, either. Mother’s dead, Grandfather’s locked in his own head, and you’re leaving. Why in the world should I stay? It was a beautiful dream. But outside your room, outside the barn, in the cold light of morning, I realized that was all it was. A dream. There is nothing for me here, but that doesn’t mean I am nothing to the North estate.

                     Today, when I was supposed to be packing, I wandered the estate. I watched the Posts in their little cottages, I watched the Reduced in the fields, and I thought about our lots in life.

                    We can’t escape who we are born to be, Kai. The Reduced are Reduced. They will always be Reduced. And I will always be a Luddite. I was born this way. I will die this way. I can’t turn my back on that. Luddites were handed a sacred trust-we are the caretakers of humanity. Without us, the world would have burned, and all mankind would have been destroyed. I cannot ignore that. I cannot forget who I am.

                    But you are not a Luddite.

                    That’s why I cannot go with you. And also why I can’t ask you to stay.

                     God be with you.

Yours,

Elliot

 Elliot’s feelings for Kai resurface but he wants nothing to do with her.

He is rude, cruel, cynical, and nasty around her. He spends a lot of time with their neighbors, the Groves-Horatio and his younger sister Olivia. Olivia has fallen for Kai, and to Elliot’s utter disappointment it looks like he feels the same way.

Noooo!

But Elliot cannot focus on that only as her long lost cousin, Benedict and air to the North estate, returns eager to regain control of the promised land, her grandfather grows more ill, and her father tries to engage her in even more power plays.

During one of her free moments, she joins Andromeda, Kai, Donovan, Olivia, and Horatio on an outing to the sea cliffs. Kai and Donovan jump from incredible distances, and Andromeda explains that they recognize the wind shifts because of their piloting expertise. As they continue, Elliot realizes something is not right.

When Olivia tries to do the jump, she falls and is horribly injured. While they try and help her, Elliot realizes that Kai is hiding a big secret, one that could destroy everything.

Not good

Once again Eliot finds herself at a fork in the road. Should she follow the man she loves? Or cling to her Luddite responsibilities.

***Spoiler Warning***

I thought it was pretty good story and interpretation of Jane Austen’s Persuasion. Having Wentworth as a slave/serf rather than lower standing put a completely new spin on the relationship.

I liked how in between the time of the novel, there were letters and notes their younger selves passed, giving us a view of how their relationship started.

Aw!

It doesn’t follow the book exactly, but the author did a good job in staying true to the core of the story, while at the same time doing her own thing.

Good job!

Now there are two things I didn’t like.

First, I didn’t like how the author inserted God to create conflict between those who wanted change and mutation and those who wanted things to remain the same. The insertion wasn’t really what bothered me as much as the author not really giving us a stand on how our main character felt. One of the laws is to not try to play with genetics as you are raising yourself for a a fall, messing with things you shouldn’t control, etc. As much as the main character struggles with her ideas and wondering if they are against God, we never see what her relationship to God is. Is she extremely devout? Who or What is her God? What exactly do they believe in their religion? She brings it up constantly, but we never really know why this is such an issue to her because the author chooses to ignore it. We never see her pray, attend church, do any type of worship, etc. In my opinion you either need to go all the way or just leave it out; no in-between.

The second thing that bothered me was how mean Kai was in this. I mean he was horribly cruel. Now in Persuasion she doesn’t really explain herself as to way she refuses him, so he draws his own conclusions. I this Kai knows! He knows that she needs to help care for the people! He knows how her father and sister are, and without Elliot they would be cruel, starve everyone, and run the whole farm down into the groumd! Yet even though he knows this, he is so horrible to her. I understand why the author made him that way, and it completely makes sense as to character to behave in such a way. But it makes it hard to read as he acts like a jerk, before he finally comes to his senses.

But otherwise I thought it was an excellent read and one of the better Austen reinterpretations on the market. I suggest you check it out for yourself.

For more on Persuasion, go to What Would Jane Do?: Quips and Wisdom from Jane Austen

For more Persuasion variations, go to Captain Wentworth’s Diary

For more books based on Jane Austen, go to Suspense & Sensibility (Or First Impressions Revisited)

A Bit Pottery About Jane Austen

So this post was inspired by my ex. Last summer we were watching Sense and Sensibility (1995), as part of a deal we made, and he noticed that a lot of the same actors were in Harry Potter. So I, being the huge Jane Austen fan I am, decided I would compile a list of actors who crossed over from adaptions of the Jane Austen novels into the world of Harry Potter.

Alan Rickman as Professor Severus Snape in the Harry Potter Series and Colonel Brandon in Sense and Sensibility (1995)

So many of you out there know of Severus Snape the Potions instructor from Harry Potter. He is first depicted as a mean, bulling, horrible teacher who dislikes Harry with a fiery passion.

 

Harry thinks Snape is a truly evil character, but it is later revealed that Snape is secretly helping and aiding Harry, working as a double agent against Voldemort.

He loved Harry’s mother Lily, and tried to do everything in his power to protect her. Loving her ’till he died.

Well Alan Rickman played Severus Snape in all the Harry Potter films, and also played Colonel Brandon in Sense and Sensibility (1995).

Colonel Brandon is one of the best Austen heroes. He has such a sad backstory, but still remains kind and good-hearted. When he was younger he fell in love with a girl, but his father broke them up. He went on to India, but she went down an awful life as she fell in love with a man who left her alone and pregnant. She died young, but Brandon took care of her child, raising it as his own. He then falls for Marianne, not caring that she had no fortune, but instead loving her mind and spirit. He is rich and of high social standing, but doesn’t allow those customs to dictate the ways of his heart. He continues loving her and even though she may not care for him, he still wishes her well.

So romantic!

When she is injured and caught in the rain, he carries her to safety. When she catches a cold and almost dies he travels a great distance to bring her mother to her. He is such a kind, generous, and one of the most amazing Austen men.

Both are men who are absolutely romantic, continuing to love their first love and will do anything to help their children. Snape becomes a double agent to protect Harry, all without his knowing. Brandon cares for the daughter of his first love, treating her as if she was his own. They are just amazing characters that you can’t help but love them. Truth be told, I would marry either one.

For more on Snape go to Even After All This Time: Harry Potter and the Deathly Hallows, Part II

For more on Colonel Brandon go to It’s All Jane Austen’s Fault

Elizabeth Spriggs as the Fat Lady in Harry Potter and the Sorcerer’s Stone (2001) and Mrs. Jennings in Sense and Sensibility (1995)

The Fat Lady is the portrait that guards the Gryffindor chamber. The kids have to give her the password before they are allowed in.

Mrs. Jennings is Lady Middleton’s mother, Sir John Middleton’s mother-in-law. She is kind and caring, always trying to send the Dashwoods extra food or inviting them to dinner as she knows the family has a fixed budget. She also invites the girls to join her for a season in London, knowing that they could never afford such a luxury. When stupid Willoughby breaks Marianne’s heart, Mrs. Jennings is in her camp and ready to skin him alive. However, her gossipy and meddlesome ways, does at times make her a difficult person to like all the time.

These two characters aren’t very similar, although they both like to state their views. After the first film, they change the Fat Lady, but I don’t care for those depictions as much as I liked Elizabeth Spriggs.

For more Mrs. Jennings, go to Non-Austen Reads for Austen Readers: Homespun Bride

Emma Thompson as Professor Sybil Trelawney in the Harry Potter Series and as Elinor Dashwood in Sense and Sensibility (1995)

Now the Sybill Trelawney costume is done so well that many of you probably didn’t recognize her. But Trelawney is played by Emma Thompson, who not only wrote the Sense and Sensibility screenplay, but also was one of the lead characters, Elinor Dashwood.

Professor Trelawney is the divination teacher, and I have to side with McGonagall that I feel she makes up more than what she actually sees. But at times she does see things, such as she predicted the destruction of Voldemort. She also predicted the return of Peter Pettigrew and Voldemort.

Elinor is very different from Prof. Trelawney. Elinor is always sensible and quiet, keeping all her feelings and thoughts inside her head, never spouting them off at random times. She is very serious as everything to keep the house going and family together falls on her.

This two are nothing alike at all.

For more on Elinor Dashwood, go to On the 10th Day ‘Til Christmas

Gemma Jones is Madam Pomfrey in the Harry Potter Series and Mrs. Dashwood in Sense and Sensibility (1995)

In Deathly Hallows, Madame Pomfrey is a great healer. She is able to fix everything, from Hermione’s cat appearance to Harry’s broken arm. She is always in charge, cool, collected, and knows just what to do.

Mrs. Dashwood on the other hand is nowhere near the level of Madame Pomfrey. Truth be told we never see how she acts pre-grief, but after the death of her husband she lost in it. Besides the grief/loss, she is also being kicked out of her home, losing everything she owned, forced to move, and is put in conditions she never thought she would be a part of. She does not cope well, both living in the past and doing nothing; leaving everything for her daughter Elinor to take care of.

For more on Mrs. Dashwood, go to A Family Affair

Imelda Staunton as Dolores Umbridge in the Harry Potter Series and Mrs. Charlotte Palmer in Sense and Sensibility (1995)

So as Dolores Umbridge she is evil incarnate. I mean the writing lines in your own blood? How horrifying! How does someone like this work around children? Seriously! And keeping Moody’s eye on her door like some great prize!!! What a, I can’t even say the words…just

She deserved everything she got from the centaurs.

As Palmer though, she isn’t mean or evil, she is just very loud and prattles on ALL the time. You know the type. She is kind of annoying but you love her relationship with her husband (played by Hugh Laurie)

Anyways, even though Charlotte can be annoying and never stops talking, much better than ugh, Umbridge.

Ugh

 

Robert Hardy as Cornelius Fudge in the Harry Potter Series and Sir John Middleton in Sense and Sensibility (1995)

Now as Fudge, he’s a horrible man. He chooses to be a little ostrich and keep his head in the sand rather than deal with the issues that are abounding. He is also extremely awful in the way he tries to turn everyone against Harry. He even brings dementors to the school and tries to kill Buckbeak. He then becomes so afraid of losing his job as Ministry of Magic that he goes crazy trying to make Dumbledore the villain.

While some find Sir John annoying I think he is a really nice guy. He can be a bit intrusive and a gossip, involving himself in other’s affairs (primarily Colonel Brandon’s love life), but he still has a kind and gentle heart. When the Dashwood’s are kicked out of their home, he lets them his cottage for a price far under what it is worth. Not only does he do that, but he invites them over to his house daily, supplying them with food and comfort far beyond their current abilty. He is fiercly loyal and caaring for his friends; standing by Colonel Brandon even when others say things about his rash behavior of breaking up the planned outing. He even forgives Willoughby after the whole Marianne issue. Just an extremely kind man (who definitely deserves more love from the Austen community).

These two guys couldn’t be more different.

For more on Sir John Middleton, go to Let’s Hear it For the Boys

Ciaran Hinds is Aberforth Dumbledore in Harry Potter and the Deathly Hallows: Part 2 (2011) and as Captain Frederick Wentworth in Persuasion (1995)

Now in the films we don’t really get a sense of who Aberforth is. He only comes in at the very end; helping Ron, Hermione, and Harry sneak into Hogwarts for the final battle. He ends up joining the last fight, even though he promised he would do nothing to help his brother as he still blames him for his sister’s death.

Similar to Persuasion, his character Fredrick Wentworth also knows how to hold a grudge. He is upset at Anne for having rejected him all those years ago, but unlike Albus, forgives, moves forward, and the two reconcile.

For more on Captain Frederick Wentworth, go to A Letter of Love: Persuasion (2007)

Fiona Shaw was Aunt Petunia in the Harry Potter Series and Mrs. Croft in Persuasion (1995)

Now here are two characters that couldn’t be more different. As Aunt Petunia, Shaw is just horrible. Petunia is a mean, jealous, cruel, abusive woman. She has always been jealous that her sister Lily had the powers and she had none, therefore unable to go to Hogwarts. She unleashes all her unhappiness and issues on her nephew; locking him in a cupboard, practically starving him, letting her child bully him, etc.

Mrs. Croft on the other hand totally rocks! She and the Admiral’s relationship is so cute as you can see how much the two love each other, so much that Mrs. Croft refuses to stay on land when her husband is at sea, but travels with him as she hates for them to be parted. She also cares deeply about her brother and wants him to be happy. She is so kind to Anne as well and becomes a dear friend to all.

For more on Mrs. Croft, go to Rational Creatures: Anne Elliot, Mrs. Croft, Mrs. Clay, & Louisa Musgrove

Sophie Thompson as Mafalda Hopkirk in Harry Potter and the Deathly Hallows: Part I (2010) and as Mary Musgrove in Persuasion (1995) AND Miss Bates in Emma (1996) AKA the Gwyneth Paltrow Version

Now in the film Malfida Hopkirk doesn’t play as large a role as she did in the book. In the film she seems to be really a nothing character, only being there so Hermione has someone to change into when she, Harry, and Ron are breaking into the Ministry of Magic.

In Persuasion Thomas plays Mary Elliot-Musgrove, Anne’s sister and horribly whiny and annoying. She’s kind of like the Mrs. Bennet of Persuasion. She is the younger sister and has always been jealous of her older and pretty sister Elizabeth, and the nice, quiet, sensitive, sister, Anne. Whenever one of them gets attention she just goes on and on whining about how unfair it is.

Ugh I hate her. I’ll be writing on her more later.

Miss. Bates is a spinster, poor, and dependent on the help of others. She lives through her niece Jane, which subsequently means she will not stop talking about her. Everything makes her think of her, she continuously talks about how perfect she is, going on and on. But unlike Mary, Miss Bates is a nice woman, just lonely and unhappy. But you do understand why Emma has a low tolerance for Jane when she does come to live there.

For more Mary Musgrove, go to For Darkness Shows the Stars

For more on Miss Bates, go to Should We Pity Miss Bates or Strive to Be Her?

Guy Henry plays Pius Thicknesse in the Harry Potter Series and John Knightley in Emma (1996) AKA The Kate Beckinsale Version

Now Pius played a bigger role in the books than they give him in the films. In fact, you hardly spend anytime seing him the film, making him pretty nonexistent.

Guy Henry also plays John Knightly in the Emma (1996) and John is so annoying. He doesn’t care what anyone says only what he thinks is right. He is such a wet blanket and AWFUL I have a whole ‘nother post on him.

For more on John Knightly, go to Take a Chill Pill John Knightley

Mark Williams played Arthur Weasley in the Harry Potter Series along with Sir John Middleton in Sense and Sensibility (2008)

As Arthur Weasley, we have the pure, albeit poor, wizard. He is deeply interested in muggle things and always asking questions on what is the purpose of this item or that one.-just utterly adorable!

But don’t let that fool you. He still is a butt-kicking member of the Order of the Phoenix and will do anything in his power to take down Voldemort. He also is a great father to not only his kids, but to Harry and Hermione as well.

Now Sir John is kind and adorable but as said earlier, often people find him annoying.  He can be a bit intrusive and a gossip, involving himself in other’s affairs (primarily Colonel Brandon’s love life). Now in this remake they toned it down from how active he was in the book and 1995 version, causing his mother-in-law to be the one who really is the busybody.

He is fiercly loyal and caring for his friends and just one of the sweetest guys ever.

Michael Gambon replaced the original Albus Dumbledore in the Harry Potter Series and is Mr. Woodhouse in Emma (2009)

As Dumbledore, Gambon plays the extremely powerful professor, who has a ton of secrets and never reveals them to Harry Potter-even though most of them have to do with him. Before the death of his sister he was wild, opinionated, rash-but after he lost her, he became calm, cautious, tempered, and loved by all the students.

As Mr. Woodhouse, he’s completely different. After he lost his wife to illness, he shrunk as a man. He became very fearful; everything could cause issues and pain, like cake, going outside, etc.

The two are similar in that tragic deaths in their past changed them significantly, but unlike Mr. Woodhouse, Dumbledore isn’t afraid of the world, but afraid of himself.

For more on Mr. Woodhouse, go to All By Myself

All this resulting in:

and

and

and

and

and

For more Sense and Sensibility, go to A Sense of Sense and Sensibility

For more Emma, go to Obviously You Never Met George Knightly

For more on Persuasion, go to Opening With…

For more Harry Potter, go to When In Doubt

A Letter of Love: Persuasion (2007)

Romantic Moment #14

Persuasion (2007)

So first of all:

So last year I ended the Romance is in the Air posts with Northanger Abbey. I thought this could become a tradition, always ending on a Jane Austen film. Hmmm…I wonder what next year will bring? Who knows?

Anyways, so two of my favorite Jane Austen books/films are Northanger Abbey and Persuasion. I mean I love the others, but I feel like these two are really forgotten by the fans and never gets any love.  Which is just not fair because they are fantastic books and movies. They deserve fans!!! Love them!

Okay, let’s step back from the crazy. Sorry.

So Persuasion is a wish fullfillment piece by Jane Austen. Jane fell in love with a rich man from a good family, very Pride & Prejudice, but his family strongly disapproved and took him away from her in order to make sure their attraction didn’t turn into something scandalous like marriage. While Jane had offers from other men, she never stopped loving him and waited for him to come back into her life. (So now that you know this you will understand this movie/book even better.) Another fun,  fun is not the right word let’s go with interesting  an interesting fact, Jane died before this and Northanger Abbey were published so she didn’t name them. Her brother, who had them published, decided what they should be called based on what he thought would be interesting.

So, anyways, the film begins with nineteen-year old Anne Elliot getting engaged (secretly) to young naval officer Frederick Wentworth. However, her mother figure (as her mom is dead) and family friend, Lady Russell, convinces her to end the engagement. She tells her she is too young, that it is risky marrying an officer going off to war, he could die, she could end up a widow, she could be penniless, etc. (Lady Russell brings up some good points, but she also wanted to end the marriage as Anne was a higher station and had more money. She thought Fredrick Wentworth wasn’t good enough for her Anne.) Anne really values Lady Russell’s opinion and breaks off the engagement, even though it breaks her heart and she regrets it everyday.

Fast forward eight years and things have drastically changed. Anne’s father, Sir Walter, and older sister, Elizabeth, have squandered A LOT of the family fortune on their vanity. Anne tried to reign in the spending, but no one would listen as her sister has the position of running the home (that is until she is married). They now have to lease out their home and reside somewhere else. And just who should be living in their home, Admiral Croft and Mrs. Croft. Mrs. Croft just happens to be Frederick Wentworth’s sister. And to even add to it, her brother has had an increase in his fortunes. He made so much money in maritime victories during the Napoleonic wars. (He had no one to live for so he took A LOT of risks and they paid, boy did they pay.) He also was promoted to Captain.

Her father and sister leave for Bath, where they will be spending the season. Anne goes to see her bratty, hypochondriac, annoying, selfish, younger, sister, Mary. (As you can tell I don’t like her.) Mary is married to Charles Musgrove, a guy who wanted to marry Anne but she turned down as she still loved Frederick. He then married his sister to spite her, and spent the rest of his life (and family’s life) regretting that choice. Mary lives nearby the old Elliot homestead, so wouldn’t you know it, she runs into Frederick several times.

To make matters worse, Frederick is so hurt and still heartbroken that he just ignores her and won’t say anything. This pains Anne as she still loves him and is just bursting to tell him how she feels but scared. And then to further rub salt in the wound, Charles’ younger, pretty, single, sisters are both making a play for him.

And not only does he like it (of course, duh); but he totally plays it up in front of her. Just like a guy.

Although I totally get what he’s doing. I mean she turned him down and didn’t do it in the best way. He started thinking she was only interested in the fact that he had no money, otherwise a “Good Charlotte Witch“.

Anyways, so the rest of the family has no clue what happened between Anne and Capt. Wentworth. So they purposely keep trying to bring Wentworth over. The one sister, Henrietta, stops her flirtations with Wentworth as her cousin is deeply into her. Everyone believes that Wentworth will ask for Louisa’s hand, but he still hasn’t gotten over Anne, but is just trying to get at her.

The whole family decides to travel down to Lyme Regis, with Wentworth to visit his friend,  Captain Harville and Captain James Benwick. Benwick recently lost his fiancé, the sister of Harville, and is stilll grieving her. He loves poetry and he and Anne become close. People start speculating about more happening between them, which does not make Wentworth happy.  Anne also attracts the attention of the Elliots’ long-estranged cousin, and her father’s heir, William Elliot. Also disturbing Wentworth.

Things change when Louisa suffers from a fall and gets a serious concussion, because of her stubborn behavior (she’s the girl that does whatever she wants). Anne is the only able to keep her head and assist her. The Musgroves care for her and Anne goes to Bath. Captain Wentworth faces the fact that when Louisa recovers he may be tied to her forever, which is something he is not so sure he wants to do.

In Bath, Anne finds out that her father and Mr. Elliot, her cousin, have fixed their relationship. Elizabeth assumes that he wishes to court her while Lady Russell more correctly suspects that he admires Anne.  Anne doesn’t really like Mr. Elliot, she feels like something is not right about him and tries to avoid him as much as possible.

Admiral Croft, having heard a rumour of Mr. Elliot’s proposal to Anne, sends Wentworth to ask Anne if she and her new husband require them to quit Kellynch Hall. Anne informs Wentworth that Admiral Croft has been  misinformed.

There’s hope!

Soon the Crofts, Musgroves, Benwick, Harville, Wentworth, etc; the whole crew comes to Bath. Louisa is engaged, but not to Wentworth, but Benwick. Wentworth is not happy about Mr. Elliot’s attentions to Anne, not at all. Anne also goes to visit her friend, Mrs. Smith, who is a struggling widow. She tells Anne that Mr. Elliot is not a nice guy at all. He has been so determined to inherit everything that he has been going after Sir Walter’s love interest in order to ensure he doesn’t remarry and have a son. Anne is shocked, but it reaffrims her feelings of mistrust toward him.

Wentworth is moved by what he overhears Anne says about women never giving up their feelings of love even when all hope is lost. This makes him brave enough to share his feelings and he writes her a letter telling her how he feels.  Anne recieves the letter and runs after Wentworth, there he proposes and she accepts. We fast forward, and Wentworth is surprising Anne with a gift. It’s her old house!

Most Romantic Moment: 

He writes one of the most beautiful letters ever! Now the thing I really love about Persuasion is you can just feel for the characters, everyone has experienced rejection and heartbreak; and the hardest thing can be trying to put yourself out there. So we have Wentworth who loved Anne, had his heart thrown through a shedder. He realizes that he loves Anne, but should he say something? Does she still love him? Is she angry over the way he treated her? Has she moved on? Will she reject him again? This has to be one of the bravest and romantic things ever.

I can listen no longer in silence. I must speak to you by such means as are within my reach. You pierce my soul. I am half agony, half hope. Tell me not that I am too late, that such precious feelings are gone for ever. I offer myself to you again with a heart even more your own than when you almost broke it, eight years and a half ago. Dare not say that man forgets sooner than woman, that his love has an earlier death. I have loved none but you. Unjust I may have been, weak and resentful I have been, but never inconstant. You alone have brought me to Bath. For you alone, I think and plan. Have you not seen this? Can you fail to have understood my wishes? I had not waited even these ten days, could I have read your feelings, as I think you must have penetrated mine. I can hardly write. I am every instant hearing something which overpowers me. You sink your voice, but I can distinguish the tones of that voice when they would be lost on others. Too good, too excellent creature! You do us justice, indeed. You do believe that there is true attachment and constancy among men. Believe it to be most fervent, most undeviating, in

F. W.

I must go, uncertain of my fate; but I shall return hither, or follow your party, as soon as possible. A word, a look, will be enough to decide whether I enter your father’s house this evening or never. 

So romantic!

That is so romantic, just laying everything out like that. He totally threw caution aside and just told her everything.

So romatic! And that is just one of the best ways to try and win a girl back. Conclusion:

So now because it is my blog, and I want to, I am going to review my favorite parts of the letter.

So that ends this Valentine countdown. I hope you all have a wonderful holiday whether you are single or in a relationship. Eat lots of candy, wear red, watch sappy movies; that’s what I’ll be doing. 😀

For more Persuasion go to A Frederick Wentworth Sighting, Let’s Hear it for the Boys, and On the 10th Day ‘Til Christmas

In other news:

 

For the 100th post, go to Wanna Grow Old With You: The Wedding Singer (1998)

For the 300th post, go to That’s What You Get