What’s Your Favorite Scary Movie?: Scream (1996)

So this Horrorfest, I am going to be doing something a little different. We are going to have “Screamtastic Saturdays”. Every Saturday in October going to be on a different Scream movie. So let’s kick it off with:

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What’s your favorite scary movie?

*Spolier Alert*

So I really loved this movie. I have to say that I was originally disappointed in Wes Craven as Nightmare on Elm Streettotally tanked. This film was by far, much better. One of the coolest things about this film is that it is a parody of horror films, while still being its own horror film.

So the beginning starts off with Drew Barrymore cooking popcorn and preparing for a fun night in watching scary movies with her boyfriend. Just like When A Stranger Calls, she receives a strange phone call and is at first into it, thinking it is just a joke.

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However, it quickly turns serious as the caller threatens Casey that he is going to kill her and her boyfriend, Steve.

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But she has a chance at being saved, all she has to do is answer who was the killer in Friday the 13th.

“Phone Voice: Name the killer in Friday the 13th.

Casey: Jason! Jason! Jason!

Phone Voice: I’m sorry. That’s the wrong answer!

Casey: No, it’s not. No it’s not. It was Jason.

Phone Voice: Afraid not. No way.

Casey: Listen, it was Jason! I saw that movie 20 g******* times!

Phone Voice: Then you should know that Jason’s mother, Mrs. Voorhees was the original killer. Jason didn’t show up until the sequel. I’m afraid that was a wrong answer.

Casey: [Weeping] You tricked me.

Phone Voice: Lucky for you there’s a bonus round, but poor Steve… I’m afraid he’s OUT!”

Steve is murdered and Casey runs throughout the house trying to get away from the killer. Of which she doesn’t make it out and finds herself victim #1.

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And thus the body count begins…

So the killing of Drew Barrymore holds two significant things. One, she was one the most famous actress in the film, and was killed first. This was supposed to be a homage to Alfred Hitchcock’s Psycho (1960), in which the most famous actress of the film, Janet Leigh, was only in the movie for a short while before she was killed. This was also supposed to be a parody of Craven’s film Nightmare on Elm Street, when the first character we meet, Tina (played by Amanda Wyss), is killed. Craven also had his character Casey wear white just like Tina in Nightmare on Elm Street.

The next day, the town Woodsboro is just ravaged by reporters who are eager to find out more about this murder, especially since it occurred almost exactly a year after their little town experienced a murder just as gruesome. The murder of Maureen Prescott by Cotton Weary.

Meanwhile, Sidney Prescott (Neve Campbell) is trying to cope with everything that is going on.

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As to be expected she is having a really hard time with the anniversary of her mother’s death. When she hears about the murders and sees the reporters crawling all over town and school, the memories of the past year come flooding back.

AAAAAAAAAAAAAAAAAAAAAAAHHHHH!!!!!!!!!!!!!!!

AAAAAAAAAAAAAAAAAHHHH!!!!!!!!!!!

One of her other big issues is her boyfriend Billy Loomis.

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Okay, I just have to go off on a tangent here: Billy is sooooooooooooo creepy looking. When I first saw this I was like he is toooootally the killer. I mean LOOK AT HIM! He has killer written alllll over him. Those eyes, they are super frightening. And the way he talks? He tells Sidney that he was watching Silence of the Lambs and that made him think of her and want to come over and get ”together”. What a freak!

Certified Creepo Ribbon

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(BTW it is another Psycho reference. Billy Loomis is a homage to Sam Loomis, Marion Crane’s boyfriend in Psycho; and Dr. Sam Loomis in Halloween.)

The two have been having issues since Sidney’s mom died. She was so traumatized by the event that she has isolated herself and found it hard to let anyone in again. Her best friend Tatum is cool with it as she understands Sidney needs time to grieve, but Billy has been having a hard time backtracking from third base to the benches. Ladies, let me just say that if any guy ever tries to pressure into having sex when you aren’t ready, junk punch him and run away. You don’t need that loser in your life.

To top off the already bad day, Sidney’s father has to go out of town, leaving Sidney all alone in a big house.

Yep, gonna make references all night.

Yep, gonna make When a Stranger Calls  references all night.

Sidney makes plans to meet up with Tatum and stay at her place, but falls asleep at home when Tatum is late picking her up. While Sidney is waiting she gets a phone call from the killer who starts harassing her. And she stupidly calls throughout the house trying to find him.

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“Sidney Prescott: Can you see me right now?  Ah, okay. [puts a finger in her nose] What am I doing? Huh? Huh? What am I doing? Hello? [takes finger out] Nice try, Randy. Tell Tatum to hurry up, okay? Bye now.

Ghostface: IF YOU HANG UP ON ME, YOU’LL DIE JUST LIKE YOUR MOTHER! Do you want to die, Sidney? Your mother sure didn’t.

Sidney Prescott: F*** you, you cretin!”

Soon the killer comes in her house and she has to run away from him and try to get the police there before she is victim #3. Billy shows up, climbing through her window saving her; that is until Sidney sees that he has a cellphone and freaks out, having the police cart him away.

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So there are a couple places that were filmed in Santa Rosa, CA. One was the bathroom scene in which Sidney is attacked, the other is Tatum’s house which is right across the street from the house used in Pollyanna (1960). It is also across the street from the house used in Alfred Hitchcock’s Shadow of a Doubt (1943). The house in the opening scene was next door to the house used in Cujo (1983). As I lived in that area when I attended college, I’ve been there. 

Sidney spends the night at Tatum’s house and the next day is completely crazy. Billy was released as they had nothing to hold him on. And they still are unable to find her father as he never checked into his hotel. Plus Gale Weathers, a reporter who has been harassing her for a over year, is back and won’t let up.

“Gale: There she is! Sidney, hi, what happened? Are you alright?

Tatum: She’s not answering any questions alright. Just leave us alone.

Sidney Prescott: No, no Tatum it’s OK. She’s just doing her job, right Gale?

Gale: That’s right.

Sidney Prescott: So how’s the book?

Gale: Oh it’ll be out later this year.

Sidney Prescott: Oh, I’ll look for it.

Gale: I’ll send you a copy.

[Sidney turns around a punches Gale in the face]”

Scream-Punch

Also at the school we have a little Wes Craven easter egg, as he plays the janitor and dresses in a Freddy Krueger sweater.

The principal (Henry Winkler) decides to suspend school until further notice as it is just too risky for the students. After they all have left, he finds himself joining the body count as well, victim #3.

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The death of the principal was actually added to the film late into production. Bob Weinstein noticed there were 30 pgs in the script where no one was murdered and they decided that they needed another victim.

AAAAAAAAAAAAAAAAAAAAAAAHHHHH!!!!!!!!!!!!!!!

AAAAAAAAAAAAAAAAAAAAAAAHHHHH!!!!!!!!!!!!!!!

Billy’s friend Stu decides to throw a party and have all the kids in school come. I don’t understand why anyone’s parents would allow their kids to go out like that with A FREAKIN’ KILLER ON THE LOOSE. Come on people, Parent!!

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At the party, the kids are chillin’, drinking beer, watching horror films, etc. Billy and Sidney go upstairs and talk, resulting in the two having sex.

Meanwhile downstairs Tatum goes off to the garage to get more beer and is attacked by the killer. This garage scene is the only weak link in the film. First of all when Tatum walks over to the garage door and it almost closes on her, that would never happen. My dad is a contractor and I remember when I was a kid I thought the garage would close on me too; however, they design garage doors specfically to not do that. In fact, they have a certain radius that if someone was to walk within that circle the door would stop. And come on she IS IN A FREAKIN’ GARAGE!!! Do you know how many weapons there are in that thing? She passes over a hoe, rake, and a shovel! You see all kinds of tools throughout their fight too. She could easly find something to attack him and win. Although I do have to give props to Wes for allowing Tatum to to put up such a great fight.

Victim #3

Victim #4

Back in the living room,  Randy is giving a rundown on how to survive a horror film,  (* are the rules that are given by the killer).

  1. You will not survive if you have sex
  2. You will not survive if you do drugs or drinks
  3. You will not survive if you say “I’ll be right back.”
  4. Everyone is a suspect
  5. *You will not survive if you ask “Who’s there.”*
  6. *You will not survive if you go out to investigate a strange noise*

While all this is going on, Gale and Tatum’s brother Officer Dewey, have been spying on the party. Gale has snuck a camera into the party, so that she can view everything from her van. She and Dewey both take a break though, “walking off” together where they come upon Sidney’s father’s abandoned car.

Mal_huh Whoa Wow

Everyone back at the party gets the news that the principal is dead and had been strung up on the football field. Almost everyone leaves; with just Randy, Sidney, Billy, Stu, and Gale’s cameraman Kenny (in the van) staying behind. The killer comes out and starts attacking.

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One of the best scenes is the scene is when a drunk Randy is watching Halloween and telling Jamie Lee Curtis’ character to turn around while the killer is behind him (Randy). He constantly repeats, “Jamie, turn around. Turn around, Jamie!” as the killer is slowly creeping up behind him.

So Kenny and Dewey fall victim to his knife.

Victim #8

Victim #5 & 6

After Sidney and Billy are done having sex and have changed back into their clothes the killer charges in and stabs Billy (#7), while Sidney manages to run away and finds Tatum’s body.

As she continues running she runs in the path of Gale who was fleeing the killer in her van. Gale swerves to miss Sidney and crashes, getting knocked out. Sidney goes back to the house, taking the gun from the dying Dewey. She runs into Randy and Stu and is unsure who is the killer. She then runs into a wounded Billy and gives him the gun. Billy immediately shoots Randy (#8) and stands up.

Say What

Yep, Billy isn’t injured at all. In fact, it was all a ploy he is the real killer.

dun-dun-duuuun

Corn Syrup

Billy: Corn Syrup, just like in the real movies.

Yep, the whole time Billy and Stu have been the killers. From Sidney’s mom (the real first victim) to everyone else.

“Sidney Prescott: Why? Why did you kill my mother?

Billy: Why? WHY! You hear that Stu? I think she wants a motive. Well I don’t really believe in motives Sid, I mean did Norman Bates have a motive?

Stu: No.

Billy: Did we ever find out why Hannibal Lecter like to eat people? DON’T THINK SO! See it’s a lot more scarier when there’s no motive, Sid. We did your Mom a favor, Sid. That woman was a slut-bag whore who flashed her s*** all over town like she was Sharon Stone or somethin’.

Stu: Yeah, we put her out of her misery, ’cause let’s face Sidney, your mother was no Sharon Stone,hmm?

Billy: Is that motive enough for you? How about this? Your slut mother was f****** my father and she’s the reason my mom moved out and abandoned me. [Sid looks astonished] How’s that for a motive? Maternal abandonment causes serious deviant behaviour. It certainly f***** you up. It made you have sex with a psychopath.”

Yep, and not only that, but the two planned the whole thing out so that her father would take the blame, making it look like he had a mental breakdown on the anniversary of his wife’s death and started killing people. They kidnapped her father and brought him out of hiding for their final act. Billy and Stu planned that original attack on Sidney (when Billy was arrested) to make any second arrest look false and questionable.

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Of course their plan will not be complete until they make themselves look like victims. Stu stabs Billy, and Billy stabs Stu. While the two are monologing and arguing they have seemed to forget one important thing.

 Sidney and her father have disappeared.

“Stu: S***…

Billy: What?

Stu: Oh, s***.

Billy: [They go into the kitchen to find Sidney and Mr. Prescott gone] Where are they? Where are they?

Stu: I don’t know, Billy, but I’m hurtin’, man!

Yep, just like they say in Dial M for Murder, you can never plan the perfect murder. What sounds good on paper can never transfer to real life, because in real life there are just too many things that can go wrong.

“Margot Mary Wendice: Do you really believe in the perfect murder?

Mark Halliday: Mmm, yes, absolutely. On paper, that is. And I think I could, uh, plan one better than most people; but I doubt if I could carry it out.

Tony Wendice: Oh? Why not?

Mark Halliday: Well, because in stories things usually turn out the way the author wants them to; and in real life they don’t… always.”

So here Stu and Billy find themselves completely off script, and unsure…

[the phone rings]

Stu: Should I let the machine get it?

Billy: [answers it] Hello?

Sidney Prescott: Are you alone in the house?

Billy: B****! You b****, where the f*** are you?

Sidney Prescott: Not so fast, we’re going to play a little game. It’s called: Guess who just called the police and reported your sorry motherf******* a**!
[Stu is slowly collapsing to the floor]
Billy: Find her, you dips***! Get up!
Stu: I can’t, Billy. You already cut me too deep. I think I’m dying here, man!
Billy: [Billy gives Stu the phone] Talk to her. Talk to her.
Stu: Hello?
Sidney Prescott: Ah, Stu, Stu, Stu… What’s your motive? Billy’s got one. The police are on their way. What are you going to tell them?
Stu: Peer pressure. I’m far too sensitive.
Billy:[Billy takes the phone back] I’m going to rip you up, b****, just like your f****** mother!
Sidney Prescott: You’ve gotta find me first, you pansy-a** momma’s boy!”

Now the game of cat and mouse has changed with the hunted becoming the hunters.

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In the end Gale, Sidney, Dewey, Mr. Prescott, and Randy survive (only 5 victims).

So that was Scream one of the best horror-parodies ever made.

This film really brought back the slasher genre, as after this slasher remakes and slasher film numbers escalated. It also brought up the debate on whether or not violence in movies affected people and caused them to become more violent? The most important thing is that this film increased was the use of caller ID and made such phone harassment much harder to do. Although not for me.

The other thing I realized in this film is that I am soooooo Randy.

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I also realized that just like in The Cable Guy, I’m only a few steps away from the crazy.

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Well, that’s Scream. Tune in next Saturday for Scream 2.

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To start Horrorfest III from the beginning, go to Even a Man Pure of Heart

To go to the previous post, go to In Their Proper Place

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For more on Scream, go to When Horror Doesn’t Stay on the Screen

For more on Wes Craven, go to Krueger Town

For more on phone harrasment, go to It’s Coming From Inside the House

For more films influenced by Alfred Hitchcock, go to Everyone’s Entitled to One Good Scare

For more on serial killers, go to Hello? Is There a Killer in My Kitchen?

For more on slasher films, go to Camp Blood

For more films that spanned numerous sequels, go to He Who Walks Behind the Rows

I Don’t Want the Money: It Happened One Night (1934)

Romantic Moment #7

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It Happened One Night (1934)

This is one of my all-time favorite romantic films. First of all it is by one of my favorite directors, Frank Capra, and fav actors; Clark Gable and Claudette Colbert. I just love this trio, especially when they are all in one film.

Ellen “Ellie” Andrews (Colbert) is a spoiled heiress who is tired of living under her father’s restrictions. She married the first guy she could, fortune-hunting “King” Westley. Her father has sequestered Ellie until her can get her an annulment. She only has so long to get to New York  and reunite with King before the annulment is finalized. She escapes from the yacht that has been her prison and takes off, boarding a bus.

Peter Warne (Gable) is a journalist and on the outs with his boss. He needs a really great story, an exclusive, in order to make things right. He and Ellie end up sitting next to each other and Peter figures out who she is. He makes a bet with his editor (sound familiar?) that he has a great story, the best ever; and goes on to talk to Ellie. He gives her the option of him 1) going along with her and writing a heartfelt story about the power of love, etc or 2) he will turn her in and collect all the reward money. Needless to say Ellie chooses the first option.

Soon the two are partners in this endeavor. Ellie’s money and luggage are stolen and she has to rely on Peter to help her, since she has no clue what she’s doing. Later, Ellie gives a poor family  the rest of Peter’s money, leaving them completely broke until they can get to New York. They soon have to leave the bus as one of the other passengers recognizes her and they have to walk through the forest. Later they have to hitchhike, Colbert doing the famous “leg scene“. They get picked up, but then the guy tries to steal their luggage and Peter has to go after him. He comes back with their stuff and the guys, finding a place to stay. Throughout this adventure the two start to fall in love (the first film to do the “two who hate each other love each other in the end after being stuck with each other”). That night, Ellie tells Peter she loves him, but Peter doesn’t say anything. Instead, he waits until Ellie is asleep and takes off. He gets all the way to his editor in New York and sells him the story; wanting to tell Ellie how he feels but not wanting to do that with nothing to his name. He wants offer Ellie more than himself (although all Ellie wants is him not money or anything more.) Peter and the editor spend the night working on the story of his and Ellie’s adventures and their love. Meanwhile, Ellie wakes up to find Peter and the stuff gone. Thinking he walked out on her she calls her dad, who at this point is so happy to see her that he doesn’t care of she wants to marry the mimbo King, but will even throw her a new wedding, since he is so happy to have her back. Peter and Ellie pass each other, Peter on his way to see Ellie, and Ellie on her way off with King. Peter thinks Ellie didn’t want him and both are mad and hurt at the other. Ellie is about to have her wedding, but her father (who had met Peter) convinces Ellie that Peter loves her. He tells Ellie that he has everything ready for if she wants to take off. Ellie does and is reunited/married to Peter.

Favorite Romantic Moment:

Now this film has quite a few, but this is one of my favs. Ellie’s father is so thankful to have her safe and back in his life he decides that Peter should get the reward money. After all, if Ellie hadn’t had Peter she would have been molested by men on the bus (Peter saved her from them), starved (Peter gets her food, even digging up carrots when they had nothing), etc. Peter comes but instead he refuses. He doesn’t want a single thing, other than what he spent on Ellie.

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Now I know that this is a movie cliché we see in lots of films, Pretty Woman, Anastasia, etc. (this was actually the first film to do this); but let’s think about the time this film takes place. 1934. That’s right, smack-dab in the middle of the Great Depression. I mean think about how bad the unemployment is right now. Imagining it? Well it is, at the worst as it depends by state, is 4.8%. In 1934, it was 21.7%. That’s really bad. So here is a guy who has no job as he not only was on the outs and fired in the first place, but then his exclusive story turned out to be naught. So here he is with no job, no money, and no options. But instead of taking the reward, thousands of dollars, he takes nothing. Only $39.60 as reimbursement.

So romantic!

So romantic!

He loves her so much that he can’t have their time and memories tainted. Instead he’d rather be poor. How romantic! He has honor, morals, and principles! ❤

Alexander Andrews: Oh, er, do you mind if I ask you a question, frankly? Do you love my daughter?

Peter Warne: Any guy that’d fall in love with your daughter ought to have his head examined.

Alexander Andrews: Now that’s an evasion!…Do you love her?

Peter Warne: A normal human being couldn’t live under the same roof with her without going nutty! She’s my idea of nothing!

Alexander Andrews: I asked you a simple question! Do you love her?

Peter Warne: YES! But don’t hold that against me, I’m a little screwy myself!

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

[as he walks Ellie down the aisle, Mr. Andrews talks to her]

Alexander Andrews: You’re a sucker to go through with this. That guy Warne is OK. He didn’t want the reward. All he asked for was $39.60, what he spent on you. Said it was a matter of principle. You took him for a ride. He loves you, Ellie. He told me so. You don’t want to be married to a mug like Westley; I can buy him off for a pot of gold. And you can make an old man happy and you won’t do so bad for yourself. If you change your mind, your car’s waiting at the back gate.

I LOVE this film!

For more on It Happened One Night check out My Favorite Movie Lines

For more on Frank Capra go to Bringing the World to Your Backyard

If you liked this post, check out On the 8th ‘Til of Christmas  and the 9th Day ‘Til Christmas