For Darkness Shows the Stars

For Darkness Shows the Stars (For Darkness Shows the Stars #1) by Diana Peterfreund

So I picked this book up as you know I will review anything Austen. I thought it was going to be about Pride and Prejudice as most are, but it surprised me and was about Persuasion instead.

Persuasion was published in 1818 after Austen’s death, alongside Northanger Abbey. Out of all the Austen works, these two seem to have the least amount of fans and notice.

It is sad they don’t have more.

I have always found that strange as I love both of these novels.

Even though it isn’t as loved by people, Persuasion has had two films made of it and a lot of it is based on Austen’s feelings of her first love and a wish fulfillment of being reunited.

Anyways, just in case you’ve never heard of it (and as I have yet to work through it as I am still stuck on Emma) I think we need a quick review.

Anne Elliot and Fredrick Wentworth fall in love. He asks her for her hand in marriage, but Anne’s father refuses. Anne is unsure and goes to a family friend for advice; as her mother is dead, her father lives in his own world, and her sisters don’t care. This family friend persuades her to say no as Anne is above him in station, Fredrick has no options for promotion (as his family can’t procure it), the likelihood of him dying and living Anne a penniless widow (as her father will leave her nothing) is very high, and the two are so young.

Hmm…

Anne goes to Fredrick and refuses, him becoming angry as he thinks it is just because of his lack of money and station. (In Anne’s defense the real thing that made her unsure was the stressing of him most likely being killed and her being left alone.)

Years pass, Anne has never seen Fredrick again or stopped loving him. She had other men interested, but refused them as she didn’t love them.

What has changed is the Elliot family fortune, her father and older sister have blown through their money so fast that they are being forced to let out their home to a sea Admiral. A Captain Admiral Croft and his wife, Mrs. Croft. Mrs. Croft who turns out to be Fredrick Wentworth’s sister!

Anne goes to stay with her sister, Mary Musgrove, for a while, while her other sister and father are staying in Bath, with Anne to join them later.

When she is staying with Mary, Fredrick Wentworth returns to visit his sister and husband. Now a Captain, he has also become extremely wealthy; having taken so many risks in the war that he excelled monetarily and was promoted. Captain Wentworth is searching for a wife, and is funny and kind to all; but Anne.

It appears that old hangups remain so. Will Wentworth and Anne be reunited? Will Wentworth marry another?

You have to read the book!

So this science-fiction/Fantasy book takes place in the not too distant future…

Sorry, anyways…there were advancements in technology, so much that they were able to do DNA procedures to make your body excel in ways previously unimaginable, almost cyborg like.

These DNA procedures cause a war between people who believe this is not what God wants, and those who believe that the pursuit of science is the only answer. Unfortunately, they discover they did not know everything, as many of these experiments go wrong as people lose a majority of their faculties.

After wars, bombing, and a complete restructuring of the world they know, the people are divided into two groups: Luddites and the Reduced.

Like the class system in Metropolis.

Luddites are the royalty and own all the land, they care for the Reduced in a feudal system/slave system as the Reduced are tied to the land, but more extensively like slaves, yet not traded and sold as slaves are. Reduced are mutes, who aren’t in complete control of their faculties, need to be supervised, etc.

Recently, things have been shifting as there are “Reduced” who are born very intelligent, able to speak, often called “Children of the Reduced” or “CORs”, and “Post-Reduced” or “Posts” by themselves.

Our main character is Elliot North (Anne Elliot) a wealthy Luddite, one of the oldest Luddite families. She, her father, and sister have a farm; but it is going downhill as her father and sister don’t care about the people, the farm, long term care, but only themselves and what they want. For instance her father has cut down all their apple trees for a “better view” or destroyed Elliot’s planted field for a racetrack.

Elliot tries hard to keep things running, to take her mother’s place, but finds herself drowning in the debt her father and sister, Tatiana North, create. In fact, they have had to rent out her grandfather’s, Chancellor Boatwright, home and ship yard to a set of wealthy free Posts- Admiral Innovation, his wife Dr. Felicia Innovation and their crew: Captain Malakai Wentforth, Andromeda Phoenix, and Donovan Phoenix.

Not good

Elliot’s only solace is the barn, where she would work on her plans, and relive her memories with her old friend, the boy she loved, and Post; Kai. Since she has lost her field and all her months of hard work, nothing seems right. But there is plenty to do on a farm.

When the Innovations and their crew arrive, Elliot finds herself admiring and enjoying the company of the Innovations and the crewman Donovan. Andromeda doesn’t seem to like her one bit, although Elliot has no clue what she could have done to upset her. However, everything changes when she meets Captain Malakai Wentforth. It appears it is her old friend and love has returned-Kai (Captain Fredrick Wentworth).

Years ago the two forged a friendship, (despite her father’s constant striving to keep them apart), a friendship that turned into love. The two made plans to run away together, but in the end Elliot couldn’t do it. She knew she had to fulfill her promise to her mother and take care of the farm and the Posts. She wrote Kai a letter:

Dear Kai,

Please do not hate me. I couldn’t bear it if you hated me.

                      But I cannot go with you.

                      I thought I could. Last night, I thought everything was possible. I thought you were right, that there was nothing for me here, either. Mother’s dead, Grandfather’s locked in his own head, and you’re leaving. Why in the world should I stay? It was a beautiful dream. But outside your room, outside the barn, in the cold light of morning, I realized that was all it was. A dream. There is nothing for me here, but that doesn’t mean I am nothing to the North estate.

                     Today, when I was supposed to be packing, I wandered the estate. I watched the Posts in their little cottages, I watched the Reduced in the fields, and I thought about our lots in life.

                    We can’t escape who we are born to be, Kai. The Reduced are Reduced. They will always be Reduced. And I will always be a Luddite. I was born this way. I will die this way. I can’t turn my back on that. Luddites were handed a sacred trust-we are the caretakers of humanity. Without us, the world would have burned, and all mankind would have been destroyed. I cannot ignore that. I cannot forget who I am.

                    But you are not a Luddite.

                    That’s why I cannot go with you. And also why I can’t ask you to stay.

                     God be with you.

Yours,

Elliot

 Elliot’s feelings for Kai resurface but he wants nothing to do with her.

He is rude, cruel, cynical, and nasty around her. He spends a lot of time with their neighbors, the Groves-Horatio and his younger sister Olivia. Olivia has fallen for Kai, and to Elliot’s utter disappointment it looks like he feels the same way.

Noooo!

But Elliot cannot focus on that only as her long lost cousin, Benedict and air to the North estate, returns eager to regain control of the promised land, her grandfather grows more ill, and her father tries to engage her in even more power plays.

During one of her free moments, she joins Andromeda, Kai, Donovan, Olivia, and Horatio on an outing to the sea cliffs. Kai and Donovan jump from incredible distances, and Andromeda explains that they recognize the wind shifts because of their piloting expertise. As they continue, Elliot realizes something is not right.

When Olivia tries to do the jump, she falls and is horribly injured. While they try and help her, Elliot realizes that Kai is hiding a big secret, one that could destroy everything.

Not good

Once again Eliot finds herself at a fork in the road. Should she follow the man she loves? Or cling to her Luddite responsibilities.

***Spoiler Warning***

I thought it was pretty good story and interpretation of Jane Austen’s Persuasion. Having Wentworth as a slave/serf rather than lower standing put a completely new spin on the relationship.

I liked how in between the time of the novel, there were letters and notes their younger selves passed, giving us a view of how their relationship started.

Aw!

It doesn’t follow the book exactly, but the author did a good job in staying true to the core of the story, while at the same time doing her own thing.

Good job!

Now there are two things I didn’t like.

First, I didn’t like how the author inserted God to create conflict between those who wanted change and mutation and those who wanted things to remain the same. The insertion wasn’t really what bothered me as much as the author not really giving us a stand on how our main character felt. One of the laws is to not try to play with genetics as you are raising yourself for a a fall, messing with things you shouldn’t control, etc. As much as the main character struggles with her ideas and wondering if they are against God, we never see what her relationship to God is. Is she extremely devout? Who or What is her God? What exactly do they believe in their religion? She brings it up constantly, but we never really know why this is such an issue to her because the author chooses to ignore it. We never see her pray, attend church, do any type of worship, etc. In my opinion you either need to go all the way or just leave it out; no in-between.

The second thing that bothered me was how mean Kai was in this. I mean he was horribly cruel. Now in Persuasion she doesn’t really explain herself as to way she refuses him, so he draws his own conclusions. I this Kai knows! He knows that she needs to help care for the people! He knows how her father and sister are, and without Elliot they would be cruel, starve everyone, and run the whole farm down into the groumd! Yet even though he knows this, he is so horrible to her. I understand why the author made him that way, and it completely makes sense as to character to behave in such a way. But it makes it hard to read as he acts like a jerk, before he finally comes to his senses.

But otherwise I thought it was an excellent read and one of the better Austen reinterpretations on the market. I suggest you check it out for yourself.

For more on Persuasion, go to What Would Jane Do?: Quips and Wisdom from Jane Austen

For more Persuasion variations, go to Captain Wentworth’s Diary

For more books based on Jane Austen, go to Suspense & Sensibility (Or First Impressions Revisited)

Now That’ve Met You, I Can’t Imagine Life Without You: Sabrina (1954)

So first of all

For the past two years I have ended on a Jane Austen film, but this year I was having an extremely hard time choosing which moment to use. Since it was such a difficult decision, and I was going to be away from my computer on vacation this weekend forcing me to write this all ahead of time, that meant I had to make a choice immediately. So we will not be ending this year’s finale with Jane Austen, but with one of my favorite films:

Romantic Moment #14

Sabrina (1954)

Now this is my all time favorite Audrey Hepburn film. Out of all her pieces, this is the one I could watch over and over and over again without ever getting bored. In fact I have in the past.

This film is amazing, although full of all kinds of drama in filming, which you can read about here, if you wish. This film was Audrey Hepburn’s second film, and the start of her relationship with costume designer Edith Head and fashion designer, Hubert de Givenchy. This film was remade in the ’90s with Harrison Ford, but besides him the film sucked and you shouldn’t watch it.

So the film starts off talking about the very wealthy Larrabee family that live in Long Island, New York. They have gazillions of dollars and their fingers are in every pot of business. Their older son is Linus Larrabee (Humphrey Bogart) who graduated from Yale, runs the family business, and has added gazillions to the family pot. Their younger son David (William Holden) like Linus, went to many fine schools but got kicked out of those very fine schools. He works for the family but doesn’t really do anything, but get married. Yep, he has already gone through three divorces: actress, dancer, and opera singer. He’s the black sheep of the family.

Anyways, the family has lots of servants, one being a chauffeur who was brought over from England, Thomas Fairchild. His daughter is Sabrina. Sabrina’s mother died at a young age and Sabrina grew up in New York living in the apartment over the garage. She became close to the servants, but was not supposed to be close to the Larrabee family. Linus of course is much older then her, but David, she has had a huge crush on David ever since she was a small child.

This night Sabrina is being sent off to a cooking school in France, the same one her mother went to when she was her age. This is also the same night that the Larrabees throw their huge Gala. That night she sees David doing what he always does, getting some girl to run off with him to the indoor tennis courts, carrying champagne, and having the band play Isn’t It Romantic?.

Sabrina is heartbroken at seeing David with another girl and having to leave him.

She decides that she doesn’t want to live anymore and takes off to the garage, starting every car and hoping to kill herself.

Just as she is about to lose conciousness, Linus comes in looking for a car to take someone home and saves Sabrina. He takes her up to her room and the next day Sabrina heads off to Paris.

At Paris, she fails in her cooking as she can’t concentrate on anything with her heart broken. She meets a Baron who is taking the class, and he asks her why she is unhappy.

He takes her under his wing and helps her “grow up”. Cutting her hair, helping her get more adult clothes, and sharing his love of France and the culture with her. As Sabrina spends more time with him she starts to come into her own.

The Baron also encourages her to continue to dream about being with David.

Sabrina Fairchild: I might as well be reaching for the moon.

Baron St. Fontanel: The moon?

Baron St. Fontanel: [laughs] Oh, you young people! You are so old-fashioned. Have you not heard? We are building rockets to reach the moon!

And Sabrina decides that she will win David’s affections.

A year later, David is dating someone new, Elizabeth, and discovers that their engagement has been announced in the newspaper…even though he never proposed! This has been all arranged by Linus. Yes Linus has created a new type of plastic that is bulletproof, heatproof, freezeproof, can hold tons of weight, etc-essentially perfect. The major ingredient needed? Sugar. And who owns the most sugar plantations? Elizabeth’s father. Linus sees this marriage a key step to a merger of interests and a multitude of money. Success all around. David is still a bit miffed, but calmed down when Linus has him think about how much he likes Elizabeth and the high likelihood of him going to ask her to marry him on his own. David is relaxed and happy about marrying Elizabeth. Preparations begin.

Meanwhile, Sabrina has completed her cooking courses and is headed home. She is waiting for her father, who was detained for some reason. As she is waiting, David passes by, and comes back as he cannot resist a pretty woman. Sabrina is happy to see him, but David is confused as he can’t figure out who she is.

David Larrabee: I feel so stupid I could kill myself.

Sabrina Fairchild: You’ll be all right in a minute.

They get to the house and then he realizes that the gorgeous girl next to him is Sabrina, the one he has ignored forever! He asks her to go out with him, but realizes that night is the annual Larrabee Gala, and invites her to that instead. He keeps gushing over her, and has completely forgotten about Elizabeth.

That night Sabrina goes to the Gale, dressed in the most amazing gown.

David shows her off to everybody, much to the displeasure of the rest of the Larrabee clan. Mr. & Mrs. Larrabee disapprove because of her station. Linus disapproves because of the deal he wants to make with Elizabeth’s father. As David sends Sabrina off to the tennis court and gets the music and champagne ready, he gets cornered by his father and brother.

The two try to convince David to stop what he is doing and think, but nothing can get through to him. Linus realizes this and notices something else, that David put the champagne glasses in his back pockets. Linus has him sit and crash, David is out of commission. Linus then goes off to meet with Sabrina and hopefully convince her to dump David.

It doesn’t work as Sabrina doesn’t want money. She wants David. Then Linus comes up with a new plan. He decides that he will make her change her affections, get her to fall for him, dump her, and send her back to Paris. He admits that he is older and the likelihood of it working is slim, but they don’t have very many options.

They go boating, and Linus makes up a story about how his heart was broken by a woman and made him never want to love again. His story convinces Sabrina that this is much more to him. Linus continues taking her out and showing his softer side. He also tells her that he will be leaving for Paris. With all their time together she starts falling for him.

In reality Linus’ plan was to have an extra ticket and give it to Sabrina, telling her that they will be running away together. But after the boat has sailed to France, she would go to his cabin and find flowers and an apology note. However, the more time Linus spends with Sabrina the more upset he becomes over the whole deal. He ends up giving the Fairchilds a ton of stock, buys an apartment for Sabrina, a Parisan bank account, flowers, candy, the works. But he still is sick over the whole deal.

Sabrina realizes her feelings for Linus, and beomes extremely confused as to what to do. She tries to end it all, by avoiding him, but Linus convinces her to continue their plans to have dinner together. She starts to make him dinner, but as she is looking for things she discovers the ticket. She is so excited about the whole thing, telling Linus how she loves him. Linus feels horrible and tells her the complete truth. Sabrina understands and leaves the next day for Paris. Heartbroken again.

But at least Sabrina is over David. Now she just has to get over Linus.

After the reveal to Sabrina, Linus has a change of heart. He decides that he cares more about Sabrina’s happiness than his own. He calls of the wedding, and has David sent over to Paris with Sabrina. All well end’s well, right? Wrong.

**************Most Romantic Moment**************

As Linus is about to make the announcement that David and Sabrina has run off together, David walks in. David tells Linus that he realized that Sabrina no longer loves him. When Linus realizes that Sabrina is going to be all alone, he takes off. He loves her and has finally come to the conclusion that he can’t live without her.

He goes running off to be with her. Throwing away buisness, money, everything he has ever loved and cared about as he realizes that there is someone much more important.

And it ends, happily ever after.

Perfect!

So romantic! I just love this movie!

So that ends this year’s Romance is in the Air:Part III. I hope you all have a great Valentines Day, whether you are single or in a relationship. Watch romantic flicks, eat candy, and just enjoy your day. 🙂

To start Romance is in the Air: Part III from the beginning, go to I Can See Your Beauty: The Breakfast Club (1985)

For the previous post, go to I Choose You: Miss Pettigrew Lives For a Day (2008)

For more on Sabrina (1954), go to If It Means A Lot to You

For more on Audrey Hepburn, go to O Christmas Tree, O Christmas Tree

For more on Action Item, go to Good or Bad

For more on Dan Howell, go to Fantastic Fantasies

For more on J.K. Rowling, go to Heaven on Earth

For more of my favorite quotes, go to I Don’t Want to Own You, I Just Want to Be With You: A Room With a View (1985)

Keep Clear Of the Moor. Beware the Moon: An American Werewolf in London (1981)

Keep clear of the moor. Beware the moon, lads.

This movie has been referenced in so many books and films that I had been dying to watch it. I wanted to see why everyone loved. So this past Friday the 13th, I decided to watch it and The Wolf Man (1941) as it was a full moon. But when I saw it, I found it was HORRIBLE!!!! One of the worst films ever!! On par with Attack of the Killer Tomatoes and The Beast of Yucca Flats. 

The main character, David, is so bland and hardly developed that I don’t even care if he becomes a werewolf or not. He also acts crazy all the freakin’ time. In The Wolf Man (1941), Larry thinks he’s crazy, realizes that he’s not, and then tries to stop turning into a werewolf and hurting others. David on the other hand seems to revel in the crazy, and doesn’t seem sad at all that his friend is dead as he is enjoying Nurse Price, etc. While The Wolf Man  is sad and tragic, this was just boring and…more boring.

It took over an hour to see David turn! Over an hour! This movie is an hour and a half and I don’t want to have to sit through an hour of crazy David and naked David and have no werewolf!

This is like Godzilla (2014)!!!! If I’m watching a monster movie, I want to see that monster mentioned in the title! The Wolf Man (1941), has a wolf right away, as Bela is a werewolf, and then we see Larry turn at the half hour mark. That’s how its done people!!

They really should have changed the title of the film to David Naughton, My Naked Body, as that is really what this film is about. We see more nudity and sex than we do a werewolf, which is super disappointing.

I mean seriously, what were you thinking?

I felt like Dracula in Scooby-Doo and the Reluctant Werewolf.

I started a M&M eating game. For every time David was naked I would eat an M&M. My stomach started hurting barely in.

 I have to admit I am getting ahead of myself. Lets go back to the beginning and go through some of the issues.

So for those of you who haven’t seen the film, Jack and David are Americans backpacking through Europe after they have just graduated from college. They are lost in the moors and come upon a pub called the Slaughtered Lamb.

I think the name is a message to steer away.

[Side Note: the pub is based on a real one that was destroyed years ago. After the film, they opened one up in New York.]

So as the two are walking towards the pub, David tells Jack knock-knock jokes. And I kid you not, he doesn’t get them.

Like who doesn’t understand knock-knock jokes? I mean three-year old children understand that concept. How did Jack even graduate? And more importantly, why did they even include that in the film?

And why would you ever enter a place called the Slaughtered Lamb? It just doesn’t sound like there will be anything good there. I’m with Jack on that one, you should’ve passed on it David.

Bad things happen when you don’t listen

So they go into the Slaughtered Lamb, Jack sees a pentagram and candles on the wall and he begins telling David all kinds of trivia from The Wolf Man (1941).

The two end up getting kicked out of the pub and start wandering the moor, when a werewolf attacks.

It attacks Jack and David takes off running.

Yep he takes off. You horrible man, you let your friend die! How could you??!! He was trying to help you and when the wolf attacks him you just RUN OFF???!!!

See Hook agrees with me.

So David ends up in the hospital with a “wolf” bite while Jack ends up in the morgue.

Your fault!

And that’s when Nurse Price enters the picture.

Ugh. Hate her.

Nurse Price is crazy and a skank. Now I don’t like to call women that, but she plays with David’s junk to get him to eat! I’m serious!!!

She must have a thing for sick/crazy guys.

Plus she is just annoying in how she acts. Nurse Price calls Mark Twain Samuel Clemens when she is reading A Connecticut Yankee in King Arthur’s Court I know that is his real name, but who actually goes around using it? NOBODY! Everyone calls him Mark Twain. And I know the director is trying to draw parallels between the stories, but no movie, no.

The only similarity between the two is an American in Britain. NOTHING ELSE!

David doesn’t have the most fun in the hospital. He sees dead Jack and actually talk to him (weird scene). Jack tells David he is going to be a werewolf and he believes it. David is eventually allowed to check out as his bite is not serious. Nurse Price invites David back to her place and tells him she wants to be with him. She says “I don’t really bring strange men home…I’ve only been with seven men, of which three were one-night stands”

Sounds like you do bring strange men home since that is about half the men you’ve slept with, and David will make that four out of eight.

All I can think is how many were people presumed to be crazy (as at this point she thinks David is just imbalanced as he says he is a werewolf)? I mean she’s like Sam Winchester over here. (She actually is as he slept with a werewolf. And a demon. Dated another demon, and was involved with some other monsters.)

So as Nurse Price and David head back to her flat (apartment) they comment on how high the price of all food is. I’m like,

You paid like £5 for a bag of groceries. I wish food was that cheap.

Why? Why!

Anyways so we have a second visit from Jack and to be honest, this film is more about the Leprechaun (1993)/Rumpelstiltskin from Once Upon a Time Zombie Ghost Jack, than it is about a werewolf.

The next day after Jack and Nurse Price had sex, she leaves for work and twin girls with a dog come upon Jack. The girls’ dog barks at him and they both laugh like crazy and walk off.

What? I know they are trying to reference The Wolf Man (1941) how the dog can sense he is a wolf (Gwen’s fiance Frank, his dog does this). But what was up with the twin girls? Did they think after The Shinning (1980) that the only way to do a creepy film was to have weird twin girls?

And are they honestly going to included every song that uses the word moon? We’ve already had Blue Moon and Bad Moon Rising, I am now half-expecting Moon River to be played next.

And we get the cliche #56,  “person pretends in the mirror to be the monster they later turn into”.

Ugh

So we switch to the hospital and get a second round of this bratty little boy who says no all the time (he was in the first hospital scene). He’s even more annoying the second time around that I am actually hoping he does get eaten.

Die, die, die!

The transformation scene was okay.

So the next day David wakes up in the zoo naked with the wolves. Now that doesn’t make much sense to me, if you are a wild werewolf, why would you go put yourself in a cage? You’re free! It would make way more sense if he woke up in the park instead.

So David tries to get arrested, “to protect others”, and that was kind of funny because the bobby (cop) won’t consider it until he starts insulting the Queen, Winston Churchill, and Shakespeare. But he is so rude to nurse Price. Telling her to shut up and leave him alone:

He then tells Nurse Price he loves her, and she’s like woah Ted Moseby, slow down. I Love You? Really after one night? Woah, you don’t even know her. Besides she’s crazy. You don’t want to date crazy.

David then runs off to call his family and tell them he cares about them before he kills himself, but can only reach his 10-year old sister as everyone else is out. All I can think is, 1) David was attacked by a werewolf  or “wolf” as the doctors are calling it and 2) his best friend has been killed! How are his parents not in London right now trying to see if he’s okay? Their son could have been killed!!

See Hook agrees with me.

So David tries to kill himself but can’t go through with it. Now all I can think is, haven’t you seen The Wolf Man (1941), I mean I assume you did as you were telling the nurse about it. Well don’t you remember, a werewolf can only be killed by silver? Slitting your wrists doesn’t work.

So stupid

So after that David sees Jack outside a porno film movie house and goes in after him. All I can think is, you’re worried about killing people and you go see a porno? Really?

And don’t give me, that’s where zombie Jack was at and he needed to speak to him. Before that we saw that Jack came to David wherever he went (hospital, Nurse Price’s flat, etc); he could find himself a quiet place and Jack would totally follow him there.

Plus what us up with the film they are watching? A guy and girl are getting it on and a second guy comes marching in the room yelling “You promised you wouldn’t do this again!” The first guy says “No, I didn’t.” The second guy answers, “I’m talking to her.” The women replies, “I don’t know you.” The second guy gets really embarrassed, says “Oh”, and leaves.

What the heck was the point of that? And immediately after, Jack says “great movie”. I know you are super horny Jack, but no, no, no, no ,no, no, no, no. That is horrible, horrible, horrible.

After this I couldn’t stomach anymore. It wasn’t scary. There was barely an werewolf. It was pretty much a huge mess. I’ll take The Wolf Man (1941) any day.

No no no no no

And here I will leave with more werewolf than we see in the film.

To start Horrorfest III from the beginning, go to Even a Man Pure of Heart

For the previous post, go to You Will Die in Seven Days

For more on An American Werewolf in London, go to Pink Elephants

For more on werewolves, go to Unleash the Savage Instincts That Lie Within

For more on Scooby-Doo and the Reluctant Werewolf, go to A Monster Race

For more modern remakes, go to Let Them Fight

For more on monsters, go to What Is This Thing?

For more on Supernatural, go to Happily Ever Aftermath

For more on How I Met Your Mother, go to I’ll Be Back

It’s Happening Again, Isn’t It?: Scream 2 (1997)

It’s happening again, isn’t it?

So welcome to another Screamin’ Saturday. Yep, every Saturday this month we are going to cover the Scream franchise. Go to What’s Your Favorite Scary Movie? to read about the first one.

**** Contains Spoliers ****

Now the first Scream film was a parody of horror films. Scream 2 is similar, but takes it one step further by making this a parody of horror sequels, and sequels in general. Kevin Williamson actually came up with the ideas for Scream 2 while writing the script for Scream. Scream 2 began principal photography just six months after the release of Scream, and it was released less than a year after its predecessor.

So Scream takes place two years since the last film, and Gale Weathers has not only written her book about the Woodsboro murders, but her book has been turned into a film, Stab. They are having a midnight showing for the film in which all those who attend receive a free ghostface mask + costume.

So we open with a boyfriend and girlfriend going to see the film. She’s not really into it, but her boyfriend is all over the slasher flick. The two start watching the film, when her boyfriend goes off to the bathroom. Just like in Friday the 13th, he meets his end.

Ghostface attacks!

Making it body #1

Victim #1

Back at the theater, his date is chilling, watching the film, when she too meets her end.

Victim #2

Everyone hears her screams, but does nothing as they think it was just a publicity stunt.

The next day we go to Windsor College, where the dead boy and girl attended school; and also the place that Randy and Sidney go to. Randy is in his film class where they are discussing whether or not violent films really encourages people to become killers. The reason this plays such a crucial role in the film, was because after the first film came out there were a ton of people trying to copy the murders and they way they killed people in the film. In fact many tried to blame it on scary movies and try to get directors like Wes Craven to be held responsible for it.

“Film Teacher: You could say that what happened in that theatre was a direct result of the movie itself.

Cici: That is so Moral Majority. You can’t blame real life violence on entertainment.

Film Class Guy #1: Yes you can. Don’t you ever watch the news?

Film Class Guy #2: Hello? The murderer was wearing a ghost mask just like in the movie. It’s directly responsible.

Cici: No, it’s not. Movies are not responsible for our actions.

Mickey: Its a classic case of life, imitating art, imitating life.

Film Class Mopey Girl: Its not hypothetical, it’s not about art. I had biology with that girl. This is reality.

Randy: Thank you. I agree with you. Let me tell you about reality, Mickey. I lived through this, okay? Life is life. It doesn’t imitate anything.

Mickey: Oh come on Randy, with all due respect, the killer obviously patterned himself after two serial killers who were immortalized on film.

Film Class Guy #2: Thank you!

Film Teacher: So, you’re suggesting that someone is trying to make a real life sequel?

Randy: Stab 2? Who would wanna do that? Sequels suck! Oh please, please! By definition alone, sequels are inferior films!

Thank you Randy!

And this spurns a debate on whether or not sequels are horrible films. I have to say that I usually hate sequels, but there are some that are better than the original, such as Aliens, or just as good, like Terminator 2.  Anyways, as they are debating, one student, Mickey, says that Godfather II is so much better than the original. Mickey you are stupid. Godfather II is no where near as awesome as the original Godfather. The Godfather was an amazing film about this family and one man’s struggle to get free, but getting trapped in something he does not want. It is AWESOME! The second one isn’t bad, but the plot is a little scattered with the juxtaposition between Vito’s start in America, and Michael’s life. I don’t think it’s awful, but it just doesn’t hold a candle to the original. Mickey, I only have one thing to say to you:

Don’t mess with me!

Sorry! Back to the film…

So Randy still is in love with Sidney, and I personally hate how the directors never put them together. I wanted Randy to win the girl. But sadly, that’s not in his future.

He checks up on Sidney who is scared about everything happening again.

We are then introduced to the rest of the crew. Sidney’s new boyfriend Derek (Jerry O’Connell),  his best friend Mickey (Timothy Olyphant) and…wait a sec. Timothy Olyphant? the sexy guy from Deadwood and Justified? He’s in this film???? Woaaaaaah!! This dude is one incredible actor. He goes from yucky creep:

Uber Creep!!!

to:

Excuse me again. Sorry! And Sydney’s best friend Hallie (Elise Neal). (Funny it mimics the old crew. In Scream: Sidney, Randy, Billy, Stu, & Tatum. Scream 2: Sidney, Randy, Derek, Mickey, & Hallie. 3 boys and 2 girls). Soon to join them is Deputy Dewey, as he wants to watch over Sidney and make sure she is okay. He does suffer from a limp and other ailments, as his stabbing almost killed him. Following after him is Gale, who is once again, not received well.

Meanwhile Sidney continues to get harassed on the phone:

“Sydney: Hello? Hello?

Phone Voice: Hello Sidney.

Sydney: Yes?

Phone Voice: What’s your favorite scary movie?

Sydney: Who is this?

Phone Voice: You tell me.

Sydney: [picks up caller ID] Cory Gillis, 555-0176.

Phone Voice: S***!

Sydney: Hot flash Cory…

Phone Voice: S***!

Sydney: …prank calls are a criminal offense prosecuted under penal code 653M.

[caller hangs up]

Sydney: Hope you enjoyed the movie.”

Meanwhile, that night in a sorority house, Cici, the girl from the film class (and played by Sarah Michelle Geller) recieves a lot of phone calls and is attacked that night.

Ghostface attacks!

Making her

Victim #3

That night Sidney gets attacked by ghostface, and just manages to get out okay with Derek’s help. He saves her but gets a flesh wound in the process. She is then is given two policemen bodyguards to protect her.

The next day, Sidney is totally freaking out, as she herself also gets attacked. Derek tries to make her feel better by singing her a Partridge Family song, I Think I Love You:

This is one of my all time favorite songs! I find it so incredibly romantic!

So romantic!

And gives her his Greek letters for protection.

No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, Derek NO!

Noooooooooo!!!!!!!

Have you not seen any horror films?!!!!

 

This is why Randy is awesome, he would know about this and he would not make this stupid mistake. OMG movie heroes make this mistake all the freakin’ time. The Wolf Man, The Mummy, Dracula, etc. If you have been given a necklace just for you DO NOT and I repeat DO NOT GIVE IT AWAY! IF YOU DO YOU WILL DIE!!!!!!!!!!!!!!!! Every single time! I mean it is true that this is just Greek letters and not something given by Van Helsing, or a Gypsy ,or whatever, but still. If you hadn’t given it away you wouldn’t have marked yourself as a dead man. Just saying.

Ouch

Randy and Dewey meet up to try and figure out who the killer might be. While they are discussing it, they see clips from the film Stab. Now I do have to say I love the movie within the movie as they show scenes from the film. And good job Wes on continuity. In Scream, Sidney mentions how she wouldn’t be lucky to have a great actress play her, she’d probably end up with Tori Spelling.

Randy also goes over the rules for sequels.

And also discusses our potential killers. Is it Derek, the boyfriend? Could Sydney have made the same mistake twice? How about creepy Mickey? Or the supposedly sweet Hallie?

Everyone’s a suspect!

Sidney, meanwhile is suffering from PTSD. She is supposed to be the star of the school play, but has a complete breakdown in rehearsal.

And this is something that makes absolutely no sense to me whatsoever. I know Wes did it this way so that when Ghostface is attacking her she can go all loca, but still who would ever be in a play where people in freakin’ masks are attacking you? There is no way whatsoever that someone with that much trauma would dare even do that. I’m sorry, but I just don’t believe it.

Now I want to take a brief sidebar from the film (I know again…sorry!) But let me just say that I love how this film is such a great representation of the ’90s. You have that one side of the culture with the dark clothing very goth (Sidney and Gale). And on the other hand you have the prep look with floral and pastels (Derek and Hallie). You have everyone running around in denim, stonewash of course. Ah, it’s such a throwback. They even give a Saved By the Bell reference, and call each other bonehead. Oh ’90s.

Anyways back to the film. So Randy, Dewey, and Gale have now teamed up to try and find the killer. Poor Randy. He loves Sidney so much, but she won’t give him the time of day. Now I cannot understand why Sidney won’t date Randy. Randy is awesome. He has great taste in film. He is tall and buff. He does a great British accent. Why Sid? Why? He’s perfect.

So they get a call, and while Randy talks to ghostface, Dewey and Gale hunt around the area trying to find the murderer.

Victim #4

RANDY NOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO!

Noooooooooo!!!!!!!

Why, why why!!!!!! Why did Randy have to die? Why?????????!!!!!!!!! Just like the garage scene was the biggest mistake of Scream, killing Randy was the biggest mistake you could make for the sequel. Randy was awesome. Randy was hot. Randy was the only one who had seen horror films. Whyyyyyyyyyyyyy???????!!!!!!!!!!!!!!!

So Sidney, even though her life is threatened, has schoolwork to do. She goes to the library and her guards go to the other side of the building.

WHY AREN’T THEY NEXT TO HER?

Then Sidney gets threatened and her bodyguards take off to investigate.

So what is up with Sidney’s bodyguards? Do they want her to die? She gets threatened and they live her alone to investigate. SHE WAS JUST THREATENED!!!!! DO YOU WANT HER TO DIE??????? Ugh! One of you should have stayed while the other went out looking.

While they are gone Cotton Weary comes onto Sidney. I’m sure you guys remember Cotton. He was played by Liev Schreiber, and was the man that Sidney thought had murdered her mother. He had been released after the whole Stu & Billy issue. He’s been trying to reach Sidney to have her go on TV with him and discuss the past, but she has been ignoring him.

Okay Cotton is a real creep. The way he just pops out of nowhere and how he is obsessed with Sidney, I’m having Phantoms flashbacks. Let me just say that I don’t like Liev Schieber. I think he is creepy in everything! (Well except Kate & Leopold). 

So after that they decide to take Sydney and Hallie to a safe house. She stops to say good-bye to Derek, but it turns out he gets kidnapped by his frat brothers as he is going to get a beat down for giving away his letters.

Okay this is a weird scene. Seriously what is with all the Troy references? They are doing a Greek tragedy about Troy as their school play. The Greek frat/Sorority yells about how this is for Troy and call themselves gods. Who talks like that? What is their obsession with Troy in this film?

Anyways, so the four of them are on their way to a safe house, when Sydney asks the cops where they are going. They tell her that they can’t, because if they tell her, then they’ll have to kill her.

Sydney is being threatened BY A KILLER AND YOU THINK MAKING A JOKE ABOUT KILLING HER IS FUNNY?

Like dude really? Bad form, bad form

I mean like

Anyways, back to the film.

So as they are driving they get attacked by Ghostface.

Ghostface attacks!

Now this makes no sense to me. How did Ghostface know where they were going? I mean they were taking her to a secure location, a safe house, yet he reaches the intersection way before them. I mean he could have guessed they would exit and go down that way, but every campus has at least four exits, how did he know they weren’t going to double back? And how did he make it there on foot? And what was his plan if they didn’t happen to get a red light? I mean he is on foot, and they will be driving at least 35m/hr, maybe faster.

Shame on you!

So the two take a really long time, trying to get out of the car without disturbing ghostface. They make it out and start running away. When Sidney decides to go back and take a look at who the killer is.

This isn’t the time to stay there, this is the time to RUN AWAY!!!!!!!!!!!

She goes back, but the killer has magically disappeared and kills Hallie. Bringing our total to:

Victim #5, 6, & 7

The body count is racking up!

Sidney, finally takes the right advice and runs away, toward the theater/film department/building.

Meanwhile, Gale and Dewey go are in the theater to check out the film department and look at some tapes.

While their things get a little heated. Now Dewey and Gale, tsk. tsk. What is this Twin Peaks? You are going to sex while there is a killer loose?

But they get interrupted by a tape that shows images from Cici’s murder, Randy’s, and then the two of them. Ghostface then chases them around stabbing Dewey in the process. Now Gale manages to outrun him for quite a while and it is  pretty B.A. how Gale is attacking and trying to take Ghostface down. The whole chase scene with Gale and the killer is very reminiscent of Jurassic Park. The raptors and Ghostface could be best buds.

Sidney has reached the stage, where she sees Derek tied up. She goes to help him when ghostface comes upon her and reveals himself to be……….

Uber Creep!!!

Mickey

Yep, Mickey is crazy and the killer. He tells Sidney that he isn’t working alone, but has a partner.

“Mickey: Don’t you know, history repeats itself? Hmm, Sid? [removes mask to reveal Mickey; uses voice-changer] Surprise, Sidney.

Derek: What the f***?

Mickey: Since Derek here disappeared on my a**, I’ve been on my own, all f****** night. Thanks a lot, partner.

Derek: You motherf*****! Sid, you know me better than that. Untie me.

Sydney: Oh my god, Derek!

Derek: No, no, no… Sid.

Mickey: It’s okay, Derek. We got her.

Derek: No, no, Sid, listen to me. You know me better than that. He’s lying.

Mickey: What do you think, Derek? Sidney’s experiencing a little deja vu?

Derek: Sid, he’s lying! The man is lying! Sid, untie me! Untie me!”

So now Sidney is caught between the two. Could she have made the same mistake?

What to do

Before Sidney can make a decision Mickey shoots Derek in the chest. Bringing us to:

Victim #8

“Mickey: You should really deal with your trust issues Sid: I mean, poor Derek. He’s completely innocent and such a nice boy too. He’s bright and funny and handsome. Decent singing voice. And he was going to be a doctor. This is just the kinda boy you’d like to take home to mom. If you had a mom.”

Mickey tells Sidney to look behind her and she his partner. She does and it is Gale

But behind Gale is another reporter who had been around earlier, Debbie Salt. The women who Sidney recognizes as Mrs. Loomis, Billy’s mom.

Now what’s really interesting about Scream 2 is that the cast didn’t know who the killer was until the last day. They had kept it a big secret and had actually gone through multiple endings with different killers. Everyone from Derek, Hallie, Mrs. Loomis, and Cotton; before settling on the deadly duo of Mickey and Mrs. Loomis.

Anyways, so Billy’s mom and Mickey have been working together. Mickey wanted to kill because he wanted to get caught and use horror films as his defense at trial. Mrs. Loomis, shoots Mickey who shoots Gale and knocks her off the stage. She then turns to Sidney and explains her real reasons behind it all. Pulling a Mrs. Voorhees, she wants to get back at the person who killed her son.

Pamela Voorhees: [high voice] Kill her, Mommy! Kill her! Don’t let her get away, Mommy! Don’t let her live!
[normal voice] I won’t, Jason. I won’t!

After Mrs. Voor…Loomis is about to slit Sidney’s throat, when Cotton comes on the scene.

I love this ending. Even though Cotton is a total creep and this is the meanest thing ever, I just love that he blackmails her into giving him the interview.

Gale is alive and after she joins the group. Mickey seems to wake up, but Sidney shoots both Mickey and Mrs. Precott.

Dewey is alive and gets taken to the hospital and Cotton gets his interview as the hero of the night.

So tell me Wes Craven, how does Dewey survive another extreme stabbing and live? How does he live and not Randy? Randy is awesome, why’d he have to die? Why. I’m still not over that. Wes Craven you break my heart.

Wes Craven and I

Tune in next Saturday for the third installment

To start Horrorfest III from the beginning, go to Even a Man Pure of Heart

To go to the previous post, go to Happily Ever Aftermath

For more on the Scream saga, go to What’s Your Favorite Scary Movie?

For more on Wes Craven, go to Kruegar Town

For more horror parody, go to A Deliciously Creepy Tale

For more on slasher film, go to It’s Coming From Inside the House

For more on Friday the 13th, go to Camp Blood

For more great sequels, go to The Boys Are Back in Town

For more films that spanned sequels, go to I’ll Be Back

For more of my fav songs, go to Rock You Like a Hurricane 

What’s Your Favorite Scary Movie?: Scream (1996)

So this Horrorfest, I am going to be doing something a little different. We are going to have “Screamtastic Saturdays”. Every Saturday in October going to be on a different Scream movie. So let’s kick it off with:

What’s your favorite scary movie?

*Spolier Alert*

So I really loved this movie. I have to say that I was originally disappointed in Wes Craven as Nightmare on Elm Streettotally tanked. This film was by far, much better. One of the coolest things about this film is that it is a parody of horror films, while still being its own horror film.

So the beginning starts off with Drew Barrymore cooking popcorn and preparing for a fun night in watching scary movies with her boyfriend. Just like When A Stranger Calls, she receives a strange phone call and is at first into it, thinking it is just a joke.

However, it quickly turns serious as the caller threatens Casey that he is going to kill her and her boyfriend, Steve.

But she has a chance at being saved, all she has to do is answer who was the killer in Friday the 13th.

“Phone Voice: Name the killer in Friday the 13th.

Casey: Jason! Jason! Jason!

Phone Voice: I’m sorry. That’s the wrong answer!

Casey: No, it’s not. No it’s not. It was Jason.

Phone Voice: Afraid not. No way.

Casey: Listen, it was Jason! I saw that movie 20 g******* times!

Phone Voice: Then you should know that Jason’s mother, Mrs. Voorhees was the original killer. Jason didn’t show up until the sequel. I’m afraid that was a wrong answer.

Casey: [Weeping] You tricked me.

Phone Voice: Lucky for you there’s a bonus round, but poor Steve… I’m afraid he’s OUT!”

Steve is murdered and Casey runs throughout the house trying to get away from the killer. Of which she doesn’t make it out and finds herself victim #1.

And thus the body count begins…

So the killing of Drew Barrymore holds two significant things. One, she was one the most famous actress in the film, and was killed first. This was supposed to be a homage to Alfred Hitchcock’s Psycho (1960), in which the most famous actress of the film, Janet Leigh, was only in the movie for a short while before she was killed. This was also supposed to be a parody of Craven’s film Nightmare on Elm Street, when the first character we meet, Tina (played by Amanda Wyss), is killed. Craven also had his character Casey wear white just like Tina in Nightmare on Elm Street.

The next day, the town Woodsboro is just ravaged by reporters who are eager to find out more about this murder, especially since it occurred almost exactly a year after their little town experienced a murder just as gruesome. The murder of Maureen Prescott by Cotton Weary.

Meanwhile, Sidney Prescott (Neve Campbell) is trying to cope with everything that is going on.

As to be expected she is having a really hard time with the anniversary of her mother’s death. When she hears about the murders and sees the reporters crawling all over town and school, the memories of the past year come flooding back.

AAAAAAAAAAAAAAAAAHHHH!!!!!!!!!!!

One of her other big issues is her boyfriend Billy Loomis.

Okay, I just have to go off on a tangent here: Billy is sooooooooooooo creepy looking. When I first saw this I was like he is toooootally the killer. I mean LOOK AT HIM! He has killer written alllll over him. Those eyes, they are super frightening. And the way he talks? He tells Sidney that he was watching Silence of the Lambs and that made him think of her and want to come over and get ”together”. What a freak!

(BTW it is another Psycho reference. Billy Loomis is a homage to Sam Loomis, Marion Crane’s boyfriend in Psycho; and Dr. Sam Loomis in Halloween.)

The two have been having issues since Sidney’s mom died. She was so traumatized by the event that she has isolated herself and found it hard to let anyone in again. Her best friend Tatum is cool with it as she understands Sidney needs time to grieve, but Billy has been having a hard time backtracking from third base to the benches. Ladies, let me just say that if any guy ever tries to pressure into having sex when you aren’t ready, junk punch him and run away. You don’t need that loser in your life.

To top off the already bad day, Sidney’s father has to go out of town, leaving Sidney all alone in a big house.

Yep, gonna make When a Stranger Calls  references all night.

Sidney makes plans to meet up with Tatum and stay at her place, but falls asleep at home when Tatum is late picking her up. While Sidney is waiting she gets a phone call from the killer who starts harassing her. And she stupidly calls throughout the house trying to find him.

“Sidney Prescott: Can you see me right now?  Ah, okay. [puts a finger in her nose] What am I doing? Huh? Huh? What am I doing? Hello? [takes finger out] Nice try, Randy. Tell Tatum to hurry up, okay? Bye now.

Ghostface: IF YOU HANG UP ON ME, YOU’LL DIE JUST LIKE YOUR MOTHER! Do you want to die, Sidney? Your mother sure didn’t.

Sidney Prescott: F*** you, you cretin!”

Soon the killer comes in her house and she has to run away from him and try to get the police there before she is victim #3. Billy shows up, climbing through her window saving her; that is until Sidney sees that he has a cellphone and freaks out, having the police cart him away.

So there are a couple places that were filmed in Santa Rosa, CA. One was the bathroom scene in which Sidney is attacked, the other is Tatum’s house which is right across the street from the house used in Pollyanna (1960). It is also across the street from the house used in Alfred Hitchcock’s Shadow of a Doubt (1943). The house in the opening scene was next door to the house used in Cujo (1983). As I lived in that area when I attended college, I’ve been there. 

Sidney spends the night at Tatum’s house and the next day is completely crazy. Billy was released as they had nothing to hold him on. And they still are unable to find her father as he never checked into his hotel. Plus Gale Weathers, a reporter who has been harassing her for a over year, is back and won’t let up.

“Gale: There she is! Sidney, hi, what happened? Are you alright?

Tatum: She’s not answering any questions alright. Just leave us alone.

Sidney Prescott: No, no Tatum it’s OK. She’s just doing her job, right Gale?

Gale: That’s right.

Sidney Prescott: So how’s the book?

Gale: Oh it’ll be out later this year.

Sidney Prescott: Oh, I’ll look for it.

Gale: I’ll send you a copy.

[Sidney turns around a punches Gale in the face]”

Also at the school we have a little Wes Craven easter egg, as he plays the janitor and dresses in a Freddy Krueger sweater.

The principal (Henry Winkler) decides to suspend school until further notice as it is just too risky for the students. After they all have left, he finds himself joining the body count as well, victim #3.

The death of the principal was actually added to the film late into production. Bob Weinstein noticed there were 30 pgs in the script where no one was murdered and they decided that they needed another victim.

AAAAAAAAAAAAAAAAAAAAAAAHHHHH!!!!!!!!!!!!!!!

Billy’s friend Stu decides to throw a party and have all the kids in school come. I don’t understand why anyone’s parents would allow their kids to go out like that with A FREAKIN’ KILLER ON THE LOOSE. Come on people, Parent!!

At the party, the kids are chillin’, drinking beer, watching horror films, etc. Billy and Sidney go upstairs and talk, resulting in the two having sex.

Meanwhile downstairs Tatum goes off to the garage to get more beer and is attacked by the killer. This garage scene is the only weak link in the film. First of all when Tatum walks over to the garage door and it almost closes on her, that would never happen. My dad is a contractor and I remember when I was a kid I thought the garage would close on me too; however, they design garage doors specfically to not do that. In fact, they have a certain radius that if someone was to walk within that circle the door would stop. And come on she IS IN A FREAKIN’ GARAGE!!! Do you know how many weapons there are in that thing? She passes over a hoe, rake, and a shovel! You see all kinds of tools throughout their fight too. She could easly find something to attack him and win. Although I do have to give props to Wes for allowing Tatum to to put up such a great fight.

Victim #4

Back in the living room,  Randy is giving a rundown on how to survive a horror film,  (* are the rules that are given by the killer).

1. You will not survive if you have sex
2. You will not survive if you do drugs or drinks
3. You will not survive if you say “I’ll be right back.”
4. Everyone is a suspect
5. *You will not survive if you ask “Who’s there.”*
6. *You will not survive if you go out to investigate a strange noise*

While all this is going on, Gale and Tatum’s brother Officer Dewey, have been spying on the party. Gale has snuck a camera into the party, so that she can view everything from her van. She and Dewey both take a break though, “walking off” together where they come upon Sidney’s father’s abandoned car.

Everyone back at the party gets the news that the principal is dead and had been strung up on the football field. Almost everyone leaves; with just Randy, Sidney, Billy, Stu, and Gale’s cameraman Kenny (in the van) staying behind. The killer comes out and starts attacking.

One of the best scenes is the scene is when a drunk Randy is watching Halloween and telling Jamie Lee Curtis’ character to turn around while the killer is behind him (Randy). He constantly repeats, “Jamie, turn around. Turn around, Jamie!” as the killer is slowly creeping up behind him.

So Kenny and Dewey fall victim to his knife.

Victim #5 & 6

After Sidney and Billy are done having sex and have changed back into their clothes the killer charges in and stabs Billy (#7), while Sidney manages to run away and finds Tatum’s body.

As she continues running she runs in the path of Gale who was fleeing the killer in her van. Gale swerves to miss Sidney and crashes, getting knocked out. Sidney goes back to the house, taking the gun from the dying Dewey. She runs into Randy and Stu and is unsure who is the killer. She then runs into a wounded Billy and gives him the gun. Billy immediately shoots Randy (#8) and stands up.

Yep, Billy isn’t injured at all. In fact, it was all a ploy he is the real killer.

Billy: Corn Syrup, just like in the real movies.

Yep, the whole time Billy and Stu have been the killers. From Sidney’s mom (the real first victim) to everyone else.

“Sidney Prescott: Why? Why did you kill my mother?

Billy: Why? WHY! You hear that Stu? I think she wants a motive. Well I don’t really believe in motives Sid, I mean did Norman Bates have a motive?

Stu: No.

Billy: Did we ever find out why Hannibal Lecter like to eat people? DON’T THINK SO! See it’s a lot more scarier when there’s no motive, Sid. We did your Mom a favor, Sid. That woman was a slut-bag whore who flashed her s*** all over town like she was Sharon Stone or somethin’.

Stu: Yeah, we put her out of her misery, ’cause let’s face Sidney, your mother was no Sharon Stone,hmm?

Billy: Is that motive enough for you? How about this? Your slut mother was f****** my father and she’s the reason my mom moved out and abandoned me. [Sid looks astonished] How’s that for a motive? Maternal abandonment causes serious deviant behaviour. It certainly f***** you up. It made you have sex with a psychopath.”

Yep, and not only that, but the two planned the whole thing out so that her father would take the blame, making it look like he had a mental breakdown on the anniversary of his wife’s death and started killing people. They kidnapped her father and brought him out of hiding for their final act. Billy and Stu planned that original attack on Sidney (when Billy was arrested) to make any second arrest look false and questionable.

Of course their plan will not be complete until they make themselves look like victims. Stu stabs Billy, and Billy stabs Stu. While the two are monologing and arguing they have seemed to forget one important thing.

 Sidney and her father have disappeared.

“Stu: S***…

Billy: What?

Stu: Oh, s***.

Billy: [They go into the kitchen to find Sidney and Mr. Prescott gone] Where are they? Where are they?

Stu: I don’t know, Billy, but I’m hurtin’, man!

Yep, just like they say in Dial M for Murder, you can never plan the perfect murder. What sounds good on paper can never transfer to real life, because in real life there are just too many things that can go wrong.

“Margot Mary Wendice: Do you really believe in the perfect murder?

Mark Halliday: Mmm, yes, absolutely. On paper, that is. And I think I could, uh, plan one better than most people; but I doubt if I could carry it out.

Tony Wendice: Oh? Why not?

Mark Halliday: Well, because in stories things usually turn out the way the author wants them to; and in real life they don’t… always.”

So here Stu and Billy find themselves completely off script, and unsure…

[the phone rings]

Stu: Should I let the machine get it?

Billy: [answers it] Hello?

Sidney Prescott: Are you alone in the house?

Billy: B****! You b****, where the f*** are you?

Sidney Prescott: Not so fast, we’re going to play a little game. It’s called: Guess who just called the police and reported your sorry motherf******* a**!
[Stu is slowly collapsing to the floor]
Billy: Find her, you dips***! Get up!
Stu: I can’t, Billy. You already cut me too deep. I think I’m dying here, man!
Billy: [Billy gives Stu the phone] Talk to her. Talk to her.
Stu: Hello?
Sidney Prescott: Ah, Stu, Stu, Stu… What’s your motive? Billy’s got one. The police are on their way. What are you going to tell them?
Stu: Peer pressure. I’m far too sensitive.
Billy:[Billy takes the phone back] I’m going to rip you up, b****, just like your f****** mother!
Sidney Prescott: You’ve gotta find me first, you pansy-a** momma’s boy!”

Now the game of cat and mouse has changed with the hunted becoming the hunters.

In the end Gale, Sidney, Dewey, Mr. Prescott, and Randy survive (only 5 victims).

So that was Scream one of the best horror-parodies ever made.

This film really brought back the slasher genre, as after this slasher remakes and slasher film numbers escalated. It also brought up the debate on whether or not violence in movies affected people and caused them to become more violent? The most important thing is that this film increased was the use of caller ID and made such phone harassment much harder to do. Although not for me.

The other thing I realized in this film is that I am soooooo Randy.

I also realized that just like in The Cable Guy, I’m only a few steps away from the crazy.

Well, that’s Scream. Tune in next Saturday for Scream 2.

To start Horrorfest III from the beginning, go to Even a Man Pure of Heart

To go to the previous post, go to In Their Proper Place

For more on Scream, go to When Horror Doesn’t Stay on the Screen

For more on Wes Craven, go to Krueger Town

For more on phone harrasment, go to It’s Coming From Inside the House

For more films influenced by Alfred Hitchcock, go to Everyone’s Entitled to One Good Scare

For more on serial killers, go to Hello? Is There a Killer in My Kitchen?

For more on slasher films, go to Camp Blood

For more films that spanned numerous sequels, go to He Who Walks Behind the Rows